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"oval" poems
Beauty Radiates from your diamond like Oval eyes as they look upon the World, giving it's many facets New meaning with each glance. Everyone that knows Your eyes can feel the Elation of being at peace with Death now that they have looked into the gates of heaven. Gazing into them causes deep Introspection because seeing your own Reflection through such a perfect orb Leaves you wondering what you could have been.
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Mar 13, 2015
Mar 13, 2015 at 11:05 PM UTC
Eyes
Since Christmas they have lived with us, Guileless and clear, Oval soul-animals, Taking up half the space, Moving and rubbing on the silk Invisible air drifts, Giving a shriek and pop When attacked, then scooting to rest, barely trembling. Yellow cathead, blue fish ---- Such queer moons we live with Instead of dead furniture! Straw mats, white walls And these traveling Globes of thin air, red, green, Delighting The heart like wishes or free Peacocks blessing Old ground with a feather Beaten in starry metals. Your small Brother is making His balloon squeak like a cat. Seeming to see A funny pink world he might eat on the other side of it, He bites, Then sits Back, fat jug Contemplating a world clear as water. A red Shred in his little fist.
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12.3k
Balloons
Here is the girl's head like an exhumed gourd. Oval-faced, prune-skinned, prune-stones for teeth. They unswaddled the wet fern of her hair And made an exhibition of its coil, Let the air at her leathery beauty. Pash of tallow, perishable treasure: Her broken nose is dark as a turf clod, Her eyeholes blank as pools in the old workings. Diodorus Siculus confessed His gradual ease with the likes of this: Murdered, forgotten, nameless, terrible Beheaded girl, outstaring axe And beatification, outstaring What had begun to feel like reverence.
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11.3k
Strange Fruit
Shackled imprisoned in an oval office Called Robben island Transformed Unshackled twenty seven years later Freed a nation from an apartheid regime Inspired the world from the Grand parade A Universal Icon Humanitarian *** laude Now honoured in the halls of Valhalla Glorifying God...Looks upon us With Love from the heavenly realm INKULULEKO AHLULA
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Jul 10, 2018
Jul 10, 2018 at 5:13 PM UTC
Libertatem Victoria
A simple cafe The woman with the latte I see her Those peach pink lips Your jeans fadded blue Blonde curly hair Skin so fair Oh the things I would do Across the room Her Carmel colored skin Brown long hair Breast perked so Coke bottled body And you Oval shaped eyes Sun kissed freckles so fun sized Burgundy bleached hair Suckulant grape lips Thick curved waist Coffee hazeled eyes Eyes.... She pierced my sight I glanced back She knows I'm looking My deviant thoughts Tension rises Three seconds four and five I break contact I head to the door Stumble ****** She's at the door Our bodys touch "Hey do you dance" I so dance Respond "Yeah I do" " well you should meet my boyfriend He does to"
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Jun 1, 2014
Jun 1, 2014 at 5:46 AM UTC
the art of rejection
She prays upon an oval pill While the universe plays the blues Colors mix with audio pollution Incongruous are the hues Her head’s a church of bats Screeching and shrilling, imagine that Her stereo is her only muse
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Jan 2, 2013
Jan 2, 2013 at 12:30 PM UTC
Audio Pollution
A Noun: The oblong: a thing: The name of that lounge : a place By the face of the strange shaped lake... Dinosaur Egg / oval / green grapes. An Adj.: Oblong Longboard That’s such the coolest name A person: Not a thing oval shaped . Mr. Ellipsis made no complaints About tiny alien ant farms “From Outer Space!” The natives made to slave. *Oblong grew his beard out After the sideburns days Mr. Ellipsis far far away* Fires of the Sun Will not discern—when The Light returns The wyrm will burn . In oblong throes of defeat. At peace : A Verb.
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Jul 9, 2018
Jul 9, 2018 at 5:10 PM UTC
Oblong : i.e.
there is a darkness that the silver song of soft illusion lights in symbolic equivalents of images real it is a light brutally interrogative magnifying with dazzling rays the breakage at the jagged edges of the world and lays hostage to impersonation that resembles fragments of smashed oval shaped mirrors reflecting pieces of broken brown terracotta soldiers and causes the eyes to hurt with a watched inner holocaust of disturbing coloured detonations, implosively autonomous given to a deceived departure a departure from reality given by the advocacy of ideological rationalism that sees three kings with blood on their crowns in amplified convulsions call mustre for disturbance, disorder, destruction and death as blood stains the Balkan streets and all emotional impulse is volatilized and a sinister, stuporous, stagnancy stalks the land where sustaining minds are subject to a brutal insensitivity that dazzles on the edge of a spiral vertigo it is a light brutally interrogative magnifying with dazzling rays a vocabulary of incoherence like the rancid stains of ***** that inhabit the jagged edges of the world
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Apr 24, 2014
Apr 24, 2014 at 1:25 PM UTC
Crimean War???
