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"ointments" poems
did you know that the self effulgent light of God it self is **** shaped as above so below the inner revelation ******* above...light woven *** hole below ...flesh woven does this not infer a magical operation perhaps a hermetic ritual of adoration perhaps a puja to the **** with ornate kaleidoscopic mandalas replete with wrinkles and folds emerald toilet bowls silk *** wipe with full color florals to be ingratiated by **** art prints and to be fussed over and judged by certified ******* clergy then to cleanse with fragrant ointments that it may remain unsullied by its birthing labors voluptuous smoldering fecundations for purities sake as god remains free of limitation it too must remain free of its forgetful tarnished children i build  temple of **** high above the people the little ***** do they even know where they come from how they may devote themselves to the grandeur of the solar **** and its bestowals of clumpy torpedoes the catechism of the  solar **** to know to adore to prostrate to proselytize the glory of **** to the for corners of the earth to be faithful unto it to be obedient and present your ******* for ritual manicures by the true initiates the fussy ******* faeries   those who have the secret knowledge and remain true to the lore and precepts set forth of divine correspondences to fully appreciate its eminence its glory and have no God before it that mercy will follow them all the days of there lives*
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Jul 16, 2016
Jul 16, 2016 at 8:35 PM UTC
Temple of **** ...explicit...adult...social relgious commentary
<> **”To dream by the oak and awake by the sea when August has ripened and turned Jubilee you must enter dominion of summer's delight and live in the rapture of candescent light Oh to live and to love one must first learn to kiss,   the kinetics of summer, with eternal bliss.”** ~from vienna bombardieri’s poem, “Kinetics Of Summer~ (with her kind permission) <> First verse pinpoints accurate, this, my spot! by oak and sea, my precise longitude and latitude, where my summertime eyes open to receive the gift of morning’s light, observing the conjunction of land, hard by the sea, the land-ed avian gentry and sea~sailor birds interacting, sharing the uprising currents, for sport and observation, travel and pleasured sailing, these “Masters of the Sky can fly for hours (or days), while barely flapping,” and this verse stuns, and my shock, at these, her words my breathing is gasped and grasped by oak and sea, for so it be, this is where my morning’s operatic scrum, ballet and dance hall hullabaloo, my diurnal natural choreography is performed, while slow sipping my very heated first coffee it was here that I learned to love more easily, for the kinetics of summers trio of sun, sky, and moderate breezes, lulled the turbulence of my disheartened lives into an easier order, the world~surround, a living, breathing exercise that warmed the spirit, cooled the soul, and spoke without uttering a single word, here dear person, is the where and the when, the comfort of the natural-blanket that enwraps, covers, cherishes the atmosphere entire, containing the healing elixirs and protective ointments, that remove the plaque of life’s accumulated injuries, slights and scar tissue simply put, here I breath freely, here I see with clarity here the infusions of living in nature, prolongs, restore, remind, enliven and enhances, the intermixture of body and soul here in actual deed, the kiss of summer bliss upon my tiring cell’s walls, are resurrected even unto the nuclei, by the warm breath of sun life and sun light, and the breezes of salty sweet caramel air and under their loving, combined-dominion am I resurrected and will yet sense, one more Jubilee again as I lay dreaming by the oak and the sea…
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Aug 2, 2023
Aug 2, 2023 at 4:05 AM UTC
“To dream by the oak and awake by the sea“
<> **”To dream by the oak and awake by the sea when August has ripened and turned Jubilee you must enter dominion of summer's delight and live in the rapture of candescent light Oh to live and to love one must first learn to kiss,   the kinetics of summer, with eternal bliss.”** ~from vienna bombardieri’s poem, “Kinetics Of Summer~ (with her kind permission) <> First verse pinpoints accurate, this, my spot! by oak and sea, my precise longitude and latitude, where my summertime eyes open to receive the gift of morning’s light, observing the conjunction of land, hard by the sea, the land-ed avian gentry and sea~sailor birds interacting, sharing the uprising currents, for sport and observation, travel and pleasured sailing, these “Masters of the Sky can fly for hours (or days), while barely flapping,” and this verse stuns, and my shock, at these, her words my breathing is gasped and grasped by oak and sea, for so it be, this is where my morning’s operatic scrum, ballet and dance hall hullabaloo, my diurnal natural choreography is performed, while slow sipping my very heated first coffee it was here that I learned to love more easily, for the kinetics of summers trio of sun, sky, and moderate breezes, lulled the turbulence of my disheartened lives into an easier order, the world~surround, a living, breathing exercise that warmed the spirit, cooled the soul, and spoke without uttering a single word, here dear person, is the where and the when, the comfort of the natural-blanket that enwraps, covers, cherishes the atmosphere entire, containing the healing elixirs and protective ointments, that remove the plaque of life’s accumulated injuries, slights and scar tissue simply put, here I breath freely, here I see with clarity here the infusions of living in nature, prolongs, restore, remind, enliven and enhances, the intermixture of body and soul here in actual deed, the kiss of summer bliss upon my tiring cell’s walls, are resurrected even unto the nuclei, by the warm breath of sun life and sun light, and the breezes of salty sweet caramel air and under their loving, combined-dominion am I resurrected and will yet sense, one more Jubilee again as I lay dreaming by the oak and the sea…
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Underneath this myrtle shade, On flowerly beds supinely laid, With odorous oils my head o’erflowing, And around it roses growing, What should I do but drink away The heat and troubles of the day? In this more than kingly state Love himself on me shall wait. Fill to me, Love! nay, fill it up! And mingled cast into the cup Wit and mirth and noble fires, Vigorous health and gay desires. The wheel of life no less will stay In a smooth than rugged way: Since it equally doth flee, Let the motion pleasant be. Why do we precious ointments shower?— Nobler wines why do we pour?— Beauteous flowers why do we spread Upon the monuments of the dead? Nothing they but dust can show, Or bones that hasten to be so. Crown me with roses while I live, Now your wines and ointments give: After death I nothing crave, Let me alive my pleasures have: All are Stoics in the grave.
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4.6k
The Epicure
. Henry VIII was a deluded monarch, he could never have ruled the Earth, for he hasn't seen his **** for years, hiding beneath the bulk of his girth. And wobbling onto the battle field is not the behaviour fit for a King, he would have to sit nursing his cysts and hoping the ointments don't sting. His eating excess was cause for concern but his syphilis remained largely unseen, and one really has to feel so sorry for whomever it is that is currently Queen. His penchant for young and younger Ladies made him a stranger to baths and soap, and his bed hopping antics to sire a son bought him much trouble from the pope. © Pagan Paul (09/12/18)
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Dec 9, 2018
Dec 9, 2018 at 5:13 PM UTC
Henry VIII
****** ****** on my lip; You itchy little reddish blip. You come and go just as you please, O, how I wish to rid ****** What is it about my face, That you would want to bring disgrace? You hide behind the name “coldsore,” But your just herpes…nothing more. Wheres MYpes, and HISpes, and what about YOURpes? Why does it always have to be ****** Ointments and creams, the hell just won’t end! O no! My herpe just grew a friend! There’s two of them now! What do I do? Well, here’s something I know to be very true: That sharing is caring; that’s what they say, So kiss me and let’s share my ****** today!
