it depended on the week.
the clocks fell limp—for once
we felt no need in being
anchored to the planet.
space made more sense. leaving
patterns and trails so marvelous
a comet would blush.
but this is no heaven. angels do not wander
past our own dimensions:
all those miles may never go back.
we suckled nature’s poison in mouthfuls.
we dreamt in the gloom of wood. where
silence framed the heart
in every colour.
the sun craved soft oblivion, too. flirting
with caution signs and traffic cones
and finally, blood.
the colour of sunday evening. those darker holidays
i’d watch her study death:
for is not time the study of death?
a childhood spread early, easily, a lifeline like butter.
peter pan mastered dreams—and daggers. if you’re lucky
the devil might leave you
roses at your doorstep.
shoes off, what more did you hope to shed? at home
you learned to love yourself
from across the avenue.
so try again tomorrow, try again. try “Tomorrow--
everyone’s favourite one night stand!”:
because loneliness is more loyal than they will ever be.
then came the hour you yawned.
the sandman wept, too. stealing life away in sleep
but never knowing
what it meant to handle.
i heard you then, i listened after. during
those sad afternoons we spent
watching the light change.
a change so soft, a change seldom subtle. we learned
life was no slender hope:
to never apologize for feeling.
and that was the way you won.
you beat the traffic of our bodies. a heart that wore
a cape of good hope
echoing past the sea.
in a world as big as this one! i felt it
whispering, whispering
“yes, yes, yes!”—oh, i remember that day.
the graveyard, almost sick with flowers. for the loudest heart
only ever needed two words:
“you matter.”
Feb 18, 2014
Feb 18, 2014 at 8:49 AM UTC
there’s a piano player
on the highest floor
who lends a different genre
to the san francisco fog,
the same piano player
whose lonely sound
deepens and blossoms
while everyone’s busy listening
to their own sad luxury.
this is for the piano player
who carves the chore
out of all those stairs
so the burn in our legs
can finally yield to our heartbeats,
the piano player
whose fingers we feel
but cannot see.
Feb 10, 2013
Feb 10, 2013 at 4:01 AM UTC
when i taste,
i am alone.
i am alone in this moment.
warm wind making love
to the candy green grass
and nearby, my open mouth:
a summer of oranges and chlorine
and the idea of someone else’s lips.
a curious lightness of the heart —
but i come back to my tongue
and my tongue only.
a million aftertastes
in the autumn that followed:
pomegranates bleeding in the kitchen
while the swimming pools
began to close
and those lips:
only a moment.
only an idea.
with taste i was alone.
with Sound
came restlessness:
a fresh morning
crowded and sweet
by the noise of the sun
that chose us.
that chooses us, still.
the sound of the bathroom sink
beating the alarm clock.
doors opening before eyes.
the sound of a strange tense,
of love in its past tense.
love craving a letter to wear on its tail,
and borrowing Death’s first —
how it leaves your teeth differently,
how it will come to remind you of this gift.
even the shy ones,
the sounds that happened while we were sleeping,
even those sounds from underwater,
where your voice returns to you
heavy and misshapen —
even there
when i listen
i don’t have to be alone.
Jan 15, 2013
Jan 15, 2013 at 12:20 PM UTC
in the event of loving someone
i learned it best from the flowers
on the corner of 19th and Diamond:
Remember your space, too.
Jan 11, 2013
Jan 11, 2013 at 10:05 PM UTC
to me, winter is cinnamon.
dotted ceilings make me itch.
5pm tells me "sleep" -- then
yellow fills me with "home".
there is something about you
that smells a lot like January.
a lot like blinking and train tickets.
sometimes i look at you and think
about the lazy curls of y's and g's
after they've been sleeping so long on
December's hardwood floors.
and i don't know how else to say it.
is there a word for "waking up
with bruises by a lover
who was never
there"?
what about that kaleidoscope feeling?
how you unfold all over the place
when i turn inward.
at times nonsense.
at times ugly.
a lot like sea salt on dry land,
and fireworks that bloom
in the middle of the day.
Jan 11, 2013
Jan 11, 2013 at 10:04 PM UTC
wishlist
for a fifth season:
a season unlike
the feeling of somebody,
synonymous to no one
but the trees, and how
they might be feeling
instead.
and an apology:
to the other four
i cannot undo.
Jan 11, 2013
Jan 11, 2013 at 10:04 PM UTC
you were never one for a proper greeting, were you? always paying attention to what was going on with the person in front of you, without recognizing the fact that you were next. life wasn't a one-man show then, and it certainly isn't now. but your drowsiness has long gone -- i almost didn't recognize you. and your carefulness -- i can see that's gone, too. you know what C whispered to me when i first saw you across this room? "there he goes, handling his women like he does his guns." i believed that. so don't talk to me about love and crime and money. the world has always tasted backwards to me.
oh please, i've been looking at you this way for years. only this time i don't have the excuse of it being spring. i haven't felt a proper spring since. i haven't -- [fingers drum in hesitation.] i haven't felt anything since.
i said i haven't felt anything since -- i still remember everything that happened. and you're right, i'm getting away with it just fine. how nice, to finally be able to look at someone without all that gravity happening in you!