Orange capsules of condensed vitamin C Tumble out onto my cracked, Outstretched palm, As I arch my spine towards the bathroom sink, Scooping lukewarm water from the faucet Into my half closed mouth- The tiny pills clog my upturned throat: Just two of the numerous solutions To a world too numb To contest. I've never felt more alive, Than when I'm drowning my body With handfuls of tap water And magic remedies bottled up and Marketed to a world Afraid of growing old. Lining the wall of local drug stores, One isle over from office supplies And scented laundry detergent. Multicolored, multipurpose- Labels proclaim the fountain of youth To anyone alive enough to fear it. There's never enough of reality To reach our depleted veins Through the ever present forms Of the world. Enough isn't Enough, until we've convoluted it into a tiny Plastic oval, and forced it down the throats Of those well enough to swallow it. Pharmaceutical companies proclaim their Daily gospel in the linoleum streets Of hospital waiting rooms And local grocery stores, As I cross my heart and count the Hours until my next prescribed dose Of complacency. Who knew happiness Could have the bitter after taste of Vitamin B or The credibility of Zoloft. The sandman has been replaced by Benadryl, While creativity lies stagnant Beneath adderall's indifferent thumb. Obsession is a 26 letter alphabet, Strung together by a bunch of deficiencies, Incoherently droning on To the burden of Man, And flickering neon light Of a drive-thru pharmacy.
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Sep 26, 2013
Sep 26, 2013 at 1:41 AM UTC
Vitamin C
Orange capsules of condensed vitamin C Tumble out onto my cracked, Outstretched palm, As I arch my spine towards the bathroom sink, Scooping lukewarm water from the faucet Into my half closed mouth- The tiny pills clog my upturned throat: Just two of the numerous solutions To a world too numb To contest. I've never felt more alive, Than when I'm drowning my body With handfuls of tap water And magic remedies bottled up and Marketed to a world Afraid of growing old. Lining the wall of local drug stores, One isle over from office supplies And scented laundry detergent. Multicolored, multipurpose- Labels proclaim the fountain of youth To anyone alive enough to fear it. There's never enough of reality To reach our depleted veins Through the ever present forms Of the world. Enough isn't Enough, until we've convoluted it into a tiny Plastic oval, and forced it down the throats Of those well enough to swallow it. Pharmaceutical companies proclaim their Daily gospel in the linoleum streets Of hospital waiting rooms And local grocery stores, As I cross my heart and count the Hours until my next prescribed dose Of complacency. Who knew happiness Could have the bitter after taste of Vitamin B or The credibility of Zoloft. The sandman has been replaced by Benadryl, While creativity lies stagnant Beneath adderall's indifferent thumb. Obsession is a 26 letter alphabet, Strung together by a bunch of deficiencies, Incoherently droning on To the burden of Man, And flickering neon light Of a drive-thru pharmacy.
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From bristly foliage you fell complete, polished wood, gleaming mahogany, as perfect as a violin newly born of the treetops, that falling offers its sealed-in gifts, the hidden sweetness that grew in secret amid birds and leaves, a model of form, kin to wood and flour, an oval instrument that holds within it intact delight, an edible rose. In the heights you abandoned the sea-urchin burr that parted its spines in the light of the chestnut tree; through that slit you glimpsed the world, birds bursting with syllables, starry dew below, the heads of boys and girls, grasses stirring restlessly, smoke rising, rising. You made your decision, chestnut, and leaped to earth, burnished and ready, firm and smooth as the small ******* of the islands of America. You fell, you struck the ground, but nothing happened, the grass still stirred, the old chestnut sighed with the mouths of a forest of trees, a red leaf of autumn fell, resolutely, the hours marched on across the earth. Because you are only a seed, chestnut tree, autumn, earth, water, heights, silence prepared the germ, the floury density, the maternal eyelids that buried will again open toward the heights the simple majesty of foliage, the dark damp plan of new roots, the ancient but new dimensions of another chestnut tree in the earth.