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Oct 17, 2016
Oct 17, 2016 at 11:48 AM UTC
HISpes and ******
The Quantum Poetry Theorem from a long time ago, a thousand poems a priori. **Dedicated to you, Albert Einstein and the cast of TBBT, special thanks to the OWS movement., But especially to the few, the brave, geeks who write poetry in word and in equations.** Scruffy, yet ennobled, my own 99% invade and occupy all my senses, in my eyesight encamped sensing opportunity, the 99 demand that each shutter eye snap, all nominal exhalations, every quantum minutia perception, be live streamed, direct tv to you Everything I witness, transformed into an acoustic guitar rocking vision, a levitation of poetic expression,   set to a primitive three-chord rock & roll overture, and my iPad, appointed Recording Secretary, compiles exhalations as ecrivations a preservation society of the verb, strings of words emanating non-stop within my head, from a guitar playing twenty four seven, ironically, expressed mathematically Street strolling, busy brasserie bar, a Pinot Noir arrives, a large pour of stanzas and a napkin upon to scribble mind in ferment but A Capella smooth cool, my bossy brain requires incident reports, a "write me down, please," and no matter how much I drink, ain't anti-matter enough to stop my eyes from seeing every human interaction as a poetic, probabilistic, verbal equation, quantum expressions of sensory upload The brain revels and reels from overload,   no mas, no more, poetry fatigue incurable, caplets and ointments, string theory, can't cure or explain the compulsion I feel, and the 1% of me protests my overtaxed mental capacity, and hear the, see the, masses, the shouts, the placards, outside my home, shut it down, no one cares, no one wants your transplanted mechanics in their eardrums Huzzah, found in my gut, a Grand Unifying Theory to coordinate, gauge  and harmonize my internal asymmetries, yes, a coupling factor required, but still, one equation that explains everything! my fatigued, pointy, index finger refuses to tap any more, my Theory of Everything, and my poetry, forgot, overlooked. in my library buried, black holed, forever silence-stored
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Sep 8, 2013
Sep 8, 2013 at 3:48 PM UTC
The Quantum Poetry Theorem
The Quantum Poetry Theorem from a long time ago, a thousand poems a priori. **Dedicated to you, Albert Einstein and the cast of TBBT, special thanks to the OWS movement., But especially to the few, the brave, geeks who write poetry in word and in equations.** Scruffy, yet ennobled, my own 99% invade and occupy all my senses, in my eyesight encamped sensing opportunity, the 99 demand that each shutter eye snap, all nominal exhalations, every quantum minutia perception, be live streamed, direct tv to you Everything I witness, transformed into an acoustic guitar rocking vision, a levitation of poetic expression,   set to a primitive three-chord rock & roll overture, and my iPad, appointed Recording Secretary, compiles exhalations as ecrivations a preservation society of the verb, strings of words emanating non-stop within my head, from a guitar playing twenty four seven, ironically, expressed mathematically Street strolling, busy brasserie bar, a Pinot Noir arrives, a large pour of stanzas and a napkin upon to scribble mind in ferment but A Capella smooth cool, my bossy brain requires incident reports, a "write me down, please," and no matter how much I drink, ain't anti-matter enough to stop my eyes from seeing every human interaction as a poetic, probabilistic, verbal equation, quantum expressions of sensory upload The brain revels and reels from overload,   no mas, no more, poetry fatigue incurable, caplets and ointments, string theory, can't cure or explain the compulsion I feel, and the 1% of me protests my overtaxed mental capacity, and hear the, see the, masses, the shouts, the placards, outside my home, shut it down, no one cares, no one wants your transplanted mechanics in their eardrums Huzzah, found in my gut, a Grand Unifying Theory to coordinate, gauge  and harmonize my internal asymmetries, yes, a coupling factor required, but still, one equation that explains everything! my fatigued, pointy, index finger refuses to tap any more, my Theory of Everything, and my poetry, forgot, overlooked. in my library buried, black holed, forever silence-stored
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I come from the green winters, the beady drops of sweat running like lawnmowers down the side of a face. The bugs, bugs, bugs and freakish hailstorms of the way-down-south. I come from the trash-can lid that I made a sled and took flight on soaring over the inch-thick ice. I am from howdy-land and yeehaw-city, but the thing is, they really weren't. I come from a fascination with rocks, the round ones with the white stripes and the white ones with the round stripes. I am from bee-stings and wasp-nests, and the kind ointments that were whispered into my battle wounds. Down the side of a cliff, running like lawmowers, the beady drops of sweat come from green winters.
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Sep 29, 2011
Sep 29, 2011 at 7:52 PM UTC
Texas
I look down at my feet, toes adorned with chipped nail varnish, a pitiful plaster clinging to the sole, and I grimace at the purple marks, reddening blisters, cicatrices of stories long forgotten. The ***** of my feet are thin and worn, my heels rubbed raw from shoes I have loved and shoes I have detested, faded scars from childhood accidents. I have aged hating my feet, the discoloured skin, dotted with odious callouses, my throbbing, wrinkled soles. They have grown with me, from tiny clumps unrecognisable as a foetus, to wide, long size 7s. My toes are misshapen, twisting this way and that, freckled with sun kisses from foreign countries. They’ve been battered and bruised repeatedly, victims of my hurtling abuse and mortal neglect. I have punished them with verruca socks and freezing ointments, pin ****** small shoes, razor blades, nail clippers and not once have I nurtured them, soaked them with praise. These feet have walked me up mountains, aided me in athletic championships, withstood six inch heels on weekends, ran me through marathons, enduring my never-ending physical torment and though they may buckle, with weeping blisters and aching pains, dry skin, broken bones and sprained ankles, they will recover, rebuilding the scabrous skin. Regardless of how unstable my life may become in later years, whether I am stranded on a deserted island, or walking the ***** streets of the city, no room to call my own, my feet will always, undoubtedly, lead me to safety. And when I am old and withered, an exhausted heap of human life, with my last dying breath, I will thank my durable, reliable feet.
