My ***** is a dream come true
my ***** is for me and for you
my ***** is a simple get away
for cats and hearts that are astray
my ***** is an action star
and you are the leading lady
you can play with my ***** like a guitar
but please don't leave it off shaking
my ***** is a spectacle
all of the world's wonder in a nutshell
but if there's one thing my ***** needs
it would be time and seeds
it needs to grow because it is small
this poem was just used to stall

Me pulls to you ..... so strongly attracted to you
color of your skin so ****, ******, and very attractive and beautiful
In my opinion you are the most beautiful in the all universe space, measurement, worlds
My compliments, the truth, and no there is no flattery. In my opinion, this is how looks the most beautiful girl in the world. You are a very beautiful girl. You're a very **** girl. You are perfect. You are a masterpiece. You phenomenon of beauty that can not be repeated. So juicy, so exotic. It seems to me that you have an amazing beauty. You are the most beautiful in the universe all the dimensions of all worlds, you are a supreme being supreme creation, the crown of evolution. You're beautiful melody of love. You are so beautiful, just magic.
You to the point attractive ****. What you want to do countless times having ***.
I only dream if only one your kisses that blossom my soul. And from the touch of your hands on my body, and your lustful-touch for my private parts. I only dream to merge with you forever, body and soul, I only dream of an eternal, continuous *** only with you alone. I only know one thing, that I will forever love only you
Only at your most beautiful, stripped the body, you want to watch and view forever.

Every cell and molecule of my body and my soul is overwhelmed with love only for you. I long to be your beloved husband for all eternity and all lives, and even after death

Do you desire, you are perfect. Soup-navel **** genius. Do you like the sound of "the sound of a roaring engine ****** smart cars": VUM) VUM) vuuuuuuuuoooooooooooooooooooooooooommmmmm) You paradise, you're mens happinesse. Easy, clean, gentle, heavenly delight. You dream of a lifetime. You're pretty unrealistic. On even to the extent to which she can be beautiful, it's just unbelievable. You are the best gift of fate. Before your powerful ****** charm simply irresistible. You're the most beautiful girl in the whole universe. It's a great, great. You luxurious gem. This delicate pearl skin, you sample the true human beauty and femininity. All the other girls compared to you quite simply uy) uy) uy) uy) uy), believe me you are very vip **** girl. Most also come up on the throne of honor honored the goddess, the great pedestal. Majestic music sounds, so subtly and sensitively praising your beauty for you. In your arms a man feels in the higher realms of pleasure. **** regal lioness. Graceful affectionately snarling tigress. Puff) bang) bang) bang) bang) mega glue your beauty kills all competitors by felling. Amazingly beautiful. Sultry, cool and ****-Mego. You are elite, you're a lux, you extra class Your beauty captivates the hearts of men. The queen of all men, divinely beautiful, majestic lady. **** kitten. Mens ******* myself in the pants, with excitement at the sight of you. My heart you certainly won. Imagine that you are on the sandy planet, and every speck of gold pure gold, these grains of sand, the golden thoughts about you and only about you. You stunned, and I from you noodle. You just incredible girl, unbelievable. You're a *** symbol. You is Brand, (dreaming about you) cool, greattbl, superebl. You're like a beautiful peacock, revealing to the people the infinite perfection of their external and internal beauty. Words gently kiss and hug. The outline playful. Queen of ardent passion, so a bit awe velvet body. You idol of femininity and nature ... anywhere in the world to find such a beautiful sight as yours, which is just crazy, captivating with their enchantments of love, and you can not escape from the past and it is impossible to pass, look pierces the tenderness of their feelings.
you thermonuclear *** bomb you lux extra class.
Your passionate gaze iceberg melt. A look of love, perfect beauty. You are an incredibly beautiful girl, you're a mega-explosion of a nuclear bomb.  Boooooooooooooooooooommmmmmmmm), a brain explosion, demolition of all its rivals mega wave. Sweet, sweet as honey. You're sweeter than any candy. You have the talent to charm the guys for their beauty. Your beautiful image of a gentle heart overflows with love for you. Goddess of all men. You are the most gentle in the world. You are wonderful. You as a model in these photos. Original and stylish. Pretty number one in the world. You like to radiate special energy of love and pulling for you. With you all the time you want to be, always and forever. With no one way can not be as good as you. You are infinitely deep and beautiful as the universe itself. Because it is simply not possible. After all, you're stylish, cool, cool. As you have all that is in the ideal image of a woman. Fantastically beautiful. Moon Flower, gently shimmering in the sunlight. How beautiful are your eyes, like a mermaid I want to plunge back to see you sitting on his throne, beautiful creature mermaid her voice beckons you, only your arms, I shall find eternal rest. Awesome adhesive modest. I can not believe my own eyes, how beautiful you are.  you like cream with chocolate .... same tender .... sweet ...... "Your charm charms as analgesia. Do you use it perfectly. Beautiful eyes look like hypnosis. Such a nice warm look. Concealing in itself a treasure of delicate beauty. Infinite height. from that soars from the love of you soul. I like your figure beautiful nymph ... I conquered your soft intriguing, mysterious look ... marvelous sweet charm tempts and drags a.
You are my sweet dream.
I give myself to you forever.
Your loyalty and sincere love.
That's all I want.
You only one I ever want.
You are my love, my fondest wish.
Your photo makes me so *****
I wait from you of reciprocity and understanding.
My word is my tongue that gently caresses your skin and soul.
Gentle and sweet flesh of thy nothing in this universe is not.
Hot passion of your reality in this I do not find.
My words and my eyes tell you only one thing.
The best you never find.
In) during) during) during) during) during) during) during) during) during) Check it out, acclaimed, reviewed, look. Composed for you, about you, tenderly loving s) a) a). **** Barbie, Babe attractive, graceful lady, tender crumb, kitty) kitty) charming cat, sweet baby. One only your smile, this is a great victory and the men feat. Rather Go up to the throne of the goddess honored the great pedestal. Lyrical music sounds just as sensitively and subtly praising your infinite beauty for you. You're a real beauty icon. Designed for real mens, and gentlemen. Vuuuuuuuufffffffffff) tuff) tutuf) tutuf) speak very gently and quietly) tshshshshshshshsh) sounds quiet hypnotic music of love) I'm fascinated by your sensual, delicate charms, leads to you inexplicable wonderful attraction, about how beautiful your magic your charms so vague and so beautiful like brave a charming dope) of your charismatic charm my calls so subtly, subtly and clearly, so sensuously and easily, fervently and passionately, and so ****, ****, cute and appetizing, attractive, beauty, beckoning your temptation, seduction, you're tempting, seductive life you my call, just you alone all the time waiting and call about how much obsession, just the warmth of your feelings gently warms and the confluence of feelings showers my thy soul seizes you soft velvet and silk, you're hot sweet gentle sweetness) only happiness) happiness) and serenity) verily, thou great priceless personality, being at the mercy of your hot emotions and sweet emotion, want to be in them always and forever), I gain peace and paradise on earth, the gentle heat of your mouth, and the warmth of your tender eyes , takes in the wonderful world of your bliss, perfect minute clock, and second only to you, and I want to be just with you, because you have life, you're my only reality, you are my world and the whole universe, keep true allegiance to you, and I just

quietly and timidly say that the only one you love. Without you, life is impossible. You're perfect, you're Suite) glossy, glamorous cute Moore) Moore) Cutie) Ya) ya) dastish fantastish) perfecto) shiiiiiiiiiiiiiiiiiiiiiiiiik) You just mmmmmmmmmmm). This sweeeet) beautifuuuuuuuuul) well just aaaaaaaaaaaaahhhhh) pass out of love for you. Being with you is the continuous buzz, yummy relish) you so photo-film ****-genic photogenic, for movie movie-genic, urrrrrr). We humbly bow to your greatness, great, beautiful goddess, you are perfection. You cool muse, you're cool motif gives your beautiful image of a mega positive, you're a real Kulnev neo) neo) creative, "you're a real jackpot, juicy freshshshshshshsh)" you're the main leitmotif of this world, you're center of the world, a great Bagheera, the pearl of the world. Yes it's true because I think you only one I admire. The idol of all idols, the goddess of all goddesses. Take my word, because it's all true, and I sincerely hope that you give me at least not much pleased. Chorus: "You're **** Bugatti, Maserati best, fastest Ferrari, Pagani elegant. You stylish Bentley, luxury lambordizhni, royal Rolls Royce, wonderful noise voice, only for a cool boys ", voo tyzh) bad, whip. Your extraterrestrial beauty in a nutshell is this: "beautiful and saucily". And I long to see your gentle green light. abruptly, clearly, accurately, rarely smooth, sweet, stylish, strong, powerful, precise, transcripts, honorable. When you're near everything it is not important, so slow and so pointless. Great, great, grand girl yooo) Great, great, grand girl yooo) Great, great, grand girl yooo) ...... Yop) Thank you exist, let sit next to you, take my word for all this is not flattery, be your this is such a great honor, but this is a boon to any man, veeeest) Because you are the most cherished love and the dream of every man. Oooo) Olya-la-la **** figure in this world only you. All attention is focused only on you, everything pales in comparison around with you, and I want to be next only to you, but you pridnalezhat one. You are luxuriously best bust, sweet with sweet lips and mega **** predatory gaze from his amorous feelings rage, my wash only about you say, look what they do to me from the love of you are doing, your beautiful image on forever in itself charms shining, inspires, subordinates, intoxicating. **** goddess. Number one in the world. My low bow only to you) worship only you) Uffffffff) When you're around, getting hot, bright, nice, snip) snip) Vuoks) as a flamethrower let go the flame of his fine feelings, heart pounding more often you zhzhosh not for children, I want to see often, so sultry, beautiful, navel-soup finally, uhhhhhhhhhhh) love is so strong that even begins to hurt the heart. Luxury queen of all parties and catwalks, you unattainable pinnacle, all societies, beeeem) cupid shot of powerful magnum, oooo) complete demolition of all reason, can not hear anything except for you, and now can be seen, only you feel now just you and I I think that I was created just for you. Thank you, thank you, that drew on this as I am. For you, this is only for you, but it's all for you, all for you. I suffer, expect all the time I love you. You're the most desirable woman in the world. Epic, lyric, simpotichnaya) You're beautiful in everything in this world, only you're beautiful. You are endowed with charismatic energy inexplicably beautiful charm ... .ihi) ...... Mochi-mochi-mochi, manenko, manenko, manenko such mainka, mainka, krasotulechka, slyadkaya-slyadkaya girl Lapushka, adorable, cutie, baby, cute flower, candy, umnichka, bird, swallow, Rybonka, kitten, sun-golden-favorite-of-the-most-expensive, good-natured as fluffy hare .................. PSA) PSA) Oooh yeaaah) PSA-PSA) honor) worship, revere, and boundless respect, PSA-PSA) is the only real girl in this PSA, PSA world) you're the most epic, lyrical, lovely) PSA-PSA) you are best of the best, but you have no equal, PSA-PSA) you're the most endowed the title of the most beautiful in the history of mankind, PSA-PSA) you are the most important, the most glorious hero, the only one worthy of a goddess. PSA-PSA) is any place adorn, and instantly all the guys for their beauty by felling you fought, PSA, PSA) and all competitors envy into a deep depression makin PSA-PSA). Because you from herself beauty and eroticism idea tirelessly all its beauty and all are striking. Poetic, exotic, ****** lyrically. Living next to you harmony, grace, take my word, words can not convey, and I want to give you his heart. The sweetest voice only you, the skin so tender and pure, like a beautiful flower, on the face of my delight. So serene, so peaceful and quiet, static, nice and smooth, their places of origin is not in the universe, the soul like a light cloud in the sky hovering, always remembers you, you my love gives. The rays of your love life shines gently nurtures and warms, under your angel wings minds gradually falls asleep. A truly happy life does not happen without you. Next to you, my soul is in heaven remains, and only you, only one truly trusts. Your personality is loud, cool, beautiful, unique. Loud) loud) loud) You're a valuable copy of human beauty tadts-tadts-tadts) tadts-tat) tadts-tat) tadts-tat) uooo) uooo) uooo) tadts-tadts-tadts) tadts-tat) tadts-tat) tadts -tat) uooo) uooo) uooo) oooooo) you higher hooooootest bella mamasita, so moschnobl) with you all the time you want to be srochnobl) tochnobl) you're so cute, I love devotedly, furiously and fanatically. All zabyvaetsya around when you're around, captivated by your unique gentle gaze. Diamond beautiful, deep sapphire, stratsno rubirno, amazing emerald, pearl cute, I was very hooked, very surprised, so beautiful that a tear struck, and tenaciously for his soul took in your deep beautiful distance afield, was happily and easily, and suddenly the shower glittered and blossomed. One only makes your **** look and feel embarrassed blush. See how I want to enjoy it. It makes harder and harder to fall in love with you, I want to again and again appear near you, and never to say goodbye to you, and do not give up when you're around wants to smile with happiness, and you always stay on. Soft) soft) soft) How marvelous your gentle eyes, a beautiful shine, so deep beautiful color, hi) and the lips gifted hot, passionate force, like a sweet juicy berry, shine sweet tender crumb precious shine temptation, fantasy) romantic) ****** ) to you so goes the lipstick) gentle, spectacular pretty perfect) yes) so accurately) not lying, exactly) so refined, so perfect it all, only you, you can safely say all envious yeeeah) baa) baa) beeeee) each part of your body, is true, unattainable, infinitely ****, perfectly gospodstvennoe, divine perfection, which is the business card of your wonderful personality, a genuine sample of the sweet candy, delight, joy. You are an ideal model for the most famous, the channels, magazines, you have the sweetest voice in the world, so it is ideal in television and radio broadcast, a perfect icon of the media, the beautiful goddess of the VIP, I think so. And only love and honor. You are the most precious value in this universe. Heart and love is boundless open and so clean and perfect for you, all I say is not in vain, my love for you is a whole universe dedicated to you. You are beautiful in every way, so different, so special, your presence, gives a special feeling of harmony and peace, you are like a hot flaming fire of love and creation. Bright spark your feelings enliven, inspire. You are like a breath of life, fresh, cold water, your nature is so beautiful, so deep. Your acts as the earth itself give rise to life. You merry wind of freedom, infinitely great, free, you are giving hope and life, really need you like the air. Ooty) Ooty) Ooty) multi-billion-dollar celebrity babe, baby on triliard. I give you a well-deserved medals: for the record for the beauty of the world, a record for the entire beauty of the universe, the medal: in the beauty of a well-deserved
Author: Musin Almat Zhumabekovich

