"pastoral" poems
dedicated to all the better poets here...
don't know much about a quatrain
don't know how to write a refrain,
surely could not compose a
courtyard elegy
maybe after
and still untilled,
I been buried,
'n checked out
the neighborhood competition...
as for limerick,
that is Dr. Seuss
and Ogden Nash's shtick
with whom, eye,
a believed descendant,
cannot compete...
Oh dear me,
no ode node-ed within,
as for a pastoral,
kinda hard to feat,
where I live,
a pastoral is grass cracks
surviving under,
breaking through to the other side
of concrete and blacktop rulers
Maybe one of you
will haiku,
send us a senryu,
send off, see ya!
the doc once diagnosed
a severe case of inflamed iambic pentametery,
with antibiotics and a diet of Hamletery,
was cured most satisfactorily
this silly pen-man-sinking-ship
ain't capable of dat,
boy how 'bout
an epitaph
for a graveyard stone,
should be plenty of room...
as it will be plenty short...
all eye see and all eye know
is vignettes that birth in me
walking down the street,
that's my bread and butter,
my soul's delicacies...
and moments that recorded
here, for a posteriored posterity,
as noted in my all my living
testaments,
drinking and spilling the vin,
from the uninvented igniting vignettes
that consecrate and connect our
knowing each other though odds are
we will never meet...we can yet
drink together
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
"Don't know much about the French I took.
But I do know that I love you,
And I know that if you love me, too,
What a wonderful world this would be."
May 3, 2015
May 3, 2015 at 7:50 AM UTC
What is the sky
but a canvas for clouds?
What is a city
but a canvas for crowds?
What is the meadow
so verdant and green
but a canvas for sheep
a pastoral scene?
What is the ocean
with reflections so blue,
than a canvas for sails
as they drift into view?
May 29, 2017
May 29, 2017 at 8:19 AM UTC
Gold crown of Olympus, hair crown and
Skin gown. First we throw our bodies at
One another. Heaping piles of human soup.
Bold maneuvers, hands and mouths and
Boy meets girl lying down, on top, intertwined.
Skittish moves on a tryst. Wet fingers of freshly
Tendered infinite decibel pleasure screams.
Streamers above a long rooting movement.
Overture of Aphrodite. Sparkling, glitter woman,
Legs pressed tightly to the chest,
Loose appendages intertwined. Intersticed dactyls
In rapture, soothing. Bodies build to one heart's beat.
Two muses fused together. If I wasn't afraid I'd wake you up
I'd slip on my shoes and make a tropical fruit fondue.
Stage two:
Ice cream lover's delight. Opus to brown sugar.
To swimming again, a pursed lurking of lips
In the academy of the pastoral commonwealth.
We eat at our stations of the sublime. Today which was
A day of discord- you nursed me back to the land of the living.
Stage three:
***
Stage four.
***
Stage five:
As we earn our pageantry to take
Stride on this Earth, and string a
Great bow of eager success among all of us,
You, me, them. While I continue to
Gaze at you. If not dinner, perhaps a
Cup of tea instead.
May 17, 2014
May 17, 2014 at 4:35 AM UTC
When I was younger
it was plain to me
I must make something of myself.
Older now
I walk back streets
admiring the houses
of the very poor:
roof out of line with sides
the yards cluttered
with old chicken wire, ashes,
furniture gone wrong;
the fences and outhouses
built of barrel staves
and parts of boxes, all,
if I am fortunate,
smeared a bluish green
that properly weathered
pleases me best of all colors.
No one
will believe this
of vast import to the nation.
6.4k
I tire
Of the perfect:
Of the flawless,
The azure,
The quiet,
The pastoral.
I tire of sunsets
And of flowers
I tire of perfect skin
And perfect lungs
I tire of politeness
And I tire of patience.
I am bored
by golden sunrays,
Reflected brightly
from golden hair
Trailing behind a sundress
Weaving, careless,
through golden wheat.
I no longer want to be her.
I tire of fluffy pillows
And warm blankets.
I am bored of hot tea
And of books about things
That are not real,
Only beautiful figments of the mind,
Only as real as the pages, the cover,
Only as real as we can pretend them to be -
And I am bored of pretending.
I am bored with cities
And with mountains
And with fields
And rivers
And the ocean.
