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"opposing" poems
jordan is a star athlete, envied by all on the opposing teams. jordan is also creative, and intelligent, and an all-round amazing human. jordan is strong, and powerful, but also delicate and emotional. jordan wants you to know that she doesn't have to conform to gender stereotypes. she knows her place in this world - she knows that her place is wherever she wants it to be. she is independent and doesn't need your negativity :) - v.m
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Aug 9, 2018
Aug 9, 2018 at 9:30 AM UTC
meet jordan
Papers, Papers, Papers Whiter than aching teeth, Whiter than whites of tilted eyes, Whiter than funeral wreaths. My hands shake as I write this, Filed away myths; Stolen lined sheets  My index finger chained by red tapes, words mix and ground breaks, I'm the one the world forsakes Yellow maize, littered leaves, all twisted into black ink and clean sharp white paper blades. -------"I am in a bit of daze," I tell myself, "look at those flaccid bits; there lay the logs who use to be the jungle of my childhood dreams." ------"Don't be amazed," I replied, "these leafless branches and twigs are for  your Papier-Mâché degrees." So I listen to my second self once, the more logical cynical satirical one, Treading on the plot of their paper works, playing crosswords as anxiety uncork my thoughts turn to the bankable orcs, just as my career forks Maybe I should be like my mother, Marking numbers on a deck of cards-- waltzing with Chance. Maybe I should be like my father, Toiling for some rich men's grandson-- seething in Trance. Maybe I should be like the Other, Going along with the system-- thanking myself beneath a cap, a diploma, a piece of paper. I wore these books like bank notes tuxedoes, I was promised the world by the credits I borrowed. Must I go along with the mechanism of their game, or should I rise up against all odds Opposing, debating, rebelling against this bundle, this trouble, funneling me into no-tomorrows Or must I write it all down, in my prayers against their lawyers, who need no reminds Or must I shred, smear, and tear the papers with my own bare hands But what will I ever be to them, friends? A papercut, perhaps.
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Aug 19, 2018
Aug 19, 2018 at 9:33 PM UTC
Papercuts
Papers, Papers, Papers Whiter than aching teeth, Whiter than whites of tilted eyes, Whiter than funeral wreaths. My hands shake as I write this, Filed away myths; Stolen lined sheets  My index finger chained by red tapes, words mix and ground breaks, I'm the one the world forsakes Yellow maize, littered leaves, all twisted into black ink and clean sharp white paper blades. -------"I am in a bit of daze," I tell myself, "look at those flaccid bits; there lay the logs who use to be the jungle of my childhood dreams." ------"Don't be amazed," I replied, "these leafless branches and twigs are for  your Papier-Mâché degrees." So I listen to my second self once, the more logical cynical satirical one, Treading on the plot of their paper works, playing crosswords as anxiety uncork my thoughts turn to the bankable orcs, just as my career forks Maybe I should be like my mother, Marking numbers on a deck of cards-- waltzing with Chance. Maybe I should be like my father, Toiling for some rich men's grandson-- seething in Trance. Maybe I should be like the Other, Going along with the system-- thanking myself beneath a cap, a diploma, a piece of paper. I wore these books like bank notes tuxedoes, I was promised the world by the credits I borrowed. Must I go along with the mechanism of their game, or should I rise up against all odds Opposing, debating, rebelling against this bundle, this trouble, funneling me into no-tomorrows Or must I write it all down, in my prayers against their lawyers, who need no reminds Or must I shred, smear, and tear the papers with my own bare hands But what will I ever be to them, friends? A papercut, perhaps.
