"phonetic" poems
You Sir, Are An Electrician!
**technocrat
— noun
a proponent, adherent, or supporter of technocracy.**
This city boy was expert at
Turning the lights on,
Unlocking the front door,
Putting new batteries in flashlights,
And calling the handyman to
"Please come upstairs"
When the degree of diving difficulty was a
Positive number.
Also,
Freezing the semi-permanently the DVR,
Triggering alarms,
Killing car batteries,
Making laptops question
Human sanity,
Tearing up when reading,
"Some Assembly Required!"
Raised in a city of experts,
He was unskilled in things electric,
Becoming apoplectic,
When a device had an
On/off switch that ignored him.
Somewhat famous he was,
For engaging the inanimate,
In a verbal dialectic,
Which included words highly phonetic,
But unsuitable for children's ears.
She was raised in rural pastures,
Corn fields used for hide n' go seek,
Riding goats after school
Just for fun,
Familiar with innards of
Deus ex machina, a/k/a
Minor engine repairs, and
Doing what he called,
Making reparations.
IOS7, heaven.
Cabling laptop to external devices,
Icing on the cake,
Dis and reassembling a German coffee maker,
Did not require calling an 800 number.
She never read an instruction sheet
Without pleasurable laughing at
Japanese English.
He was unashamed of his skilled
Unskilled characteristics,
For such is the way of the world
In the human kingdom,
Some of us two handed,
some of us, bi-standers.
But upon occasion,
He would bemoan his fate,
Decry his inability to survive
On a post-apocalyptic Earth,
Like the people on tv and movies.
Periodically he would grow morose,
Listless, at his inability to adapt to a
Point Oh world.
Uncomprehending
Icons and symbols whose meaning
Were wholly unintuitive,
He secretly ashamed of his need for
technological ******
She would sense his frustration,
Wipe away his inner condensation,
Climbing into his lap,
Whispering the following:
**You sir, are an electrician
of words, a verbal technocrat,**
Plumber of the depths where
Few fear to tread, explorer of the head,
Restorer of human paintings unmatched,
Without your ilk,
this world would be unbearable,
Your heart's warming silk
Comforts bodies and souls,
Speaking from experience personal.
Then, she flicked his
On/Off switch,
On.
Oct 31, 2013
Oct 31, 2013 at 2:43 AM UTC
Subdued and seduced by sounds so sultry
floating with fantastic phonetic finesse
vibrant voices vehicled via visages
the magical message making me a mess
each seconds surrenders me speechless
praying for the process of progress
kissing, caressing, conspire in concision
affection and adoration an admirable ambition
Subdued and seduced by sounds so sultry
floating with fantastic phonetic finesse
vibrant voices vehicled via visages
the magical message making me a mess
beautiful belles becoming begrime
rendered ready by my written rhyme
won with wonderfully whispered wit
foment flattery in a fanatic fit
Subdued and seduced by sounds so sultry
floating with fantastic phonetic finesse
vibrant voices vehicled via visages
the magical message making me a mess
Sep 11, 2010
Sep 11, 2010 at 5:39 PM UTC
Both latter and former, contrary and congruent
Neither gas nor solid, the river moves fluid.
No end and no beginning, just water moving… swimming…
A formless former that is a powerful latter
Contradiction through symmetry and space within matter
Passively energetic as potential becomes kinetic
Transparently reflective and silently phonetic
Thermally dynamic and fluidly frantic
The waters maintain a static chaos through mathematical mechanics.
Mechanically architected and architecturally mechanic
Water seems the perfect medium for analysis of a dynamic.
Dynamic existence and persistent resistance
Statically chaotic seems the architect’s insistence.
Equilibriomatic, with addition subtractive
Empirical measures fail to analyze the passive.
What simply is, simply is… Invincible to mimicry or microcosmic reenactment.
Experimental methods seek to unify the synonymous
Attempting to prove the objective with a subjective hypothesis.
Learn from the water, let its metaphor be imminent….
For the divine externality lies not without, but within it.
Mar 5, 2015
Mar 5, 2015 at 3:53 PM UTC
I said it, because it felt so nice to say and
because I can say it very well
-in the moment I meant it
but it's a bitter familiar spell
I've memorized the phonetic stitches the
spacing that knits a magic fleece that
when draped over the shoulders of the mightiest
turns them back to boys, gives full release
the belief
that love, real love, can be-
I can teach any man to fall in love with love...
just not in love with me.
