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"porter" poems
For my cousin, Chris Goldrick Lacing my skates after walking two miles in girl-strictured delight Mom's stories of Sonja Henie-- No, not ever Lacing my skates with  snow-ball pompoms felt skirt and nylon tights Cute little hat with matching scarf My thighs and fingers already freezing icy burn from miles on foot to get there the lake where-- I must get out I must get OUT! Knowing what to expect from my body the quick-twitch of muscle Could always sense specific-- gravity of water     at 22 degrees Desiring to feel the motion between ice and steel Read speed's vibrations through my body The brain registers relation to weather's effect Tell of velocity possibility of fall Feel the slash of the blades beneath me Throw my weight sideways, sudden to hear that furious hiss An object in motion tending, dire to stay in motion Threatening to stay there always in its heights-- of speed away-- from the crowds of skaters swirling distant in the lights Seeking instead the farthest reaches of Porter Lake speed and speed and more to overcome inertia of what it is to become undone at the outer edges, of humanity A force centrifugal unto myself Avoiding Pregnant and slow with years and babes.... The best must be broken and tamed of what it takes to stay free catching the edges with every stride catching my toe in the quick 180 spray of frost to the sudden still Listen to the frigid chill and the heave of my breath tumbling into evidence Gliding Once Forever-- on, into darkness of woods on frozen water The wildness of it all So infatuated with flight so full of grace I forgot Sonja The moon rose from her seat in the treetops and applauded
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Jul 17, 2018
Jul 17, 2018 at 3:54 PM UTC
Night Skating at Porter Lake
For my cousin, Chris Goldrick Lacing my skates after walking two miles in girl-strictured delight Mom's stories of Sonja Henie-- No, not ever Lacing my skates with  snow-ball pompoms felt skirt and nylon tights Cute little hat with matching scarf My thighs and fingers already freezing icy burn from miles on foot to get there the lake where-- I must get out I must get OUT! Knowing what to expect from my body the quick-twitch of muscle Could always sense specific-- gravity of water     at 22 degrees Desiring to feel the motion between ice and steel Read speed's vibrations through my body The brain registers relation to weather's effect Tell of velocity possibility of fall Feel the slash of the blades beneath me Throw my weight sideways, sudden to hear that furious hiss An object in motion tending, dire to stay in motion Threatening to stay there always in its heights-- of speed away-- from the crowds of skaters swirling distant in the lights Seeking instead the farthest reaches of Porter Lake speed and speed and more to overcome inertia of what it is to become undone at the outer edges, of humanity A force centrifugal unto myself Avoiding Pregnant and slow with years and babes.... The best must be broken and tamed of what it takes to stay free catching the edges with every stride catching my toe in the quick 180 spray of frost to the sudden still Listen to the frigid chill and the heave of my breath tumbling into evidence Gliding Once Forever-- on, into darkness of woods on frozen water The wildness of it all So infatuated with flight so full of grace I forgot Sonja The moon rose from her seat in the treetops and applauded
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This Advent moon shines cold and clear, These Advent nights are long; Our lamps have burned year after year, And still their flame is strong. "Watchman, what of the night?" we cry, Heart-sick with hope deferred: "No speaking signs are in the sky," Is still the watchman's word. The Porter watches at the gate, The servants watch within; The watch is long betimes and late, The prize is slow to win. "Watchman, what of the night?" but still His answer sounds the same: "No daybreak tops the utmost hill, Nor pale our lamps of flame." One to another hear them speak, The patient virgins wise: "Surely He is not far to seek,"-- "All night we watch and rise." "The days are evil looking back, The coming days are dim; Yet count we not His promise slack, But watch and wait for Him." One with another, soul with soul, They kindle fire from fire: "Friends watch us who have touched the goal." "They urge us, come up higher." "With them shall rest our waysore feet, With them is built our home, With Christ." "They sweet, but He most sweet, Sweeter than honeycomb." There no more parting, no more pain, The distant ones brought near, The lost so long are found again, Long lost but longer dear: Eye hath not seen, ear hath not heard, Nor heart conceived that rest, With them our good things long deferred, With Jesus Christ our Best. We weep because the night is long, We laugh, for day shall rise, We sing a slow contented song And knock at Paradise. Weeping we hold Him fast Who wept For us,--we hold Him fast; And will not let Him go except He bless us first or last. Weeping we hold Him fast to-night; We will not let Him go Till daybreak smite our wearied sight, And summer smite the snow: Then figs shall bud, and dove with dove Shall coo the livelong day; Then He shall say, "Arise, My love, My fair one, come away."
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Advent
This Advent moon shines cold and clear, These Advent nights are long; Our lamps have burned year after year, And still their flame is strong. "Watchman, what of the night?" we cry, Heart-sick with hope deferred: "No speaking signs are in the sky," Is still the watchman's word. The Porter watches at the gate, The servants watch within; The watch is long betimes and late, The prize is slow to win. "Watchman, what of the night?" but still His answer sounds the same: "No daybreak tops the utmost hill, Nor pale our lamps of flame." One to another hear them speak, The patient virgins wise: "Surely He is not far to seek,"-- "All night we watch and rise." "The days are evil looking back, The coming days are dim; Yet count we not His promise slack, But watch and wait for Him." One with another, soul with soul, They kindle fire from fire: "Friends watch us who have touched the goal." "They urge us, come up higher." "With them shall rest our waysore feet, With them is built our home, With Christ." "They sweet, but He most sweet, Sweeter than honeycomb." There no more parting, no more pain, The distant ones brought near, The lost so long are found again, Long lost but longer dear: Eye hath not seen, ear hath not heard, Nor heart conceived that rest, With them our good things long deferred, With Jesus Christ our Best. We weep because the night is long, We laugh, for day shall rise, We sing a slow contented song And knock at Paradise. Weeping we hold Him fast Who wept For us,--we hold Him fast; And will not let Him go except He bless us first or last. Weeping we hold Him fast to-night; We will not let Him go Till daybreak smite our wearied sight, And summer smite the snow: Then figs shall bud, and dove with dove Shall coo the livelong day; Then He shall say, "Arise, My love, My fair one, come away."
