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"postures" poems
Hazy outlines familiar faces Echoes of familiar places Captured moments long forgotten Honesty in words unspoken A fleeting smile unguarded eyes Truth beneath the surface lies Pause a moment the masquerade Telling postures now displayed Rueful smiles and tired eyes A warm glance melts a mask of ice And as the frame fades away Smoke and mirrors back into play
0
Jan 22, 2017
Jan 22, 2017 at 2:24 PM UTC
Captured Moments
the other day I occupied a chair at a sidewalk café watching the vanity fair of the quotidian float by in quickly changing apparitions an endless flow of different ages, nations, fashions, skin colors, miens, ****** expressions, postures & gaits kept passing through  my field of vision it made me wonder why some people get so furious when they  just hear about     not even meet     the ‘others’ different from themselves that they start dropping  bombs and shooting rockets I think they rather should be curious and eager to discover how the immense variety of humankind can help expand a locally grown mind and recognize that we are all of the same kind
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Jun 5, 2016
Jun 5, 2016 at 5:20 PM UTC
humankind
Crocodiles catnapping cuddling in cordial cliques,  Loafing, lollygagging, lurking low like lounging leeches,  Protective postures pouncing prey with piercing pinned precision, Brilliant belligerent beasts basking boldly by swamp beaches,  Agressively angry attitudes among alluring adverse animals,  Deep daunting jaws of death damage drastically when dropping down,  Scales shaped like stabbing shards scrape while swimming strongly,  Opposing opposition order obedience of outrageous odious opponents,  Raged ravenous rapacious reptiles rank repulsive ratings and resourses...   ©Michael P. Smith
0
Mar 14, 2013
Mar 14, 2013 at 4:26 AM UTC
Crocodilian Analysis (Tongue Twister)
Go to sleep—though of course you will not— to tideless waves thundering slantwise against strong embankments, rattle and swish of spray dashed thirty feet high, caught by the lake wind, scattered and strewn broadcast in over the steady car rails! Sleep, sleep! Gulls’ cries in a wind-gust broken by the wind; calculating wings set above the field of waves breaking. Go to sleep to the lunge between foam-crests, refuse churned in the recoil. Food! Food! Offal! Offal! that holds them in the air, wave-white for the one purpose, feather upon feather, the wild chill in their eyes, the hoarseness in their voices— sleep, sleep . . . Gentlefooted crowds are treading out your lullaby. Their arms nudge, they brush shoulders, hitch this way then that, mass and surge at the crossings— lullaby, lullaby! The wild-fowl police whistles, the enraged roar of the traffic, machine shrieks: it is all to put you to sleep, to soften your limbs in relaxed postures, and that your head slip sidewise, and your hair loosen and fall over your eyes and over your mouth, brushing your lips wistfully that you may dream, sleep and dream— A black fungus springs out about the lonely church doors— sleep, sleep. The Night, coming down upon the wet boulevard, would start you awake with his message, to have in at your window. Pay no heed to him. He storms at your sill with cooings, with gesticulations, curses! You will not let him in. He would keep you from sleeping. He would have you sit under your desk lamp brooding, pondering; he would have you slide out the drawer, take up the ornamented dagger and handle it. It is late, it is nineteen-nineteen— go to sleep, his cries are a lullaby; his jabbering is a sleep-well-my-baby; he is a crackbrained messenger. The maid waking you in the morning when you are up and dressing, the rustle of your clothes as you raise them— it is the same tune. At table the cold, greeninsh, split grapefruit, its juice on the tongue, the clink of the spoon in your coffee, the toast odors say it over and over. The open street-door lets in the breath of the morning wind from over the lake. The bus coming to a halt grinds from its sullen brakes— lullaby, lullaby. The crackle of a newspaper, the movement of the troubled coat beside you— sleep, sleep, sleep, sleep . . . It is the sting of snow, the burning liquor of the moonlight, the rush of rain in the gutters packed with dead leaves: go to sleep, go to sleep. And the night passes—and never passes—
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4k
A Goodnight
