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"odors" poems
I arise from dreams of thee In the first sweet sleep of night, When the winds are breathing low, And the stars are shining bright I arise from dreams of thee, And a spirit in my feet Has led me—who knows how?— To thy chamber-window, sweet! The wandering airs they faint On the dark, the silent stream,— The champak odors fall Like sweet thoughts in a dream, The nightingale’s complaint, It dies upon her heart, As I must die on thine, O, beloved as thou art! O, lift me from the grass! I die, I faint, I fall! Let thy love in kisses rain On my lips and eyelids pale, My cheek is cold and white, alas! My Heart beats loud and fast Oh! press it close to thine again, Where it will break at last!
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16.4k
I Arise From Dreams Of Thee
Selfies, I can smell the desperation, from here. odors of worry; rippling anxities of uncertainity. two dimensional, instantaneous impressions, pixelated presentations, and Teenage frustrations. up tilted camera. held against the light, Illuminating eyes , and eradicating spots. that looks like a good one. Vicarious representation; of how good one could look, fallible and hopeful. big bosomed dame showcasing blessed cleavage, pulsating the adolescent bulges. delivered to metal passenger, thereafter shown among peers. networked to unknown. Friends who'd never met eye, or touched skin, or even spoke. self conscious cropping of images. fat and fearful. wasted hours, dying for love. False dream of captivating the messes with her selfie. The very ugliness of impressions. Oh, how shallow we've became. The denial of the impact of aesthetics. laughable, torrents of judgement Skinny, fat, ugly, behold their desperate eyes behind the selfie.
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Jul 14, 2014
Jul 14, 2014 at 4:35 PM UTC
Shame of the selfie
But I would rather be horizontal. I am not a tree with my root in the soil ******* up minerals and motherly love So that each March I may gleam into leaf, Nor am I the beauty of a garden bed Attracting my share of Ahs and spectacularly painted, Unknowing I must soon unpetal. Compared with me, a tree is immortal And a flower-head not tall, but more startling, And I want the one's longevity and the other's daring. Tonight, in the infinitesimal light of the stars, The trees and flowers have been strewing their cool odors. I walk among them, but none of them are noticing. Sometimes I think that when I am sleeping I must most perfectly resemble them-- Thoughts gone dim. It is more natural to me, lying down. Then the sky and I are in open conversation, And I shall be useful when I lie down finally: The the trees may touch me for once, and the flowers have time for me.
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15.1k
I Am Vertical
797 By my Window have I for Scenery Just a Sea—with a Stem— If the Bird and the Farmer—deem it a “Pine”— The Opinion will serve—for them— It has no Port, nor a “Line”—but the Jays— That split their route to the Sky— Or a Squirrel, whose giddy Peninsula May be easier reached—this way— For Inlands—the Earth is the under side— And the upper side—is the Sun— And its Commerce—if Commerce it have— Of Spice—I infer from the Odors borne— Of its Voice—to affirm—when the Wind is within— Can the Dumb—define the Divine? The Definition of Melody—is— That Definition is none— It—suggests to our Faith— They—suggest to our Sight— When the latter—is put away I shall meet with Conviction I somewhere met That Immortality— Was the Pine at my Window a “Fellow Of the Royal” Infinity? Apprehensions—are God’s introductions— To be hallowed—accordingly—
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By my Window have I for Scenery
339 I tend my flowers for thee— Bright Absentee! My Fuchsia’s Coral Seams Rip—while the Sower—dreams— Geraniums—tint—and spot— Low Daisies—dot— My Cactus—splits her Beard To show her throat— Carnations—tip their spice— And Bees—pick up— A Hyacinth—I hid— Puts out a Ruffled Head— And odors fall From flasks—so small— You marvel how they held— Globe Roses—break their satin glake— Upon my Garden floor— Yet—thou—not there— I had as lief they bore No Crimson—more— Thy flower—be gay— Her Lord—away! It ill becometh me— I’ll dwell in Calyx—Gray— How modestly—alway— Thy Daisy— Draped for thee!
