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"pincers" poems
Dusk! With a creepy, tingling sensation you hear the fluttering of leathery wings! Bats! Glowing red eyes and glistening fangs, These unspeakable giant bugs drop into view.* Fibrous wings furred like a moth, Big ears are just a membranous extension of antennae. Flying in search of a flower’s pollen laden froth, Silent except for the hum and squeak of echolocation. Trap bats in attics, butterflies in nets. No rabies feared, no bedbug bites to itch. Clawed feet ****** and grab like praying mantis pincers; Bloated stomach slopes like a pudgy beetle. Jaws manipulate like an ant, excise like scissors; Soft hair rustles like a wooly caterpillar. They live in darkness, centipedes do too, Come out at night like cockroaches tend to. Skittering through the night like daddy long-legs, Noses snubbed like bumble bee faces. Wind turbines endanger bats, Like fans endanger lightning bugs. Only one percent of bats are vampiric, Like only a small percentage of spiders are poisonous. Dawn! With a creepy, tingling sensation you hear the fluttering of leathery wings! Bats! Bats are bugs, aren’t they?
0
May 4, 2010
May 4, 2010 at 5:04 PM UTC
Bats Aren’t Bugs!
I ain’t got no intimate, ain’t got no stiletto heels Ain’t got no Lsd, ain’t got no smack Ain’t got no partners, ain’t got no drill Ain’t got no slapstick, ain’t got no hanky—panky Ain’t got no Lsd, no slot to mount Ain’t got no castrato, ain’t got no crumpet Ain’t got no conjoined twins, ain’t got no nuns or eunuchs Ain’t got no whipcord, ain’t got no adoration Ain’t got no ******** ain’t got no stimulant Ain’t got no ****** Ain’t got no oscillation, no shags No uniform, no parts No smack, no drill No partners, no peccadillo Ain’t got no stimulant Ain’t got no whipcord, no propagators No titbits, no intimate I jabbered, I ain’t got no uniform, no hanky—panky No peccadillo, ain’t copulated till one is blue in the face to have a funny feeling And I ain’t got no ****** Oh, but what have I copulated, oh, what have I copulated Let me tell what I copulated and nobody’s going to enlarge telescopic I got my ***** on my face My extra—sensory perceptions, my knobs My ****** peckers and my ******** I got my stuck—out tongue I got my tentacle, my proboscis My ***** my ******* My thingummies, my cockles of the heart and my posterior I got my *********** I got my thingummies, my talons My ball and socket joints, my forelegs My hooves, my pincers and my snorker Got my crest I got ***** I’ve inseminated cheerleaders I’ve got bottomgremlins and hacksawhoodoo And Mephistophelian juggernauts too like you I got my ***** my pistil My ESP, my knobs My vaginas, my peckers and my ******** I got my stuck-out tongue I got my tentacle, my proboscis My ***** and my ******* My ***** my ***** and my posterior I inseminated my ****** sorbet I got my thingummies, my talons My ball and socket joints, my forelegs My hooves, my pincers and my snorker Got my crest I got my ***** I got my slipperiness, my ***** I got *****
0
Mar 23, 2010
Mar 23, 2010 at 4:29 PM UTC
Ain't Got No – I Got *****
I ain’t got no intimate, ain’t got no stiletto heels Ain’t got no Lsd, ain’t got no smack Ain’t got no partners, ain’t got no drill Ain’t got no slapstick, ain’t got no hanky—panky Ain’t got no Lsd, no slot to mount Ain’t got no castrato, ain’t got no crumpet Ain’t got no conjoined twins, ain’t got no nuns or eunuchs Ain’t got no whipcord, ain’t got no adoration Ain’t got no ******** ain’t got no stimulant Ain’t got no ****** Ain’t got no oscillation, no shags No uniform, no parts No smack, no drill No partners, no peccadillo Ain’t got no stimulant Ain’t got no whipcord, no propagators No titbits, no intimate I jabbered, I ain’t got no uniform, no hanky—panky No peccadillo, ain’t copulated till one is blue in the face to have a funny feeling And I ain’t got no ****** Oh, but what have I copulated, oh, what have I copulated Let me tell what I copulated and nobody’s going to enlarge telescopic I got my ***** on my face My extra—sensory perceptions, my knobs My ****** peckers and my ******** I got my stuck—out tongue I got my tentacle, my proboscis My ***** my ******* My thingummies, my cockles of the heart and my posterior I got my *********** I got my thingummies, my talons My ball and socket joints, my forelegs My hooves, my pincers and my snorker Got my crest I got ***** I’ve inseminated cheerleaders I’ve got bottomgremlins and hacksawhoodoo And Mephistophelian juggernauts too like you I got my ***** my pistil My ESP, my knobs My vaginas, my peckers and my ******** I got my stuck-out tongue I got my tentacle, my proboscis My ***** and my ******* My ***** my ***** and my posterior I inseminated my ****** sorbet I got my thingummies, my talons My ball and socket joints, my forelegs My hooves, my pincers and my snorker Got my crest I got my ***** I got my slipperiness, my ***** I got *****
