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"othello" poems
I saw the morning dew betwixt thine thighs as I removed my source of Grecian power, as if King Midas dared to touch the skies, upon thy body fell a golden shower. Thy body's temples, two church bells had rung upon thy chest, a row of pearls bestowed. The sun had set, thy set with wary hung I thought, "How black a night, and blue a lode!" I said, "What light through yonder ****** breaks? It is the yeast!" And now my belly's yellow. My pole gives cause to storms and earthy quakes, but 'tis not massive, I am no Othello. And when that final moment came to pass, like Christ I came a-riding on an ***
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Mar 22, 2015
Mar 22, 2015 at 3:54 PM UTC
Sonnet 155, Or If Shakespeare Had Written A ****
why do you act like hamlet, all depressed and grieved, for your own heart shuts me out, and it's you who's deceived? when did you think like othello, murderous and violent, irrational with decisions, making me suffer with guilty silence? how did you turn into macbeth, from the silky words that grace your lips, to the venomous fangs you bit back at me, stinging like burning, sharp whips? because i thought you were romeo, with your adventurous soul and romantic antics. now you've faded away, with all your heroic tactics. wherefore art thou, romeo? don't call me juliet, if i'm just another rosaline.
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Nov 11, 2014
Nov 11, 2014 at 9:16 AM UTC
a Shakespearean tragedy
In the last months of March 2014, Soldier Othello the Moroccan moor Was in Stratford-upon-Avon at the graveside Of William Shakespeare the English bard, He was observing the anniversary Of Shakespeare and his European brother Cervantes, He had in his pocket another charm and amulet Given to him by his paternal grandfather, This time round not a charm for love portion, But a mystique totem to raise the dead from dusts, As Othello himself has hitherto over-matured Above the painful torture of *** with aristocrats, He has left it for the Jewish aristotrash; Frantz Kafka, Whose torturous appetite for *** with German women, Was the sorriest eyesore of his thespic efforts. Like Jesus at the grave of Lazarus Othello groaned by shouting; William the son of John! No response, he shouted again; Shakespeare the bard! Then the mystique powers of Othello’s amulet Electrified Shakespeare back to life, What is your problem you black moor, The ***** of Morocco, the soldier Who beguiled Desdemona into betrothal, Not because of glory of your work, But due to charms of your love portion Bequeathed to you by your witch mother, What brings you to my sepulchre, For only to perturbed my purgatorial peace, What brings you!? Questioned Shakespeare the bard. Am no longer the moor, blackness is class But not the race, as race is bankrupt, I come here to salute you with good news, That your European brother, Alfred Nobel, Currently rewards thespic bards like you, Whether black or white, blue or green, The ***** bards from the natural forest, He also rewards, so wake up and pick the prize! Retorted Othello in virtue of truth, And also tell me the native bricks Of your beautiful architecture; Where and how did you mold thy bricks? Your brown English bricks that walled your culture; ***** clown, leapfrog, mercurial, oxymoron, Falsitafity, Shyllocking, colleaguery and window, Cauldron, graymalkin, woo, betroth, infatuation and so on. From underneath his sepulcher Shakespeare broke A violent gaggle of laughter as if he was ten English skeletons, You Othello you are still a beautiful moor Whose foolishness time has not condemned to oblivion, You are as a fool as I created you ; I will only teach you One brick, the window , that you go and put on Your wind disturbed African huts, Put the wind door on your hut, And be flexible in your tongue To give it English elegance Combine and shorten wind and door To get your cultural brick of; window !