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I tend my flowers for thee
The woman is perfected Her dead Body wears the smile of accomplishment, The illusion of a Greek necessity Flows in the scrolls of her toga, Her bare Feet seem to be saying: We have come so far, it is over. Each dead child coiled, a white serpent, One at each little Pitcher of milk, now empty She has folded Them back into her body as petals Of a rose close when the garden Stiffens and odors bleed From the sweet, deep throats of the night flower. The moon has nothing to be sad about, Staring from her hood of bone. She is used to this sort of thing. Her blacks crackle and drag.
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Edge
"O where are you going?" said reader to rider, "That valley is fatal when furnaces burn, Yonder's the midden whose odors will madden, That gap is the grave where the tall return." "O do you imagine," said fearer to farer, "That dusk will delay on your path to the pass, Your diligent looking discover the lacking Your footsteps feel from granite to grass?" "O what was that bird," said horror to hearer, "Did you see that shape in the twisted trees? Behind you swiftly the figure comes softly, The spot on your skin is a shocking disease?" "Out of this house" ‚ said rider to reader, "Yours never will" ‚ said farer to fearer, "They're looking for you" ‚ said hearer to horror, As he left them there, as he left them there.
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O Where Are You Going?
316 The Wind didn’t come from the Orchard—today— Further than that— Nor stop to play with the Hay— Nor joggle a Hat— He’s a transitive fellow—very— Rely on that— If He leave a Bur at the door We know He has climbed a Fir— But the Fir is Where—Declare— Were you ever there? If He brings Odors of Clovers— And that is His business—not Ours— Then He has been with the Mowers— Whetting away the Hours To sweet pauses of Hay— His Way—of a June Day— If He fling Sand, and Pebble— Little Boys Hats—and Stubble— With an occasional Steeple— And a hoarse “Get out of the way, I say,” Who’d be the fool to stay? Would you—Say— Would you be the fool to stay?
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The Wind didn’t come from the Orchard—today
The sweetest blossoms die. And so it was that, going day by day Unto the church to praise and pray, And crossing the green churchyard thoughtfully, I saw how on the graves the flowers Shed their fresh leaves in showers, And how their perfume rose up to the sky Before it passed away. The youngest blossoms die. They die and fall and nourish the rich earth From which they lately had their birth; Sweet life, but sweeter death that passeth by And is as though it had not been:-- All colors turn to green; The bright hues vanish and the odors fly, The grass hath lasting worth. And youth and beauty die. So be it, O my God, Thou God of truth: Better than beauty and than youth Are Saints and Angels, a glad company; And Thou, O Lord, our Rest and Ease, Art better far than these. Why should we shrink from our full harvest? why Prefer to glean with Ruth?
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4.9k
Sweet Death
slept and soaked the sabbath Saturday away. the body, achey breaky, cranked and croaked, slewed by a slew of common miscreants. one, a stitch in my side, feeling like someone's inside, wanting to be born, feet first, coming out the side of my chest, instead of my ****** so, promised poems and bills to pay, put aside for a more poetic bill paying day. awoke once near midday, an unusual wake up call, my nostrils do attend, when the honey odors of cinnamon and vanilla invade the french shores of my subconscious. I love three things French: the elegance of their language grande, their frenchified fries and frenchified toast. was fed some french toast, bathed in vanilla and cinnamon, thus drugged, went back to bed again. as I drifted off for the third time today, heard the woman dramatic say: "must have, must have," two words that I from my past, consider a curse, a grave phrase of choice of my ex-wife, her way of saying I didn't measure up. *must have paprika to roast your chicken for Sunday dinner.* relieved beyond measure, as I to dreamless sleep dispatched, vague recall a poem forming about the spices in my life.
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Feb 22, 2014
Feb 22, 2014 at 5:33 PM UTC
The Spices of Life - Cinnamon, Vanilla and Paprika
854 Banish Air from Air— Divide Light if you dare— They’ll meet While Cubes in a Drop Or Pellets of Shape Fit Films cannot annul Odors return whole Force Flame And with a Blonde push Over your impotence Flits Steam.