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May 2, 2016
May 2, 2016 at 11:28 AM UTC
My Feet and I
I look down at my feet, toes adorned with chipped nail varnish, a pitiful plaster clinging to the sole, and I grimace at the purple marks, reddening blisters, cicatrices of stories long forgotten. The ***** of my feet are thin and worn, my heels rubbed raw from shoes I have loved and shoes I have detested, faded scars from childhood accidents. I have aged hating my feet, the discoloured skin, dotted with odious callouses, my throbbing, wrinkled soles. They have grown with me, from tiny clumps unrecognisable as a foetus, to wide, long size 7s. My toes are misshapen, twisting this way and that, freckled with sun kisses from foreign countries. They’ve been battered and bruised repeatedly, victims of my hurtling abuse and mortal neglect. I have punished them with verruca socks and freezing ointments, pin ****** small shoes, razor blades, nail clippers and not once have I nurtured them, soaked them with praise. These feet have walked me up mountains, aided me in athletic championships, withstood six inch heels on weekends, ran me through marathons, enduring my never-ending physical torment and though they may buckle, with weeping blisters and aching pains, dry skin, broken bones and sprained ankles, they will recover, rebuilding the scabrous skin. Regardless of how unstable my life may become in later years, whether I am stranded on a deserted island, or walking the ***** streets of the city, no room to call my own, my feet will always, undoubtedly, lead me to safety. And when I am old and withered, an exhausted heap of human life, with my last dying breath, I will thank my durable, reliable feet.
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Dedicated to all my Poet Friend, as I wish them a Merry Christmas & a Happy New Year - 2019 ! Kindly read the footnotes too. If you like it, do re-post this poem for wider circulation please! Thank You, - Raj A BRIGHT STAR OVER BETHLEHEM !              * By Raj Nandy* “We three kings of Orient are,   Bearing gifts we travel afar;   Field and fountain, moor and mountain, -   Following the yonder star ! “                                - A Christmas Carol. Named Casper, Melchior, and Balthasar, - @ The Three Wise Men came from the East, Travelling west guided by a Bright Star, To seek out the child born under this lucky Star ; And to pay their homage and before him kneel, For He was to become the Savior and King ! They brought Him precious gifts of Gold, Frankincense, and Myrrh, - Which were also symbolic gifts by far! Precious Gold has been a gift for royalty always, For the baby Jesus was to become the 'uncrowned King' one day! Frankincense as a soothing perfume was really good , Which also symbolised His future priesthood ! Myrrh as an embalming ointment was being used, By the ancient Egyptians as a preserving perfume ! # This gift of Myrrh was like a breath of new life - in the prevailing gloom; While symbolising His sorrowing, suffering and crucifixion; And leading to His final resurrection, - To save mankind from their sinful affliction! So Friends, when you celebrate Christmas this year, Let us with love bring hope and good cheer! And help to wipe out those sorrowing tears, - By giving gifts to those destitute children and bless, Since we generally tend to forget them always! And let our gifts become a true symbol, - Of His kindness and love let them reflect and resemble! ………………………………………………………………....................... NOTES : - @ = One 8th Century AD Manuscript says that these Three Wise Men were also astrologers, who had known about the Prophecy of the birth of Jesus who was to be the King of the Jews! They were guided by a Bright Star which had shone over the town of Bethlehem in Judea, ruled by the mad King Herod! Their three symbolic Gifts signified the King, the Priest, and the Savior of Mankind respectively! From the ‘Gospel of Matthews’ we learn that King Herod had told them to inform him about the Baby’s location! But since they had been forewarned by a dream, they returned by a different route! So Herod gave orders to **** all children 2 years and below, fearing this ‘King of the Jews’ will one day take over his throne !! #MYRRH = was being used by the Egyptians during the 5th century BC, which they had obtained from Africa. It was used in incense, in perfumes, & in holy ointments; mostly for embalming , - signifying Jesus was to die for mankind ! Thanks for reading, – Raj.            ALL COPY RIGHTS WITH THE AUTHOR ONLY ,
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Dec 22, 2018
Dec 22, 2018 at 8:45 AM UTC
A BRIGHT STAR OVER BETHLEHEM !
Dedicated to all my Poet Friend, as I wish them a Merry Christmas & a Happy New Year - 2019 ! Kindly read the footnotes too. If you like it, do re-post this poem for wider circulation please! Thank You, - Raj A BRIGHT STAR OVER BETHLEHEM !              * By Raj Nandy* “We three kings of Orient are,   Bearing gifts we travel afar;   Field and fountain, moor and mountain, -   Following the yonder star ! “                                - A Christmas Carol. Named Casper, Melchior, and Balthasar, - @ The Three Wise Men came from the East, Travelling west guided by a Bright Star, To seek out the child born under this lucky Star ; And to pay their homage and before him kneel, For He was to become the Savior and King ! They brought Him precious gifts of Gold, Frankincense, and Myrrh, - Which were also symbolic gifts by far! Precious Gold has been a gift for royalty always, For the baby Jesus was to become the 'uncrowned King' one day! Frankincense as a soothing perfume was really good , Which also symbolised His future priesthood ! Myrrh as an embalming ointment was being used, By the ancient Egyptians as a preserving perfume ! # This gift of Myrrh was like a breath of new life - in the prevailing gloom; While symbolising His sorrowing, suffering and crucifixion; And leading to His final resurrection, - To save mankind from their sinful affliction! So Friends, when you celebrate Christmas this year, Let us with love bring hope and good cheer! And help to wipe out those sorrowing tears, - By giving gifts to those destitute children and bless, Since we generally tend to forget them always! And let our gifts become a true symbol, - Of His kindness and love let them reflect and resemble! ………………………………………………………………....................... NOTES : - @ = One 8th Century AD Manuscript says that these Three Wise Men were also astrologers, who had known about the Prophecy of the birth of Jesus who was to be the King of the Jews! They were guided by a Bright Star which had shone over the town of Bethlehem in Judea, ruled by the mad King Herod! Their three symbolic Gifts signified the King, the Priest, and the Savior of Mankind respectively! From the ‘Gospel of Matthews’ we learn that King Herod had told them to inform him about the Baby’s location! But since they had been forewarned by a dream, they returned by a different route! So Herod gave orders to **** all children 2 years and below, fearing this ‘King of the Jews’ will one day take over his throne !! #MYRRH = was being used by the Egyptians during the 5th century BC, which they had obtained from Africa. It was used in incense, in perfumes, & in holy ointments; mostly for embalming , - signifying Jesus was to die for mankind ! Thanks for reading, – Raj.            ALL COPY RIGHTS WITH THE AUTHOR ONLY ,
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Dedicated to Ms Valsa George & my Poet Friend, as I wish them a Merry Christmas & a Happy New Year - 2017 ! A BRIGHT STAR OVER BETHLEHEM ! * By Raj Nandy* “We three kings of Orient are, Bearing gifts we travel afar; Field and fountain, moor and mountain, - Following the yonder star ! “ - A Christmas Carol. Named Casper, Melchior, and Balthasar, - @ The Three Wise Men came from the East, Traveling west guided by a Bright Star, To seek out the child born under this lucky Star ; And to pay their homage and before him kneel, For He was to become the Savior and King ! They brought Him precious gifts of Gold, Frankincense, and Myrrh, - Which were also symbolic gifts by far! Precious Gold has been a gift for royalty always, For the baby Jesus was to become the uncrowned King one day! Frankincense as a soothing perfume was really good , Which also symbolized His future priesthood ! Myrrh as an embalming ointment was being used, By the ancient Egyptians as a preserving perfume ! # This gift of Myrrh was like a breath of new life - in the prevailing gloom; While symbolising His sorrowing, suffering and crucifixion; And leading to His final resurrection, - To save mankind from their sinful affliction! So Friends, when you celebrate Christmas this year, Let us with love bring hope and good cheer! And help to wipe out those sorrowing tears, - By giving gifts to those destitute children and bless, Since we generally tend to forget them always! And let our gifts become a true symbol, - HIS kindness and love let them reflect and resemble! ………………………………………………………………...........................¬.. NOTES : - @ = One 8th Century AD Manuscript says that these Three Wise Men were also astrologers, who had known about the Prophecy of the birth of Jesus who was to be the King of the Jews! They were guided by a Bright Star which had shone over the town of Bethlehem in Judea, ruled by the mad King Herod! Their three symbolic Gifts signified the King, the Priest, and the Savior of Mankind respectively! From the ‘Gospel of Matthews’ we learn that King Herod had told them to inform him about the Baby’s location! But since they had been forewarned by a dream, they returned by a different route! So Herod gave orders to **** all children 2 years and below, fearing this ‘King of the Jews’ will one day take over his throne !! #MYRRH = was being used by the Egyptians during the 5th century BC, which they had obtained from Africa. It was used in incense, in perfumes, & in holy ointments; mostly for embalming , - signifying Jesus was to die for mankind ! Thanks for reading, – Raj. , Edit poem
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Dec 23, 2016
Dec 23, 2016 at 7:37 AM UTC
A BRIGHT STAR OVER BETHLEHEM !