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Apr 11, 2014
Apr 11, 2014 at 9:39 AM UTC
OTHELLO AT THE GRAVESIDE OF SHAKESPEARE
In the last months of March 2014, Soldier Othello the Moroccan moor Was in Stratford-upon-Avon at the graveside Of William Shakespeare the English bard, He was observing the anniversary Of Shakespeare and his European brother Cervantes, He had in his pocket another charm and amulet Given to him by his paternal grandfather, This time round not a charm for love portion, But a mystique totem to raise the dead from dusts, As Othello himself has hitherto over-matured Above the painful torture of *** with aristocrats, He has left it for the Jewish aristotrash; Frantz Kafka, Whose torturous appetite for *** with German women, Was the sorriest eyesore of his thespic efforts. Like Jesus at the grave of Lazarus Othello groaned by shouting; William the son of John! No response, he shouted again; Shakespeare the bard! Then the mystique powers of Othello’s amulet Electrified Shakespeare back to life, What is your problem you black moor, The ***** of Morocco, the soldier Who beguiled Desdemona into betrothal, Not because of glory of your work, But due to charms of your love portion Bequeathed to you by your witch mother, What brings you to my sepulchre, For only to perturbed my purgatorial peace, What brings you!? Questioned Shakespeare the bard. Am no longer the moor, blackness is class But not the race, as race is bankrupt, I come here to salute you with good news, That your European brother, Alfred Nobel, Currently rewards thespic bards like you, Whether black or white, blue or green, The ***** bards from the natural forest, He also rewards, so wake up and pick the prize! Retorted Othello in virtue of truth, And also tell me the native bricks Of your beautiful architecture; Where and how did you mold thy bricks? Your brown English bricks that walled your culture; ***** clown, leapfrog, mercurial, oxymoron, Falsitafity, Shyllocking, colleaguery and window, Cauldron, graymalkin, woo, betroth, infatuation and so on. From underneath his sepulcher Shakespeare broke A violent gaggle of laughter as if he was ten English skeletons, You Othello you are still a beautiful moor Whose foolishness time has not condemned to oblivion, You are as a fool as I created you ; I will only teach you One brick, the window , that you go and put on Your wind disturbed African huts, Put the wind door on your hut, And be flexible in your tongue To give it English elegance Combine and shorten wind and door To get your cultural brick of; window !
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58
O blessed night I am feared For I am a black man who can't shake spears thrown at him on the daily. High courts let us get clipped by Brutus- clipped by brutes in fact a loose noose can hang you from any platform Oxygen doesn't transcend class Eric wasn't the first nor last unable to Garner breath I... Cant... Breath. Bill Cosby's first words after sentencing Sandra Bland's last thoughts before being propped up I ride around my city feeling Gray inside, DEAD inside wondering if convenient transportation is worth my life. Othello ruled this nation for eight years yet noble souls are still treated as peasants. I mean if all the worlds a stage, then why do they play us only when we're players or when the play, us.
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Aug 15, 2018
Aug 15, 2018 at 11:30 AM UTC
All the Worlds A Stage
Iago, the self-serving menace Knew how to play people like tennis Got inside a guy's head Now everyone’s dead Including the poor moor of Venice
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Feb 4, 2016
Feb 4, 2016 at 1:57 PM UTC
Literary Limericks: Othello
Had I the choice to tally greatest bards, To limn their portraits, stately, beautiful, and emulate at will, Homer with all his wars and warriors—Hector, Achilles, Ajax, Or Shakespeare’s woe-entangled Hamlet, Lear, Othello—Tennyson’s fair ladies, Meter or wit the best, or choice conceit to wield in perfect rhyme, delight of singers; These, these, O sea, all these I’d gladly barter, Would you the undulation of one wave, its trick to me transfer, Or breathe one breath of yours upon my verse, And leave its odor there.
