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"panorama" poems
*coffees are my one-way ticket to contemplation– to realizations and dramas it shapes my eyes to view life like a panorama coffee makes me think about the world, the people and both combined coffee connects me to the crowd to their lives, mishaps sometimes shared with mine coffee gates to different events and realities it awakens wishful thinking and kicks curiosities coffee, summed up is a friend of all those who've got their heads in their ***** it is a guru of life love, and other life experiences                                                           a.t.
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Oct 15, 2014
Oct 15, 2014 at 6:05 PM UTC
coffee
Arise! Oh Heart, from the catacombs of the dead Shake off the dust, for Life beckons you like a buddy Peel off the weariness that wraps you like a shroud And walk to the open to perceive the light. Arise! Oh Heart, from the dungeons of gloom The dawn is at your door step, waiting to break Sing with the koel, merrily warbling in the woods Dance with the billows, wildly prancing on the deep. Arise! Oh Heart, from the ghettoes of ******* Break loose the ropes that moor you to the past Dart through the panorama of the cerulean blue And fly high into regions, uncharted and new. Arise! Oh Heart, from the citadels of hate Listen not to the shrieking and howling behind Drink from the goblet of conciliating love And rejoice at the birth of a dawn with promises galore!
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Mar 2, 2018
Mar 2, 2018 at 8:28 AM UTC
Arise! Oh Heart
words fail to describe the beauty and peace found in the mountains sublime the scenic panorama of the place is captured so well by those who live in the mountain's veld of trees towering to skies of indigo blue of squirrels owls and fireflies of streams pristine and pure within the province of mountain kin's hearts there is an intrinsic soulful yoke inborn of the mountain's heritage
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Oct 3, 2014
Oct 3, 2014 at 5:31 PM UTC
Heritage
Consumer Of Existence Even if it’s all predestined It’s you who choose. So go, so do. It does what it does Despite your choices; So many factors out and in you. Even if it’s all predestined You don’t know a thing, So go, so do, And carry on as usual. You win, you lose, You pay your dues, Thinking that you have control Though you have none at all. A panorama of existence, You consumer and disarmed. They call it karma. Consumer Of Existence 12.14.2016 Circling Round Reality; Arlene Corwin
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Dec 14, 2016
Dec 14, 2016 at 5:57 AM UTC
Consumer Of Existence
*Your love is like skydiving,    an unnerving thought, breathless & intoxicating   elevations beyond exhilarating,   as it transforms life's panorama     nothing seemed ever the same,          after the thrill of the fall*
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Jun 23, 2015
Jun 23, 2015 at 9:32 AM UTC
Love like skydiving
a black bat hangs upside down digesting a fly his face almost human a flying Frankenstein he excretes puddles of guano like miniature buttered popcorn a dark and wavy goulash gods gift to beetles and worms dizzied overheated men look on to an uproarious variety hour of song and a high heeled kicks inspiring a tempest of throbbing whisky drenched folded ***** and cash trouser trout fish,     undulant sexed up tape worms for love pulse the night egging on bunny **** pom poms devout finger puppets of Eros for shimmering ****** lipstick twilled vibratos sequined tassel spinning areolas and lavish come **** me dance girls bring down the house in flames making hearts apostate clamoring and melt men like steaming everglades the bat hangs from the chandelier licks his black lips and looks on to panorama of hieroglyphics hearing music a thunderous nonsense   witnessing visions of flies, tasty white winged moths and the thrill of screams while biting the head off of another bat in a claret stained red velvet cabaret
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Aug 31, 2017
Aug 31, 2017 at 5:09 PM UTC
BURLESQUE MEETS A BAT
(1) The day she visited the dissecting room They had four men laid out, black as burnt turkey, Already half unstrung. A vinegary fume Of the death vats clung to them; The white-smocked boys started working. The head of his cadaver had caved in, And she could scarcely make out anything In that rubble of skull plates and old leather. A sallow piece of string held it together. In their jars the snail-nosed babies moon and glow. He hands her the cut-out heart like a cracked heirloom. (2) In Brueghel's panorama of smoke and slaughter Two people only are blind to the carrion army: He, afloat in the sea of her blue satin Skirts, sings in the direction Of her bare shoulder, while she bends, Finger a leaflet of music, over him, Both of them deaf to the fiddle in the hands Of the death's-head shadowing their song. These Flemish lovers flourish;not for long. Yet desolation, stalled in paint, spares the little country Foolish, delicate, in the lower right hand corner.