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There is a frozen lake with a grand piano in the center of it. There is an older man playing songs from our childhood as we stand around him and sing the words to his music. The cool breeze is getting cooler and snow is threatening to fall at any second... But there is soup on the stove and warm couch for us to sit together and lay down. Drink a glass of wine, raise a glass for all our times. Smiles, tears, dances and doors slammed. Children born, parents gone, friends say hello and just as quickly say goodbye... The old man is tickling the ivory and the ebony keys - songs like brown eyed girl and I guess that's why they call it the blues. He plays Cole Porter and Ira Gershwin tunes too... We hold hands and I want to take you in my arms and sweep you off your feet, fly away to another world...another time... But the lake is frozen, the snow is beginning to fall and the soup is on the stove...I can smell it from here... So say goodbye to the sadness, say goodbye to that old man, playing Fire and Rain...maybe tomorrow we can do this all again.
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Feb 1, 2015
Feb 1, 2015 at 2:37 PM UTC
Piano on a Frozen Lake
608 Afraid! Of whom am I afraid? Not Death—for who is He? The Porter of my Father’s Lodge As much abasheth me! Of Life? ’Twere odd I fear [a] thing That comprehendeth me In one or two existences— As Deity decree— Of Resurrection? Is the East Afraid to trust the Morn With her fastidious forehead? As soon impeach my Crown!
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Afraid! Of whom am I afraid?
Dear Hot Straight Actresses, Stop playing perfect lesbian characters on TV that cause me to become wet on lonely Thursday nights. It’s the equivalent of waving double chocolate fudge cake in front of a menstruating woman who has just been diagnosed with type 2 diabetes. To name a few, Jennifer Beals as Bette Porter on The L Word. Stop it! Naya Rivera as the sassy Santana Lopez on Glee. Stop it! Angie Harmon as butch goddess Detective Jane Rizzoli on Rizzoli & Isles. You may be in the closet but you are gay and stop! And Sara Ramirez and Jessica Capshaw as the married ****** Dr. Cali Torrez and Dr. Arizona Robbins of Grey’s Anatomy. You…you keep going. You two give me hope. Hope that someday my insanely high expectations will be met when my hot art collecting, sassy mouthed Doctor with handcuffs in her back pocket jumps from the screen and onto my sweatpants covered lap. In this crazy assumption that I’ll end up falling out of an apple tree letting gravity push me into the arms of a woman who fixes my broken sense of reality with a amazing great hair and a wedding proposal. Missing out on the Hot barista who gives me an extra large when I ask for a small or the Budding **** artist who invites me to her galleries only to realize her muse has oddly the same hips as me. or the Best friend who is still stuck in the shadows of my closet. Nope…didn’t see any of those. I’m too busy watching the **** tube to see what low cut tops they can get away with before they leave the set and back to their husband and 2.5 kids. All I’m asking is… …when is it coming out on DVD?
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Oct 1, 2012
Oct 1, 2012 at 7:17 AM UTC
Dear Hot Straight Actresses,
Dear Hot Straight Actresses, Stop playing perfect lesbian characters on TV that cause me to become wet on lonely Thursday nights. It’s the equivalent of waving double chocolate fudge cake in front of a menstruating woman who has just been diagnosed with type 2 diabetes. To name a few, Jennifer Beals as Bette Porter on The L Word. Stop it! Naya Rivera as the sassy Santana Lopez on Glee. Stop it! Angie Harmon as butch goddess Detective Jane Rizzoli on Rizzoli & Isles. You may be in the closet but you are gay and stop! And Sara Ramirez and Jessica Capshaw as the married ****** Dr. Cali Torrez and Dr. Arizona Robbins of Grey’s Anatomy. You…you keep going. You two give me hope. Hope that someday my insanely high expectations will be met when my hot art collecting, sassy mouthed Doctor with handcuffs in her back pocket jumps from the screen and onto my sweatpants covered lap. In this crazy assumption that I’ll end up falling out of an apple tree letting gravity push me into the arms of a woman who fixes my broken sense of reality with a amazing great hair and a wedding proposal. Missing out on the Hot barista who gives me an extra large when I ask for a small or the Budding **** artist who invites me to her galleries only to realize her muse has oddly the same hips as me. or the Best friend who is still stuck in the shadows of my closet. Nope…didn’t see any of those. I’m too busy watching the **** tube to see what low cut tops they can get away with before they leave the set and back to their husband and 2.5 kids. All I’m asking is… …when is it coming out on DVD?
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A short direction To avoid dejection, By variations In occupations, And prolongation Of relaxation, And combinations Of recreations, And disputation On the state of the nation In adaptation To your station, By invitations To friends and relations, By evitation Of amputation, By permutation In conversation, And deep reflection You'll avoid dejection. Learn well your grammar, And never stammer, Write well and neatly, And sing most sweetly, Be enterprising, Love early rising, Go walk of six miles, Have ready quick smiles, With lightsome laughter, Soft flowing after. Drink tea, not coffee; Never eat toffy. Eat bread with butter. Once more, don't stutter. Don't waste your money, Abstain from honey. Shut doors behind you, (Don't slam them, mind you.) Drink beer, not porter. Don't enter the water Till to swim you are able. Sit close to the table. Take care of a candle. Shut a door by the handle, Don't push with your shoulder Until you are older. Lose not a button. Refuse cold mutton. Starve your canaries. Believe in fairies. If you are able, Don't have a stable With any mangers. Be rude to strangers. Moral: Behave.
