"overture" poems
a symphony orchestra.
there is a thunderstorm,
they are playing a Wagner overture
and the people leave their seats under the trees
and run inside to the pavilion
the women giggling, the men pretending calm,
wet cigarettes being thrown away,
Wagner plays on, and then they are all under the
pavilion. the birds even come in from the trees
and enter the pavilion and then it is the Hungarian
Rhapsody #2 by Lizst, and it still rains, but look,
one man sits alone in the rain
listening. the audience notices him. they turn
and look. the orchestra goes about its
business. the man sits in the night in the rain,
listening. there is something wrong with him,
isn't there?
he came to hear the
music.
36.5k
Gold crown of Olympus, hair crown and
Skin gown. First we throw our bodies at
One another. Heaping piles of human soup.
Bold maneuvers, hands and mouths and
Boy meets girl lying down, on top, intertwined.
Skittish moves on a tryst. Wet fingers of freshly
Tendered infinite decibel pleasure screams.
Streamers above a long rooting movement.
Overture of Aphrodite. Sparkling, glitter woman,
Legs pressed tightly to the chest,
Loose appendages intertwined. Intersticed dactyls
In rapture, soothing. Bodies build to one heart's beat.
Two muses fused together. If I wasn't afraid I'd wake you up
I'd slip on my shoes and make a tropical fruit fondue.
Stage two:
Ice cream lover's delight. Opus to brown sugar.
To swimming again, a pursed lurking of lips
In the academy of the pastoral commonwealth.
We eat at our stations of the sublime. Today which was
A day of discord- you nursed me back to the land of the living.
Stage three:
***
Stage four.
***
Stage five:
As we earn our pageantry to take
Stride on this Earth, and string a
Great bow of eager success among all of us,
You, me, them. While I continue to
Gaze at you. If not dinner, perhaps a
Cup of tea instead.
May 17, 2014
May 17, 2014 at 4:35 AM UTC
#
*Laying in bed all day
with silky thoughts
in a champagne haze
**An empty glass of water
rests barren on the floor
her eyes light up
as he enters
through the door**
With every stride
across the room
whispered lyrics
begin to bloom
In an encore
from the night before
in her memories
now begins
a brand new score
**Thrums echo
as the rythmn keeps
time inside each beat
slight murmurs crescendo
and a long symphonic
overture erupts**
He draws his notes
in the cream of her curves
Dismantling her inhibitions
soothing her nerves
Tongues in a waltz
senerading to thunderous beats
in a rhythm more shattering
than the rolling waves of the Sea
**Lights flicker
as his eyes roll
visions of grandeur
in tow breathless
they gasp for air
not wanting this moment
to soon disappear**
Driving urgency tenderly drizzle
ending one where the other begins
melting in the stillness
of tangled bodies and limp limbs*
#
Jun 4, 2018
Jun 4, 2018 at 8:24 AM UTC
my whispers,
they float over the currents
braving the undulating waves in our overture...
around their necks, hung time-worn pendants
whispers...
struggling to convey my sentence
like wreaths adrift perhaps with hope
like a requiem filled perhaps with remorseful penance
but more like weakened footholds on a slippery slope...
this dream...
only spoke grandly of sprawling blackness
where nothing did gleam
only thoughts heavy but...
oddly weightless
except for...
a repertoire of transgressions...
raucous and obnoxious
mischievous taunts that pull me back
caging me,
enslaving me,
smothering me senseless
that was my consciousness
where second chances exist...
in faint sporadic eruptions
through the heavy curtains of uncertainty's mist
finally awakened by hastened breaths
heavy and laboured
as like previous temporary deaths
I could hear my heart
thumping...
beating...
fighting...
to set its beats apart
breathe deep...
allow the new day's air sink in
rise fully from sleep
wake up
and...
let today begin
Mar 23, 2015
Mar 23, 2015 at 8:01 AM UTC
There is magic in live theatre
It can't be understood
For even watching a bad play
Is really something good
The footlights and the curtains
The sound of actors on the boards
Of orchestras and the sound effects
Of cheaply painted swords
The theatre is a special place
It excites me to no end
It's a long lost brother coming home
It's a warm and welcome friend
Sitting in a theatre
Waiting for the overture
Is an illness I suffer happily
And one for which I wish no cure
Good theatre is transporting
Takes you where the actor lives
You sense it in the speeches
That every actor gives
You get lost in what's going on
You feel hurt and you feel pain
And when you get another chance
You splurge and go again
Live theater is hypnotic
It's a world that stands alone
It's a place inside your being
You learn how love is shown
It's where you listen to great music
Played by artists never seen
Where you hear the actor's heartbeat
Unlike on the silver screen
Live theatre is true magic
I can't tell you how I feel
when I see a live performance
I know exactly what is real
The lights are slowly dimming
I hear them closing the lobby doors
Shhhhh....the orchestra is ready
Here comes the overture.....
