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"pubis" poems
Body of a woman, white hills, white thighs, you look like a world, lying in surrender. My rough peasant's body digs in you and makes the son leap from the depth of the earth. I was lone like a tunnel. The birds fled from me, and nigh swamped me with its crushing invasion. To survive myself I forged you like a weapon, like an arrow in my bow, a stone in my sling. But the hour of vengeance falls, and I love you. Body of skin, of moss, of eager and firm milk. Oh the goblets of the breast! Oh the eyes of absence! Oh the roses of the ***** Oh your voice, slow and sad! Body of my woman, I will persist in your grace. My thirst, my boundless desire, my shifting road! Dark river-beds where the eternal thirst flows and weariness follows, and the infinite ache.
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129k
Body of a Woman
Into the wonderment of your autumnal mind. Where the skin of your grief sheds its leaves. Is the song of your sea bound into colourful light? The Shepherd breaches the flock of your dreams, And the pastures breathe a sigh of relief, As your tears of morning dew Glisten the parched landscape. Does your bouquet of ***** Lay wistfully in the wilderness? The skies of blue that reside in your eyes Serenades the coming of the tide, Harvesting the fruit of our labour of love. Is this a wind of smile that turns into a voyage of valiancy? A flock of thoughts liberated with a cry of exclamation As your fears of autumn blue Are exiled into the rapacious wind.
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Dec 17, 2016
Dec 17, 2016 at 5:40 PM UTC
Wistful in the Wilderness
He was one of those guys who marry money. And you can grok that in any sense you desire. But be forewarned, my friend, I am well-versed in a multitude of Marry-For-Money manifestations. Take, for example, marrying the Boss' daughter. Come with me, for illustration's sake, Join me in one such dis-functional household: George & Martha's place on campus-- A classic Tudor-revival home, Ivied & plushly-appointed, A coveted faculty perk Which goes along with the gig. And the gag, for that matter. I speak, of course, of Edward Albee's Two perversely miserable humans, Married to each other, to wit: George & Martha, leading lives of Pubis-scratching desperation, in "Who's Afraid of Virginia Woolf?" She's the only daughter-- Daddy's precious jewel-- Only girl-child of the President Of a small, rural college. He's the middle-aged professor With no great pedagogic or research prowess. His working-class perspective, Viewing the quiet academic life to be A significant step up in genteel existence. Except--and there's the rub: Mere existence is a far cry from Living the good life Dan Draper & The rest of Satan's Mad Men minions Taught him to take for granted. So George & Martha, In terms of core values, Have little in common; More like opposites, in fact: His starvation diet as a child & Her helping out Mom at the Food Bank on Saturday mornings. It's those formative razzmatazz years, He lacked the behavior blueprint, The overwhelming fatigue of acting. He's perpetually memorizing lines, Practicing ****** expressions & Physical gestures & phrases. Guard up, another Oscar-worthy performance, Burton is superb & Elizabeth Taylor Showing us precisely why she is & Will continue to be revered as an actress. George knows she has his number. The thing about the play is the Intense malice the couple feel for each other. For the audience, an experience in stage drama Best classified as an intensely painful morality play. A good thing to remember: Live Theater Adds value to a community. Give generously, please! But I digress.
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Aug 14, 2016
Aug 14, 2016 at 12:27 AM UTC
"Married to the Mob"
He was one of those guys who marry money. And you can grok that in any sense you desire. But be forewarned, my friend, I am well-versed in a multitude of Marry-For-Money manifestations. Take, for example, marrying the Boss' daughter. Come with me, for illustration's sake, Join me in one such dis-functional household: George & Martha's place on campus-- A classic Tudor-revival home, Ivied & plushly-appointed, A coveted faculty perk Which goes along with the gig. And the gag, for that matter. I speak, of course, of Edward Albee's Two perversely miserable humans, Married to each other, to wit: George & Martha, leading lives of Pubis-scratching desperation, in "Who's Afraid of Virginia Woolf?" She's the only daughter-- Daddy's precious jewel-- Only girl-child of the President Of a small, rural college. He's the middle-aged professor With no great pedagogic or research prowess. His working-class perspective, Viewing the quiet academic life to be A significant step up in genteel existence. Except--and there's the rub: Mere existence is a far cry from Living the good life Dan Draper & The rest of Satan's Mad Men minions Taught him to take for granted. So George & Martha, In terms of core values, Have little in common; More like opposites, in fact: His starvation diet as a child & Her helping out Mom at the Food Bank on Saturday mornings. It's those formative razzmatazz years, He lacked the behavior blueprint, The overwhelming fatigue of acting. He's perpetually memorizing lines, Practicing ****** expressions & Physical gestures & phrases. Guard up, another Oscar-worthy performance, Burton is superb & Elizabeth Taylor Showing us precisely why she is & Will continue to be revered as an actress. George knows she has his number. The thing about the play is the Intense malice the couple feel for each other. For the audience, an experience in stage drama Best classified as an intensely painful morality play. A good thing to remember: Live Theater Adds value to a community. Give generously, please! But I digress.
