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"piecemeal" poems
Love trusts, lust twists Love rains, lust drains Love reaches, lust catches Love couples, lust combines Love retains, lust detains Love relies, lust relays Love cares, lust caresses Love binds, lust blinds Love floats, lust flees Love belongs, lust longs Love ascends, lust descends Love fames, lust defames Love creates, lust recreates Love commands, lust demands Love chooses, lust chases Love boosts,  lust boasts Love at heart Lust in mind Love in lust is good Lust in love is better    Love likes privacy Lust looks for piracy Love opens lust Lust closes love Love is slow, lust is fast Love is steady and stable Lust is mobile and fragile Love is reliable, lust is liable Love is long, lust is short    Love is homogeneous Lust is heterogeneous Love is defensive Lust is offensive    Love is precious Lust is pernicious Love is supportive Lust is supplementary    Love is refined Lust is defined Love betters life Lust batters it.    Love has character Lust has conduct Love wins over Lust weans out    Love combines Lust divides Love is cool Lust is crazy Love is peaceful Lust is pleasant    Love is wholesome Lust is piecemeal Lust comes first Love becomes best Love is progressive Lust is aggressive Lust laminates Love illuminates Love is slow n steady Lust is hasty n nasty Love is dense, lust is tense Lust is conditioned, Love is air-conditioned    Lust is lovely to begin with Love is lustrous to end up Love heals, lust wounds Love owns, lust disowns    Love is onus, lust is onerous Love is basic, lust is allowance Love conforms, lust confuses Love binds, lust blinds Be aware of love Beware of lust That comes like wolf in sheep’s clothing Let the fair blend of love and lust rule  the roost
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Feb 4, 2015
Feb 4, 2015 at 5:15 AM UTC
Dynamics of love
Love trusts, lust twists Love rains, lust drains Love reaches, lust catches Love couples, lust combines Love retains, lust detains Love relies, lust relays Love cares, lust caresses Love binds, lust blinds Love floats, lust flees Love belongs, lust longs Love ascends, lust descends Love fames, lust defames Love creates, lust recreates Love commands, lust demands Love chooses, lust chases Love boosts,  lust boasts Love at heart Lust in mind Love in lust is good Lust in love is better    Love likes privacy Lust looks for piracy Love opens lust Lust closes love Love is slow, lust is fast Love is steady and stable Lust is mobile and fragile Love is reliable, lust is liable Love is long, lust is short    Love is homogeneous Lust is heterogeneous Love is defensive Lust is offensive    Love is precious Lust is pernicious Love is supportive Lust is supplementary    Love is refined Lust is defined Love betters life Lust batters it.    Love has character Lust has conduct Love wins over Lust weans out    Love combines Lust divides Love is cool Lust is crazy Love is peaceful Lust is pleasant    Love is wholesome Lust is piecemeal Lust comes first Love becomes best Love is progressive Lust is aggressive Lust laminates Love illuminates Love is slow n steady Lust is hasty n nasty Love is dense, lust is tense Lust is conditioned, Love is air-conditioned    Lust is lovely to begin with Love is lustrous to end up Love heals, lust wounds Love owns, lust disowns    Love is onus, lust is onerous Love is basic, lust is allowance Love conforms, lust confuses Love binds, lust blinds Be aware of love Beware of lust That comes like wolf in sheep’s clothing Let the fair blend of love and lust rule  the roost
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79
