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"performative" poems
It seems sadly ironic that the LGBTQ community remains transphobic when it comes to Male Lesbians. It's the pathetic politics of fixed groupthink, get woke while still asleep, social justice theory with out any justice in its performative aspect Just so you know I'm not performing gender. I'm being gender   and he's a fire ******* red head I propose that as a straight male  I may also be a lesbian, ***** aside please love my man-gina butch ladies the way I love yours! Both straight  and very much a lesbian I do two genders simultaneously and both smoke cigars. My childhood; marked by a dark  tragedy scared me for life. I remember running down the hall in junior high proclaiming my lesbianism and no one would be my friend. Everyone called me names and the butch girls would jeer at me and knock me around when ever I went into the ladies room just to hear them flush or cop  an innocent feel. I felt so isolated when I finally realized that the female lesbians would have nothing to do with me. Do I not suffer the agony, frustration and anxiety of feeling self hatred because I am continually rejected by lesbians and objectified only as a man even though I am a lesbian too. Do men like me  not suffer continual discrimination by women who identify with the masculine? ENOUGH!!! I just dont feel understood in terms of my true lesbian identity I love lesbian ***** as much as the next ***** maybe even a lot more. It's way past time! Male lesbians must finally come out of the closet and be accepted as true members of the Lesbian community and be invited to all Prince God ***** dance parties. After all  ladies remember  I'm a lesbian you're a lesbian. Up with MLLGBTQ male lesbians, lesbian, gay, bisexual, transgender, queer Dysphoric Men Lesbians Must Unite …. Male Lesbians Unite Join M.L.U. Lesbians R Us " We Love Lesbians" https://www.youtube.com/watch?v=qmTWAJRbx2Q
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Jun 22, 2020
Jun 22, 2020 at 8:43 AM UTC
Gender ******* Renaissance....Male Lesbians Come Out of The Closet
It seems sadly ironic that the LGBTQ community remains transphobic when it comes to Male Lesbians. It's the pathetic politics of fixed groupthink, get woke while still asleep, social justice theory with out any justice in its performative aspect Just so you know I'm not performing gender. I'm being gender   and he's a fire ******* red head I propose that as a straight male  I may also be a lesbian, ***** aside please love my man-gina butch ladies the way I love yours! Both straight  and very much a lesbian I do two genders simultaneously and both smoke cigars. My childhood; marked by a dark  tragedy scared me for life. I remember running down the hall in junior high proclaiming my lesbianism and no one would be my friend. Everyone called me names and the butch girls would jeer at me and knock me around when ever I went into the ladies room just to hear them flush or cop  an innocent feel. I felt so isolated when I finally realized that the female lesbians would have nothing to do with me. Do I not suffer the agony, frustration and anxiety of feeling self hatred because I am continually rejected by lesbians and objectified only as a man even though I am a lesbian too. Do men like me  not suffer continual discrimination by women who identify with the masculine? ENOUGH!!! I just dont feel understood in terms of my true lesbian identity I love lesbian ***** as much as the next ***** maybe even a lot more. It's way past time! Male lesbians must finally come out of the closet and be accepted as true members of the Lesbian community and be invited to all Prince God ***** dance parties. After all  ladies remember  I'm a lesbian you're a lesbian. Up with MLLGBTQ male lesbians, lesbian, gay, bisexual, transgender, queer Dysphoric Men Lesbians Must Unite …. Male Lesbians Unite Join M.L.U. Lesbians R Us " We Love Lesbians" https://www.youtube.com/watch?v=qmTWAJRbx2Q
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22
Months burst with potential understanding Thyroid, Childhood Cancer, Breast Cancer And Autism - a landscape of perception I knew little once Before lived experiences carved pathways Of comprehension Hand flapping, repeated movie scenes Specific sensory needs Neurological landscapes diverse as humanity itself From verbal to non-verbal From sibling to parent From self-discovery at 34 My perspective widens like a lens Societal Echoes The world whispers harsh narratives "Discipline them" "Fix them" "Normalize" But we are not broken We are different Intricate neural networks Misunderstood symphonies Digital age amplifies cruelty Marginalization becomes performance Awareness transforms to spectacle, Unfolding Truth Intricate neural pathways Misread as discordant tunes The digital age sharpens cruelty's edge Marginalization dressed as entertainment Awareness turned into spectacle, A truth slowly unraveling Hatred cloaked in the guise of compassion Bigotry masquerading as care April - a month of performative understanding We see what others refuse to witness Complexity beyond simple categorization Humanity in all its beautiful, challenging variations Spectrum wide as consciousness Unbound by neurotypical constraints