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Banish Air from Air—
you haven't lived until you've been in a flophouse with nothing but one light bulb and 56 men squeezed together on cots with everybody snoring at once and some of those snores so deep and gross and unbelievable- dark snotty gross subhuman wheezings from hell itself. your mind almost breaks under those death-like sounds and the intermingling odors: hard unwashed socks ****** and ******* underwear and over it all slowly circulating air much like that emanating from uncovered garbage cans. and those bodies in the dark fat and thin and bent some legless armless some mindless and worst of all: the total absence of hope it shrouds them covers them totally. it's not bearable. you get up go out walk the streets up and down sidewalks past buildings around the corner and back up the same street thinking those men were all children once what has happened to them? and what has happened to me? it's dark and cold out here.
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4.1k
Flophouse
Go to sleep—though of course you will not— to tideless waves thundering slantwise against strong embankments, rattle and swish of spray dashed thirty feet high, caught by the lake wind, scattered and strewn broadcast in over the steady car rails! Sleep, sleep! Gulls’ cries in a wind-gust broken by the wind; calculating wings set above the field of waves breaking. Go to sleep to the lunge between foam-crests, refuse churned in the recoil. Food! Food! Offal! Offal! that holds them in the air, wave-white for the one purpose, feather upon feather, the wild chill in their eyes, the hoarseness in their voices— sleep, sleep . . . Gentlefooted crowds are treading out your lullaby. Their arms nudge, they brush shoulders, hitch this way then that, mass and surge at the crossings— lullaby, lullaby! The wild-fowl police whistles, the enraged roar of the traffic, machine shrieks: it is all to put you to sleep, to soften your limbs in relaxed postures, and that your head slip sidewise, and your hair loosen and fall over your eyes and over your mouth, brushing your lips wistfully that you may dream, sleep and dream— A black fungus springs out about the lonely church doors— sleep, sleep. The Night, coming down upon the wet boulevard, would start you awake with his message, to have in at your window. Pay no heed to him. He storms at your sill with cooings, with gesticulations, curses! You will not let him in. He would keep you from sleeping. He would have you sit under your desk lamp brooding, pondering; he would have you slide out the drawer, take up the ornamented dagger and handle it. It is late, it is nineteen-nineteen— go to sleep, his cries are a lullaby; his jabbering is a sleep-well-my-baby; he is a crackbrained messenger. The maid waking you in the morning when you are up and dressing, the rustle of your clothes as you raise them— it is the same tune. At table the cold, greeninsh, split grapefruit, its juice on the tongue, the clink of the spoon in your coffee, the toast odors say it over and over. The open street-door lets in the breath of the morning wind from over the lake. The bus coming to a halt grinds from its sullen brakes— lullaby, lullaby. The crackle of a newspaper, the movement of the troubled coat beside you— sleep, sleep, sleep, sleep . . . It is the sting of snow, the burning liquor of the moonlight, the rush of rain in the gutters packed with dead leaves: go to sleep, go to sleep. And the night passes—and never passes—
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4k
A Goodnight
Go to sleep—though of course you will not— to tideless waves thundering slantwise against strong embankments, rattle and swish of spray dashed thirty feet high, caught by the lake wind, scattered and strewn broadcast in over the steady car rails! Sleep, sleep! Gulls’ cries in a wind-gust broken by the wind; calculating wings set above the field of waves breaking. Go to sleep to the lunge between foam-crests, refuse churned in the recoil. Food! Food! Offal! Offal! that holds them in the air, wave-white for the one purpose, feather upon feather, the wild chill in their eyes, the hoarseness in their voices— sleep, sleep . . . Gentlefooted crowds are treading out your lullaby. Their arms nudge, they brush shoulders, hitch this way then that, mass and surge at the crossings— lullaby, lullaby! The wild-fowl police whistles, the enraged roar of the traffic, machine shrieks: it is all to put you to sleep, to soften your limbs in relaxed postures, and that your head slip sidewise, and your hair loosen and fall over your eyes and over your mouth, brushing your lips wistfully that you may dream, sleep and dream— A black fungus springs out about the lonely church doors— sleep, sleep. The Night, coming down upon the wet boulevard, would start you awake with his message, to have in at your window. Pay no heed to him. He storms at your sill with cooings, with gesticulations, curses! You will not let him in. He would keep you from sleeping. He would have you sit under your desk lamp brooding, pondering; he would have you slide out the drawer, take up the ornamented dagger and handle it. It is late, it is nineteen-nineteen— go to sleep, his cries are a lullaby; his