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60
In the orange cream dying sun's half light swaddled by blankets wrapped in ***** clothes I open my lips wanting your taste eye to eye, mons ***** warm fragrance To offer myself and soul over completely When we were young did you ever think we'd drown in the ocean of flesh between legs? She smiled brightly, made noises overjoyed much more than confused, though that's not the story now, is it? In an instant passion rises up with steam gone again before I wipe the mirror and brush my teeth, and once again I see blackened debris, they're rotting out from misspoke verbs All that's sweet now is the imagining of diabetic what once was Two closed eyes reach back with a breathy sigh withheld truths and well meant half lies, cannot inspire lift again that left me, but that doesn't stop the faithful Has the tide this whole time been sending waves of false hope, on which I'm floating? Daydreaming, heating oil, she wants dinner, and I hunger for satisfaction in new pictures A hand for a finger, a tongue from both mouths comforting by grabbing hungrily until heads get thrown back, abs tighten when pressed to relax, on the rack stretched but both floating Why does she want to drink my blood? I don't ask just imbibe in return Those days are long gone Times when the worst thoughts could not undo whatever flicker remains in the waning brazier's ember
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Mar 23, 2017
Mar 23, 2017 at 7:43 AM UTC
Songs About the Aching Ocean
For those among us who lived by the rules, Lived frugal lives of pubis-scratching desperation; For those who sustained a zombie-like state for 30 or 40 years, For these few, our lucky few— We bequeath an interactive Life-Alert emergency dogtag, Or a dog, a colossal beast of a pet, A humongus Harlequin Dane dog to feed, For that matter, why not buy a few new cars before you die? Your home mortgage is dead and buried. We gave you senior-citizen rates for water, gas & electricity— “The Big 3,” as they are known in certain Gasoline Alley-retro Neighborhoods among us, Our parishes. Our boroughs. All this and more, had you lived small, Had you played by the rules for Smurfs & Serfs. We leave you the chance to treat your grandkids Like Santa’s A-List clientele, “Good ‘ol Grampa,” they’ll recollect fondly, “Sweet Grammy Strunzo,” they will sigh. What more could you want in retirement? You’ve enabled another generation of deadbeat grandparents, And now you’re next in line for the ice floe, To be taken away while still alive, Still hunched over and wheezing, On a midnight sleigh ride, Your son, pulling the proverbial Eskimo sled, Down to some random Arctic shore, Placing you gently on the ice floe. Your son; your boy-- A true chip off the igloo, so to speak.
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Jun 1, 2014
Jun 1, 2014 at 10:22 AM UTC
“An Elegy on Prosperity & Death: Take 65”
simply trying to remember a certain coat that took me like a mouth. a coat my soul left me for. I have been to the tub I would sit waterless in- typewriter like a girl on my lap; the vaporous acorns of bliss winter squirrels, ash, in the desperate curls of pubis. I have been to the gym, its court of passed and passed back fire, its auditorium unfilled as a church in spain. I have been to my knees. to the egg of bird, the grief of cow, and to the lengthy absence of train’s tunnel. I have been with boy, with baseball, with book- smoking late on this fence with these my trinities soon to strike for the house of my anna cheerless and bare, not russian, not there.
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Jul 6, 2012
Jul 6, 2012 at 1:45 PM UTC
western missive
It's supposed to be 98 and cloudless today. By the time I roll in, and park my car, Roman's walking up to me, his gold tooth a full yellow smile in the sun. “Hey meyer, I need you to Pull the box truck around, We’ve got some plants we’ve gotta load, Then we’ve got a landscape job About an hour from here.” “Are we gonna be back here Today?” “Probably not until late.” The box truck Is a holdover from the old owners Of Ken’s Nursery, It’s still got Ken’s Nursery in large comic sans On it’s rust-streaked sides. The wheel wells are rusted brown as salt deposits On the shores of sulfuric oceans, and little ringlets of decay rock as the truck bounces; It’s old springs Giving back after all these years. Today we have: Forty-two veriagated ferns. Ten dragon lilies. 10 cannas, But cannas have to have a male and female to flower, So 20 cannas collectively, And we’ve gotta mulch. By the time we’ve loaded all the plants; stuffed the mulch in with the Bobcat, And thrown in our picks and shovels, My shirt is soaked through. 98 degrees and cloudless. Roman walks to his car and takes off his shirt To reveal a pink belly full of folding skin and matted black upwelling ***** Singing with sweat-diamonds In the unperturbed vision of the sun. My shirt is soaked already too. But even as I loaded the truck, I thought about Melissa. When I get home, She probably won’t be there. When the female is separated from the male canna, Nothing dies, the two live happily ever after. But the canna does not flower, And doesn’t remember enough To miss it. Just continues quietly with a black bulb The color of a skink’s underbelly.