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40
What they don’t tell you in school, while you’re trying to remember the difference between prophase and metaphase chromosomes and chromatin is that really biology isn’t science biology is life See, divorce divorce is like mitosis slow to start, but quick to finish Begins at prophase when conflicts arise as your family’s nucleolus, your family’s unity disappears Your carefree life, your chromatin, coil and change become tight, tense chromosomes Outside forces, mitotic spindles, residing in the cytoplasm start creeping towards your parents to separate their souls Metaphase: you’re all lined up single file ready for battle Centrosomes, middles of each new life, poised opposing each other with their spindles latched onto you kinetochore, your middle, like a dog with it’s leash Anaphase: everything separates, your world’s torn apart and you’re left silently watching alone as your sister is torn from your life Telophase: the pain starts to lessen as you uncoil and your broken family’s nuclear membrane begins to reform Once the paper’s are signed once the cell’s wall’s rebuilt your old life is over and the process it’s finished See, they don’t tell you don’t think you need to know that divorce is simply biology and mitosis well, it’s life
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Oct 29, 2014
Oct 29, 2014 at 12:21 AM UTC
Biology: Mitosis
750 Growth of Man—like Growth of Nature— Gravitates within— Atmosphere, and Sun endorse it— Bit it stir—alone— Each—its difficult Ideal Must achieve—Itself— Through the solitary prowess Of a Silent Life— Effort—is the sole condition— Patience of Itself— Patience of opposing forces— And intact Belief— Looking on—is the Department Of its Audience— But Transaction—is assisted By no Countenance—
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17.4k
Growth of Man—like Growth of Nature
Dear Unity,  be proud of the work you've done. Working day and night, leaving complaints to none. With your calm blue aura, full of peace. People from sadness and separation, you release. Dear Unity, extending the branches of your unifying tree, Watching over like a flock of birds flying free. Amalgamate the opposing forces of destruction and war, Spare them from the unnecessary deaths and gore. Dear Unity, reunite us with our long lost friends, So there will be happiness and laughter as broken hearts mend. Clear the miserable loneliness haunting around, And stop at no cost until the cure is found. Dear Unity, oh unity, our guardian angel in disguise, Getting rid of the hatred, betrayal and the emotion; despise. Dear Unity, you are all for one and one for all, Thank you for being there every time we fall.
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Jun 11, 2014
Jun 11, 2014 at 6:15 PM UTC
Dear Unity
I'm bisexual Or "bi" This doesn't mean "Wants ********* It means "Sexually attracted to my gender and my opposing gender" I love boys and girls This doesn't mean "She can't make up her mind" It means "I was born bisexual" I just came out This doesn't mean "Attention seeker" or "just a phase" It means "I'm just now feeling comfortable enough to tell you" I'm bisexual and really proud of it. It means that "I don't care about the haters and I'm happy with who I am."
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Jun 30, 2015
Jun 30, 2015 at 1:14 AM UTC
I'm Bisexual
This little man that I know with money in his sockets and routine in his pockets has self proclaimed that he is a tight *** When I envision a *** such as this, I imagine a bundle -- of securely aggregated, perfectly sharpened number two pencils. The businessman just shy of adulthood and too tired to remember –even the beginning of his of disclosure, denied his struggle to acclimate a multifarious lifestyle, appropriately suggested in the form of a triangle, and a circle, both of which embody polar opposing adaptations of humanistic routine. The two shapes: The circle, denies the break in motion by imposing a constant cycle of diligent compression, there is no room for pause only steady flow and relentless drive. This influence of life impression slows down the heart, body, and soul while speeding up time. This particular commitment accommodates the dry colorless beings that embrace and accept boxed imprisonment. Traditionally, the triangle denotes rhythmic patterns that elevate and drop to a point in which imposes a healthy reflective pause: progression, reflection, balance. As stated, as a provincial approach, a regular triangle flat on its base, peaking at the top represents a healthy, solid life routine. In contrast, the triangle can be flipped upside-down introducing an entirely new dynamic, composed of flat-lined monotony, tapered off to a regressed realm of destruction, regret and disorder. Despite the uniqueness of the standard triangle model to the man in question, it is important to compare the negative reflection, for it applies to the entirety of this investigation. We used to be lovers, he and I. We shared my giant pillow-top that I bought on the black market for a meager two-hundred fifty. -- A mere steal at that rate. We occasionally exchanged ideas, mainly about ethical concerns related to globalization and the environment. I attempted to give him a cooking lesson once, but that failed, indefinitely. The bust was not my doing, but simply, a great disinterest on his part; or better yet an inability of not being better than me at something. Everything has gotten so crowded.
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Jan 18, 2010
Jan 18, 2010 at 1:17 AM UTC
something that happens.