Dedicated to Ms Valsa George & my Poet Friend, as I wish them a Merry Christmas & a Happy New Year - 2017 ! A BRIGHT STAR OVER BETHLEHEM ! * By Raj Nandy* “We three kings of Orient are, Bearing gifts we travel afar; Field and fountain, moor and mountain, - Following the yonder star ! “ - A Christmas Carol. Named Casper, Melchior, and Balthasar, - @ The Three Wise Men came from the East, Traveling west guided by a Bright Star, To seek out the child born under this lucky Star ; And to pay their homage and before him kneel, For He was to become the Savior and King ! They brought Him precious gifts of Gold, Frankincense, and Myrrh, - Which were also symbolic gifts by far! Precious Gold has been a gift for royalty always, For the baby Jesus was to become the uncrowned King one day! Frankincense as a soothing perfume was really good , Which also symbolized His future priesthood ! Myrrh as an embalming ointment was being used, By the ancient Egyptians as a preserving perfume ! # This gift of Myrrh was like a breath of new life - in the prevailing gloom; While symbolising His sorrowing, suffering and crucifixion; And leading to His final resurrection, - To save mankind from their sinful affliction! So Friends, when you celebrate Christmas this year, Let us with love bring hope and good cheer! And help to wipe out those sorrowing tears, - By giving gifts to those destitute children and bless, Since we generally tend to forget them always! And let our gifts become a true symbol, - HIS kindness and love let them reflect and resemble! ………………………………………………………………...........................¬.. NOTES : - @ = One 8th Century AD Manuscript says that these Three Wise Men were also astrologers, who had known about the Prophecy of the birth of Jesus who was to be the King of the Jews! They were guided by a Bright Star which had shone over the town of Bethlehem in Judea, ruled by the mad King Herod! Their three symbolic Gifts signified the King, the Priest, and the Savior of Mankind respectively! From the ‘Gospel of Matthews’ we learn that King Herod had told them to inform him about the Baby’s location! But since they had been forewarned by a dream, they returned by a different route! So Herod gave orders to **** all children 2 years and below, fearing this ‘King of the Jews’ will one day take over his throne !! #MYRRH = was being used by the Egyptians during the 5th century BC, which they had obtained from Africa. It was used in incense, in perfumes, & in holy ointments; mostly for embalming , - signifying Jesus was to die for mankind ! Thanks for reading, – Raj. , Edit poem
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A BRIGHT STAR OVER BETHLEHEM! * By Raj Nandy* “We three kings of Orient are, Bearing gifts we travel afar; Field and fountain, moor and mountain, - Following the yonder star ! “ - A Christmas Carol. Named Casper, Melchior, and Balthasar, - @ The Three Wise Men came from the East, Traveling west guided by a bright Star, To seek out the child born under this lucky Star ; And to pay their homage and before him kneel, For He was to become the Savior and King ! They brought Him precious gifts of Gold, Frankincense, and Myrrh, - Which were also symbolic gifts by far! Precious Gold has been a gift for royalty always, For the baby Jesus was to become the uncrowned King one day! Frankincense as a soothing perfume was really good , Which also symbolized His future priesthood ! Myrrh as an embalming ointment was being used, By the ancient Egyptians as a preserving perfume! # This gift of Myrrh was like a breath of new life in the prevailing gloom; While symbolizing His sorrowing, suffering, and crucifixion; And leading to His final resurrection, - To save mankind from their sinful affliction! So Friends, when you celebrate Christmas this year, Let us with love bring hope and good cheer! And help to wipe out those sorrowing tears, - By giving gifts to those destitute children and bless, Since we generally tend to forget them always! And let our gifts become a true symbol, - HIS kindness and love let them reflect and resemble! ……………………………………………………………….......................................... A Very Happy Christmas To All My Reader! NOTES : - @ = One 8th Century AD manuscript says that these three Wise Men were also astrologers, who had known about the Prophecy of the birth of Jesus who was to be the King of the Jews! They were guided by a Bright Star which had shone over the town of Bethlehem in Judea, ruled by the mad King Herod! Their three symbolic Gifts signified the King, the Priest, and the Savior of Mankind respectively! From the ‘Gospel of Matthews’ we learn that King Herod had told them to inform him about the Baby’s location! But since they had been forewarned by a dream, they returned by a different route! So Herod gave orders to **** all children 2 years and below, fearing this ‘King of the Jews’ will one day take over his throne! #MYRRH = was being used by the Egyptians during the 5th century BC, which they had obtained from Africa. It was used in incense, in perfumes , & in holy ointments; mostly for embalming ; - signifying Jesus was to die for mankind ! Thanks for reading, – Raj. ,
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Dec 22, 2014
Dec 22, 2014 at 3:18 AM UTC
A BRIGHT STAR OVER BETHLEHEM !