Given the apparent magical surrealism that the months of April is the month of fate for and death of writers, artists, dramatis, philosophers and poets, a phenomenon which readily gets support from the cases of untimely and early April deaths of; Max Weber, Miguel de Cervantes, William Shakespeare, Francis Imbuga, and Chinua Achebe  then  Wisdom of the moment behooves me to adjure away the fateful month by  allowing  me to mourn Gabriel José de la Concordia García Márquez by expressing my feelings of grieve through the following dirge of elegy;
You lived alone in the solitude
Of pure hundred years in Colombia
Roaming in Amacondo with a Spanish tongue
Carrying the bones of your grandmother in a sisal sag
On your poverty written Colombian back,
Gadabouting to make love in times of cholera,
On none other than your bitter-sweet memories
Of your melancholic ***** the daughter of Castro,
Your cowardice made you to fear your momentous life
In this glorious and poetic time of April 2014,
Only to succumb to untimely black death
That similarly dimunitized your cultural ancestor;
Miguel de Cervantes, a quixotic Spaniard,
You were to write to the colonel for your life,
Before eating the cockerel you had ear-marked
For Olympic cockfight, the hope of the oppressed,
Come back from death, you dear Marquez
To tell me more stories fanaticism to surrealism,
From Tarzanic Africa the fabulous land
An avatar of evil gods that are impish propre
Only Vitian Naipaul and Salman Rushdie are not enough,
For both of them are so naïve to tell the African stories,
I will miss you a lot the rest of my life, my dear Garbo,
But I will ever carry your living soul, my dear Garcia,
Soul of your literature and poetry in a Maasai kioondo
On my broad African shoulders during my journey of art,
When coming to America to look for your culture
That gave you versatile tongue and quill of a pen,
Both I will take as your memento and crystallize them
Into my future thespic umbrella of orature and literature.

Gabriel Garcia Marquez, an eminent Latin American and most widely acclaimed authors, died untimely at his home in Mexico City on Thursday, 17th April 2014. The 1982 literature Nobel laureate, whose reputation drew comparisons to Mark Twain of adventures of Huckleberry Finny and Charles Dickens of hard Times, was 87 of age. Already a luminous legend in his well used lifetime, Latin American writer, Gabriel Garcia Marquez was perceived as not only one of the most consequential writers of the 20th and 21ist centuries, but also the sterling performing Spanish-language author since the world’s experience of Miguel de Cervantes, the Spanish Jail bird and Author of Don Quixote who lived in the 17th century.
Like very many other writers from the politically and economically poor parts of the world, in the likes of J M Coatze, Wole Soyinka, Nadine Gordimer, Doris May Lessing, Octavio Paz, Pablo Neruda, V S Naipaul, and Rabidranathe Tagore, Marguez won the literature Nobel prize in addition to the previous countless awards for his magically fabulous novels, gripping short stories, farcical screenplays, incisive journalistic contributions and spellbinding essays. But due to postmodern global thespic civilization the Nobel Prize is recognized as most important of his prizes in the sense that, he received in 1982, as the first Colombian author to achieve such literary eminence. The eminence of his work in literature communicated in Spanish are towered by none other than the Bible, especially  in its Homeric style which Moses used when writing the book of Genesis and the fictitious drama of Job.
Just like Ngugi, Achebe, Soyinka, and Ousmane Marquez is not the first born. He is the youngest of siblings. He was born on March 6, 1927 in the Colombian village of Aracataca, on the Caribbean coast. His literary bravado was displayed in his book, Love in the Times of Cholera.  In which he narrated how his parents met and got married. Marguez did not grow up with his father and mother, but instead he grew up with his grandparents. He often felt lonely as a child. Environment of aunts and grandmother did not fill the psychological void of father and mother. This social phenomenon of inadequate parenthood is also seen catapulting Richard Wright, Charlese Dickens, and Barrack Obama to literary excellency.Obama recounted the same experience in his Dreams from my father.

Poverty determines convenience or hardship of marriage. This is mirrored by Garcia Marquez in his marriage to Mercedes Barcha.  An early childhood play-mate and neighbour in 1958. In appreciation of his marriage, Marquez later wrote in his memoirs that it is women who maintain the world, whereas we men tend to plunge it into disarray with all our historic brutality. This was a connotation of his grandmother in particular who played an important role during the times of childhood. The grand mother introduced him to the beauty of orature by telling him fabulous stories about ghosts and dead relatives haunting the cellar and attic, a social experience which exactly produced Chinua Achebe, Okot P’Bitek, Mazizi Kunene, Margaret Ogola and very many other writers of the third world.
Little Gabo as his affectionate pseudonym for literature goes, was a voracious bookworm, who like his ideological master Karl Marx read King Lear of Shakespeare at the age of sixteen. He fondly devoured the works of Spanish authors, obviously Miguel de Cervantes, as well as other European heavyweights like; Edward Hemingway, Faulkner and Frantz Kafka.
Good writers usually drop out of school and at most writers who win the Nobel Prize. This formative virtue of writers is evinced in Alice Munro, Doris Lessing, Nadine Gordimer, John Steinbeck, William Shakespeare, Sembene Ousmane, Octavio Paz as well as Gabriel Garcia Marquez. After dropping out of law school, Garcia Marquez decided instead to embark on a call of his passion as a journalist. The career he perfectly did by regularly criticizing Colombian as well as ideological failures of the then foreign politics. In a nutshell he was a literary crusader against poverty. This is of course the obvious hall marker of leftist political orientation.
Garcia Marquez’s sensational breakthrough occurred in 1967 with the break-away publication of his oeuvre; One Hundred Years of Solitude which the New York Times Book Review meritoriously elevated as ‘the first piece of literature since the Book of Genesis that should be required reading for the entire human race. The position similarly taken by Salman Rushdie. Marquez often shared out that this novel carried him above emotional tantrums on its publication. He was keen on this as his manner of speech was always devoid of la di da.so humble and suave that his genius can only be appreciated not from the booming media outlets about his death, but by reading all of his works and especially his Literature Noble price acceptance speech delivered in 1982.

Your fingers are on my throat
   the world is rocking like a boat
an ocean
is unbearable
because it never seems to end
   and all I can do is float

   Your lips are rosebuds that never stop moving
   and somehow I find my own disgust soothing
my fingertips
are numb
whenever I lose myself to the waves
   but you're deaf so I'm unsure what I'm proving

   Your move was the deadly spawn of knight
   I sacrificed my pawn, paralyzed by fright
we will protect
the king
from sicknesses like you, *******
   Checkmate. I never lose a single fight.

With great recollection, there were a few things in life that Ivy Jankauskas would always remember—always.

She would never forget where she was when 9/11 happened; she was in her algebra class, doodling a picture on a piece of notebook paper of her dog, Zoey—bored out of her mind by Mr. Zabbo’s lecture—when she first heard the shocking news. Certainly, she could remember when she first properly fell in love; she was fresh into college when she knew that she loved Trevor Littlefield—the day after they agreed to get back together, right after the day they decided to split up—after she finally realized that she really loved him, much more than she ever, really, consciously thought. She would forever remember when her parents first took her to Disneyland; she was seven and got her picture taken with Snow White and Mickey Mouse, and she instantly decided that she wanted to become a professional Tinkerbelle when she grew up.

And, like it or not, she could remember her very first kiss. She had just turned five, and it was at her birthday party. How could she ever forget those silly paper hats, and all her little playmates wearing them? They were a good sized group of children, mostly from the neighborhood and her kindergarten class, which watched her open present after present. Ivy remembered her cherry cake, with white frosting, and the stain she had when she dropped a piece on her pretty, new dress that her mother had bought her just for the occasion.  

It was later that day, behind her garage, that Gordon Zachary Durand, the Third, a boy her same age, planted one on her. It was a strange sensation, she recalled—icky, wet and sloppy, and Gordon nearly missed her mouth. Not expecting it, Ivy made a face, puckering up her lips—but not for another kiss—as if she had just ****** on a spoiled lemon. Ever since then, it was the beginning of the dislike she had for Gordon Zachary Durand, the Third. She didn’t exactly know why—there was just something about him that bugged her from then on.

There grew to be several reasons why Ivy knew that Gordon was a ****, something she first sensed at her birthday party behind the garage. Since about third grade, children picked on Ivy’s name, teasing her by calling her “Poison Ivy”.  And the one who seemed to be the loudest and most obnoxious of the name callers, chiming in with the other bullies, was Gordon Zachary Durand, the Third.  Ivy was proud of her name up until then, but the taunts made her self conscious. Her mother told her to be proud of her name, for it was unique and different, as she was unique and an individual. Still, Ivy felt uncomfortable with her name for quite a while. Only in adulthood, did she feel somewhat better about it.

A bit of a tomboy back then in school, she would have loved to punch Gordon right in the nose. If only she could get away with it! What a joke! Who would name their child Gordon anyway? She had thought it was far worse than hers.

So to counter his verbal assaults to her name, Ivy called Gordon, “Flash Gordon”, after the science fiction hero from TV and the comics. But Gordon was no hero to her. He was more of a villain, creepy, vile, and just plain mean!

Soon, new name of him caught on, and other kids were joining her. She had a smug sense of satisfaction that Gordon grew furious of the title, for it stuck to him like glue.

Gordon’s family lived right around the block, just minutes away from where Ivy lived. Ivy’s mom, Gail, and Gordon’s mom, Lucy, both went to the same Lithuanian club, and both encouraged their children to take up Lithuanian folk dancing. Ivy remembered she was eight-years-old when she began dancing. It was three years of Hell, she had thought, wearing those costumes, with long, flowery skirts, frilly blouses, aprons, caps and laced vests, and performing for all the parents and families in attendance. Worst of all, she often had to dance with Gordon, and he was one of only three boys that was dragged into taking up folk dancing by their mothers. Probably all of those boys went into it kicking and screaming, so Ivy had thought.

Many years have came and gone since those days. Ivy was now a lovely, young woman, tall and dark blonde, and with a Master’s degree in sociology, working as a social worker in the prison system. Ivy’s parents would never have imagined that she would work in a field, in such places, but she found it quite rewarding, helping those who often wished for or were in need of redemption.    

When Ivy came over to visit her mom one day, her mother had told her some news. “Gordon Durand’s mother passed away”, Gail announced. It was quite disturbing.

“What? When?” Ivy replied, her face full of shock.

“Well, it must have been a few days ago. I saw the obituary in the paper, and a couple of people from the Lithuanian club called me to tell me. The funeral will be Friday. Why, I didn’t even know she was sick! She must have hid from just about everyone. If only I knew, I would have gone to see her and make sure she know I cared”.

It had been a long time since Ivy saw Gordon, ever since high school. Now, they were both twenty-six-years-old. It never occurred to her to ever think of Gordon, to have him fixed in her mind like a fond memory from the past.

“Could of, would of, should of—don’t beat yourself up, Mom” Ivy told her "I guess I should go pay my respects”. But Ivy was not sure if she really should do it, or really if she wanted to do it. “Mrs. Durand was a nice lady. Sometimes, it is the nice ones that die young. What did she die of anyway?”

Ivy’s mom was pouring herself and her daughter a cup of coffee. “I believe it was leukemia. In the obituary, it asks for donations to be made to the Leukemia Society of America”.

Ivy shook her head in disbelief.  As she was sitting down with her mother at the kitchen table, drinking her coffee, her mom shocked her even more. Gail said, “Only twenty-six, same as you, and now Gordon has no mother or father! How tragic to lose your parents at such a young age! It breaks my heart to think of him without his parents, even though he is a grown up man now!”

“What?!” Ivy shouted in disbelief. “When did Gordon’s dad die?!”

Gail sipped on her coffee mug. “Oh, a few years ago, I believe. Time sure flies, so maybe it was longer than I think”. Gail had a far away look on her face like she was earnestly calculating the time in her mind.

“He died? You never told me that! How come you never told me?”

Under normal circumstances, the thought of Gordon Zachary Durand, the Third, would almost want to make Ivy cringe. But now Ivy was feeling very sad for him.  

“I did!” Gail defended herself. “You just don’t remember, or you weren’t listening. I am sure I told you!”