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Nov 21, 2011
Nov 21, 2011 at 12:01 AM UTC
Skink's Underbelly(Ken's Nursery)
It's supposed to be 98 and cloudless today. By the time I roll in, and park my car, Roman's walking up to me, his gold tooth a full yellow smile in the sun. “Hey meyer, I need you to Pull the box truck around, We’ve got some plants we’ve gotta load, Then we’ve got a landscape job About an hour from here.” “Are we gonna be back here Today?” “Probably not until late.” The box truck Is a holdover from the old owners Of Ken’s Nursery, It’s still got Ken’s Nursery in large comic sans On it’s rust-streaked sides. The wheel wells are rusted brown as salt deposits On the shores of sulfuric oceans, and little ringlets of decay rock as the truck bounces; It’s old springs Giving back after all these years. Today we have: Forty-two veriagated ferns. Ten dragon lilies. 10 cannas, But cannas have to have a male and female to flower, So 20 cannas collectively, And we’ve gotta mulch. By the time we’ve loaded all the plants; stuffed the mulch in with the Bobcat, And thrown in our picks and shovels, My shirt is soaked through. 98 degrees and cloudless. Roman walks to his car and takes off his shirt To reveal a pink belly full of folding skin and matted black upwelling ***** Singing with sweat-diamonds In the unperturbed vision of the sun. My shirt is soaked already too. But even as I loaded the truck, I thought about Melissa. When I get home, She probably won’t be there. When the female is separated from the male canna, Nothing dies, the two live happily ever after. But the canna does not flower, And doesn’t remember enough To miss it. Just continues quietly with a black bulb The color of a skink’s underbelly.
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62
the wax doll mirrored herself in a puddle she felt a scent of moist earth upon her barren belly trees were blossoming full of wild bees after the magician’s performance she raised on tiptoes dancing with her arms over her head for life and for death she kept the moonrise in the palms of her hands and the song like a dagger between her teeth she melted gradually through her naked breast through her naked body other swords passing colder and colder ****** icicles growing in her heart the real woman lay down in the grass with a white butterfly sleeping on her ***** like a sailboat over the sea she did not know how much she resembled her wax replica same little mermaid dancing all night long piano fortepiano al fine
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Aug 17, 2014
Aug 17, 2014 at 7:40 AM UTC
The white butterfly
A no-strings-attached thing is easy to arrange It sounds exciting too, seems very straightforward But sometimes you get caught up in things you don’t expect Before you know it, you start caring You develop feelings You learn things about the other person Her middle name, her favourite music, food Her pet peeves, ambitions You learn her innermost thoughts Her insecurities, her ****** proclivities, The little birthmark just above her mons ***** The one that she says looks like a map of the Dominican Republic You lie in bed with her all day She teaches you how to swear in Farsi. You **** her every day. One day she sees you making out with this random ****** and she flips You say, but we said no strings attached or did we not? It’s not as simple as that though, it never is But this girl, she believes in you She’s a paragon of patience She sits you down and tells you to listen to her carefully She explains to you that now you are sleeping with her on the regular Your body is somehow her body too, partly, and vice versa Says she understands that you are not together officially But intimacy usually comes with an implied exclusiveness. You say, Ok, I've heard you. And I understand where you’re coming from. Then you tell her to **** off. Time passes You begin to miss her. But you’re pride won’t let you call her. You have *** three times with two different girls in one weekend One of those girls has a boyfriend, you **** her in a night club restroom. The other one on the beach a day after Then a few hours later in her bedroom. In the morning her room is all sandy, Going home you begin reflecting on things You've learnt one thing for sure: However much top-shelf ***** you get, it doesn't compare to the love of a good girl So it doesn't matter how many lovers you have in this world If none of them give you the world. You swallow your pride and call her She can’t make it, she says. But she comes the next day in the evening. You explain everything, How it felt like she was tethering you to her How you took it all too lightly. You’re not too good at it, talking about your feelings You say that what she’d told you that day had gone through one ear, out the other So you had to learn it all by yourself, you had to go through it Finally, you apologise. You’re very sincere. She asks you, so is this closure? You don’t want it to be, but you don’t know if you actually deserve her **** you don’t know if she’d even take you back. If she does, you've still got a lot to prove. You’ll be in luck, but you’ll be starting on nothing. If she doesn't then you knew and blew a good thing.