jabbering is a sleep-well-my-baby; he is a crackbrained messenger. The maid waking you in the morning when you are up and dressing, the rustle of your clothes as you raise them— it is the same tune. At table the cold, greeninsh, split grapefruit, its juice on the tongue, the clink of the spoon in your coffee, the toast odors say it over and over. The open street-door lets in the breath of the morning wind from over the lake. The bus coming to a halt grinds from its sullen brakes— lullaby, lullaby. The crackle of a newspaper, the movement of the troubled coat beside you— sleep, sleep, sleep, sleep . . . It is the sting of snow, the burning liquor of the moonlight, the rush of rain in the gutters packed with dead leaves: go to sleep, go to sleep. And the night passes—and never passes—
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from a distance, I thought you might be a wolf   straying from the high country, confused by the cacophony of scents, but no, ‘twas my vapid vision, you were   only a mongrel, perched high on the mound   the odors of suburban fast food ghosts     and tuna tins familiar to you   you stood atop the reeking remnants your right front paw resting on   the shredded files of a grand embezzler   your left rear on the ear of a headless teddy bear   another on an orange rind until you shifted your weight and found footing on a crinkled crushed water bottle one of about…33,448,899 in the heap, or maybe 33,448,900   and the last on the ubiquitous cell phone that heard its final voice a fortnight before, when its master spoke his last light words before he tossed it into a dark dumpster   and replaced it with another plastic confessor   whose fate would ultimately be the same   after some sublime texting  and sexting and a few vain words to other deaf dogs
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Sep 1, 2013
Sep 1, 2013 at 4:33 PM UTC
the cur at the landfill
Regrets, they come in waves and break around his feet And he begins to wonder who he might have been Had roads diverged in different woods and fields Not yellow or yet any colour still unseen But clearer now by day than windless nights Still nearer than the objects of his dreams It'd rained late into the evening, and when the lights were shaded Around the pool outside and with the windows shuttered He'd thrown on loose clothes, flicked open an umbrella While high outside the stars the lightning flashes muttered Pulled open doors that led to the veranda And moved outside once more with all his thoughts unuttered The smoke, from fires on Java lies heavy on his senses An omen of the time of year and of the past condition He shrugs, ***** in the acidic nighttime odors Reviving lives not lived but revealing his admission That time beyond the present that mirrors every movement Within, without, and yet again, the flicker of suspicion. The pistol in his pocket, illegal not unloaded A symbol of his state of mind and by  his sole discretion He kneels beside the water, deep-set and in the shadows Lips forming wordlessly around the last confession Images of where and what and who and why and whether A portent of that final action, sensing and impression The smoke from fires on Java lies heavy on the water The reek of cordite mixing with the smell of burning grasses Indignant birds protest the crack of one small set expulsion The echo round the swimming pool reverberates and passes Nothing more and nothing less and time and space and matter Slick red upon the treacherous tiles, the shattered bloodied glasses.
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Apr 23, 2013
Apr 23, 2013 at 6:19 AM UTC
Fires On Java
Regrets, they come in waves and break around his feet And he begins to wonder who he might have been Had roads diverged in different woods and fields Not yellow or yet any colour still unseen But clearer now by day than windless nights Still nearer than the objects of his dreams It'd rained late into the evening, and when the lights were shaded Around the pool outside and with the windows shuttered He'd thrown on loose clothes, flicked open an umbrella While high outside the stars the lightning flashes muttered Pulled open doors that led to the veranda And moved outside once more with all his thoughts unuttered The smoke, from fires on Java lies heavy on his senses An omen of the time of year and of the past condition He shrugs, ***** in the acidic nighttime odors Reviving lives not lived but revealing his admission That time beyond the present that mirrors every movement Within, without, and yet again, the flicker of suspicion. The pistol in his pocket, illegal not unloaded A symbol of his state of mind and by  his sole discretion He kneels beside the water, deep-set and in the shadows Lips forming wordlessly around the last confession Images of where and what and who and why and whether A portent of that final action, sensing and impression The smoke from fires on Java lies heavy on the water The reek of cordite mixing with the smell of burning grasses Indignant birds protest the crack of one small set expulsion The echo round the swimming pool reverberates and passes Nothing more and nothing less and time and space and matter Slick red upon the treacherous tiles, the shattered bloodied glasses.