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51
There are beetles on my skin Attacking my bark With pincers sharp -trying to get in And as they cover me Head to toe in a blanket of living death They tickle in bitter giggles At my senses, set ablaze By their exo-skeletal steps I do not build a scream For the sound would die out in between The sheet of beetles And my trodden lips Instead I lie still Commanding them with my negligence Fusing with their fear-mongering They take my shape; I don’t take theirs I am the alpha insect The form of their nature And now I stand In beetled armor A figure against the sun My shadow raining over the undergrowth Reigning over the under. In this symbiosis we travel Across valley and valley Coleoptera-covered Rand McNally Covering the earth, showing The dominance of man The man the man He who holds the plan In the palm of his life-colored hand I am he The guardian of land and sea Infected with a voice-in-hand Who writes eternity Whose pen is the land filled with ink of the sea And with beetles of lead I harmonize That between myself And quaking skies As the world shakes in its roots During a spacequake That bends our atoms like dried glue But then I am not alone And as I rest on grass of gold The heroes step forth, dressed in animals In a dark, ****** harmony That is the nature of our home, our Terra The brute beauty in black void Swimming through time like a turtle On which the souls of man rest On golden grass Our spherical nest And our evils are justified By the good of our pursuit of beauty Though selfish maybe Though hellish for he That swims on land But drowns as he walks the sea We are multitudes. We are Gaia, we are the mother tree The ****** bliss of humanity Dark and light, both are we.
0
Mar 20, 2014
Mar 20, 2014 at 8:59 AM UTC
Beetles
There are beetles on my skin Attacking my bark With pincers sharp -trying to get in And as they cover me Head to toe in a blanket of living death They tickle in bitter giggles At my senses, set ablaze By their exo-skeletal steps I do not build a scream For the sound would die out in between The sheet of beetles And my trodden lips Instead I lie still Commanding them with my negligence Fusing with their fear-mongering They take my shape; I don’t take theirs I am the alpha insect The form of their nature And now I stand In beetled armor A figure against the sun My shadow raining over the undergrowth Reigning over the under. In this symbiosis we travel Across valley and valley Coleoptera-covered Rand McNally Covering the earth, showing The dominance of man The man the man He who holds the plan In the palm of his life-colored hand I am he The guardian of land and sea Infected with a voice-in-hand Who writes eternity Whose pen is the land filled with ink of the sea And with beetles of lead I harmonize That between myself And quaking skies As the world shakes in its roots During a spacequake That bends our atoms like dried glue But then I am not alone And as I rest on grass of gold The heroes step forth, dressed in animals In a dark, ****** harmony That is the nature of our home, our Terra The brute beauty in black void Swimming through time like a turtle On which the souls of man rest On golden grass Our spherical nest And our evils are justified By the good of our pursuit of beauty Though selfish maybe Though hellish for he That swims on land But drowns as he walks the sea We are multitudes. We are Gaia, we are the mother tree The ****** bliss of humanity Dark and light, both are we.
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64
A red jumper in the airing cupboard, thrown over a pipe, drooping like it had melted. “Académie culinaire de Toulouse l’enfant” on the breast in fractured, iron-on plastic. It was perfect. Something that wouldn’t be missed. I took my sister’s wave-edge scissors to it. I took it to bits, all but a jagged circle of a sun full of furry solar storms of thread ends. I ignored the red fluff falling slowly like so much ****** snow, mixing into carpet fibres under my bare feet. And my heat Disperses into invisibility everything but the colour, like any memory will. 