Feb 17, 2015
Feb 17, 2015 at 5:26 PM UTC
*When ink kisses paper
Leaving his marks on her
Staining her Immaculate white
Corrupting her innocent purity
With unspoken words and lines,
Punctuated with figurative styles,
Embedded with phonetic rhymes
Of divine charismatic beauty;
Sweet poetic lyrics are born...*
© Raphael Uzor
Apr 19, 2014
Apr 19, 2014 at 6:35 PM UTC
(This poem was discovered etched/burnt into the interior woodwork of a viking ship of around 800AD, discovered in the north of England in the '60s. Quite possibly from the northernmost islands around the area now referred to as Archangel, and originally written in what became known as Runic/Russo Scandinavian, it nevertheless resonates clear Saxon/German tonality. Given that it is one of the first examples of early Runic, and indeed that the actual letter-shapes are unclear, the poem has been reproduced below, using broad phonetic license.
As far as can be determined, the content appears to be a somewhat ribald message from the ships leader to his wife. It was not uncommon for women/wives to accompany their men folk on long voyages. Given cramped conditions aboard, the conditions were likely to be insanitary and it is this condition that informs the subject). WJL
Das andrs zu-almen su-cara
Archezum des hafta confagra
Der ecra zu alpe
En pecra nachte schalpe
Viel ondra der zulpa te bag-ra
Und zortem pur ordour cloabera
Eh-min-te ah solbra schactarar
Sul-phereth zum tinctum
Abroath ah den penk-tum
Bai anthe con anthe ebactah-ra
Zorbuhr genkst canke zer vilk-um
Solginster zep ecra der nep-ehlcome
Calmen-de ser paarte
Eh zin bah die faarte
Confide ah can-de zum schtinc-tulm
Nov 5, 2012
Nov 5, 2012 at 5:23 AM UTC
It's kinda funny, in this Language,
that the following two words should rhyme:
Rise and Demise
To me, it sort of implies a correlation:
philosophically rationalized
linguistic ties;
phonetic lies,
the phonetics lie.
Which lie? Will I clarify?
Certainly not!
For it is
double entendre;
maybe more, maybe less.
But nevertheless, the moral of the story is:
[this] Language is kinda funny.
Jul 5, 2013
Jul 5, 2013 at 9:31 AM UTC
painting when being bilingual, the naked phonetics of the english alphabet, and the diacritics on the polish one, for example -sh- of the former and -sz- of the latter, but the painting is still entitled: trying to capture what was being said without lip-reading but by optics encoding the sounds, so that someone bilingual might decipher; and yes, dependent of aesthetics / orthography the -rz- versus the ż.
azog
szak gaum'dasz!
blog
kruto, goniś... gunwondersmargen'ś.
azog
mor'rzyrljisz?
blog
golumdo, sza zu lisz sza za duh.
azog
jam dysz! *** da kurz nak krza rzuk;
arz ga bejark gundabadul,
mar kam narm karszrz.
mulgaj! a'naj! ursdraj! tu pu nam - ah me c!
Mar 21, 2016
Mar 21, 2016 at 10:03 PM UTC
before existentialism, and nietzsche in mind, philosophy was written
or spoken of accepting the socratic rigidity of words,
the rigidity of words known through
the socratic method of inquiry:
the simplest of questions imposed on
the meaning of words; e.g. what is virtue?
but with existentialism this old method
of inquiry, the poised posing bewilderment
lost its quality, in that the new method of
inquiry was given to stress not a method
of questioning but that of ambiguity,
even though this new method that simply
said the reverse of what is virtue as
the preservation of a narrative: "virtue" concedes
many variations exampled true, e.g. -
this dittoing going against - previously said /
as above - became staged against
a brick wall - since this method, the existential
method of brushing aside inquiry and entering
the realm of ambiguity was already present -
the pluralism of meaning found in certain words;
it isn't a question whether red or blue can
be ambiguous, this allocation of noun
and quality is all too pervasive - so when
an ambiguity is allowed to exercise its stressor
posit - the word in question is allocated
a verb orientation in its exercise of use and example,
further diluted by the quantity and lack of example,
and ascribed contorting
adjectivity due to the dilution of meaning: with lessened
recognition of sought out qualification to sentence
an enzymic perfection of: banker and philanthropist,
priest and maximilian kolbe, poetry and lack of envy.
even though these examples are idealistic,
they provide the obvious ambiguity already apparent,
hence the double ambiguity of opposites, ideal opposites.