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Nov 3, 2013
Nov 3, 2013 at 4:54 PM UTC
The Love of a Good Girl
A no-strings-attached thing is easy to arrange It sounds exciting too, seems very straightforward But sometimes you get caught up in things you don’t expect Before you know it, you start caring You develop feelings You learn things about the other person Her middle name, her favourite music, food Her pet peeves, ambitions You learn her innermost thoughts Her insecurities, her ****** proclivities, The little birthmark just above her mons ***** The one that she says looks like a map of the Dominican Republic You lie in bed with her all day She teaches you how to swear in Farsi. You **** her every day. One day she sees you making out with this random ****** and she flips You say, but we said no strings attached or did we not? It’s not as simple as that though, it never is But this girl, she believes in you She’s a paragon of patience She sits you down and tells you to listen to her carefully She explains to you that now you are sleeping with her on the regular Your body is somehow her body too, partly, and vice versa Says she understands that you are not together officially But intimacy usually comes with an implied exclusiveness. You say, Ok, I've heard you. And I understand where you’re coming from. Then you tell her to **** off. Time passes You begin to miss her. But you’re pride won’t let you call her. You have *** three times with two different girls in one weekend One of those girls has a boyfriend, you **** her in a night club restroom. The other one on the beach a day after Then a few hours later in her bedroom. In the morning her room is all sandy, Going home you begin reflecting on things You've learnt one thing for sure: However much top-shelf ***** you get, it doesn't compare to the love of a good girl So it doesn't matter how many lovers you have in this world If none of them give you the world. You swallow your pride and call her She can’t make it, she says. But she comes the next day in the evening. You explain everything, How it felt like she was tethering you to her How you took it all too lightly. You’re not too good at it, talking about your feelings You say that what she’d told you that day had gone through one ear, out the other So you had to learn it all by yourself, you had to go through it Finally, you apologise. You’re very sincere. She asks you, so is this closure? You don’t want it to be, but you don’t know if you actually deserve her **** you don’t know if she’d even take you back. If she does, you've still got a lot to prove. You’ll be in luck, but you’ll be starting on nothing. If she doesn't then you knew and blew a good thing.
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57
Femenina, pero sin excesos, que fluya la luz de sus ojos pero sin apagar los neones de MONSANTO, luz biodegradable pero agradable al tacto. Libre y Natural, como un sombrero. Mezcla sutil de lana y jacquard. Silueta relajada a la altura del ***** como una virgen romana, y un concierto de colores húmedos según va cayendo la tarde Muy casual a partir de los labios y un lindo ABCdario entre las piernas. Transmisión sin pausa, dejando un eco al volver a casa, sin caer en brazos de una sonrisa armada hasta los dientes. El color blanco es su aliado y los pájaros pintados en el jardín de sus sueños, en las manos, la imprescindible lencería de una imaginación sin prisas, y la siempre impredecible pasión en su fresquito pequeño, aroma a alba con un poco de opio en los cristales. Un look de muerte para terminar con el ideal de hombre, todo sin dejar de ofrecer la cara oculta de su luna, un poco descabellada al caminar por el Mercado dejando claro que su hogar no se marchita. El éxito como una póliza de seguros guardado a la altura de su láctea paradoja. Y de vez en vez mostrar la plantación de flores cultivadas por la maniquí secreta que en ASIA o en los fiordos del alma, arde. Sin dejar oír nunca un si te quiero que no sea el fru fru de su trastienda, seda y sede de coral ***** y una navajita para degollar pecado como peces sin dejar de ser sofisticada con los dedos y una delicadez a prueba de balas. Es lo que se va llevar en las Avenidas de este Otoño. Y un cielo en rama para amar un poco.
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Sep 15, 2014
Sep 15, 2014 at 11:12 AM UTC
VUELVE LA MUJER AUTENTICA (titulo de un articulo sobre la moda)
Femenina, pero sin excesos, que fluya la luz de sus ojos pero sin apagar los neones de MONSANTO, luz biodegradable pero agradable al tacto. Libre y Natural, como un sombrero. Mezcla sutil de lana y jacquard. Silueta relajada a la altura del ***** como una virgen romana, y un concierto de colores húmedos según va cayendo la tarde Muy casual a partir de los labios y un lindo ABCdario entre las piernas. Transmisión sin pausa, dejando un eco al volver a casa, sin caer en brazos de una sonrisa armada hasta los dientes. El color blanco es su aliado y los pájaros pintados en el jardín de sus sueños, en las manos, la imprescindible lencería de una imaginación sin prisas, y la siempre impredecible pasión en su fresquito pequeño, aroma a alba con un poco de opio en los cristales. Un look de muerte para terminar con el ideal de hombre, todo sin dejar de ofrecer la cara oculta de su luna, un poco descabellada al caminar por el Mercado dejando claro que su hogar no se marchita. El éxito como una póliza de seguros guardado a la altura de su láctea paradoja. Y de vez en vez mostrar la plantación de flores cultivadas por la maniquí secreta que en ASIA o en los fiordos del alma, arde. Sin dejar oír nunca un si te quiero que no sea el fru fru de su trastienda, seda y sede de coral ***** y una navajita para degollar pecado como peces sin dejar de ser sofisticada con los dedos y una delicadez a prueba de balas. Es lo que se va llevar en las Avenidas de este Otoño. Y un cielo en rama para amar un poco.