Gail was a round faced woman, with light, crystal blue eyes that always seemed warm in spite of their icy color. Ivy was quite close to her mother, her parents’ only child. She was grateful that her dad, Max, was still around, too, unlike the thought of Gordon’s dad dying. She felt that she could not have asked for better parents. They loved her and built her up to be who she was, and she felt that they could be proud of how she turned out, not the stereotypically spoiled, only child, not entitled to have everything, but one who was willing to do her share in life.  

“I would have remembered, Mom!” Ivy insisted. “I would remember a thing like that! What happened to him? Did you go to the funeral home?”

“I think he had a heart attack”, Gail replied, tapping her finger on her temple to indicate that she remembered. “I did go…oh, wait a minute. You were in Europe with your friends. It was the year after you graduated from high school, I believe. You couldn’t possibly have gone to the funeral home at that time”.

Since Gail did not want to go to Daytona Beach, in Florida, for her senior trip, her parents saved up the money for her to go to Germany and Italy. Ivy wasn’t into being a bikini clad sun goddess, nor was she thrilled by the rowdy behavior of crowds of *** craved teens—a choice that her parents were quite grateful that she chose, level headed as she was.

Since she was a little girl, Ivy dreamed of going to Europe. Her parents, both grandchildren of Lithuanian immigrants, would have loved for her to go to Lithuania, but Ivy and two of her friends had found a safe, escorted trip to go elsewhere,  on to where Ivy always dreamed of going—to see the Sistine Chapel and to visit her pen pal of eleven years, Ursula Friedrich, in Munich.  

Now, Ivy was available to visit the funeral home for Gordon’s mother, and she had decided to go with her mother. Not seeing Gordon in years, Ivy had her misgivings, not knowing what to expect when encountering him. Perhaps, he would be different now, but maybe he would prove to be quite the ****.

As she came, she noticed Gordon’s sister, Deirdre, and she gave her a hug. “I’m so sorry to hear about your mom. She was so nice”, Ivy told Deirdre. She felt uncomfortable talking to Deirdre, for she did not know what to say other than the usual, I am sorry for your loss. It was “sympathy card” talk, and Ivy felt like she was quoting something contrived from a Hallmark store.    

Deirdre was two years older than Gordon. She slightly smiled at Ivy and sighed. She must have said just about the same thing all day long, “It is good of you to come. Thank you for your kind support. Mom would appreciate it”.

Ivy looked around the room. There were many flowers, in vases and baskets, and people surrounding the casket. Ivy could not see Mrs. Durand in the coffin, for people were in the way, her mother included. She was glad she couldn’t see the body from her view.

Funeral homes gave her the creeps, ever since she was thirteen years old and her grandmother died, her father’s mother, and she had to stay at the funeral home all day long. Even a whiff of some, certain flowers was not pleasant to smell. They reminded her of being at a place like this, certainly not evoking thoughts of joy.          

Ivy looked around the room. “Where is Gordon?” she asked Deirdre.

Deirdre sighed again. “Gordon cannot handle death very well”, she admitted. “Go outside and look. He has been hanging around the building outside, getting some fresh air and insisting he needs a big break from all this.”

Ivy shook her head and smirked. “That sounds like Gordon, I must say”  

“Yeah”, Deirdre agreed, as she looked like Gordon’s help to her was a lost cause. “And he’s leaving me to do all the important work—talking to people who come in while he goes away and escapes from reality”.

Ivy went outside to search for Gordon. Sure enough, she found him by the side of the building, under a broad, shady tree. He was having a cigarette, standing all by himself, when he saw her approach.

Gordon looked the same—wavy brown hair and freckles, but much more grown up and sophisticated, his suit jacked off and his tie loosened up. Ivy knew that he always hated wearing ties. She knew that when both her mom and his mom convinced them to go out with each other—a huge twist of their arms—to the Fall Fest Dance in ninth grade and in junior high school. Gordon’s mom bribed him to go with her by promising to double his allowance for the month, and Ivy actually had a silly crush on Gordon’s cousin, Ben, hoping that she might get to talk to him if she went with Gordon to the dance.

Ivy glanced at Gordon’s cigarette, and he noticed. “Been trying to quit”, Gordon told her as she approached. He dropped it on the sidewalk and stepped on it to put it out. His face was somber as he added without any emotion, as if parroting his own voice, “Ivy Jankauskas—how the hell have you been?” It sounded like he had just seen her in a matter of months instead of years.

Well, at least he had no problem identifying her or remembering her name. She must not have changed that drastically—and hopefully for the better.

Ivy stood there before him, as he looked her down from head to toe. Same old Gordon! She thought he was probably giving her “the inspection”. She thought he almost looked handsome in his brown suit vest and pants—almost—with a sharp look of sophistication that Gordon probably wasn’t accustomed to. Surely, Ivy had no real respect for him.

“I’m well”, she responded. “But the question is more like…how are you doing?” Ivy studied Gordon’s blank expression. “No—really. I’d like to know how you are coping”.

Gordon stood there looking at the ground, his hands in his pants pockets, like he never heard her. “Come on. Let’s go for a walk”

“Here? Now?”

“Just a short work, around the block”, he told her. He already started walking, and Ivy contemplated what to do before she decided to follow up with him to join him.

They walked together in silence for a while. From anyone passing by, they surely would have looked like a couple, a well-paired couple that truly enjoyed each other’s company. Ivy could not believe she was actually walking with him. Gordon Zachary Durand, the Third? Of all people!

“You haven’t answered my question”, Ivy said. “How are you coping? You know I really liked your mom a lot. She always was pleasant to me”.

She wanted to add, “Unlike you”, but it certainly was not the right time or the right place. She felt a twinge of guilt for thinking such a thing. Under more pleasant circumstances, she would have jabbed him a little. That was just how they always communicated, not necessarily in a mean-spirited way, but in a brotherly and sisterly way that involved plenty of teasing.

Gordon thought a moment before he answered. “Yeah, it’s hard. But what can I do? I lost my dad. I lost my mom. Period. End of discussion. I’m too old to be an orphan…but I kind of feel like one anyhow. That’s my answer, in a nutshell”.

“And I wish I knew about your dad”, Ivy said, with a great tone of remorse. “I was in Europe at the time, and I couldn’t have possibly gone to the funeral”.

“Europe? Wow! Aren’t you the jet setter? Who else gets to do that kind of stuff but you, Ivy?”

Now that was the Gordon she always knew! It did not take long for the true Gordon to come forth and show himself.

“No! I don’t have all kinds of money!” she quickly defended herself. “I actually helped pay for some of that trip by working all summer after we graduated from high school. Plus, it was the trip of a lifetime. I may never get the chance to go again on a trip like that again”.  

Ivy was a bit perturbed that Gordon seemed to imply that she was pampered by her parents. He accused her of that before, just because she was an only child.

Autumn was approaching, but summer was still in the air. It was Ivy’s favorite time of year, with the late summer and early autumn, all at the same time.  The trees were just starting to turn colors, but the sun felt nice and warm upon her as Ivy walked along. It was surely an Indian summer day, one that wouldn’t last forever. She wore a light sweater over her sleeveless, cotton dress, and took it off to experience more of the sun.

“It has been ages since I’ve seen you”, Gordon admitted. “Since high school. So what became of you? Did you ever go to college?”

“I did and I work as a social worker…I work in various prisons”

Gordon laughed out loud, and Ivy gave him a stern look. “What’s so funny?” she demanded.

“I just can’t picture you going in the slammer, even if you aren’t wearing an orange suit”, he said in between laughing. He looked at Ivy, and she had quite a frown on her face. He changed his tune. “I was only joking, Ivy. I think you’d probably do good work at your job”.  

“And where do you work?” she asked, a devilish expression on her face. “At the circus?”

Ivy caught herself becoming snarky to Gordon. It did not take long. She opened her mouth to apologize, but Gordon, sensing her need to be sorry, stopped her.

Laughing even more, he said, “Good one! You are sharp and fast on your feet! You always have been! I work for an insurance agency. I work for Triple A”.

“Oh, really? Do you like your job?” Ivy asked. Her interest was genuine.

“It pays the bills. But, hey! I am going back to college in January. I just have an Associate’s degree right now. I am not sure what I want to take up, but I want to go back and at least get a Bachelor’s”.

“That’s great!” Ivy exclaimed. “I think you should keep on learning and keep on moving forward. That is a great goa

Today I graduate
I realize how short life is
It seems like yesterday I was on the playground
Playing dodgeball and other rowdy games
Picked last from the bunch but kept smiling
I was always the shorter one
The weaker one
Inside I always was stronger
Stronger then even Hercules
Middle school I was pushed around
Bullied for being myself
But I still stayed strong
High school I made real friends
I could be myself
Now I will be starting a new chapter
The book of life is only just beginning
I am the acorn on the tree
I fell far from it
One day I'm going to be a bigger tree
My life in a nutshell
Literally

LIFE IN A NUTSHELL

What had been done
Can't be undone
What had not been done--
Temps perdu--can't be done.

Life in a nutshell is about
Doing or not -doing--verily-
Being or not-being
Forget all the high-sounding insipid philosophy.

I'm a human of the contemporary times
A millennial, part of Generation Y
A digital native in shrink wrap
An open minded, wide eyed, big mouthed wind tunnel

A genetic, mathematical, anatomic error
I'm souped up and decked out
I'm high maintenance with low standards
My humor is low brow, my expectations are nonexistent
I see the negatives as positive
I see the positives as negative
I think in subjective and objectives
I'm on the web
But off the grid

My pockets full
But my wallets empty

I'm over educated
But underemployed
I'm overworked
But under paid

I'm a bisexual, bipolar by product of society
I'm a hardworking, dedicated procrastinator
I'm an inarticulate fat head who isn't afraid to speak his mind
I'm a cold hearted hothead
I can hear, some times I don't listen
I'm clean and polished to get my hands *****
I work my fingers to the bone
Then cross them in hope of better tomorrow
And knock on wood until my knuckles bleed

You can check my Facebook profile
Read my Tweets
Scroll through my Instagram
Send me a Snapchat
And you can kiss my ***
I'm non-toxic
I'm irreplaceable
I'm a rarity
I'm an oddity
I'm offbeat
Off centered
Off color
Off kilter
Out of tune
Out of my mind
Hypersensitive
Indifferent
Rude
Crude
And universally unacceptable

I'm wasting time
And taking up space
But I'm living it up
I won't die down
I'm two steps ahead
I'm left behind
Coasting on thin ice
Walking the edge
Pushing the limit
And taking a nap
I'm greedy
I'm *****
I'm lazy
I'm angry
I'm cocky
I'm envious
And I'm
Not sorry

I like laying low
I love being high
I don't want to be a stick in the mud so I get ******
I'm a street smart *******
I'm book smart dumb ****
I'm an eloquent gutter mouth
I speak in
****** vernacular
Passionate profanity
Cynical sarcasm
And choleric curses
I have criminal ties
And it suites me
I'm a ball hogging, showboating team player
I'm a devoted alcoholic
I'm a thrifty shopaholic
I'm in school
But out to lunch

I've got friends
I've got enemies
I've got my family
And I've got problems
I hear voices in my head
I see things that aren't there
I over look
Over analyze
And over think
I under cook
Under appreciate
And underestimate

I use my WiFi to listen to LoFi
I watch low quality television in Hi Def
I'm a bombastic contentious objector
Taken aback but forwardly thinking
In your face
Out of stock
Unisex
I get down
And get it up
I'm a low key middle man
Undeniable
Unlikable
But lovable
A grounded skyrocket
Detachable
Seasonal
Unflappable
An everlasting
Know nothing
Know it all
I'm a egg-headed basket case
I'm a real heel
A loafer
I got the boot
Because he couldn't afford to live in a shoe
Or the box it came in
I'm broke
I'm busted
Discussed
Disgusted
But I loved
I care
I help
I laugh
I try
I cry

I'm on the short bus for the long haul
I have no money but I always got my two cents
I'm good with secrets
I'm bad with numbers
And good with money
I'm bad with people
But yet they love me
I'm unbiased
Tolerant
And impatient
I'm abstract
I'm avant garde
I like violent ***
With volatile love
I like pornographic snapshots
******* ******* motion pictures
Live action lust
But nothing beats my meat like the real thing

I shop at second rate super markets
First rate second hand stores
I'm on cruise control in the fast lane
I'm double parked
I've been traumatized
Dramatized
Hospitalized
Ostracized
Demoralized
Desens­itized
Exorcised
And I've had my toes stepped on

I was a premeditated mistake
A failed abhorrent abortion
Vaccinated
Alienated
Regulated
And always medicated
I have a an attention span an inch wide
But, I'm real
I'm honest
I'm kind
I go hard
But  take it easy
I'm always slick
But never ******

Wheeling and dealing
Clipping and stealing
Lending and giving
Living and breathing

I think this one's a keeper
You've all dug me a little deeper
Hope you enjoyed my veracity
Because this poem is completely me

A view just before sunrise
Resembles like a sunset
But the difference is vast
As it is fills with a hope of rays

A view just before sunrise
Is well felt deep inside
When it starts to gleam
With its sun rays

A view just before sunrise
Is a blooming sun of rays
Which fill with bright lights
And make beautiful sights

A view just before sunrise
Is a view of hopes
Excited in full of vibes
With its vibrant colours

A view just before sunrise
Is a one more chance
Given to know the worth of lives
To live with full of senses

A view just before sunrise
Is to be grateful to God’s grace
To be a part of living miracles
Especially in this competitive eras

A view just before sunrise
Is enjoyed well when it rises
And when it rise to its bests
It seems as smiling at us

A view just before sunrise
Is a smiley face of sun
As of a blooming sunflower’s
With its joyful pleasures

A view just before sunrise
Is the waiting periods
To see the rising queen
Reflecting as golden eyes

A view just before sunrise
Is hope of new days
In its blessed paces
For every faces

A view just before sunrise
Helps to plan in advance
To utilise the opportunities
With its best ways

A view just before sunrise
May bless us to rise
With its immense cheers
So all can have its leisures

A view just before sunrise
Is the stipulated time frames
To harvest the best nuts
From the life’s tests

A view just before sunrise  
Is to raise yourselves
To shine as jewel stones
As a sun in yourselves

A view just before sunrise
Is to enjoy the glory of living vibes To make best diamond from coals
So that it lustre in darks

A view just before sunrise
In nutshell, is a glorious shine
As a diamond kept in caves
To brighten the path of ways

Ever wondered about my style?
What I admire and what I deem vile?
Well, gather around, I'll let you see
Who I am, through what else, but poetry?