I grow impatient with the trees
And the clouds
And the birds.
I am bored by the beautiful.
Because beautiful is beautiful, so,
But it is only beautiful.
And Beauty, though held fast,
Esteemed above all other qualities
Sought tirelessly
Worshipped and envied
Revered, praised
Beauty is only beauty.
It is not deserved.
It is not earned.
It cannot speak, it cannot give
It cannot love.
Beauty is nothing.
Beauty is boring.
I am bored by beauty.
I do not seek what is beautiful.
I will never be beautiful.
But that is a very small thing
To never be.
I can be far, far more
Than beautiful.
I can be real.
You are real.
And I am real.
And us, we
We are real.
What we are
What we have
Is real.
I am not yet tired
Of you.
And I will never be tired
of us.
Oct 26, 2012
Oct 26, 2012 at 4:14 PM UTC
*By no means is this my work, I’m highlighting this in celebration for Black History Month
————————————————————————-——
Southern trees bear a strange fruit,
Blood on the leaves and blood at the root,
Black bodies swinging in the southern breeze,
Strange fruit hanging from the poplar trees.
Pastoral scene of the gallant south,
The bulging eyes and the twisted mouth,
Scent of magnolias, sweet and fresh,
Then the sudden smell of burning flesh.
Here is fruit for the crows to pluck,
For the rain to gather, for the wind to ****
For the sun to rot, for the trees to drop,
Here is a strange and bitter crop.
-Abel Meeropol
Feb 2, 2021
Feb 2, 2021 at 11:34 AM UTC
It was not, by any means, a loss of faith;
Indeed, her devotion was a boundless, unfettered thing
Beyond proscription, beyond rote chant and catechism,
And what she found as a novitiate
Were shuttered gates and gossipy confessionals,
Standoffish priests, pig-eyed and pinch-lipped
Sisters who thought life’s commerce
No more than mechanical prayer and spotless linens,
The whole enterprise
Smacking of the exclusion of Heaven’s bounty.
So she demurred when the time came to take her orders,
And she returned to the world of pavements and lesser pieties,
Free to seek God on park swings and barstools,
In pleasures of the pastoral and the profane,
Though her faith is no Dionysian walkabout,
As she is passionate to the cusp of maniacal
When it comes to the Book of James’ admonition upon works;
She is often found among the sisters she once tiptoed alongside
At food pantries and clothing drives
(She is scrupulous about ministering to only secular needs,
As the Bishop is not happily disposed towards those
Who choose not to take the veil,
And the specter of excommunication is a prospect
Too awful to contemplate)
Afterwards clambering onto some vaguely roadworthy MTA bus
Back to her studio apartment in Green Island,
Where she often walks down to the Erie Canal lock nearby,
Praying for those who have travelled near and upon the water,
Convenience store clerks and ragged Irishmen fleeing famine,
Feral kittens and insufficiently mourned mules.
Nov 16, 2017
Nov 16, 2017 at 10:39 AM UTC
Away with your fictions of flimsy romance,
Those tissues of falsehood which Folly has wove;
Give me the mild beam of the soul-breathing glance,
Or the rapture which dwells on the first kiss of love.
Ye rhymers, whose bosoms with fantasy glow,
Whose pastoral passions are made for the grove;
From what blest inspiration your sonnets would flow,
Could you ever have tasted the first kiss of love.
If Apollo should e’er his assistance refuse,
Or the Nine be dispos’d from your service to rove,
Invoke them no more, bid adieu to the Muse,
And try the effect, of the first kiss of love.
I hate you, ye cold compositions of art,
Though prudes may condemn me, and bigots reprove;
I court the effusions that spring from the heart,
Which throbs, with delight, to the first kiss of love.
Your shepherds, your flocks, those fantastical themes,
Perhaps may amuse, yet they never can move:
Arcadia displays but a region of dreams;
What are visions like these, to the first kiss of love?
Oh! cease to affirm that man, since his birth,
From Adam, till now, has with wretchedness strove;
Some portion of Paradise still is on earth,
And Eden revives, in the first kiss of love.
When age chills the blood, when our pleasures are past—
For years fleet away with the wings of the dove—
The dearest remembrance will still be the last,
Our sweetest memorial, the first kiss of love.