This little man that I know with money in his sockets and routine in his pockets has self proclaimed that he is a tight *** When I envision a *** such as this, I imagine a bundle -- of securely aggregated, perfectly sharpened number two pencils. The businessman just shy of adulthood and too tired to remember –even the beginning of his of disclosure, denied his struggle to acclimate a multifarious lifestyle, appropriately suggested in the form of a triangle, and a circle, both of which embody polar opposing adaptations of humanistic routine. The two shapes: The circle, denies the break in motion by imposing a constant cycle of diligent compression, there is no room for pause only steady flow and relentless drive. This influence of life impression slows down the heart, body, and soul while speeding up time. This particular commitment accommodates the dry colorless beings that embrace and accept boxed imprisonment. Traditionally, the triangle denotes rhythmic patterns that elevate and drop to a point in which imposes a healthy reflective pause: progression, reflection, balance. As stated, as a provincial approach, a regular triangle flat on its base, peaking at the top represents a healthy, solid life routine. In contrast, the triangle can be flipped upside-down introducing an entirely new dynamic, composed of flat-lined monotony, tapered off to a regressed realm of destruction, regret and disorder. Despite the uniqueness of the standard triangle model to the man in question, it is important to compare the negative reflection, for it applies to the entirety of this investigation. We used to be lovers, he and I. We shared my giant pillow-top that I bought on the black market for a meager two-hundred fifty. -- A mere steal at that rate. We occasionally exchanged ideas, mainly about ethical concerns related to globalization and the environment. I attempted to give him a cooking lesson once, but that failed, indefinitely. The bust was not my doing, but simply, a great disinterest on his part; or better yet an inability of not being better than me at something. Everything has gotten so crowded.
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Amid the verbose magicians Seeking kinships And sailing deep into their arduous mists Watching them peddle their afternoon To a handful of smiling children holding their breath Amazed in gentle body trick The older men of age Leaning deep into their creased chins Stroking the grizzled fat Blinding light of soul Staring down the barrel of life Striking the enemy one last time And yet smiling sober, Met of match, taking care of their kids. Then there's the cold-clocked dudes On the phone pushing buttons In a button-up raglan Lost indistinct the promised land The golden shores swept away by inconvenient time Left shopping in an auto mall "Won't you look at the time?" 7.07 APR Boy what a steal! And Steve maddened and screamed As the lines blurred instinctual between opposing teams And the oven dinged a great alabaster slant Leaning towards the new millenitants Rise up! ***** the wheel Turn the axel from pistons To alkaline metal And doubt with great monumental Quality That the machine borders all And we cannot retreat And while I sift bouyantly between the waves Searching the puzzle piece within the molecules Reconnecting with the things And representing dreams on a 66 hertz screen I call rather failing Towards a black rocked shore Towards the sweet Dorigen Of my dreams Finding an integral of time And space And calculating the intangible slope Of my desmise With the imaginary constiutent Of that lighted mind.
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Jul 30, 2018
Jul 30, 2018 at 4:24 PM UTC
Where are my shores
the human heart and the human mind two paradoxical entities, that seem forever at odds and yet, for a pair that has such incontestably opposing objectives the two are rather similar in their endeavours to achieve the means to their respective ends. they're both searching. constantly. and they don't seem to know what they're looking for. but the day they stop seeking is the day the heart will stop beating and the mind will abandon its working. raaste alag, manzil ek.
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Sep 22, 2014
Sep 22, 2014 at 10:06 AM UTC
Dil Aur Dimaag
It was the end of the world when Ares met Mars Supposed to be counterparts, brothers in arms But on opposing sides they stood Couldn’t see eye to eye And instead of stemming the blood Each took an eye for an eye Until in time the whole world went blind The sword attacked and the spear struck back But that’s what happens when cultures clash When cultures collide With anger and hatred it starts to divide But nobody wins, cos the dead look the same on both sides It was the mother of all storms when Jupiter met Zeus There could have been a deuce; could have called a truce But each wanted more and more The two as black as thunder And instead of stopping the war Each stole the other’s thunder Until in time the whole world went under The thunder attacked and the lightning struck back But that’s what happens when cultures clash When cultures collide With anger and hatred it starts to divide But nobody wins, cos the dead look the same on both sides The underworld shook when the earth caved in Pluto and Hades together couldn’t take us all in We didn’t see when being heartless In wanting the best of both worlds That the second of the two would be darkness And together the weight of the worlds Would send us crashing down to Tartarus The rivers overflowed and the fires turned to ash But that’s what happens when cultures clash
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Dec 16, 2016
Dec 16, 2016 at 7:54 PM UTC
When Cultures Clash
His brother’s on my arm; Cursing the opposing appendage, For I’d killed his only sibling. And I’d lie. And I’d die. I’d admit to none other, But come the beer-scented blood he’d know – My sibling’d just been married. My other sibling’d just cursed mom. My other sibling’d kissed a girl. And the other, more just than most, Ventured nether; near and dying. Leaving me ripe And if only pursued, by all that’d ever odyssey; Family, vengeance and nature. So to, brother feeds. And I’d lie. And I’d die. And I’d admit to none other – His caress and how my arm’d gone lukewarm. The only, “kiss,” in years and almost a first, Come lonely soul to feed, in addition a few more.