in shorthand - if socrates were to come
upon reading existentialism - his questions
regarding the virtues would be bound to free floating
terms in the ditto bubbles of flimsiness of non-inquiry -
bewildered by the number of prompts to question,
there would be no necessary ambiguity to many other
terms of inactivity - such as the previously mentioned
red and blue, dog and glue, but too many, it would seem,
should a strict belief in categorising virtue as a noun
but not a verb be kept - for categorisation of such nature
only provides a linear cascade without due action
or cared for imitation - ending with the only chance of virtue
chanced and seen as an unvirtuous person
doing crossword puzzles in silence - and already
virtue's opposite is engaged in defending itself
and justifying its ills by first forcing many synonyms to
cover it in ambiguity, and asserting itself as an adjective
within a noun framework blunt: virtue v. unvirtuous
will only confiscate siamese phonetic mingling to ease the definition;
i guess that's how rhyming was born, the opposite
of alphabetical ordering: a, aardvark the violet's blue
****** a doughnut with you.
Sep 22, 2015
Sep 22, 2015 at 11:31 AM UTC
she has stars for eyebrows
her phonetic smile says so much more
tightly wrapped in the grey gaunt gauze of daylight
eyes still closed
i wait arms breadth away for her...
to breath
to open
while mind touches upon her journey
while pieces parts of her epiphany are spoon fed
like chocolate grace into my feasting and willing heart
i am the succulent afterword
to her speech now uttered in its completion
...with its grand street ballroom
upon which we
all in our time of giddy laughter
need to dance like royalty or fools
...with its back alley rainwater
that washes away all those terrible yesterdays
i am the sweat mongerer who waits
for her sleeping to be roused...
transcendental she sleeps
with a soft drink
while i nourish
in the folds of her slumbering dreams
Dec 23, 2014
Dec 23, 2014 at 4:01 PM UTC
*this poem didn't come easy. written amidst buffeting emo's, V will not be natural flow, probably flawed. You, self-chosen people, will come along, please, to see the process, and the proceeds too.
But as usual, the poem was write before me, needing only human kindness overflowing to guide the way.*
V
V words lord, excluding all others,
phonetic juggernauts,
never met a V word
that had no personality.
victory is the one word that
my/our brains
think of first.
sure there is vortex, victuals, veer
and valor exam,
the latter,
what ever it means is a gift,
curtsy-courtesy of auto-incorrect.
but it is victory
on top,
victorious in its own way.
try it on another if you must...
what is the word that starts with a V
that first comes to mind?*
so let us talk of victories.
so oft, I write in the dark,
even as I do now.
came home soul weary,
face worn-worry,
gotta go out to meet
Peter Bogdanovich later,
to chat about his latest movie.
woman looks me over.
X-ray glance,
an MRI of my heart,
no deductible charged,
but oh yes, a co-pay due, indeed!
Peter will keep,
tonight you're-mine,
to bed I send,
right after we consume
Large Thin Mush,
cause pizza with shrooms contains
mood serotonins,
that erase the
"pain of the day"
that be a victory nonpareil.
a Waterloo, a Normandy landing,
that be a victory where
both sides hug and kiss,
and make with their long,
stubby Churchillian fingers,
V's all night long
with goofy grins,
cigars and bowler hats,
just to go along.
so here I am in the dark,
having been "put" to bed,
one mo' time,
slicing and dicing letters
into a word-salade,
instead of resting.
dreaming of the day
when I can no longer need to
pretend to be a Seuss, but truly,
can be writing poems for all my
children~friends.
one for each letter
of the alphabet,
teaching us to write
upon our faces
laugh lines thin and fine,
mine, ours, yours.
product of pizza poems,
some that come not circular,
but tonite shaped
just like a woman,
just like a
V.
Nov 7, 2013
Nov 7, 2013 at 8:34 PM UTC
/ *because such examples have to, have to(!) be perpetuated, reiterated, perpetuated, reiterated... these... "things"... these minor quests of establishing being - against, the authoritarian rule of the democracy of beings.*
you don't shout,
you don't disturb the "social", "peace",
of proverbial english society...
nope...
shouting does not good,
akin to:
silent water eats
away at the shorelines...
what you do...
is akin to what birds do...
you don't gnash your teeth:
i.e. clench them molars...
gnashing means clenching
your molars -
a gnashing a gnarling,
a pestle & mortar scenario...
no...
no shouting...
silent movie era of hollywood
translated...
you... simply... chatter...
you strike incissor teeth against
each other... crafting a lightling storm
like crackling sound,
like corn flakes...