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6.7k
Two Views Of A Cadaver Room
Broken headstones speckle the even sea of your grassy hill Panorama of your crest hugged by blue sky Among the memorials long since uninhabited the residents returned to the earth My thoughts are seeds and your soil is fertile
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Dec 14, 2014
Dec 14, 2014 at 4:44 PM UTC
Forgotten Graveyard
first line lips are false as a beach next mcarthur’s in chicago next the big blond takes the elevator down next pearl on the lip next shalimar stirs the canine **** all right I like that let’s start a new one do it what what do you have don’t **** up wheres the apostrophe ******* you’re cruel now back now whack it again whack it again I want it to go back whack it press it whack it okay new line i want elevator i want uh i want don’t ask the bellboy for the time just take the elevator to what? to notions? to the lingerie shop? ah **** you grandma new line all right one more time okay **** the gin-socked tongue that’s “soaked” period once again the elevator down paint the pretty tie (cough cough) thai next big buick big *** like fish put a ? after fish take it back take it back you ***** okay that’s not bad you do all right ah **** song of india in the desert at night put “” marks around song of india & desert song in capital letters hit shalimar then cadillac red lips then **** like a seashell with a gin-soaked tongue start new line all right does mcarthur stick his socks in the bathtune at night that’s bathtub the dog howls at the moon buries it in the backyard snakes lose their skin cocoa butter slick water on the brain of the big dark blond song of india **** **** **** big fish *** big v8 you ***** keep up with me painted rocks like a pretty tie fast car long legs and a broken heel now dead no not dead yet um estee lauder goes down on price-waterhouse in a swedish bath bellboy watching this is his reflection in the mirror no silver one-sided next line big blond trampled by elephants with wrinkled knees starch is not chic all gone shalimar stirs the k-9 **** sequined *** in the moonlight cadillac red lips hungry dog eats tail becomes himself bad dog play dead okay what do you suggest bad doggie bad comma bad comma hungry dog go for the tongue you dumb ***** keep going new line what do cactuses(i) have??? fronds fur what are their things called new line dog hates gin go for the breast stupid ***** good dog dry dog poor dog pour blond water of life **** yellow a thai like painted rocks period next i want head down legs up i want sequined *** only ****** level damp dampened dampest ***** panorama **** **** **** blue blue down there feminine azure with clouds too got it odalisque in blue period have mercy on me no no new ******* line what are you filling that thing up with okay stop it for now
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4.6k
the stenographer’s notebook no.1
first line lips are false as a beach next mcarthur’s in chicago next the big blond takes the elevator down next pearl on the lip next shalimar stirs the canine **** all right I like that let’s start a new one do it what what do you have don’t **** up wheres the apostrophe ******* you’re cruel now back now whack it again whack it again I want it to go back whack it press it whack it okay new line i want elevator i want uh i want don’t ask the bellboy for the time just take the elevator to what? to notions? to the lingerie shop? ah **** you grandma new line all right one more time okay **** the gin-socked tongue that’s “soaked” period once again the elevator down paint the pretty tie (cough cough) thai next big buick big *** like fish put a ? after fish take it back take it back you ***** okay that’s not bad you do all right ah **** song of india in the desert at night put “” marks around song of india & desert song in capital letters hit shalimar then cadillac red lips then **** like a seashell with a gin-soaked tongue start new line all right does mcarthur stick his socks in the bathtune at night that’s bathtub the dog howls at the