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First Girl When this yokel comes maundering, Whetting his hacker, I shall run before him, Diffusing the civilest odors Out of geraniums and unsmelled flowers. It will check him. Second Girl I shall run before him, Arching cloths besprinkled with colors As small as fish-eggs. The threads Will abash him. Third Girl Oh, la...le pauvre! I shall run before him, With a curious puffing. He will bend his ear then. I shall whisper Heavenly labials in a world of gutturals. It will undo him.
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3.2k
The Plot Against The Giant
Marines call to say hello, impress. I'm over 35 but my boys 19. They could go: Hide! One moment spent tying a shoe, another dying, gunshot wound or poisoned food. Events in their mere chronology                                                        make no sense. And the details of yr dad's life don't either.                                                                         Late night quiet cigarette smoker. But next day, the butts cleaned into the can. Who does that? Lady in a skirt or overalls rolled up - cigarette smoke. Now it's yr dad.                             Yr dad who                                                  watches for war. Even if Uncle Sam disbands, dissolves we the people will still be here and stay involved with North America. The purple mountains majesty                            and shining seas little people, big people, brown, red, and white. Addicted                            to action movies. Perhaps there is no choice. One must sit, sitting still                            as a buddha, sitting bull. I can imagine myself and all others - drivers, voters, runners -                            little fetal muscles at first. Metastasizing. What's it called when the cell                            at the tip of the ***** or organism, divides, and the ***** grows? It's called                            girl on a bicycle. I find I make no sense. Her **** a practicality to her, is                            delicious to me a miraculous sea lettuce or snapdragon. You've heard it before.                            A moral dilemma wrapped in robes and silks and odors. Yet, come close,                            and business beckons work gets done, life goes on, hair grows in, we go on                            vacation the Marine Corps calls, desperate for new fetuses to teach                            purposeful workmanlike killing I'll do my own killing, thanks, when violence comes to the       neighborhood                            if I've got your back your back's gotten and if I'm on point, the point's taken. One world under God invisible with liberty and justice for all who                            Art in heaven what the hell's his name.                                           Nemesis.                                                           Hysterical. The small war of an especially inept empire. The world's too big to swallow as the Krauts and Nips found out. Empire is self-correcting. Them dark-skinned mustachioed ********* who can't fix their own electricity seem to be kicking our ***** pert good. As did the ***** before them. All to the good. A good lesson to know and then we all become friends following the brawl. We apparently cannot skip the fight. It must be fought, and **** the girls.
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Aug 10, 2015
Aug 10, 2015 at 8:24 PM UTC
Marines Call to Say Hello
Marines call to say hello, impress. I'm over 35 but my boys 19. They could go: Hide! One moment spent tying a shoe, another dying, gunshot wound or poisoned food. Events in their mere chronology                                                        make no sense. And the details of yr dad's life don't either.                                                                         Late night quiet cigarette smoker. But next day, the butts cleaned into the can. Who does that? Lady in a skirt or overalls rolled up - cigarette smoke. Now it's yr dad.                             Yr dad who                                                  watches for war. Even if Uncle Sam disbands, dissolves we the people will still be here and stay involved with North America. The purple mountains majesty                            and shining seas little people, big people, brown, red, and white. Addicted                            to action movies. Perhaps there is no choice. One must sit, sitting still                            as a buddha, sitting bull. I can imagine myself and all others - drivers, voters, runners -                            little fetal muscles at first. Metastasizing. What's it called when the cell                            at the tip of the ***** or organism, divides, and the ***** grows? It's called                            girl on a bicycle. I find I make no sense. Her **** a practicality to her, is                            delicious to me a miraculous sea lettuce or snapdragon. You've heard it before.                            A moral dilemma wrapped in robes and silks and odors. Yet, come close,                            and business beckons work gets done, life goes on, hair grows in, we go on                            vacation the Marine Corps calls, desperate for new fetuses to teach                            purposeful workmanlike killing I'll do my own killing, thanks, when violence comes to the       neighborhood                            if I've got your back your back's gotten and if I'm on point, the point's taken. One world under God invisible with liberty and justice for all who                            Art in heaven what the hell's his name.                                           Nemesis.                                                           Hysterical. The small war of an especially inept empire. The world's too big to swallow as the Krauts and Nips found out. Empire is self-correcting. Them dark-skinned mustachioed ********* who can't fix their own electricity seem to be kicking our ***** pert good. As did the ***** before them. All to the good. A good lesson to know and then we all become friends following the brawl. We apparently cannot skip the fight. It must be fought, and **** the girls.