5.3k
In Spain -
where cheese-making stretches back
to centuries
is a medium sized lump of
Sweet ******* Christ
blessed is the ******
whose womb merited to carry
our small herd of
hand-milked cows
providing milk, cheese, butter, and ice
and to Christians,
the lamb is the symbol of when
the pope and all the christian leadership
will be succeeded by
Moo Jesus
The Good Shepard draws not milk
not liquid from his sheep
but
an overview over Greek pagan
and Christian pastoral deities
then Christ went and
made the exorcism and
he sold in town all his
rriegitha cheese, his curds, his milk
I mentioned that The Green Sheep
had an ad coming out
in the body and blood of Christ
how could the shepherds resist
the temptation?
I was refusing the sacraments
mysticism is cheese
Christ is cheese
better still,
mountains of cheese!
Is your cheese killing the planet?
The Wedding of the Dead:
Celebration and Restraint
Christ stopped at Ebola
Nov 10, 2014
Nov 10, 2014 at 10:17 PM UTC
Over the surging tides and the mountain kingdoms,
Over the pastoral valleys and the meadows,
Over the cities with their factory darkness,
Over the lands where peace is still a power,
Over all these and all this planet carries
A power broods, invisible monarch, a stranger
To some, but by many trusted. Man's a believer
Until corrupted. This huge trusted power
Is spirit. He moves in the muscle of the world,
In continual creation. He burns the tides, he shines
From the matchless skies. He is the day's surrender.
Recognize him in the eye of the angry tiger,
In the sign of a child stepping at last into sleep,
In whatever touches, graces and confesses,
In hopes fulfilled or forgotten, in promises
Kept, in the resignation of old men -
This spirit, this power, this holder together of space
Is about, is aware, is working in your breathing.
But most he is the need that shows in hunger
And in the tears shed in the lonely fastness.
And in sorrow after anger.
4.9k
grey and worn
the lawn chair has dead leaves stuck to it
its one bent arm an expression of pained indifference
mud clings to its feet
and a single vine like a thin snake
wraps its way across its frame seeking the sun
i pull at it to set the chair right
to seat myself
and **** at the breeze from the open field
marvel that a cow stands not five feet away
silently watching my every move with a wary eye
lunching on the grass and ****
but the chair now uprooted from its long held position
seems more than ever a proclamation
of mans intent to be seated here on heavens lawn
clear illustration of the intent that you are supposed to
take this bent greasy seat
sit at your leasuire
in the bountiful sunshine
it is one of a dozen in the field
in this beautiful slice of heaven
the lawn chairs
litter the field like broken teeth
set in a line that wanders across the wilderness growth
each having suffered from years standing in the open field
two almost completely consumed by bushes
one had been tossed into the tree
where time had swallowed it into the bark
this broken and brutalized fence of chairs
these lawn chairs of heaven's field
sit in this beautiful place some would say eyesore
i say artwork of life's randomness...
what party of fools once sat here
dressed no doubt for the occasion
perhaps celebrating
perhaps mourning
then got up from these plastic seats
and left them behind as testament
to that forgotten day...
so i sit in heavens lawn chair
a mute salutation to my unknown compatriots
who painted this pastoral scene
of plastic in a field
Oct 4, 2014
Oct 4, 2014 at 2:08 PM UTC
Young Shepard
Come back home to me, myself
Put ye books back on the shelf
Play with me in the green wheat field
Splash in the stream, tell life to yield
Wise Shepard
O' truth you speak, it is quite grand
I ran and played and breathed the land
You're a fool with flowers and sun
Bills to pay and work to be done
Young Shepard
Blue skies, dream clouds, escape in shapes
Pick apples, eat homemade pies, grapes
Bike hills and valleys, roll in grass
Clouds and life float peacefully past
Wise Shepard
Only if it was possible
To dream I could, I'd be a fool
Beware, retrospect breeds false scope
Family love, blue skies: life, hope
Jan 27, 2013
Jan 27, 2013 at 10:03 AM UTC
(Scene by the brook)
He came seeking solace to Heiligenstadt
and walked alone by its crystal stream
welcomed by songs the nightingale taught.
Its cheerful waters made Vienna seem
a distant, cool and forbidding stage
where few would embrace a pastoral dream.
