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"obliterated" poems
Doing a dance, to wear a mask, To play a game that you can’t stomach . . . Just so that the truth doesn’t have to face you, The way you recoil from reflections of yourself. You’d forsake your happiness, your health —                                                   You would burn it all. To do a dance, To wear a mask To play a game you’ll always lose.              To look in a mirror . . .              To tell an image, that it’s anything but you. And it is in that moment, that you'll find                            You’ll tell the unfamiliar truth As you bleed and feed Your own obliterated youth . . . To feel, and then                           to lose — Just like the loss you always knew                           You would find in disappointment. Like an unholy anointment                           of your least desirable possessions That retire from the heavens                           Back to you. To betray, and to amuse                                                           Alone. The ides of irony rejoice!                For they’ve found their lamb... or their ever-dying muse.                  Forsaking life itself, you clamor To see others just like you. And maybe, one day, one will choose            the path that you can’t leave, As it reciprocates to thee —             Two partners in misery, fated to excuse the waste of each other...             until they find there’s nothing left. To feel the flame within its breath consumed. Wearing a mask, To live a lie,                 And die a death,                 Whose dance you six-times misstep                               And on the seventh, betrays you. ​
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Jul 26, 2018
Jul 26, 2018 at 7:46 AM UTC
The Way You Recoil from Reflections of Yourself
Doing a dance, to wear a mask, To play a game that you can’t stomach . . . Just so that the truth doesn’t have to face you, The way you recoil from reflections of yourself. You’d forsake your happiness, your health —                                                   You would burn it all. To do a dance, To wear a mask To play a game you’ll always lose.              To look in a mirror . . .              To tell an image, that it’s anything but you. And it is in that moment, that you'll find                            You’ll tell the unfamiliar truth As you bleed and feed Your own obliterated youth . . . To feel, and then                           to lose — Just like the loss you always knew                           You would find in disappointment. Like an unholy anointment                           of your least desirable possessions That retire from the heavens                           Back to you. To betray, and to amuse                                                           Alone. The ides of irony rejoice!                For they’ve found their lamb... or their ever-dying muse.                  Forsaking life itself, you clamor To see others just like you. And maybe, one day, one will choose            the path that you can’t leave, As it reciprocates to thee —             Two partners in misery, fated to excuse the waste of each other...             until they find there’s nothing left. To feel the flame within its breath consumed. Wearing a mask, To live a lie,                 And die a death,                 Whose dance you six-times misstep                               And on the seventh, betrays you. ​
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44
Evening slipped into the long abyss So fell the red moon Malicious shadows forecasting doom For the cursed animal man Inhabiting the precious earth Fearsome rolling rivers ran dry Black smoke filled the spanning azure skies The churning murky green oceans gave up the bones of their dead When the moon turned red The crust of the hard ground shook Split and burst into deep fiery crevasses Dark yellow orange smoldering nooks Swallowing all of life So obliterated was mans world as we know it Destroyed Barron and dead When the moon turned red This poem is copyrighted and stored in author base. All material subject to Copyright Infringement laws Section 512(c)(3) of the U.S. Copyright Act, 17 U.S.C. S512(c)(3), Tammy M. Darby Jan.10, 2014
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Jan 12, 2014
Jan 12, 2014 at 11:11 PM UTC
When the Moon turned Red
*Jis Ki Janib Woh Nazar Apni Uttha Lete Hain Uss Ki Soyee Hui Taqdeer Jaga Dete Hain* **Towards whom they raise their glance His resting destiny they awaken in a trance** *Teri Duzdeeda Nigahon Ko Dua Dete Hain Jitne Chubte Hain Yeh Teer Utna Maza Dete Hain* **For your peeking gazes, I pray The more these arrows wound, the more delighted I lay** *Jab Se Dekha Hai Unhein Apna Mujhe Hosh Nahin Jane Kya Cheez Woh Nazroon Se Pila Dete Hain* **Ever since them I saw, senseless I have become What they pour from their glances, a mystery it has become** *Takht Kya Cheez Hai Aur Laal-o-Jawahir Kya Hai Ishq Wale To Khudai Bhi Loota Dete Hain* **What is a throne and what are lustrous jewels? Lovers surrender divinity against the rules** *Aik Din Aisa Bhi Ata Hai Mohabbat Mein Zaroor Khud Ko Ghabra Ke Naqab Apna Uttah Lete Hain* **There is one such moment in love, indeed! With nervousness, they raise their veil** *Apni Barbadi Pe Khush Hoon Yeh Suna Hai Jabse Woh Jisse Apna Samajhte Hain Mitta Dete Hain* **Happy with my own ruin I am, ever since I have learned Who they consider their own, obliterated have turned** *Apne Daman Ko Zara Aap Bacha Kar Rakhna Sakhat Aahon Se Bhi Hum Aag Laga Dete Hain* **Your own hem a little, you save and claim With deep sighs, we set the fire aflame** *Jis Ki Janib Woh Nazar Apni Uttha Lete Hain Uss Ki Soyee Hui Taqdeer Jaga Dete Hain* **Towards whom they raise their glance His resting destiny they awaken in a trance** — Translated by Jamil Hussain, Sung by Nusrat Fateh Ali Khan