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56
No map traces the street Where those two sleepers are. We have lost track of it. They lie as if under water In a blue, unchanging light, The French window ajar Curtained with yellow lace. Through the narrow crack Odors of wet earth rise. The snail leaves a silver track; Dark thickets hedge the house. We take a backward look. Among petals pale as death And leaves steadfast in shape They sleep on, mouth to mouth. A white mist is going up. The small green nostrils breathe, And they turn in their sleep. Ousted from that warm bed We are a dream they dream. Their eyelids keep up the shade. No harm can come to them. We cast our skins and slide Into another time.
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3k
The Sleepers
333 The Grass so little has to do— A Sphere of simple Green— With only Butterflies to brood And Bees to entertain— And stir all day to pretty Tunes The Breezes fetch along— And hold the Sunshine in its lap And bow to everything— And thread the Dews, all night, like Pearls— And make itself so fine A Duchess were too common For such a noticing— And even when it dies—to pass In Odors so divine— Like Lowly spices, lain to sleep— Or Spikenards, perishing— And then, in Sovereign Barns to dwell— And dream the Days away, The Grass so little has to do I wish I were a Hay—
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The Grass so little has to do
140 An altered look about the hills— A Tyrian light the village fills— A wider sunrise in the morn— A deeper twilight on the lawn— A print of a vermillion foot— A purple finger on the slope— A flippant fly upon the pane— A spider at his trade again— An added strut in Chanticleer— A flower expected everywhere— An axe shrill singing in the woods— Fern odors on untravelled roads— All this and more I cannot tell— A furtive look you know as well— And Nicodemus’ Mystery Receives its annual reply!
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2.7k
An altered look about the hills
love between poets: “who will be between the sheets next week when I’m gone,” she lets sigh-escape, as she watches the backyard paradise parading landscape of animals before the bay, perfect day sure to come, her new pets obeying the early morn sunrising awakening call to rise, everyone playing~parading, before her royal summons, no coincidence, finger-of-god, two by two this while I’m kissing her neck, my arm around her ******* and the he-intent on slip sliding down to the small of her back, obeying his innate, worship worshiping and giving up, all he’s got intense intently contentedly unfazed, unphased, non-nonplussed, he’s been interrogated before, heart is pure he answers: next weekend when you are back in situ, thousands of miles away, airplane housed for hours, writing poems of love from the lost and found, recalling this exact moment, how I worshipped your presence, and these words: You will be with me in every breath, our sheets will radioactively emit ions and molecules of our scent combined, and present as present  your perfume can be, elicited, elixir, you and me combinant she turns from the bay-view, the animals who now mutually worship her adoration, watching, focused on us as observers, she lifts me up and smiles, replying* “oh my lover you’re the cad of cads, king of the baddest poet-lads, the gist of what is wrong with the best of men, her, pressing me hard to her chestnut hair chest, she, falling down into my eyes take me back to bed, liar, let me add to my aroma, to ensue, to ensure you will miss the best love you had partly, insufficiently, and unhinged completely I’m your lassie, you my lad, my king of cads, my lover poet, thief of my poems and my secret speech spells, escalating senses of one’s imaginings”* and, along came the rest of what was freely given, for love between poets man and a woman, is a someone, somewhere, sometime summertime thing *I will still smell you in my heart, and send to you ballistic missives, words to explode your tear ducts when you rest in sheets that met me, when you’ll know me by my odors, cry out loud so that you’ll scare our animals, no matter how many tides wash away our residue, you will never unknow and be forever unprepared for my return,* even though we will be each, a thousand unwritten poems away...
