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Spenser Roper Mar 2014
funny
funky key
funeral rally
funnel nully
functionally nully
fungi guy
fundamental mentally
Confession:
I'm not entirely a boy.
I'm in between genders right now.
Somewhere found in the cracks and crevices
underneath our ever crumbling binary.

A toss up between a proud queer girl,
and a fairy gay boy.
Yes sir,
But not a man.
Along the lines of
Prince and Princess,
Both King and Queen.

Don't call me a *** or **** -
Call me Genderfuck.
A concept you can't quite pinpoint,
At least it's an accurate depiction of your ignorance.

Genderpunk;
an identity wrapped up in style.
Androgyne -
A word that is not entirely girl
Not entirely boy,
But has elements of both.

I'm pushing away from women
when people put it on me.
It's dysphoric and uncomfortable.
So I run towards guy,
Phonetically and conceptually.

I want something other than human,
Not exactly person,
Alien, celestial or ethereal being
of which there is no words necessary.
Something...other.

But Agender rejects the concept entirely.
And I do not want to abandon the idea
that there is a word out there for me.
A community like me.

And before I hear any rhetoric about
having 'too many labels',
Let me just say:
If cats have taught me anything,
There is a huge difference between
Being put in a box,
And putting yourself in a box.

My ideal gender is something like feeling
part women, part dude -
not entirely male -
and part non-binary,
All simultaneously.

This may come as a surprise
But I do not deny my lady-like qualities.
I see strong, realistic female
representation
And I rejoice.
I feel part of that team.

I experience sexism and misogyny,
and I recognize how others perceive me;
as a girl.

Well in the context of a ******* girl relationship
Girlfriends doesn't seem that bad.
Being a butch lesbian,
or gay girl -
a feminine boy,
bisexual guy.
Though, I'm never a man.

Just something dancing along the edges,
Picking and choosing the flowers I am drawn to.
Ultimately something queer.

I want more access to words,
different types of non-binary,
A broader third category.
Six, Eleventh and,
Twentieth gender options.

Otherwise I'm caught gendering myself, always.
God or Goddess?
Mermaid or Merman?
Sure there's also merperson, merbabe,
godev, princev...

Referring to oneself - zeself?
As a magical being works.
Fae, Faerie,
Fae, Fem(me), Faer
pronouns would be cool
I just don't want to fully surrender
to being a girl.

Even though I know
there's no shame in it,
it still feels wrong,

It's misgendering
when I'm called "Miss" or "She".
I feel like crawling out if my skin
when I'm being forced into anything
womanly

Even though I have no
real quarrel with the concept.
I'm just uncomfortable with pronouns
and all the words around it.

I am anti-girl, negagirl,
the opposite of female
but not necessarily guy.
I am running away from cis-ness,
Cis-ciety.

And that's okay,
It's absolutely alright to feel this way.
The world told you what you were entirely
Based on your reproductive organs,
And doesn't that just sound a little funny?

Being trans doesn't have to mean
being at war with your body.
It doesn't mean you're born into a special group
A cool club, where others are barred access.

It means thinking critically
and wanting to redefine, redesign,
The way you are seen,
The way you see yourself,
and reclaim something
that was taken from you.

Folx, gender is fun.
It is fluid, and it changes,
it ages,
It starts to mean different things.

What you feel for now
doesn't have to be forever.
Move past the boundaries
others have set for you.

I encourage you to find your own
Trans doesn't have to be right
or wrong for you,
That's up to you to discover.
Just know you have options.

There's 7 billion people on this planet
So that's the possibility for 7 billion genders
And sexes.
Yes, that's a spectrum too.

***** and ***** are not the only thing
That defines you.
Think critically about the things
people have force fed you.

As for me,
I am a different breed of dude.
Not dad or father,
nor lady or daughter.

I fit with brother, guy, sir & gentlemen.
Call me fae, goth, punk, merhunk
and royalty.