Go to sleep—though of course you will not— to tideless waves thundering slantwise against strong embankments, rattle and swish of spray dashed thirty feet high, caught by the lake wind, scattered and strewn broadcast in over the steady car rails! Sleep, sleep! Gulls’ cries in a wind-gust broken by the wind; calculating wings set above the field of waves breaking. Go to sleep to the lunge between foam-crests, refuse churned in the recoil. Food! Food! Offal! Offal! that holds them in the air, wave-white for the one purpose, feather upon feather, the wild chill in their eyes, the hoarseness in their voices— sleep, sleep . . . Gentlefooted crowds are treading out your lullaby. Their arms nudge, they brush shoulders, hitch this way then that, mass and surge at the crossings— lullaby, lullaby! The wild-fowl police whistles, the enraged roar of the traffic, machine shrieks: it is all to put you to sleep, to soften your limbs in relaxed postures, and that your head slip sidewise, and your hair loosen and fall over your eyes and over your mouth, brushing your lips wistfully that you may dream, sleep and dream— A black fungus springs out about the lonely church doors— sleep, sleep. The Night, coming down upon the wet boulevard, would start you awake with his message, to have in at your window. Pay no heed to him. He storms at your sill with cooings, with gesticulations, curses! You will not let him in. He would keep you from sleeping. He would have you sit under your desk lamp brooding, pondering; he would have you slide out the drawer, take up the ornamented dagger and handle it. It is late, it is nineteen-nineteen— go to sleep, his cries are a lullaby; his jabbering is a sleep-well-my-baby; he is a crackbrained messenger. The maid waking you in the morning when you are up and dressing, the rustle of your clothes as you raise them— it is the same tune. At table the cold, greeninsh, split grapefruit, its juice on the tongue, the clink of the spoon in your coffee, the toast odors say it over and over. The open street-door lets in the breath of the morning wind from over the lake. The bus coming to a halt grinds from its sullen brakes— lullaby, lullaby. The crackle of a newspaper, the movement of the troubled coat beside you— sleep, sleep, sleep, sleep . . . It is the sting of snow, the burning liquor of the moonlight, the rush of rain in the gutters packed with dead leaves: go to sleep, go to sleep. And the night passes—and never passes—
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56
shirelles monday night alone in a big house light the candles another one of my rituals born one hour, dead the next to make room for other prayers postures pen tips but the way candles flicker in the sweet soul is not another ritual warm life to the tune of golden notes swimming through once bleak      once empty once impure        air and suddenly, I am baptized more than I ever was in that sterile, dead chlorine     more than spent hymns in drafty cathedrals        so, the sound lives. my bed would tilt            at twelve years old I'd wake                startled of the                        psychic death spread like bodies after             a paid for war I'd scream like the cats               fighting by the window at my aunts house                I would huddle with my childhood                      hiding from the puberty that stalked me like a jungle cat                the mind reeled with my spent pulse and                  at night                         under shamed                    covers                                  bitten fingertips the white light            on the street                               looking on
0
Nov 11, 2015
Nov 11, 2015 at 2:30 AM UTC
rituals
I build my new life over graveyards swollen, each journey stolen on paths walked before; the oak church door, the adolescent postures, first breath of **** first taste of flight amongst grounded freedom, amongst polluted nights. I trade eyes with women over numbered tables, contriving fables from coffee cups, loose-tongued gospels for manufactured apostles, remnants of mistreated advice; last pocket of **** last drink of the night, I have learned when to swallow, I have learned when to fight. I found myself in the ground-zero wreckage, last vestige of meaning and useful obsession, those drunk-dial confessions, aftermath of silence; first smoke of the day, last image of starlight, I have forgiven my failings, I have kept them in sight.