My favorite flower is a cherry blossom.
As for food, bread is awesome.
I spend much of my time on Twitter.
I like birds, the ones that flutter.

My favorite author is Ms. Anne Rice.
Her book, "Memnoch" is very nice.
My favorite poet is Aleister Crowley.
As for artist, that would be Dali.

I like Reggae straight from Trenchtown.
Most of all, I like System of a Down.
Philip Wesley is my favorite composer.
If I may be so bold, Chopin, move over.

My favorite film is Sweeney Todd.
By my top director, who is slightly odd.
Johnny Depp is my favorite actor and hunk.
I'm not a fan of touchdowns and dunks.

A big interest is Nutrition and Health.
I'm against Corporations and Banks, with all their wealth.
I like Documentaries and things that make me think.
Carrot juice is one of my favorite things to drink.

My favorite painting hangs on my wall.
The artist or name, I have not a clue at all.
I like eating cherries and playing pretend.
I like talking to those I consider a friend.

I like dancing at raves, even on the stage.
I like my job, though it's minimum wage.
I'm good without gods, I bow to none.
No political party, with that, I'm done.

That about sums me up, I hope you see
My likes and interests described to a tee,
In the fashion of the rhyme scheme A and B.
Did I mention the fact that I write poetry?

At the end of the day,
You’re left lying in your cold bed
All that warmth you felt ,
Evaporated into the mist of the night.  
You feel empty, and lost.
You can’t dream,
Because it’s for the fortunate,
You know your worth,
And you know what you can never be.
You smile, a sense of solitude
The lost hope,
A glimmering promise
Lost in the depths of the world,
The life that we call our own.
The place for crime, and forgiveness,
Of success, but mostly failure.  
You thrive in the thought of your world,
What’s become of you.  
You’re lost, among the glittering fireflies,
Losing your little self you called your own.
You try to battle it out, but you’re bound.  
You cry out, no one’s there. 
You think about your life, and the forbidden realm
You know it’s the end,
Petrified, you hurry to scream,
You’re voice straining to make yourself heard,
You’re life in a nutshell,
And as your voice starts to rise,
You realise, you’ve dreamt.  

-Srijita

My life ……a slippery ***** comprised of the anxiety over all tomorrows.
My life…..voices climbing to be on top in packed rooms.
My life…..words carving deeper ….and deeper still….. into unhealing wounds.
My life…..reruns of whys after repeats of why not’s.
My life…..an immense unknown nothing surround by odds and ends of everything.
My life…..consistent unraveling progression
My life……indefinite realities
My Life….In…..the….nutshell…………………………………………………

In response to a sardonic essay written in the recent Saturday Nation by Proffessor Ekara Kabaji, wryly  disregarding the position of Kwani in the global literary movement within and without Kenya , I beg to be permitted a leeway  to observe that any literature, orature, music,drama,cyborature,prisnorature,wallorature,streetorature , sculptor  or painting can effortlessly thrive and off course it has been thriving without professors of  literature, but the reverse is not possible as a proffessor of literature cannot be when literature is not there. Facts in support of this position are bare and readily available in the history of world literature, why they may not be seen is perhaps the blurring effects from tor like protuberant irrelevance of professors of literature in a given literary civilization.
A starting point is that literature exists as a people’s subculture, it can be written or not written like the case of orature which survive as an educative and aesthetic value stored in the collective memory of the given people. The people to be pillars of this collectivity of the memory are not differentiated by academic ranking for superlativity of any reason, but they are simply a people of that place, that community, that time, that heritage, that era and that collective experience. Writing it down is an option, but novels and other written matter is not a sine qua non for existence of literature in such situations. This is not a bolekaja of literature as Proffessor Ekara Kabaji would readily put, but it is a stretch towards realism that it is only people’s condition that creates literature. Poverty, slavery, colonialism, ***, marriage, circumcision, migration, or any other conditions experienced as collective experience of the people is stored or even stowed away in the collective memory of the people as their literature. Literature does not come from idealistic imagination of an educated person.
Historical experience of written literature informs us that the good novels, prose, drama and poetry were written before human society had people known as professors of literature. I want you my dear reader and You-Tube audience to reflect on the Cantos of Dante Alighieri in Italy, novels of Geoffrey Chaucer in England, Herman Melville and his Moby **** in Americas, poetry of Omar khwarisim in Persia, Homeric epics of Odyssey in Greece and the Makonde sculptures of Africa and finally link your reflections to Romesh Tulsi who grafted the Indian epic poetry of Ramayana and Mahabharata. At least you must realize that in those days literature was good, full of charm, very aesthetic and superbly entertaining. This leads to a re-justification that, weapon of theory is not useful in literature. University taught theories of literature have helped not in the growth of literature as compared to the role played by folk culture.
Keen observation will lead you dear reader, down to revelations that; professors of literature squarely depend on the thespic work of the people who are not substantially educated to make a living. Let me share with you the story about Dr. Tom Odhiambo who went to University of Witwasterand in South Africa for post graduate studies in literature only to do his Doctoral research on books of David G Maillu. Maillu is a Kenyan writer, he did not finish his second year of secondary school education but he has been successfully writing poetry and prose for the past three decades. His successful romantic work is After 4.30, probably sarcasm against Kenyan office capitalism, while his eclectic, philosophical and scholarly work is the Broken Drum. Maillu has many other works on his name. But the point is that Dr. Odhiambo now teaches at University of Nairobi in the capacity of senior lecturer in Literature. What makes him to put food on the table is the effort of un-educated person in the name of David Maillu. Dr.Odhiambo himself has not written any book we can mention him for, apart from regular literary journalism he is often involved in on the platforms of the Literary discourse in the Kenyan Saturday Nation which are in turn regular Harangues and ripostes among literature teachers at the University of Nairobi, the likes of Dr Siundu, Proffessor wanjala Chris and Evans Mwangi just but to mention by not being oblivious to professors; Indangasi and Shitanda.
No study has yet been done to establish the role of university professors on growth of African literature. One is overdue. Results may be positive role on negative role, myself I contemplate negative role. Especially when I reflect on how the African literati reacted on the publication of Amos Tutuola’s book The Palm Wine Drinkard. The reactions were more disparaging than appreciative. Taban Lo Liyong reacted to this book by calling Amos Tutuola the son of Zinjathropus as well as taking a self styled intellectual responsibility in form of writing a more  schooled version of this book; Taking Wisdom up the Palm Tree. Nigerians of Igbo (Tutuola being a Yoruba) nation cowed from being associated with the book as it had shamefully broken English, broken grammar etc. Wole Soyinka had a blemished stand, but it is only Achebe who came out forthrightly to appreciate the book in its efforts to Africanize English for the purpose of African literature. Courtesy of Igbo wisdom. But in a nutshell, what had happened is that Amos Tutuola had taken a plunge to contribute towards written literature in Africa.
One more contemplated result from the research about professors and African literature can be that apart from their role of criticism, professors write very boring books. A ready point of reference is deliberate and reasonless obscurantism taken Wole Soyinka in all of his books, Soyinka’s books are difficult to understand, sombre, without humour and not capable to entertain an average reader. In fact Wole Soyinka has been writing for himself but not for the people. No common man can quote Soyinka the way Achebe’s Things Fall Apart is quoted. Achebe wrote Things Fall Apart when he had not began his graduate studies. However, he did not escape the obvious mistake of professors to become obscure in the Anthills of the Savanna, the book he wrote when he had become a proffessor. This is on a sharp contrast to entertaining effectiveness, simplicity and thematic diversity of Captain Elechi Amadi, Amadi who studied chemistry but not literature. He does not have a second degree, but his books from the Concubine, The great Ponds, and Sunset in the Biafra and Isibiru are as spellbinding as their counterparts in Russia.
Kenyan scenario has Ngugi wa Thiongio, he displayed eminence in his first two books; Weep not Child and The River Between. These ones he wrote when he was not yet educated, as he was still an undergraduate student at Makerere University. But later on Ngugi became a victim of prosaic socialism, an ideology that warped his literary imagination only to put him in a paradoxical situation as an African communist who works in America as an English teacher at Irvine University. His other outcrops are misuse of Mau Mau as a literary springboard and campaigning for use of Kikuyu dialect of the Gema languages to become literary Lingua Franca in Kenya. Such efforts of Ngugi are only a disservice to Kenyan literature in particular and African literature collectively. Ngugi having been a student of Caribbean literature has failed to borrow from global literary behaviour of Vitian S. Naipaul.  Ngugi’s position also contrasts sharply with Meja Mwangi whose urban folksy literature swollen with diversity in themes has remained spellbinding entertainers.
The world’s literary thirsty has never failed to get palatable quenching from the works of Harriet Bechetor Stowe, Robert Louis Stevenson, Shakespeare, Alice Munro, Octavio Paz, Pablo Neruda, John Steinbeck, Garcia Guarbriel Marguez,Salman Rushdie, Lenrie Peters, Cyprian Ekwenzi, Nikolai Gogol,I mean the list is as long as the road from Kaduna to Cape town. Contribution of these writers to global literature has been and is still critical. Literature could not be without them. Surprisingly, most of them are not trained in literature; they don’t have a diploma or a degree in literature, but some have won literature Nobel Prize and other prizes. Alfred Nobel himself the author of a classical novella, The Nemesis, does not have University education in literature. What else can we say apart from acceding to the truth that literature can blossom without professors, the Vis-à-vis an obvious and stark impossibility.

Pennsylvania, 1948-1949

The garden of Nature opens.
The grass at the threshold is green.
And an almond tree begins to bloom.

Sunt mihi Dei Acherontis propitii!
Valeat numen triplex Jehovae!
Ignis, aeris, aquae, terrae spiritus,
Salvete!—says the entering guest.

Ariel lives in the palace of an apple tree,
But will not appear, vibrating like a wasp’s wing,
And Mephistopheles, disguised as an abbot
Of the Dominicans or the Franciscans,
Will not descend from a mulberry bush
Onto a pentagram drawn in the black loam of the path.


But a rhododendron walks among the rocks
Shod in leathery leaves and ringing a pink bell.
A hummingbird, a child’s top in the air,
Hovers in one spot, the beating heart of motion.
Impaled on the nail of a black thorn, a grasshopper
Leaks brown fluid from its twitching snout.
And what can he do, the phantom-in-chief,
As he’s been called, more than a magician,
The Socrates of snails, as he’s been called,
Musician of pears, arbiter of orioles, man?
In sculptures and canvases our individuality
Manages to survive. In Nature it perishes.
Let him accompany the coffin of the woodsman
Pushed from a cliff by a mountain demon,
The he-goat with its jutting curl of horn.
Let him visit the graveyard of the whalers
Who drove spears into the flesh of leviathan
And looked for the secret in guts and blubber.
The thrashing subsided, quieted to waves.
Let him unroll the textbooks of alchemists
Who almost found the cipher, thus the scepter.
Then passed away without hands, eyes, or elixir.


Here there is sun. And whoever, as a child,
Believed he could break the repeatable pattern
Of things, if only he understood the pattern,
Is cast down, rots in the skin of others,
Looks with wonder at the colors of the butterfly,
Inexpressible wonder, formless, hostile to art.


To keep the oars from squeaking in their locks,
He binds them with a handkerchief. The dark
Had rushed east from the Rocky Mountains
And settled in the forests of the continent:
Sky full of embers reflected in a cloud,
Flight of herons, trees above a marsh,
The dry stalks in water, livid, black. My boat
Divides the aerial utopias of the mosquitoes
Which rebuild their glowing castles instantly.
A water lily sinks, fizzing, under the boat’s bow.


Now it is night only. The water is ash-gray.
Play, music, but inaudibly! I wait an hour
In the silence, senses tuned to a ******’s lodge.
Then suddenly, a crease in the water, a beast’s
black moon, rounded, ploughing up quickly
from the pond-dark, from the bubbling methanes.
I am not immaterial and never will be.
My scent in the air, my animal smell,
Spreads, rainbow-like, scares the ******:
A sudden splat.
I remained where I was
In the high, soft coffer of the night’s velvet,
Mastering what had come to my senses:
How the four-toed paws worked, how the hair
Shook off water in the muddy tunnel.
It does not know time, hasn’t heard of death,
Is submitted to me because I know I’ll die.