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Oct 26, 2016
Oct 26, 2016 at 8:34 AM UTC
Glance
*Jis Ki Janib Woh Nazar Apni Uttha Lete Hain Uss Ki Soyee Hui Taqdeer Jaga Dete Hain* **Towards whom they raise their glance His resting destiny they awaken in a trance** *Teri Duzdeeda Nigahon Ko Dua Dete Hain Jitne Chubte Hain Yeh Teer Utna Maza Dete Hain* **For your peeking gazes, I pray The more these arrows wound, the more delighted I lay** *Jab Se Dekha Hai Unhein Apna Mujhe Hosh Nahin Jane Kya Cheez Woh Nazroon Se Pila Dete Hain* **Ever since them I saw, senseless I have become What they pour from their glances, a mystery it has become** *Takht Kya Cheez Hai Aur Laal-o-Jawahir Kya Hai Ishq Wale To Khudai Bhi Loota Dete Hain* **What is a throne and what are lustrous jewels? Lovers surrender divinity against the rules** *Aik Din Aisa Bhi Ata Hai Mohabbat Mein Zaroor Khud Ko Ghabra Ke Naqab Apna Uttah Lete Hain* **There is one such moment in love, indeed! With nervousness, they raise their veil** *Apni Barbadi Pe Khush Hoon Yeh Suna Hai Jabse Woh Jisse Apna Samajhte Hain Mitta Dete Hain* **Happy with my own ruin I am, ever since I have learned Who they consider their own, obliterated have turned** *Apne Daman Ko Zara Aap Bacha Kar Rakhna Sakhat Aahon Se Bhi Hum Aag Laga Dete Hain* **Your own hem a little, you save and claim With deep sighs, we set the fire aflame** *Jis Ki Janib Woh Nazar Apni Uttha Lete Hain Uss Ki Soyee Hui Taqdeer Jaga Dete Hain* **Towards whom they raise their glance His resting destiny they awaken in a trance** — Translated by Jamil Hussain, Sung by Nusrat Fateh Ali Khan
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33
From the BBC today, Excerpt Why does Taylor Swift write so many one-note melodies? "It's easy to get distracted by her celebrity, but Taylor Swift is a once-in-a-generation songwriter. From the very beginning, she's displayed a knack for melody and storytelling that most artists never master. Take, for example, her first US number one, OUR SONG Written for a high school talent show, it's a fairly typical tale of teenage romance until the final lines: "I grabbed a pen / And an old napkin / And I wrote down our song." That's smart, self-assured songwriting for someone who wasn't old enough to vote. Notably, the lyrics insert the musician directly into the narrative - something she developed into a tried and tested trope. But Our Song also establishes another of Taylor's trademarks: The one-note melody. Excerpt Repetitive melodies that centre around a single note are part of that appeal. They emphasise her relatability by mimicking the cadence of speech. "They emphasise her relatability by mimicking the cadence of speech." "They emphasise her relatability by mimicking the cadence of speech." "They emphasise her relatability by mimicking the cadence of speech." Rebuttal Rhyme sells because the people you are selling too can remember your lyrics. They can relate to your song but if they cannot sing it themselves putting themselves in the 'first-person perspective narrative' they cannot feel as-if they have BECOME the artist and are living that moment as they remember it. Taylor Swift sings about teenage love and angst something EVERYONE ON EARTH understands. ALL POETRY BEGAN AS RHYME IN SONG. Cadences are singing statements that confer a discipline and unity. Song acts as a catharsis. The artist shares their pain in a way that is universally understood. If you want to sell a rock, literally a pebble, you will not sell it if it doesn't look like a rock. If it doesn't do what rocks do. If it is not what people remember a rock to be like. Nor will it sell if it is just like every other rock they have ever seen. It cannot convey an emotion unless it elicits emotion. One cannot even begin to feel emotional if one cannot remember easily the past and that includes lyrics one has heard that evoked said emotional state. It is horrifying to see HOW BADLY EVERYONE INSISTS that rhyme be obliterated in exchange for an intellectual or individual perspective NOT SHARED BY THE MAJORITY OF PEOPLE. If you want to sell and make money you better start thinking about the 99% of people who are not geniuses. If your sole goal in life is to attract a genius to give you a great job because of how, "smart," they perceive you to be then fine. You are not an artist. You are an employee. "Rhyme sells because the people you are selling too can remember your lyrics." "Rhyme sells because the people you are selling too can remember your lyrics." "Rhyme sells because the people you are selling too can remember your lyrics." Thrice Times Great. ⁻ᴴᵉʳᵐᵉˢ                                            BECOME                               EVERYONE ON EARTH                ALL POETRY BEGAN AS RHYME IN SONG                       HOW BADLY EVERYONE INSISTS             NOT SHARED BY THE MAJORITY OF PEOPLE                                          HOW BAD                                       artist? or employee?