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Rules and Regulations
There, in the corner, staring at his drink. The cap juts like a gantry's crossbeam, Cowling plated forehead and sledgehead jaw. Speech is clamped in the lips' vice. That fist would drop a hammer on a Catholic- Oh yes, that kind of thing could start again; The only Roman collar he tolerates Smiles all round his sleek pint of porter. Mosaic imperatives bang home like rivets; God is a foreman with certain definite views Who orders life in shifts of work and leisure. A factory horn will blare the Resurrection. He sits, strong and blunt as a Celtic cross, Clearly used to silence and an armchair: Tonight the wife and children will be quiet At slammed door and smoker's cough in the hall.
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Docker
Light spreads darkly downwards from the high Clusters of lights over empty chairs That face each other, coloured differently. Through open doors, the dining-room declares A larger loneliness of knives and glass And silence laid like carpet. A porter reads An unsold evening paper. Hours pass, And all the salesmen have gone back to Leeds, Leaving full ashtrays in the Conference Room. In shoeless corridors, the lights burn. How Isolated, like a fort, it is - The headed paper, made for writing home (If home existed) letters of exile: Now Night comes on. Waves fold behind villages.
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Friday Night At The Royal Station Hotel
The morning mists still haunt the stony street; The northern summer air is shrill and cold; And lo, the Hospital, grey, quiet, old, Where Life and Death like friendly chafferers meet. Thro' the loud spaciousness and draughty gloom A small, strange child--so aged yet so young!-- Her little arm besplinted and beslung, Precedes me gravely to the waiting-room. I limp behind, my confidence all gone. The grey-haired soldier-porter waves me on, And on I crawl, and still my spirits fail: A tragic meanness seems so to environ These corridors and stairs of stone and iron, Cold, naked, clean--half-workhouse and half-jail.
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Enter Patient
The party starts at ten to three. On the second floor,room twenty two two vicars who had come down from Crewe were wondering just what to wear, to the shindig going on down there. They collided,both decided to put on crimson frilly frocks,this was not a 'do' for cassocks or for smocks. Room forty four up on the forth,was Lucy Ann,a double barrelled name of course,a horsey type who came by invite to liven lively up the night. In number ten slept teacup Ken,who had never once imbibed,the porter was slipped a twenty,but was bribed to keep his big mouth shut, as ties were cut and Ken found Zen in a brandy glass, and discovered parties were a gas. The police arrived to room fifty five and found Miss Sterling doing the jive around the severed head of Fred the cook, poor Fred never had any kind luck. There is no escape from the party at Lancaster Gate and those who come are those who'll die but the party is so flamin' good I'll try to sneak in,got to take a peek in room number twenty seven,where it's said,that the lady there can show you several kinds of heaven before you meet your doom. Got to get in, get a room,check in time expires at noon. I shall no doubt expire,naked by the fire in room, one o one.
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Jul 26, 2013
Jul 26, 2013 at 4:44 PM UTC
Fiesta
Il était très **** dehors était noir Comme un maudit soir Qui allait porter: angoisse et tristesse Pour une mère soudainement tombée en détresse Les escadrons de l’obscurité viennent d’exécuter Son enfant de vingt et une années Il avait prétendument un couteau en main Et l’innocence d’un jeune matin Fatal dans sa pensée. La technologie Peut, par hasard, améliorer ou détruire la vie Plusieurs cartouches tirées, le jeune homme est tombé Criblé de balles réservées pour des condamnés Les assassins nocturnes ont abattu une autre victime Ce qui est pire, c’est qu’ils ne vont pas payer pour cet horrible crime C’est abominable, le noir est souvent injustement ciblé Le racisme est un cancer qu’on doit éradiquer La mère est inconsolable Ses douleurs implacables Ses larmes intarissables Et ses peines incommensurables C’est triste et amer, la mère va enterrer son enfant C’est drôle, affreux, criminel et méchant Les malhonnêtes « foliciers » sans remords Viennent de causer un autre mort Ils ne connaissent pas les souffrances Endurées par une mère pour donner naissance A un bébé en bonne et parfaite santé Quelle tristesse! Quelle calamité! C’est une autre tranchée forcée C’est vraiment déchiré un cœur jadis farci de fierté Voir une mère pleurer dans une telle condition Est écœurante pour toute la famille Et les amis Qui brûlent dans un enfer imbibé de pénibles émotions L’ignorance et l’immaturité sont deux plaies Qui jamais ne sèment ni l’amour, ni la paix Les pleurs de la mère sont intarissables Ses douleurs inimaginables Ses peines incontrôlables Et la mère inconsolable. Copyright© March 2011, Hebert Logerie, Tous Droits Réservés Hebert Logerie est l’auteur de plusieurs recueils de poèmes.