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41
As long as it doesn't affect me; as long as it's not immediately relevant and something I have to immediately worry about; as long as it doesn't **** up my credit score or my shiny new house then, **** it. And **** you, for bringing it to my attention. how dare you. this was promised to me, it's predestined, my two-story, three bedroom, two bath; the foreign workmanship and american artifice; the creamy halo of vinyl in the sun; the wrath of windexed windows and their hard missiles of bright, reflected sunlight; the soft lips of my children; my wife's pillowy, warm stomach and scratchy ***** our retriever that eats his own **** picking apart tiny specks of feces from the sun-pricked tips of our rug of fescue; these are the works of God, this is the land of God. You are marring this flat earth
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Nov 21, 2011
Nov 21, 2011 at 10:21 PM UTC
The American Psyche
¿Y si Dios fuera mujer? pregunta Juan sin inmutarse, vaya, vaya si Dios fuera mujer es posible que agnósticos y ateos no dijéramos no con la cabeza y dijéramos sí con las entrañas. Tal vez nos acercáramos a su divina desnudez para besar sus pies no de bronce, su ***** no de piedra, sus pechos no de mármol, sus labios no de yeso. Si Dios fuera mujer la abrazaríamos para arrancarla de su lontananza y no habría que jurar hasta que la muerte nos separe ya que sería inmortal por antonomasia y en vez de transmitirnos SIDA o pánico nos contagiaría su inmortalidad. Si Dios fuera mujer no se instalaría lejana en el reino de los cielos, sino que nos aguardaría en el zaguán del infierno, con sus brazos no cerrados, su rosa no de plástico y su amor no de ángeles. Ay Dios mío, Dios mío si hasta siempre y desde siempre fueras una mujer qué lindo escándalo sería, qué venturosa, espléndida, imposible, prodigiosa blasfemia.
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1.3k
Si dios fuera mujer
La mujer que tiene los pies hermosos nunca podrá ser fea mansa suele subirle la belleza por totillos pantorrillas y muslos demorarse en el ***** que siempre ha estado más allá de todo canon rodear el ombligo como a uno de esos timbres que si se les presiona tocan para elisa reivindicar los lúbricos pezones a la espera entreabir los labios sin pronunciar saliva y dejarse querer por los ojos espejo la mujer que tiene los pies hermosos sabe vagabundear por la tristeza.
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1.2k
Pies hermosos
Every time she undresses, **I see  flames on her mons ***** the mystery flabbergasts; a figment of my amorous imagination?
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Jun 14, 2012
Jun 14, 2012 at 11:51 AM UTC
Mysterious flames that set fire to my lust
Tu te dis enrobée, ma tigresse J 'ai beau purger les yeux Pour tenter de voir à travers ton sari de soie blanc céladon Je ne décèle dans tes dessous Que ton parfum de tigresse furtive et changeante Chevauchant ton dragon de jade Dans une jungle inhabitée. Sauvage Volontaire Désinhibée C'est ainsi qu'on te décrit à chaque illumination C 'est ainsi qu'évidemment tu te sens Avec Tigresse Parfum Extraordinaire ... by Fabergé Autour de ta taille j 'ai cru voir Une chaîne d'argent massif où pend une fiole de jade En forme de dent de tigre . A l 'intérieur que sais je ? J 'imagine de l 'eau bénite Une capsule de cyanide ? Ou des résidus de jus de jade Au cas où En cas de besoin Sur la route ? Sur ton ***** J'ai entr'aperçu Un tatouage : Un porc-épic qui feule Hérissant et jetant ses épines Avec comme devise Qui s'y frotte  s'y pique ! Je meurs d'envie Que tu m'intronises dans ton ordre secret Je meurs d'envie D'être adoubé chevalier de  l'ordre du porc-épic Je meurs d'envie Que, nue, tu te présentes, Ma tigresse quatre en une ,  Dans l'un ou l 'autre De tes plus simples appareils : Tigresse en nourrice, Tigresse errante, Tigresse dans sa tanière, Tigresse en laisse
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Aug 29, 2019
Aug 29, 2019 at 2:26 AM UTC
Ma tigresse quatre en une
I’m drowning in all the irony Thrift store clerks with beards of iron wool ***** and tattoos of the monsters under my bed It goes coffee shop coffee shop camera store bicycle vendor, corner store, coffee shop parking deck, gas station, thrift shop I have a pocket full of compliments and a face full of stolen sunglasses and dental floss and if I walk long enough down broad, main, or grace then maybe I can find the secret the secret of how not drown in all of the girls with their yoga pants and plaids Can I learn to swim when I’m already this far out? I saw a homeless man eating a dead magpie it was ******* weird I was walking down one too many toward the intersection of marijuana and spirits already spinning myself a web of a night of discomfort but the neon lights shone upon me making me think it was the cops so I ran and ran and ran until my shoes flapped worn only to fall and skin my knee on the punchline It’s hard to live in Atlantis without a passport or gills.