I remember everything. That wedding in Basel,
A touch to the strings of a viola and fruit
In silver bowls. As was the custom in Savoy,
An overturned cup for three pairs of lips,
And the wine spilled. The flames of the candles
Wavery and frail in a breeze from the Rhine.
Her fingers, bones shining through the skin,
Felt out the hooks and clasps of the silk
And the dress opened like a nutshell,
Fell from the turned graininess of the belly.
A chain for the neck rustled without epoch,
In pits where the arms of various creeds
Mingle with bird cries and the red hair of caesars.


Perhaps this is only my own love speaking
Beyond the seventh river. Grit of subjectivity,
Obsession, bar the way to it.
Until a window shutter, dogs in the cold garden,
The whistle of a train, an owl in the firs
Are spared the distortions of memory.
And the grass says: how it was I don’t know.


Splash of a ****** in the American night.
The memory grows larger than my life.
A tin plate, dropped on the irregular red bricks
Of a floor, rattles tinnily forever.
Belinda of the big foot, Julia, Thaïs,
The tufts of their *** shadowed by ribbon.


Peace to the princesses under the tamarisks.
Desert winds beat against their painted eyelids.
Before the body was wrapped in bandelettes,
Before wheat fell asleep in the tomb,
Before stone fell silent, and there was only pity.


Yesterday a snake crossed the road at dusk.
Crushed by a tire, it writhed on the asphalt.
We are both the snake and the wheel.
There are two dimensions. Here is the unattainable
Truth of being, here, at the edge of lasting
and not lasting. Where the parallel lines intersect,
Time lifted above time by time.


Before the butterfly and its color, he, numb,
Formless, feels his fear, he, unattainable.
For what is a butterfly without Julia and Thaïs?
And what is Julia without a butterfly’s down
In her eyes, her hair, the smooth grain of her belly?
The kingdom, you say. We do not belong to it,
And still, in the same instant, we belong.
For how long will a nonsensical Poland
Where poets write of their emotions as if
They had a contract of limited liability
Suffice? I want not poetry, but a new diction,
Because only it might allow us to express
A new tenderness and save us from a law
That is not our law, from necessity
Which is not ours, even if we take its name.


From broken armor, from eyes stricken
By the command of time and taken back
Into the jurisdiction of mold and fermentation,
We draw our hope. Yes, to gather in an image
The furriness of the ******, the smell of rushes,
And the wrinkles of a hand holding a pitcher
From which wine trickles. Why cry out
That a sense of history destroys our substance
If it, precisely, is offered to our powers,
A muse of our gray-haired father, Herodotus,
As our arm and our instrument, though
It is not easy to use it, to strengthen it
So that, like a plumb with a pure gold center,
It will serve again to rescue human beings.


With such reflections I pushed a rowboat,
In the middle of the continent, through tangled stalks,
In my mind an image of the waves of two oceans
And the slow rocking of a guard-ship’s lantern.
Aware that at this moment I—and not only I—
Keep, as in a seed, the unnamed future.
And then a rhythmic appeal composed itself,
Alien to the moth with its whirring of silk:


O City, O Society, O Capital,
We have seen your steaming entrails.
You will no longer be what you have been.
Your songs no longer gratify our hearts.


Steel, cement, lime, law, ordinance,
We have worshipped you too long,
You were for us a goal and a defense,
Ours was your glory and your shame.


And where was the covenant broken?
Was it in the fires of war, the incandescent sky?
Or at twilight, as the towers fly past, when one looked
From the train across a desert of tracks

To a window out past the maneuvering locomotives
Where a girl examines her narrow, moody face
In a mirror and ties a ribbon to her hair
Pierced by the sparks of curling papers?


Those walls of yours are shadows of walls,
And your light disappeared forever.
Not the world's monument anymore, an oeuvre of your own
Stands beneath the sun in an altered space.


From stucco and mirrors, glass and paintings,
Tearing aside curtains of silver and cotton,
Comes man, naked and mortal,
Ready for truth, for speech, for wings.


Lament, Republic! Fall to your knees!
The loudspeaker’s spell is discontinued.
Listen! You can hear the clocks ticking.
Your death approaches by his hand.


An oar over my shoulder, I walked from the woods.
A porcupine scolded from the fork of a tree,
A horned owl, not changed by the century,
Not changed by place or time, looked down.
Bubo maximus, from the work of Linnaeus.


America for me has the pelt of a raccoon,
Its eyes are a raccoon’s black binoculars.
A chipmunk flickers in a litter of dry bark
Where ivy and vines tangle in the red soil
At the roots of an arcade of tulip trees.
America’s wings are the color of a cardinal,
Its beak is half-open and a mockingbird trills
From a leafy bush in the sweat-bath of the air.
Its line is the wavy body of a water moccasin
Crossing a river with a grass-like motion,
A rattlesnake, a rubble of dots and speckles,
Coiling under the bloom of a yucca plant.


America is for me the illustrated version
Of childhood tales about the heart of tanglewood,
Told in the evening to the spinning wheel’s hum.
And a violin, shivvying up a square dance,
Plays the fiddles of Lithuania or Flanders.
My dancing partner’s name is Birute Swenson.
She married a Swede, but was born in Kaunas.
Then from the night window a moth flies in
As big as the joined palms of the hands,
With a hue like the transparency of emeralds.


Why not establish a home in the neon heat
Of Nature? Is it not enough, the labor of autumn,
Of winter and spring and withering summer?
You will hear not one word spoken of the court
of Sigismund Augustus on the banks of the Delaware River.
The Dismissal of the Greek Envoys is not needed.
Herodotus will repose on his shelf, uncut.
And the rose only, a ****** symbol,
Symbol of love and superterrestrial beauty,
Will open a chasm deeper than your knowledge.
About it we find a song in a dream:


Inside the rose
Are houses of gold,
black isobars, streams of cold.
Dawn touches her finger to the edge of the Alps
And evening streams down to the bays of the sea.


If anyone dies inside the rose,
They carry him down the purple-red road
In a procession of clocks all wrapped in folds.
They light up the petals of grottoes with torches.
They bury him there where color begins,
At the source of the sighing,
Inside the rose.


Let names of months mean only what they mean.
Let the Aurora’s cannons be heard in none
Of them, or the tread of young rebels marching.
We might, at best, keep some kind of souvenir,
Preserved like a fan in a garret. Why not
Sit down at a rough country table and compose
An ode in the old manner, as in the old times
Chasing a beetle with the nib of our pen?

With a personal trainer and a former Olympic champion for parents, it's no wonder that Summer Needs is a little water baby. The six-week-old daughter of Rebecca Adlington and Harry Needs has only just arrived into the world, but she's already enjoyed a dip in the pool three times.

Becky, who has previously said that giving birth was harder than winning her gold medals, has opened up about her baby's first swimming lesson – and how much motherhood has changed her life.

"It was absolutely brilliant," Becky told HELLO! Online of Summer's first dip. "You never know how babies are going to react but Summer was absolutely brilliant in the water. When we first bathed her, she just screamed the whole time so I was a bit worried but now she loves bath time."

Baby Summer was just three and a half weeks old when she first had a splash in the pool, and since then, new parents Becky and Harry have taken their daughter back twice.

"We both love being in the water so for us, it's amazing that we can take her in and share this family time together," said Becky. "Harry and I go in the water and pass her to one another and take turns going under the water. She comes back up, blinks a lot and there's been no tears at all. It's going really well so far."

Calling it her best memory yet, Becky, 26, added: "That's the one thing I was so excited about, taking her swimming and buying the costumes. She can't do much at this stage – we can't take her to the zoo and she doesn't really play with toys yet – but swimming is the one thing she can do and we can all do it together as a family."

Speaking about her little one, Becky, who says Summer has her eyes and Harry's nose, said: "She's really content. She's really laid back and chilled but when she wants something, like her ***** changed or she wants food, she definitely lets you know about it. She's a bit feisty in that way and she doesn't give you much warning.

"It's like, 'I want it now'. And you have to let her scream for a little bit while you get it ready and you're like, 'Okay Summer just chill out, you've literally gone from fast asleep to bawling your head off!' She's a bit impatient like us as well."

While Becky has been on maternity leave, personal trainer Harry went straight back to work after one week, but the nature of his job – working in the early mornings and late at night – has meant that he hasn't missed out on taking care of Summer during the day.

"Harry's definitely hands-on," said the former Olympian. "He's been changing her and feeding her. We share the responsibility and he's around for everything – he's seen Summer smile for the first time. It's hard for him because he's juggling work with family time but he's been absolutely amazing."

The Mansfield-born star has fully embraced her new role as a mother – something she has always wanted to be.

"Life is completely different but not in a bad way," she admitted. "You have to plan a bit more, you can't just walk out the house, but at the same time I've always wanted to be a mum.

"It's amazing how you love your baby straight away. You can't really explain it, you can't describe it. People spoke to me before about unconditional love and that you'll do anything for your baby, but you don't really realise it until it happens to you. It's bizarre because you don't know them and they don't know you but you just love them so much. It's absolutely amazing.

"It's definitely been life-changing but I guess it'll change when I go back to work, when Summer starts nursery. You have to accept that life will never be the same again but that's what's so exciting."

Describing motherhood in a nutshell, Becky added: "I'm such a family girl, it's amazing having that family time. It makes you realise that that's all you really need in life, as long as your family are happy and healthy then that's all that matters."

It's early days but the couple have already spoken about having more children.

Becky said: "About two days after I gave birth, Harry asked, 'So babe, when are we gonna try for another?' I said 'Not yet, I need my body to recover!' Nine months being pregnant is a long time! We do want a big family and we'd like a close age gap between our children, but we also want to give our time to Summer."

Becky, who has partnered with HUGGIES® Little Swimmers®, is encouraging all parents to don their swimsuits and have fun with their little ones in the water – even if babies and children are a little hesitant at first.

"For a kid who's absolutely tiny, that big pool is very, very big," said Becky. "Parents should recognise that each step is a huge achievement. Even if their child is just sitting on the side with their feet in the pool, that's better than last week when they just stood around.

"It's about persistence and taking them swimming regularly, and then that fear will disappear. Also taking them out of their lessons and going together as a family is good. If your children see you in the water as a parent, they'll know it's not a scary place."

read more:www.marieaustralia.com/red-carpet-celebrity-dresses

www.marieaustralia.com/formal-dresses

A is the Alphabet, A at its head;
  A is an Antelope, agile to run.
B is the Baker Boy bringing the bread,
  Or black Bear and brown Bear, both begging for bun.

C is a Cornflower come with the corn;
  C is a Cat with a comical look.
D is a Dinner which Dahlias adorn;
  D is a Duchess who dines with a Duke.

E is an elegant eloquent Earl;
  E is an Egg whence an Eaglet emerges.
F is a Falcon, with feathers to furl;
  F is a Fountain of full foaming surges.

G is the Gander, the Gosling, the Goose;
  G is a Garnet in girdle of gold.
H is a Heartsease, harmonious of hues;
  H is a huge Hammer, heavy to hold.

I is an Idler who idles on ice;
  I am I--who will say I am not I?
J is a Jacinth, a jewel of price;
  J is a Jay, full of joy in July.

K is a King, or a Kaiser still higher;
  K is a Kitten, or quaint Kangaroo.
L is a Lute or a lovely-toned Lyre;
  L is a Lily all laden with dew.

M is a Meadow where Meadowsweet blows;
  M is a Mountain made dim by a mist.
N is a Nut--in a nutshell it grows--
  Or a Nest full of Nightingales singing--oh list!

O is an Opal, with only one spark;
  O is an Olive, with oil on its skin.
P is a Pony, a pet in a park;
  P is the Point of a Pen or a Pin.

Q is a Quail, quick-chirping at morn;
  Q is a Quince quite ripe and near dropping.
R is a Rose, rosy red on a thorn;
  R is a red-breasted Robin come hopping.

S is a Snow-storm that sweeps o'er the Sea;
  S is the Song that the swift Swallows sing.
T is the Tea-table set out for tea;
  T is a Tiger with terrible spring.

U, the Umbrella, went up in a shower;
  Or Unit is useful with ten to unite.
V is a Violet veined in the flower;
  V is a Viper of venomous bite.

W stands for the water-bred Whale;
  Stands for the wonderful Wax-work so gay.
X, or **, or *** is ale,
  Or Policeman X, exercised day after day.

Y is a yellow Yacht, yellow its boat;
  Y is the Yucca, the Yam, or the Yew.
Z is a Zebra, zigzagged his coat,
  Or Zebu, or Zoophyte, seen at the Zoo.

Their is nothing wrong with anyone

And something wrong with everybody

Like what is blind to a man that can hear color

We can be subjected to all five senses

And still miss the color he hears

Grant the gift of sight to the man so blind
And like a child the grows into the world

And forms an adult

The man realizes

He was better blind

Because now he can see

Without his ears

what pity

The man wished to be in a nutshell

And to his dismay

His wish was graneed

Like the child

who wished for adulthood

Leaving work I realized I had forgotten something
I turned back for it and headed up the stairs
I met a coworker coming down as I went up
He smiled and said “Hey, you’re going the wrong way”
As we passed on the stairs I said
“You have condensed my life into one sentence”

Two fictional characters
walk into a bar

in Malta
( * Marsaxlokk - to be precise ).

"To...be....tooo beee. . ."
stammers Hamlet.

"Oh fer Gawd's sake...two beers!"
J. Alfred Prufrock snaps.