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5.4k
Ode To a Chestnut on the Ground
Trip over the high density of our constant lies We're all out to break and hurt the non-elite Words and phrases they never meant a thing but to lure you in This facade of love that we send soldiers like cattle Down an assembly line to build and protect A fake America, burning towers tumbling down Bellowing the sweet sorrows of victims Whose screams we replay the audio over and over To divert you from seeing the real culprit   We are sick minded human beings with the thirst for enemies We'll kiss everyone we meet on the cheek And continue to fake what we tell you we'll be We prefer a stabbing to the back Never a full frontal attack And we have puppets We'll always find someone to replace the current like the forty four before The people's memories will fade and burn like corpses caused by the Enola Gay We''ll drop a bomb to wipe out everything mankind has worked for Because in the end we do not need peasants We have everything and everyone else has absolutely nothing And 99% will lay to waste and ruin in the ruins we leave to burn We'll pity so we can mislead to false hope Send small portions of rations to schedule feeding underlings Flouride in the drinking water to better control Corruption in the oval office classified, uncovered, never shared Always kept underwraps, never revealed just a hoax. Lips to ears do the whispers carry. A promise for a better tomorrow but a date will never be set for peace So we keep telling you that it only gets better And we'll think apologies fix everything Truth is we meant nothing in the first place Because we'll keep remaking mistakes that we apologize for Misery is our job Eating and breathing and surviving on the pain of lower humans Like clothed animals rampaging through a corrupt society So we'll let the people let their guard down for a quick second and us, vultures Will devour them quick in that moment To find you are empty inside, We've starved you of what you've needed Because all along, and everything we've ever done we never realized once you've all revolted this 1% would surely fall to pieces.
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Oct 4, 2011
Oct 4, 2011 at 12:59 AM UTC
Corruption
Trip over the high density of our constant lies We're all out to break and hurt the non-elite Words and phrases they never meant a thing but to lure you in This facade of love that we send soldiers like cattle Down an assembly line to build and protect A fake America, burning towers tumbling down Bellowing the sweet sorrows of victims Whose screams we replay the audio over and over To divert you from seeing the real culprit   We are sick minded human beings with the thirst for enemies We'll kiss everyone we meet on the cheek And continue to fake what we tell you we'll be We prefer a stabbing to the back Never a full frontal attack And we have puppets We'll always find someone to replace the current like the forty four before The people's memories will fade and burn like corpses caused by the Enola Gay We''ll drop a bomb to wipe out everything mankind has worked for Because in the end we do not need peasants We have everything and everyone else has absolutely nothing And 99% will lay to waste and ruin in the ruins we leave to burn We'll pity so we can mislead to false hope Send small portions of rations to schedule feeding underlings Flouride in the drinking water to better control Corruption in the oval office classified, uncovered, never shared Always kept underwraps, never revealed just a hoax. Lips to ears do the whispers carry. A promise for a better tomorrow but a date will never be set for peace So we keep telling you that it only gets better And we'll think apologies fix everything Truth is we meant nothing in the first place Because we'll keep remaking mistakes that we apologize for Misery is our job Eating and breathing and surviving on the pain of lower humans Like clothed animals rampaging through a corrupt society So we'll let the people let their guard down for a quick second and us, vultures Will devour them quick in that moment To find you are empty inside, We've starved you of what you've needed Because all along, and everything we've ever done we never realized once you've all revolted this 1% would surely fall to pieces.
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O’Silky smooth ballsac Stuck to my leg Ever-presence defines manhood As tree defines fruit And as fruit defines tree. Ne'er such a sense Overwhelmed my hot-spot As this dangling (oval, skin and nerves of) Oily pouch I cream. Yet A line as destructive As the San Andreas Fault- O divine chafe You reduce me You erode me As if we rented ******* Bikes
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Jul 26, 2015
Jul 26, 2015 at 6:44 AM UTC
Scrotal Wound
Two uncivilized platoons fighting each other like wild goons, just for a small oval ball. I feel like giving each one a ball to settle the dispute once and for all.
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Dec 3, 2014
Dec 3, 2014 at 9:22 PM UTC
RUGBY
an oval antique photograph from the century just passed six youthful brothers must be sunday dressed exuding life and promise facing forward all in line symmetry pervading sister mary in their center on the photos right a startling recognition an image seen before colins great grandfather raymond often ray in features and a gaze seemed as colin would have stood photo has a crease fading but still clear now with photos recent privileged to compare colin next to ray both fully present yet a gaze away rays gaze anticipating army time in paris fortune seeking in the west fortunes to be found four generations branching to colin and beyond colins gaze capturing a journey now beginning does he see montana paris or the stars repeating patterns forward reflect photographic truth music completes the pattern with colorings of sound rays trumpet and harmonica introducing a guitar which colin has absorbed thus in his confirmation new dimensions now foreseen confirming four generations reflecting many more expanding light and love carrying our gratitude for the glimpse an old photograph favored us to find (poem written for my grandson's confirmation....)