in a bowl of milk...
you... chatter...
inspiration? birds...
bird calls...
you... chatter...
mind you, unlike the english,
looking into my mouth...
the jaw should fit within the confines
of the skull...
the upper set of teeth
should accommodate the jaw's
line of teeth...
but you simply... chatter...
which is embodied by attempting
to take a phantom bite at "something"...
you...
echo:
central incisors against
the lateral incisors...
you subsequently: chatter (χατερ)...
i missed the eta (η): given that i also
missed the excess of tau - in what isn't,
a translation - other than a phonetic
equivalent of putting on sunglasses...
because, when your neighbour,
tells you... that you can't smoke...
in your own home, perched on a windowsill,
out of the window,
implying that the smoke is
vacuumed into his bedroom?
and somehow, the law,
and the air, we share, is somehow his,
and his alone?
and i can't do, what he can,
within the confines of his property?
NOW WE HAVE A PROPER SHITSHOW!
some english are ******* backward
hardly insulting the ****** community,
with some succumbing to prosopagnosia,
while some (notably down syndrome)
actually having a memory capacity...
that curious look and a familiar expression
waiting for a smile...
i basically live next to a mental illness
example, par uno...
and englishman who "thinks"
he's king, rather than a convenient
citizen...
****** won't budge...
guess all i'm equipped with is
my chatter remedy;
and english society still "thinks"
that i'm the "mad" one.
- because it's like...
how can you dictate, what someone can,
or cannot do, on their property?!
like smoking a cigarette,
perched on a windowsill, outside a window,
with the accusation:
the smoke is coming into my bedroom...
oh right...
so...
erm...
you own the dynamic of air
to suggest such a bias?
Jul 22, 2018
Jul 22, 2018 at 11:30 AM UTC
A Woman of Many Words
I am a Woman of Many Words
I am drawn to all those places
That words congregate:
Libraries and bookstores
Road signs and billboards
Ticket stubs and subtitles
Nametags and license plates
Each one a journey driving inside me
I am a Woman of Many Words
I love the way the shapes feel in my mouth
The skittle taste of syllables
I am drawn to especially long words
With their phonetic entities stretching out like tentacles to reach new corners of pronunciation
Words like
Bibliophile and flippant-irreverence
Evanescent and Insouciance
Mellifluous and Effervescent
Mondegreen and Labyrinthine
Words like
Onomatopoeia and Tintinnabulation
I appreciate their weight on my tongue
The way my hands appreciate the thickness that is a fat book
I am a Woman of Many Words
I am attracted to their multitude
The space their figures take up on a page
The calligraphic punches
Typed up by keys
The carefully constructed
Brush strokes
Spouting
What is sure to be, nonsense
But I do enjoy the sound of nonsense in the morning
I am a Woman of Many Words
I cling to the lettered skyscrapers wherever I can find them
Because the familiar scent of scribbles across parchment is comfort food for me
I find them
On the backs of cereal boxes
And in Popsicle riddles
In fortune cookies
And alphabet soup
From magnets on my fridge
To junk food logos
And I hold on to them for dear life
For fear that silence should find me
And leave me empty
For fear it will take away the music of maracas
Made by words
Dancing the salsa inside me
I am a Woman of Many Words
because Words
Answer my Questions,
Soothe my fears,
and Humor my Whims
They are not always Right
But they are always Constant
They are not always Honest, in fact,
Mostly
They Lie
But ever so often
They tell such a Beautiful Lie
That you wish it were true
They sing from the rocks
offering Escape from
Terrifying,
Suffocating,
Mind numbing Silence
that echoes off my skeleton
I am afraid that silence will hollow out my insides
and leave me abandoned
with nothing between my Bow and Stern
my Forecastle all torn up
I am afraid of the skeleton inside me
So I am a Woman of Many of Words
For fear of silence
And contempt for truth
Because my words are sirens
And my shipwreck is home here
Nov 10, 2015
Nov 10, 2015 at 5:12 PM UTC
Euphony * the quality of being pleasing to the ear, especially through a harmonious combination of words; making a phonetic change for ease of pronunciation
Hickory, dickory, dock,
The mouse ran up the clock.