- A green t-shirt, it looks up at me lostly, toyishly small, from some forgotten shop bought at some forgotten time. A childhood comfort still smiling but not soft anymore. The front’s all robots smashing apart tower blocks with tin pincers and laser vision. People’s screams of indicision. Staticky speech bubbles, broken car windows, exclamation marks. And a Marilyn monroe type in the midst of the fray, bra half-undone, hand cupped to her mouth Calling into some furious colonised sky into which I pinned my sun. - A cornish cream baby grow with grandmother stitched flowers hours of sowed leaves. A polka dot horizon and an orchard's evening shadow from a lifetime’s washing. It showed. So I sowed my mechanical horrors and it’s crimson fear atmosphere onto the pastel world. And now it’s all there.
0
Jul 12, 2016
Jul 12, 2016 at 8:11 PM UTC
Airing Cupboard
my mind is selfish, my soul is not. but my soul is weak, consumed by the immensity of my mind. my self relinquished to the battering thoughts that traipse across my soul. soldiers of the self, that seize my body in the vicious pincers of my mind.
0
Nov 29, 2012
Nov 29, 2012 at 1:29 PM UTC
selfless
Strange times. When I speak of caressing your mantic lungs I don’t know what I mean, but I know I would hurl you under proper circumstances. Darling, one whisper falls from a tree silently so as not to wake the ghosts from their siestas. Your robe has holes I can’t write of. I can fathom getting there, what that might entail, wrapping, as I am prone to, my fingers around your furry pincers while I wait for you to read my rights to the ceiling fan who whirls above our renovated combustions like the glowering eye of our Lord upon the teary-eyed wicked. I am not looking to escape through the window, darling. I am diving for your diamond-in-the-rough, peeling off barnacles, making moustaches of seaweed. You threw it into that ocean- sized trough in which you drown lizards as way of stress-release. I don’t know what I’ll do next. The poor man. You give me your hand, darling, and your robe, your robe is shiny like a pubescent star, and it shimmies like a wagon piecing itself apart, as you piece yourself apart, starting with your smile, which was always more like a photograph of a dune in a textbook. You give me your hand. It is a blue egg dusted with microorganisms. I sprinkle it with our fragrance, what’s left of it. I wish happiness upon your sleep-life, doldrums upon your late-night haunting. I am tired and these machines are so convenient, bringing me on all-expenses- paid visits to the site of your burial. Or is it your sister’s? I quote, my heart is like a walled onion. The poor man is tired. It is not 1904 anymore. You are not smiling anymore, darling, but you give me your hand. You give it in a basket with parsley and cheese and cut-outs from The Waterlogged God. You give it almost grudgingly but I will keep it. You tell me you’ve been dreaming again of train stations. I wonder what that means. I wonder about your eyes. There are many spiders inside the wall, and along it, and on the chandelier’s fingers, and inside the spiders. I quote, a dream is worth a thousand dustpans, but you, darling, are worth so much more than dustpans. But I grow weepy, as stated. What do those dark blue lines mean? Your fingers, darling, smell of a dark cloud in an electrical storm. Your palm is a circus. Your nails ticket stubs. That one’s from the alligator show. You dislocated your throat. I had a plan. If you stare into someone’s eyes for more than six seconds, you’ll want to lick them.
0
May 25, 2010
May 25, 2010 at 8:20 PM UTC
My Life as Heiress to Your Throne, Darling
Strange times. When I speak of caressing your mantic lungs I don’t know what I mean, but I know I would hurl you under proper circumstances. Darling, one whisper falls from a tree silently so as not to wake the ghosts from their siestas. Your robe has holes I can’t write of. I can fathom getting there, what that might entail, wrapping, as I am prone to, my fingers around your furry pincers while I wait for you to read my rights to the ceiling fan who whirls above our renovated combustions like the glowering eye of our Lord upon the teary-eyed wicked. I am not looking to escape through the window, darling. I am diving for your diamond-in-the-rough, peeling off barnacles, making moustaches of seaweed. You threw it into that ocean- sized trough in which you drown lizards as way of stress-release. I don’t know what I’ll do next. The poor man. You give me your hand, darling, and your robe, your robe is shiny like a pubescent star, and it shimmies like a wagon piecing itself apart, as you piece yourself apart, starting with your smile, which was always more like a photograph of a dune in a textbook. You give me your hand. It is a blue egg dusted with microorganisms. I sprinkle it with our fragrance, what’s left of it. I wish happiness upon your sleep-life, doldrums upon your late-night haunting. I am tired and these machines are so convenient, bringing me on all-expenses- paid visits to the site of your burial. Or is it your sister’s? I quote, my heart is like a walled onion. The poor man is tired. It is not 1904 anymore. You are not smiling anymore, darling, but you give me your hand. You give it in a basket with parsley and cheese and cut-outs from The Waterlogged God. You give it almost grudgingly but I will keep it. You tell me you’ve been dreaming again of train stations. I wonder what that means. I wonder about your eyes. There are many spiders inside the wall, and along it, and on the chandelier’s fingers, and inside the spiders. I quote, a dream is worth a thousand dustpans, but you, darling, are worth so much more than dustpans. But I grow weepy, as stated. What do those dark blue lines mean? Your fingers, darling, smell of a dark cloud in an electrical storm. Your palm is a circus. Your nails ticket stubs. That one’s from the alligator show. You dislocated your throat. I had a plan. If you stare into someone’s eyes for more than six seconds, you’ll want to lick them.