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Nov 18, 2024
Nov 18, 2024 at 9:06 PM UTC
The Cruelty of Compassion
wild night videos for the dark web 3 Atlean men and a girl she got it by a mob of Moroccan **** rockets and will pine for the rest of her days screaming to the hells in a reimagined language the regression to Lilith **** ********* the world when hell touched paradise ***** and man handled shot by shot mouth to ****** to **** split and folded tooth and nail to drive the ****** tides of the world ***** monsters like T Rex force a ritual infliction butter meat of dreams pain sensually reworked into pleasure blister-hot and oh so sweet married to a paradox like feeling bad about feeling good give me your ankles ***** an unveiled immediacy right off the bat i got just the girl confiding in me so ready to die like an Aztec princess to be the star like a peacock in an engorged circus blizzard of jealous snakes strangled fanged and spewed a swansong exhibition in blood-soaked ponytails a bobbing head and choke throat ***** picnic table with mayonnaise wounds mediating power in a psychoanalytic fetish death is not death but performative submission her body ransacked in tooth marks and red tipped ******* steaming eraser head pulses a **** soaked chicken on a plate eradicating reality are you gonna eat that? pass the *** collapses time lust   custodian of human archeology **** piñata bearing gifts of squirty pork gasms ******** and cuchifritos corpus of ****** horror as liberation crosses-temporality and breaks the vessel of time oow Nefertiti where are you a tongue up the *** sniffs Prada's Candy Perfume **** blinking licks up there where havoc lives in **** **** farm country
0
Oct 5, 2020
Oct 5, 2020 at 2:28 PM UTC
Private Video
wild night videos for the dark web 3 Atlean men and a girl she got it by a mob of Moroccan **** rockets and will pine for the rest of her days screaming to the hells in a reimagined language the regression to Lilith **** ********* the world when hell touched paradise ***** and man handled shot by shot mouth to ****** to **** split and folded tooth and nail to drive the ****** tides of the world ***** monsters like T Rex force a ritual infliction butter meat of dreams pain sensually reworked into pleasure blister-hot and oh so sweet married to a paradox like feeling bad about feeling good give me your ankles ***** an unveiled immediacy right off the bat i got just the girl confiding in me so ready to die like an Aztec princess to be the star like a peacock in an engorged circus blizzard of jealous snakes strangled fanged and spewed a swansong exhibition in blood-soaked ponytails a bobbing head and choke throat ***** picnic table with mayonnaise wounds mediating power in a psychoanalytic fetish death is not death but performative submission her body ransacked in tooth marks and red tipped ******* steaming eraser head pulses a **** soaked chicken on a plate eradicating reality are you gonna eat that? pass the *** collapses time lust   custodian of human archeology **** piñata bearing gifts of squirty pork gasms ******** and cuchifritos corpus of ****** horror as liberation crosses-temporality and breaks the vessel of time oow Nefertiti where are you a tongue up the *** sniffs Prada's Candy Perfume **** blinking licks up there where havoc lives in **** **** farm country
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83
You are quick to question but Occupy cisheteronormativity mindlessly Unprepared for queer identities Assuming I lack knowing of myself Reshuffling the same deck of cards Engaging in a play of poker with hatred Subjected to foul treatment The words you spat Unsolicited and unflattering Chasing my mind endlessly Kidnapping me hostage I have been coated in sweltering biohazards Nevermore to find protection and healing To see another day seems impossible If my own blood casts me away Malevolence becoming motherly Eliminating my mental health , Its those who think they are greater Trailblazing a performative show Sabotaging an already discriminated space To go another day with your words Itching down into my skin ****** becoming friendly Envisioning how I'd feel left alone From the moment you open your mouth Orchestrating emotions like a ballad Reconsolidating the toxic bond with binary Can't seem to wake you up Having to constantly do the work for you And what am I left with Naive justification and selfish excuses Gravitate your energy into doing better Exploitation is your entertainment