moon buries it in the backyard snakes lose their skin cocoa butter slick water on the brain of the big dark blond song of india **** **** **** big fish *** big v8 you ***** keep up with me painted rocks like a pretty tie fast car long legs and a broken heel now dead no not dead yet um estee lauder goes down on price-waterhouse in a swedish bath bellboy watching this is his reflection in the mirror no silver one-sided next line big blond trampled by elephants with wrinkled knees starch is not chic all gone shalimar stirs the k-9 **** sequined *** in the moonlight cadillac red lips hungry dog eats tail becomes himself bad dog play dead okay what do you suggest bad doggie bad comma bad comma hungry dog go for the tongue you dumb ***** keep going new line what do cactuses(i) have??? fronds fur what are their things called new line dog hates gin go for the breast stupid ***** good dog dry dog poor dog pour blond water of life **** yellow a thai like painted rocks period next i want head down legs up i want sequined *** only ****** level damp dampened dampest ***** panorama **** **** **** blue blue down there feminine azure with clouds too got it odalisque in blue period have mercy on me no no new ******* line what are you filling that thing up with okay stop it for now
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Under silver wing San Francisco's towers sprouting thru thin gas clouds, Tamalpais black-breasted above Pacific azure Berkeley hills pine-covered below-- Dr Leary in his brown house scribing Independence Declaration typewriter at window silver panorama in natural eyeball-- Sacramento valley rivercourse's Chinese dragonflames licking green flats north-hazed State Capitol metallic rubble, dry checkered fields to Sierras- past Reno, Pyramid Lake's blue Altar, pure water in Nevada sands' brown wasteland scratched by tires Jerry Rubin arrested! Beaten, jailed, coccyx broken-- Leary out of action--"a public menace... persons of tender years...immature judgement...pyschiatric examination..." i.e. Shut up or Else Loonybin or Slam Leroi on *** gun rap, $7,000 lawyer fees, years' negotiations-- SPOCK GUILTY headlined temporary, Joan Baez' paramour husband Dave Harris to Gaol Dylan silent on politics, & safe-- having a baby, a man-- Cleaver shot at, jail'd, maddened, parole revoked, Vietnam War flesh-heap grows higher, blood splashing down the mountains of bodies on to Cholon's sidewalks-- Blond boys in airplane seats fed technicolor Murderers advance w/ Death-chords Earplugs in, steak on plastic served--Eyes up to the Image-- What do I have to lose if America falls? my body? my neck? my personality? June 19, 1968
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Crossing Nation
I think that I might fly away, in my hot air balloon, And hide from worldly worries on the dark side of the moon; There’s but one thing I need before I float into the blue: I need a sky companion and I want it to be you. We’ll fly beyond the storm clouds and we’ll watch from up above, I’ll cover you in rainbows as we feel each others’ love; You’ll shower in the stars at midnight in our special place, I’ll dry you with a comet’s tail and kiss your beaming face. Dreamy drifting panorama, changing every day, Every night your loving smile will be my milky way, The moon will wane before us, sailing there in heaven’s height, For nothing else can challenge our love’s everlasting light. Venus shining on us, glowing soft at our devotion, Our daily drifting dalliance in love’s celestial ocean, I’ll write you lovers’ poetry, and you will be my muse, Orion and Andromeda will oversee our cruise. We’ll sleep with clouds as pillows, maybe steal an angel’s wings, Then fly as magic lovebirds, or slide round Saturn’s rings, And should we tire of drifting and the stars all floating by, We’ll hook onto a meteor and soar across the sky. Will you consent to be my mate on our celestial ship? I’m ready, heart all packed with love, to last us for the trip, Take my hand and step aboard, we’re heading for the sun, We’re flying till we find the place where our two souls are one.