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Mar 22, 2015
Mar 22, 2015 at 10:44 AM UTC
Rugby #1
All that I owe the fellows of the grave And all the dead bequeathed from pale estates Lies in the fortuned bone, the flask of blood, Like senna stirs along the ravaged roots. O all I owe is all the flesh inherits, My fathers' loves that pull upon my nerves, My sisters tears that sing upon my head My brothers' blood that salts my open wounds Heir to the scalding veins that hold love's drop, My fallen filled, that had the hint of death, Heir to the telling senses that alone Acquaint the flesh with a remembered itch, I round this heritage as rounds the sun His windy sky, and, as the candles moon, Cast light upon my weather. I am heir To women who have twisted their last smile, To children who were suckled on a plague, To young adorers dying on a kiss. All such disease I doctor in my blood, And all such love's a shrub sown in the breath. Then look, my eyes, upon this bonehead fortune And browse upon the postures of the dead; All night and day I eye the ragged globe Through periscopes rightsighted from the grave; All night and day I wander in these same Wax clothes that wax upon the aging ribs; All night my fortune slumbers in its sheet. Then look, my heart, upon the scarlet trove, And look, my grain, upon the falling wheat; All night my fortune slumbers in its sheet.
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2.4k
All That I Owe The Fellows Of The Grave
You're so dangerous with your profane paraphernalia Your pelvis postures pandering favor The line of your stomach embossed by the fire is like a pasture for me So paranoid with your pacifistic lust As you proceed to please me with your posture so slightly And I attempt to pursue oh so politely You make me perk up like a peacock just with one peak You're aware of every petty palpitation you can feel just under my sleeve You play me like a piano, so plush with your lust politics Pandering for a pardon of my ***** talk poignancy I part you like Pluto from your orbits serene hum I'll pleasure you, pleasure you until you're purple like a plum A pastimes poetises to be written with pleasing lead You plan every move like a predator in my bed You're polarizing, plump, and pampered like a pageant doll Pilfering every plausible pause with a pose of voice, your moan Seizing the post with your post - modern pompous pouncing Prompted like Pisces to postulate your prognosis Lifting your posterior like the pun of a phaliccy Pillaging me like a pandemic, a plague Something to be paraded by paganistic plauds Your pale skin is like playwear for sins You're pinning me plastered with the play of your grin Such a pretty motion picture to paint in the prison of your promise
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May 17, 2014
May 17, 2014 at 1:41 AM UTC
P****
Men with picked voices chant the names of cities in a huge gallery: promises that pull through descending stairways to a deep rumbling. The rubbing feet of those coming to be carried quicken a grey pavement into soft light that rocks to and fro, under the domed ceiling, across and across from pale earthcolored walls of bare limestone. Covertly the hands of a great clock go round and round! Were they to move quickly and at once the whole secret would be out and the shuffling of all ants be done forever. A leaning pyramid of sunlight, narrowing out at a high window, moves by the clock: disaccordant hands straining out from a center: inevitable postures infinitely repeated— two—twofour—twoeight! Porters in red hats run on narrow platforms. This way ma’am! —important not to take the wrong train! Lights from the concrete ceiling hang crooked but— Poised horizontal on glittering parallels the dingy cylinders packed with a warm glow—inviting entry— pull against the hour. But brakes can hold a fixed posture till— The whistle! Not twoeight. Not twofour. Two! Gliding windows. Colored cooks sweating in a small kitchen. Taillights— In time: twofour! In time: twoeight! —rivers are tunneled: trestles cross oozy swampland: wheels repeating the same gesture remain relatively stationary: rails forever parallel return on themselves infinitely. The dance is sure.
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1.9k
Overture To A Dance Of Locomotives
Nourish these seeds. For the nourishment they each receive determines how prepared they'll be as trees. Prepared young trees. Told to find their own sunlight, lest their plight ends early. Branches seize. Drifting, curious breeze. Sin slips slyly through the forest, spreading guilt varicose under leaves. Impending Winter freeze. Even the most upright trunk may lose more leaves than it that shed a few in flirting with that sinful breeze. Each believes, if it survives the winter freeze, it was of greater stature, that its leaves, or trunk, or journey up set it apart from brethren battered. But is a tree ever more a tree? Or do wriggles and postures not matter if, in the spring, they all are trees?