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Jul 13, 2019
Jul 13, 2019 at 11:07 AM UTC
love between poets: “who will be between the sheets next week
love between poets: “who will be between the sheets next week when I’m gone,” she lets sigh-escape, as she watches the backyard paradise parading landscape of animals before the bay, perfect day sure to come, her new pets obeying the early morn sunrising awakening call to rise, everyone playing~parading, before her royal summons, no coincidence, finger-of-god, two by two this while I’m kissing her neck, my arm around her ******* and the he-intent on slip sliding down to the small of her back, obeying his innate, worship worshiping and giving up, all he’s got intense intently contentedly unfazed, unphased, non-nonplussed, he’s been interrogated before, heart is pure he answers: next weekend when you are back in situ, thousands of miles away, airplane housed for hours, writing poems of love from the lost and found, recalling this exact moment, how I worshipped your presence, and these words: You will be with me in every breath, our sheets will radioactively emit ions and molecules of our scent combined, and present as present  your perfume can be, elicited, elixir, you and me combinant she turns from the bay-view, the animals who now mutually worship her adoration, watching, focused on us as observers, she lifts me up and smiles, replying* “oh my lover you’re the cad of cads, king of the baddest poet-lads, the gist of what is wrong with the best of men, her, pressing me hard to her chestnut hair chest, she, falling down into my eyes take me back to bed, liar, let me add to my aroma, to ensue, to ensure you will miss the best love you had partly, insufficiently, and unhinged completely I’m your lassie, you my lad, my king of cads, my lover poet, thief of my poems and my secret speech spells, escalating senses of one’s imaginings”* and, along came the rest of what was freely given, for love between poets man and a woman, is a someone, somewhere, sometime summertime thing *I will still smell you in my heart, and send to you ballistic missives, words to explode your tear ducts when you rest in sheets that met me, when you’ll know me by my odors, cry out loud so that you’ll scare our animals, no matter how many tides wash away our residue, you will never unknow and be forever unprepared for my return,* even though we will be each, a thousand unwritten poems away...
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The cauldron bubbles and sputters and pops. Odors from a foul witches' brew Fill the mansion. It's called the Nightmare On Pennsylvania Avenue. A ghoulish warlock babbles gibberish, Spreading deceit, anger, and fear. He summons his lackey ghouls to his chamber. They bow to the ghastly profiteer. Their incantations reverberate Through the rooms and down the halls. The din stifles the voices of reason And bounces off the windows and walls. Witches assisting the grisly assembly Grovel and spew nonsensical chatter, While friendly ghosts, horrified, Grab all their belongings and scatter. The leading warlock raises his staff To silence all the ear-piercing shrieking. "Our work here has barely begun," He shouts, "in a manner of speaking. "We have a lot more poison to spread To circulate anxiety and doubt. All we must do is stir the *** To give them something to worry about. "Fan the flames of division and discord. My techniques are tried and true. Keep 'em guessing; then you've got 'em. And then you cater to the chosen few. "We have more rivers to poison, Coastlines to alter, lands to sell, Coffers to fill, coffers to rob, And voices to quiet. Welcome to hell!" The glowering sycophants dance and cheer-- Thirsty for blood, eyes agleam. "Dishonesty is the best Policy," they fervently scream. Oh, it's a frightening Halloween night When one's worst nightmare comes true: The gruesome, macabre, spine-chilling Nightmare On Pennsylvania Avenue. -by Bob B (10-31-18)
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Oct 31, 2018
Oct 31, 2018 at 9:53 AM UTC
Halloween 2018: The Nightmare on Pennsylvania Avenue