"You really milk that
"To be or not..." thingy."
J.A.P. scolds Hamlet.

"Tsk...tsk!" Hamlet tsk tsks.
( sticking his tongue out ).

Two Cisks are plonked
down before them.

"No...I am not Prince Hamlet or
was meant to be..!"
J.A.P. quotes him self.

"Awww fer Jaysus sake...loooook
just for the fun of it...the gas of it

we swop
texts!"

Hamlet interrupts Prufrock's
protestations.

"Ohhhh....o.....K?"
Prufrock ponders somewhat doubtfully.

And, so:
Hamlet the Dane

( for yea it is indeed he)
dares

(1) to eat a peach (2) wear the bottoms of his white
flannel trousers rolled (3) parts his hair behind even

(4) dares
to aks

the overwhelming question

"( Oh, do not ask, what is it! )"

Oh & (5) gets to hear
( ** ** ** )

"...the mermaids singing...."

Prufrock "Hum...."
kills the king.

Becomes the king.

Beds.
Weds
Ophelia.

" Buzz buzz...come come..go...go!"

"It's a very foreshortened
Hamlet...I know

but - what the heck!

"See..? slurps Hammy
". . . now, that wasn't so bad...was it?"

"Another Cisk?"
"Naw...I'll have a Becks!"

"Jaysus Prufrock now
...what's up?"

"Don't know..."mutters J.A.P.
wearing a frothy beer moustache.

"HURRY UP PLEASE...IT'S TIME!"
roars the barman in Maltese.

"I can connect nothing
with...nothing!"
Prufrock almost sobs.

"Like that time
on Margate sands..."

Hamlet cuts him curtly off.

"Don't even go...there!"

"But I still get that squirmy
...you know...feeling

we are just
fragments of

the imagination of
some *long haired Irish poet

sunning himself by
the waters of

the shimmering waters of
a Sliema hotel pool

...up up in the clouds!

Hamlet sighs.

"Yeah, me too
spooky...innit?"

Hamlet looks behind him
checking for what isn't

there. . .

"Ahhhh well, never mind eh?"

Prufrock attempts an attempt
at being cheerful.

Fails miserably.

"Let us go, then
you and I...

when the evening is spread out
against the sky..."

Like a patient etherised upon a table!
they both sing outta time and outta tune

stumbling one
into the other.

A long hair Irish poet
smiles as he watches them

go.

"Għaġġel fil-għoli...wasal iż-żmien JEKK JOGĦĠBOK!"
the barman roars.

NOTES

Pronounced MAR SA SCHLOCK. Those Maltese Xs being really SHs in disguise.

* Pronounced CHISK but the new barman is obviously new to the language and pronounces it TSK which makes him think that is what our two fictional characters are ordering.

Not to be confused with mobile texting but rather the literary texts of which both of them owe their existence.

* The play bounded in a nutshell as it were.

One Donall Gearld Oliver Denis Dempsey is a good example of this sort.

* The No. 1 song all over Heaven...beating Sparks THE NO. 1 SONG ALL OVER HEAVEN  to the top spot.

** "Għaġġel fil-għoli...wasal iż-żmien JEKK JOGĦĠBOK!" Once again the new Irish barman hasn't got his tonsils around the Maltese lingo and comes out with this terrible mish mash of the typical barman's cry.

Drowning in a sea
Of Uncertainty,
Impaled on the rocks
Of Revenge

Burning in a fire
Of Hatred,
Death points his finger,
"This is where you meet your end".

when i first found about will alexander, i immediately bought three of his books: kaleidoscopic omniscience, compression & purity, the sri lankan loxodrome - i saw the potential, rekindled surrealism - perhaps a second peacock on the stage, as in more peacock of vocabulary, rather than a peacock of historical quanta merging (E. Pound).

i really do distrust this division in what science speaks
and what poverty stricken humanism speaks of -
i distrust it because science sediments itself supposing
humanism the pauper - science and all its immediate solutions,
humanism and all its delayed problems -
the new priests look so innocent - but i'm bothered,
i don't understand their need for awe-on-purpose -
the old priests demanded kneeling and an agonising
penitence - not a concept of predestination, but
this sort of minority report: you've done nothing wrong,
but we'll assume you already have, better than a microchip
implant, the idea, we'll use that, pre everything
limit the pro of everything, and catch you in a fishnet of
omni, it was too much, all in one go, in defence it started
with a mediator impersonal, Cartesian later Spinoza's
substance - partly due to the omni-etc., a shortcut -
the easiest way out - sure, if i went to a progressive school
rather than a catholic school in an Irish neighbourhood of
far-beyond the East End locality, i might have written
you L.S.D. filled poems, instead i start off tipsy working my
way around vocabulary that's adequate - hushing out
all possible onomatopoeia static in crude tongue -
ridicule feeds the beast, ridicule my prime loathing -
criticism well and truly accepted... ridicule feeds the beast -
but i mean, this perpetuated awe of scientists,
modern philosophy anti-Aristotelian does not begin
with awe, but with a ridicule of it, a disgust -
when did humanism ever experience awe? a stranger's
kindness would be a start, but even then there's hardly
any awe in it - it soon fades, scientists have immersed themselves
as prophets of awe's preservation, one picks up
a stone and speaks of a mountain, one draws a circle and
howls out the moon - i don't know how they can fake their
awe with so many certainties - so many facts -
awe reminds me of my first bicycle lesson, attempting
balance, failing, bruising a knee, and awe when
the balance was mastered - very short-lived, then the
drudgery of re-, i distrust scientific awe, primarily because
we're slowly no longer stepping out into the unknown,
we're stopping into knows and denies - not many unknowns
out there - except as in the case of Iraq, and Donald Rumsfeld,
known knows and there are known unknowns -
now... that's awe... i don't know who was keeping check
on this, but that's more mesmerising that explaining
1,000 million years ago... in a nutshell... how long has
this pneumatic drill of Darwinism been pumping custard
into our brain? is this the part where you tell me we're experiencing
the Alaskan day in the summer months or Alaskan night
in the winter months? all this scientific awe-bashing
is no longer vogue, but they keep at it - oh amazing, ah,
stupefying - and all of it just becomes a regurgitation -
someone said in the 16th century that Aristotle was wrong,
the wrong in Aristotle is that he might have been wrong,
but he was still perplexed... we're no longer perplexed creatures,
not so much... well maybe a bit when it comes to social justice,
but it's not like: sigh and a tear in your eye... it's more like:
if a white boy was shot from a private school, the mothers
and fathers would come up to the police officers with guns
in their hands... you can see awe vanishing when the butterfly
feelings flutter away silently... it's now violent awe:
why is this still happening?! huh?! scientific awe is not
a cushion you can fall back on: we have ~100 years to live
(if you're lucky... or unlucky) and we're being told of life
in caves and trees - Darwinism has hijacked history, this is
where science in written form is like an atom bomb, it wipes
away the best part of humanism, that is: to make human
life itemised on the microscopic level - i don't care if you
go to church and **** out alms for the poor and put on
those ruby shoes and walk the yellow-brick road,
you can't relate to Judea 10 a.d. - not to save your life -
in that famous motto *carpe diem - but strained it's not
so much seize the day, but... relate to the days and those
around you who share them: pertineo diebus - or something
like that, imagine, going to a Catholic school and they
don't even have the manners to teach you a bit of Latin slang,
travesty; but that's how it is, we're no longer awe-stricken
in what the scientists are selling us, fair-dos to
the medicine men, shampoo men, cologne men,
but the awe-invoking men are a bit n'ah-ah to me -
given the timescale for one -  i'm a simple man and i want
to enjoy my beer thinking about last Friday,
my life... not the collective origin of life, and whether
i was too hairy back then - you don't need theology to
argue this point, just a little bit of common sense self-respect,
last Friday, not 1,000 million years ago when there was
no Friday, no Sunday, no March, no human imprint -
no: i can touch it, i can feel it, i can see it... i want it.
just like in my dream today - it's rather strange that i dream,
i rarely do, but sometimes i remember one or two -
and all i can say is that - i had the best *** in my life
last night, asleep - yeah, i was ******* in it -
but what bothers me is that it wasn't lucid in terms of
images, but sensations - i can thus say it wasn't completely
impotent in terms of colour, but then again it was -
i'm starting to believe that i'm a blind-man in my dreams,
i ~see sensations rather than actual images in reel -
i can remember leaning against a wall and moving my
tongue in her mouth and my middle-and-ring fingers
into the... what? cliche? anatomic? *****? you choose -
a strange parallelism - we can use the tongue for such
eloquent fragments, and yet reduce it to other atrocities
of equal eloquence - then the whole dream-world changed
and i felt sitting at the tipping point where the sea meets
the beach sands, sitting down awash the waves and her sitting
on me. it's what i felt, i didn't see anything vivid -
but the sensations presented themselves as such -
i associate that with delving into writing in my mother tongue -
email / diacritics "crossword" (un-ditto and apply a
non-misnomer, i.e. give it a proper name, cf. Aristotle).
to finish i guess i might as well write a short critique:
the over-burdening of man with nouns -
as in will alexander's index of the sri lankan...
a few examples: proxima centauri (nearest star to our sun),
hemiopia (loss of vision for one half of the binocular field),
dukkha (buddhist term for suffering),
nystagmus (involuntary jerky movements of the eye),
nosophobia (morbid dread of some particular disease),
telesto umbriel larissa (moons of saturn, uranus
and neptune, respectively),
karina (egyptian demonology, a familiar attached
to a child at birth),
pretas (ghosts) -                                  or as some people say
including Christian Guerrero - 'they're just words...'
oh yes, and words are not the cogs in the machine?
just words... just words?! a banker's bonus is just
an array of... just numbers... why is this nonchalance
to these fundamental units? first they teach us to read
and write an escape the sunny harvests of the fields,
the easy mental but demanding physical life -
after the demanding physical life went our supposed
"ease" mental life changed into a demanding mental
life and an easy physical life... that's the problem with
establishing a suitable vocabulary in yourself, you can
sometimes overdo it, meaning not many people will
understand it, globalisation didn't save us from
the babylon ambition rekindled (whether myth or whatever,
it doesn't matter, read a book literally and you'll end
up realising what could have possibly been mere myth)...
all the above cited words from the index, by god, impressive,
but why would i pain myself to use a word that i'd
have to write an index to? globalisation and words from
Iran - southern coastal to be exact home to afro-iranians -
but locally it's just a ******* shish kebab and nothing more -
or central scotoma (area of the retina that's blind) -
all this vocab wall building is amazing, it really is,
a fortress at Acre - admirable... but then a return to the dull
grey reality of everyday speech - the painful art of poetry
reduced to a personal involvement with certain words -
it's heart-breaking, well, not for me, for Will it must be,
but hey, bought three of his books, that must have counted
for a cheeseburger and a portion of fries at some point
in his life.

~

Marching in the parade of fools
Trumpets blare and leading the pack
Nothing more than a dreamer, dreaming
Looking for the next day
The next step in this life
That sometimes seems worth it
And sometimes doesn’t

Feeling the pain of every saddened heart
Taking the weight upon my shoulders
Wishing to bring peace
Though often told I can’t know this pain
That I fit this parade perfectly
No one wants my help
But still I offer a hand

A deep lover of love…a believer that is comes
Waiting with a fragile heart
Too much understanding for my own good
Some one who can see but often wishes he couldn’t
A sponge, learning, absorbing, wanting
A white knight often with a tarnished shield

Unhappy with what I am, not who I am
Concerned about what I will become
But never fearing of death
That is another parade I know I will participate in
Tossing confetti in hopes
I am remembered, one way or the other
Nothing much...nothing more than

me…in a poetic nutshell

For those among us who lived by the rules,
Lived frugal lives of *****-scratching desperation;
For those who sustained a zombie-like state for 30 or 40 years,
For these few, our lucky few—
We bequeath an interactive Life-Alert emergency dog tag,
Or better still a dog, a colossal pet beast,
A humongous Harlequin Dane to feed,
For that matter, why not buy a few new cars before you die?
Your home mortgage is, after all, dead and buried.
We gave you senior-citizen rates for water, gas & electricity—
“The Big 3,” as they are known in certain Gasoline Alley-retro
Neighborhoods among us,
Our parishes and boroughs.
All this and more, had you lived small,
Had you played by the rules for Smurfs & Serfs.

We leave you the chance to treat your grandkids
Like Santa’s A-List clientele,
“Good ‘ol Grampa,” they’ll recollect fondly,
“Sweet Grammy Strunzo, they will sigh.
What more could you want in retirement?

You’ve enabled another generation of deadbeat grandparents,
And now you’re next in line for the ice floe,
To be taken away while still alive,
Still hunched over and wheezing,
On a midnight sleigh ride,
Your son, pulling the proverbial Eskimo sled,
Down to some random Arctic shore,
Placing you gently on the ice floe.
Your son; your boy--
A true chip off the igloo, so to speak.
He leaves you on the ice floe,
Remembering not to leave the sled,
The proverbial Sled of Abbandono,
The one never left behind,
As it would be needed again,
Why not a home in storage while we wait?
The family will surely need it sometime down the line.

A dignified death?
Who can afford one these days?
The question answers itself:
You are John Goodman in “The Big Lebowski.”
You opt for an empty 2-lb can of Folgers.
You know: "The best part of waking up, is Folger's in your cup!"
That useless mnemonic taught us by “Mad Men.”
Slogans and theme songs imbibe us.