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Jun 11, 2015
Jun 11, 2015 at 9:24 AM UTC
Tequila Mosquito (2)
The Story by Kamal Nasser translation by Michael R. Burch I will tell you a story ... a story that lived in the dreams of my people, a story that comes from the world of tents. It is a story inspired by hunger and embellished by dark nights of terror. It is the story of my country, a handful of refugees. Every twenty of them have a pound of flour between them and a few promises of relief ... gifts and parcels. It is the story of the suffering ones who stood waiting in line ten years, in hunger, in tears and agony, in hardship and yearning. It is a story of a people who were misled, who were thrown into the mazes of the years. And yet they stood defiant, disrobed yet united as they trudged from the light to their tents: the revolution of return into the world of darkness. Kamal Nasser was a much-admired Palestinian poet and Palestinian Christian, who due to his renowned integrity was known as "The Conscience." He was a member of Jordan's parliament in 1956. He was murdered in 1973 by an Israeli death squad whose most notorious member was future Israeli Prime Minister Ehud Barak. Barak (born Ehud Brog) later ruled as Israel’s tenth Prime Minister from 1999 to 2001. His adopted Hebrew name Barak means "lightning." As a younger man, Brog/Barak was a member of a secret assassination unit that liquidated Palestinians in Lebanon and the occupied territories. In the 1973 covert mission Operation Spring of Youth in Beirut, which was part of the larger Operation Wrath of God, he disguised himself as a woman in order to assassinate Palestinians. The raid resulted in the deaths of two women, one of them an elderly Italian. Two Lebanese policemen were also killed, along with the poet Kamal Nasser. Nasser was the PLO's most prominent Christian and he enjoyed "great appeal" in Lebanon, Syria, and Iraq "both as a distinguished poet and likeable personality." He was the “conscience of the Palestinian revolution,” according to Nazih Abul-Nidal, who worked with him on the magazine Filastin al-Thawra. Nasser “had the most democratic outlook of all Palestinian leaders at the time,” he recalls. He respected opposing views, admired the commitment of young people, and was a major recruitment asset for the Palestinian revolution. “That is why he was put high on the hit-list.” The previous year, the Israelis had murdered another renowned Palestinian writer and activist in Beirut, Ghassan Kanafani, by booby-trapping his car. Nasser’s successor, Majed Abu Sharar, was also assassinated by Israelis, in Rome in 1981 while attending a conference in solidarity with the Palestinian people. Keywords/Tags: Kamal Nasser, Palestinian, Palestine, PLO, Conscience, Ramallah, Christian, religion, poet, Arab, Arabic, Arab Spring, betrayal, conflict, courage, devotion
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Dec 9, 2021
Dec 9, 2021 at 7:55 AM UTC
Translation of "The Story" by the Palestinian poet Kamal Nasser
The Story by Kamal Nasser translation by Michael R. Burch I will tell you a story ... a story that lived in the dreams of my people, a story that comes from the world of tents. It is a story inspired by hunger and embellished by dark nights of terror. It is the story of my country, a handful of refugees. Every twenty of them have a pound of flour between them and a few promises of relief ... gifts and parcels. It is the story of the suffering ones who stood waiting in line ten years, in hunger, in tears and agony, in hardship and yearning. It is a story of a people who were misled, who were thrown into the mazes of the years. And yet they stood defiant, disrobed yet united as they trudged from the light to their tents: the revolution of return into the world of darkness. Kamal Nasser was a much-admired Palestinian poet and Palestinian Christian, who