He dotted his sketchbooks on every page
with earthen tones born of peasant heart -
(though fare rich enough for any age) .
He poured from the stream the fiddle part,
and woodwinds sang with the birds in the dell -
all "choired" together by his masterful art.
At Heiligenstadt Beethoven attended well
and bequeathed us his golden 'Pastorale.'
July, 2006
Aug 4, 2013
Aug 4, 2013 at 10:53 PM UTC
Thou still unravish'd bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?
Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!
Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.
Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e'er return.
O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden ****
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
"Beauty is truth, truth beauty,--that is all
Ye know on earth, and all ye need to know."
3k
Hello old friend,
With your tall sweeping evergreens
Towering almost endlessly
Into a blue clear sky
The endless swell of traffic
Cars peeling down the street
The smell of roasted coffee beans
From some hole-in-the-wall cafe
The obvious transplant donning an umbrella in the Autumnal warm rain
The light sprinkling of water enough
To nurture the verdant green
Hello old friend,
Mt. Rainier, she greets me,
Looming ever majestically
Over expanses of tree and road
Her white peaks cresting over
Fields of blossoming flowers
The tulip fields scattered across the sloping
Skagit Valley, her vineyards spanning for miles and miles
Hello old friend,
Seattle's grungy nature
Masked by her streets of trendy
Cafes and farm-to-table restaurants
Her mom and pop cafes
Her canvas gray dress marred by graffiti
And street tags
The busker on the street corner panhandling for change
The homeless sheltering under a cardboard blanket outside of a Starbuck's
The transplant with the umbrella stopping down to drop change in their jar
The crumpled dollar
The locals who pointedly ignore him on their way to work, to school, back home, to somewhere...anywhere...
The constant dazed bustle
The stench and pungent odor of ****
Curling around every seedy corner and
Affluent street crossing
Hello old friend,
It's been a while
Let me nestle into your newness
A new coast greets me across the horizon
Replaced by homespun everything
Pastoral fields where the bovine and equine reside
Hello old friend,
I suppose you're home now
I suppose you're home...
Oct 30, 2021
Oct 30, 2021 at 10:46 PM UTC
I live in Moshi,Tanzania,
As a child,one day I got lost,
A maasai took me to his home.
He lived at the foothills of the majestic Mt.Kilimanjaro,
His home was a kraal (hut)
made of stone,sticks and cow dung.
I cried for my parents,
So he fed me milk and blood from a cow,
He pierced a hole in the cow's neck,
He put a bamboo and told me to drink the blood,
It was warm but I vomited,
Gradually, I got used to it.
The maasai's way of life is communilism,
Hunting,gathering and raiding neighbours cattle.
Theirs is an age set system for men,
The children look after the herd,
I joined them having fun,
No school, no lessons or homework.
Then,there were the Morans,the youths,
They wore black **** cloths,
Carried a spear in one hand,
Their faces were painted with white ochre.
They protected the clan and the cattle,
From predators and other tribes.
They lived in a circle of huts called manyatta.
After being circumcised the Morans were taught the art of warfare
The bravest warrior got to wear the feathers of an ostrich.
The senior morans could marry and settle down,
The Moran who jumped the highest got the best girl.
The Laigewenanis trained the morans to be warriors,
My maasai was a laigwenani,
Like all maasais, he was tall and lean,
He wore a bright red shuka cloth with black stripes,
A red tartan blanket was slung on his shoulder,
He always held a long bladed stabbing spear,
His long hair was tightly braided,
He had ochre painted on his body,
He had no children and treated me like his son,
He would take me to teach the morans about warfare.
But,he had to take the permission of the chief, the Laibon.
The Laibons were the chief religious leaders,
They settled disputes,
They decided when and on whom to attack.
Luckily,after two months my maasai and I had gone to a game reserve for hunting,
A game warden found me.
He alerted the police and I was taken home safely.
But,I missed my maasai and their pastoral way of life.