A BRIGHT STAR OVER BETHLEHEM! * By Raj Nandy* “We three kings of Orient are, Bearing gifts we travel afar; Field and fountain, moor and mountain, - Following the yonder star ! “ - A Christmas Carol. Named Casper, Melchior, and Balthasar, - @ The Three Wise Men came from the East, Traveling west guided by a bright Star, To seek out the child born under this lucky Star ; And to pay their homage and before him kneel, For He was to become the Savior and King ! They brought Him precious gifts of Gold, Frankincense, and Myrrh, - Which were also symbolic gifts by far! Precious Gold has been a gift for royalty always, For the baby Jesus was to become the uncrowned King one day! Frankincense as a soothing perfume was really good , Which also symbolized His future priesthood ! Myrrh as an embalming ointment was being used, By the ancient Egyptians as a preserving perfume! # This gift of Myrrh was like a breath of new life in the prevailing gloom; While symbolizing His sorrowing, suffering, and crucifixion; And leading to His final resurrection, - To save mankind from their sinful affliction! So Friends, when you celebrate Christmas this year, Let us with love bring hope and good cheer! And help to wipe out those sorrowing tears, - By giving gifts to those destitute children and bless, Since we generally tend to forget them always! And let our gifts become a true symbol, - HIS kindness and love let them reflect and resemble! ……………………………………………………………….......................................... A Very Happy Christmas To All My Reader! NOTES : - @ = One 8th Century AD manuscript says that these three Wise Men were also astrologers, who had known about the Prophecy of the birth of Jesus who was to be the King of the Jews! They were guided by a Bright Star which had shone over the town of Bethlehem in Judea, ruled by the mad King Herod! Their three symbolic Gifts signified the King, the Priest, and the Savior of Mankind respectively! From the ‘Gospel of Matthews’ we learn that King Herod had told them to inform him about the Baby’s location! But since they had been forewarned by a dream, they returned by a different route! So Herod gave orders to **** all children 2 years and below, fearing this ‘King of the Jews’ will one day take over his throne! #MYRRH = was being used by the Egyptians during the 5th century BC, which they had obtained from Africa. It was used in incense, in perfumes , & in holy ointments; mostly for embalming ; - signifying Jesus was to die for mankind ! Thanks for reading, – Raj. ,
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48
That flesh’d vizard – does it decay, So much alike the ****** My mortal stature – emaciated – Forthwith; it’s programmed. Do those lines – like trenches deep – Carve moats for tears to flow. And do they flow – like rivers march My countenance; fallowed. To rejuvenate – vials and vials, Ointments in plethora. I rub and rub, till the vizard cracks Lo! Restore my aura. Pseudoscience, falsehoods galore – A vice of fiscality. Like a cyst, does it tremor, Melting my vanity. Visage – deep – a pick inside my soul. Those flakes of ego crumb. A mien so ****** yet so loved… Can they not see how numb                          I am.
0
Dec 4, 2020
Dec 4, 2020 at 8:23 AM UTC
Vizard.
i always knew i would never be "girlfriend material" maybe the gods forgot to cut me carefully from the same cloth they doted out to everybody else a thicker and more claustrophobic material one that overheats and suffocates you my mouth is a forest fire that ignites at the first sight of thunder ahead other people use their words to heal and comfort their significant other while i'd always had a natural disposition of wielding my tongue as a freshly sharpened knife i wanted to learn i wanted to teach myself that in order to be in a relationship you have to treat the hardships like delicately gauzed wounds changing them out every few hours and applying ointments to soothe and mend the broken flesh but i don't know if it's because of my mother who was never very nurturing taking emotional withdrawals from me throughout my entire childhood teaching me to cultivate my isolation and find comfort in my loneliness i'd see the signs of her packing up her bags and departing from a mile away and the only survival method i knew was to let her go before she let me go, again and again and again and again i tried to mend myself for you to be less broken down for you i promised myself i'd be healthier and fight my depression like a true viking at battle i knew i was never girlfriend material i don't have the patience or understanding to learn how to nurture wounds my natural instinct has always been to throw salt in them to slit my throat and slit my throat and slit my throat until i bled out all of you entirely it's not that i never knew how to love but that i never knew how to love properly caring too much and showing too little displaying my fear of losing you with an anger that destroys everything in my path instead of affection and vulnerability my lovers never know if i love them i display my feelings in watered down sentiments that take shape in the way i allow my body to mold into theirs under bedsheets the love i carry though, suffocates me it drowns my internal organs and floods the entirety of my body leaving me speechless and incapable of articulating how i feel or why i feel the way that i do in turn i appear cold to the touch and that is how i knew i was never girlfriend material i want to lay down on train tracks and sacrifice my body again and again until i get it right but i fear it only leaves me in poorer condition than the last i'm sorry i don't know how to love you properly i'm sorry i'm sorry i'm sorry i'm sorry i'm sorry you see, i'm just not "girlfriend material"
0
Nov 2, 2014
Nov 2, 2014 at 1:01 AM UTC
Girlfriend Material
i always knew i would never be "girlfriend material" maybe the gods forgot to cut me carefully from the same cloth they doted out to everybody else a thicker and more claustrophobic material one that overheats and suffocates you my mouth is a forest fire that ignites at the first sight of thunder ahead other people use their words to heal and comfort their significant other while i'd always had a natural disposition of wielding my tongue as a freshly sharpened knife i wanted to learn i wanted to teach myself that in order to be in a relationship you have to treat the hardships like delicately gauzed wounds changing them out every few hours and applying ointments to soothe and mend the broken flesh but i don't know if it's because of my mother who was never very nurturing taking emotional withdrawals from me throughout my entire childhood teaching me to cultivate my isolation and find comfort in my loneliness i'd see the signs of her packing up her bags and departing from a mile away and the only survival method i knew was to let her go before she let me go, again and again and again and again i tried to mend myself for you to be less broken down for you i promised myself i'd be healthier and fight my depression like a true viking at battle i knew i was never girlfriend material i don't have the patience or understanding to learn how to nurture wounds my natural instinct has always been to throw salt in them to slit my throat and slit my throat and slit my throat until i bled out all of you entirely it's not that i never knew how to love but that i never knew how to love properly caring too much and showing too little displaying my fear of losing you with an anger that destroys everything in my path instead of affection and vulnerability my lovers never know if i love them i display my feelings in watered down sentiments that take shape in the way i allow my body to mold into theirs under bedsheets the love i carry though, suffocates me it drowns my internal organs and floods the entirety of my body leaving me speechless and incapable of articulating how i feel or why i feel the way that i do in turn i appear cold to the touch and that is how i knew i was never girlfriend material i want to lay down on train tracks and sacrifice my body again and again until i get it right but i fear it only leaves me in poorer condition than the last i'm sorry i don't know how to love you properly i'm sorry i'm sorry i'm sorry i'm sorry i'm sorry you see, i'm just not "girlfriend material"
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47