due to his renowned integrity was known as "The Conscience." He was a member of Jordan's parliament in 1956. He was murdered in 1973 by an Israeli death squad whose most notorious member was future Israeli Prime Minister Ehud Barak. Barak (born Ehud Brog) later ruled as Israel’s tenth Prime Minister from 1999 to 2001. His adopted Hebrew name Barak means "lightning." As a younger man, Brog/Barak was a member of a secret assassination unit that liquidated Palestinians in Lebanon and the occupied territories. In the 1973 covert mission Operation Spring of Youth in Beirut, which was part of the larger Operation Wrath of God, he disguised himself as a woman in order to assassinate Palestinians. The raid resulted in the deaths of two women, one of them an elderly Italian. Two Lebanese policemen were also killed, along with the poet Kamal Nasser. Nasser was the PLO's most prominent Christian and he enjoyed "great appeal" in Lebanon, Syria, and Iraq "both as a distinguished poet and likeable personality." He was the “conscience of the Palestinian revolution,” according to Nazih Abul-Nidal, who worked with him on the magazine Filastin al-Thawra. Nasser “had the most democratic outlook of all Palestinian leaders at the time,” he recalls. He respected opposing views, admired the commitment of young people, and was a major recruitment asset for the Palestinian revolution. “That is why he was put high on the hit-list.” The previous year, the Israelis had murdered another renowned Palestinian writer and activist in Beirut, Ghassan Kanafani, by booby-trapping his car. Nasser’s successor, Majed Abu Sharar, was also assassinated by Israelis, in Rome in 1981 while attending a conference in solidarity with the Palestinian people. Keywords/Tags: Kamal Nasser, Palestinian, Palestine, PLO, Conscience, Ramallah, Christian, religion, poet, Arab, Arabic, Arab Spring, betrayal, conflict, courage, devotion
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When you come face to face with your own mind Is all you find, growing wild within Are your eyes seeking to find The Golden Fleece Once again Are you suddenly fleeing where clouds have gathered With a burning candle raised on high Wondering if you have mastered This profound race of life Not a tear, you cry Do you continue walking within opposing views Saving certain parts of all you find Thinking surely it’s up to you To tame the wildness In your mind When you come face to face with your own mind Can you gaze upon the wildness and smile Not give a care if the fleece you find Yet enjoy the journey All the while
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Jan 1, 2011
Jan 1, 2011 at 9:05 AM UTC
Face to Face
What little sunshine being recognised Out of a storm flames approaching disorder Building vast contradictions without impediment Widespread in antiquity with alluring interpretations Constituting mutilated transformations whose opposing Lies stinking and fly swarmed, rotting at our feet
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Jul 27, 2012
Jul 27, 2012 at 4:29 PM UTC
Democracy!!!!!!!!!!!
Looking at myself now, I am not sure that I recognize any piece of who I used to be. Our cells are constantly replenishing and replacing, and technically speaking, I am not at all the person I once was. I understand that I am a collection of my experiences and that everything I have done has led me to this moment. I do not know what has come of the choices I made opposing this. The patches of my skin that only said yes when they meant it have peeled away and are replaced by the fresh tissue of compliance. If I am the sum of my experiences then why are there no scars on my thighs from the times I smiled? If I am the sum of all of my experiences then why is there a fracture in my arm from anger but not from love? If I am really the sum of all of my experiences then why does my body only show my regrets?