My Estranged Dear Why couldn't we piecemeal the past The pieces that crashed Over dinner and a cup of joe Over the branches that glow Why did the leaves fall from their limbs Before the Autumn hymns Before their time Our days lost in chime Why do two hearts sever alone Confetti tomorrows falling to stone Why my estranged dear do you dread A benevolence served over broken bread A posse of good nature willed In fall of olive branches milled To my estranged dears Collectively over the years I sat in front of the mirror Farther away than nearer Pondering the same sad old song Of where golden went wrong Was it being on the ruler of the river With no catches to deliver Being next to our campfire Small flames freezing your heart's desire Was the heat of the night Dancing in plight Were the words I spoke Just a convoy of smoke Was it sleeping in the restless tent Your pent up passion spent On black bears in others, you see And not in me To my estranged dears My eyes were blind to your fears I admit with regret And knowingly I know my debt Yet I can only wander on the past In hopes that an ember is cast A ruler I was not Though vetted by such for naught Logan Robertson 8/11/2018
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Aug 11, 2018
Aug 11, 2018 at 7:02 PM UTC
To My Estranged Dears
Sprang forth with no branches or leaves. Small roots. Bore mangoes, papayas,guava and bananas. Hybrid, mid limb grafting. The trunk is a figment but it stands non less. You see my family tree never was and always will be. A roadside shade with low hanging fruit. Was never planted.It was a deposit from the bowels of an exotic bird of the jungles that sampled at leisure the offerings of the rain forests. The Hardtack and marmalade came on ships with the kings business Mixed with the Nigerian Fu-Fu ,the Aztec maize the Mayan legumes. and all points of the compass. Old Joe Denegri, The Blancaneaux , The Cattouse, The Melado, The Pinks The Flowers,The Orozco and more. And boundless from the ***** of opportunity. Piecemeal and untethered. But it is the tree that I must cling to. However rough the bark. The sap runs heavy and slow in the humid Belizean heat.To meet the earth. Cool breezes blow a haunting disharmony. A sweet unity in chaos. The soil is rich,pungent and forgiving. Soon, A bell tolls in the distance. The Sea mists my dreams. A stairway of coconut fronds to azure skies. Nighttime smells like creation. The still slackened pace. The small rat race. Tempest in a teapot. Urban-rural. Coolie gal. Creole boy. New Chinese. Old African. Ubiquitous Espania. Garinagu. Mosquito coast. Children of Mennon. Old Basque faces. Things we call races left with small traces of what? My tree, her tree, histree. I am you and you are me. I see me in your face and you see me. We are and will continue to be. Blended. a hybrid. An orchid wild.
0
Feb 22, 2013
Feb 22, 2013 at 5:02 AM UTC
My Family Tree
Sprang forth with no branches or leaves. Small roots. Bore mangoes, papayas,guava and bananas. Hybrid, mid limb grafting. The trunk is a figment but it stands non less. You see my family tree never was and always will be. A roadside shade with low hanging fruit. Was never planted.It was a deposit from the bowels of an exotic bird of the jungles that sampled at leisure the offerings of the rain forests. The Hardtack and marmalade came on ships with the kings business Mixed with the Nigerian Fu-Fu ,the Aztec maize the Mayan legumes. and all points of the compass. Old Joe Denegri, The Blancaneaux , The Cattouse, The Melado, The Pinks The Flowers,The Orozco and more. And boundless from the ***** of opportunity. Piecemeal and untethered. But it is the tree that I must cling to. However rough the bark. The sap runs heavy and slow in the humid Belizean heat.To meet the earth. Cool breezes blow a haunting disharmony. A sweet unity in chaos. The soil is rich,pungent and forgiving. Soon, A bell tolls in the distance. The Sea mists my dreams. A stairway of coconut fronds to azure skies. Nighttime smells like creation. The still slackened pace. The small rat race. Tempest in a teapot. Urban-rural. Coolie gal. Creole boy. New Chinese. Old African. Ubiquitous Espania. Garinagu. Mosquito coast. Children of Mennon. Old Basque faces. Things we call races left with small traces of what? My tree, her tree, histree. I am you and you are me. I see me in your face and you see me. We are and will continue to be. Blended. a hybrid. An orchid wild.