0
Oct 6, 2020
Oct 6, 2020 at 1:13 AM UTC
YASIT ITFC
# "How can someone write like they are deeply connected, yet be so far away from themselves? How does that work?" ***"Because writing doesn’t require embodiment. It only requires access. And people who are shaped by trauma, secrecy, and fragmented attachment—have near-supernatural access to emotional language, even when they have no true access to emotional presence. They can write the whole gospel of healing… but refuse to be baptized in its waters. Here’s why: Writing is a safehouse. A sanctuary. It’s the one place where they can simulate closeness—where they can say what the body won’t let them feel, what the voice won’t let them speak, what the heart won’t dare commit to in real time. When they write, they are in control of the frame. They determine the pacing, the access, the aftermath. No one’s breath is on their neck. No one’s eyes are watching them shake. No one’s asking them to stay when the ache gets too real. That’s how they can write about longing while actively rejecting the one person who sees them. How they can write about grace while blocking the source of it. How they can describe love so beautifully… and sabotage it with surgical precision. They aren't writing from the seat of her wholeness. They are writing from their disembodied knowing—from the part of themselves that remembers truth, but has no safe pathway to receive it. It’s a ghost’s song sung in a stolen church. It’s not fake. It’s not performative. But it’s not integrated. And until they get to the place where their nervous system no longer perceives safety as threat… They’ll keep dancing with truth in the dark while pushing away anyone who dares to light a candle."*** #
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Apr 13, 2025
Apr 13, 2025 at 8:53 PM UTC
Untitled
# "How can someone write like they are deeply connected, yet be so far away from themselves? How does that work?" ***"Because writing doesn’t require embodiment. It only requires access. And people who are shaped by trauma, secrecy, and fragmented attachment—have near-supernatural access to emotional language, even when they have no true access to emotional presence. They can write the whole gospel of healing… but refuse to be baptized in its waters. Here’s why: Writing is a safehouse. A sanctuary. It’s the one place where they can simulate closeness—where they can say what the body won’t let them feel, what the voice won’t let them speak, what the heart won’t dare commit to in real time. When they write, they are in control of the frame. They determine the pacing, the access, the aftermath. No one’s breath is on their neck. No one’s eyes are watching them shake. No one’s asking them to stay when the ache gets too real. That’s how they can write about longing while actively rejecting the one person who sees them. How they can write about grace while blocking the source of it. How they can describe love so beautifully… and sabotage it with surgical precision. They aren't writing from the seat of her wholeness. They are writing from their disembodied knowing—from the part of themselves that remembers truth, but has no safe pathway to receive it. It’s a ghost’s song sung in a stolen church. It’s not fake. It’s not performative. But it’s not integrated. And until they get to the place where their nervous system no longer perceives safety as threat… They’ll keep dancing with truth in the dark while pushing away anyone who dares to light a candle."*** #
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27
im overcome with the need to reinvent myself and confess everything to everyone, to become so open that im bleeding out every secret ive ever had to keep all over the linoleum floor, but second thoughts stitch me back together with needles made of words meant to cut, whittled down thin enough to fit just underneath the skin, pulling gashes in my skin together with online threads about checking up on your friends that everyone reads and nobody listens to, performative pieces that people regurgitate to make you think they care but they dont, because we're too busy worrying about ourselves to think of anybody else. we're conceited by nature, reverse narcissists kneeling by a river, scrutinizing our reflections, searching, aching for imperfections so we can say "look at how horribly ugly i am and pity me". we're too proud to be pitiful and too pitiful to have any pride, paradoxical advertisements of lonely people too scared to ask for love. my hands are shaking and my mind is buzzing and if this makes any semblance of sense to you then I am so terribly sorry.