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Dec 6, 2011
Dec 6, 2011 at 11:36 PM UTC
Hot Air Ballons
Laboriously beleaguering hypercritically meticulous hypotaxis apomixis strive Rainbow mare aura roan exude emote derive Syntactical propinquity habitation harbinger harangue stoic hive Colloquialism vernaculars prurient adage jargon idiom clichés jive Mirador bartizan panorama stalwart bastion bulwark tableau live Canny cleaver crafty cunning furtive sneaky stealthy connive Poignant cogent piquant ephemeral effulgence  temporal refraction arrive Paradoxical dichotomy greaves gauntlets gamut catalyst abstracts survive Hectic mayhem , proximity parameter perimeter peripherals , annihilate rive Zingy zesty zany zenithal azimuth entity zeal alive
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Jan 13, 2013
Jan 13, 2013 at 9:11 PM UTC
Contiguity Continuities
"Surreal skeptic, cynical cryptic! Licentious lecheries fabulist façade fantasias. Wild eyed spectral serene. Dream of catenary concoctions, ethereal salacious conjugation, bridge the gap in metaphysical mystique. Erotica erectile errantry’s exserted protuberance is a kinesiology kleptomaniac with his embark embargo extraditions and his eventuation evocative execrations, a positive amalgamated anathema android of a terminus thrall. The shadow in the shade of the silhouette sojourn. The bailiff’s rakeness rails incarnate, unicorn railway nails and all. He will paint mirador bartizan panorama tableaus all over your proximity parameter perimeter peripherals. Force the enmity to acquiesce into impunity.” “Why this is not but an ogling ogre of an oligarchy omelet” she shrieked as he continued to tickle her. “Down here at the bizarre bazaar we all believe in the blasphemous farcical fugueness,” he said. “Positive orchestration renditions of transpositional interlude.” “Come here,” she said “let my clambering clamorous clangor write you a wield wile treatise expose’.” “The legions of Chinga da are battling the hoards of Gunga din saying ‘kinetic supremacy temporize tractive fluent’ , it’s sheer genocide. That plasty goop nosed Gumby ****** Gunga doesn’t stand a chance. Coax cacophony clout, catatonic phonics, grizzly grotto grouches all”, She squealed. “Now you’re gumption dreaming”, he chimed. “Chutzpah panache spontaneous generation complicity, gambit alluvium aloof succor.”
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Jan 13, 2013
Jan 13, 2013 at 7:17 PM UTC
Salacious
"Surreal skeptic, cynical cryptic! Licentious lecheries fabulist façade fantasias. Wild eyed spectral serene. Dream of catenary concoctions, ethereal salacious conjugation, bridge the gap in metaphysical mystique. Erotica erectile errantry’s exserted protuberance is a kinesiology kleptomaniac with his embark embargo extraditions and his eventuation evocative execrations, a positive amalgamated anathema android of a terminus thrall. The shadow in the shade of the silhouette sojourn. The bailiff’s rakeness rails incarnate, unicorn railway nails and all. He will paint mirador bartizan panorama tableaus all over your proximity parameter perimeter peripherals. Force the enmity to acquiesce into impunity.” “Why this is not but an ogling ogre of an oligarchy omelet” she shrieked as he continued to tickle her. “Down here at the bizarre bazaar we all believe in the blasphemous farcical fugueness,” he said. “Positive orchestration renditions of transpositional interlude.” “Come here,” she said “let my clambering clamorous clangor write you a wield wile treatise expose’.” “The legions of Chinga da are battling the hoards of Gunga din saying ‘kinetic supremacy temporize tractive fluent’ , it’s sheer genocide. That plasty goop nosed Gumby ****** Gunga doesn’t stand a chance. Coax cacophony clout, catatonic phonics, grizzly grotto grouches all”, She squealed. “Now you’re gumption dreaming”, he chimed. “Chutzpah panache spontaneous generation complicity, gambit alluvium aloof succor.”