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40
We shall keep the poor poor. We shall be on them like a master's whip on the backs of slaves;  but they will not know us: we are too far and too near. We shall use the patois of patriotism to patronize them. We shall hide behind our flags, while we hold only one pole. We shall have the poor fight our wars for us, and die for us;  and before they die, they will **** for us, we hope, enough. In peace, we shall piecemeal them, and serve them meals made of toxins and tallow. For their labor, we shall pay them slave wages;  and all that we give, we shall take back, and more, by monumental scandals that subside like day's sun at eventide. We shall be clever, as ever, circumspect and surreptitious at all times. We shall keep them deluded with the verisimilitude of hope, but undermine always its being. We shall infuse their lives with fear and hate, playing one race against another, one religion against a brother's. Disaffection is our key;  but we must modulate our efforts deftly, so the poor remain frightened and angered, but always blind and deaf and divided. And if, perchance, one foments, we shall seize the moment and drop his head into his hands, even as he speaks. This internecine brew we pour, there- fore, into the poor to keep them drunk enmity and incapacitation. Ah, eternal anticipation! Bottoms up, old chaps! We, those who rule, shall have them always in our laps. We are, as it were, their salvation. Tod Howard Hawks
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Jun 9, 2019
Jun 9, 2019 at 7:28 PM UTC
THOSE WHO RULE
Raisin colored Island, how the waters pruned You too, lazy coconut day, climb with rope tied feet and lack the fear of heights. Such terrain as if every part of the world shared a piece to make you. I praise your autonomous solitude, rest assured amongst the South Pacific Blue. Piecemeal makes much more simply than succeeded individuality. A Euro here, a Euro there, the Rail can take you everywhere....Well, Eastern rules are slightly stern, seems time stood still in terms of brood, but, betwix the contrast of the artistry it is hard to be angry with Tradition. Goa, India I will never forget You, how could I, You raised me, my mother tongue was Konkoni, the shore side village was Home for me. Later in life coming back shaded a more solemn hue, it is my Heart that couldn't handle it, the Truck ride through....the major transit cities, those who have seen, you know what I mean. It did not help to have to leave my childhood memories and GodParents behind for the hundredth time. I miss you Madrina.
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Jun 12, 2014
Jun 12, 2014 at 7:56 PM UTC
World Trifecta Part II
and so they fell … Tears as pearly quaver Salty in their pas de deux from her realize A can-can polka in strip tease of soul bare How vibrant, albeit transient in masquerade, their desire A dance of miniscule quandary in micro adventure Frilly knickered, in slivers of the truth In folly, a spent of friendship abandoned Curtsey now, in diversity of no embrace, why? …for our lives are but a piecemeal of conversation Random etymology in lesson A three penny opera with no beg your pardon The once bemused attar of forget me nots Their fragrance now heavy in the air …and the diminutive whys, wander rhetorically, in and out of the bungle bungles of reality… because they can-can
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Apr 1, 2012
Apr 1, 2012 at 3:47 AM UTC
I can-can and you can-can
Find constructed love a piecemeal beauty on those winding roads toward Memphis within rolling hills of kudzu the south, of red roads black birds and white in the swamp a shock cotton fields span quiet, still the machines sleeping the sun seeping the car were in, **** covered streaming tall black and pastel along cars friendly I also saw a prison carved in a hill side along a skinny road, Mississippi barb wire gem stone shine white sign, do not pick up hitch hikers the humidity, heavy guilt on dried clay boiled peanuts sightseeing in a crime scene
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Feb 13, 2015
Feb 13, 2015 at 2:45 PM UTC
The South
I’m grateful for everything I’ve been given you say, squeezing my hand. And I stare at your perfect skin. Your words sound like forever, but eternity isn’t something I’ve read about. Stuffy hymns sung on pitch but with no inflection. Your voice is flat, and it’s then I’m glad I wore this dress. I have seen loss- and that’s something your naivety can’t grasp. I scratch at the skin, because it’s pulled too tight. I can still count the stark white stitches. Still ride my fingers along the valleys of my arm, tracing out a maze. It will never change; the way it glares when I’m naked next to you. Next to you I always feel exposed. Keep wishing to be invisible, but you won’t close your eyes. Don’t kiss my skin, it’s not soft enough. Don’t turn the light on, you’ll be disappointed. You run your fingers along the canyons of my arm, trying to smooth away my imperfection. But I cover it up. I put up barriers; I protect you- you’re not ready to accept the damage I’ve sustained.Too harsh for your blindly faithful eyes. Still numb- your efforts would be wasted. My fingers caress privilege when they graze your chest, but me, I’m patched together, my feelings handed out piecemeal. That’s what I keep trying to tell you. There are just no parts left for me to give. You can touch me all you want, but you can’t bring life back ; forever petrified in place. Don’t thank me, I’ve given you nothing. Nothing delicate left here for your lips to taste. Don’t thank them, They’ve made you believe in perfection, in salvation. There’s nothing sacred left here for you to worship. My skin still too cold, your words all fall flat.