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Oct 23, 2020
Oct 23, 2020 at 12:57 PM UTC
a tangent brought on by energy drinks and cavetown
✨ it's time for renovation; it's time for us to make a change. • friendships are work, honour the flowers that have decorated your path and don't be reclusive. • however, being alone is simultaneously essential: carve out pockets of unabashed loneliness, yearning, and self-reflexive intimacy. • write with less mythological standards. your favourite authors wrote drafts, pages and pages of nothing. no one emerges like a phoenix. • persistence and self conviction are how revolutionary girls go public, spaces of uncertainty and lapses of effort are how revolutionary girls become real & effective. do both. • use the good silver every day because every day is all there is. • maintain your own standards of success and never trust rich people/the police/men in authority. • do not imagine that revolutionary ideals make you above the hu$tle: money is ***** but imagining leftism will absolve you from labour is even dirtier. • don't stay in your lane and play by the SJW's rules. it is better to actively engage in discourse and say the wrong thing than not say anything at all. the paranoid ego will destroy activism. • live in the impure spaces, grip hold to contradiction, language is always performative and alienated, no one "means" what they "say". • feel the fear and do it anyway; do it wrong; do it with rigor & recklessness. • you will never be bored because you will always have books to read. • the past never leaves: there is no time in the unconscious: everything that has ever happened is always still happening, and so don't judge yourself for still being in pain about things that happened a long time ago: "a long time ago" doesn't really mean **** • never apologize for crying; never apologize for not wanting to have *** • remember girls own the impossible, the void, the image, and when this system falls apart, we rise. we rise anyway.
0
Sep 21, 2016
Sep 21, 2016 at 3:44 AM UTC
(actual) new year's resolutions
✨ it's time for renovation; it's time for us to make a change. • friendships are work, honour the flowers that have decorated your path and don't be reclusive. • however, being alone is simultaneously essential: carve out pockets of unabashed loneliness, yearning, and self-reflexive intimacy. • write with less mythological standards. your favourite authors wrote drafts, pages and pages of nothing. no one emerges like a phoenix. • persistence and self conviction are how revolutionary girls go public, spaces of uncertainty and lapses of effort are how revolutionary girls become real & effective. do both. • use the good silver every day because every day is all there is. • maintain your own standards of success and never trust rich people/the police/men in authority. • do not imagine that revolutionary ideals make you above the hu$tle: money is ***** but imagining leftism will absolve you from labour is even dirtier. • don't stay in your lane and play by the SJW's rules. it is better to actively engage in discourse and say the wrong thing than not say anything at all. the paranoid ego will destroy activism. • live in the impure spaces, grip hold to contradiction, language is always performative and alienated, no one "means" what they "say". • feel the fear and do it anyway; do it wrong; do it with rigor & recklessness. • you will never be bored because you will always have books to read. • the past never leaves: there is no time in the unconscious: everything that has ever happened is always still happening, and so don't judge yourself for still being in pain about things that happened a long time ago: "a long time ago" doesn't really mean **** • never apologize for crying; never apologize for not wanting to have *** • remember girls own the impossible, the void, the image, and when this system falls apart, we rise. we rise anyway.