born of blood from a thorn of a beautiful flower from the love of the horned adorned in power cowering in the vicious maliciousness of the constituents in the deliverance to my ridiculousness saw twisted shapes and contorting faces heard blurred words displaced in hateful slurs of aggression and i cannot count the cases in my tasteless confessions in my reluctant concessions in my brutal perfection of my obsessions imposed against my will you're supposed to feel what they do right? opposed to killing for the thrill but it sometimes just feels right shanky gone unscrupulous shivering his shimmied blood on the walls stuttering stanleys still silly stringing calling for candy but missed last call and fell to the floor as Bruno butchered the boar in a deplorable fashion a crime of passion we were hungry rubbing our tummies for the honey of bee hives jive turkeys turning to bunnys for good times but we were alive while others were not fraught with darkling majesty sparkling at the seraded points disjointed in Freudian ointments self anointed as god standing over some butchered brod from abroad wiping the fog of dislodged eye sockets from my grog how you get from there to here isn't really a fair mirror on my intention i meant to suspend her just enough to face f--k and with luck strangle her but she prayed to be ripped down in her own way my f--king way stripped her of dignity wimpering in little cute sounds who am i? but the guy who spaced hit her too many times in the face and replaced her facelessness with ***** toiletries disappointingly underwhelmed still in search of a fairy to take the helm and ferry me from this film disparagingly just spare me the tragedy and grief blaring from the TV as i mock their expressions in my lessons of humanity before the flock to shelter my anxiety or not gonna be a real boy one day and conform to the wayward ways the way of sheep sleeping soundly in decay blue fairy gonna marry me one day be real one day one day 1 d a y
0
Nov 29, 2012
Nov 29, 2012 at 4:52 PM UTC
[Blue Fairy]
born of blood from a thorn of a beautiful flower from the love of the horned adorned in power cowering in the vicious maliciousness of the constituents in the deliverance to my ridiculousness saw twisted shapes and contorting faces heard blurred words displaced in hateful slurs of aggression and i cannot count the cases in my tasteless confessions in my reluctant concessions in my brutal perfection of my obsessions imposed against my will you're supposed to feel what they do right? opposed to killing for the thrill but it sometimes just feels right shanky gone unscrupulous shivering his shimmied blood on the walls stuttering stanleys still silly stringing calling for candy but missed last call and fell to the floor as Bruno butchered the boar in a deplorable fashion a crime of passion we were hungry rubbing our tummies for the honey of bee hives jive turkeys turning to bunnys for good times but we were alive while others were not fraught with darkling majesty sparkling at the seraded points disjointed in Freudian ointments self anointed as god standing over some butchered brod from abroad wiping the fog of dislodged eye sockets from my grog how you get from there to here isn't really a fair mirror on my intention i meant to suspend her just enough to face f--k and with luck strangle her but she prayed to be ripped down in her own way my f--king way stripped her of dignity wimpering in little cute sounds who am i? but the guy who spaced hit her too many times in the face and replaced her facelessness with ***** toiletries disappointingly underwhelmed still in search of a fairy to take the helm and ferry me from this film disparagingly just spare me the tragedy and grief blaring from the TV as i mock their expressions in my lessons of humanity before the flock to shelter my anxiety or not gonna be a real boy one day and conform to the wayward ways the way of sheep sleeping soundly in decay blue fairy gonna marry me one day be real one day one day 1 d a y
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136
i've got an iron plate covered in a definitely liquid fate behind a spherical unlocked gate popped open to peek not too late to see the life that awaits i've got a trigger happy brain a kid who complains an old man who does not remember his name a star with no fame honestly lame claims i've got a bed made of rocks rooms with walls that talk premonitions and assumptions that stalk, gawk, walk and smock the fantasy ship that never returns home to dock i've got pairs of no color foundational pillars that shudder magnets that reject one another though positive the father, mother or brother no force could make them huggers i've got a memory of the future and vacant sheets that still stir lonely animals that still pur on the backs of women as fine fur not ever damning the fact they could not also skin her i've got a bomb with no fuse useless skillful attributes an unreachable noose somewhere near that train with no caboose a newspaper that never bore news i've got an inner psychotic earthquake erupting, held together with paper weights silent clocks melting against time and space warped beyond conceivable replace and a pace set for waste producing smells of unimaginable distaste i've got millions of appointments pimples and hemorrhoids needing ointments osteoporosis making a spine bent an empty bank due to money lent an obsession over time never spent i've got a dangerous urge to lick a dish for the surge that stripped the bull of its courage cracked knees creating pains that gurge pleading relief from the thaumaturge i've got a cat with ferocity only defeated by that curiosity covered in gems to disguise its true atrocity that wished it could refer to itself anonymously but sporting a name that claimed it was descriptive of me i've got a handful of severity motions that want sincerity an over cast of side effects promising what i could be eyes dialed in, foggy and stripped of clarity in the mirror its no longer human that i see
0
Dec 26, 2012
Dec 26, 2012 at 11:20 PM UTC
Untitled
i've got an iron plate covered in a definitely liquid fate behind a spherical unlocked gate popped open to peek not too late to see the life that awaits i've got a trigger happy brain a kid who complains an old man who does not remember his name a star with no fame honestly lame claims i've got a bed made of rocks rooms with walls that talk premonitions and assumptions that stalk, gawk, walk and smock the fantasy ship that never returns home to dock i've got pairs of no color foundational pillars that shudder magnets that reject one another though positive the father, mother or brother no force could make them huggers i've got a memory of the future and vacant sheets that still stir lonely animals that still pur on the backs of women as fine fur not ever damning the fact they could not also skin her i've got a bomb with no fuse useless skillful attributes an unreachable noose somewhere near that train with no caboose a newspaper that never bore news i've got an inner psychotic earthquake erupting, held together with paper weights silent clocks melting against time and space warped beyond conceivable replace and a pace set for waste producing smells of unimaginable distaste i've got millions of appointments pimples and hemorrhoids needing ointments osteoporosis making a spine bent an empty bank due to money lent an obsession over time never spent i've got a dangerous urge to lick a dish for the surge that stripped the bull of its courage cracked knees creating pains that gurge pleading relief from the thaumaturge i've got a cat with ferocity only defeated by that curiosity covered in gems to disguise its true atrocity that wished it could refer to itself anonymously but sporting a name that claimed it was descriptive of me i've got a handful of severity motions that want sincerity an over cast of side effects promising what i could be eyes dialed in, foggy and stripped of clarity in the mirror its no longer human that i see
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55
i will never love you as much as i love the silence of my neighborhood right now that reminds me that although it's lovely not to hear from my usually loud neighbors, it's gruesome to hear absolutely nothing from you. the sound of your voice is more comforting than any quiet. i find more peace in your laugh than anything. i will never love you as much as i love the snow covering the ground. this may be because i am so used to the feeling of frostbite that i have become numb to the pain and i am more grateful for the loss of my sensitivity than i am for the loss of your toxicity. i still hope you know that neither i or the snow intended to harm you and we apologize if we did, although i'm not sure what the **** i could have possibly done but care about you more than i knew i ever could. i will never love you as much as i love flowers and my books and the feeling of cold water running over freezing hands and green tea settling in an empty stomach and watching children truly enjoy the limited years they have until their first heartbreak when they stop finding joy in the little things and think it can only be found in the mouths of people who fed them lies like you fed me promises but in reality their tongues are snakes and their saliva is venom and they are as dangerous as the amount of alcohol they put in their bodies so they can feel something or maybe they don't want to feel anything at all because these cuts are not wounds on our knees that can be healed with bandages and antibiotic ointments. these are cuts on our wrists as deep as the sea would we be willing to drown in for someone who will never feel the same way for us as we do them and our upper thighs that we wish were as thin as our hearts. i will never love you as much as i love the smell of old paper and stage lights and pointe shoes and gliding through the air or across a wooden floor of the dance studio i feel terrible for betraying by thinking i could find a home in you when my home is in the mirrors that i criticize my body i should have never let you defile in and the floor that has always caught me when i felt i was falling over the edge even when i didn't want it to because all i wanted was you. i will always try to love myself more than you loved me