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May 1, 2014
May 1, 2014 at 8:53 PM UTC
Body Language
one more for Joni and the one who accuses me of "owning the courage to care so blatantly." <:> accused of writing with blatant courage, a  4 credit requirement for caring blatant is a word of merger - open obvious unsubtle and unashamed and a dissembling misleading one! it is all of these  and yet can be a contradictory mask of opposing, differing faces my blatant is none of these but appearance only **** muses keep me coming back to a particular lyric, keeps seeking me out, so successfully, wherever I go, I hear it it’s invading my both sides now the dizzy dancing way you feel you think I have my own blatant courage, untrue! so oft you mistook my dizzy dancing, all fluff all humbug so obvious so ashamed, a cover up, a most subtle cosmetic pretense of the truth -   of no courage at all and yet (they mock) you do care... just another of my peculiar life’s illusions (self-delusions)   I really don’t have blatant courage at all
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Jul 3, 2018
Jul 3, 2018 at 9:18 AM UTC
owning the blatant courage to care
The sunrise greets the morning dew, to paint the sky with a vibrant hue. The last night has passed and a new days has come, advertised perfectly by a morning’s sun. Alarm clock birds hold no button to “snooze,” nothing left from yesterday, so now nothing left to lose. Go hesitantly wipe the sleep from your eyes, and politely greet the oncoming sunrise. The blissful sunset that once held the night, sped off within our starry eyes so fast. The brilliant, blinding, shining light, tragically drifted off, lost in the past. It separates the long days from the glorious dreams, and divides them into hostile, opposing teams. A sunrise and it’s rays can always carry hope, that maybe one day it’s possible to move on. Either surprise fairy tale, or tasteless joke, maybe my sense of humour is just somewhat wrong. So remember to always bless a sunrise, but never, ever more than a sunset. Both light up the passing, fading skies, that cover our shaking regret. At night, we all strive only to peacefully sleep, to **** the hours before the sun makes horizon’s leap.
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Apr 19, 2017
Apr 19, 2017 at 10:30 PM UTC
Ode to a Sunrise
Don’t love me. Please, don’t love me. I know myself, we’re quite close actually, and let me tell you, you don’t want to fall for her, you don’t want that girl, I hate her. I hate her because I know her so well and I know how horrible the truth can smell. Don’t love me, because even I know to hate myself, the vanity that despite this loathing I might actually believe that someone could fall for me. Don’t love me. Don’t love me, because I met Heartbreak once and she left me gasping for air and I will never meet her again. I refuse, so if you love me, please be aware that when you do, some day I am going to leave you, battered and bruised, because twisted self-preservation has taught me all the tricks to keep myself afloat by drowning you. Don’t love me. Because as much as I will love you, I’m not friends with Commitment, and whenever I see him on the horizon I set off running in the opposing direction. I will treat you like there will be no oxygen unless I’m holding you, but when you’re the one reaching for my hand I’ll become the wind. Commitment is not my friend, I said, but no one listens. Don’t love me, because I am a tornado, a storm to chase until I’ve taken everything from you. Don’t love me. Someday, you will be married and happy, and I will whirl back into your life like the hurricane that has never been named after me, and you will believe that all your scars and your broken heart have healed enough that you can run with me. But I have razors between my fingers and wedged in my teeth, and your scabbed over heartstrings will be powerless against me. I am an expert at running, at hurting, at ‘maybe’s. Don’t love me. When you ask me for something more, I will tell you that I am not ready, because I never will be. Chances scare me, and trusting someone so much will always be risky. I will tell you that I am not in the right place for your Commitment, for your future Heartbreak, and you will tell me that you understand but you’ll stick with me, and fire will consume everything. Don’t love me. I can’t even go a few years with a friendship before burning it all for at least a few evenings, but we’ll always rebuild the rickety ashes of the bridges we’ve passed. Don’t love me. I’m only saying it for your safety.
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Sep 27, 2015
Sep 27, 2015 at 11:22 PM UTC
don't love me. please
Don’t love me. Please, don’t love me. I know myself, we’re quite close actually, and let me tell you, you don’t want to fall for her, you don’t want that girl, I hate her. I hate her because I know her so well and I know how horrible the truth can smell. Don’t love me, because even I know to hate myself, the vanity that despite this loathing I might actually believe that someone could fall for me. Don’t love me. Don’t love me, because I met Heartbreak once and she left me gasping for air and I will never meet her again. I refuse, so if you love me, please be aware that when you do, some day I am going to leave you, battered and bruised, because twisted self-preservation has taught me all the tricks to keep myself afloat by drowning you. Don’t love me. Because as much as I will love you, I’m not friends with Commitment, and whenever I see him on the horizon I set off running in the opposing direction. I will treat you like there will be no oxygen unless I’m holding you, but when you’re the one reaching for my hand I’ll become the wind. Commitment is not my friend, I said, but no one listens. Don’t love me, because I am a tornado, a storm to chase until I’ve taken everything from you. Don’t love me. Someday, you will be married and happy, and I will whirl back into your life like the hurricane that has never been named after me, and you will believe that all your scars and your broken heart have healed enough that you can run with me. But I have razors between my fingers and wedged in my teeth, and your scabbed over heartstrings will be powerless against me. I am an expert at running, at hurting, at ‘maybe’s. Don’t love me. When you ask me for something more, I will tell you that I am not ready, because I never will be. Chances scare me, and trusting someone so much will always be risky. I will tell you that I am not in the right place for your Commitment, for your future Heartbreak, and you will tell me that you understand but you’ll stick with me, and fire will consume everything. Don’t love me. I can’t even go a few years with a friendship before burning it all for at least a few evenings, but we’ll always rebuild the rickety ashes of the bridges we’ve passed. Don’t love me. I’m only saying it for your safety.