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1
*You used to paint pictures with me. You were always smiling when the brush glides on paper as the colours spread everywhere. Patiently, you'd recreate every bit and impression of reality, and add a version of your own, until the picture will be perfect with magical meanings only we would have known. But patience is a virtue your self never learned. One day, you were snapping photographs, capturing moments, developing pictures, pasting collages -- a panorama of life you chose. For weeks and weeks on end, I went to those places where we used to paint; Time is such a mystery to have put distance in a memory. I would trade my whole life just for you to colour it again. Like old paintings, bring back its vividness; restore it. And now, I am on this bus. In transit. A gift-wrapped box inside my bag. I am sending it to you personally. Take pictures with it and live a happy life.*
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Dec 26, 2015
Dec 26, 2015 at 4:45 AM UTC
In Transit
Fertile earth’s seductive sorcery Like ephemeral effulgence’s effluent effusion Can lead you to believe that it’s not a travesty Like life’s visceral intuitive eternal is not lost in subtle evasive confusion Life’s virile translucence reflects this glow Like an aorist ensemble of interludes transposition Can lead you to believe that you’re in the know Like omnipresence presages omniscience’s ubiquity is existential exigency’s peroration’s exposition Corporeally preternatural metaphysical mystique Like a mirador bartizan tableau panorama Can inspire us to rise above its critique Like spatiotemporal’s telemetry incarnate is creation’s vivid intrepid cyclorama Spectral verve’s liaison’s consortium Like eclectic synectic’s conclave’s fatidic Can leave you lost in germane compendium Like terminus thrall’s apriori inclination is transcendental accession’s endemic mnemonic Monad’s transitional majestic splendor Like residual harmonic vibration’s resilience Can autonomously evoke and vicariously render Like rubato’s actuator’s prospectus revealed is orchestration rendition’s intriguing brilliance Eidetic preterit’s aesthetic amendments Like protractive analyses’ dimensional delineation Can lead to cogent salacious enticements Like phantasmagoria’s fantasia fantastication’s magniloquence is sultry solace’s ostentatious ideation
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Jan 12, 2013
Jan 12, 2013 at 8:07 PM UTC
Verbose
I came to you, oh mighty land Asleep to everything at hand Lethargic from more southern air Not yet awakened, unaware The panorama I beheld Composed a view unparalleled A pastor with his best endeavor Could preach forever and forever And never say with words as clear As the aura of this atmosphere In the awe inspiring craggy peaks And the chasms as His silence speaks Where His creation stirs conviction That brings a balming benediction To one that hungers for a proof Here, upon the planets roof
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Nov 24, 2010
Nov 24, 2010 at 3:30 PM UTC
Alaskan Love Affair
Vast, empty, midnight hour, hunchbacked lampposts glaring over parasitic black earth choking its host. A parking lot, an ecosystem’s blemish— hot tar seeping into the pores of the earth like a stubborn blackhead in a lip line. When no cars burrow into the blackened hide like lice the great absence of life is an atrocity. I imagine myself skateboarding across the tier as the small town cops watch languidly with vague interest— A skateboarder’s paradise where wheels and accomplice minds roll across celestial barriers blasting infinite pulses into the microcosm. What greasy punks have their mother’s van parked here, huddling by the heat vents and jerking off into a Pringle’s can? Empty parking lot looks like a cemetery filled to the brim where headstones meld over a mass grave— delineated by white lines, the apparitions of vehicles and their hosts haunt the frozen space. Another horrible excuse to waste land, a wasteland in and of itself where Tom Eliot saunters aimlessly and buries the dead. The saddest sight to behold, this vacuous parking lot littered with stray shopping carts, phantasmal plastic bags, gum splotches, ***** stains, candy wrappers, cigarette butts, used condoms, lonely cops and patient drug dealers, ambulant skaters, tired punks, bored teenagers, somnambulists, stumbling drunks, hunchbacked ***** lights prying for life beneath its sallow gaze— The air encapsulated within the perdition stifling, the pavement below stifling, a constriction only visible when emptied of its contents. A cop wakes from their choking nightmare gasping to find themselves trapped, ****** in this parking lot where the walkie-talkie buzzes with the weeping and gnashing of teeth. The warehouse store looming above the waiting room lifeless, silent, dark countenance— Big Brother sees all in the gaping maw. Cascading before me, stretching towards the highway passing by, waiting for the panorama to finish scrolling, the treadmill to cease its cycle— all the while lamenting life’s absence and reveling in the potentiality it possesses.