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May 9, 2012
May 9, 2012 at 12:38 PM UTC
confirmation
Her long fingers grasped the midnight blue pigmented stick of oil, pulling it across the sand coloured card as if nothing else existed. The way she focused on the piece of art she was creating-a piece of art much like herself, was exhilarating. On the card was variations of shapes, colours and shades- much like herself. She wore a prominent frown when she drew, shaking her head and muttering things to herself when she went outside the lines, making her hair fall into the middle of her shoulder blades. Just like her masterpiece, she was made up of shapes, colours and shades. Eyes a large oval shape her nose a  triangular sculpture against her soft features. The skin on her nose and against her cheeks were a darker shade of olive, compared to the rest of her imperfect countenance. Hair like black coffee cascading down her back, merely reaching her frail waist. A sense of nostalgia surrounded her small frame. The masterpieces she creates show sentimental meanings, hidden with oval shapes and midnight blue pigmented sticks of oil, much like herself.
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Apr 18, 2015
Apr 18, 2015 at 5:00 PM UTC
Much Like Herself
Revolving in oval loops of solar speed, Couched in cauls of clay as in holy robes, Dead men render love and war no heed, Lulled in the ample womb of the full-tilt globe. No spiritual Caesars are these dead; They want no proud paternal kingdom come; And when at last they blunder into bed World-wrecked, they seek only oblivion. Rolled round with goodly loam and cradled deep, These bone shanks will not wake immaculate To trumpet-toppling dawn of doomstruck day : They loll forever in colossal sleep; Nor can God's stern, shocked angels cry them up From their fond, final, infamous decay.
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3.8k
The Dead
I built a Greek column A Tuscan column to be precise It's about three floors in height I used materials I didn't know I owned Shimmering and glistening small white oval pebbles Flat and fat ones Sand, best of its kind Limestone with all its magical properties And Nautilus shells from the beaches of Callao. I wish I have built it for looks only But I did it for me It fits well between my neck and naval line For when my earthquakes threaten my core
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Jun 3, 2019
Jun 3, 2019 at 7:41 PM UTC
Greek Column
I open up to you My Deepest and Darkest thoughts Gloom was my mind in the thick mist of depression Awaken was the beast of endless tears The sorrow of always living in fear Having an open heart Subsumes the probability of a broken Soul Pieces shatter of ice so thin So cold it makes the flesh As it travels within the cracks of the pulsating muscle So red and pure Lively and pulsing Transiting life in the form of little oval hopes Peaceful as they move in motion Rhythm as they move with stride Knowing they are keeping the body alive The cold turns blue Blue is the gloom Blue is my favorite color The blue of cold Souls freezing what is giving me life The blue freezes Motionless is my body Silent is my heart Can you hear it? No longer is it alive Yet I am still breathing Barely My eyes fixated at a wall that has been torn Trust has won the war to break these walls And now deception reigns through my veins Black as death as it poisons my skin Revealing to the outer world a broken-hearted fool You fool You complete ***** I look for comfort only to realize I am alone Alone in a world where so much care about you? How is that possible? When the one you care about the most Is not there Does not hear you calling Does not feel your pain Loneliness resides And darkness rises And my life Is now an everlasting crisis
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Jul 15, 2014
Jul 15, 2014 at 11:59 AM UTC
A Frozen Heart
Because of the allegations that have come out against Hillary Clinton, she's a person who I don't trust. Hillary supporters don't want me to tell you this but I must. Because of these allegations, I can't and won't trust her to run this country. If I was a politician who was facing such allegations, people wouldn't vote for me. I don't trust Hillary to be in The Oval Office. She shouldn't be elected, I firmly believe this. If you're going to vote for her, you have that right but what I've said had to be mentioned. I don't think that Hillary Clinton is trustworthy and I have to bring that to people's attention.