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Sep 3, 2013
Sep 3, 2013 at 3:25 AM UTC
Perfection
I’m grateful for everything I’ve been given you say, squeezing my hand. And I stare at your perfect skin. Your words sound like forever, but eternity isn’t something I’ve read about. Stuffy hymns sung on pitch but with no inflection. Your voice is flat, and it’s then I’m glad I wore this dress. I have seen loss- and that’s something your naivety can’t grasp. I scratch at the skin, because it’s pulled too tight. I can still count the stark white stitches. Still ride my fingers along the valleys of my arm, tracing out a maze. It will never change; the way it glares when I’m naked next to you. Next to you I always feel exposed. Keep wishing to be invisible, but you won’t close your eyes. Don’t kiss my skin, it’s not soft enough. Don’t turn the light on, you’ll be disappointed. You run your fingers along the canyons of my arm, trying to smooth away my imperfection. But I cover it up. I put up barriers; I protect you- you’re not ready to accept the damage I’ve sustained.Too harsh for your blindly faithful eyes. Still numb- your efforts would be wasted. My fingers caress privilege when they graze your chest, but me, I’m patched together, my feelings handed out piecemeal. That’s what I keep trying to tell you. There are just no parts left for me to give. You can touch me all you want, but you can’t bring life back ; forever petrified in place. Don’t thank me, I’ve given you nothing. Nothing delicate left here for your lips to taste. Don’t thank them, They’ve made you believe in perfection, in salvation. There’s nothing sacred left here for you to worship. My skin still too cold, your words all fall flat.
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58
Through the coffee steam your eyes were so clear they almost broke me in half. I took a long selfish look as I told the side of your head about my mother. You holding your gaze on my windshield watching the wet lights blur one mile at a time. Through the curls of your hair I heard you whisper that you didn’t want to leave. Didn’t want to add your shoe size to the prints leading away from the kid who’d see the inside of a coffin long before he ever saw his family again. I pulled over to force your hand through my sternum, pierced each finger with a ragged heart tendril built in the image of winter trees seeded far from the water line. In this way, information is filtered. Even with a cup tied to another cup by taut string, you still don’t get a clear sound. I shook my head, thinking of reasons to say your name. A taste like dusty paperbacks flecked in cane sugar. You got the boring name because your parents birthed you full of splendor, knew you would never need the extra flourish of a conversation starting nametag. The kind of person who deserves someone that will die of malnourishment if your plane ever goes down. You’ve gotten soft old man, You are no conqueror. Will never drown out the roar in her 5 a.m. mind, can do nothing to comfort the black eyes and longneck bottles left wandering her past, with your piecemeal shards of charm and wit. Part of your winter still clings to my dashboard and frosts my knuckles each time my eyes close driving home, dreaming about painting red flags green. Even after I watched the last drag curl out of your lungs, you never tasted like smoke, so I filled my lacerations with your nicotine to hide inside your numbness, while our bare skin rolled across sheets looking for new cold knowing this is not true sacrifice, but perhaps my final squander.
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Feb 22, 2016
Feb 22, 2016 at 4:04 AM UTC
Lying Naked and Alone with a Human You Love
Through the coffee steam your eyes were so clear they almost broke me in half. I took a long selfish look as I told the side of your head about my mother. You holding your gaze on my windshield watching the wet lights blur one mile at a time. Through the curls of your hair I heard you whisper that you didn’t want to leave. Didn’t want to add your shoe size to the prints leading away from the kid who’d see the inside of a coffin long before he ever saw his family again. I pulled over to force your hand through my sternum, pierced each finger with a ragged heart tendril built in the image of winter trees seeded far from the water line. In this way, information is filtered. Even with a cup tied to another cup by taut string, you still don’t get a clear sound. I shook my head, thinking of reasons to say your name. A taste like dusty paperbacks flecked in cane sugar. You got the boring name because your parents birthed you full of splendor, knew you would never need the extra flourish of a conversation starting nametag. The kind of person who deserves someone that will die of malnourishment if your plane ever goes down. You’ve gotten soft old man, You are no conqueror. Will never drown out the roar in her 5 a.m. mind, can do nothing to comfort the black eyes and longneck bottles left wandering her past, with your piecemeal shards of charm and wit. Part of your winter still clings to my dashboard and frosts my knuckles each time my eyes close driving home, dreaming about painting red flags green. Even after I watched the last drag curl out of your lungs, you never tasted like smoke, so I filled my lacerations with your nicotine to hide inside your numbness, while our bare skin rolled across sheets looking for new cold knowing this is not true sacrifice, but perhaps my final squander.