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Oct 12, 2012
Oct 12, 2012 at 4:54 PM UTC
Seeds
towards another end the black sky of winter postures ¬fireflies like stars by depictions of dancing¬ ochre soil of rock escarpments flood plains, buffalo grazing and you smile at me as we’re driving it seems presence always has a way of disassociating   I have so much to say but when you’re attentive it all feels cliché    just play me piano keys and ruminations when the storms sink the streets and drains overflow with branches there’s always that desire to stand amongst it
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Jan 25, 2017
Jan 25, 2017 at 6:53 PM UTC
dreamtime, Kakadu
Tu voudrais que j'improvise Les chemins qui mènent au septième ciel Pour notre prochain congrès Que je vienne les mains vides Sans notes ni croquis Pour te couronner reine et courtisane. Mais demanderais-tu au peintre de venir à toi Sans son pinceau, ses fusains, ses tubes d'aquarelle et son papier canson Ou au photographe sans son posemètre, son trépied et ses filtres, son appareil photo et ses objectifs Et un auteur de théâtre pourrait-il officier sans donner des indications? Des orientations, des pistes pour que les acteurs puissent mieux jouer leurs personnages Eh bien moi je voudrais écrire de concert avec toi les didascalies de notre lune de miel. Pense au Cantique des Cantiques Pense à Salomon, à son épouse et aux jeunes filles , Penses-y bien, ma sans rivale, Ma muse venue au monde sept fois Et dont aucune galante n 'arrive aux chevilles Comment veux-tu qu'on se retrouve dans la mare aux nénuphars Deux canards mandarins batifolant Sans didascalies... Tu connais les soixante-quatre manières du kama Tu sais la différence entre baratement et percement Et tu veux goûter le chalumeau du miel Lors du congrès de la corneille Alors tandis que tu me provoques du regard et du geste En dansant comme une bayadère accomplie Souviens toi des didascalies. Je suis ton vert-galant, ton esclave, ton cornac Ton renifleur, ton cunnilingue, ton Sigisté Si tu veux tu seras ma nymphe, mon myrte, ma lanterne, ma crête, Ma landie, ma douceur, mon amour de Vénus Mon gaude mihi, mon impudique Organisons nos langues et nos boutons Nos protubérances. Pour qu'aucune partie ne soit honteuse Pour que toutes soient honnêtes Il faut des chapitres et des actes Dans lesquels les morsures, les égratignures, les baisers Les succions et les caresses s'emboîtent dans un naturel Si joliment organisé que chaque posture génère Une improvisation et que chaque improvisation génère une nouvelle posture. Alternons les phases pudiques et impudiques Sans tabou éperonnons-nous Empalons-nous dans les postures de singe ou d'éléphant Peu importe si la mentule précède le tentigo Ou le contraire Peu importe qui est dessus ou dessous Qui lèche et qui est léché, qui est mordillé, qui est marqué, Qui est baisé et pénétré Si c'est simultanément ou séparément Nous appartenons nous aussi au règne animal Et que la verge soit masculine ou féminine C 'est toujours l'aiguillon de la volupté qui guidera nos didascalies.