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Feb 15, 2018
Feb 15, 2018 at 10:29 AM UTC
Article: Taylor Swift and why rhyme sells,
From the BBC today, Excerpt Why does Taylor Swift write so many one-note melodies? "It's easy to get distracted by her celebrity, but Taylor Swift is a once-in-a-generation songwriter. From the very beginning, she's displayed a knack for melody and storytelling that most artists never master. Take, for example, her first US number one, OUR SONG Written for a high school talent show, it's a fairly typical tale of teenage romance until the final lines: "I grabbed a pen / And an old napkin / And I wrote down our song." That's smart, self-assured songwriting for someone who wasn't old enough to vote. Notably, the lyrics insert the musician directly into the narrative - something she developed into a tried and tested trope. But Our Song also establishes another of Taylor's trademarks: The one-note melody. Excerpt Repetitive melodies that centre around a single note are part of that appeal. They emphasise her relatability by mimicking the cadence of speech. "They emphasise her relatability by mimicking the cadence of speech." "They emphasise her relatability by mimicking the cadence of speech." "They emphasise her relatability by mimicking the cadence of speech." Rebuttal Rhyme sells because the people you are selling too can remember your lyrics. They can relate to your song but if they cannot sing it themselves putting themselves in the 'first-person perspective narrative' they cannot feel as-if they have BECOME the artist and are living that moment as they remember it. Taylor Swift sings about teenage love and angst something EVERYONE ON EARTH understands. ALL POETRY BEGAN AS RHYME IN SONG. Cadences are singing statements that confer a discipline and unity. Song acts as a catharsis. The artist shares their pain in a way that is universally understood. If you want to sell a rock, literally a pebble, you will not sell it if it doesn't look like a rock. If it doesn't do what rocks do. If it is not what people remember a rock to be like. Nor will it sell if it is just like every other rock they have ever seen. It cannot convey an emotion unless it elicits emotion. One cannot even begin to feel emotional if one cannot remember easily the past and that includes lyrics one has heard that evoked said emotional state. It is horrifying to see HOW BADLY EVERYONE INSISTS that rhyme be obliterated in exchange for an intellectual or individual perspective NOT SHARED BY THE MAJORITY OF PEOPLE. If you want to sell and make money you better start thinking about the 99% of people who are not geniuses. If your sole goal in life is to attract a genius to give you a great job because of how, "smart," they perceive you to be then fine. You are not an artist. You are an employee. "Rhyme sells because the people you are selling too can remember your lyrics." "Rhyme sells because the people you are selling too can remember your lyrics." "Rhyme sells because the people you are selling too can remember your lyrics." Thrice Times Great. ⁻ᴴᵉʳᵐᵉˢ                                            BECOME                               EVERYONE ON EARTH                ALL POETRY BEGAN AS RHYME IN SONG                       HOW BADLY EVERYONE INSISTS             NOT SHARED BY THE MAJORITY OF PEOPLE                                          HOW BAD                                       artist? or employee?