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35
Read, sailors, read Try your best to make blinking your only sleep Time is so tightly wound that All the blinking, crying birds could not fathom You have been given a mighty, starstung ship With sails so wide they could cover your reality Use these sheets not to sleep, but Fly them like monster kites Rest, doves, rest The fear that you feel at the bottom of your breast Will be spat out like a pacifier In time On time, you'll glide into familiar arms No farms could reach you there You're no chicken, no better but Your claws no longer scratch earth's flesh Your hands have no need for dust Peace, hawks, peace All your empty handed armies have no hands Softly stroking your mud won't do It has taken its own shape Of some concern to your mould Speaking of which, moss grows soft It has its own place but Beds are for sleepers You, friend, are a weeper Time, patience, time There is so much time you should not rush Rather, be pushed by the hush Come home to your family A weary, winded traveler Pull up a windmill Grind up piecemeal Some flesh cracks and crystals don't relax
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Nov 30, 2013
Nov 30, 2013 at 2:51 PM UTC
The Book of Life
As my illogic breaks, I'll robot make to be this soul's chamber, robbing a piecemeal joy from misfit toys tossed out for fine tuning by toddlers cheery mad to gorge on fads. I'll take their T-Rex head, with droopy lids that wink as if to drink the world's wide-shallow stares, plug its plastic prongs in torso of tin while twin squeeze-box arms splay to tie magnetic bows round pads below gold, plush lion cub's legs. This moppet of mixed breeds I'll learned feed with animate cunning to be ruled by charmed laws that give it pause when whole-sum circumstance tangles fuzzy circuits. Then a circus- wire's unbalancing act I'll paste from templed flesh to doll enmeshed by transfuse rigging, and as coil comes to slough, just as I'm off, I'll flip that gilded switch, implanting my spirit into a bit of copper-hued country.
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Mar 31, 2010
Mar 31, 2010 at 9:49 AM UTC
I'll Robot Make
opening up an eclectic ruddy random selection of books to the sound of classical concerto dimmed to 'whelming' (neither under nor overwhelming), is like entering point after point to perspective to new brain after old brain after subject to object to alluvit, the few, the many-- 'on July 21st, 1936, Lockheed test pilot Elmer C. McLeod, with Amelia as copilot, took the new Electra up for its first official flight..' 'This is the picture of the Djinn making the beginnings of the Magic that brought the Humph to the Camel..' 'A block away from the museum doors, the guards still follow us, until a new group of guards from the next building has us under surveillance..' 'More and more, I suspect that Buddhists and shamans are correct..' 'I liked Bloodworth and in the spring we were going to play outfield together on that Lowell team, he whose name for years had mystified me when I saw it in Lowell High and Lowell Twi League boxscores-' 'if the world at large found it impossible to believe the truth of the Holocaust, even when provided with incontrovertible proof, Berliners presented with piecemeal evidence, rumour and hearsay were bound to dismiss such talk as enemy propaganda, or perverted fantasy. As Ursula Von Kardoff recalled after the war: 'we were realistic and pessimistic. But Auschwitz?'-  '"Twenty-five centavos." "Twenty-five centavos," repeated the Syrian in a firm voice with almost no accent.'--
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Mar 4, 2014
Mar 4, 2014 at 7:28 PM UTC
partitions and the 'joke dichotomy'
the *** needs stirring, the stitches have been removed, or melted, and the scars fainter, daily…but, my words have been clogged, swallowing difficult, and heartbreak is non-curable and the sad songs combine the exercise of crying and dying, you can feel it piecemeal, chips of you breakaway, and you are just lessened… all the variations of less, redound cross my lips, but there is no one here, no one in my life…and yes he’s gone, the one who lived faraway but was intrepid in his love, and solid in his affection, but ardor cooled, distance intervened, but I still have that short skirt he adored and close eyed images in my cerebral cortex, and how I wish someone would write a poem exclusively for me, selfishly, and my mom calls less frequently, she, doesn’t know new words to instigate healing, to break me open and let positivity return…butI having learned much, and my selective mode is different, crap it’s true, been made over into a sad sack, incurable romantic…and that part tarnished is the only part of me that is growing by leaps and winks and sighs and… makes the sadbad move aside…perhaps, you’ll write me a poem, soothing, gel cooling, and… no mas…
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Jul 27, 2024
Jul 27, 2024 at 7:27 AM UTC
Saturdays have been quiet in life, silent in love, and...