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Sep 4, 2025
Sep 4, 2025 at 11:02 PM UTC
Les Pleurs Ou Les Larmes D’Une Mère
Il était très **** dehors était noir Comme un maudit soir Qui allait porter: angoisse et tristesse Pour une mère soudainement tombée en détresse Les escadrons de l’obscurité viennent d’exécuter Son enfant de vingt et une années Il avait prétendument un couteau en main Et l’innocence d’un jeune matin Fatal dans sa pensée. La technologie Peut, par hasard, améliorer ou détruire la vie Plusieurs cartouches tirées, le jeune homme est tombé Criblé de balles réservées pour des condamnés Les assassins nocturnes ont abattu une autre victime Ce qui est pire, c’est qu’ils ne vont pas payer pour cet horrible crime C’est abominable, le noir est souvent injustement ciblé Le racisme est un cancer qu’on doit éradiquer La mère est inconsolable Ses douleurs implacables Ses larmes intarissables Et ses peines incommensurables C’est triste et amer, la mère va enterrer son enfant C’est drôle, affreux, criminel et méchant Les malhonnêtes « foliciers » sans remords Viennent de causer un autre mort Ils ne connaissent pas les souffrances Endurées par une mère pour donner naissance A un bébé en bonne et parfaite santé Quelle tristesse! Quelle calamité! C’est une autre tranchée forcée C’est vraiment déchiré un cœur jadis farci de fierté Voir une mère pleurer dans une telle condition Est écœurante pour toute la famille Et les amis Qui brûlent dans un enfer imbibé de pénibles émotions L’ignorance et l’immaturité sont deux plaies Qui jamais ne sèment ni l’amour, ni la paix Les pleurs de la mère sont intarissables Ses douleurs inimaginables Ses peines incontrôlables Et la mère inconsolable. Copyright© March 2011, Hebert Logerie, Tous Droits Réservés Hebert Logerie est l’auteur de plusieurs recueils de poèmes.
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--To W. A. Was I a Samurai renowned, Two-sworded, fierce, immense of bow? A histrion angular and profound? A priest? a porter?--Child, although I have forgotten clean, I know That in the shade of Fujisan, What time the cherry-orchards blow, I loved you once in old Japan. As here you loiter, flowing-gowned And hugely sashed, with pins a-row Your quaint head as with flamelets crowned, Demure, inviting--even so, When merry maids in Miyako To feel the sweet o' the year began, And green gardens to overflow, I loved you once in old Japan. Clear shine the hills; the rice-fields round Two cranes are circling; sleepy and slow, A blue canal the lake's blue bound Breaks at the bamboo bridge; and lo! Touched with the sundown's spirit and glow, I see you turn, with flirted fan, Against the plum-tree's bloomy snow . . . I loved you once in old Japan! Envoy Dear, 'twas a dozen lives ago; But that I was a lucky man The Toyokuni here will show: I loved you--once--in old Japan.
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Ballade Of A Toyokuni Colour-Print
Though frost and snow lock’d from mine eyes That beauty which without door lies, Thy gardens, orchards, walks, that so I might not all thy pleasures know, Yet, thou within thy gate Art of thyself so delicate, So full of native sweets, that bless Thy roof with inward happiness, As neither from nor to thy store Winter takes aught, or spring adds more. The cold and frozen air had starv’d Much poor, if not by thee preserv’d, Whose prayers have made thy table blest With plenty, far above the rest. The season hardly did afford Coarse cates unto thy neighbors’ board, Yet thou hadst dainties, as the sky Had only been thy volary; Or else the birds, fearing the snow Might to another Deluge grow, The pheasant, partridge, and the lark Flew to thy house, as to the Ark. The willing ox of himself came Home to the slaughter, with the lamb, And every beast did thither bring Himself, to be an offering. The scaly herd more pleasure took, Bath’d in thy dish, than in the brook; Water, earth, air, did all conspire To pay their tributes to thy fire, Whose cherishing flames themselves divide Through every room, where they deride The night, and cold aboard; whilst they, Like suns within, keep endless day. Those cheerful beams send forth their light To all that wander in the night, And seem to beckon from aloof The weary pilgrim to thy roof, Where if, refresh’d, he will away, He’s faily welcome; or if stay, Far more; which he shall hearty find Both from the master and the hind. The stranger’s welcome each man there Stamp’d on his cheerful brow doth wear, Nor doth this welcome or his cheer Grow less ‘cause he stays longer here; There’s none observes, much less repines, How often this man sups or dines. Thou hast no porter at the door T’examine or keep back the poor; Nor locks nor bolts: thy gates have been Made only to let strangers in; Untaught to shut, they do not fear To stand wide open all the year, Careless who enters, for they know Thou never didst deserve a foe; And as for thieves, thy bounty’s such, They cannot steal, thou giv’st so much.
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To Saxham
Though frost and snow lock’d from mine eyes That beauty which without door lies, Thy gardens, orchards, walks, that so I might not all thy pleasures know, Yet, thou within thy gate Art of thyself so delicate, So full of native sweets, that bless Thy roof with inward happiness, As neither from nor to thy store Winter takes aught, or spring adds more. The cold and frozen air had starv’d Much poor, if not by thee preserv’d, Whose prayers have made thy table blest With plenty, far above the rest. The season hardly did afford Coarse cates unto thy neighbors’ board, Yet thou hadst dainties, as the sky Had only been thy volary; Or else the birds, fearing the snow Might to another Deluge grow, The pheasant, partridge, and the lark Flew to thy house, as to the Ark. The willing ox of himself came Home to the slaughter, with the lamb, And every beast did thither bring Himself, to be an offering. The scaly herd more pleasure took, Bath’d in thy dish, than in the brook; Water, earth, air, did all conspire To pay their tributes to thy fire, Whose cherishing flames themselves divide Through every room, where they deride The night, and cold aboard; whilst they, Like suns within, keep endless day. Those cheerful beams send forth their light To all that wander in the night, And seem to beckon from aloof The weary pilgrim to thy roof, Where if, refresh’d, he will away, He’s faily welcome; or if stay, Far more; which he shall hearty find Both from the master and the hind. The stranger’s welcome each man there Stamp’d on his cheerful brow doth wear, Nor doth this welcome or his cheer Grow less ‘cause he stays longer here; There’s none observes, much less repines, How often this man sups or dines. Thou hast no porter at the door T’examine or keep back the poor; Nor locks nor bolts: thy gates have been Made only to let strangers in; Untaught to shut, they do not fear To stand wide open all the year, Careless who enters, for they know Thou never didst deserve a foe; And as for thieves, thy bounty’s such, They cannot steal, thou giv’st so much.