Feb 21, 2013
Feb 21, 2013 at 11:33 PM UTC
Alexander K Opicho
(Eldoret, Kenya;[email protected])
I don’t don't how much the world is tired
Of hearing again in this year that
Still tribalism and negative ethnicity
Is Gog and magog with Africa, I mean Africa
The second largest continent in the world
After Asia, being seconded by Americas,
Her only cultural overture is tribalism and tribes
Large tribes swallowing small ones
Small tribes making desperate moves
Like bush ****** in the lethal fangs of the python,
Large tribes swallowing political fruits as the small ones
In despair look, being choked by forlorn appetite,
Tribalism, listen! Leave Africa alone; stop messing up the African youth
Tell the Dinka and the Nuer of the southern Sudan to put down the arms
The arms made in the old Russia, the AK 47,
Tell them to go to Russia not to buy
Arms but books of poetry and literature
To buy Dead souls of Nikolai Gogol and
Brothers Kamarazov of Fydor Dostoyevsky,
Tribalism, listen! Am tired of introducing myself
By my clan, I don’t want to be known by my clan
I want to be known by my work; I am a poet
I sing and chant the African incantations of freedom
I do not perpetrate feelings of tribal terror
It is never my work to cement ethnicity
Tribes are good but tribalism is evil, or satanic or impish
Or gnomic or macabarous or ghastly insidious,
As its hatred is the most heinous.
Jan 12, 2014
Jan 12, 2014 at 8:53 AM UTC
*Evening has subsided with a whisper in the west.
It chased the sunset's final rays as she prepared for rest.
Night has dropped her curtain but the moon has come to play.
The overture begins, as lonely crickets have their way.
The breeze begins to soften and the grass is standing still.
The leaves no longer beckon in the trees upon the hill.
I huddle in the darkness and await the rising wind.
A prayer is formed upon my lips, in homage to a friend.
And there ... I feel the sweet caress, a hand upon my cheek
A breeze that comes from someone ... from the passing soul, I seek.
And as I watch the lingering stars and hear the rustling leaves
I know that she has left this world and heavenward, she weaves.
I bid farewell to one, who loved this life, and all it gave
I dedicate this poem to her and toward the moon, I wave.*
Jun 8, 2017
Jun 8, 2017 at 10:33 PM UTC
captive audience listening
to the hornets pouring out of me
i was running fingers
listlessly down your face
and dreaming of acid rain
—a picture in my head
that refused to die
ever mindful
of the bedroom door
hinging on your aches
and unborn eyes
the reanimated heart
chimed
with the twisted shape
of what awaits us all
a rising overture
from behind the veil
warm, wet handed
in a bath of blood
Dec 21, 2017
Dec 21, 2017 at 10:15 AM UTC
"Stop It!" shouted the man
who was dressed in a ***** pin stripe suit,
eye glasses half askew on his nose,
ski-slope haircut sported since his youth.
My face turned blank, shoulders shrugged
not fearing this man's belligerent outburst
because I was used to it;
it was the hundredth time I felt it's sting.
I stood there, patiently and quiet
caressing my double bass violin
my secret seventh grade lover;
she had **** curves and a deep, soothing voice.
I stood there, impatiently and quiet
waiting for Mr. Heidrich to finish the lesson
focused on the third seat violinist
whom played without feeling, again.
I stood there, overbearingly anxious
tapping on the shoulder of my wooden BFF
my rendition of the William Tell Overture
A performance worthy of a Grammy!
The man in the ***** pin stripe suit,
turned and looked at me, scornfully
his half-bald head turned beet red
body shook violently like an earthquake!
The energy released from his gullet
would have made Mount Vesuvius jealous
fiery vocals of curse and rage
would have made the evilest of demons run for cover!