Apr 17, 2018
Apr 17, 2018 at 5:12 PM UTC
In purple dreams I glide, over sultry evening roads,
Making my way homeward through night's crimson threshold,
Starlit dreams are melting across the ancient seasons,
Sweet scents of royal night, under cloudy, swirling legions,
My mind reflected in galaxies, mesmerized, spellbound,
As the night wind gently flows, with supernatural sound,
In shimmering shades of shadows, in the wild jasmine breeze
Lies a pastoral scene of starlight through mystic swaying trees,
My journey's marked in colors, in passages of love,
I peer up through passing purple, to a presence up above,
Sweet woman of my dreams, gazing down from way up high,
Her lovely face reflected, in windy heights of sky,
Dear Muse, your smile guides me to that home within my heart,
Till the night your sweet love finds me, 'neath evening's starry art.
May 2, 2014
May 2, 2014 at 12:01 AM UTC
The first smooch kiss
A spring night
Moonlit pastoral lake
Dancing elm, oak, and pear
Mild breeze
Courting song of crickets and katydid
Secrecy and silence
Standing close, smiling, and stirring
Our necks tilted on the right
One hand behind and one front
Thumbs caressing the face
And fingers
releasing the locks of your hair
Our hands massaging behind and front
The adorable landscape of love
Bump and *******
Belly and waist
Crossed legs
Delirious smell of the skin
Taste of your rosy lips and sweet saliva
The taste of one another
Outer eyes closed, inner open
My upper lip between your lips
Your lower lip between mine
Rubbing, pressing, ******* kissing
Small and big, short and long
Goose bumps and blushing
Breathtaking, timelessness, breathless
Uncaptured, indefinable moment!
Jan 1, 2015
Jan 1, 2015 at 12:42 PM UTC
<•>
too oft, so oft, the absence, the imagining, that
no such comfort exists, that remorse may n'ere complete its course,
when a time for love is beyond beyond, is a bridge too far,
a notion so fraught, a vision unwrought, that we do not
recognize the why and the wherefore to step forward
even for for the next breath small, the in of inconsolability,
a deeper welling
so consequential there is no seeing a piercing light
*then come to me, come to me then, when words can be
a symphony of violins, an orchestrating examination of
thy wounded chest, and caressing slow repetition
deep moaning, understanding waves upon the shores of my arms, my shoulder, my chest, any piece that can be yours,
a shoreline of relief, and listen with great care as the subtleties change, the pastoral comes in an ever ascending
crescendo of lifting, a stabbing, resurrecting but not fully repairing,
restoring but replacing sensation, for inconsolability is a disease
difficult to defeat, deserving of being memory-recalled,
but the ability, the cure, the rhyme of
hope and upward slope of open eyes will penetrate surely as the potion of the music of my words lay you down and rise you up,
and that is enough, to begin the renewal,
the campaign of commencement, the possibility of clarity,
it is the journey,*
***the changeling we call the
destiny of our designation,
which is forever the next destination***
9/17/17
7:20am
<•>
Sep 17, 2017
Sep 17, 2017 at 7:39 AM UTC
The Poetry Barn wasn’t really a barn
It was merely an old farm house,
It sat on the acres of Eddington’s Farm,
Surrounded by sheep and by cows.
But Poets came over from Stuttersby Dell,
Drove over from Scatabout Wood,
To write in the air of the Poetry Barn
About things, when they ought and they should.
They came from Great Orton, they came from Rams Well,
They came from Glenn Wheatley and Grey,
The best and the worst of the poets you’d find
At the Poetry Barn, every day,
The rooms had been empty for many a year
So they all sat on bundles of straw,
And when they ran out they would send up a shout,
So some would go out and get more.
The mornings would see all the Elegies worked,
The Epics, the Odes and Quatrains,
The Poetry Barn would then grumble and groan
As the Dirges would enter the drains.
By noon the fair Sonnets came into their own
With just the odd wanton Lament,
When poets would seek out the culprit to find
One grinding his verse in a tent.
By evening they’d work on the Pastoral,
The Sestet, the Roundel as well,
And those at a loss after losing the toss
Would be stuck with the old Villanelle,
They’d all settle down when the Moon came up round,
And the stars twinkled boldly in rhyme,
When one asked the other, ‘pray, what rhymes with brother,’
And he’d say, ‘your Mom, all the time.’
The poems would stick to the inside walls,
Would tear at each other like knaves,
They’d fill up the aisles and lie flat on the tiles
And would damage the old architraves.
At night you could hear all the horses hooves
As they carried the good news to Aix,
And in came the wedding guest, him with the albatross
Counting his many mistakes.