0
Aug 21, 2019
Aug 21, 2019 at 5:56 AM UTC
Didascalies de notre premier congrès
Tu voudrais que j'improvise Les chemins qui mènent au septième ciel Pour notre prochain congrès Que je vienne les mains vides Sans notes ni croquis Pour te couronner reine et courtisane. Mais demanderais-tu au peintre de venir à toi Sans son pinceau, ses fusains, ses tubes d'aquarelle et son papier canson Ou au photographe sans son posemètre, son trépied et ses filtres, son appareil photo et ses objectifs Et un auteur de théâtre pourrait-il officier sans donner des indications? Des orientations, des pistes pour que les acteurs puissent mieux jouer leurs personnages Eh bien moi je voudrais écrire de concert avec toi les didascalies de notre lune de miel. Pense au Cantique des Cantiques Pense à Salomon, à son épouse et aux jeunes filles , Penses-y bien, ma sans rivale, Ma muse venue au monde sept fois Et dont aucune galante n 'arrive aux chevilles Comment veux-tu qu'on se retrouve dans la mare aux nénuphars Deux canards mandarins batifolant Sans didascalies... Tu connais les soixante-quatre manières du kama Tu sais la différence entre baratement et percement Et tu veux goûter le chalumeau du miel Lors du congrès de la corneille Alors tandis que tu me provoques du regard et du geste En dansant comme une bayadère accomplie Souviens toi des didascalies. Je suis ton vert-galant, ton esclave, ton cornac Ton renifleur, ton cunnilingue, ton Sigisté Si tu veux tu seras ma nymphe, mon myrte, ma lanterne, ma crête, Ma landie, ma douceur, mon amour de Vénus Mon gaude mihi, mon impudique Organisons nos langues et nos boutons Nos protubérances. Pour qu'aucune partie ne soit honteuse Pour que toutes soient honnêtes Il faut des chapitres et des actes Dans lesquels les morsures, les égratignures, les baisers Les succions et les caresses s'emboîtent dans un naturel Si joliment organisé que chaque posture génère Une improvisation et que chaque improvisation génère une nouvelle posture. Alternons les phases pudiques et impudiques Sans tabou éperonnons-nous Empalons-nous dans les postures de singe ou d'éléphant Peu importe si la mentule précède le tentigo Ou le contraire Peu importe qui est dessus ou dessous Qui lèche et qui est léché, qui est mordillé, qui est marqué, Qui est baisé et pénétré Si c'est simultanément ou séparément Nous appartenons nous aussi au règne animal Et que la verge soit masculine ou féminine C 'est toujours l'aiguillon de la volupté qui guidera nos didascalies.
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53
She has decided to grow her hair. Not for frugal reasons, mind you, rather, to see the extent of the future. Or, how tangled it might become at length. Why do women grow their hair?, she postures to the mirror. *It's like deciding to go to market, when there's already sufficient in the pantry.* Pouring water through the tresses to cool like an Icelandic fjord, trickling bubbles down to a spurious sea. The squeakings bring enjoyment, a sense of karmic victory. Knot it and make mysterious!
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Feb 27, 2012
Feb 27, 2012 at 7:47 PM UTC
A Woman Preens --- Collaboration of infinitetune and Brian Oarr
Men with picked voices chant the names of cities in a huge gallery: promises that pull through descending stairways to a deep rumbling. The rubbing feet of those coming to be carried quicken a grey pavement into soft light that rocks to and fro, under the domed ceiling, across and across from pale earthcolored walls of bare limestone. Covertly the hands of a great clock go round and round! Were they to move quickly and at once the whole secret would be out and the shuffling of all ants be done forever. A leaning pyramid of sunlight, narrowing out at a high window, moves by the clock: disaccordant hands straining out from a center: inevitable postures infinitely repeated— two—twofour—twoeight! Porters in red hats run on narrow platforms. This way ma’am! —important not to take the wrong train! Lights from the concrete ceiling hang crooked but— Poised horizontal on glittering parallels the dingy cylinders packed with a warm glow—inviting entry— pull against the hour. But brakes can hold a fixed posture till— The whistle! Not twoeight. Not twofour. Two! Gliding windows. Colored cooks sweating in a small kitchen. Taillights— In time: twofour! In time: twoeight! —rivers are tunneled: trestles cross oozy swampland: wheels repeating the same gesture remain relatively stationary: rails forever parallel return on themselves infinitely. The dance is sure.