Today I am a blank slate
A canvas I always have the potential to recreate.
Call me Damon.
That is my gender of the day.
Bayley Sprowl Dec 2012
It's always your words that undress me.
Sobriquets, honeyed and multiple--
neck slowed over by narrator's
pale parlance. It's always my hands
that undress you. Motion diverse,
more adept than I expected. My
fingers feel separate and strange.
Our skin feels so starkly the same.
Dialectic crack in monologue,
made soft by the hot tongue of discourse.
Your open vowels morning-like, balmy.
I want you phonetically, fondly.
Our languages, various as Babel's.
We touch like snakes in love.
ONLY  for dear Eliot and his Amount
that’s in my serious head that counts

WOW!  Dear Poetess, (referring to a best friend)
Your rhyming skill comes up to the HP service,
I mean surface,
ah, phonetically it sounds the same,
no one to blame,
in fact, I am an evangelist
and that's for HP true bliss,
IF I think what it is as it IS,
ah, that bliss

we may give through to dear Eliot as he IS,
he needs that amount
for his account
is also our account
as we all mount here
our creations
for many nations
worldwide
nothing to hide

as it comes only to demand that amount
for his and our account
his special baby
his special lady
seriously this is a thought-provoking one
huge one,
non comparing please, to none

but If I may say
not as huge and difficult as the Mount Everest,
the New Zealander Edmund Hillary and the Sherpa Tenzing Norgay
mounted the world's highest mountain,
is more than that, I reckon,
it is also known in Nepal as the Sagarmatha, now I start to sing
and it flows till Tibet as the Chomolungma, haha!
Remember this poem is just for Eliot from our dear HelloPoetry
from me, just the simple and humble Sylvia
as usual as we are creating poems for HP
we are oft in greatest glee
please don’t forget
the pure meaning and close target
of my poem today
well, I wanna say
make way
and hurry up to donate
an up-to-date
firm donation
as fewest as you can
but of course IF you can
as much and many as you are able
for our dear Eliot knight of our Round Table
he is fighting for this most important strife
we must help him ‘coz we are also part of this ardent life
worthwhile
for the apps mobile

HelloPoetry has become true famous worldwide
please help Eliot as quickest with this
‘coz this bliss for him, is also our bliss
and then we can create and send many a mile
our loved poems through our mobile
be noticed that I have done this blend
in a few seconds of moment
I have done this only for dear Eliot
may we have in the nearest future
for our poems a better structure
spending more time at our mobile on this spot
then we will enjoy a very lot
greatest glee and happiness for our dear Eliot!

This concise
I hope you’ll regard it as nice
thought it would be a brevity
as you can see I ain’t that wise….

PLEASE, don’t forget the Donation
then we can say to Eliot:  Felicitation!

Sylvia Frances Chan
SENT TO HP TO BE PUBLISHED
Wednesday 21st of March 2018
Lee Turpin Dec 2010
You've got a lot of black hair on the top of your head
that drips down your neck
shining rivulets
makes pools in your collar bone
ready face ready eyes like
I'm looking straight at you Mr
You've got weird skin that you pick at with white teeth
a smile that spreads across your body like an infection
You say sorry with a downward glance
pausing a stare that presses into my lungs
A voice that sounds like the taste of a peach
lips that taste like the sound of turning pages
If anyone could taste them. Ha
Clothes wrinkle in lumps draped on your angled frame
awkward and embarrassed out of place they seem to try to slink off
They don't like you for the lacking length of you finger nails or the way

You sit in the doctors office

Askew           where the **** do I put my feet and my elbows?
hoping for something grim to come falling past
yellow teeth and purple line lips
parchment skin cracking a purse
(dribble drabble shibble shabble,
your face does something funny
phonetically
when it spews
truly inspira
ired bravo) my god be quiet
Mr dr sir
hoping for something To match the electricity in your head
Sit down for this Stella this is it is,
this could be it
I'm sorry
but
you know it's time to go
Cause they don't like you here not even love you
I don't think; I don't either and no one here
You don't either
And that's okay   you know   it's ok
It's time
It's okay

Stop talking to yourself
*****.
If I was to describe her poetically
She's role her eyes and frown
She's to the point, explains phonetically
Always planned, with details written down.

The first to arrive at the party,
and lone behold, last to leave
Her buzz down to shiraz partly
But mainly her free spirit, or so I believe

Never one to hold herself back,
She'll sing, dance and chat to all,
And manages to keep her dignity intact.
Forget the belle, she rocks the ball.

Yet in her I confide
Catching me whenever I fall.
I feel there is no secret to hide,
As she has raised me to stand tall.