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36
"silence is worse; all truths that are kept silent become poisonous.”friedrich nietzsche like poking the hornet's nest with a stick, you are a rose with stems and thorns so thick, your skin is protection from oppression, keeping the world out of your private channels like i'm AM and you're FM all of which are static with distorted voices only science can pry through your enigmatic cacophony on a molecular level, and any evidence of who you are, i couldn't find with years of knowledge, a indestructible ship could speak more evidence about why it was annihilated, obliterated, disintegrated under the ocean for months at a time without any current survivors, and the last person i could be described as would be Sherlock Holmes every detail washes over my head like a flood of details that can't enter because a force field surround my head like it's a crown being so clueless, but it feels like i'm wearing a dunce hat and maybe i do realize that there will be a position where you will be put out into light there is no way out of your mind, like a schizophrenic, if kryptonite killed superman, can it **** the infectious virus spreading like wildfire through these veins, can you stop worrying about when you will finally break down and open up to someone? **** - kra
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Dec 9, 2013
Dec 9, 2013 at 10:13 PM UTC
dysFUnCtional Kryptonite
~ the skies breath aloud their sighs as county-sized clouds tower o'er the countryside severed by the mountain's scythe remnants scattered now like little spies no hope of rebound to their former glory only obliterated slices now the sun can’t hide clouds reduced to skyscraper size must now suffice and on it goes, cumulus fingers sliced by lofty granite spires. ~ *post script. just a playful mix of mindless alliteration with a bit of concrete.*
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Apr 22, 2015
Apr 22, 2015 at 2:32 AM UTC
cloud alliterations
V. Ethereal Maybe being drunk is the closest I will ever get to zero gravity-- to walking on the moon. My fingers curled around the neck of a liquor bottle,   I wander to my bedroom window, as a tipsy weightlessness settles amongst my limbs (and my thoughts). Swaying slightly, I part the curtains and, in my intoxicated stupor, search for Polaris in the night sky, point to it, press a clumsy hand to the glass, convince myself that I have captured the star, and all the omniscient power it possesses, beneath my finger tips. Star light, {lips pant-- inebriated, heavy} star bright, {my breath appears a catalyst as the window pane glazes over in an impenetrable paroxysm of fog} first star I see tonight, {I take a swig, raise the bottle-- a toast to the cosmos} I wish I may, {Lashes meet in silent matrimony} I wish I might, {Behind closed, desperate eyes, ribbons of colour dance towards me in a disoriented jig} have this wish I wish tonight-- to be obliterated by the very galaxy that birthed these grieving bones and this tumultuous heart. Because only then-- as the Gods paint the Night with the innards of my soul, acrylic purples churning against the blackness-- will I become what I have always dreamed of becoming: Lovely. Ethereal.
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Sep 25, 2018
Sep 25, 2018 at 11:57 AM UTC
I, Ophelia (Part Five--Ethereal)
What joy calls Silent Noise plagues me too As the new love in young hides behind the sun The House of Monaco burns it is a simple matter and joy pretends in two and three She accuses that it is all in the eyes Loosely veiling self doubt in the idealism of love Complexity contradicts and she gives up Preferring to live inside It wants what it wants and Joy succumbs drinking water she knows is poison You are not a hopeless romantic Joy You are a Romantic You are all Woman And twice as amazing -The Zone Your **** has torn my hinges off..... obliterated my door
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Jan 20, 2014
Jan 20, 2014 at 1:07 PM UTC
"Joy"
With 8 billion people in the world, You'd think it would be Impossible to feel so isolated. So tough to explain, I'm frustrated, This is complicated, I feel like my soul has been obliterated, Mutilated, and violated. I can't think straight, And no, I'm not gay, Just a little confused Feeling battered and abused, My heart's been misused And I have been accused Of using others, when I'm the one being used.
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Nov 4, 2014
Nov 4, 2014 at 9:00 PM UTC
Isolated
im not going to give you credit and say that you are the one that you obliterated my life because i can do that by myself im not going to give you fame by saying you tortured me because i can do it i am going to tell you you made me strong enough to leave and smart enough to know when to leave
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Nov 6, 2018
Nov 6, 2018 at 3:17 PM UTC
dear abuser,
Hidden in the darkness, an entity of no real significance, Cloaked by despair, ruled by regret, acknowledged by few, The shrouded one lives, misunderstood, banished, forgotten, But it lives, it lives. Concealed in the shadows, a being of no hope, Masked by lies, commanded by sorrow, Befriended by none, The shrouded one lives, misconstrued, expelled, obliterated, But it lives, it lives. Obscured in the black, a presence of no ecstasy, Veiled by self-hate, ordered by fear, hated by all, The shrouded one lives, misinterpreted, rejected, meaningless, But it lives, it lives.
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Oct 16, 2012
Oct 16, 2012 at 11:11 AM UTC
The Shrouded One
I have eyes But I don't see what I don't like I have ears But I won't hear what I don't want to hear I have a memory But only remember what's convenient I have thoughts But I keep them in safe cages I have a mind But I refuse to change it And so, you see Let rhetoric over-rule logic Let fake news obscure truth Let corruption replace propriety Let bluster confound reason Let nepotism overcome merit Let democracy be obliterated As long as I don't have to admit I was wrong By Phil Roberts
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May 11, 2017
May 11, 2017 at 8:05 AM UTC
THE DEADHEAD SAYS.......