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Dec 28, 2016
Dec 28, 2016 at 10:18 PM UTC
Parking Lot Lament
Vast, empty, midnight hour, hunchbacked lampposts glaring over parasitic black earth choking its host. A parking lot, an ecosystem’s blemish— hot tar seeping into the pores of the earth like a stubborn blackhead in a lip line. When no cars burrow into the blackened hide like lice the great absence of life is an atrocity. I imagine myself skateboarding across the tier as the small town cops watch languidly with vague interest— A skateboarder’s paradise where wheels and accomplice minds roll across celestial barriers blasting infinite pulses into the microcosm. What greasy punks have their mother’s van parked here, huddling by the heat vents and jerking off into a Pringle’s can? Empty parking lot looks like a cemetery filled to the brim where headstones meld over a mass grave— delineated by white lines, the apparitions of vehicles and their hosts haunt the frozen space. Another horrible excuse to waste land, a wasteland in and of itself where Tom Eliot saunters aimlessly and buries the dead. The saddest sight to behold, this vacuous parking lot littered with stray shopping carts, phantasmal plastic bags, gum splotches, ***** stains, candy wrappers, cigarette butts, used condoms, lonely cops and patient drug dealers, ambulant skaters, tired punks, bored teenagers, somnambulists, stumbling drunks, hunchbacked ***** lights prying for life beneath its sallow gaze— The air encapsulated within the perdition stifling, the pavement below stifling, a constriction only visible when emptied of its contents. A cop wakes from their choking nightmare gasping to find themselves trapped, ****** in this parking lot where the walkie-talkie buzzes with the weeping and gnashing of teeth. The warehouse store looming above the waiting room lifeless, silent, dark countenance— Big Brother sees all in the gaping maw. Cascading before me, stretching towards the highway passing by, waiting for the panorama to finish scrolling, the treadmill to cease its cycle— all the while lamenting life’s absence and reveling in the potentiality it possesses.
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stunted short visionary dwarf ****** level too much too much ***** panorama cut the crap lay on your back change of venue blue blue dark clouds too ****** of black cotton 100% ****** feminine products need not apply c’mon but wait no more **** but where’s our precious depths lost our thoughts consciousness raised to new depths then lost as if ******* weren’t enough but hey look just drop it no asking for a hand now the clap is extinct ****** fungus a dinosaur what we’ve all been working for, right the liberated **** without love without guilt sure, but meantime it’ll **** you homicidal inundation or better yet you’ll go blind looking for it
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odalisque in aspic
On the beach I sat on a rock, staring out to sea. The day was sunny and warm, though blowing a gentle breeze. There were only a few people there on the beach. They were engrossed with having fun, and ignored me. Further along the beach, in a striped top, was a girl. She walked to the edge of the sea, and watched the incoming tide. I idly watched the girl who was watching the incoming tide. Her long hair, unbound, was teased by the gentle breeze. She stood there motionless, just an ordinary girl, Gazing at the relentless waves rolling in from the sea. Although there were other people scattered on the beach, None of them had any attraction in any way for me. I was spending time alone, there on that beach, Watching the slow encroachment of the incoming tide. As the sun moved overhead, stronger became the breeze, Making breaking white tops on the waves on the sea. Reaching into her pocket, a camera was produced by the girl, Who slowly started filming the scene, turning and facing me. I watched the girl, standing there, with her back to the sea. Was she secretly filming me while pretending to film the beach? She was bare-foot, and as I watched, her feet were wettened by the tide. The wind had moved round and from her to me now blew the breeze. I thought I could detect a subtle scent wafting from the girl. “Attar of Roses”, my favourite fragrance, drifted across to me. Then, as I sat and watched, further turned the girl. Having turned fully around, she stood again with her back to the beach. Then, she seemed to realise, she was surrounded by sea, And gradually she became aware of the incoming tide. Once again, she slowly turned, hair blown in her face by the breeze, And her face, framed by her hair, was now facing to me. Then, camera swinging from a hand, she walked up the beach. The panorama that I saw, had now lost some appeal for me. The sun was slowly sinking down, and colder blew the breeze. The waves were getting stronger, on the incoming tide. I decided it was time that I ended my sojourn by the sea, And I could still smell “Attar of Roses”, a memento of the ephemeral girl. *Grahame Upham 9th May 2014*