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Feb 28, 2016
Feb 28, 2016 at 7:50 PM UTC
I Don't Trust Hillary Clinton
A rhombus is my favorite, crooked square. I like haunted houses with windows with faces and fun houses with mirrors that oval circles that distort my body two hundred degrees. I like haunted houses with doors at right angles, and half moon neon protractors that blur every shape zero degrees.   I like cubes I stack four cubes high. I like half moon neon protractors and scientific calculators. I like cubes I stack ten cubes high and old houses with ceilings that creak. I like scientific calculators and dividing eight billion by pi. I like old houses with ceilings that creak with cylindrical cans filled with old beets. I like dividing eight billion by pi and fun houses with mirrors that stretch right angles. I like old houses with crooked windows, like I said a rhombus is my favorite.
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Oct 4, 2010
Oct 4, 2010 at 9:40 PM UTC
Geometry and Me
on a sapphire lawn, a glass vase of mushrooms stands on its head. a platter of crème custard naps, while a bunch of grown sunflowers tease us with their posture. the moon is low, drunk, & stretching its borders, over oval bushes, a little lorax hides behind them. by the flower patch, a golden mushroom statue is squinting. the black beam on his head sprouts tall, arches, then dangles the celestial chandelier. i am laying on the grass, under the bubbled & weeping cerulean tree. come and join me for a dinner of daises.
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Dec 25, 2013
Dec 25, 2013 at 6:36 PM UTC
backyard scene
banana skin salad in artificial lemonade peacocks salivating mushy rooms belly aching Oreos are okie dokie ocean breezes open up me analyzing any eyes evaluating coffee grinds a manifesting apple in me apple in the Snapple leaking sticky salamander fingers static on a broken speaker attics over broken theaters salmon eating taco teachers teaching choco taco preachers preaching at Chicago creatures opal rings and oval things are focusing on yodeling a social need for opening in total global offerings and in a soup or telephonic happiness in playing sonic gently speaking thick Ebonics sickly tonic Let's be honest, boys
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Aug 18, 2014
Aug 18, 2014 at 1:26 AM UTC
sack of jaweea
I hate how I can remember every little detail. That makes me obsessive…doesn’t it? That’s one thing I don’t understand about our society; we’re always trying to be normal. We want…confidence for example. We want confidence and if we don’t have any we automatically have selfhate problems, but if we have it we become obsessed. Does anyone here really know the true definition of obsessed? Because I would really like to know, really. Alright, then answer me this, why is it always negatively understood? Is it all that bad that I know the exact moment when she is going to fix the undone bow on her left shoe because I can see how it has been eating her up inside for the last five minutes? But, she would never in a million years stop her speech to us to fix the undone bow on her left shoe. Is it all that bad that I know that she has been wearing those shoes for the past thirteen days and the bow came undone on the third? I know that she has a freckle right on her right jawline even though it’s small and not that noticeable at all. But, I noticed it. That makes me a freak, doesn’t it? And in addition to that, I am completely aware of her breath and the amount of time it takes for her to breathe in from her great, pretty nose and breathe out once again. I am completely aware of the way she always picks at her medium-length oval squared nails when she talks. I am aware that she wears two rings on her right hand, one on her middle finger, one on her ring. I know that she swears quite frequent actually, but catches herself every now and then replacing the cuss with a letter. You know something, I may be obsessed. I may be a freak and I may be crazy. But, no one else in this world has the privilege of knowing this woman or appreciating her as I do. Because no one ever took the time to notice the undone bow on her left shoe.
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Dec 17, 2012
Dec 17, 2012 at 7:34 PM UTC
Undone Bow
I hate how I can remember every little detail. That makes me obsessive…doesn’t it? That’s one thing I don’t understand about our society; we’re always trying to be normal. We want…confidence for example. We want confidence and if we don’t have any we automatically have selfhate problems, but if we have it we become obsessed. Does anyone here really know the true definition of obsessed? Because I would really like to know, really. Alright, then answer me this, why is it always negatively understood? Is it all that bad that I know the exact moment when she is going to fix the undone bow on her left shoe because I can see how it has been eating her up inside for the last five minutes? But, she would never in a million years stop her speech to us to fix the undone bow on her left shoe. Is it all that bad that I know that she has been wearing those shoes for the past thirteen days and the bow came undone on the third? I know that she has a freckle right on her right jawline even though it’s small and not that noticeable at all. But, I noticed it. That makes me a freak, doesn’t it? And in addition to that, I am completely aware of her breath and the amount of time it takes for her to breathe in from her great, pretty nose and breathe out once again. I am completely aware of the way she always picks at her medium-length oval squared nails when she talks. I am aware that she wears two rings on her right hand, one on her middle finger, one on her ring. I know that she swears quite frequent actually, but catches herself every now and then replacing the cuss with a letter. You know something, I may be obsessed. I may be a freak and I may be crazy. But, no one else in this world has the privilege of knowing this woman or appreciating her as I do. Because no one ever took the time to notice the undone bow on her left shoe.