I scare myself with bitterness: Mersault found within him an invincible summer in the midst of winter but I do not want even to pretend that that is what I am looking for. I am numb beyond existentialism. But not numb with cold. In my youth, my favorite colour was green because of spring and trees and turtles and frogs and when the weather turned and the leaves grew back I would whittle the time away outside barefoot, on the grass, loving the warmth of sun-kissed skin and the breeze on my dry cheeks. Today the leaves grow back and the green resurfaces and the warmth has the world walking with an optimistic spring it its step but today I think that maybe I do not like green that maybe my favorite colour is orange. Dark but bright? Or yellow, because it can be cheer to some but the moment you place it beside white suddenly yellow is impurity and for all the pure innocence of spring, everything is, is it not, washed over in a translucent coat of yellow, stifling sunlight. So I yearn for winter and for cold for numb fingers just before they are thawed by yellow fires for sweaters and scarves and hot cocoa for bare trees outlined with snow and for the world blanketed, from green grass coated with frost to yellow sun obliterated by clouds, by the sparkling snow, white in all its gloomy glory.
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Apr 15, 2013
Apr 15, 2013 at 2:56 PM UTC
chasing spring
Here God, Everything is for you: Here are my Testicles, looking like smashed purple grapes, Bruised, mashed, and crushed along with what Is left of my once proud, now exploded, tattered ***** I have laid before you my Disemboweled, bloodied and tangled intestines; Blown into bits and pieces, here lays my torso along with Shattered ribs, ruptured lungs, exposed internal organs: Erupted heart; battered, split, spleen; torn, mangled liver; Next to them, my legs, minus a few toes; Arms with hands missing thumbs, fingers; My head, Less pieces of skull, cheek bones, nose, tongue, and teeth, Is nearby; Those puffy messes of glutinous, jellied, deflated ****** orbs are my eyes; Over here, piles of chunks of obliterated pieces of flesh floating On a thick soup of congealed blood, mixed and meshed with Splintered, fractured, cracked bones; everything Convoluted, disfigured, impossible to identify. All of this is for you, I am your martyr, Your soldier, Your obedient servant; I blew myself up, Along with many infidels including Men and women, Unborn babies and children, Young boys and girls, I tore their bodies to shreds, Mangled and mutilated, they Suffered deaths no nightmare could imagine. I sacrificed myself for you, Exemplifying piety and righteousness, I await my reward, Wait for you to put my pieces together again; Been here for what seems an eternity and You have not come near; Not made me whole. Where are you? Are you not great? Where are the young, innocent, ****** girls or The boys with silky, pearl smooth skins; Will I ever have an ******** again? Uncomfortable, anxious, concerned I Lay here on this sacred, hallowed ground, Like a fleshy puzzle, scattered in jagged pieces, Waiting to be solved; Praying to be completed and recomposed. Where are you God? A virtuous, faithful, prostrated one waits; I have much to show you.
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Oct 21, 2010
Oct 21, 2010 at 7:50 AM UTC
All about You
Here God, Everything is for you: Here are my Testicles, looking like smashed purple grapes, Bruised, mashed, and crushed along with what Is left of my once proud, now exploded, tattered ***** I have laid before you my Disemboweled, bloodied and tangled intestines; Blown into bits and pieces, here lays my torso along with Shattered ribs, ruptured lungs, exposed internal organs: Erupted heart; battered, split, spleen; torn, mangled liver; Next to them, my legs, minus a few toes; Arms with hands missing thumbs, fingers; My head, Less pieces of skull, cheek bones, nose, tongue, and teeth, Is nearby; Those puffy messes of glutinous, jellied, deflated ****** orbs are my eyes; Over here, piles of chunks of obliterated pieces of flesh floating On a thick soup of congealed blood, mixed and meshed with Splintered, fractured, cracked bones; everything Convoluted, disfigured, impossible to identify. All of this is for you, I am your martyr, Your soldier, Your obedient servant; I blew myself up, Along with many infidels including Men and women, Unborn babies and children, Young boys and girls, I tore their bodies to shreds, Mangled and mutilated, they Suffered deaths no nightmare could imagine. I sacrificed myself for you, Exemplifying piety and righteousness, I await my reward, Wait for you to put my pieces together again; Been here for what seems an eternity and You have not come near; Not made me whole. Where are you? Are you not great? Where are the young, innocent, ****** girls or The boys with silky, pearl smooth skins; Will I ever have an ******** again? Uncomfortable, anxious, concerned I Lay here on this sacred, hallowed ground, Like a fleshy puzzle, scattered in jagged pieces, Waiting to be solved; Praying to be completed and recomposed. Where are you God? A virtuous, faithful, prostrated one waits; I have much to show you.