0
Jan 4, 2014
Jan 4, 2014 at 3:38 AM UTC
never
i will never love you as much as i love the silence of my neighborhood right now that reminds me that although it's lovely not to hear from my usually loud neighbors, it's gruesome to hear absolutely nothing from you. the sound of your voice is more comforting than any quiet. i find more peace in your laugh than anything. i will never love you as much as i love the snow covering the ground. this may be because i am so used to the feeling of frostbite that i have become numb to the pain and i am more grateful for the loss of my sensitivity than i am for the loss of your toxicity. i still hope you know that neither i or the snow intended to harm you and we apologize if we did, although i'm not sure what the **** i could have possibly done but care about you more than i knew i ever could. i will never love you as much as i love flowers and my books and the feeling of cold water running over freezing hands and green tea settling in an empty stomach and watching children truly enjoy the limited years they have until their first heartbreak when they stop finding joy in the little things and think it can only be found in the mouths of people who fed them lies like you fed me promises but in reality their tongues are snakes and their saliva is venom and they are as dangerous as the amount of alcohol they put in their bodies so they can feel something or maybe they don't want to feel anything at all because these cuts are not wounds on our knees that can be healed with bandages and antibiotic ointments. these are cuts on our wrists as deep as the sea would we be willing to drown in for someone who will never feel the same way for us as we do them and our upper thighs that we wish were as thin as our hearts. i will never love you as much as i love the smell of old paper and stage lights and pointe shoes and gliding through the air or across a wooden floor of the dance studio i feel terrible for betraying by thinking i could find a home in you when my home is in the mirrors that i criticize my body i should have never let you defile in and the floor that has always caught me when i felt i was falling over the edge even when i didn't want it to because all i wanted was you. i will always try to love myself more than you loved me
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6
one star so bright, shine, shine through the dark night i love to see you shine so because i know how lovely you are how precious and yet so far that lovely bright light shine among high o lovely star shining in the skies like Christmas ointments so lovely. alas shining star, shining star, i reach for you and you're so far come to me, come down to me and let us be friends. dawn peeks over the hill now awaking is the **** bringin' in a new day into town the sun shines and stars are sleepin' for a new day has come that God has made for us all. 11-2-82
0
Jul 6, 2017
Jul 6, 2017 at 9:52 PM UTC
My Star Poem
a lady of colorful blood prepped in white uniform she'll put your heart back together whenever you feel down or torn she deeply loves a boy as if he's from her books way past his words and actions, way past his looks ointments of her embrace and her medicinal laughter she dreams and doesn't know it but she's already a doctor sometimes her puns are die-worthy yet sometimes they give life she cures with her compassion and bandages the strife people give her their sadness in return, is happiness, she gave all will be unnumbered-- those lives which she saved i liken her to the sun i liken her to the stars i liken her to the brightness outshining the scars of dark hearts she's no plain jane she's no ordinary girl i brought her into my life and she brought healing to my world
0
Nov 10, 2016
Nov 10, 2016 at 8:44 PM UTC
jane (healing)
I make myself so happy for no reason then stick my own back, melancholic acts of treason, cut and measure my own lesions; a line between pleasure and pleasing. Not an pessimist nor a type of optimist but a realist who has mastered the execution of delusion and illusion. Oxymoronic, Guess I'm just human; Apparently the semblance of a god, so making something from nothing isn't odd, but I was given everything from a soul to my bones, hair to my toes; Even to me who stays in this, sinew and ivory, home the reason is unknown but I know the weight of this form has its toll. Ties made are rarly cut more than the material is used, bonds spirt imbued, that which feeds hate and love. My soul is the ocean my form the soil my mind the heavens so it's wisdom guides the toil. What I put on to my body will seep to the sea, be it poisons or ointments that is to be seen, my wish for foresight seems obscene, a noxious tint colors the scene Ah this is but a show, how else can I explain the tragedies sown. Who wrote this play? No Who paid its commission, who conscripted us to suffer, no need for permission, no fine print played off as a simple omission? Actors with no access to backstage so it is do or die, freedom in a cage, the 4th wall blocks our eyes. we get no reactions for our performance no real feedback, so we face our troupe like opponents, for no real reason. Whilst some seem to flourish in a limelight others perish in darkness some disappear through trap doors others fly with out harness. seasoned thespians sometimes show us a way; how to perform our parts, from when they entered the play. We are told there is a script, so I would say some have forgotten thier lines but honestly the script has never passed these eyes, all I know is that somes voices are drowned out by the soundtracks of anxiety and sadness; The polyrhythms of fear and deafening sound of loneliness and madness How could the director have this? That's the purpose of a tragedy; make the watcher feel like they are living lavishly. Wanted a reason why I find it so tragic. In the words of Life 'There, you have it.'
0
Nov 7, 2018
Nov 7, 2018 at 5:57 PM UTC
The soliloquy of a Tragic hero
I make myself so happy for no reason then stick my own back, melancholic acts of treason, cut and measure my own lesions; a line between pleasure and pleasing. Not an pessimist nor a type of optimist but a realist who has mastered the execution of delusion and illusion. Oxymoronic, Guess I'm just human; Apparently the semblance of a god, so making something from nothing isn't odd, but I was given everything from a soul to my bones, hair to my toes; Even to me who stays in this, sinew and ivory, home the reason is unknown but I know the weight of this form has its toll. Ties made are rarly cut more than the material is used, bonds spirt imbued, that which feeds hate and love. My soul is the ocean my form the soil my mind the heavens so it's wisdom guides the toil. What I put on to my body will seep to the sea, be it poisons or ointments that is to be seen, my wish for foresight seems obscene, a noxious tint colors the scene Ah this is but a show, how else can I explain the tragedies sown. Who wrote this play? No Who paid its commission, who conscripted us to suffer, no need for permission, no fine print played off as a simple omission? Actors with no access to backstage so it is do or die, freedom in a cage, the 4th wall blocks our eyes. we get no reactions for our performance no real feedback, so we face our troupe like opponents, for no real reason. Whilst some seem to flourish in a limelight others perish in darkness some disappear through trap doors others fly with out harness. seasoned thespians sometimes show us a way; how to perform our parts, from when they entered the play. We are told there is a script, so I would say some have forgotten thier lines but honestly the script has never passed these eyes, all I know is that somes voices are drowned out by the soundtracks of anxiety and sadness; The polyrhythms of fear and deafening sound of loneliness and madness How could the director have this? That's the purpose of a tragedy; make the watcher feel like they are living lavishly. Wanted a reason why I find it so tragic. In the words of Life 'There, you have it.'