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FIRST Be it a girl, or one of the boys, It is scarlet all over its avoirdupois, It is red, it is boiled; could the obstetrician Have possibly been a lobstertrician? His degrees and credentials were hunky-dory, But how's for an infantile inventory? Here's the prodigy, here's the miracle! Whether its head is oval or spherical, You rejoice to find it has only one, Having dreaded a two-headed daughter or son; Here's the phenomenon all complete, It's got two hands, it's got two feet, Only natural, but pleasing, because For months you have dreamed of flippers or claws. Furthermore, it is fully equipped: Fingers and toes with nails are tipped; It's even got eyes, and a mouth clear cut; When the mouth comes open the eyes go shut, When the eyes go shut, the breath is loosed And the presence of lungs can be deduced. Let the rockets flash and the cannon thunder, This child is a marvel, a matchless wonder. A staggering child, a child astounding, Dazzling, diaperless, dumbfounding, Stupendous, miraculous, unsurpassed, A child to stagger and flabbergast, Bright as a button, sharp as a thorn, And the only perfect one ever born. SECOND Arrived this evening at half-past nine. Everybody is doing fine. Is it a boy, or quite the reverse? You can call in the morning and ask the nurse.
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3.4k
First Child ... Second Child
And the trees about me, Let them be dry and leafless; let the rocks Groan with continual surges; and behind me Make all a desolation. Look, look, wenches! Paint me a cavernous waste shore Cast in the unstilled Cyclades, Paint me the bold anfractuous rocks Faced by the snarled and yelping seas. Display me ****** above Reviewing the insurgent gales Which tangle Ariadne’s hair And swell with haste the perjured sails. Morning stirs the feet and hands (Nausicaa and Polypheme). Gesture of orang-outang Rises from the sheets in steam. This withered root of knots of hair Slitted below and gashed with eyes, This oval O cropped out with teeth: The sickle motion from the thighs Jackknifes upward at the knees Then straightens out from heel to hip Pushing the framework of the bed And clawing at the pillow slip. Sweeney addressed full length to shave Broadbottomed, pink from nape to base, Knows the female temperament And wipes the suds around his face. (The lengthened shadow of a man Is history, said Emerson Who had not seen the silhouette Of Sweeney straddled in the sun.) Tests the razor on his leg Waiting until the shriek subsides. The epileptic on the bed Curves backward, clutching at her sides. The ladies of the corridor Find themselves involved, disgraced, Call witness to their principles And deprecate the lack of taste Observing that hysteria Might easily be misunderstood; Mrs. Turner intimates It does the house no sort of good. But Doris, towelled from the bath, Enters padding on broad feet, Bringing sal volatile And a glass of brandy neat.
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3.3k
Sweeney *****
And the trees about me, Let them be dry and leafless; let the rocks Groan with continual surges; and behind me Make all a desolation. Look, look, wenches! Paint me a cavernous waste shore Cast in the unstilled Cyclades, Paint me the bold anfractuous rocks Faced by the snarled and yelping seas. Display me ****** above Reviewing the insurgent gales Which tangle Ariadne’s hair And swell with haste the perjured sails. Morning stirs the feet and hands (Nausicaa and Polypheme). Gesture of orang-outang Rises from the sheets in steam. This withered root of knots of hair Slitted below and gashed with eyes, This oval O cropped out with teeth: The sickle motion from the thighs Jackknifes upward at the knees Then straightens out from heel to hip Pushing the framework of the bed And clawing at the pillow slip. Sweeney addressed full length to shave Broadbottomed, pink from nape to base, Knows the female temperament And wipes the suds around his face. (The lengthened shadow of a man Is history, said Emerson Who had not seen the silhouette Of Sweeney straddled in the sun.) Tests the razor on his leg Waiting until the shriek subsides. The epileptic on the bed Curves backward, clutching at her sides. The ladies of the corridor Find themselves involved, disgraced, Call witness to their principles And deprecate the lack of taste Observing that hysteria Might easily be misunderstood; Mrs. Turner intimates It does the house no sort of good. But Doris, towelled from the bath, Enters padding on broad feet, Bringing sal volatile And a glass of brandy neat.
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