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1.6k
Overture To A Dance Of Locomotives
His hand was outstretched, nabbing a pesky windswept hamburger wrapper near a garbage can alongside the exit to the cafeteria Bent over, exposed, frozen, pretending the hamburger wrapper required more effort than normal to dislodge it from the open air just above the ground Perhaps it was a turnip or a beet, that he had to carefully, surgically remove and it was only that he saw me coming if I could have slowed down time, to slow motion Seeing my boss, the principal of the school, up ended like this for the sole purpose of not having to look me in the face, I would have more kids would have had a chance to stare at this strange posture, and wonder how a hamburger wrapper could have such a difficult time being removed from the ground and I want to remember this pose it only gets worse, and as my exit comes nearer, I feel lighter but he still can't look me in the eye if he felt secure in his decision, in all his decisions about me he could, but he doesn't So he will focus more time than needed to grasp that delicate wrapper, which contained a stale bun and the remains of a dairy cow spent and gone before her time on a factory farm in the central valley and if insecurity can impose such ludicrous postures on a person I will take this lesson, and remember always to be brave
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May 29, 2013
May 29, 2013 at 11:15 PM UTC
Freeze
By Adam & Arcassin :::AK::: What is technically the first season? Winter The cold drives you insane, but you swear that is not it. So what is it? Do you ever feel safe as each unique snowflake falls? Will you accept Spring is just around the corner, because life is filled with hope. *Never be scared, you can try again.* Spring Everything is made new, all old things feel worn out. Flowers bloom, and the wind has a simple tune. Birds chirp, and the guy who loves a girl flirts. *Never be scared, you can try again.* :::AB::: What is technically the fifth season? A bunch of remedies of what the weather could be, Is it rain , sleek , snow or feeling dusty, In the people purple postures feeling fluffy, fall Ah !! I hate school , its a crying shame, But you gotta be shameless, Penny penchant wear a costume with some silver stains, And the kind of feel in the holiday is pretty wasteless, Need another moment for life to feel the pain, Autumn Leaves fall for purposes don't push it, The leaves will leave you in shambles, Nice condensation when you think about it, Trying not to get your rocks off buying out of staples, But who goes to staples anymore forget about it.
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Jan 28, 2015
Jan 28, 2015 at 11:28 PM UTC
"Fifth Season" (ft. Adam Kobosky & Arcassin B.)
I can be a wretched fake, in private, intimate performance. I’m an actress capable of imitating spontaneous pleasure - by tricks of hesitation, convulsive vocal play and postures. A mimicry undetectable to an immediate spectator. "Aww, thank you", I’ll sigh, as if leaving a good party. “I’ve got a lot of homework to do,” I’ll add, a minute later. To clear the stage.
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Feb 14, 2024
Feb 14, 2024 at 10:18 PM UTC
fakery
i. Evil sleeps in an orchard not far from here. The apples sweat him out. Dressed as god, the Sun watches and nods. He bleeds for them out of his own mouth. A god's mask means protection. But in time, he will **** them dry. And autumn will fall. Postures will fall. Pulses will fall, like pills, like poison. ii. A cloud forest signals the first of the shadows. Summer is nocturnal. A buttery Moon leaves the world warm and breathing. The trees stir, the stars hiccup, and Nighttime climbs onto the birdbath where it tells you all its tricks. iii. Evil blinks from a tree where the apple skulls intrude. The garden combs you through its arteries, scooping your midsummer grave. A beautiful accident closes in on itself. And then a light like milk. And then the whistling. iv. Summer whistles in the dark: The sound of Evil kneeling to the imagination undoing him. A deadly glow becoming a romance on the white fences. Nighttime draws dust away from your shoulders, translates Summer sound and says, You are your own harvest. Your madness is only there when you want it to be.