My face turned blank, shoulders shrugged
not fearing this man's belligerent outburst
because I was used to it;
it was the 101st time I felt it's sting.
Sep 26, 2018
Sep 26, 2018 at 5:11 PM UTC
The ladies men admire, I've heard,
Would shudder at a wicked word.
Their candle gives a single light;
They'd rather stay at home at night.
They do not keep awake till three,
Nor read ****** poetry.
They never sanction the impure,
Nor recognize an overture.
They shrink from powders and from paints ...
So far, I've had no complaints.
3.6k
I am a sheet of music
I start quietly building on the quartet of Strings
the Violin starts a shimmering sound
backed up with the viola
the solemn sound of the cello
and the ground breaking bass
united in harmony
There is a rest a break in note
I am part of a Symphony an overture
out of the heart of the music
a quiet roll
the timpani building in sound
full orchestra building in amazing ******
Fireworks, Percussion, Brass, Woodwind, Strings
Combined together in unity
performing to the quality levels of sound
the amazing Tchaikovsky in 1812
Creativity and Imagination
shaking the core of the earth
Nov 27, 2014
Nov 27, 2014 at 1:01 PM UTC
Here lies a continuation of being.
View it as scenery indifferent to the weather channel.
A silent, exponential inverted sunshine euphoria
Warming the deepest letters of the soul:
U and I swaying outside linear cubic conventions corroded-
We sway like flowering Earth Resonance blooming as foreign
[Sensations]
A toe-curling in the chest stretched intimate at the highest hour
[Movement]
An unconditional syncopation of the heart and mind echoing a
Design as Liquid Resonance - I am that which you are.
“I could cry solid tears. Where have I been all these years,” says
You to reflected I rippling
[Perception]
Never spoken, only written as an abstract entity aware of vibrations
Tethered to timeless stories never read, only felt as I and U in
Reflected them, the missing strangers with a need to be found
[Immortalized]
Twisted eyes, encumbered lips, everflowing knitted letters stuttered. Kissed. Growing from itself a rehearsed mantra embroidered pattern discord. Mythical. The murmuration of a serenade’s evil dermis that feigns thick to tooth and claw, but silences to love as the overture.
Wide-eyed, you and I are a nascent reprise of words cloaked in inked pages turning in the billowing wind.
"Read them to me."
So I read in heavy rain.
From Monday to Sunday.
May 8, 2016
May 8, 2016 at 1:20 PM UTC
The Quantum Poetry Theorem
from a long time ago,
a thousand poems a priori.
**Dedicated to you, Albert Einstein and the cast of TBBT, special thanks to the OWS movement.,
But especially to the few, the brave, geeks who write poetry in word and in equations.**
Scruffy, yet ennobled,
my own 99% invade and
occupy all my senses,
in my eyesight encamped
sensing opportunity,
the 99 demand
that each shutter eye snap,
all nominal exhalations,
every quantum minutia perception,
be live streamed,
direct tv to you
Everything I witness,
transformed into an
acoustic guitar rocking vision,
a levitation of poetic expression,
set to a primitive three-chord
rock & roll overture,
and my iPad,
appointed Recording Secretary,
compiles exhalations as ecrivations
a preservation society of the verb,
strings of words emanating non-stop
within my head, from a guitar playing
twenty four seven, ironically,
expressed mathematically
Street strolling,
busy brasserie bar,
a Pinot Noir arrives,
a large pour of
stanzas and a
napkin upon to scribble
mind in ferment but
A Capella smooth cool,
my bossy brain requires
incident reports,
a "write me down, please,"
and
no matter how much I drink,
ain't anti-matter enough to
stop my eyes from seeing
every human interaction
as a poetic, probabilistic,
verbal equation,
quantum expressions of sensory upload
The brain revels and reels from overload,
no mas, no more,
poetry fatigue incurable,
caplets and ointments,
string theory,
can't cure or explain
the compulsion I feel,
and the 1% of me
protests my
overtaxed mental capacity,
and
hear the, see the, masses,
the shouts, the placards,
outside my home,
shut it down, no one cares,
no one wants your transplanted mechanics
in their eardrums
Huzzah, found in my gut,
a Grand Unifying Theory
to coordinate, gauge and harmonize
my internal asymmetries,
yes, a coupling factor required,
but still,
one equation that explains everything!
my fatigued, pointy, index finger
refuses to tap any more,
my Theory of Everything,
and my poetry, forgot, overlooked.