Over my 15 years I've learned
We are very much alike each other
And only one thing makes me concerned,
Prematurely, I've turned into my mother!
Natalie Rose Dec 2015
September 30, 1995:

My name is Ni Young Yoon,
        Nye Yun Yun,
        Nai Yung Youn,
        Nhi Yon Yün,
        Ni Young Yoon,
I can only spell it out phonetically.
        Ni Young Yoon,
the three syllables float in my mouth
like the gibberish of a baby, bubbling out sounds,
resembling a language I never spoke, but taste on my tongue,
babbling to a mother I’d never know, but see in the mirror.

My name was Ni Young Yoon.


January 23, 1996:

My name is Natalie Rose Sereda,
Natalie, my dad’s favorite actress,
Natalie, my mom’s favorite singer,
Nata, my grandpa’s twenty-year-old nickname,
Nat!, my younger brother’s call from downstairs,
Neeeatalie, my older sister’s Chicago accent,
My name is Natalie Rose Sereda,
words tucked into the bed of my tongue
fast asleep under the roof of my mouth,
a baby wakes up after a long flight over,
she is greeted at the gate, named in the airport,
and in this moment, in the arms of her parents, she is born.

My name is Natalie Rose Sereda.
Sarah Clark Nov 2018
rectilinear, oracle, eschew
today's words
apparently eschew and a sneeze are
interchangeable, phonetically speaking.

have you been holding out on me?
i'm all for said sensual urges and
wild manic destroying of the yurt, but please-

rest of us just gotta be sensible.
We fought wars,
Rough, ferocious and deadly deadly,
Genocides and Holocausts,
We killed, got killed and lived to tell the tale,
We still touched our mouths, noses and faces,
We sneezed, coughed and had high fevers,
We shook hands, hugged and kissed,
Yet we survived and lived to tell the tale at the tail-end.


Wars were fought throughout the world,
World wars and wars for supremacy,
Nuclear wars and cold wars,
Religious wars and wars against colonialism,
Tribal wars and civil wars,
Trade wars and industrial wars
Insurgencies and conventional wars,
Wars against Ebola and wars against the SARS virus,
Wars against slavery and apartheid; and wars against oppression,
Wars about us against them and them against those that are against them,
Some, really senseless wars.


We emotionless watched them fight their wars with arms folded,
As they emotionless watched us fight our wars with arms folded,
It is not our war, they felt,
It is not on our soil, we reckoned,
They are not our people, we believed,
Our economy will not be affected, they said,
After-all, we share no common Ancestry,
With pride, we developed a defensive “Them” and “Us” attitude,
Every nation for herself and only God for us all,
We never wanted to be part of others’ wars,
Neither did they want to be part of ours,
Depositing the spirit of Worldianship into acute non-existance.


Today, a horrendous and cataclysmic war has been declared against the world – them and us,
Ruthlessly savaging, ravaging and bulldozing the lugubrious world full of them and us, like a demented storm really gone mad,
A devastating and ruinous world war 3 with some shift of gear,
An atrocious insurgency against a common but deadly and hostile enermy,
A silent, ruthless and predatory bandit which intentions are catastrophically loud, heavily thudding and explosively explosive,
The wide world has been dolorously and traumatically held to ransom,
And ransom of the worst order and disorder,
Plunging the outrageous and despicable West and the rest of the cultured world on one side,
Fighting side by side in a war they never wanted to fight,
Not even side by side,
Desperately befriending my unspeakable enermy because he is the enermy of my enermy,
And the enermy of the enermy of the enermy who is my enermy,
Just imagine the symbiosis,
Just imagine.


Desperate and distressed children of the world have been unintentionally isolated and agonisingly violated,
Tightly curfew-ed and strictly quarantined against their will,
Some, with neither food nor means of survival,
All, converted into Inmates in their own homes and excuses for homes,
As the catastrophic war notoriously spreads like a ravaging bushfire on defenceless nations,
Taking with it innocent children of the subconscious and powerless world,
With some, falling dual victims of the calamitous virus and also the armies,
Little-minded combat and action-hungry armies that are supposed to be protecting them,
Siding with their own enermy and the enermy of their own people,
Shame on the children of the sorrowful soil,
Children of Kunta Kinte, Zwangendaba, Mzilikazi kaMashobana, and Chaminuka,
Children of Moshoeshoe, Kgabo, Kaguvi and Kazembe,
Children of Skwati, Sikhukhuni, Shaka and Shiriyadenga,
Children of Soshangana, Christopher Columbus, Jan Van Riebeck and Vasco Da Gama,
Shame.