I saw that they’d burned down the Poetry Barn
With one sad, incendiary rhyme,
A poet called Glover who wrote to his lover
‘My candle, you light all the time.’
The straw caught alight in his lover’s delight
And they fled from that bastion of verse,
I just penned this missal for someone to whistle,
The one that he’d written was worse.
David Lewis Paget
Nov 22, 2015
Nov 22, 2015 at 6:25 AM UTC
There walks no Daphnis with his mournful song
Blinded by the vengeful nymph, whose love was unrequited
He does not wander in the hills above this place
Playing his pipe and singing of his sadness
Aphrodite can punish him no more
For he is gone to the quiet land of shadows
Taken by Hermes, herald and messenger
Of the mightiest of gods, to cross the river Styx
His soul guided by his father’s loving hand,
to Hades and the final still of time and season.
In the quartz sculpted gorge, beneath the waterfall
Naiads lithe and languorous once bathed
Alabaster skinned, in the crystal brook
Auburn ringlet tresses were shaken free
When they stepped among the mossy rocks and ferns
Their peachy cheeks flushed vital rose
Their strawberry ******* raised and glistening
Their teasing laughter that once echoed in these dales
Through verdant pastures and the bluebelled wood
Is heard no more, for they have passed into memory.
It is silent now, the Jackals are not howling
The threat of Wolves and Lions gone
This pastoral world of goatherds pining
Is but a world of dust and dreams.
Nov 26, 2014
Nov 26, 2014 at 7:08 AM UTC
The bear grass looks so lush,
in the fading of the light;
it's pleasure on my vision,
as the day turns into night.
The breeze is soft and gentle,
like a lover's sweet caress;
the coolness is a balm,
in this eve of summer's rest.
Jax leads me by his leash,
he knows the way back home;
there is no pressure tugging,
it's like he's free to roam.
In the distance, mountains,
take on a purple hue;
pastoral hills abound,
the sky grows darker blue.
The evening's walk's refreshing,
it clears the mind and soul;
erasing turbulence,
easing living's toll.
Aug 18, 2017
Aug 18, 2017 at 10:07 PM UTC
The little sparrows
hop ingenuously
about the pavement
quarreling
with sharp voices
over those things
that interest them.
But we who are wiser
shut ourselves in
on either hand
and no one knows
whether we think good
or evil.
Meanwhile,
the old man who goes about
gathering dog-lime
walks in the gutter
without looking up
and his tread
is more majestic than
that of the Episcopal minister
approaching the pulpit
of a Sunday.
These things
astonish me beyond words.
1.6k
Saintly cassock,
Glittering altar
Ornamental pulpit.
Driving the congregants
in a paroxysm of fib,
Gullibility enshrines adherents
hearts.
Do you know the Messiah more
than the apostles ?
Thou traders in the temple.
Parrotic tongues set out
commands
Loquacious sweet-coated mouths
misdirects faithfuls.
But the uncreated Creator who
creates creatures watches
Dreadful silence astonishingly
permeates the entireness
of the universe.
Do you preach love?
Do you follow peace with all?
Ye robbers in the temple.
Command darkness to produce
light.
But you turned moonlight into
tale.
Can you display Davidic dance
steps on the road?
Profanity of sanctuary with
false homiletics.
Merchants of dross in tabernacle
Speak.
Let us hear you.
Preach
To the congregants.
Righteousness afar from the
apron of faith.
Charity locked up in the
tunic of hope.
Sanctity of holiness sprinkled
into the tributary of sin.
Commanding the stars to turn
to sun,
Captains of night in light.
Ye robbers in the sanctuary.
Pastoral advertisers of chattels
in the tabernacle,
Merchandising gold dross in
sermonic hymns.
Sugar-coated doctrine wept in
the tomb of Lazarus.
Prompting Him to weep again?
Ye merchants in synagogue.
Disentangle faithfuls from the
webs of worriment.
Dislodge congregants out of the
shackles of sin.
Deliver ignoramus from the
isle of incendiary.
Let the sifter of strength
separate out afflictions from
feebleminded faithfuls.
Ye robbers in the temple
You love prayers more than God
But who answers prayers?
Dec 16, 2018
Dec 16, 2018 at 3:45 AM UTC