I used to be hidden in my room choking at my mouth's roof as if stuck within a stutter, exhausted from existing, hinging like a wind-chime battered by a hurricane. Then a troubadour with honey hair had me humming to his ear-worm of a melody, depicting a choreography that jolted my legs into frenetic mania like an early talkie starlet's. For years, I have memorized this intricate chord structure, immersed myself in its crescendos until I could belt it backwards. It's the only song I know by heart. There is this one tune,  though, if you can even call it that, this atonal reverberation that alerts the darkest corners of my mind, a slowly muttered siren song leading to lands I never want to visit. I can never fully decipher the lyrics to an entire verse. It's the excerpts, scattered like dust mites in a concert hall, that try to nibble at me piecemeal, romanticizing the revolving door of self-destruction, bruises veiled as smudged calligraphy. So please excuse the minor notes that hiccup from my vocal cords every other half moon or so. It's just the ebb and flow of awkward drumming that disorients the ear, causes me to trip up on the patchwork of refrains we've spent so much time weaving into heavenly cohesion. Above all, please remember that no static or din will ever shoehorn its way into our ironclad harmony.
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Oct 2, 2015
Oct 2, 2015 at 3:53 PM UTC
Awkward Drumming
THOSE WHO RULE We shall keep the poor poor. We shall be on them like a master’s whip on the backs of slaves; but they will not know us: we are too far and too near. We shall use the patois of patriotism to patronize them. We shall hide behind our flags while we hold only one pole. We shall have the poor fight our wars for us, and die for us; and before they die, they will **** for us, we hope, enough. In peace, we shall piecemeal them and serve them meals made of toxins and tallow. For their labor, we shall pay them slave wages;  and all that we give, we shall take back, and more, by monumental scandals that subside like day’s sun at eventide. We shall be clever, as ever, circumspect and surreptitious at all times. We shall keep them deluded with the verisimilitude of hope, but undermine always its being. We shall infuse their lives with fear and hate, playing one race against another, one religion against a brother’s. Disaffection is our key; but we must modulate our efforts deftly, so the poor remain frightened and angered, and always blind and deaf and divided. And if, perchance, one foments, we shall seize the moment and drop his head into his hands, even as he speaks. This internecine brew we pour, there- fore, into the poor to keep them drunk with enmity and incapacitation. Ah, eternal anticipation! Bottoms up, old chaps! We, those who rule, shall have them always in our laps. We are, as it were, their salvation. TOD HOWARD HAWKS
0
Jan 6, 2023
Jan 6, 2023 at 1:00 PM UTC
THOSE WHO RULE
There’s a funny taste in my mouth. My eyelids are glued shut. This can’t be right, It’s not like I had much to drink last night. Just a glass or two of much needed blood, A sip to stop the ever-growing flood Of bills and work and more bills and more work. Five times seven. Thirty-five. Five time seven feels better. The soft bed digs gravestones into my back; A dull fire, a gentle kick, a boneless crack. An itch starts on my side and crawls down low. My fingers claw where my shoulder can’t go. Left and right and left. Stop. The pain again. There’s a funny taste in my mouth. There’s a monster in the mirror. Canyons of worry crease a trapped youth Too tired to care About the red-eyed, bearded, fat demon Caught in the glaring stare. There’s a funny taste in my mouth. Spits of blood and white ocean spray Strike the porcelain, scrubbed away By the force of released denial; A genie leaving a white plastic bottle. There’s a funny taste in my mouth. Tingly. There’s a lie in my mouth. A denial of advancing age, A bulwark to encroaching disease Set against rotten cores. There’s a lie in my mouth. I try not to care. The waterfall washes away the ache In a cascade of warmth. The lake At my feet fills with white foamy hills Surrounding a naked giant’s ankles. For a brief time I forget about The bills and work and work and bills. My clothes are tinged with sadness, Their misbegotten brothers don’t dress With them anymore; so set in their way They can’t see their youthful crimes today. I try not to care. My chain smiles at my dress, Approval sits smug on her face As I pass the test. I try not to care. Boxes tied in bandages for a wounded ego Are passed piecemeal for a so-so Attempt at gratitude. I don’t care. Where’s the gun? I retreat to work, laden with gifts unwanted That make more bills more work And drift through the day. There’s a funny taste in my mouth. Five times seven. Thirty-five. Five time seven feels better. Thirty-five. Happy birthday, you’re alive. A filled cake I don’t like. Presents for my dad. My son bought me my dad’s socks. There’s a funny taste in my mouth.