A little child distantly cries elsewhere in Africa’s distant peripheries of domineering poverty,
She sickly cries her last cries for food and last cries ever,
A little bundle of a network of visible veins lying on a reed mat like a ragged rag doll,
A tiny, vulnerable innocent crossfire victim of the massive deadly disorderly war,
Last in a family of twelve, that never had food since the first day of the lockdown,
As father and mother sadly gaze at each other, tears are shed and shared in capitulation,
They cannot leave their landlocked tiny shack to go out to look for food,
Their poor offspring lackadaisically closes her tiny eyes for the last time,
Departing from the weird world in a war that was never hers to fight,
Not even her “church mice” parents,
She dies in painful hunger and of a painful hunger that was the grandchild of Corona’s making,
A child of the African dusty soil prematurely returning to the African dusty soil,
A crossfire victim of corvid19 of the Chinese ancestry,
An indiscriminate weponous weapon of mass destruction,
Shame.


Amidst all this, songs get sung phonetically in different languages and tunes,
By different nationalities of different nations and nationalisms,
Touching and emotional songs, embodying and incarnating just but one and the same theme,
Coronavirus, corvid 19, the heartless witch which is son to a heartless witch,
Where do we run or even crawl to for safety?
Where really, at this humanity’s tattered and shattered darkest hour,
Our hour no longer our hour,
We have fought worse wars with worst enermies than you,
More titanic, more ravaging, more calamitous, more faceless,
Albeit, we lived to tell the tale,
The fearless warrior children of the fearless warriors that we fearlessly are,
We do not fight to fight another day,
And we cannot just fold our cold arms as you recklessly scotch our lovely earth to oblivion,
Rapacious Corona, it is just a matter of time,
Just a matter of time,
Corvid 19 – obnoxious bandit father of an obnoxious bandit wizard,
Heartless dissident son of a heartless dissident witch,
The epitome of prolific disrespect, involuntary solitude and proliferated solicitude,
The personification of convulsive misery, spasmodic destruction, and multitudinous deaths,
What goes around, comes around,
Just a matter of time.
Cole Silvers Dec 2013
Why are you not capitalized?
Capitalized but not as granted, but mutual gain.
I talk to You and oh insignificant I seeks to look down upon its better and is assisted by the selfish nature of punctuation.
The way I talk pales in importance to You, phonetically we stand together as vowels; sometimes why, but always You.
The inspiration of You is the very motivation to write what I think.
So why, when You are the origin and I is the eager, fervent reaction, that culture dares to credit i for what You caused?

© Cole Silvers
GaryFairy Aug 2013
Reverberating random radio waves
waves of blank blasting bells
bells of unfounded fickled fear
fear in cumulous clouded clatter
clatter of sick ******* sounds
sounds like you yearn your years
years of finding fallen failure
failure to see second sight
sight of blinded brilliant brain
brain farts form filthy fumes
fumes of angry artistic air
air is thick with wasted words
words that remain regretfully wrong
wrong way to tell twisted tales
tales of virtual visual *****

New style of poem i am working on. In first verse, the first three words must start phonetically the same. In the other verses, it must be last three words. Hard to make sense by these rules, but it was fun.
she's no deva of mine
no caterpillar concubine
no cocoon consort
no butterfly  courtesan
she's four tigresses in one
suckling, wandering, denned and leashed
And I'm following the track of them all
She's my white tigress of Nanjing
and though I haven't ever practiced kungfu nor qigong
I have applied to be her jade dragon
Or at least one of her green dragons
In order to help her to reach one of her nine illuminations.
So I fused my qi and ching and  shen
and turned myself into a Knight of the Order of the Porcupine
and offered to gently tatoo with my quills
Her *******
with a motto of invisible yet immortal ink saying :
"Qui s'y frotte s'y pique"
Written phonetically [kisifrotsipik].
I thought because I sat just like a buddha
I was at that moment a buddha
I thought that if I breathed like a green or jade dragon
She'd let me have a bite at her immortality.
No way, my tigress said :
You just can't be and have been

— The End —