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7k
Had I The Choice
.                                                               @                                                             @     @                                                         @            @                                                     @                    @                                                  @                            @                                             @     @     @     @     @     @                 america, americultus, americate, dubiously ********** ::: our gold-flecked bodies. blackbirdian danceparty, i'll go. washed-up beach bottles and all our feet amongst them curling time. teens dream in orchid; they wait for stars and dark and los hombres of good dust. they wait on eyes, and on embers, on belly belly. jellyfish flashlight shrine. we eat acid and strawberries and butter in the cemetery, and feed foxes lizards face first :::                 us lost ghouls on school-nights.                 flash tag jazz, and yellow bicycles. ::: that hot eternal light. that candy colored smoke don't smoke; go south on her body. then thoughts form thoughts form action, form twangs all tuned to air. & we, as notes, we notes harp like light to dust. our glistering hormonal thrusts beneath sheath of liquid love. her eyes, with those multi-speckled strands infinitesimally drunk :::                 seed from my ****                 pearled halo: smoke above my head. ::: waves and machines and weekends. filtered by the long **** of existence. boys wait in rooms of hotels for more drugs, and the girls bringing them. like caterpillars on silky thin treadways, with nothing but the flavor of our passions to ignite the way. we exacerbate the boundaries of our intentions. we curl under sheets, bending sheets of light and sound. we flakey emaciated flakes. [sequence suffered time in motion] we                 dirt. it’s what we are; dirt.                 we are druggernauts, tasting ourselves along the iridescent brim. ::: we crawl up cross-glowing hillsides toward portals and faraway bleep-blorps of hot god-head calibration. we sticky-crackle go burn. [nature puzzles] the brain shifts back; twenty-one grams they say the soul weighs. they say things. cherry blossom tree tips in the dark. tele-portal surfing with an intergalactic pizza priest, and his satchel of secret sauce. he heaves in the corner; rebirth :::                 tendrils pulled tight, everybody **** chung…
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Apr 3, 2014
Apr 3, 2014 at 3:44 PM UTC
othello wolf
.                                                               @                                                             @     @                                                         @            @                                                     @                    @                                                  @                            @                                             @     @     @     @     @     @                 america, americultus, americate, dubiously ********** ::: our gold-flecked bodies. blackbirdian danceparty, i'll go. washed-up beach bottles and all our feet amongst them curling time. teens dream in orchid; they wait for stars and dark and los hombres of good dust. they wait on eyes, and on embers, on belly belly. jellyfish flashlight shrine. we eat acid and strawberries and butter in the cemetery, and feed foxes lizards face first :::                 us lost ghouls on school-nights.                 flash tag jazz, and yellow bicycles. ::: that hot eternal light. that candy colored smoke don't smoke; go south on her body. then thoughts form thoughts form action, form twangs all tuned to air. & we, as notes, we notes harp like light to dust. our glistering hormonal thrusts beneath sheath of liquid love. her eyes, with those multi-speckled strands infinitesimally drunk :::                 seed from my ****                 pearled halo: smoke above my head. ::: waves and machines and weekends. filtered by the long **** of existence. boys wait in rooms of hotels for more drugs, and the girls bringing them. like caterpillars on silky thin treadways, with nothing but the flavor of our passions to ignite the way. we exacerbate the boundaries of our intentions. we curl under sheets, bending sheets of light and sound. we flakey emaciated flakes. [sequence suffered time in motion] we                 dirt. it’s what we are; dirt.                 we are druggernauts, tasting ourselves along the iridescent brim. ::: we crawl up cross-glowing hillsides toward portals and faraway bleep-blorps of hot god-head calibration. we sticky-crackle go burn. [nature puzzles] the brain shifts back; twenty-one grams they say the soul weighs. they say things. cherry blossom tree tips in the dark. tele-portal surfing with an intergalactic pizza priest, and his satchel of secret sauce. he heaves in the corner; rebirth :::                 tendrils pulled tight, everybody **** chung…
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46
fear me not, though I am armed. I have opened my entry to that next country, and my heels sit upon its border. gentler, guiltier than last time, I reach for thee and as I drown and I dry, I hope for her to see.
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Nov 27, 2015
Nov 27, 2015 at 10:23 AM UTC
Othello (Rewritten)
To **** her love with your death is but a tragedy. The lucky few who find this fate are the ones who blindly see. That in the end all love dies and so too will thee.