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53
I am what’s left of a dying breed that called life beautiful Truly worth living and dying for But it was your kind that fornicated, violated, and devastated the soul of a beautiful entity Who gifted us with art, beauty, and taste for desire Maybe it was her who corrupted us for loving us too much Or was it our nature to have more than we are given? Demanding more and more Until we ****** the life out of the meaning, be grateful for what you have I’m sick and nauseated by the false portrait of life Sick and twisted figures painted with false smiles True emotions hidden under heavy painted sunrises that tells a different story Literally sweet and innocent characters erasing themselves from this reality Just to escape the hardship of this imprisonment your people have created. I can’t stand to see your kind preach to us, we do it for the art, for the beauty, and the taste You cursed that meaning You ripped the soul of a greatly spirit You proudly preach a lecture of hypocrisy and false love If you truly cared to love us You’ll not be worshiped like a god Deep down Angels are dead Demons are dead The doctrine of the trinity Is my doctrine of my divinity I am the Father I am the son I am no holy ghost I am a plague Not from hell nor heaven, but a world that rejoiced beauty from an unbalanced reality Of love and hate I am not your God I am not the Devil Both are dead No creator can save you I am your deity I am your life I am your death I am your escape I am your only freedom   This profound meaning Ascends through my heart & soul The flower of life spreads through me Like a wildfire No angel or demon Can’t stop me Proclaim me as one in all I am divinity! You absorb the supplements of life Resources are obliterated Left & right By tonight your life will be ended by the knife I've awaken from an eternal slumber Count down the numbers You oppress Art The beauty You tainted the taste of absolute harmony Your desire to have power Has blinded you You eat our flesh like starving vultures You left us to be tortured The rapture will soon be among us Nature will take it places To immaculate this famine land Natural selection will have entirely new meaning I’ll pick up where you left off For now… My sentiments for aesthetic judgment Will run through every vein in your body Clogging every end Suffocating you in every way imaginable The oceans will dry This green sphere will rebuild itself New seeds of life will cleanse This heinous reality
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Mar 8, 2013
Mar 8, 2013 at 11:57 AM UTC
Aestheticism Part I: Autotheism
I am what’s left of a dying breed that called life beautiful Truly worth living and dying for But it was your kind that fornicated, violated, and devastated the soul of a beautiful entity Who gifted us with art, beauty, and taste for desire Maybe it was her who corrupted us for loving us too much Or was it our nature to have more than we are given? Demanding more and more Until we ****** the life out of the meaning, be grateful for what you have I’m sick and nauseated by the false portrait of life Sick and twisted figures painted with false smiles True emotions hidden under heavy painted sunrises that tells a different story Literally sweet and innocent characters erasing themselves from this reality Just to escape the hardship of this imprisonment your people have created. I can’t stand to see your kind preach to us, we do it for the art, for the beauty, and the taste You cursed that meaning You ripped the soul of a greatly spirit You proudly preach a lecture of hypocrisy and false love If you truly cared to love us You’ll not be worshiped like a god Deep down Angels are dead Demons are dead The doctrine of the trinity Is my doctrine of my divinity I am the Father I am the son I am no holy ghost I am a plague Not from hell nor heaven, but a world that rejoiced beauty from an unbalanced reality Of love and hate I am not your God I am not the Devil Both are dead No creator can save you I am your deity I am your life I am your death I am your escape I am your only freedom   This profound meaning Ascends through my heart & soul The flower of life spreads through me Like a wildfire No angel or demon Can’t stop me Proclaim me as one in all I am divinity! You absorb the supplements of life Resources are obliterated Left & right By tonight your life will be ended by the knife I've awaken from an eternal slumber Count down the numbers You oppress Art The beauty You tainted the taste of absolute harmony Your desire to have power Has blinded you You eat our flesh like starving vultures You left us to be tortured The rapture will soon be among us Nature will take it places To immaculate this famine land Natural selection will have entirely new meaning I’ll pick up where you left off For now… My sentiments for aesthetic judgment Will run through every vein in your body Clogging every end Suffocating you in every way imaginable The oceans will dry This green sphere will rebuild itself New seeds of life will cleanse This heinous reality
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74
If you look closely You will see The cracks and fault lines That comprise me From the outside, to the unattuned eye I look like a normal vase, For the glue is now dry. Truth be told I was smashed Obliterated Pieces essential to my core Strewn haphazardly across the floor. But thanks to those that saw me, And a little internal conviction. My pieces have been collected My old form resurrected. Thanks to a little glue I appear to be almost brand new. But don't be deceived For what you perceive Should not be completely believed. For the vase is very fragile, Not to be toyed with. Not a player's game. Please don't mishandle me, And resurface days of misery.