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Feb 18, 2014
Feb 18, 2014 at 1:20 PM UTC
River City Blues
Would you favor me? Lounge in the chaise by the window that tapers light inward, so when you lie back, without your clothing, your face, shoulders, arms, nippled ******* belly, and ***** are bathed in natural and trailing light defining your exquisite form while shadowing your manifold into eternal mystery.
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Feb 2, 2011
Feb 2, 2011 at 7:47 AM UTC
Would you favor me
From the cranium to the metatarsals. I dare you to be careful. Or drown me in ****** He went from the femur upwards my symphysis ***** Looking beyond the cutis. Or does he wish to view the pure. Slightly touching with the phalanges pressure building from the carpal. Hiding the face under a parcel. Or is the phase under changes. Cramps in the tarsals going up to the tibia. For him it's a game of trivia. Or is he fighting marshals. He bites down into the clavicle pain and pleasure going to the scapula. He breaths vernacular. He and I are flammable. Bones to break. What a piece of cake.
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Apr 28, 2018
Apr 28, 2018 at 11:56 AM UTC
White mellow bones
If I could impregnate myself with my tears My children would be innumerable and divine Delicate as the lilacs at my feet And as giving as my mothers hands My children and I would dance wildly to the sound of the shaking leaves And laugh until we cried at the absurdity of the decaying frames of the eternal surrounding infrastructures I would gather our collective tears and water my children Careful to sift the salt and reserve just enough for future implantation My babies would nest in the tight curls of my crown and I would rock them to sleep in the gentle curve of my lashes Blinking slowly and steadily to ease the restlessness of their being If I could birth my children from my ear I’d rest my head on a pillow and never leave I’d rest my head flat on the soft surface Turning my head only slightly to the left to give a final shake Releasing my babies from their sack I’d let them snuggle against my cheek as I sang to them the songs of the old Gods And the new I’d warm them with heat of my breath and nourish them with the saliva of my tongue I’d listen intently to their soft whispers inquiring about the beams of light seeping through the cracks of the walls And The vines sprouting through the floor boards and climbing pillars on the bed If I could birth my children from the scrapings from under my fingernails I’d tear at my flesh until there was nothing left but raw nerve and blood I’d dress them in gowns made from the weaved patches of hair growing across my mons ***** And I’d make them sun hats from the shattered pieces of my toe nails If I could sink into the soil and grow my babies from my decay I’d sprout a row of sunflowers And the many seeds in its ***** would be my youngins They’d fall away one by one Matured And run off uninhibited into the spring Little pieces of me Drowning in the sunshine Free
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Jun 10, 2016
Jun 10, 2016 at 2:04 AM UTC
All My Children
If I could impregnate myself with my tears My children would be innumerable and divine Delicate as the lilacs at my feet And as giving as my mothers hands My children and I would dance wildly to the sound of the shaking leaves And laugh until we cried at the absurdity of the decaying frames of the eternal surrounding infrastructures I would gather our collective tears and water my children Careful to sift the salt and reserve just enough for future implantation My babies would nest in the tight curls of my crown and I would rock them to sleep in the gentle curve of my lashes Blinking slowly and steadily to ease the restlessness of their being If I could birth my children from my ear I’d rest my head on a pillow and never leave I’d rest my head flat on the soft surface Turning my head only slightly to the left to give a final shake Releasing my babies from their sack I’d let them snuggle against my cheek as I sang to them the songs of the old Gods And the new I’d warm them with heat of my breath and nourish them with the saliva of my tongue I’d listen intently to their soft whispers inquiring about the beams of light seeping through the cracks of the walls And The vines sprouting through the floor boards and climbing pillars on the bed If I could birth my children from the scrapings from under my fingernails I’d tear at my flesh until there was nothing left but raw nerve and blood I’d dress them in gowns made from the weaved patches of hair growing across my mons ***** And I’d make them sun hats from the shattered pieces of my toe nails If I could sink into the soil and grow my babies from my decay I’d sprout a row of sunflowers And the many seeds in its ***** would be my youngins They’d fall away one by one Matured And run off uninhibited into the spring Little pieces of me Drowning in the sunshine Free
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34
all the pronouns and predicates subjugating ******** preferences grammar is god’s way of punishing us protecting us from ourselves in spite of the elves who wish to see us fail see us impaled upon their tiny spears dripping form from our ears i hear their voice yes i really do underneath the moss and in utero her womb breathes fresh air her mouth is warm her ***** pulses with song and light i faintly touch the downy mound and let venus rise before the dawn in turn she admires the way i choose to expire before her the silence and the razor’s edge your best friends are your teachers they never let you see them they keep you in the mood wanting more more more more more more more more more more more more more more more more more more more more more more more more more more more