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43
* "Our cattle graze, the wind breathes." -Garcilaso * It was my ancient voice ignorant of thick bitter juices. I sense it lapping my feet beneath the fragile wet ferns. Ay, ancient voice of my love, ay, voice of my truth, ay, voice of my open flank, when all the roses flowed from my tongue and grass knew nothing of horses' impassive teeth! Here are you drinking my blood, drinking my tedious childhood mood, while in the wind my eyes are bludgeoned by aluminum and drunken voices. Let me pass the gates where Eve eats ants and Adam seeds dazzled fish. Let me return, manikins with horns, to the grove where I stretch and leap with joy. I know a rite so secret it requires an old rusty pin and I know the horror of open eyes on a plate's concrete surface. But I want neither world nor dream, nor divine voice, I want my freedom, my human love in the darkest corner of breeze that no oen wants. My human love! Those hounds of the sea chase each other and the wind spies on careless tree trunks. Oh ancient voice, burn with your tongue this voice of tin and talc! I long to weep because I want to, as the children cry in the last row, because I'm not man, nor poet, nor leaf, but only a wounded pulse circling the things of the other side I want to cry out speaking my name, rose, child and fir-tree beside this lake, to speak my truth as a man of blood slay in myself teh tricks and turns of the word. No, no. I'm not asking, I, desire, voice, my freedom that laps my hands. In the labyrinth of screens it's my nakedness receives the moon of punishment and the ash-drowned clock. Thus I was speaking. Thus I was speaking with Saturn stopped the trains, when the fod and Dream and Death were seeking me. Seeking me where the cows, with tiny pages' feet, bellow and where my body floats between opposing fulcrums.
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5.7k
Double Poem of lake Eden
* "Our cattle graze, the wind breathes." -Garcilaso * It was my ancient voice ignorant of thick bitter juices. I sense it lapping my feet beneath the fragile wet ferns. Ay, ancient voice of my love, ay, voice of my truth, ay, voice of my open flank, when all the roses flowed from my tongue and grass knew nothing of horses' impassive teeth! Here are you drinking my blood, drinking my tedious childhood mood, while in the wind my eyes are bludgeoned by aluminum and drunken voices. Let me pass the gates where Eve eats ants and Adam seeds dazzled fish. Let me return, manikins with horns, to the grove where I stretch and leap with joy. I know a rite so secret it requires an old rusty pin and I know the horror of open eyes on a plate's concrete surface. But I want neither world nor dream, nor divine voice, I want my freedom, my human love in the darkest corner of breeze that no oen wants. My human love! Those hounds of the sea chase each other and the wind spies on careless tree trunks. Oh ancient voice, burn with your tongue this voice of tin and talc! I long to weep because I want to, as the children cry in the last row, because I'm not man, nor poet, nor leaf, but only a wounded pulse circling the things of the other side I want to cry out speaking my name, rose, child and fir-tree beside this lake, to speak my truth as a man of blood slay in myself teh tricks and turns of the word. No, no. I'm not asking, I, desire, voice, my freedom that laps my hands. In the labyrinth of screens it's my nakedness receives the moon of punishment and the ash-drowned clock. Thus I was speaking. Thus I was speaking with Saturn stopped the trains, when the fod and Dream and Death were seeking me. Seeking me where the cows, with tiny pages' feet, bellow and where my body floats between opposing fulcrums.