Oh Bard, wielding a tool mighty and spiky Mightier than either the sword or rod, You reign as monarch in fancy’s domain Sketching life in all variety and mode Which with pain and strife fraught Or bright with gaiety and grace In finer yarn than the gossamer thread On a fabric of words in befitting verse You steal away from the noisy crowd Into the stillness of the cloistered cell To dwell with Fancy’s mystic charms Weaving downy dreams at will You recount forgotten tales of yore Of ****** battles won and lost, Of lovers united, amour defiled, Conjuring memories from abysmal past You hearken to the moans of lovelorn souls And sing of beauty in ditties fine Triggering sparks into flames grow In umpteen hearts that pine and whine Babbling with the brook rushing swift, Racing with the deer loping past, You wander into mysterious woods Where flowers, their richest odors cast Your ears intent on the song of birds That comes floating from the far off groves And the whir of cicadas on the bark of trees Breaking the calm of twilight eves Alone you saunter the stretching strands, Watching virulent breakers in fury heave Often your heart dancing with the tide And swinging with the rhythm of rising wave You feast on the gleam of the auburn sun And the speckled blue of the infinite skies Watching the day dying in flame And the night in a diadem of stars vies All that’s lovesome meets your eyes And commune to you in profuse delight Which you turn into rhyme and rhythm For the whole of mankind to devour and digest From your harp flow symphonies sweet Songs of longing, love and lust Of idyllic happiness, peace and bliss, Fuelling hearts with vigorous zest Though outlawed by the great sage of Greece, Branding the poet, aberrant and a fool Oft beneath the façade of his wayward thoughts, Lie heaps of wisdom for the discerning soul.
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Nov 23, 2016
Nov 23, 2016 at 6:01 AM UTC
An Ode to a Bard
Oh Bard, wielding a tool mighty and spiky Mightier than either the sword or rod, You reign as monarch in fancy’s domain Sketching life in all variety and mode Which with pain and strife fraught Or bright with gaiety and grace In finer yarn than the gossamer thread On a fabric of words in befitting verse You steal away from the noisy crowd Into the stillness of the cloistered cell To dwell with Fancy’s mystic charms Weaving downy dreams at will You recount forgotten tales of yore Of ****** battles won and lost, Of lovers united, amour defiled, Conjuring memories from abysmal past You hearken to the moans of lovelorn souls And sing of beauty in ditties fine Triggering sparks into flames grow In umpteen hearts that pine and whine Babbling with the brook rushing swift, Racing with the deer loping past, You wander into mysterious woods Where flowers, their richest odors cast Your ears intent on the song of birds That comes floating from the far off groves And the whir of cicadas on the bark of trees Breaking the calm of twilight eves Alone you saunter the stretching strands, Watching virulent breakers in fury heave Often your heart dancing with the tide And swinging with the rhythm of rising wave You feast on the gleam of the auburn sun And the speckled blue of the infinite skies Watching the day dying in flame And the night in a diadem of stars vies All that’s lovesome meets your eyes And commune to you in profuse delight Which you turn into rhyme and rhythm For the whole of mankind to devour and digest From your harp flow symphonies sweet Songs of longing, love and lust Of idyllic happiness, peace and bliss, Fuelling hearts with vigorous zest Though outlawed by the great sage of Greece, Branding the poet, aberrant and a fool Oft beneath the façade of his wayward thoughts, Lie heaps of wisdom for the discerning soul.
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Mystique - a framework of doctrines, ideas, beliefs, or the like, constructed around a person or object, endowing the person or object with enhanced value or profound meaning: "the mystique of Poe." - an aura of mystery or mystical power surrounding a particular occupation or pursuit: "the mystique of nuclear science." the mystique of Poe, the mystique of nuclear science, don't you see the irony extraordinaire, the perfect intersection of human and science? atoms of a poet. what, who better to radiate the profound complex meaning of mystique smile while commencing the delving, inhaling, comprehending, subsuming the aura of human cells odors of the atomizer flavors mellifluous chain reacting the set theory of all my senses, at the ultimate overlapping of the primordial intersection of the nucleus. I am the living scientific proof, the written poem, the realization of mystique, the enhanced value of the human you.
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Jan 14, 2014
Jan 14, 2014 at 1:28 AM UTC
Mystique