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Jun 22, 2014
Jun 22, 2014 at 10:36 AM UTC
GIRL ON THE BEACH - A SESTET
On the beach I sat on a rock, staring out to sea. The day was sunny and warm, though blowing a gentle breeze. There were only a few people there on the beach. They were engrossed with having fun, and ignored me. Further along the beach, in a striped top, was a girl. She walked to the edge of the sea, and watched the incoming tide. I idly watched the girl who was watching the incoming tide. Her long hair, unbound, was teased by the gentle breeze. She stood there motionless, just an ordinary girl, Gazing at the relentless waves rolling in from the sea. Although there were other people scattered on the beach, None of them had any attraction in any way for me. I was spending time alone, there on that beach, Watching the slow encroachment of the incoming tide. As the sun moved overhead, stronger became the breeze, Making breaking white tops on the waves on the sea. Reaching into her pocket, a camera was produced by the girl, Who slowly started filming the scene, turning and facing me. I watched the girl, standing there, with her back to the sea. Was she secretly filming me while pretending to film the beach? She was bare-foot, and as I watched, her feet were wettened by the tide. The wind had moved round and from her to me now blew the breeze. I thought I could detect a subtle scent wafting from the girl. “Attar of Roses”, my favourite fragrance, drifted across to me. Then, as I sat and watched, further turned the girl. Having turned fully around, she stood again with her back to the beach. Then, she seemed to realise, she was surrounded by sea, And gradually she became aware of the incoming tide. Once again, she slowly turned, hair blown in her face by the breeze, And her face, framed by her hair, was now facing to me. Then, camera swinging from a hand, she walked up the beach. The panorama that I saw, had now lost some appeal for me. The sun was slowly sinking down, and colder blew the breeze. The waves were getting stronger, on the incoming tide. I decided it was time that I ended my sojourn by the sea, And I could still smell “Attar of Roses”, a memento of the ephemeral girl. *Grahame Upham 9th May 2014*
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Daniel, Waktu panorama nyata cerah merona Aku termenung dungu Malu, cemas tak pernah begini Atau entah pernah namun kulupa Kala aku berlari menuju hilang Cerah itu muncul, kupikir selesai semua Berpapasan sosokmu, membelai pipimu Ku tak becus Yang terasa dijiwa makin bermakna yang ada dihati makin berarti Tak harap lebih berjumpa denganmu Dimimpiku Dipelaminan Atau dirumah kita nanti Rasa cintamu sudah cukup Sungguh, Terima kasih Buatmu, 2017.
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Sep 18, 2017
Sep 18, 2017 at 12:15 PM UTC
Buat sayangku, Daniel
As the undulating bodies part the neon lights catch her face, and her piercing gaze catches me. A panorama of nothing but a blur. But her- sharp. Thirsty. Blazing. Her hair is sleek and straight but the way she throws back her head, runs her fingers through the strands, makes a tousled mess as entrancing and as playfully wild as the club swirling around her. Her lips are red. A challenging red. The color of a delicate rose, but also the color the harlot wears in old films. The color of sin; of desire. To unlock those lips And tousle that hair And lure out the voice…. To have the power of a man’s gaze now. To be able to throw at her the force of a chiseled jaw and stubble across my chin. To know my role is to chase her like a brave doe that turned to look at me in the forest. Who bounds away gracefully, Knowing my sights are set and the target is upon her. How she would know my adrenaline surged with every step she made that took her farther from me. All the power would lay in my virile hands, to pull the trigger on her when I may. Ha! I laugh at my roots in the world that imposes a craving for the rule of power. Your gaze tells me we don’t belong there. I move through the bodies toward you. Toward freedom. Lift me from my roots, darling. We’ll run together. Give up the vision of a pointed gun. How’d they ever make me think I wanted to be shot? Oh, what a vision. What a creation! My long locks twisting around yours, how my lissome fingers get their chance with you. And those supple lips lend me the magnetic red hue. How different the whole scene becomes when the both of us are provocative creatures, two nymphs swimming together in the water of seduction. Continue on, Odysseus. Go conquer Scylla and Charybdis. Master the seas of half the world. The Sirens are singing to each other.