looking outside, it feels like i've been gone for far too long, but being in here -- i don't think i've been gone long enough. [clears throat.] did you miss me, darling?
you've changed.
i know. we're both thieves -- we can only ever be thieves, don't you understand? i'm not afraid of what you've done or what you've stolen to still be here. to be speaking to me, to be breathing before me. to be like -- like this. [right hand reaches toward sleeve but wilts on the countertop, a few inches away.] i want to know what you've hidden. it happens every year. think about it: it's almost winter. it's almost time for you to start distancing yourself from everyone around you. those sad things you do, those sad things we both do, they never happen in the spring...spring is when winter surrenders it all. spring is when the bodies start to show up. autumn is dying, winter is dead, spring is when we have to clean it all up. but spring is when the light hits them just right and they look almost -- almost beautiful. not beautiful in what they were, but beautiful in their decay. beautiful that they're on their way to becoming...well, becoming no longer. ah, wasn't spring such a nice feeling?
that's precisely what i mean. so what is it you're burying from me now? why not tell me now? i'll never be younger than i am at this moment. what about now? i might just drive into the winter with you. [smiling.]
what? [stops smiling.]
i...i don't have time for this. he's waiting for me outside.
i can't say i imagined this, either.
[leans closer in silence.]
sounds to me like you still might be asleep there, yourself. [leans away, smiling.]
oh, what would you know about beautiful mornings? you were never awake to appreciate them! no matter how hard i nudged you.
you were always so tired then.
terrible. [turns away.] and so warm. [smiling.]
...i know. we both are.
Jan 11, 2013
Jan 11, 2013 at 10:03 PM UTC
listen, the world has changed plenty since you've last shown your face around here. nowadays, a name is the last thing we learn, if we ever do learn it. flirting is boring, death is a dinner topic, happiness is strange. pain is good. things taste backwards -- but oh, do they feel sweet. love and crime no longer compete for the gold: guess what sweetheart, they've got it, and they're sleeping together.
oh come on, don't look at me like that.
you've always underestimated your own heart, you know. and mine, for that matter. you can get away with a lot of things with a heart now -- i suppose that's another thing that's changed. remember how we used to be under its mercy? remember how we couldn't cope with the traffic of our bodies until it finally sighed some soft, silly sentence?
how long have you been gone, anyway?
no, no, that's not how it works. it isn't really a question of whether i missed you or not. that word doesn't mean anything anymore. it's become quite the popular prop. i don't have a word for what it's been like while you were--
what? what do you mean i've changed? if there's anyone who's changed it's you! i haven't changed for the sake of entering this world: look, darling, we're all thieves of space and time, and i'm just one of many trying to survive.
but...yes, i do suppose those days were nice. in their own way. when we were buried treasure. when closeness was something you had to earn first.
hey, you're smiling.
i'm not kidding -- you really are. should i stop?
well, i can't say i imagined you'd be back here again.
you want to know something, though? alright, i'll tell you.
if there's one thing i'm glad hasn't changed at all, it's how we wake up. it doesn't matter what happened hours ago. forget about what your skin remembers. can you believe it, we still manage to wake up! after all this!
i think a lot of it has to do with how competitive, how scared everyone feels. because after that, even after that, there's still that pleasant feeling of shared space. and then the silent sunrise. and then the beautiful morning.
i know.
i know, i know.
and yeah, you're still smiling.
Jan 11, 2013
Jan 11, 2013 at 10:01 PM UTC
how strange, the cloudy kindness
of the graveyard and its limbs,
and how different, earth
and any room must be,
darkened with the lust
and cheerless shapes
of people, who believe
everything they think.
so we sleep in hope, for a place
of hours flushed with health,
when new seasons mean
remembering, those seasons
when you no longer
missed home all the time
and wondered
where it went.
Jan 11, 2013
Jan 11, 2013 at 10:00 PM UTC
i.
Evil sleeps in an orchard
not far from here.
The apples sweat him out.
Dressed as god, the Sun
watches and nods.
He bleeds for them
out of his own mouth.
A god's mask
means protection.
But in time,
he will **** them dry.
And autumn will fall.
Postures will fall.
Pulses will fall,
like pills,
like poison.
ii.
A cloud forest
signals the first
of the shadows.
Summer is nocturnal.
A buttery Moon
leaves the world
warm and breathing.
The trees stir,
the stars hiccup,
and Nighttime climbs onto the birdbath
where it tells you all its tricks.
iii.
Evil blinks from a tree
where the apple skulls
intrude.
The garden combs you
through its arteries,
scooping
your midsummer grave.
A beautiful accident
closes in on itself.
And then a light like milk.
And then the whistling.
iv.
Summer whistles in the dark:
The sound of Evil kneeling
to the imagination
undoing him.
A deadly glow
becoming
a romance
on the white fences.
Nighttime draws dust
away from your shoulders,
translates Summer sound
and says,
You are your own harvest.
Your madness is only there
when you want it to be.
Jan 11, 2013
Jan 11, 2013 at 9:59 PM UTC