in my library buried,
black holed, forever silence-stored
Sep 8, 2013
Sep 8, 2013 at 3:48 PM UTC
redefining awkward definiens
endorsing victorious evening
clamoring hawk-like intonations
conjecturing additional goals
optimizing ambient network
winning illinoisan night
trapping hacked-up events
warping æsthetic remnants
resuming inaudible overture
rallying auric-state net-work
defying anti-punk technophobia
eliminating cavalier homies!
minding icelandic anniversary
winging ersatz excuses
kicking ecstatic nerves
denying lackadaisical event
questioning upper echelons
brûlant en calice
Sep 7, 2015
Sep 7, 2015 at 11:18 AM UTC
1.She seized me with one glad eye,
Some cryptic intent lurking behind.
The other eye gestures to me,
To move closer, I couldn't see why.
2.But her overture my system accepted,
Though not fully understood by me.
I couldn't even process the proposal,
But the verdict was out without the judge.
"My system is compromised, no doubt,
She has managed to hack it, I did suspect.
My legs moving towards her in quick time,
Is clearly the evidence for the breach.
Her kohl lined eyes, too played some trick"
On mind's screen, thoughts flashed.
3.She met me half way through,before
It became too evident, the undercurrents
That control the whole episode,unferled.
The smile she flashed was a command,
Didn't I hear a click, somewhere deep inside?
4.Her Kohl lined dark eyes
Concealed a suggestion of magic.
Dramatically she said what sounded,
Like a convoluted password,
My transformation was completed.
As a green parrot, so exotic!
5.Did I ever in my life
Had any hunch, that indeed I was
A parrot in disguise, and my sole aim
Was to meet her, the siren with distinction,
I loved the stupor slowly taking over.
To me it was what was badly needed.
After such magical change to an avian!
That too without even the wave of wand.
6.Gently she lifted me and put,
At a spot on her left shoulder.
Then, as if by some prompt,
I started telling her, things he liked to hear.
This I guess as parrots we learn from nature.
A line of eager admirers she walked past,
They seemed pleased hugely, no doubt,
Because, she is with some one,
She seemed specially care.
7.At home, the enchantress was
In her elements, on a cage hung high,
On a perch, I sat gazing at her.
The prince in daring disguise,
In a bid to meet the enchantress in person,
And lose myself in her radiance.
Her face beams a smile that sugests,
All of this was a trick , she had perfected
In keeping with nature's wish.
Jul 19, 2021
Jul 19, 2021 at 4:35 PM UTC
Hungry, reckless, nasty,
Bursting, burning, babbling,
The youthful heart beats on and beats itself up
For the sake of loving others
And the selfish joy that hurts so good.
So bruise me, cut me, slice me open,
Gut-wrenching love of twenty-something’s,
That breaks glass ceilings and my own heart.
I will gladly swallow all the scars your teeth
Leave behind upon my greatest instrument.
This is merely the overture, but it feels
Like we are toiling in the crescendo;
With heavy breathing and a thirst for life,
My heart, the drummer, sets the rhythm
For everything alive in me.
Jun 18, 2014
Jun 18, 2014 at 12:20 AM UTC
Within the nook of a dell,
a good distance
from obloquy
and inhibition,
floating on water,
listening to birdsong
descend down
the stream
of a musical scale.
Don’t need to believe
or even consent to
any critique,
any look-see,
you are free and light
on the surface,
buoyant and supple
beneath.
Languid movements,
reminiscent
of a weir,
cascade
and trickle,
springing forth
to orchestrate an overture.
This feeling is
beatific,
euphoric,
the moment one of
nonpareil,
bijou,
objet d’art,
and these transports
are yours only
to involuntarily
succumb to and relive:
Rhythmic waves
quivering
upon your shore,
as your limbs and spine camber.
It’s no wonder
you often lift
your voice in song.
Oct 19, 2019
Oct 19, 2019 at 8:01 PM UTC
Now sit there, just a minute, hold on, hear my tale
for just a minute.
One of humanity, sincerity, tragedy
Of when I was there, live from the square.
Jackson Square.
Not the one of Coin Coin, the Nevilles, the Toussaints,
Allen or L’Overture.
This is one of a momma and her baby
in 2008.
Three years, three years,
three years after the flood, three years after the storm.