The clock struck one,
The mouse ran down,
Hickory, dickory, dock
Trickery, diddly, rot,
This Diddy's life poems rhymed not,
The boys and girls all booed,
Your poetic life thumbs-down *******
Trickery, diddly, rot
sipped his morning coffee.
thoughts about mortality and mean
saw what wanted not to be, the unseen,
trickery, diddly, rot,
brain refrain, relief not,
the **** clock ticking,
the mouse laughing,
at his euphonious nonsense
he wept for being found out,
the noises in the house
joined in
all mocking with accusations
***you phony, us,
you, phony us***
another work day ended as it begun,
or began to end
teach felt
herself
for felt
tipped pen reach,
inky dinky in the dockers it flowed,
now I am red-tro-graded,
bold letter, no fading,
F
for failing
to phony us
slipped his head under the water,
but the words auditory
and most un laudatory
feared not a drownery,
followed him down
under
Oct 10, 2014
Oct 10, 2014 at 7:03 AM UTC
Got me a dose of my own medicine and I can't stomach the taste.
I spit it out and let the virus run a muck throughout the place.
My mix-tapes are an act of meditation. A phonetic compilation. An auditory trepanation.
With a couple screws loose I'm beginning to know the drill,
And already the hole is on its way to being filled.
Though the void keeps my brain pulsing, still, as my self trepidation is yet to be fulfilled.
Winter is a stone-cold killer. I can feel its icy fingers groping the back of my skull.
Numbing the occipital lobe. Static. Gray. Snow. A visual forebode.
Neurotic overload.
Sparks flying and dying.
Light to dark.
Good to bad.
Duality deceased.
Appoint the next fad.
Dec 14, 2013
Dec 14, 2013 at 2:56 AM UTC
please forgive the slanty line
between the words and common rhyme
It's gotten out of hand, oh man, just sayin'
nothing's worse but what what I mean
a rhyming verse is not obscene
yet hardly worth the birth of notes I'm playin'
better to be out of words
than force the ones you've always heard
and bore you more with punctual partition
set in golden platitude
I'm working on my attitude
a sadder dude would swear he's near Perdition
I try to keep it off the cuff
but sinking low, enough's enough
and just as rough to find a way to end it
not poetic suicide
my own phonetic cuter side
to find the brokenness and try to mend it
thankful for the little things
the corny rhymes and onion rings
the stuff my dad would say to make us smile
that subtle joke, so funny Dad
and gee I miss you, now I'm sad
and hope to see you soon
" Just wait a while".
Nov 30, 2013
Nov 30, 2013 at 1:17 AM UTC
These words I write for you
They fail to come true
They crumble to letters
Then phonetic sounds
And soon they'll be gone
And I'll still be around
But you won't be found
My pen will run out of ink
My pencil lead will break
My voice will go hoarse
Ill still have these words
All pent up inside
With no way to get out
No way to reach you
No way for you to hear
All these words
I write for you
Aug 12, 2013
Aug 12, 2013 at 9:57 PM UTC
In your breath are magic spells
Which wisp and curl on every word,
And as they waltz, your rhythmic voice
Becomes the sweetest sound I've heard.
There is such phonetic grace
In every phatic word you place,
But should your lips eclipse my name,
And let it slip with warm acclaim,
Or better yet, in passions flame,
Should you, with love for me proclaim,
Then science, to its knees will fall
As air will hold no oxygen,
Nor argon, neither nitrogen,
But beauty, magic. That is all.
Oct 8, 2018
Oct 8, 2018 at 6:45 PM UTC
Plan to kiss no one without secret intent.
Plan to kiss no one without meticulous method
Plan to kiss no one without a hidden plan.
Now
You know
Who you are.
To think I should speak with you
Is pessimist-dismissed
So quickly
The pen drops
Before the thought
Crosses
The multiverse
Mind
Contained
In paper Cranes.
To think you would want
To want
To talk to me
Is so ridiculous
So out-there
So cover-up
Alien-conspiracy-theory
Secret-society
Cryptic-code
Cartography.
The phonetic
Background
Of my throat
Shuts down
Shuts up.
Vowels in my stomach
Bunch.
Curves
Of your face
Shadows of your mind
Overlay mine
To camouflage.
I could
And would love you,
Not ten fathoms
But deep enough
So
We are suspended where light waves
Cannot bend
Breaking on coral
Breaking on coma
Waking up sleeping sand.
May 28, 2012
May 28, 2012 at 2:39 PM UTC
Verbosity
A patchwork quilt that I roll roll up in
Stitched with syllables
Like a little phonetic sausage
So deep inside you can't hear me go
Dur dur dur.
(insert self-deprecating quip about being a wiener)
laughing track
But it's cozy and neat.