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(Author's Note: For those of you who have read "The Outsiders" by S.E. Hinton, here you go.) I am used to insults after seventeen long years. I should be, I create half of them and suffer through all of the rest. I lived in New York for part of my life, so I am also used to violence. I am able to rebel against everyone, opposing gangs, the Socs, even my own little posse of greasers. They are like brothers to me, and I am willing to lay down my life for them. Not that I'd ever say that out loud. I am not without pride and I have quite the reputation to uphold. I am rough, tough, and a guy you want to have on your side in a rumble. But at the same time, I have seen to much for a kid my age. Fighting, blood, and a good guy getting in trouble with the law for something he didn't do. Death is the worst. I am affected most by this, so I have built up a wall. I am truly the one on the edge of our gang. I am an outsider. I am a greaser, a hood, and proud of it. So you can call me what you want to, but I am used to insults after seventeen long years.
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Dec 2, 2012
Dec 2, 2012 at 7:50 PM UTC
I Am Dally
354 From Cocoon forth a Butterfly As Lady from her Door Emerged—a Summer Afternoon— Repairing Everywhere— Without Design—that I could trace Except to stray abroad On Miscellaneous Enterprise The Clovers—understood— Her pretty Parasol be seen Contracting in a Field Where Men made Hay— Then struggling hard With an opposing Cloud— Where Parties—Phantom as Herself— To Nowhere—seemed to go In purposeless Circumference— As ’twere a Tropic Show— And notwithstanding Bee—that worked— And Flower—that zealous blew— This Audience of Idleness Disdained them, from the Sky— Till Sundown crept—a steady Tide— And Men that made the Hay— And Afternoon—and Butterfly— Extinguished—in the Sea—
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From Cocoon forth a Butterfly
Derive the joy, magic and warmth of addition by connecting your soul to another's, yet remain independent as singular souls. Meet the interference of envious, bitter and resentful subtraction which gives the process of separation from the souls you have connected to. Both opposing forces with obstinate motivations coordinate unconsciously for the creation of an entrance-exit cycle in human interaction. The pinnacle of human interaction is interceded by multiplication who compounds the congregation of the independent souls into a cohesive unit called groups and eventually society and nation. Nevertheless met by the malevolent, destructive energy of division which ruthlessly breaks apart the products nurtured by multiplication, smashing them with propaganda, discrimination, and segregation. O' how I exclaim that division is the truly nefarious power.
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Apr 21, 2016
Apr 21, 2016 at 8:22 AM UTC
Society's mathematical equation
Can you spot those wild zebras, trotting across noisy plains of green? Can you spy them with binoculars, huddling together in familiar scenes? Can you observe these wild zebras, emblazoned with their traditional stripes? Can you recognize distinctive patterns of opposing colors of black and white? Can you form an opinion regarding the thoughts of wild zebras at play? Can any semblance of ‘Fashion Sense’ force a duality of stripes to rule the day? Can you number the size of the herd or even call out specific zebras by name? See their necks encircled by dangling whistles, as they continue… to officiate the football game. -Joe Breunig, Poet/Author, Reaching Towards His Unbounded Glory
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Sep 18, 2013
Sep 18, 2013 at 2:32 PM UTC
Poem: Wild Zebras At Play?
Distance brings proportion. From here the populated tiers as much as players seem part of the show: a constructed stage beast, three folds of Dante's rose, or a Chinese military hat cunningly chased with bodies. "Falling from his chariot, a drunk man is unhurt because his soul is intact. Not knowing his fall, he is unastonished, he is invulnerable." So, too, the "pure man"-"pure" in the sense of undisturbed water. "It is not necessary to seek out a wasteland, swamp, or thicket." The opposing pitcher's pertinent hesitations, the sky, this meadow, Mantle's thick baked neck, the old men who in the changing rosters see a personal mutability, green slats, wet stone are all to me as when an emperor commands a performance with a gesture of his eyes. "No king on his throne has the joy of the dead," the skull told Chuang-tzu. The thought of death is peppermint to you when games begin with patriotic song and a democratic sun beats broadly down. The Inner Journey seems unjudgeably long when small boys purchase cups of ice and, distant as a paradise, experts, passionate and deft, hold motionless while Berra flies to left.
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Tao in the Yankee Stadium Bleachers