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Carrickfergus (1937) - poem by Louis Macneice. I was born in Belfast between the mountain and the gantries To the hooting of lost sirens and the clang of trams; Thence to Smoky Carrick in County Antrim Where the bottle-neck harbour collects the mud which jams The little boats beneath the Norman castle, The pier shining with lumps of crystal salt; The Scotch quarter was a line of residential houses But the Irish quarter was a slum for the blind and halt. The brook ran yellow from the factory stinking of chlorine, The yarn mill called it's funeral cry at noon; Our lights looked over the lough to the lights of Bangor Under the peacock aura of a drowning moon. The Norman walled this town against the country To stop his ears to the yelping of his slave And built a church in the form of a cross but denoting The list of Christ on the cross in the angle of the nave. I was the rectors son, born to the Anglican order, Banned for ever from the candles of the Irish poor; The Chichesters knelt in marble at the end of a transept With ruffs about their necks, their portion sure. The war came and a huge camp of soldiers Grew from the ground in sight of our house with long Dummies hanging from gibbets for bayonet practice And the sentry's challenge echoing all day long; A Yorkshire terrier ran in and out by the gate-lodge Barred to civilians, yapping as if taking affront; Marching at ease and singing 'Who Killed **** Robin?' The troops went out by the lodge and off to the Front. The steamer was camouflaged that took me to England- Sweat and khaki in the Carlisle train; I thought that the war would last for ever and sugar be always rationed and that never again Would the weekly papers not have photos of sandbags And my governess not make bandages from moss And people not have maps above the fireplace With flags on pins moving across and across- Across the hawthorn hedge the noise of bugles, Flares across the night, Somewhere on the lough was a prison ship for Germans, A cage across their sight. I went to school in Dorset, the world of parents Contracted into a puppet world of sons Far from the mill girls, the smell of porter, the salt-mines And the soldiers with their guns. Louis Macneice
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Jun 17, 2016
Jun 17, 2016 at 8:54 AM UTC
Louis MacNeice (1907-1963)
Carrickfergus (1937) - poem by Louis Macneice. I was born in Belfast between the mountain and the gantries To the hooting of lost sirens and the clang of trams; Thence to Smoky Carrick in County Antrim Where the bottle-neck harbour collects the mud which jams The little boats beneath the Norman castle, The pier shining with lumps of crystal salt; The Scotch quarter was a line of residential houses But the Irish quarter was a slum for the blind and halt. The brook ran yellow from the factory stinking of chlorine, The yarn mill called it's funeral cry at noon; Our lights looked over the lough to the lights of Bangor Under the peacock aura of a drowning moon. The Norman walled this town against the country To stop his ears to the yelping of his slave And built a church in the form of a cross but denoting The list of Christ on the cross in the angle of the nave. I was the rectors son, born to the Anglican order, Banned for ever from the candles of the Irish poor; The Chichesters knelt in marble at the end of a transept With ruffs about their necks, their portion sure. The war came and a huge camp of soldiers Grew from the ground in sight of our house with long Dummies hanging from gibbets for bayonet practice And the sentry's challenge echoing all day long; A Yorkshire terrier ran in and out by the gate-lodge Barred to civilians, yapping as if taking affront; Marching at ease and singing 'Who Killed **** Robin?' The troops went out by the lodge and off to the Front. The steamer was camouflaged that took me to England- Sweat and khaki in the Carlisle train; I thought that the war would last for ever and sugar be always rationed and that never again Would the weekly papers not have photos of sandbags And my governess not make bandages from moss And people not have maps above the fireplace With flags on pins moving across and across- Across the hawthorn hedge the noise of bugles, Flares across the night, Somewhere on the lough was a prison ship for Germans, A cage across their sight. I went to school in Dorset, the world of parents Contracted into a puppet world of sons Far from the mill girls, the smell of porter, the salt-mines And the soldiers with their guns. Louis Macneice
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The Christmas spirit is here once more And Hospital decorations are out again More Doctors that you get in a Tardis Putting up tinsel around the tree A pretty sight greets you to come see How they have decorated the Nurse's Station Even a pretty hand made cardboard fairy Adorns atop the little christmas tree Maybe they should hang up this porter Suspend me from the ceiling for all Because I am an amputee, and it would be fun For all to come and kiss me from under the missing toes Copyright Chris Smith 11th December 2009
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Dec 11, 2009
Dec 11, 2009 at 11:07 PM UTC
83: Kiss Me Under The Missing Toes
1562 Her Losses make our Gains ashamed— She bore Life’s empty Pack As gallantly as if the East Were swinging at her Back. Life’s empty Pack is heaviest, As every Porter knows— In vain to punish Honey— It only sweeter grows.