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Nov 9, 2015
Nov 9, 2015 at 6:39 PM UTC
The Vase
When I was a girl I loved cars and Kim Possible And green rocks I’d find in the pebble fillings of our school playgrounds, Because they were rare and therefore special. I read twenty books on gemstones and minerals and stared at the pictures for hours Hoping one day I could be beautiful and solid and reflect the colours You can’t see If you burn your retinas looking directly at the sun. When I was a girl I became a driveway because I thought If I paved myself with tarmac or cement I’d be hard enough to withstand the weight of everyone around my heart And grounded enough to support myself, But the construction workers forgot to check for groundwater And I caved in when people decided To unapologetically and unquestioningly park their ***** in the handicap spot, Mistaking the importance of my handicaps for the importance of their egos. When I was a girl I became an asteroid, Seeking a gravitational pull around a star that would give me a name and meaning. But instead I found a black hole, And before I realised my mistake in universal direction Her gravity obliterated me And absorbed whatever the **** was left Of the force I could have been. When I was a person I became a tree, Rooted to the earth rather than separate And absorbing the light for sustenance. I’ve forgotten what it means to be hardened, But even my cells have walls around them And now I’m as afraid of the ground as I am of the sky And brave enough to reach into both And just maybe find some answers in the crust or clouds.
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Aug 24, 2014
Aug 24, 2014 at 1:33 AM UTC
Grounded
When I was a girl I loved cars and Kim Possible And green rocks I’d find in the pebble fillings of our school playgrounds, Because they were rare and therefore special. I read twenty books on gemstones and minerals and stared at the pictures for hours Hoping one day I could be beautiful and solid and reflect the colours You can’t see If you burn your retinas looking directly at the sun. When I was a girl I became a driveway because I thought If I paved myself with tarmac or cement I’d be hard enough to withstand the weight of everyone around my heart And grounded enough to support myself, But the construction workers forgot to check for groundwater And I caved in when people decided To unapologetically and unquestioningly park their ***** in the handicap spot, Mistaking the importance of my handicaps for the importance of their egos. When I was a girl I became an asteroid, Seeking a gravitational pull around a star that would give me a name and meaning. But instead I found a black hole, And before I realised my mistake in universal direction Her gravity obliterated me And absorbed whatever the **** was left Of the force I could have been. When I was a person I became a tree, Rooted to the earth rather than separate And absorbing the light for sustenance. I’ve forgotten what it means to be hardened, But even my cells have walls around them And now I’m as afraid of the ground as I am of the sky And brave enough to reach into both And just maybe find some answers in the crust or clouds.
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30
I have precisely not one but two stalkers, two malaise menaces in my hands. Well, not quite literally. Its all in my head, you see. They pervade my robust, iron clad, sheer willpower. Hmph, not really. The two little rascals, attractive ones at that, present themselves during frenzied times of scattered notes, inked fingers with frustration crashing in the air. Frustration grows ever-so-slightly when they efficaciously whisper to you, it will only be five minutes. They leech time off my circadian clock, inevitably painting black under my eyes. A pair of smooth-talking liars, the scourge of the Student Underworld. Their flamboyant, beguiling gestures of distractions, alas, it is far too much even for my mind. Even doctors cannot prescribe a medical concoction to rid me of these pests! Beware these criminals! They need to be obliterated, removed, pruned away from us, young innocent seedlings. I introduce you to... ughh... Mr & Mrs Procrastination.
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Dec 1, 2013
Dec 1, 2013 at 5:37 PM UTC
Mr & Mrs Procrastination
Faded skies of grey and blue Obliterated memories of me and you Twenty one days of pain and pleasure A rewind of the things that we cannot measure Resisting the affection that you’ve been asking for Slowly the tears fall down to my cheeks once more How can you love the monster standing infront of your door Are you even sure that you are capable of loving, at all? You can cry but not for too long Your heart has been broken once more This is the price that you have to pay For playing the game, you weren’t suppose to play
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Apr 7, 2015
Apr 7, 2015 at 3:52 AM UTC
Curses at dawn
I'm in love. I'm in love with the way grass smells after it's been mowed. It has a certain smell that reminds me of summer days and childhood memories. I'm in love with how that rain hits my window during a storm. It's like it wants to come in so badly that tries to obliterate my window but only to realize that as soon as it hits the glass, the raindrop itself obliterates. And I guess that's how I feel in love with you. You reminded me of summer nights and some childhood memories and I wanted to get into your heart so badly that I thought if I made myself fall you would catch me. But, just like the raindrop, I obliterated on contact.