Zombie accouterments,
Provided by America’s Ruling Class.
Thank you Lewis H. Lapham for giving it to us straight.
Why not go with the aluminum Folgers can?
Rather than spend the $300.00 that mook funeral director
Tries to shame you into coughing up,
For the economy-class “Legacy Urn.”
An old seduction:  Madison Avenue’s Gift of Shame.
Does your **** smell?” asks a sultry voice,
Igniting a carpet bomb across the 20-45 female cohort,
2 billion pathetically insecure women,
Spending collectively $10 billion each year—
Still a lot of money, unless it’s a 2013
Variation on an early 1930s Germany theme;
The future we’ve created;
The future we deserve.

Now a wheelbarrow load of paper currency,
Scarcely buy a loaf of bread.
Even if you’re lucky enough to make it,
Back to your cave alive,
After shopping to survive.
Women spend $10 billion a year for worry-free *****.
I don’t read The Wall Street Journal either,
But I’m pretty **** sure,
That “The Feminine Hygiene Division”
Continues to hold a corner office, at
Fear of Shame Corporate Headquarters.
Eventually, FDS will go the way of the weekly ******.
Meanwhile, in God & vaginal deodorant we trust,
Something you buy just to make sure,
Just in case the *** Gods send you a gift.
Some 30-year old **** buddy,
Some linguistically gifted man or woman,
Some he or she who actually enjoys eating your junk:
“Oh Woman, thy name is frailty.”
“Oh Man, thou art a Woman.”
“Oh Art is for Carney in “Harry & Tonto,”
Popping the question: “Dignity in Old Age?”
Will it too, go the way of the weekly ******?
It is pointless to speculate.
Mouthwash--Roll-on antiperspirants--Depends.
Things our primitive ancestors did without,
Playing it safe on the dry savannah,
Where the last 3 drops evaporate in an instant,
Rather than go down your pants,
No matter how much you wiggle & dance.
Think about it!

Think cemeteries, my Geezer friends.
Of course, your first thought is
How nice it would be, laid to rest
In the Poets’ Corner at Westminster Abbey.
Born a ******. Died a ******. Laid in the grave?
Or Père Lachaise,
Within a stone’s throw of Jim Morrison--
Lying impudently,
Embraced, held close by loving soil,
Caressed, held close by a Jack Daniels-laced mud pie.
Or, with Ulysses S. Grant, giving new life to the quandary:
Who else is buried in the freaking tomb?
Bury my heart with Abraham in Springfield.
Enshrine my body in the Taj Mahal,
Build for me a pyramid, says Busta Cheops.

Something simple, perhaps, like yourself.
Or, like our old partner in crime:
Lee Harvey, in death, achieving the soul of brevity,
Like Cher and Madonna a one-name celebrity,
A simple yet obscure grave stone carving:  OSWALD.
Perhaps a burial at sea? All the old salts like to go there.
Your corpse wrapped in white duct/duck tape,
Still frozen after months of West Pac naval maneuvers,
The CO complying with the Department of the Navy Operations Manual,
Offering this service on « An operations-permitting basis, »
About as much latitude given any would-be Ahab,
Shortlisted for Command-at-sea.
So your body is literally frozen stiff,
Frozen solid for six months packed,
Spooned between 50-lb sacks of green beans & carrots.
Deep down in the deep freeze,
Within the Deep Freeze :
The ship’s storekeeper has a cryogenic *******
Deep down in his private sanctuary,
Privacy in the bowels of the ship.
While up on deck you slide smoothly down the pine plank,
Old Glory billowing in the sea breeze,
Emptying you out into the great abyss of
Some random forlorn ocean.

Perhaps you are a ******* lunatic?
Maybe you likee—Shut the **** up, Queequeg !
Perhaps you want a variation on the burial-at-sea option ?
Here’s mine, as presently set down in print,
Lawyer-prepared, notarized and filed at the Court of the Grand Vizier,
Copies of same in safe deposit boxes,
One of many benefits Chase offers free to disabled Vets,
Demonstrating, again, my zombie-like allegiance to the rules.
But I digress.
« The true measure of one’s life »
Said most often by those we leave behind,
Is the wealth—if any—we leave behind.
The fact that we cling to bank accounts,
Bank safe deposit boxes,
Legal aide & real estate,
Insurance, and/or cash . . .
Just emphasizes the foregone conclusion,
For those who followed the rules.
Those of us living frugally,
Sustaining the zombie trance all these years.
You can jazz it up—go ahead, call it your « Work Ethic. »
But you might want to hesitate before you celebrate
Your unimpeachable character & patriotism.

What is the root of Max Weber’s WORK ETHIC concept?
‘Tis one’s grossly misplaced, misguided, & misspent neurosis.
Unmasked, shown vulnerably pink & naked, at last.
Truth is: The harder we work, the more we lay bare
The Third World Hunger in our souls.
But again, I digress.  Variation on a Theme :
At death my body is quick-frozen.
Then dismembered, then ground down
To the consistency of water-injected hamburger,
Meat further frozen and Fedex-ed to San Diego,
Home of our beloved Pacific Fleet.
Stowed in a floating Deep Freeze where glazed storekeepers
Sate the lecherous Commissary Officer,
Aboard some soon-to-be underway—
Underway: The Only Way
Echo the Old Salts, a moribund Greek Chorus
Goofing still on the burial-at-sea concept.

Underway to that sacred specific spot,
Let's call it The Golden Shellback,
Where the Equator intersects,
Crosses perpendicular,
The International Dateline,
Where my defrosted corpse nuggets,
Are now sprinkled over the sea,
While Ray Charles sings his snarky
Child Support & Alimony
His voice blasting out the 1MC,
She’s eating steak.  I’m eating baloney.
Ray is the voice of disgruntlement,
Palpable and snide in the trade winds,
Perhaps the lost chord everyone has been looking for:
Laughing till we cry at ourselves,
Our small corpse kernels, chum for sharks.

In a nutshell—being the crazy *******’ve come to love-
Chop me up and feed me to the Orcas,
Just do it ! NIKE!
That’s right, a $commercial right in the middle of a ******* poem!
Do it where the Equator crosses the Dateline :
A sailors’ sacred vortex: isn’t it ?
Wouldn’t you say, Shipmates, one and all?
I’m talking Conrad’s Marlow, here, man!
Call me Ishmael or Queequeg.
Thor Heyerdahl or Tristan Jones,
Bogart’s Queeq & Ensign Pulver,
Wayward sailors, one and all.
And me, of course, aboard the one ride I could not miss,
Even if it means my Amusement Park pass expires.
Ceremony at sea ?
Absolutely vital, I suppose,
Given the monotony and routine,
Of the ship’s relentlessly vacant seascape.
« There is nothing so desperately monotonous as the sea,
And I no longer wonder at the cruelty of pirates. «
So said James Russell Lowell,
One of the so-called Fireside Poets,
With Longfellow and Bryant,
Whittier, the Quaker and Oliver Wendell Holmes, Sr.,
19th Century American hipsters, one and all.

Then there’s CREMATION,
A low-cost option unavailable to practicing Jews.
« Ashes to ashes »  remains its simplest definition.
LOW-COST remains its operant phrase & universal appeal.
No Deed to a 2by6by6 foot plot of real estate,
Paid for in advance for perpetuity—
Although I suggest reading the fine print—
Our grass--once maintained by Japanese gardeners--
Now a lost art in Southern California,
Now that little Tokyo's finest no longer
Cut, edge & manicure, transform our lawns
Into a Bonsai ornamental wonderland.
Today illegal/legal Mexicans employing
More of a subtropical slash & burn technique.

Cremation : no chunk of marble,
No sandstone, wood or cardboard marker,
Plus the cost of engraving and site installation.
Quoth the children: "****, you’re talking $30K to
Put the old ****** in the ground? Cheap **** never
Gave me $30K for college, let alone a house down payment.
What’s my low-cost, legitimate disposal going to run me?"

CREMATION : they burn your corpse in Auschwitz ovens.
You are reduced to a few pounds of cigar ash.
Now the funeral industry catches you with your **** out.
You must (1) pay to have your ashes stored,
Or (2) take them away in a gilded crate that,
Again, you must pay for.
So you slide into Walter Sobjak,
The Dude’s principal amigo,
And bowling partner in the
Brothers Coen masterpiece: The Big Lebowski.
You head to the nearest Safeway for a 2-lb can of Folgers.
And while we’re on the subject of cremation & the Jews,
Think for a moment on the horror of The Holocaust:
Dispossessed & utterly destroyed, one last indignity:
Corpses disposed of by cremation,
For Jews, an utterly unacceptable burial rite.
Now before we leave Mr. Sobjak,
Who is, as you know, a deeply disturbed Vietnam vet,
Who settles bowling alley protocol disputations,
By brandishing, by threatening the weak-minded,
With a loaded piece, the same piece John Turturro—
Stealing the movie as usual, this time as Jesus Quintana—
Bragging how he will stick it up Walter’s culo,
Pulling the trigger until it goes: Click-Click-Click!
Terrestrial burial or cremation?
For me:  Burial at Sea:
Slice me, dice me into shark food.

Or maybe something a la Werner von Braun:
Your dead meat shot out into space;
A personal space probe & voyager,
A trajectory of one’s own choosing?

Oh hell, why not skip right down to the nitty gritty bottom line?
Current technology: to wit, your entire life record,
Your body and history digitized & downloaded
To a Zip Drive the size of the average *******,
A data disc then Fedex-ed anywhere in the galaxy,
Including exotic burial alternatives,
Like some Martian Kilimanjaro,
Where the tiger stalks above the clouds,
Nary a one with a freaking clue that can explain
Just what the cat was doing up so high in the first place.
Or, better still, inside a Sherpa’s ***** pack,
A pocket imbued with the same Yak dung,
Tenzing Norgay massages daily into his *******,
Defending the Free World against Communism & crotch rot.
(Forgive me: I am a child of the Cold War.)
Why not? Your life & death moments
Zapped into a Zip Drive, bytes and bits,
Submicroscopic and sublime.
So easy to delete, should your genetic subgroup
Be targeted for elimination.
About now you begin to realize that
A two-pound aluminum Folgers can
Is not such a bad idea.
No matter; the future is unpersons,
The Ministry of Information will in charge.
The People of Fort Meade--those wacky surveillance folks--
Cloistered in the rolling hills of Anne Arundel County.
That’s who will be calling the shots,
Picking the spots from now on.
Welcome to Cyber Command.
Say hello to Big Brother.
Say “GOOD-BYE PRIVACY.”

Meanwhile, you’re spending most of your time
Fretting ‘bout your last rites--if any—
Burial plots on land and sea, & other options,
Such as whether or not to go with the
Concrete outer casket,
Whether or not you prefer a Joe Cocker,
Leon Russell or Ray Charles 3-D hologram
Singing at your memorial service.
While I am fish food for the Golden Shellbacks,
I am a fine young son of Neptune,
We are Old Salts, one and all,
Buried or burned or shot into space odysseys,
Or digitized on a data disc the size of
An average human *******.
Snap outta it, Einstein!
Like everyone else,
You’ve been fooled again.

The world is just an old fat man.
Rolling in holy black sheets.
Old replayed talk radio-
And a nice warm cup of tea.
I drank my soda too fast.
I looked at her too long.
I said I'd see the world.
But without Her, I'm sure I'd see it wrong.
We used our hands as cups and plates.
We never wanted to sleep.
We stayed up until morning.
Busy bodied, watching T.V.
She painted her nails in the same color-
As the sky after a storm, where-
Orange and red, with swirls-
Twisted like her hair.
The world saw me love her.
It even led me by the hand.
And just because you miss me-
Doesn't mean I miss you back.

Understanding art takes more than just knowing different styles of art. To know and understand art you have to unlearn everything you know about art because what you know as "art" is through someone's eyes (the artist). To unlearn art is to see art through your own eyes. Most of us know how to learn but it's only a few that know how to unlearn. Art represents freedom but it's impossible to understand this if you cannot unlearn everything that you consider to be art.
NB: Different types of species cannot view the world in the same way but they see the same thing.
Similar to seeing beauty, when you learn art you will know where it is...unlearn art and you will see it everywhere.

             why should you unlearn?

Everyone has idols and that's beneficial when it comes to inspiration and motivation. Don't you ever wonder why those idols dropped their then idols after they found their own style? The importance of knowing what art is will make the all the difference in the success of your end product.
The best way to explain this is to view art at as you would view water.
Let's state a few things that water can achieve.

• water can turn to ice
• water can be a gas
• water can run turbines
• water can be a coolant
• water can be a catalyst
• water can purify
• water can clean
• water can bread sports
• water can be a silent
• water can be loud
• water can be strong
• water can be weak
• water can give life
• water can ****


Let's be honest that's just learning the capabilities of water but if we had to know what it truly is then we have to consider it's basic and natural form...the liquid phase. In a nutshell it's just water. LIKE WATER, ART IS THE POSSIBILITY OF ANYTHING IN EVERYTHING.
        
          Art can be:

• angry
• happy
• sad
• argumentative
• accurate
• inaccurate
• abstract
• confusing
• personal
• futuristic
• simple
• complex
• subjective
• life saving
• mystical
• obvious
• technical
• obnoxious
• judgmental
• destructive
• depressive
• persuasive
• violent
• seductive
• EVIL
• cold
• warm
• rebellious
• brave
• an obsession
• a delusion
• cunning
• nostalgia
• deceptive

Hence why ART IS THE POSSIBILITY OF ANYTHING IN EVERYTHING.