0
Mar 8, 2015
Mar 8, 2015 at 1:03 PM UTC
My birthday
There’s a funny taste in my mouth. My eyelids are glued shut. This can’t be right, It’s not like I had much to drink last night. Just a glass or two of much needed blood, A sip to stop the ever-growing flood Of bills and work and more bills and more work. Five times seven. Thirty-five. Five time seven feels better. The soft bed digs gravestones into my back; A dull fire, a gentle kick, a boneless crack. An itch starts on my side and crawls down low. My fingers claw where my shoulder can’t go. Left and right and left. Stop. The pain again. There’s a funny taste in my mouth. There’s a monster in the mirror. Canyons of worry crease a trapped youth Too tired to care About the red-eyed, bearded, fat demon Caught in the glaring stare. There’s a funny taste in my mouth. Spits of blood and white ocean spray Strike the porcelain, scrubbed away By the force of released denial; A genie leaving a white plastic bottle. There’s a funny taste in my mouth. Tingly. There’s a lie in my mouth. A denial of advancing age, A bulwark to encroaching disease Set against rotten cores. There’s a lie in my mouth. I try not to care. The waterfall washes away the ache In a cascade of warmth. The lake At my feet fills with white foamy hills Surrounding a naked giant’s ankles. For a brief time I forget about The bills and work and work and bills. My clothes are tinged with sadness, Their misbegotten brothers don’t dress With them anymore; so set in their way They can’t see their youthful crimes today. I try not to care. My chain smiles at my dress, Approval sits smug on her face As I pass the test. I try not to care. Boxes tied in bandages for a wounded ego Are passed piecemeal for a so-so Attempt at gratitude. I don’t care. Where’s the gun? I retreat to work, laden with gifts unwanted That make more bills more work And drift through the day. There’s a funny taste in my mouth. Five times seven. Thirty-five. Five time seven feels better. Thirty-five. Happy birthday, you’re alive. A filled cake I don’t like. Presents for my dad. My son bought me my dad’s socks. There’s a funny taste in my mouth.
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68
Truly gifted poets Straddle their crafts early on Some even in adolescence They have been cursed or blessed To be kings and queens of utterance. I never dreamed of becoming a poet It was furthest from my mind Then in a sudden twist of eardrum It happened in my Mid-thirties. Out of the recesses of Time Came the lure and a hook Shining in enchanted brook And before i knew it My heart was snatched And my movements flustered When i bit on ambrosiac bait Drenched in Muse's wine Drugged and drunk On sounds and images I struggled in a pool of words To assemble what held me infused To make sense of orphaned views Swaying between shade and light Like dancers deprived of audience. My poetic rapture began In frenetic rain of ink preposterous in direction A poetaster rapt on vapid rhymes With sounds of poetic crimes But my craft developed In piecemeal fashion And rendered my pen composed. A minnow of long ago Has grown into a mackerel And longs to become a whale In the ocean Ars Poetica Though it seems a pipe dream.
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Oct 2, 2018
Oct 2, 2018 at 1:09 AM UTC
Poetry Reeled Me In
We shall keep the poor poor. We shall be on them like a master’s whip on the backs of slaves; but they will not know us: we are too far and too near. We shall use the patois of patriotism to patronize them. We shall hide behind our flags while we hold only one pole. We shall have the poor fight our wars for us, and die for us; and before they die, they will **** for us, we hope, enough. In peace, we shall piecemeal them and serve them meals made of toxins and tallow. For their labor, we shall pay them slave wages; and all that we give, we shall take back, and more, by monumental scandals that subside like day’s sun at eventide. We shall be clever, as ever, circumspect and surreptitious at all times. We shall keep them deluded with the verisimilitude of hope, but undermine always its being. We shall infuse their lives with fear and hate, playing one race against another, one religion against a brother’s. Disaffection is our key; but we must modulate our efforts deftly, so the poor remain frightened and angered, and always blind and deaf and divided. And if, perchance, one foments, we shall seize the moment and drop his head into his hands, even as he speaks. This internecine brew we pour, there- fore, into the poor to keep them drunk with enmity and incapacitation. Ah, eternal anticipation! Bottoms up, old chaps! We, those who rule, shall have them always in our laps. We are, as it were, their salvation. TOD HOWARD HAWKS
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Dec 30, 2022
Dec 30, 2022 at 4:56 PM UTC
THOSE WHO RULE
once, I had a rabbit, like you: saved from the gutter, as lightning fell piecemeal. escapism, all shining eyes, all tiny scraps of flesh. and we let him go, but I can never let these things go.