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46
I. Steel black pincers circle my neck Harsh little whispers against my ear I promised myself I wouldn’t go back anywhere but here anywhere but here Your words string together with the right amount of sting But baby, your poison drives me crazy Your venom seeps within my veins and god, I’m dying for another taste the hallucinations you paralyse me and I see stars in your wake II. Pomegranate lips, the colour of Sin. III. I have a hard shell to break, and no one has completed the feat so far But with every touch you poach me through and through again and again Until theres nothing left of my metal armour Until the skin I once called home is nothing but a soft saggy shell a shadow from my past I need to remember who I am. IV. Your touches are soft petals Grazing slowly across my skin leaving goosebumps in your wake Rosebud lips caress me gently Sweet kisses near my cheek Playful nips tickle my ear Soft breaths along my neck And when I finally open up ... theres the sting again.
0
May 5, 2015
May 5, 2015 at 4:43 AM UTC
The Scorpion
Sometimes I imagine that you could use a flat blade knife and separate parts of my body. Like an anatomical model, an arm in half, a wrist entirely off. An outmoded coloured wax model. Perhaps, a very old one. A decorated one with human or horse hair, closed eyelids and uncomfortable lips, and like those ancient roman ones, thinning sheens of paint on top. The blade would slip through neatly, perhaps catching friction as it passes the block of soap texture, and leaves grimy residue on the knife. You can see the vessels. They are not clean. Like my soul there are very nearly translucent scrapes and patches of liquid. Some days the liquid spills out. Some days I just want to clean out. I want to purge, but I know I will just melt and the mistakes will be just as visible. You will see the marks that look like mouse's claws or pincers where I have pulled apart the skin trying to work out what went wrong. Doing some kind of surgery. Inside tying double sided sticky tape and chips of plastic, driving them in deep and forgetting about them. When you say those things I can't be big anymore. If I'm tired you make me cry. Salt crisps up my intestines. You make me imagine what it would be like to plunge a knife into my stomach. I bet it would be satisfying like the braking of chocolate. Cracking of value bars. But I have to remember that you are the organs thrown out at the end of the day, sloshing around in the bucket and I deserve to be preserved and anything that had been cried over or crafted is better than a remote controlled car. Stop telling me that it's not. It's not as if I'm trying to be a petal or a fragment of netting fallen off a ballerina's skirt. I've chosen to hover above the blades. I am nothing so frivolous. Feeling at home in a web of metal coated in paisley oven gloves. I am safe here. In fact I'm glad that thick haze separates us. You will never be able to find somewhere so tranquil. It makes me happy that there is no possibility that we can meet in the middle. It just makes it easier to keep the space, without the concern of some congealing platelets tethering to a surface which was never there.
0
Aug 8, 2013
Aug 8, 2013 at 8:56 AM UTC
Model Poem
Sometimes I imagine that you could use a flat blade knife and separate parts of my body. Like an anatomical model, an arm in half, a wrist entirely off. An outmoded coloured wax model. Perhaps, a very old one. A decorated one with human or horse hair, closed eyelids and uncomfortable lips, and like those ancient roman ones, thinning sheens of paint on top. The blade would slip through neatly, perhaps catching friction as it passes the block of soap texture, and leaves grimy residue on the knife. You can see the vessels. They are not clean. Like my soul there are very nearly translucent scrapes and patches of liquid. Some days the liquid spills out. Some days I just want to clean out. I want to purge, but I know I will just melt and the mistakes will be just as visible. You will see the marks that look like mouse's claws or pincers where I have pulled apart the skin trying to work out what went wrong. Doing some kind of surgery. Inside tying double sided sticky tape and chips of plastic, driving them in deep and forgetting about them. When you say those things I can't be big anymore. If I'm tired you make me cry. Salt crisps up my intestines. You make me imagine what it would be like to plunge a knife into my stomach. I bet it would be satisfying like the braking of chocolate. Cracking of value bars. But I have to remember that you are the organs thrown out at the end of the day, sloshing around in the bucket and I deserve to be preserved and anything that had been cried over or crafted is better than a remote controlled car. Stop telling me that it's not. It's not as if I'm trying to be a petal or a fragment of netting fallen off a ballerina's skirt. I've chosen to hover above the blades. I am nothing so frivolous. Feeling at home in a web of metal coated in paisley oven gloves. I am safe here. In fact I'm glad that thick haze separates us. You will never be able to find somewhere so tranquil. It makes me happy that there is no possibility that we can meet in the middle. It just makes it easier to keep the space, without the concern of some congealing platelets tethering to a surface which was never there.