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Feb 29, 2012
Feb 29, 2012 at 1:25 AM UTC
The Dagger: For Othello and Desdemonia
Every night the underprivileged will be lifted up by the privileged. Every night the rich will have everything right to eat, but the poor. Every night the homeless will have nowhere left to sleep, but our old carpeted floor. Every night scicle cell anemia will have everywhere right to be contained, including your city heart snooker. Every night peace will have everywhere to be passive, including your japanese zen gardens, Everyone will be right to make peace with us, but our unkempt sons. Every night the proletariat will sleep ignoring the foremen descending their picket fences, Every serious thief will be rejected as a nightmare- For they are owed nothing, and must reject everything more than The Othello denial an ounce of starved soul. They will lament, as we cool our overheated hearts, on the pristine grounds of our single rooms. And they will lament, as we lounge on the branches of our stoic oaks, decomposing birthday songs for the Bad young nights of the wicked little girls…
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Jul 3, 2012
Jul 3, 2012 at 5:25 PM UTC
Decomposing Birthday Songs
I saw the morning dew betwixt thine thighs As I removed my source of Grecian power As if King Midas dared to touch the skies Upon thy body fell a golden shower Thy body's temples, two church bells had rung Upon thy chest, a row of pearls bestowed The sun had set, thy set with wary hung I thought, "How black a night and blue a lode" I said, "What light through yonder ****** breaks? It is the yeast" And now my belly's yellow My pole gives cause to storms and earthy quakes But 'tis not massive, I am no Othello And when that final moment came to pass Like Christ I came-a riding on an ***
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Feb 4, 2014
Feb 4, 2014 at 2:19 PM UTC
Sonnet 155 (Bo Burnham)
When I lost my marbles, My dad would always say: "Don't worry, you'll find them When you just stop searching." And it sounded stupid, But every time I stopped, Yeah, I found my marbles. I grew up; my dad died, Seasons changed, so did I, But the rule stayed as true. One day, I'd given up On that romantic stuff, And, Resigned to die alone, I walked into a big Ol' Shakespeare conference, To watch Othello die. Well there, they were taking "Volunteers" for Juliet, "Lucky men" Romeos, And I was one of them.
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Nov 27, 2014
Nov 27, 2014 at 11:10 AM UTC
Finding Marbles
*put out my light put out my light* as Othello did to Desdemona no crimson painted on porcelain skin from false betrayal found within. *put out my light put out my light* allow my body to sink in the deep my skin will shimmer under pulsing tide only a ghost, my guiltless soul has died. *put out my light put out my light*
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Nov 18, 2013
Nov 18, 2013 at 2:34 PM UTC
Desdemona
OLD HOUSE They retain precious memories, intimate feelings of inhabitants passing through its sagging doors. Romantic are seekers of forgotten times memories encased in hard wood floors; as lath plastered walls ooze remnants of a history while we; when inclined listen. We don't go very often, to abandon houses, perhaps on a dare, or at Halloween. Are we passed enjoying extremes into this another world, musty energy a curious child. That was the yesterday which now waits behind musty, dusty, derelict halls. I stand I stand at paint chipped banister, a faded worn carpet once carried dancing feet, children playing before they sleep. The broken coat tree on the floor. From the third floor murmuring, a wind storm jars loose fears, of time once lost to dreams. Echos billow from each room, curtains hanging yellowed by a sun where dancing light through holes in damask lace. Mice gremlin's artful droppings, tracks of nature on dirt strewn floor. Broken shards from window panes, confetti after New Years day. Branches scratched etched paths, tracks like graffiti on sill its unread words, a glif eerily cast shadows trigger echos from the past. Jagged memories protrude from every corner mixing with new, enriching