And if you do
I'll rubix cube your dearest mind
Til I'm tucked deep inside once again.
And I'll softly pontificate about the genetic code
and how it made your irises not quite hazel
But still able to illuminate spontaneously
teal, laurel, cyan, the sea
And if you'll pardon my hyperboles
They draw me strong as an Atlantic tide
This ocean that ***** me the deepest inside
Aesthetically, the contrast is startling to your skin
An artist would capture the portrait therein
But really, all you need to know
Is they're the prettiest
prettiest ******* eyes
I've ever seen.
And I'm sorry
That when I get nervous
My heart is a little effervescent
My words become too efflorescent
(I seek not to strangle you with King's English Shrubberies!)
As you stand before me, incandescent
My dread is that you're
Evanescent.
...
But that thing about your eyes.
All you need to know.
That thing about your eyes,
Not to mince words
But I think
I'll feel that way always.
Jan 5, 2012
Jan 5, 2012 at 8:27 PM UTC
the beauty of english nakedness, look at it for long enough
and you get to retract or at least crab-walk east
into the pincer plateaus of the frozen tundras and see
again, proustain afresh in the cork-lined room:
what bothered me was the acute stress on the faroese a -
english really is a blank canvas: or a complex canvas with
many unique distinctions of individual words - perhaps
the dementia crisis in english-speaking societies -
also why the accent diversity between all those who come
to learn it, and those who live in the zeitreich
of the absteigen sonne - but theories are theories.
so back to the blank canvas, which allows so see
the dynamics, although as i said, the acute faroese a
(acute, because derived from the latin verb of needlework /
puncture) - ~etymology (approx. because not
related to words but phonetic units, i.e. letters)
thus reveals that the latin accents died, truth tooth
of the phrase latin is a dead tongue - but not as dead
as when you see remnants of the transformation,
in that certain latin activities (verbs) spawned the stressing
revisions on letters to appropriate the nordic and germanic
slavic, *** and celt into its ***** acute to puncture -
like the polish acute o (ó), meaning to puncture the o
and make a U sound, although when otherwise acute is
needed, but the geometry is less obvious it means not to stress,
but sharpen, cut-short, exfoliate into a range of onomatopoeic
comparisons: sneeze - wheezing - high pitch flute -
play the clarinet - pincer the tongue - pliers -
god knows what instrument i'm really playing: ć, ń, ś, ź -
cut the letters from cen nan sap zed into the uniqueness
of the actual first letter, go into roman do re mi fa so la
****** musicology) rather than greek omega omicron
alpha beta. so this acute faroese a, what bothered me
was the suffix -áp... the p you see, if the accent dynamic
was to end with a german umlaut -äp or with a
māori macron -āp... i would have said the p...
rather than ending with a b.
*"heimlich" tongue-numbing d.
Jan 3, 2016
Jan 3, 2016 at 9:06 AM UTC
Both latter and former, contrary and congruent
Neither gas nor solid, the river moves fluid.
No end and no beginning, just water moving… swimming…
A formless former that is a powerful latter
Contradiction through symmetry and space within matter
Passively energetic as potential becomes kinetic
Transparently reflective and silently phonetic
Thermally dynamic and fluidly frantic
The waters maintain a static chaos through mathematical mechanics.
Mechanically architected and architecturally mechanic
Water seems the perfect medium for analysis of a dynamic.
Dynamic existence and persistent resistance
Statically chaotic seems the architect’s insistence.
Equilibriomatic, with addition subtractive
Empirical measures fail to analyze the passive.
What simply is, simply is… Invincible to mimicry or microcosmic reenactment.
Experimental methods seek to unify the synonymous
Attempting to prove the objective with a subjective hypothesis.
Learn from the water, let its metaphor be imminent….
For the divine externality lies not without, but within it.
Oct 17, 2015
Oct 17, 2015 at 3:19 PM UTC
There, a sick little finger sat with veins and skin, on a hand that used to say so much (It doesn't exist anymore). A long time ago, you could see how it might have moved slightly, pulsed occasionally, and touched. There, underneath a couple feet of immalleable congestion, a pair of eyeballs rang with such phonetic power, that today it might give you shock (They're silent now). And, of course, a smile (that no longer holds its power) could comfort you for longer than the average mouth.
Yet, the smile, eyes, skin, and veins, and sick little finger may still be, for she who holds them is real as can be.
But surely, she is gone now, as two feet of soil is no different from two years of distance.
May 27, 2013
May 27, 2013 at 12:37 AM UTC