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Her Losses make our Gains ashamed—
I arrive in Lima The sweat-sogged poverty lumped onto concrete pushes at my heels The tight black air swallows the nakedness of prostitutes and thieves Pockets empty like a traveler’s stomach growling beneath the world of Los Incas In Cusco My head throbs in the thin air with the sound of boys trying to shine my boots, my sandals my bare feet no problemo women sell fresh papaya and guava sweaters and trinkets Hawkers surround me like a tightly stitched T-shirt Cusco The Navel of the Earth A bulging belly throbbing digesting living   Sunset I spread my toes over the evaporated flood waters of the Rio Urubamba where it once flowed from the fingers of Manco Inca over the fleeing conquistadors at the top of Ollantaytambo Momentary brilliance before you retreated to the jungle Spain, always gnawing at your heels It’s a mouth-full-of-coca-leave’s journey to Macchu Picchu I enter the dream spitting wet leaves on the silence of a dead kingdom Gasping for air that once filled lungs of Inca messengers carrying news of defeat and conquest over the great Andes Los Incas Caminos The cloud-dripped mountains spread green across my eyes I see ghosts a steady move of feet through the depleted air Porter, takes my backpack carries it against his brown crusty skin ancient, sun-baked descendant of the Earth’s naval A toothless, painless smile It must have been different before we came with money the color of unpicked rice Now I hear your belly-groan Between the perfectly fitted stones of Sacsayhuaman My voice bounces circular off invisible walls because your magic has survived you Macchu Picchu Unknown and majestic Hidden from blood from the stink of vultures No more Black raven feather drops on my skull floats on the shiny gray stone under my feet which are wrapped in dried, brown skin naked, without a heartbeat It’s past sunrise the tourist bus has arrived and the flat shadow of the crowd blocks the light of the ascending sun that tries to penetrate the perfect holes of a perfect wall in an imperfect dream
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Aug 13, 2014
Aug 13, 2014 at 3:28 PM UTC
Macchu Picchu
I arrive in Lima The sweat-sogged poverty lumped onto concrete pushes at my heels The tight black air swallows the nakedness of prostitutes and thieves Pockets empty like a traveler’s stomach growling beneath the world of Los Incas In Cusco My head throbs in the thin air with the sound of boys trying to shine my boots, my sandals my bare feet no problemo women sell fresh papaya and guava sweaters and trinkets Hawkers surround me like a tightly stitched T-shirt Cusco The Navel of the Earth A bulging belly throbbing digesting living   Sunset I spread my toes over the evaporated flood waters of the Rio Urubamba where it once flowed from the fingers of Manco Inca over the fleeing conquistadors at the top of Ollantaytambo Momentary brilliance before you retreated to the jungle Spain, always gnawing at your heels It’s a mouth-full-of-coca-leave’s journey to Macchu Picchu I enter the dream spitting wet leaves on the silence of a dead kingdom Gasping for air that once filled lungs of Inca messengers carrying news of defeat and conquest over the great Andes Los Incas Caminos The cloud-dripped mountains spread green across my eyes I see ghosts a steady move of feet through the depleted air Porter, takes my backpack carries it against his brown crusty skin ancient, sun-baked descendant of the Earth’s naval A toothless, painless smile It must have been different before we came with money the color of unpicked rice Now I hear your belly-groan Between the perfectly fitted stones of Sacsayhuaman My voice bounces circular off invisible walls because your magic has survived you Macchu Picchu Unknown and majestic Hidden from blood from the stink of vultures No more Black raven feather drops on my skull floats on the shiny gray stone under my feet which are wrapped in dried, brown skin naked, without a heartbeat It’s past sunrise the tourist bus has arrived and the flat shadow of the crowd blocks the light of the ascending sun that tries to penetrate the perfect holes of a perfect wall in an imperfect dream
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An altitude of ale A barometer of beer A circulation of champagne A depression of damassine An equilibrium of eau de vie A fractus of fenny A gust of grappa A hail of horilka An isotherm of icewine A jet stream of jenever A kilopascal of kirsch A layer of limoncello A metamorphism of mead A nocturnal of nuvo An overcast of ouzo A persistence of porter A reaction of rakia A storm of sake A torrent of tequila An updraft of unicum A vortex of ***** A winter of whiskey A disaster of drink
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Dec 11, 2012
Dec 11, 2012 at 10:10 AM UTC
Drunk Weather
13.Travel Haiku - Harbour Island (Eleuthera, Caribbean) Pink Sand Beach yoga on and on I chant with the sea seeking nirvana read more » john tiong chunghoo 14.I Am The Beach... As we walked along the beach, crashing waves thundered in our ears and a light, salted mist, dampened our lips. read more » (brief renderings) Joe Fazio 15.The Power Of The Beach As we walked along the beach, crashing waves thundered in our ears and a light, salted mist, dampened our lips. read more » (brief renderings) Joe Fazio 16.Under A Blanket Of Stars As we walked along the beach, crashing waves thundered in our ears and a light, salted mist, dampened our lips. read more » (brief renderings) Joe Fazio 17.Under A Blanket Of Stars... As we walked along the beach, crashing waves thundered in our ears and a light, salted mist, dampened our lips. read more » (brief renderings) Joe Fazio 18.ON A ROCKY BEACH read more » Aldo Kraas 19.Travel Indonesia Haiku - Batam Beach View Resort Batam Beach View Resort holding up the sky the bull horn chalets read more » john tiong chunghoo 20.On This Beach... Life is a beach. There are jellyfish. And sea urchins…the painful bumps along the road that we all encounter in life. On this beach. In life..and on a beach there is warm water-like times, when we are happy, and have good times and enjoy living. On this beach. We also have times, like a beach, when we have cold water times; when we are sad, or upset about losing someone or something. On this beach. read more » Dark Fallout 21.Somewhere Oh, to be lying, On a beach, Somewhere, With sand in my toes, read more » Linda Harnett 22.beach BEACH On the beach, egrets sleep, peacefully curled together. Waves roaring and waves wildness wipe on the beach. read more » Darryl K. Porter 23.HERE I am here, Sitting on the beach Viewing the wave Rolling up your name read more » nice pinky 24.Shell in the Beach a mother tells a story to her son 'there are three men one of them went to the beach and found a beautiful shell in the beach read more »