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14
The feelings that I have And the feelings that are me Do wax and wane from time to time With the rising falling sea Often swamped within its swell At the mercy of tidal clocks One day to dance across a beach Another dashed on rocks. Rarely going straight to the point But approached best from the side Testing gently, tacitly Before the pincers are applied And they can be formidable With a tenacious grip So be careful what you wish for If into the rock pool you do slip. Evolved with solid outer shell An armoured place to hide Because beauty may be skin deep But emotions lie inside And the softness of the centre Can be a dangerous place to go For it can upset the natural balance Of what we think we know. And though we truly feel the pain Our hearts fight to be true So we cling on through the stormy days Just because that’s what ***** do.
0
Sep 16, 2011
Sep 16, 2011 at 5:12 PM UTC
Feeling crabby
is this what heartbreak feels like? i can't remember if i've ever felt it before my chest feels like something knotted too tight, too much, unable to be undone it's under my ribs, sitting soundly beneath the sternum; it's in my throat, like a lump i can't throw up it's the pincers squeezing at the back of my eyes trying their best, though still failing, to make me cry it's supposed to be a good thing that we moved on, that you rid me from your system i thought i rid you too but the confirmation of your fresh start has made me feel like i'm getting nowhere fast, nowhere soon i've no right to be so undone, lost the right to hurt for us a long time ago, but i guess heartbreak doesn't give a **** about time or circumstance it shatters you when it pleases, and you don't know if you can fix together the pieces
0
Jan 13, 2018
Jan 13, 2018 at 2:49 PM UTC
heartbreak
When sleep deserted me I crawled out of my bed unseen To delve into the crevices of the dark With the curiosity of an explorer And the near comatose of a somnambulist I walked up and down the steep slopes of the night Like a night watchman Without a lantern in his hand When my legs grew weary I sat on a rock Covered with moss and lichen Staring at the dark night sky With no constellation of fireflies Flashing their torches anywhere Sitting there, I listened to the song of night birds, The rustle of leaves, The howl of wolves, And the night wind’s rave Looking into the dark pockets of the night, I thought of human mind, a deep gorge With many an uninhabitable corner Where serpent desires lie coiled Scorpions crawl with toxic pincers Predators roam to prey upon helpless victims The mystery of the night absorbed me Her muffled sounds, her dark beauty Her elusive charm, like thick night fog, Percolated deep into my consciousness And I floundered in a fathomless sea, Swirling in her eddies and currents. It whisked me away to lands far…far! But on being washed ashore, I was in a creative delirium I am now in No Man’s Land Where everything is in a coma of stillness Where no light glimmers No door ajar And no one in sight! Here the poet in me breaks open The somnambulist's comatose And down way flow my thoughts in indelible ink Which only I can read Like a night bird Roosting among the branches of a tree I sing of my heart aches, Of my yearnings and longings In the barely audible whispers of the night, My song reverberates in the eyeless abyss down, And the dark desolate valleys below People say, ghosts walk the earth at night. Oh! I am not scared! I am not eager for the dawn to break, Nor want to put my pen down!