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Jan 11, 2013
Jan 11, 2013 at 9:59 PM UTC
lessons from that summer
Though first, I evolved according to plan Little enabled me outlive this predator With few permanent armor plates, strong Muscles capable of crushing Anything, bones extremely tough, These serious injuries go beyond My cold-bloodedness. I like my environment, have developed Behaviors to control it, to save energy That can be put to other use An evolved entirety of reason Is why I can go for over a year In extreme shutdown My own tissue will feed On anything it can overpower Extraordinarily adaptable During difficult times, I will scavenge for everything, Digest nothing left behind My social interactions are complicated I primarily lead a solitary life, don’t recognize Vocalization, postures, signals, touch My brain more complex than that of any other A powerful sense of perception The ability to learn, to avoid situations That modify me structurally Adaptations have allowed me to thrive But surviving human encroachment May be my biggest challenge Through habitat enhancement I may be able to ensure these Sophisticated survival skills For years to come
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Sep 30, 2015
Sep 30, 2015 at 11:03 AM UTC
Survival Episode
But s/he , s/he who had a dream was in your dream recently to tell you a secret given to it by an ascetic in its dream The warrior s/he said is who you really are that’s why you should be here and now an avatar of countless postures of you manifest an energy which can convert renew and is to be delivered to the identical selves through invisible aural tunnels These resonate ideally remain non-audible except for the two communicating ends. s/he or it in your dream -might have been a messenger a messenger to deliver you the message- was linked in a sense that you might not want but should honor for the upcoming task set on the warrior’s path and you two have one great number a written secret s/he or it has acquired through an ascetic in its dream and you from it in your dream in a form that you won’t forget but which nobody will ever notice or find back written on a side of a white torn bit sheltered in the house of the spirit the path of truth should be received As a Choice Only in Full Consciousness with Full Knowing Only because when once received truth as love   is one way exit you must know-make it your gift longing incites the illusive when illusive is incited a rose fragrance rises to stop the four.petalled turn the Visionary.Imaginary whips shadows to block the true sight you lose then your moon cycles step on a thorny dark edge to be tested to find the way to truth to find means to create the path intuition is your only : trust the breadcrumbs and the upright flying bird has the breath of genuine   to set the next vibratory path    at both ends of a stretched  line twin natures should awaken in rhyme and be made one let then the following program run: opposite charges to return a kiss a kiss to collapse the helix right there as far as the integers of the soul’s string   the exit to truth lies at a clearing Walk the cave made of the living illuminated by the full moon’s shine Let your cycle return before dawn so ends an end by you two as Two becomes One It’s just a dot or a line or a number which ends and starts. There is no difference really at a place without Time. or at an eternal frequency which is timeless. We cannot tell you more. That’s all our nature allows us to know.
0
Dec 31, 2014
Dec 31, 2014 at 9:36 AM UTC
the ASCETIC
But s/he , s/he who had a dream was in your dream recently to tell you a secret given to it by an ascetic in its dream The warrior s/he said is who you really are that’s why you should be here and now an avatar of countless postures of you manifest an energy which can convert renew and is to be delivered to the identical selves through invisible aural tunnels These resonate ideally remain non-audible except for the two communicating ends. s/he or it in your dream -might have been a messenger a messenger to deliver you the message- was linked in a sense that you might not want but should honor for the upcoming task set on the warrior’s path and you two have one great number a written secret s/he or it has acquired through an ascetic in its dream and you from it in your dream in a form that you won’t forget but which nobody will ever notice or find back written on a side of a white torn bit sheltered in the house of the spirit the path of truth should be received As a Choice Only in Full Consciousness with Full Knowing Only because when once received truth as love   is one way exit you must know-make it your gift longing incites the illusive when illusive is incited a rose fragrance rises to stop the four.petalled turn the Visionary.Imaginary whips shadows to block the true sight you lose then your moon cycles step on a thorny dark edge to be tested to find the way to truth to find means to create the path intuition is your only : trust the breadcrumbs and the upright flying bird has the breath of genuine   to set the next vibratory path    at both ends of a stretched  line twin natures should awaken in rhyme and be made one let then the following program run: opposite charges to return a kiss a kiss to collapse the helix right there as far as the integers of the soul’s string   the exit to truth lies at a clearing Walk the cave made of the living illuminated by the full moon’s shine Let your cycle return before dawn so ends an end by you two as Two becomes One It’s just a dot or a line or a number which ends and starts. There is no difference really at a place without Time. or at an eternal frequency which is timeless. We cannot tell you more. That’s all our nature allows us to know.