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Mar 13, 2014
Mar 13, 2014 at 9:12 PM UTC
Many ones enjoy them
13.Travel Haiku - Harbour Island (Eleuthera, Caribbean) Pink Sand Beach yoga on and on I chant with the sea seeking nirvana read more » john tiong chunghoo 14.I Am The Beach... As we walked along the beach, crashing waves thundered in our ears and a light, salted mist, dampened our lips. read more » (brief renderings) Joe Fazio 15.The Power Of The Beach As we walked along the beach, crashing waves thundered in our ears and a light, salted mist, dampened our lips. read more » (brief renderings) Joe Fazio 16.Under A Blanket Of Stars As we walked along the beach, crashing waves thundered in our ears and a light, salted mist, dampened our lips. read more » (brief renderings) Joe Fazio 17.Under A Blanket Of Stars... As we walked along the beach, crashing waves thundered in our ears and a light, salted mist, dampened our lips. read more » (brief renderings) Joe Fazio 18.ON A ROCKY BEACH read more » Aldo Kraas 19.Travel Indonesia Haiku - Batam Beach View Resort Batam Beach View Resort holding up the sky the bull horn chalets read more » john tiong chunghoo 20.On This Beach... Life is a beach. There are jellyfish. And sea urchins…the painful bumps along the road that we all encounter in life. On this beach. In life..and on a beach there is warm water-like times, when we are happy, and have good times and enjoy living. On this beach. We also have times, like a beach, when we have cold water times; when we are sad, or upset about losing someone or something. On this beach. read more » Dark Fallout 21.Somewhere Oh, to be lying, On a beach, Somewhere, With sand in my toes, read more » Linda Harnett 22.beach BEACH On the beach, egrets sleep, peacefully curled together. Waves roaring and waves wildness wipe on the beach. read more » Darryl K. Porter 23.HERE I am here, Sitting on the beach Viewing the wave Rolling up your name read more » nice pinky 24.Shell in the Beach a mother tells a story to her son 'there are three men one of them went to the beach and found a beautiful shell in the beach read more »
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Water of remembrance sprinkled On the mountain crest of recollection. Indulgent mussy memory catapulted Stones of retentiveness into the Courtyard of events like bricole Of battles. Pendulum of reminiscences swinging On oscillating milage of roads like Trotting horse with drippage of sweat And itching foots. Ghost of reminiscences restlessly Roaming with carriage of yesteryear. Final year educatees required Boardinghouse, But list of items engorged dear Mother's treasury "where do l raise money to buy oyinbo mattress, Ilori?" Mind pullulated with weariness. Intonation of worries. Cantillation of wants. Deficiency of measured means. Oyinbo mattress beyond ladder Of reach. Gluttonously waiting to devour Lesser items, But rays of compulsion unslammed The gate of respite. Lordly arrival warmly welcomed by The dorm room's porter, Walking majestically to the bed-space With the acquired cotton wool and raffia leaves mattress. Gamut of items passed through the eagle's eyes of the housemaster. Silver painted pail donated by a neighbour passed through the sentry of inspection, And got its admission. Mother's used cloak turned bedsheets Passed through the rigorous scrutiny. Newly built portmanteau unlocked and neatly dissected, item by item. Agazed eyes focused on the cotton wool and raffia leaves hand-made mattress. Expectations rattled mumbling astonishment. Legs stuck in the mud of mystification. Telepathic dews covered ocean of thought. Tranquil silence engulfed vicinity, Deflating the balloon of hope like a litigant awaiting verdict from the jurist's chambers. Porter's gesticulating gesture connoted nothingness of demeaning disapproval, perambulating on the hilly terrain of approval. Akimbo stood l. Now the verdict! Molten volcanic magisterial command erupted in a gestapo gesture, Spudding out from the barytone's baritone voice from the selfsame housemaster, From the bastion of authority, And the house generalissimo like a wild brant squalled, matter-of-factly, "we do not accept bed bugs cotton wool and raffia leaves hand-made mattress here". Entreaties collapsed.
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Jan 11, 2019
Jan 11, 2019 at 1:30 AM UTC
OF REJECTED MATTRESS
Water of remembrance sprinkled On the mountain crest of recollection. Indulgent mussy memory catapulted Stones of retentiveness into the Courtyard of events like bricole Of battles. Pendulum of reminiscences swinging On oscillating milage of roads like Trotting horse with drippage of sweat And itching foots. Ghost of reminiscences restlessly Roaming with carriage of yesteryear. Final year educatees required Boardinghouse, But list of items engorged dear Mother's treasury "where do l raise money to buy oyinbo mattress, Ilori?" Mind pullulated with weariness. Intonation of worries. Cantillation of wants. Deficiency of measured means. Oyinbo mattress beyond ladder Of reach. Gluttonously waiting to devour Lesser items, But rays of compulsion unslammed The gate of respite. Lordly arrival warmly welcomed by The dorm room's porter, Walking majestically to the bed-space With the acquired cotton wool and raffia leaves mattress. Gamut of items passed through the eagle's eyes of the housemaster. Silver painted pail donated by a neighbour passed through the sentry of inspection, And got its admission. Mother's used cloak turned bedsheets Passed through the rigorous scrutiny. Newly built portmanteau unlocked and neatly dissected, item by item. Agazed eyes focused on the cotton wool and raffia leaves hand-made mattress. Expectations rattled mumbling astonishment. Legs stuck in the mud of mystification. Telepathic dews covered ocean of thought. Tranquil silence engulfed vicinity, Deflating the balloon of hope like a litigant awaiting verdict from the jurist's chambers. Porter's gesticulating gesture connoted nothingness of demeaning disapproval, perambulating on the hilly terrain of approval. Akimbo stood l. Now the verdict! Molten volcanic magisterial command erupted in a gestapo gesture, Spudding out from the barytone's baritone voice from the selfsame housemaster, From the bastion of authority, And the house generalissimo like a wild brant squalled, matter-of-factly, "we do not accept bed bugs cotton wool and raffia leaves hand-made mattress here". Entreaties collapsed.