0
Aug 14, 2016
Aug 14, 2016 at 6:14 AM UTC
The Song of a Night Bird
When sleep deserted me I crawled out of my bed unseen To delve into the crevices of the dark With the curiosity of an explorer And the near comatose of a somnambulist I walked up and down the steep slopes of the night Like a night watchman Without a lantern in his hand When my legs grew weary I sat on a rock Covered with moss and lichen Staring at the dark night sky With no constellation of fireflies Flashing their torches anywhere Sitting there, I listened to the song of night birds, The rustle of leaves, The howl of wolves, And the night wind’s rave Looking into the dark pockets of the night, I thought of human mind, a deep gorge With many an uninhabitable corner Where serpent desires lie coiled Scorpions crawl with toxic pincers Predators roam to prey upon helpless victims The mystery of the night absorbed me Her muffled sounds, her dark beauty Her elusive charm, like thick night fog, Percolated deep into my consciousness And I floundered in a fathomless sea, Swirling in her eddies and currents. It whisked me away to lands far…far! But on being washed ashore, I was in a creative delirium I am now in No Man’s Land Where everything is in a coma of stillness Where no light glimmers No door ajar And no one in sight! Here the poet in me breaks open The somnambulist's comatose And down way flow my thoughts in indelible ink Which only I can read Like a night bird Roosting among the branches of a tree I sing of my heart aches, Of my yearnings and longings In the barely audible whispers of the night, My song reverberates in the eyeless abyss down, And the dark desolate valleys below People say, ghosts walk the earth at night. Oh! I am not scared! I am not eager for the dawn to break, Nor want to put my pen down!
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53
The green crab's countenance, has an allure so rare, but those pincers up close, are a picture of uncivilized eclat.
0
Mar 31, 2012
Mar 31, 2012 at 6:09 PM UTC
deconstructing the crustacean beauty
Popping out from slumberous state, Little buds, you come to life. Fight, fist, fend the odds, You’re different; you survive. Combative, commanding, cruel, Your army, every restraint exceeds, As it marches on, devouring The very platter on which it feeds. Slithering, slipping stealthily, Deadly tentacles spare no bone, sinew. Boundaries are blurred; your territory expands, Your militia continues to exponentially grow. And soon, your red flags of victory- Those flags of death, demise and doom Are planted everywhere; each bit Of terrain you’ve invaded and consumed. There you sit, content, in the middle of all the gloom, Immortal, indestructible, infinite. With power of the magnitude you possess, There’s no force that can give you a fight. And when flies of decay begin to hover over Your kingdom, you smile, flexing your pincers. Thriving on the depressing glow of the setting sun, You- the kark, the crab, the cancer. (to the malady that ate my Grandmother away)
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May 18, 2013
May 18, 2013 at 11:02 AM UTC
Kark
The tiny red ant scampers In a forest of greenish mold Its bristly legs carrying Biological modules: A head with pincers An imperceptible thorax A swelling abdomen. It has nothing but a laborious drive A pheromone-induced servility For the queen: the lazy, bloated tyrant! The sole purpose being The laying of eggs. The noble red ant Moves on to scavenge Blind and dumb Oblivious. To the ruthless cycle Of its existence.
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Sep 25, 2020
Sep 25, 2020 at 11:32 PM UTC
The Red Ant
I want to sleep the dream of the apples, to withdraw from the tumult of cemetries. I want to sleep the dream of that child who wanted to cut his heart on the high seas. I don't want to hear again that the dead do not lose their blood, that the putrid mouth goes on asking for water. I don't want to learn of the tortures of the grass, nor of the moon with a serpent's mouth that labors before dawn. I want to sleep awhile, awhile, a minute, a century; but all must know that I have not died; that there is a stable of gold in my lips; that I am the small friend of the West wing; that I am the intense shadows of my tears. Cover me at dawn with a veil, because dawn will throw fistfuls of ants at me, and wet with hard water my shoes so that the pincers of the scorpion slide. For I want to sleep the dream of the apples, to learn a lament that will cleanse me to earth; for I want to live with that dark child who wanted to cut his heart on the high seas.
0
Jun 6, 2015
Jun 6, 2015 at 2:41 AM UTC
Federico Garcia Lorca: Gacela Of The Dark Death
I snuffed a black widow today. The deadly little lass had set up her killing den just under my stony steps. Unlike her, I did it mercifully, stepped on her as fast as I could, before she got her pincers on me. Considering her evil ways, it served her right, it could have been me.
0
Jul 7, 2014
Jul 7, 2014 at 7:58 PM UTC
The Merciful Death Of A Widow
I have it, so do you , that bug that gets under your skin. It itches when it first bites, then it latches on with all its might. With hope that its little pincers will inject its drug in to you. ya may itch, may come out in a rash, heart beat fastens this funny feeling that comes over you. Am I infected I have feeling coming through, It only takes one bite for the stubborn hearted maybe two. But when this little bug does coming it after one thing only to infect you. We all get bitten at least once in our lives, its the bug who chooses not me or you. The words will follow after time, the itching calms down, but then I will say to who gets bitten, "I love you, and you say it back "baby I love you to.