our fantasies bringing us closer renewed; these musty memories long forgotten. Like waves rushing back; flooding a mind like broken dikes they crash into our world, Rembrandt's paintings on canvas fading. Silent footsteps outside a door, we hear laughter from bedroom walls; a smell a whiff of hot butter *** silent conversation coming our way. Old Doc Masters listened at my chest, as I read all by candle light, Sherlock detective stories or the Tell Tale Heart of Poe or Othello; all masters in the past. A Grandfather clock stands silent, keeping time, lost its tick yet still striking, it stands tall, upon a clueless floor. Knowledge lost to a past in a house so worn, births, deaths, wars, wrapped forgotten, encased by neglect, I visited a house besotted, neglected waiting to be remodeled into another century moving it to present times. Ajerry Archival Jan 5, 2011
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Nov 1, 2013
Nov 1, 2013 at 2:46 PM UTC
Memories of an Old Houses
OLD HOUSE They retain precious memories, intimate feelings of inhabitants passing through its sagging doors. Romantic are seekers of forgotten times memories encased in hard wood floors; as lath plastered walls ooze remnants of a history while we; when inclined listen. We don't go very often, to abandon houses, perhaps on a dare, or at Halloween. Are we passed enjoying extremes into this another world, musty energy a curious child. That was the yesterday which now waits behind musty, dusty, derelict halls. I stand I stand at paint chipped banister, a faded worn carpet once carried dancing feet, children playing before they sleep. The broken coat tree on the floor. From the third floor murmuring, a wind storm jars loose fears, of time once lost to dreams. Echos billow from each room, curtains hanging yellowed by a sun where dancing light through holes in damask lace. Mice gremlin's artful droppings, tracks of nature on dirt strewn floor. Broken shards from window panes, confetti after New Years day. Branches scratched etched paths, tracks like graffiti on sill its unread words, a glif eerily cast shadows trigger echos from the past. Jagged memories protrude from every corner mixing with new, enriching our fantasies bringing us closer renewed; these musty memories long forgotten. Like waves rushing back; flooding a mind like broken dikes they crash into our world, Rembrandt's paintings on canvas fading. Silent footsteps outside a door, we hear laughter from bedroom walls; a smell a whiff of hot butter *** silent conversation coming our way. Old Doc Masters listened at my chest, as I read all by candle light, Sherlock detective stories or the Tell Tale Heart of Poe or Othello; all masters in the past. A Grandfather clock stands silent, keeping time, lost its tick yet still striking, it stands tall, upon a clueless floor. Knowledge lost to a past in a house so worn, births, deaths, wars, wrapped forgotten, encased by neglect, I visited a house besotted, neglected waiting to be remodeled into another century moving it to present times. Ajerry Archival Jan 5, 2011
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65
Well done, well done/ with this hand of marble White roses, open doors, rise the sun and fall Flit and float, under the river’s  flow/ shadows thrilled/ Arrow in my hand/  as a tool for lovers/ beyond the Dawn/ Keep the chief/ inside your deep velvet pocket/ Full of almonds/ to feed  the thirstiest of  dry soul/ Let the civilians/ to arrange the war and burn the dead/ Well done my Lord/  well done/  those yours/ lie  on the edge of  seas/ What left is a narrow place for dwarfs/ to plug the pledges/ Othello handkerchief/  under  my  pillow / to  remember before dark/ ©MARIA PANOUTSOU
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Oct 16, 2016
Oct 16, 2016 at 4:28 AM UTC
Othello’s handkerchief
I always thought I'd fall in love with a poet A man who loved me almost as much as he loved words Who composed verses in his head While ******* my ear with his tongue Instead, I fell in love with a fisherman with crackerjack hands and icy morals An Othello, not an Orsino He loves me more than he loves love Because we don't always fall in love with ourselves Thank God.