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Jan 3, 2017
Jan 3, 2017 at 2:48 PM UTC
g(r)amma(r) waves
i watch you counting yourself out                                                              courting little pets of body-parts putting pennies on the trinket shelf             talking with wending wordage                              about those gruff fellows who've been pig-holing    about your dwelling that day  you manage a back window                                              and escape                             masquerade yourself  as a gentleman but they sniff at your aromas                      these men in crude season they circle you hinge-hipping as you fleet the roads and fields                         and evade  into the dappling woods "come on out  we have you surrounded"                               (you say  they say) you stay  crossed legged   a monk among trees (these pleasing defenders)                                 you take off your dress  and string it             from one of these trees you dole yourself out                         little pets for the undergrowth            you offer a curled shrew from the space   your kneecap once                           occupied you droop your warm left breast and drop a beast from that cove (a plump vole clambers  fresh and                         disorientated) you plug one arm into loose soil                    and the fingers snake root separation at the elbow                               and branches sprig out both your thighs   animate as fox cubs your ***** leaves from between                                            and slinks under some ivy your hair fiddles loose and travels off in currents of breeze before flitting into little finches your back crumples with fungal looseness your head weighs low                                            and the jaw lumps off shuffling   undecided on its form your forehead bows  to kiss the earth and your face scatters  a gaiety of insects  and spores                   all arts patterned about your pile continues   in this mattering manner collapsing efficiently     you've canonized in nature                     now you’re abroad  mature and freed           to tell your friend this story a spirit  without brag of these neat powers one with mother glory
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May 13, 2025
May 13, 2025 at 3:39 PM UTC
egg cup and pepper mill
i watch you counting yourself out                                                              courting little pets of body-parts putting pennies on the trinket shelf             talking with wending wordage                              about those gruff fellows who've been pig-holing    about your dwelling that day  you manage a back window                                              and escape                             masquerade yourself  as a gentleman but they sniff at your aromas                      these men in crude season they circle you hinge-hipping as you fleet the roads and fields                         and evade  into the dappling woods "come on out  we have you surrounded"                               (you say  they say) you stay  crossed legged   a monk among trees (these pleasing defenders)                                 you take off your dress  and string it             from one of these trees you dole yourself out                         little pets for the undergrowth            you offer a curled shrew from the space   your kneecap once                           occupied you droop your warm left breast and drop a beast from that cove (a plump vole clambers  fresh and                         disorientated) you plug one arm into loose soil                    and the fingers snake root separation at the elbow                               and branches sprig out both your thighs   animate as fox cubs your ***** leaves from between                                            and slinks under some ivy your hair fiddles loose and travels off in currents of breeze before flitting into little finches your back crumples with fungal looseness your head weighs low                                            and the jaw lumps off shuffling   undecided on its form your forehead bows  to kiss the earth and your face scatters  a gaiety of insects  and spores                   all arts patterned about your pile continues   in this mattering manner collapsing efficiently     you've canonized in nature                     now you’re abroad  mature and freed           to tell your friend this story a spirit  without brag of these neat powers one with mother glory
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53
Sobre las mesas, botellas decapitadas de "champagne" con corbatas blancas de payaso, baldes de níquel que trasuntan enflaquecidos brazos y espaldas de "cocottes". El bandoneón canta con esperezos de gusano baboso, contradice el pelo rojo de la alfombra, imanta los pezones, los ***** y la ***** de los zapatos. Machos que se quiebran en un corte ritual, la cabeza hundida entre los hombros, la jeta hinchada de palabras soeces. Hembras con las ancas nerviosas, un poquitito de espuma en las axilas, y los ojos demasiado aceitados. De pronto se oye un fracaso de cristales. Las mesas dan un corcovo y pegan cuatro patadas en el aire. Un enorme espejo se derrumba con las columnas y la gente que tenía dentro; mientras entre un oleaje de brazos y de espaldas estallan las trompadas, como una rueda de cohetes de bengala. Junto con el vigilante, entra la aurora vestida de violeta.