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May 14, 2014
May 14, 2014 at 3:23 PM UTC
Love Bug
clink clink clink single file one in front one behind bad men to my left bad men to my right shuffling slowly down a long white hallway walls of bars foul hands poisonous pincers ****** viciously the air beside me clink clink clink single file one in front one behind all stopped it is my time to shine nameless this number will answer to no man lightning fast i have the nameless man ahead's head in my grasp a twist and a snap then a heavy collapse clink clink clink single file none in front none behind sudden brutal binds on my wrists it is to silence, holding, solitary i am whisked whistling
0
Feb 23, 2012
Feb 23, 2012 at 4:12 PM UTC
Ode to Charlie
Crawdads have a crazy *** life. There's not   much to courtship and no real copulation. Boring   as this may sound, it's somewhat engrossing   for me. Likely more than any lady crawdad ever   thought of it. I would think most women might agree. Sadly, reminiscent of **** really. Males act like ruffians, catching females like prey, turning them over, and leaving a sticky deposit on their undersides. Worm like sperms adhere to her, which she carries with her until she lays   eggs. I've seen this while preparing étouffée. Not the *** act, just the worms.   Life is a multiplex of convoluted situations. "Please yes, oh no!" What's going on in those crusty little heads? It seems such a foreign lifeform. Still, eerily familiar to what I've found   at the bathhouse. I think I'll fatten up my tail,   wear some antennae and pincers this Halloween. Mmmm... Étouffée.
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Nov 23, 2015
Nov 23, 2015 at 2:05 PM UTC
Brutal Brittle Little World
I SIT AND WAIT FOR MY PREY, PERCHED IN A TREE WAITING TO POUNCE BIRDS CHIRP ALL AROUND, BUGS CLICK THEIR PINCERS BENEATH ME I LISTEN FOR THE SOUNDS OF MY PREY A BREEXE RUSTLES THE LEAVES A FEW ACORNS FALL TO THE FOREST FLOOR THE BREEZE TURNS INTO A LIGHT WIND I AM DISTRACTED BY THE WIND NOW I LISTEN TO THE CRACKLING OF THE LEAVES WATCH THE SWAYING OF THE TREES I AM DISTRACTED BY THE TREE NOISES SO DISTRACTED THAT I DO NOT KNOW I DO NOT REALISE THE SILENCE THAT HAS FALLEN NO MORE BIRDS CHIRPING PINCERS NO LONGER CLICKING IF I HAD NOT BEEN DISTRACTED I WOULD HAVE KNOWN THE SIDES HAVE CHANGED THE HUNTER IS NOW THE HUNTED IT WAS OVER AS FAST AS IT BEGAN A FAST DROP AND SUDDEN STOP LEFT TO DIE I WAIT FOR THE END LISTENING…..LISTENING TO THE WIND IN THE OAKS A BEAUTIFUL SOUND TO ME YET MY GREATEST WEAKNESS MY OWN PERSONAL DOWNFALL LISTENING TO THE WIND IN THE OAKS.
0
Nov 25, 2010
Nov 25, 2010 at 5:02 PM UTC
"WIND IN THE OAKS"
How have you been? I hope you’ve been well, but I’ve been thinking about how A poem does have too much person in it to be a tree. Too many clichéd feelings, too much sadness and inadequacy. All of it pressed into words that are too tight because poems are always a size too small. You’re right, a poem is nothing like a tree. I’ve been busy too, kind of, but I just want to say Forget the miles, and give me the woods. Give me the dark and the deep and the lovely. I’ll leave the horse, it’s better off without me and I’ll imagine that the woods belong to no one. Just give me the woods and the snow and the hypothermia. Give me the frozen lake. I don’t want your miles of tired positivity. I think we were talking about faith last time, but I don’t think that’s quite it. You see, I don’t need God to do the battering. There’s already something inside me pummelling my cheeks, leaving invisible bruises and a lack of air in my lungs. I don’t want to be ravished, and besides, even this monster won’t ravish me. It really has been a while now since we last wrote But nothing’s changed, for the day I was born, a week early, afraid of being late, I caught a glimpse of the world and changed my mind. I tried to turn back but got a cord wrapped round my neck and nearly choked. They plied me out with pincers anyway, wailing: leave me be. But I’m alright. I’ll be okay, don’t worry too much. Things happen and Maybe after that, I should have seen that it’s not worth the fight. Maybe it’s just lucky I’m lazy. I’ll write again, as and when I can.