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Oct 27, 2012
Oct 27, 2012 at 6:49 AM UTC
Untitled
1 He'd love her and then the coldness of marriage took love away from him and the coldness turned into suspicion and then into an obsession: and she was an inconvenience he murdered her a Friday night suffocated her with her pillows it was easy; like Othello did but she was no Desdemona; and he heard her whisper with her last breath: "I'll have your eyes" he cut her up in manageable parts, and buried her below the floorboards in the study 2 It is a year later and he is at the computer and far below lies parts of his wife but now his wife is smiling she's on screen smiling like a Greek Goddess and he sits transfixed and she says: *"You are Oedipus, darling - I will have your eyes"* She is smiling He is willing Beside the printer are paperclips He undoes two She beckons; she smiles and she whispers that same deathbed whisper: "I'll have your eyes" And he is Oedipus Just paperclips will do He gouges one eye out And he gouges the other too It is easy She lies deep below below the floorboards; She need whisper no longer And he is become Oedipus, eyes gouged, blind like the Greek Homer
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Mar 4, 2012
Mar 4, 2012 at 7:34 PM UTC
Greek tragedy (a tale of horror)
(Solitary Chamber. Heart breaking melodious music is flowing silently. Young Ren is looking pale, soliloquizing.) Young Ren: Sweet Flance! Can you hear me? I do know you can never see me now; But hear me --- my words at least! Feel my heart that hangs on nothing; Yet resting itself on my unrequited love. Hear me! Do hear me! Send thy spirit unto me awhile, And hearken my silent words. Dear Flance! Thou must be now with thy partner Breaking thy footprints with me once; Yet ne'er am I angry with thee. From him I should not take thee away; Yet listen unto me awhile. Dear Flance! I loved thee not at the very first sight Like Orlando and Rosalind --- Orlando was a wrestler, Rosalind was a fair lady. Their love began at an arena in a contest --- Rosalind in the guise of Ganymede, Their love passed thro' rustic lands Symbolizing the art of Nature, Their love stirred the young hearts With wonder and fancy. Sweet Flance! Romeo died of Juliet and Juliet of Romeo --- Breaking endurance to chaos. There was poison in their love. Dear Flance! Jealousy lingered in the fatal love Betwixt Othello and Desdemona, At night their love was born, At night their love was dead When blackened by the candle light. Dear Flance! Lysander loved Hermia And sought fanciful beings For their fanciful union. Dear Flance! Know you, Keats died of consumption? His love for ***** Brown was limitless, And so burst into tears. Oh! No! MY love for thee can never have comparisons. Sweet Flance! Blossomed my love for thee When thou wert young, When thou wert beautiful; Yet it's not of Romeo's, Of Othello's, Of Lysander's, Of Dante's, Of Keats', For they died of their love. My love for thee be unrequited; yet ineffable. You felt not my love; yet I cannot be Romeo. Know you? Romeo loved Juliet, Juliet loved Romeo, And so they died without love. Loved I thy heart, not thee? Love I thy heart, not thee? And so, We live in remembrance of each other. Dear Flance! Thou must be now living with thy partner Rejoicing in his presence. Can you think of me living myself. Rejoicing in my thoughts of you? Here am I in the air with wings waxed; Yet I'll not fall down to fragments. Know you? I am to lead my life myself, But with thoughts of you! For Loved I thee, still I love thee, Ever I'll love thee. (Young Ren sheds tears) Sweet Flance! My tears are not of my loneliness sans thee; But born of bliss within me with thoughts of you. (Curtain Falls)
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Dec 20, 2011
Dec 20, 2011 at 11:38 AM UTC
Dramatic Monologue Fragrant Thorns
(Solitary Chamber. Heart breaking melodious music is flowing silently. Young Ren is looking pale, soliloquizing.) Young Ren: Sweet Flance! Can you hear me? I do know you can never see me now; But hear me --- my words at least! Feel my heart that hangs on nothing; Yet resting itself on my unrequited love. Hear me! Do hear me! Send thy spirit unto me awhile, And hearken my silent words. Dear Flance! Thou must be now with thy partner Breaking thy footprints with me once; Yet ne'er am I angry with thee. From him I should not take thee away; Yet listen unto me awhile. Dear Flance! I loved thee not at the very first sight Like Orlando and Rosalind --- Orlando was a wrestler, Rosalind was a fair lady. Their love began at an arena in a contest --- Rosalind in the guise of Ganymede, Their love passed