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39
A friend dropped by my shop today looking for some grooming muck I told him where to find it And that he was just in luck I said "is it a present?" He said "no, it's for me" I said, it's cream and shaving gels You're talking stupidly He told me that he manscaped What the hell is that I said It's a man's way of new grooming From his feet up to his head He told me he got waxed "down there" I cringed and just said ouch With out hair on our ***** Men just slide off of the couch He said he kept himself real clean In case the situation did arise where his tan lines were quite visible and showed white down on his thighs He talked to me of ointments and of implants in his pecs i started going la la la when he started talking *** i told him do not tell me of the grooming down below we're friends, but there are some things even friends don't want to know i told him that my father told me keep it clean down there and never, ever, ever, take a scissor to that hair a woman wants a manly man and i am certain of this sir a woman will not ***** you if you're prettier than her!!!!
0
Nov 13, 2014
Nov 13, 2014 at 5:21 PM UTC
Manscaping
Red-haired artificially with shiny teeth, clean knees with a gap in between. and my voice will carry like a songbird in the morning. Beautifully composed uttering a peaceful warning My linens So pink... no blue stains to be seen. And the skin I wear Porcelain. airbrushed and screaming a lulled importance With my night creams and appointments lessons and ointments I will become the most perfect woman-made sculpture America has ever seen.
0
May 3, 2018
May 3, 2018 at 12:22 AM UTC
Sculpture
Your smile foretold I'd screw-up this poem. We had foresight then, And anticipation Invoking the future. We leaned back, Looking down the well, Swept away clouds In tea-cups, And smoke in cauldrons To seize the summer. The suddeness of loss Is not prophesied; One does not pre-order Ointments. If I'd been spiritual I would've seen a sign, Like a bird, Building a nest. I don't hear voices. When I slice through A tomato, I don't find An embossed relief Of a martyr. I only have this picture.
0
Apr 28, 2015
Apr 28, 2015 at 7:24 AM UTC
No Embossed Martyr
The **** on the steeple Proclaimed and denied to Four corners, looked down, And twisted. Old men in green suits with crow's eyes And alabaster covered bones push open doors With wooden feet. The postman, empty-kneed, rides his Deere Over green fields with rabbits, Laughing to himself. Rentals in drives plan the day's jaunts To ****** or Kenmare. Shops carry faded signs: Donovan, O'Sullivan, Finnegan. The crow drops on the roof of Holy Cross Which doubles as a retirement home; Its clients plaint palms skyward with the wind. Five hundred leave each week: "Ireland's best... so fresh it's famous." The laggers serve tea and scones, Or ply in shops they may someday own. There are no slow boats here. The green suits leave naturally, Others by air. This is no country for the young With their hillside tilting windmills of power. Below, a young woman eats, holding Her knife like her father, eating, Silent, staring. Crow and rabbit inhabit, Stones tumble and lay for a hundred years. Each day a new apocalypse offering One opening. No wrappings, No ointments, no fresh water. No throne to approach, no voice calling Them home. No seventh son to dip his finger in the well And soothe.
0
May 5, 2014
May 5, 2014 at 7:59 AM UTC
Seventh Son
*the mirror eyes of the corpse, long after people voiced their concern of the fear of seeing them no longer blinking, or allowing a peering into the window of soul, either shuttering them still to suit the numb limbs, or preparing them with two coins for Charon and the crossing of the Styx - that foul river of modern combustion engine ointments of unrefined diesel.* i'm angry at my piano of letters, i call it the dog whistle piano, the silent piano that rightly can also be compared to a machine gun - and that dumb musicology of poetry is rhyme, or as one english teacher revealed, the poetic alphabet of 52 letterings: roses are red (a) violets are blue (b)              dearest repertoire of procrastination's jive (c)              a head donning a beehive (c) better dead than red (a) i wrote this wearing only one shoe (b)... and like this onto: bring in the four elements, atheists argue life ought to be like air, never connected to skeletal structures, randomised in atomic form and our bodies too, the ones citing life's arguments using earth have the easy inhibitory village life, they're the characters on b.b.c. radio 4's the archers (not that peach schnapps, the mighty "i'm living on a farm yo ** ** what do you call a non-urban benefits system? farming subsidy) - those of argument from water we take to imply basically all of us - the fiery ones' motto better to burn out than fade away - the 27 club - and then the lightning ones are stuck in a dying light-bulb epilepsy of constant mirroring rejuvenation - mind you, the moths are bewildered, it's a lysergic acid (can you imagine a lysergic alkaline?) trip for them, so they don't even bother smacking the **** thing for an instant light-bulb-tan: moths invented u.v. sun-tan parlours long before we had the thought of it.
0
Mar 6, 2016
Mar 6, 2016 at 6:15 AM UTC
aether argument
*the mirror eyes of the corpse, long after people voiced their concern of the fear of seeing them no longer blinking, or allowing a peering into the window of soul, either shuttering them still to suit the numb limbs, or preparing them with two coins for Charon and the crossing of the Styx - that foul river of modern combustion engine ointments of unrefined diesel.* i'm angry at my piano of letters, i call it the dog whistle piano, the silent piano that rightly can also be compared to a machine gun - and that dumb musicology of poetry is rhyme, or as one english teacher revealed, the poetic alphabet of 52 letterings: roses are red (a) violets are blue (b)              dearest repertoire of procrastination's jive (c)              a head donning a beehive (c) better dead than red (a) i wrote this wearing only one shoe (b)... and like this onto: bring in the four elements, atheists argue life ought to be like air, never connected to skeletal structures, randomised in atomic form and our bodies too, the ones citing life's arguments using earth have the easy inhibitory village life, they're the characters on b.b.c. radio 4's the archers (not that peach schnapps, the mighty "i'm living on a farm yo ** ** what do you call a non-urban benefits system? farming subsidy) - those of argument from water we take to imply basically all of us - the fiery ones' motto better to burn out than fade away - the 27 club - and then the lightning ones are stuck in a dying light-bulb epilepsy of constant mirroring rejuvenation - mind you, the moths are bewildered, it's a lysergic acid (can you imagine a lysergic alkaline?) trip for them, so they don't even bother smacking the **** thing for an instant light-bulb-tan: moths invented u.v. sun-tan parlours long before we had the thought of it.
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48