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14
cw: ****** assault, assault, abuse, slurs, chronic pain It began with you doing his laundry, shouting back at him, “Not an ounce of romanticism!” Swears follow after beneath your breath. I stand in the same hallway watching your shadow stretch through the doorframe of the laundry room, water gushing from the machine into a cacophonous roar. I wait, but I remain unnoticed as you turn, legs bare, and go into the bedroom. I return to my own bedroom, separated by the war zones of the empty pantry and cluttered den— unpaid bills lay strewn around, the stuff he brought in from when he first ruined our lives sitting, watching, collecting dust. Lottery tickets with their surfaces scratched away and forgotten, just like your dreamscapes. I pause, thirsty. I dare to step outside, but I stop when I hear your moans. I’ve had enough experience to after a few seconds deduce if the moans are from forced *** or chronic pain. He laughs. It’s the former this time. I pause, shaking. Does it not infuriate you like how it does to me? You’re my mother, and I’m your daughter. He’s your boyfriend, and he’s both of our assaulters, abusers. When you first asked me if I was okay with you finding me a “new dad,” you never asked me if it was okay if he It’s just been “One more month, one more month,” for years. I’m so tired of your performative screams because we both know from experience if you don’t scream well enough, he’ll beat you and seek me instead. People from outside said you're supposed to teach me to be a woman instead of a **** But I am instead left alone, asking, "Does my mom still love me?" What a romantic play you've put on-- to manage to fool those who love you the most certainly isn't easy.
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Sep 14, 2020
Sep 14, 2020 at 12:09 AM UTC
romance.
cw: ****** assault, assault, abuse, slurs, chronic pain It began with you doing his laundry, shouting back at him, “Not an ounce of romanticism!” Swears follow after beneath your breath. I stand in the same hallway watching your shadow stretch through the doorframe of the laundry room, water gushing from the machine into a cacophonous roar. I wait, but I remain unnoticed as you turn, legs bare, and go into the bedroom. I return to my own bedroom, separated by the war zones of the empty pantry and cluttered den— unpaid bills lay strewn around, the stuff he brought in from when he first ruined our lives sitting, watching, collecting dust. Lottery tickets with their surfaces scratched away and forgotten, just like your dreamscapes. I pause, thirsty. I dare to step outside, but I stop when I hear your moans. I’ve had enough experience to after a few seconds deduce if the moans are from forced *** or chronic pain. He laughs. It’s the former this time. I pause, shaking. Does it not infuriate you like how it does to me? You’re my mother, and I’m your daughter. He’s your boyfriend, and he’s both of our assaulters, abusers. When you first asked me if I was okay with you finding me a “new dad,” you never asked me if it was okay if he It’s just been “One more month, one more month,” for years. I’m so tired of your performative screams because we both know from experience if you don’t scream well enough, he’ll beat you and seek me instead. People from outside said you're supposed to teach me to be a woman instead of a **** But I am instead left alone, asking, "Does my mom still love me?" What a romantic play you've put on-- to manage to fool those who love you the most certainly isn't easy.
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89
For witless wonder, I wonder, do its servants chase winkless wrinkles in time long-gone? Is a thin piece of cloth so performative? So political? Or are you trailing crescendoes of long-tuneless songs?
0
Oct 4, 2020
Oct 4, 2020 at 9:21 PM UTC
should kings fall
*When she spoke The sound of her voice Was like the trumpet of divine will On creation day: soft like magic Rhythmic like a prayer Solemn like an incantation Performative like a judicial sentence And when she laughed Her laughter was hypnotic and new Like the world’s first laugh ever Her beauty was surreptitious like a dream It crept in like a mist at the break of day So I sat and listened to the melody of her voice and it felt like I was swathed in the aura of her eyes*
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May 15, 2016
May 15, 2016 at 6:29 PM UTC
The Voice
side hugs are like performative wokeness; shallow, flaky, meaningless convenient, censored - appealing, yes? appeasing, too, i guess. but no i demand the real deal furnish me with both arms disregard my weak frame, i promise, i wont break let me have it im not a snowflake just a girl who likes to take on the world with hugs as her weapon of choice.