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Jul 2, 2013
Jul 2, 2013 at 1:04 AM UTC
Synergy
As the undulating bodies part the neon lights catch her face, and her piercing gaze catches me. A panorama of nothing but a blur. But her- sharp. Thirsty. Blazing. Her hair is sleek and straight but the way she throws back her head, runs her fingers through the strands, makes a tousled mess as entrancing and as playfully wild as the club swirling around her. Her lips are red. A challenging red. The color of a delicate rose, but also the color the harlot wears in old films. The color of sin; of desire. To unlock those lips And tousle that hair And lure out the voice…. To have the power of a man’s gaze now. To be able to throw at her the force of a chiseled jaw and stubble across my chin. To know my role is to chase her like a brave doe that turned to look at me in the forest. Who bounds away gracefully, Knowing my sights are set and the target is upon her. How she would know my adrenaline surged with every step she made that took her farther from me. All the power would lay in my virile hands, to pull the trigger on her when I may. Ha! I laugh at my roots in the world that imposes a craving for the rule of power. Your gaze tells me we don’t belong there. I move through the bodies toward you. Toward freedom. Lift me from my roots, darling. We’ll run together. Give up the vision of a pointed gun. How’d they ever make me think I wanted to be shot? Oh, what a vision. What a creation! My long locks twisting around yours, how my lissome fingers get their chance with you. And those supple lips lend me the magnetic red hue. How different the whole scene becomes when the both of us are provocative creatures, two nymphs swimming together in the water of seduction. Continue on, Odysseus. Go conquer Scylla and Charybdis. Master the seas of half the world. The Sirens are singing to each other.
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Listen with ears attuned and you will hear the sound of silence For in there, waves sail forth in translucent nothingness hear the smimmering vibes of ethereal  energy sublime the magnificent quiet of a heartbeat resonating In imperceptible pristine rhythm precise The Creator's Divine Presence manifests. In perfect ambiance the perfect eyes beyond universal gazes sees limitless panorama of the majesty of pious supreme desires The ultimate Maker in His Domain beyond Supreme The awe-inspiring mysteries yet potently visible Incomparable Masterpieces, Omnipotent's smiles The Creator,s Divine Presence visions all.   [email protected].
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Sep 10, 2018
Sep 10, 2018 at 3:42 AM UTC
In His Grace..............
Reflecting upon the ambitions of my youth, What happened to the man I never became? My roots, once anchored firmly, no longer sit In countryside soil, oh dear, what a shame! For my heart, town-life has staked its claim. Whenever viewing those years through the ***** Lenses of memory’s filmy glass, I can always see The discarded ideals to which I never could Aspire, my failure, such a huge relief for me, Not having to face the music, of a rural melody. I seemed fairly happy then, driving a tractor. Making a living from having, a field to plough. The simple pleasure, a reward I had forgotten, Somehow ashamed, as if I had broken a vow. Or maybe just guilty, because, I’m happier now. Auden had said. “You spend twenty five years Learning to be yourself.” Is this to fully mature? The wisdom of age wiping my lenses clean. Seeing an unsullied panorama afresh, is a cure, The man I’ve become, at ease, at peace, secure.
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Aug 25, 2015
Aug 25, 2015 at 6:48 AM UTC
The Man