Let me paint you a picture of Orleans as it stood one day in 2008
as it stands today.
2008, NewOrleans:
What happens here, no one will remember in the morning.
The buskers, the tunes, why, even the voodoos get the blues.
Walking towards Bourbon
The lights, the sin, the history
New Orleans, where life ain't so easy.
There’s a family down there who don't survive so peacefully.
You can see them if you walk down Canal St., leisurely.
There, sleeping on the courthouse stairs,
A mother and her child who own only the clothes they wear.
The boy was young, elementary-aged
Curious too, I could hear him ask questions:
"Mama, why don't we got food?"
And her reply,
"Son, that's just the way it is, life's just hard for me and you."
Sitting there on the courthouse stairs.
I take my place on the opposite side of the stoop,
Watching the crowds go by.
The women in their high-heeled shoes
The men with their shirts half-open.
Grenades in hand, ***** in the blood,
Pockets full of cash and hearts full of lust
New Orleans
What happens there, no one will remember come morning.
The buskers, the tunes, why, even the voodoos get the blues.
There’s a family on vacation there
In such a sinful city, a family.
White, middle-class, suburban, all too WASP-y.
mom, dad, a daughter and a son,
elementary aged, with a pop in his cheerful step,
On the way to a nice restaurant
gon’ eat crawfish, gator, red beans and rice, jambalaya.
They’ll forget to tip the waiter.
New Orleans,
What happens here, no one will remember come morning.
That happy family, walking down Canal St.
Like walking out the gates of hell
Where the lost souls sit on the stairs
Begging for something, anything at all
The happy family had ‘bout reached the courthouse when the young boy asked
"Daddy, why don't they have any food?"
His father covered his son’s eyes with his white hand and replied,
"Here son, let's go and find a toy for you to buy."
And the kid shrank after seeing this mom and her son
His innocent eyes died and he said,
"I don't want a toy. I don't want anything"
They walked on by, the happy boys' head turned the whole time,
those eyes. Stuck on the family that was stuck on the stairs
Mom dad, a daughter and a son,
Elementary-aged with a slump in his sunken step.
Now, in my mind I wonder:
was it more monumental that my life changed
or that a had life changed before my eyes
New Orleans, two thousand and eight.
New Orleans, today,
what happens there, no one will remember come morning.
Aug 2, 2013
Aug 2, 2013 at 11:35 AM UTC
somewhere between the
first date and the last date
Joni Mitchell,
she, me
encapsulates
I'm remembering well,
pounding the dashboard of a red Jag,
laughable now, mocking this fool's need
for a middle age conceit,
his heart to restart,
reactivate
in enthusiastic lockstep with the voice of the
Joni, the blonde goddess of his youth,
foot falling in love, with the accelerator,
speeding along
at a
joyous sixty five,
in places where the signs said,
"thirty five to stay alive"
this aged Rip Van Winkle teenager,
in reverse osmosis of Big,
an old buck, come back to antlered life,
singing along to the CD disc
set on
backdate
*I could drink case of you,
and still be on my feet*
and he could
rediscovering the champagne taste
of a great first date,
feeling the heated blood and fevered mind,
symptoms of the pleasures of a robust
anticipate
thinking she's the one
who will make him great,
happy greater, greater happy
than that one ever, ever,
he thought was roulette~wheel possible,
landing on the red of hopeful for a
floodgate
overture spilling
months, days, minute minute moments (tiny time intervals),
of the fated faded last date later, the next eve, next day
or the next of never,
comes the
deflate
but then,
Joni singing comfort words,
reminding him that he would be,
wisely, sadly seeing, feeling,
both sides now, and yet again,
getting his mind back to
straight
*I've looked at love that way,
but now it's just another show.
you leave 'em laughing when you go,
and if you care, don't let them know,
don't give yourself away*
a grown man punk'd, blasted,
dumb and dumber, dumped,
a feeling sorry sad sack self,
until he himself
reflates,
drink another case,
onto yet another
magical mystery first
date
pounding that dashboard once again,
believing it's not too late
that perfect roommate heart's to find and
captivate,
to attain, invade, acquaint and laughingly...