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Once, a young fresher was reading the rules, and was more than perplexed at the place where they state "All undergraduates, if they are Anglicans, must be in chapel each Sunday at eight." Wracking his brains, he began a small rumour that spread through the town on the weekdays that followed; he was not an Anglican, nor Nonconformist; his faith and religion was mere Heliolatry. Saturday evening, our hero retired with a smile on his face and his bin at his door, only to wake to a thunderous hammering, made by the porter, next morning at four. Ah, how a little lie, told with great frequency, gains repercussions that no-one expects! "Dawn's almost here, sir, the Chaplain expects you; go down to Main Court and you'll pay your respects."
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Jun 21, 2010
Jun 21, 2010 at 9:24 AM UTC
Leaping like calves
Next week, I’ll be 61 years working the same 93 acres. The furthest field back and the 2 joining Peter Burke’s always been meadows. Since before my time — today it takes just 4 hours to cut, bale and wrap. Dad and the men wouldn’t’ve half the first headland cut in that length. I’d go back with Mom, with tea and sandwiches; brown bread and something sweet. No more higher than the handle of the scythe — I would try to swing. Nearly took my leg off the first time. When it was done, all saved that was my favourite bit. There’d be a gathering in the house. Food, porter … the craic. Someone would pull out a fiddle or a tin whistle, the women would dance it was beautiful — meaningful. Friends, neighbours. Thankful. The closest thing to expressing our feelings. And us kids allowed to stay up late, what a treat; a very rich treat. I never did grow tall enough to wield the scythe. When it was my turn, machines had been invented. Lucky I was told I was. They lightened the work and lessened the men. Horse followed horsepower. Bigger, heavier. But there was time for tea, there’s always time for tea. The scythes rotted; the horses rotted; kids flown into the city; neighbours dead, don’t care or are foreign. It’s just one man now doing all the work. One man called John Deere who has no time for tea.
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Sep 29, 2010
Sep 29, 2010 at 5:56 PM UTC
Teatime
In the hope of grasslands stands an ancient Baobab tree somewhere, a village of dust & dirt, wakes slowly she ties her shoelaces an elephant walks past on the distant horizon the camera breaks right at that moment when she wants to take a picture to bring home so she resorts to postcards, half-written letters & learning the language so she could impress them the hotel porter, a lean boy of merely twenty-two watches her his hunger is written like lightning in his eyes
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Aug 18, 2015
Aug 18, 2015 at 6:31 PM UTC
The Holiday
I first tried an oyster at a seafood bar in Melbourne, and it jarred in that far-away place. Oysters, so intimate, were meant to find me at home, And they did. In the crowds of Borough Market, A barnacled Titan plunged his pickled hand into ice-water, And presented me with a real beauty; Lustrous, mother of pearl shell,   And at the centre, A sea-fairy, glittering, Living, existing for consumption. A tickle of tabasco, and down he went, An ocean in my mouth. I could have been a mermaid at Neptune’s banquet; So briny and life-giving, My mollusc revelation. An image for you; A man and a woman, very much in love Feast on two dozen at an oyster and porter house, also at the market. Glowing in the light of a dripping white candle, They sit at the corner of the counter, A perfect white wine clinking in their glasses. Two years ago, an anniversary oyster-fest, Look how happy we are… This is the best table in the house. Now, if we returned, We might complain about people pushing past, And the arrogant city-types, drunk and dropping crab shells, But…That night, it was just us, though busy, it might have been deserted, Our eyes and the slide of the oysters down our eager throats Made promises, later to be kept.
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Sep 12, 2013
Sep 12, 2013 at 2:57 PM UTC
Tales from Borough Market, part 2
Paul Masson. Hot sauce. Colgate - old and stale as puke. Grease. Newports. Former head. Recovery. Country dirt. Pecans. Cotton. A black fist held high. Hope that one day he'll be able to fit his ex-wives into a nice, cordial sentence. Love. Real love. Man love. Type love that kicks *** when it has to. Sears cologne, OG **** Some Christianity, but not a lot, not nauseating and obnoxious, more like quiet and almost not there. More Masson. More Newports. Gold fillings; the Midas Touch on his tongue; the ability to blind you in the glow of his breath. Rotten ***** Real rotten. Rotted to viral nostalgia because it tastes like **** and makes him lick the roof of his mouth to get that smell out, just to make room for it again. Chitlins. Obama's saliva. Collard greens with all the vinegar and red pepper in Satan's ******* Herman Cain's armpits. Fear for me. Love for me. Power. Former riverboat porter. The smell of rich white men that talked about ******* while he stood stoically. Strength like you've never smelled before. Human.
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Dec 23, 2011
Dec 23, 2011 at 10:16 PM UTC
My Uncle's Breath.