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Jun 27, 2014
Jun 27, 2014 at 11:40 AM UTC
I fell in love
I was caught off guard by the everlasting effect of your smile. In all honesty I thought I was prepared for the well placed explosion that took place in my heart. In actuality, I was not. Absent minded to the total embodiment that was you. The coming of your lips, The taste of your stare. I did not know the effect your voice would have on me. There wasn't a prayer that could have prepared me for you. There was nothing left of what my heart use to be. The occurrence of everything obliterated; Emptied. The horizon filled by your silhouette; my hands lost in the light cast by the radiance of your smile. I was reduced to nothingness in the blink of an eye by a single look cast from The stare of your eye. The total sound of nothingness filled my heart with a peaceful hush after the destruction you've caused with just a single look.
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May 26, 2016
May 26, 2016 at 12:37 PM UTC
Hiroshima
There are days when my soul feels stretched out like a ribbon emotions            hang                   ing from a thread on the line, like laundry, for all to see, on pegs vulnerable            in storms letting wind caress and sometimes whip them          round in beaten time like a tempest They tend to get bruised, secretly battered internally as the surface of me smiles and marches on Vocal chords tightening as the larynx longs             in primal urge      to take out the words in one long       graceful arc              of purge On these days I need to sit in the cloudforms of my mind's eye       and let myself feel   what I cannot show:     the daily coldness gnawing     at my innards       blow by icy blow In these hours I must let the tears well up and run down              until the sting of salt penetrates the glacier let the significance of unspoken words rise up from the deep dermis layers into my throat, my tonsils up to the palate and tongue                out through my lips to the heavens, releasing the unsung          those words caught within the walls of my neck - they almost make me choke exhaust contamination from heavy, unseen smoke   It billows up and out and soon, like hard-worked magic this morse code is busted because I am sick of feeling tragic I command clear communication       to filter through the spasms of fog in drops of dew I command my words to be heard in tiny spikes of sun And all the while             in clear spirals,                       a prayer commences to                         be spun: for the harsh                and bitter be flushed out              in unabated, icy rush for my soul to rise up            for the cleansing in aching spirit blush for the painfulness of silence to be ground out upon the floor for the shadows of the violence to be obliterated to the        core
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Jun 14, 2016
Jun 14, 2016 at 8:14 AM UTC
Verbal Purification
There are days when my soul feels stretched out like a ribbon emotions            hang                   ing from a thread on the line, like laundry, for all to see, on pegs vulnerable            in storms letting wind caress and sometimes whip them          round in beaten time like a tempest They tend to get bruised, secretly battered internally as the surface of me smiles and marches on Vocal chords tightening as the larynx longs             in primal urge      to take out the words in one long       graceful arc              of purge On these days I need to sit in the cloudforms of my mind's eye       and let myself feel   what I cannot show:     the daily coldness gnawing     at my innards       blow by icy blow In these hours I must let the tears well up and run down              until the sting of salt penetrates the glacier let the significance of unspoken words rise up from the deep dermis layers into my throat, my tonsils up to the palate and tongue                out through my lips to the heavens, releasing the unsung          those words caught within the walls of my neck - they almost make me choke exhaust contamination from heavy, unseen smoke   It billows up and out and soon, like hard-worked magic this morse code is busted because I am sick of feeling tragic I command clear communication       to filter through the spasms of fog in drops of dew I command my words to be heard in tiny spikes of sun And all the while             in clear spirals,                       a prayer commences to                         be spun: for the harsh                and bitter be flushed out              in unabated, icy rush for my soul to rise up            for the cleansing in aching spirit blush for the painfulness of silence to be ground out upon the floor for the shadows of the violence to be obliterated to the        core
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89
-A lament by the preteen Queen of Mesopotamia. Late September, During summer, My great kingdom was obliterated by raiders. My poor people, Young and feeble, Were all mercilessly butchered by those strangers. Every temple, Made of beryl, Was then looted and set on fire by their archers! And as for me, A preteen Queen, Slavery is now my role for their vile leaders!
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Sep 27, 2020
Sep 27, 2020 at 9:53 PM UTC
Recovered Fragments: Reconstructed Papyrus 29
They put me on a high pedestal Took away away my mischief There was no to begin with They obliterated the chance I first realised when I turned 14 Was writing last year's memoir Had no adventure to illustrate Had no idea of rebellion I thought and contemplated For a long long time What the reason was Turns out it was me Me the ***** Me the image conscious Me the people pleaser Me the rational. I envied the free spirited I yearned their charisma I wanted to be them Rebellious and loud Fair to say It didn't work out I was myself And I'm content.
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Jan 10, 2014
Jan 10, 2014 at 1:31 PM UTC
Not A Rebel