serenade
Jul 5, 2016
Jul 5, 2016 at 8:38 PM UTC
Submerged in the empire of your tide
Trying to feel unobtrusive, let me saturate
Lips filling with the brine
You pop sweet oxygen bubbles
Chewing gum at its finest
Pulling candy from my estuary
Blue blood sweeps from between my fingertips
Floating face through
Eyes open into yours
The deepest tide-pools I've ever seen
Slipping into the tangle of
Your fingers
The swivel of refraction
Shattered warmth diffused in frosty capped overture
Oh to be a native of you
Never needing a map or a light or a guide
Swallowed without notice
Nothing but another wave the endless
March of tumbling reverb
The only reaction possible to your vocal chords
The song of the ocean
The simmer of the tide
Mar 24, 2013
Mar 24, 2013 at 9:39 PM UTC
Am a Templar Knight whose allegiance is to Our Lord Jesus Christ
Sir Thomas de Charney is my name, Master of the fortress in Gaza
Was compelled to quill an account of an assault on the town of Ludd
My heart was also dazed and enamored by a young woman evermore
We left Gaza late in the day; I took 40 of my best knights with me
Fully clad in mail and helmets, we dashed long swords in scabbards
Short swords made at the ready to perlustrate with a days provisions
We headed east prepared to do battle, for God and for the cause
We approached Ludd; saw billowing smoke; heard strangled screams
I dispatched 35 knights throughout the municipality in groups of 5 each
My orders were; execute requisite to save townspeople from slaughter
An appurtenance to the initial order: no parley with these infidels
Before dismissing my men, I saw smolder swell left flank of the border
Saw a hovel, the thatch was burning out of control and spreading apace
Around the corner were three enemy soldiers crowding over someone
Until the last few years, I knew not what **** was; the worst in a man
Despite noise of city under siege, these ******** were intoxicated in sin
The remaining five knights accompanied me and covered the perimeter
I dismounted Petra, clutched the hilt of my long sword, made approach
The three heathen sensed my bearing and turned to meet their death
Then I saw her face and was transfixed
I would yield no prisoners
Today there would be justice for this woman
I pray for swiftness of divine retribution
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
To be continued…………
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Dec 29, 2014
Dec 29, 2014 at 1:54 PM UTC
Lost in a sea
Of false realities,
****** fantasies and
Tiresome formalities.
Accustomed to the overture of
Treachery writhing in mouths.
Staggered by waves
Eclipsing my
Avenue to fulfillment
Nov 20, 2013
Nov 20, 2013 at 2:15 AM UTC
Men with picked voices chant the names
of cities in a huge gallery: promises
that pull through descending stairways
to a deep rumbling.
The rubbing feet
of those coming to be carried quicken a
grey pavement into soft light that rocks
to and fro, under the domed ceiling,
across and across from pale
earthcolored walls of bare limestone.
Covertly the hands of a great clock
go round and round! Were they to
move quickly and at once the whole
secret would be out and the shuffling
of all ants be done forever.
A leaning pyramid of sunlight, narrowing
out at a high window, moves by the clock:
disaccordant hands straining out from
a center: inevitable postures infinitely
repeated—
two—twofour—twoeight!
Porters in red hats run on narrow platforms.
This way ma’am!
—important not to take
the wrong train!
Lights from the concrete
ceiling hang crooked but—
Poised horizontal
on glittering parallels the dingy cylinders
packed with a warm glow—inviting entry—
pull against the hour. But brakes can
hold a fixed posture till—
The whistle!
Not twoeight. Not twofour. Two!
Gliding windows. Colored cooks sweating
in a small kitchen. Taillights—
In time: twofour!
In time: twoeight!
—rivers are tunneled: trestles
cross oozy swampland: wheels repeating
the same gesture remain relatively
stationary: rails forever parallel
return on themselves infinitely.
The dance is sure.
1.9k
Dawn is locked in pastel reverie. A witness to the slow, fleeting genocide of stars as they are burned out one by one. The morning expands suddenly over the course of dawns gauntlet. The traffic and life of all men begins to trickle in time as the heavens die. The waltz of civilisation and Progress has entered its overture. Let us pray the dancers knows the steps. The jazz of night-time has left, only the instruments remain, frozen in morning dew.
Dawn licks up her pastels in a binge that leaves the day a clean blue plate. The scents of jasmine and wet asphalt greet this day; it is the stench of midnight mystery dying in the sun.
Poets have words for this condition; we have written about maladies for centuries.
Nov 10, 2011
Nov 10, 2011 at 10:51 PM UTC