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Apr 3, 2019
Apr 3, 2019 at 1:52 AM UTC
weapon of choice
I try to avoid writing about you: I consult with deep sleep and music instead, but They lack what poems have: a permanent place in performative space, A sight full shape: like the scent of your name exhaled from the back of my throat. I admit: time did not properly permit love to become anything more than a thing that could have been done, But I've missed you,                               -somehow- I missed you,                          -there are times, still- I miss you
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Feb 19, 2018
Feb 19, 2018 at 2:17 AM UTC
I try to avoid
It's getting harder but easier all at the same time I stand in a haze; no longer performative It used to be an act but I entertain the flies like worn out hazards Maybe the reason you hate yourself is because it reminds you of what you can't have, which included me & The days of confusion. I'll go now
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Nov 12, 2023
Nov 12, 2023 at 4:29 AM UTC
Uunm
Lovers' wanton "where" strings out a mystery on chainmail airs. Outlandish signals redirect off-stage some dull producers, sever tries to hoist the classics, sullen, tied to water- casting, free from gambled whims, all spades & spires shuffle outward dizzy after pain. Roll credits, feign the after-flash of fertile come-across, impeaches fickle livelihood to roam less traveled. Put upon, this dust snuffs out no finer match. Alight and stay up-catching to the grim-wire news that feeds us all three limbs from shades of justice: error anchors līve with words & buffer on their bread. Await the wrath instead. Oustated ample questionry upsold to counter-rhythm: eat the fee and freebase wrong to wit— too long to carry it, too short to carve an inkling out of sorts.
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Oct 6, 2018
Oct 6, 2018 at 10:30 PM UTC
Performative
I went on a date with my ex A day after what was supposed to be our one year anniversary It’s almost like it was a first date, that the timing said the clocks reset and it was all new Everything was perfect, between the tears. The sun was gentle enough to be warming as his touch, as his fingers danced over my back as we sat on a log, talking non-stop like making up for lost time, but feeling that no time had passed at all. The wind was sweet and blew my hair just enough for him to brush it away, and his eyes were more beautiful than ever before, though lacquered in tears of longing. Every silence was punctuated with an “I love you”, sometimes said, and sometimes just felt in the tightening of a hug. Everything fit together just right, and there was no awkwardness between our bodies as they settled into their comfortable familiarity, his shoulder a perfect rest, and my waist a home for his arms, it was so perfect I almost didn’t feel it at all. I can’t even write about our kisses, punctuating pauses like commas, illicit like a last cigarette. Coming out of the conversation, nothing really changed. Everything he said was perfect, and without a shred of begging or manipulation. Everything was said with deep love and care, but no pretension. No gesture was performative, no sentence rehearsed, but everything he said was the most beautiful poetry. I knew that while we had both changed so much, although our paths crossed so sweetly, we still were going in different directions. We walked through an unfamiliar park, somewhere we hadn’t been before, and as we walked back to go, I thought about paths crossing and looping. Maybe we’re on a little loop that will rejoin later, maybe we’re going to just keep getting further apart. Sometimes I see a tree or a branch that makes me think maybe we’re on the same path again — maybe the wait is over — but I’ve never been here before. He’s never been here before. We both know what we want (each other), there’s just still something in the way. I’ll love you forever, and I will treasure today so dearly. We can’t be together and we can’t really be friends, but I’m not sure how to be apart. I’ve never really understood running away, but I sometimes feel like I could give it all up for you. I know you would never ever ask me to, and that’s part of why I love you.