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102
Let’s scrabble to rouse the rabble, The massive blithering and blathering, Make protests ring above the babble And set foaming mouths lathering, When our country and its youth, Newly awakened and newly wise, Stand up and demand the truth Instead of the usual pack of lies. The rich get the wheat And we get the chaff Then the rich sit back In their palaces and laugh. What has served as intelligence Has put this country in a bind By people with no common sense. Supposed adults just voting blind Based on ideas without merit. Those with money get a pass And let the taxpayers bear it. Then the rest take it in the *** The ‘haves” drink wine And we drink water Maybe sometime soon They’ll come for your daughter. The people we have elected Saw a shaky foundation laid Have left us mostly unprotected And massive bribes were paid. The wealthy among us got a pass So now just the rich have a voice And the poor and working class Have no effective voice. The wealthy get shoes And we get bare feet. We learn to live our lives In postures of defeat. This is the age of communication; We have to look at what we are doing. We still can save our weakened nation. And maybe start some careful suing. Let’s vote out the Couriers of Hate; Hold these ******** to their vows. To stand up to their inequities We need to start right now. The rich get the wheat And we get the chaff Then the rich sit back In their palaces and laugh.
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Dec 7, 2015
Dec 7, 2015 at 12:45 AM UTC
CLARION CALL
When clouds upon the summer breeze all rest And easeful, take upon their faery flight Into the paling crimson of the west Where noonday dreams wilt in the breath of night, I look into the east, and try to bear No more a single thought of gloom or tear For tangled comes my heart in wreathes of drear For seeing just the day lie on its bier. Up at the twinkling summer stars I gaze And far as any falcon, swift, may spy Lie constellations whose postures can trace A story of some wild ecstasy; A tale of unworldly days of yore When wine flowed free and through the earth did seep And Heracles stood tall and Phobetor Was purely myth to scare the young to sleep. And as I stare upon these stars, my eyes Close then and open to new morning skies.
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Jan 7, 2014
Jan 7, 2014 at 7:22 PM UTC
When Clouds Upon the Summer Breeze All Rest
A little stone found me on my way she took me in her hands using my hands and she whispered using the sound of the wind: My gift to you she said is the moment that makes you be these endless landscapes I’ve crossed until our ways met to touch this way We exchange to purify without being attached no thoughts – no visions – no appreciation of time – no expectations from the past – no intention of the next and after shall trespass This is a message to be delivered to you that shall come in handy sometime because it’s no mystery that there really is no one out there but a technology of ‘when you are not the will suffers having not initiated my mud to sculpt ‘ then the following is a swamp Come lets walk hand in hand stand on that hill and watch while the wind blows us through the blue rounding red yellow curly hue of high rocks look inside and sing now one as I * then you will see then you will be you do not need to touch pick a stone just call it mystery call it technology all the same when all there is is is not the eyes but my presence that which illuminates sees sees to dance and correct postures sees to be   the very object as clarity eyes gets better if it were blurred posture straightens if it were crimpled you become the sweetest shape  of the wind to a bumblebee an ever expanding harmonics of a song unknowingly for a moment just for a moment maybe but such a moment of a celebration is comparable to a lifetime only*
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Aug 11, 2015
Aug 11, 2015 at 6:39 PM UTC
Song of the Little Stone
my bike blue is a special blue that’s how I recognize you when it ‘s dark it shines morning skies I suspect yours is no paint but an invisible skin   that secretly gazes and inhales moods of me to shape thyself in harmonic postures of us so that you and I will manifest one ride one road roads will form with us we pedal a mantra my bike blue is a special blue that’s how I recognize you no matter the light you are by my side but at times like tonight when we are apart I may also prefer to walk alone sometimes under a starlight to witness the change of a phase of matter an urge to relate to my body differently maybe as I used to do sometimes that walking fast activates a memory they would know where to take me and so I follow my footsteps just empty streets is you in my mind I compose random chords of traffic of cars of flows of minds sounds cannot catch up with us neither of pasts nor of futures words escape to stars stars will sing lyrics for you for us   next time when we align each time a song of reality is a new one my bike blue is a special blue that’s how I recognize you second life was the name of the man who made me for you
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Dec 14, 2014
Dec 14, 2014 at 4:11 PM UTC
My Bike Blue