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Apr 30, 2013
Apr 30, 2013 at 12:35 AM UTC
history (sixty-one)
Light breeds shadow In the form of fear Consuming my immortality bit by bit Creating a fiend That guzzle up my happiness Till the deepest core of my conscience Remorselessly Piecemeal I am dying from my own trepidation That agitates me Whether to choose malevolence That is sweet and warming Or to choose benevolence That is pain and suffering Only the saint's heart will find its way With the least tainted loopholes Gifted by the brute to the paradise god has created Destitute and feeling obselete Failed to be absolute I seclude myself To a silence so deafening And the temperature is dropping While the loneliness is creeping In fetal position On this oversize king bed With blue bed shed But no blanket Vainer, i thought.
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Jan 11, 2016
Jan 11, 2016 at 10:29 AM UTC
Cherophobia
He shuffles his muffled way through cardboard aisles, Oblivious, sheltered, speaking in a mumble of tongues, His piecemeal truths search for all that is meaningless, Where he carves a gravestone—arguments in the rows.
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Jan 4, 2014
Jan 4, 2014 at 1:43 PM UTC
Ballad of the Mad Babbler
He shuffles his muffled way through cardboard aisles, Oblivious, sheltered, speaking in a mumble of tongues, His piecemeal truths search for all that is meaningless, Where he carves a gravestone—arguments in the rows.
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Aug 4, 2012
Aug 4, 2012 at 1:18 PM UTC
Ballad of the Mad Babbler
I found myself meandering through churches of political discussions-debating the ever stale rights of each citizen dissolving into the crowded bars. Clinking glasses with more feeling than their fingers on holiday. Someone began to say “Life is…” and I stopped them right there, because who wants to sit for bad ideas when today is really for travelling to heaven and I'm sick of sinking into the landscape. I am already a hundred miles through the cracks in the world; we’re really all just piecemeal bizarre occurrences. You appeared in my passengers’ seat while before I thought I was just thinking about taking a road trip to you and all this time I've been driving through New York City with God. For the first fifteen minutes all you could comment on the was how shallow the lights seemed and I've got to be honest, I never heard the rest because I was too busy trying to decipher the Latin phrases that overwhelmed your skin. Next thing I know, you had tears on your chin- talking about how you wished all women could understand that their blood is the same which pumps through wild geese.
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Dec 25, 2013
Dec 25, 2013 at 9:35 PM UTC
Wild Geese.
He shuffles his muffled way through cardboard aisles, Oblivious, sheltered, speaking in a mumble of tongues, His piecemeal truths search for all that is meaningless, Where he carves a gravestone—arguments in the rows.
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Jul 7, 2013
Jul 7, 2013 at 9:18 AM UTC
Ballad of the Mad Babbler
It’s a marvel— how the human heart can continue to want that same something that so willingly smashed it to a thousand pieces. It’s a wonder how it still beats as it watches that something meticulously plaster each of those one thousand fragments onto its mural of damaged conquests. But the heart is in good company, I guess. At least its own pieces have a commonality with its surrounding neighborly shards. Together they can be sharp and exude mystery— no longer desired to be touched or examined by the pairs of eyes that closely study their edges. That something? He steps back. With a grin ear to ear, he enjoys the whole of his piecemeal creation. With his beautiful hands, he forces all of them to fit together, Reminiscing as he watches them dry, cementing them to memory, telling his tales of pushes and pulls, of warmth and chills. Damage, his only true medium, he finds much easier to manipulate than oils or pastels, and that something, he is a master of his craft. He contorts each of us into his own work of art, fixed for the public eye with sticky regret and dried by the countless nights of cold wonder. And we wait, patiently, until his craftsmanship folds. Until the plaster chips and crumbles. Each of our pieces falling to the ground in the hopes that someone will pick us up, pocket us, and appreciate the sullen beauty in something that once was whole.
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May 18, 2015
May 18, 2015 at 2:37 PM UTC
prickasso