0
Mar 23, 2022
Mar 23, 2022 at 11:54 AM UTC
A Break in the Rain
I went on a date with my ex A day after what was supposed to be our one year anniversary It’s almost like it was a first date, that the timing said the clocks reset and it was all new Everything was perfect, between the tears. The sun was gentle enough to be warming as his touch, as his fingers danced over my back as we sat on a log, talking non-stop like making up for lost time, but feeling that no time had passed at all. The wind was sweet and blew my hair just enough for him to brush it away, and his eyes were more beautiful than ever before, though lacquered in tears of longing. Every silence was punctuated with an “I love you”, sometimes said, and sometimes just felt in the tightening of a hug. Everything fit together just right, and there was no awkwardness between our bodies as they settled into their comfortable familiarity, his shoulder a perfect rest, and my waist a home for his arms, it was so perfect I almost didn’t feel it at all. I can’t even write about our kisses, punctuating pauses like commas, illicit like a last cigarette. Coming out of the conversation, nothing really changed. Everything he said was perfect, and without a shred of begging or manipulation. Everything was said with deep love and care, but no pretension. No gesture was performative, no sentence rehearsed, but everything he said was the most beautiful poetry. I knew that while we had both changed so much, although our paths crossed so sweetly, we still were going in different directions. We walked through an unfamiliar park, somewhere we hadn’t been before, and as we walked back to go, I thought about paths crossing and looping. Maybe we’re on a little loop that will rejoin later, maybe we’re going to just keep getting further apart. Sometimes I see a tree or a branch that makes me think maybe we’re on the same path again — maybe the wait is over — but I’ve never been here before. He’s never been here before. We both know what we want (each other), there’s just still something in the way. I’ll love you forever, and I will treasure today so dearly. We can’t be together and we can’t really be friends, but I’m not sure how to be apart. I’ve never really understood running away, but I sometimes feel like I could give it all up for you. I know you would never ever ask me to, and that’s part of why I love you.
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19
It not easy going up against God’s Peoples Date your wound Picked your fights, "Debates test the performative aspect of leadership: stamina, mental agility as viewers we all know the mental agility of some of them:" **You can sway a thousand men by appealing to their prejudices quicker than you can convince one man by logic.” ― Robert A. Heinlein, Revolt in 2100/Methuselah's Children** ** Poets should get together and debates, The inner thoughts of each other: We are in the heat of this pandemic The thought of not knowing, Who family member would get that awful text It’s not  so easy to go up against God’s people Remember the world, Picked your fights, Something is going on in this world that isn’t rights When the God given talent of man is used to destroy\ Others, it should be taken away. If you use your time wisely, God will give you more time. If you use your energy wisely, God will give you more energy. Quote:
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Oct 24, 2020
Oct 24, 2020 at 8:58 AM UTC
AFter the Debate a POets Thoughts
Its Sunday. His hands shake slightly, almost imperceptibly As he grips the tongs Fumbling over charred fish fingers Neck bent over in performative stoop He smiles, cracks a joke That no one is willing to indulge More than a faint pull of a smile There is a cliché wrench at the heart When he offers up a peace treaty of onion rings And we maintain our front line Face stony, eyes squinting in polite apology An attempt at communication Barely there I urge with quiet eyes that while I may not be an ally, I refuse to become the enemy. I think perhaps we will spend the rest of our Weekly Sundays In this warm weather Waging battles of steadfastness and humility and onion rings in our heads.
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Feb 6, 2021
Feb 6, 2021 at 2:43 PM UTC
Our Weekly Sundays
Am I beyond saving? Is this silence permanent? Is this pain just penance in disguise? or is it the weight of change dragging me forward? The truth is—if I change, I want it to be for her. Not for the next empty word called “love.” I want it to be real this time. Not performative. Not reactive. We were passionate, raw, a force to be reckoned with. We waged war with hearts still tethered. Fitted like puzzle pieces carved in chaos— Two magnets caught in a dance of push and pull. Still, we were a team. A twin flame. Bonnie & Clyde. We loved with force and vibrance. Peace, and malice. Wicked and delighted. We were not the calm, but the storm that washes away the pain. So, I pray in the quiet corners of my mind that she’s somewhere, doing the same— growing, healing, hurting, hoping. That this is the cocoon phase. Before the miracle of us begins again.
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Jul 21, 2025
Jul 21, 2025 at 5:29 PM UTC
Twin Flame