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449
Milonga
alternately titled: breast ****** fallacy hi-jinxed! In her “60 Minutes” interview aired Sunday (March 26th, 2018), the **** star known within red district as Stormy Daniels bared her "naked lady" version swearing oath of honesty, she emphatically **** cleared on a stack of video nasties, and ****** 'zines now she can live rest of life guilt free offloading hush money endeared a posteriori into infinitely jesting bordello loop with calmly enchanting bug eyed, drooling media hounds, whose nostrils flared squelching the trumpeting Don, who maliciously glared for traitorously breaching “genital man's agreement”), playing the (sock it to him role of goody two shoes) christened Stephanie Clifford) shaggy long haired pseudo Mayflower madam averred to right justice in sought after ****** free nation, where the turkey ought tubby national bird mandating free codicil to second amendment as of furred thus, that *** hide from right to bear arms premature sea r man *********** of Peter ought to be heard where sudden sound sans ***** seams burst **** strapped unseen bulging Johnson's onslaught hail of expletives cursed out the mouth of salty sailor spewing Prez, hook halled for a recess first and foremost before questioning resumed automatically immersed within ****** tabloid pulp pit ***** sing Bacchanalian refused to quit particularly when groin set zipper (flimsy – obviously, NOT put thru linkedin locked down rigorous paces realized, when pry vet eylit of trouser snake split) yielding singular (nada so sterling) gamut gallimaufry variegated erector set with singular bulbous ram rod rocket like trivet.
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Mar 29, 2018
Mar 29, 2018 at 2:59 AM UTC
The reign of Stormy Daniels
alternately titled: breast ****** fallacy hi-jinxed! In her “60 Minutes” interview aired Sunday (March 26th, 2018), the **** star known within red district as Stormy Daniels bared her "naked lady" version swearing oath of honesty, she emphatically **** cleared on a stack of video nasties, and ****** 'zines now she can live rest of life guilt free offloading hush money endeared a posteriori into infinitely jesting bordello loop with calmly enchanting bug eyed, drooling media hounds, whose nostrils flared squelching the trumpeting Don, who maliciously glared for traitorously breaching “genital man's agreement”), playing the (sock it to him role of goody two shoes) christened Stephanie Clifford) shaggy long haired pseudo Mayflower madam averred to right justice in sought after ****** free nation, where the turkey ought tubby national bird mandating free codicil to second amendment as of furred thus, that *** hide from right to bear arms premature sea r man *********** of Peter ought to be heard where sudden sound sans ***** seams burst **** strapped unseen bulging Johnson's onslaught hail of expletives cursed out the mouth of salty sailor spewing Prez, hook halled for a recess first and foremost before questioning resumed automatically immersed within ****** tabloid pulp pit ***** sing Bacchanalian refused to quit particularly when groin set zipper (flimsy – obviously, NOT put thru linkedin locked down rigorous paces realized, when pry vet eylit of trouser snake split) yielding singular (nada so sterling) gamut gallimaufry variegated erector set with singular bulbous ram rod rocket like trivet.
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57
Lookit me. This street is mine. My walk. My swing. Lookit this ***** on the ***** (Yes!) Lookit that, ******* on the chest. (Say what?!) Privilege? I'm filled with love my mother made sure I can't escape. I won't use the public bathroom, then. I love you. I won't meet your eyes with mine, because I I love you. I won't try to find the return address, as I love too much to quantify my chances. Privilege? I'm glad you're so concerned with the politics of my personhood. What I wouldn't give to share a romantic moment.
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Mar 25, 2019
Mar 25, 2019 at 4:37 PM UTC
Mare, Runes, Day Gone
Cuerpo de mujer, blancas colinas, muslos blancos, te pareces al mundo en tu actitud de entrega. Mi cuerpo de labriego salvaje te socava y hace saltar el hijo del fondo de la tierra. Fui solo como un túnel. De mí huían los pájaros y en mí la noche entraba su invasión poderosa. Para sobrevivirme te forjé como un arma, como una flecha en mi arco, como una piedra en mi honda. Pero cae la hora de la venganza, y te amo. Cuerpo de piel, de musgo, de leche ávida y firme. Ah los vasos del pecho! Ah los ojos de ausencia! Ah las rosas del ***** Ah tu voz lenta y triste! Cuerpo de mujer mía, persistiré en tu gracia. Mi sed, mi ansia sin límite, mi camino indeciso! Oscuros cauces donde la sed eterna sigue, y la fatiga sigue, y el dolor infinito.
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330
Poema 1