thro' rustic lands Symbolizing the art of Nature, Their love stirred the young hearts With wonder and fancy. Sweet Flance! Romeo died of Juliet and Juliet of Romeo --- Breaking endurance to chaos. There was poison in their love. Dear Flance! Jealousy lingered in the fatal love Betwixt Othello and Desdemona, At night their love was born, At night their love was dead When blackened by the candle light. Dear Flance! Lysander loved Hermia And sought fanciful beings For their fanciful union. Dear Flance! Know you, Keats died of consumption? His love for ***** Brown was limitless, And so burst into tears. Oh! No! MY love for thee can never have comparisons. Sweet Flance! Blossomed my love for thee When thou wert young, When thou wert beautiful; Yet it's not of Romeo's, Of Othello's, Of Lysander's, Of Dante's, Of Keats', For they died of their love. My love for thee be unrequited; yet ineffable. You felt not my love; yet I cannot be Romeo. Know you? Romeo loved Juliet, Juliet loved Romeo, And so they died without love. Loved I thy heart, not thee? Love I thy heart, not thee? And so, We live in remembrance of each other. Dear Flance! Thou must be now living with thy partner Rejoicing in his presence. Can you think of me living myself. Rejoicing in my thoughts of you? Here am I in the air with wings waxed; Yet I'll not fall down to fragments. Know you? I am to lead my life myself, But with thoughts of you! For Loved I thee, still I love thee, Ever I'll love thee. (Young Ren sheds tears) Sweet Flance! My tears are not of my loneliness sans thee; But born of bliss within me with thoughts of you. (Curtain Falls)
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86
the art of nothing more has not been lost, i know it well it has been mine to serve Othello to the guillotine and poppies the myriad are gathered to the helium and Harpies and a gallon of miraculous is accidentally wasted the meaning of the soul is how you love someone, distracted by the loving for the loving was the loving that you loved bind me more than set me free and that be love exactly and the comet in your hand is my heart
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Sep 28, 2011
Sep 28, 2011 at 10:44 AM UTC
Bind Me More Than Set Me Free
In the twilight; out there somewhere I can see his face; but he's what it all means I wander though; the unchanging scenes A plastic smile; my wordless everyday Stronger! I want to and still remain, to live daringly Stronger! I want to be; 'Cause someday I can see, That you'll be out there for me to meet I turn my eyes away, from this whole world I run so far away; from me, this girl The brilliance of reality; I want to get it back Yet I always knew what makes it come true
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Mar 3, 2015
Mar 3, 2015 at 5:27 PM UTC
The story of "othello"
remember mr shakespeare he was very bright he wrote lots of plays hamlet and twelfth night the merchant of venice the taming of the shrew othello and king lear just to name a few he was born in england many years ago with the name of william that everyone would know he wrote lots of poems in between the plays thats how mr shakespeare used to pass his days now is name lives on to this very day the name of mr shakespeare will never go away.
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Mar 9, 2010
Mar 9, 2010 at 3:01 AM UTC
mr shakespeare
Of flashy pictures and subtle texts found A guy’s feet when I look around, Of heavy lids of trashcans crude Images of Paoli in the **** Of blood being ****** through the veins And bedsheets filled with coffee stains. Of walls and posts and weeks gone by, Without a single scream or cry, Of not a bath or a shower Helpless without any such power, Of Faustus and Valdes to spare Othello seemed to have no care, Tomorrow never dies for me… For it's tomorrow I will never see.
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Jul 22, 2015
Jul 22, 2015 at 8:39 AM UTC
Insomnia
AND TIME A THIEF She hugged her books to her ******* Her ******* hardening into her Othello and Algebra. She watched his mouth move alive with words she heard nothing of only her name "...yadayadaMARY... ...yada yada MARY!" A bead of sweat trickled between her ******* She tried to catch her breath and what he was saying but it only gave her hiccups. She squirmed under his gaze a butterfly held by a pin pleasure that was pain. "And that was how I met your Dad!" She tells this story only when she's very very tipsy crying now for the girl she was - then: the Shakespeare & Maths pressed to her chest the world awaiting her.
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Sep 25, 2018
Sep 25, 2018 at 4:22 PM UTC
AND TIME A THIEF