0
Mar 12, 2016
Mar 12, 2016 at 1:18 PM UTC
To Kilmer, Frost, Donne, Blake and Parker
How have you been? I hope you’ve been well, but I’ve been thinking about how A poem does have too much person in it to be a tree. Too many clichéd feelings, too much sadness and inadequacy. All of it pressed into words that are too tight because poems are always a size too small. You’re right, a poem is nothing like a tree. I’ve been busy too, kind of, but I just want to say Forget the miles, and give me the woods. Give me the dark and the deep and the lovely. I’ll leave the horse, it’s better off without me and I’ll imagine that the woods belong to no one. Just give me the woods and the snow and the hypothermia. Give me the frozen lake. I don’t want your miles of tired positivity. I think we were talking about faith last time, but I don’t think that’s quite it. You see, I don’t need God to do the battering. There’s already something inside me pummelling my cheeks, leaving invisible bruises and a lack of air in my lungs. I don’t want to be ravished, and besides, even this monster won’t ravish me. It really has been a while now since we last wrote But nothing’s changed, for the day I was born, a week early, afraid of being late, I caught a glimpse of the world and changed my mind. I tried to turn back but got a cord wrapped round my neck and nearly choked. They plied me out with pincers anyway, wailing: leave me be. But I’m alright. I’ll be okay, don’t worry too much. Things happen and Maybe after that, I should have seen that it’s not worth the fight. Maybe it’s just lucky I’m lazy. I’ll write again, as and when I can.
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55
There were days Wonder I remember Hours ****** into a void I crushed a human-sized indention ...into a smelly mattress There it is...out in the open air And settled in Tossing about when the time seemed right To the left, to the right Head resting on a dark pink forearm At the sky or into a pillow Case stained with drool A puffed up map of another world Lethargy's creation Music drifted through my ears Useless waves Never catching The most beautiful melodies in the known universe Nothing but a ceiling fan's whirling clank Yet they comforted me Kept time as good as they could Gave me something familiar to grab hold of Maybe kept me From sinking, falling, clutching at air Or breathing in water, drowning In sloth, apathy, illness, hurt Jumping into the mouth of a volcano Fleeing from something I had no name for Something that had no use for a name All the more fearsome for it I jumped...I fled...I flew... I laid down and stayed down I didn't even recognize sleep When it snuck up from behind I wasn't even thankful For it brought no dreams Only a quick, painless transition A tool of prophecy Pincers to hold shut my eyelids Now I ask myself, "How long Ago That must have been? How long Since I rose from the dead?" That span of days Seems as forgotten As the lost time Hours into days into weeks into months into years... Though not sacrificed So unwillingly
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Sep 14, 2010
Sep 14, 2010 at 7:10 AM UTC
Lost Time
observe ---- it hangs from one single thread -- which in turn hangs from a further thread -- itself dangling from the worn pincers of an old fool recluse inside his comfy house of laughs inside a room where four taciturn gods stand mute inanimate still solemn blank -- one of which tilts its wilted head -- and with eyes absent up inside his thinking thoughts he sheds warm pools of dark stills -- unspeakable pictures spilled -- onto a being stuck inside an existence that has become fully acknowledged as such threadbare despair despairing still   and still it remains the simple bloom tumult that wills and will
0
Jun 28, 2014
Jun 28, 2014 at 5:14 AM UTC
thread
Or you, father, pointing down to a Sicilian harbour ― its dark pincers compressing an eye-glass of water Or my skin, watered down by a lifetime out of your sun yet thick and dark through our blood’s long curing in white light Or your silhouette, insect-strange on the black breast of a Northumbrian hill, our kinship of shape lost in the white flood-down of summer Or that sequoia glade whose green we drank: a tall glass where dark sank as heavier spirits do, and stirred leaves made a white effervescence of sunlight Or you, black and white, slumped in that wicker chair mourning your father, steeped in a kitchen’s shadowless fluorescence, toe-caps scuffed grey by the glare Or rain, elsewhere, as white horizons laddered with dark ― rain as fault-lines slanting the light ― till, here, resolve the first cold drops, steaming on your curved back of earth Mario Petrucci from Flowers of Sulphur
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Jul 12, 2015
Jul 12, 2015 at 8:53 AM UTC
"Light Stitching"