        Attainable art

Art that is easily relatable to is attainable art, this is the type of art that focuses on what art can be.
The feel and texture of this art is very personal, so this art is solely based on what you as an artist think of art.
This type of art has limits.

        
       un-attainable art

Art with no boundaries, no fear and no doubt. It's not personal it's just the sheer appreciation of art. this type of art is created by those artist that think with their hearts.
This art is unattainable, it can't be possessed despite the concepts its been laid on, it's the highest form of art.
Unattainable art teaches us that the best craftsmen and artists have appreciated not just their own craft but art as a whole.
We appreciate art, art appreciates creativity, creativity appreciates detail, detail appreciates patience, patience invites serenity.
This Art serves as a uniform tool for realization, " I never thought this object or place could be seen in such a great way".
This art is what we call a masterpiece. Appreciation of art is serenity seen through many forms, but what is appreciation without any element of joy?. You can only have joy when you appreciate life.
Anyone can ****** happiness from another but joy can't be taken because if you appreciate life, you have the best gift in the world...TRUE HOPE.
when water is at serenity you can feel it breathing in the midst of silence.
To appreciate life without being alive is stupidity!

Silence, beautiful voice!
Be hard and still, for thou only troublest the mind,
And within such a joy I cannot rejoice,
a glory I shall not find.

Catch not my breath, o clamorous heart;
for thou art more horrendous than the horrendous,
and thy mourning over this heavy breath is far too hard,
but sounding alternately irresolute and pretentious.
Thou needst not be my ultimate, though doleful, present;
thou art wicked and frail as the serpent;
I shall let thy tongue be a thrall to my eye,
but vex thee greedily 'till thou benevolently saith goodbye.
I shall makest thee angry and giveth in to anger and lie
and let thee search about within my soul, and die.

Ah! Still, I shall listen to thee once more,
But move, I entreat; to the meadow and fall before
Thy feet on the meadow grass and adore
Bring my heart to thy heat but not make it sore
Not thine, which are neither courtly nor kind;
not mine, for thy youth still, makest me sweet and blind.
Oh, if only thou couldst be so sweet,
and thy smile all the worldliness I dreamt,
For it all wouldst no longer be stormy and pale,
or threatened be, to vanish amongst such winds or ghastly gales;
Ah, yon fairness wouldst be fair,
and scented as sweetly as thy hair.

Whom but thee, again, I should meet
Whenst at stormy nights sunset burneth
At the end of the head village street,
Whom I should meet behind the red ferns?
For I believest, in such boundlessness of fate
Fate that worlds cannot deny, and grudge cannot hate.
And, I believest indeed, my darling shall be there,
to touch he, shall my hand so sweet,
He bowest to me and utterest holy amends
To his future lover, but less than meekly hesitant; friend.

What if with his sunny hair
He connivest for me a snare
Who wouldst hath thought locks of gold so fair
Huddled and curved cozily by hands of care
Immersed in silver, tailored in gold
Even darker than toil, but sharper than words
Wouldst throw in my way pranks and deceit
As to his expectations I couldst not meet?
Wouldst he expect me to stand in the snow that couldst bite
and criest for and cursest him, in the middle of furious nights?

And what if with his sunny smile
Which he refineth with sweetness all the while
And with such an ostentatious remorse
That makest truthful delight even worse
He stealest my heart and makest me swear
So for any other I ought not to care
And my tears shall again be conceived in between
In the eternal mirror of revelling seasons, unseen
Knowing not what it hath done, or where it hath been
What if seas and clouds turnest just they are, so mean?

And imprisoned up and above
I shall hearest beloved Lord talk of the futility of love
And He shall oftentimes stop and mirthlessly laugh
Ruining the castles and puzzles and stories I dreamt of
If distances are not too far to walk to
I shall darest to cross my sphere and get over you
But sins hath perhaps forbidden my courteous intentions
As their meanness swayest me around with no destination-
ah, look at how their vile, grinning eyes temptest me!
They itchest my veins, they throttlest my knees;
and how uncivilly their ****** teeth hauntest me!
Indeedst, indeedst-they are far more horrendous than these living eyes canst see!

Perhaps his smile and tender tone
Were all that I imagined alone
Now that all spells hath grimly gone
Am I truly left on my own?
Ah, prone, prone is truly my soul
But I am distant here, lonely and cold
I am also strong but this solitude is too bold
I hath always been awake with truth, but this I cannot fold
And hovering dancing leaves are grotesquely thrown
About their echoing chambers opened wide
Until more rueful gravity has grown;
and hilarity fades wholly from my side

Once we came to the bench by the rouge church
And sat for hours by the wooden pillar alone
We sang along with the singing white birds
And those strangely blushing red thorns
'Till we fought everything burdened and curtly torn
As how the moon hurriedly cried 'till it found the morn
'Till suddenly, sweetly my heart beat stronger
And thicker, 'till I almost heard it no longer
But I realised, and fast mused and sighed
'No, it cannot stayest long, it cannot be pride.'

T'en we walked a mile-
Just a mile from the moors,
Circling about to find some exile
Away from noises and banging of doors.
We both pleaded, pleaded to our dear Lord
T'at genuine love our hearts couldst afford
But time grew envious and cut our walk short
As night approached and we suddenly had to resort.

And he too, he too was mad
And frowned and twitched that so made me sad
Endlessly alone he wouldst blame me and more fret
Sending myself down and brimmed with regrets
Like a parrot shuffling about its offspring's dying bed
My eyes grew warm and hurtful and red
Anger betrothed him to its indignant powers
Corrupted his cheers and drank away his laughters
I was furious, I cursed and kicked frantically at fate
How it grossly tainted and strained my tenuous date
For it was tenuous and I struggled to makest it strong;
but fate shamefully ripped it and all the triumph I'd woven, all along.

And losing him was indeedst everything,
nothing distracted me and kept my jostled self going.
I feelest lethargic even in my sleep,
I keepest falling from rocks in my dreams-ah, too leafy and steep!
I dreamest of suburbs that are rich with divine foliage,
I rejoicest in whose tranquil, though transient, merriment.
And as morn retreatest, I shall be again filled with rage,
I refusest to eat and enjoy even a slice of everyday's enjoyment.
I am now wholly conquered by worry; I was torn and lost in my own battlefield,
I hath no more guard that shall lift me upwards and grant me his shield.
Ah, I hath now been turned, to a whole nonentity;
at my wounds people shall turn away, with a foolish laugh and mock sorry.

O, love, and I am now vainly stuck in the night,
The night that refusest to leave my tired sight.
The night that keepest returning the dark
with no more hope of reflective sight,
and no more signs pertinent burning light,
and sick I'th become, of this jealous dread.
But am I really sick now? Utterly sick of this lonesome envy?
Ah, still I better refusest to know. My dreams are bad.
The shapes in there are far too inglorious and mad.
Just like those-ah! Do not let them harm me!
Where are my eyes? My very heart, my own blood,
and perhaps, my thorough sense of humanity?
One second back they were all still with me,
but they are all now ruined phantoms and shapes,
whenever I am fast asleep,
he turnest them out like obedient sheep
and handest them to the unseen to be *****.
He was neither sincere nor tactful,
and believed too heartly in his odious and ill-coloured soul.
Ah, but duly shall I even call this season harmful,
sorrows rule our hands, whilst distaste reign our men.
Disgrace ownest its peaks, within gratuitous handfuls,
men knowest not their lovers, speakest not of us as friends.
Ah, this is a bitter spring indeed, of anger and fear;
With thousands of evil tongues and evil ears,
For lovers are at war with their lovers,
and makest each others' eyes unseeing and blind.
Even God, our lovely God himself, is at war with his heavens,
for whose minds are lost, as real conscience shall never ever find.

Where is my love? Ah, perhaps staggering under the woods,
And I, who else, shall be with him,
Gathering woodland lilies,
Prosperously blooming under the trees.
Where is my heart? Ah, it is carried again within him,
as we layest about the green grass on our limbs,
with oiled lamps at our feet,
and tellest stories as our loving eyes lean closer and meet.

Ah, beauty! That is the picture in my mind,
not him, not him, that has sent me blind.
Still the image of him makes me sick,
his image that is as stony and greedy as a brick.

He has no feelings, he has no emotion,
he has no endurance and twists of natural passion.
He has all the strength and virility the world ever wanted,
but his mind remainst cold, his heart his own self once entered.
He is as unjust as a statue,
he knowest not wrong and right, nor false from true.
For whilst I tried to praise his being so comely,
he took all my remarks sedately,
he gazed at me with an arrogant face snarling,
and praised the gentleness of his own darling.

He is unthinking, savage, and unfeeling,
his face a human, his heart a brute.
He might be all the way comely and charming,
too pitiful he is inhuman and acts like a crude.
My fancy was sometimes real overbold,
for whenst I was to coo and hold, he was but to scream and scold.
Scorned, to be scorned by one that I not scorn,
whenst all this passion my shoulder had borne?
It is unfair and ignominiously hateful,
gross and unjust, horrid and spiteful.
A fool I am, to be unvexed with his pride!
And once, during repetitive daylight,
I past him, one day I was crossing his lands,
I did look at him not as a gentleman,
He was laughing at his own tediousness,
I dreaded him for that, but as I came home
later, I cried again, over his picture with madness.

Ah! How couldst I ever forget him,
whenst he is but the one I love?
No matter how strange this may seem,
he was the one I real dreamt of;
I want to love him not in a dream,
I want to touch him in his flesh.
I want to smell that scent of him,
and breathe onto his lap and his chest.
I want to sit in his oak-room,
and tellest him of stories of glad and gloom,
before the ocean-waves afar laid
next to quiet storms, amidst our private delight.
I want to have him selfishly!
Have him laugh endlessly with me,
and all the way love him madly;
with a heart so dearly but greedy.

What, if he fastened himself to this fool dame,
and bask in her infamous joy, and fame
Should I love him so well, if he
gave her heart to a thing so low?
Should I let him again smile at me
If we are bound to see each other tomorrow?
His smile, at times can be full of spite
Yet in spite of spite, he is all but comely and white;
I miss him, I miss him as just how I miss my dream,
He is, though marred, is just as sweet as I remember him,
I insist sorrow coming up to me,
To consolest and hearest here, my deepest plea
And ****** the most painful pain to he and she
And restore then, his innocent self to me.

I hearest no sound from where I am standing
But the rivulets and tiny drops of rain
Are starting to send moonlight to my whining
As I twitch and swirl and whirl about in the rain.
I watch people flock in and out the evening train;
their thoughts hidden, like all the mimicry in a quiet play.
Hearts full of glowing love, and at the same time, of disdain;
all pass by gates and bars and entrances with nothing serious to say.
Ah, perhaps I am the only one too melancholy,
for even at this busy hour think doth I, of such poetry.
Yet melancholy but real, for if I ever be dear to someone else,
then I decide that should I be, to myself, far dearer.
For I believe not tales another creature tells,
they can be lies, they can be unfairer.
Like a nutshell too hard for the very poor shell itself,
I do feel pity for him and his ignorant self.
Unlucky him, for I carest more for every puff of his breath,
no matter how eerie-and she, rejoices over
the bashful lapse, of his death.

My life hath crept so long on a broken wing
Through cells of madness, horror, and fear;
Fear that is brutal and insidious, though inviting
and lies that eyes cannot see nor ears hear;
My mood hath changed, at least at this time of year
As I'th stayed more about and dwelled mostly here
And my previous grief hath outgrown itself like a butterfly
Too I witnessed as It fluttered and flickered madly,
and at the very last moment, died silently 'midst its own fury;
All weeks long, I hath listened and learned tactfully more
Lessons that I hath never heard of, never before.

But still, hate I this severely clashing world;
too much torpor hath we all borne, and burning, virile hurt.
O down, down with laborious ambition and ******
Kiss this earth's silent layers and fold down our knees
Ah, darling, put down thy passion that makest thee Hell!
To all madness of thine thou should sayest, farewell-
Hesitate not, and leave thy curious, and agile state
Be honest and precise, be courteous and moderate.
Crush and demolish and burn all demonic hate
Thus instead cherish and welcome thy realistic fate.
Entertain thy love; with dozens and dozens of new, novelty!
Brush up thy pride, but leavest away, o, leavest away thy old vanity-
Ah, and profess thy love only to me, for it brings me delight
It returns my hope, and turns all my dissolutions to light.

And tease, tease me, and my frenetic, personal song
Though I but be a wounded thing-with a rancorous cry,
I am wretched and wretched, as thou hath hurt me all along
Sick, sick to the heart of this entire life, am I.
Many one hath preached my poor little heart down,
Neither any merriment is mine, 'mongst this serene county town.
My only friend is my oak-room bible, and its dear God
Who mockest frenetic riches rich at diamonds but poor at heart
With cries that rulest turning minds from each other apart;
and with wealth running away to selfishly savest their spoilt, cruel hearts-
o, how I am lucky-for I am destroyed, but not by my dear Lord;
I am healed and charmed by His generous frank words.

All seemest like a vague dream, but still a dear insight
For he, above all, taught me to see which one was right
I still miss him, and dearly hope that he canst somehow be my future poem
And together we shall fliest towards joy and escapest such unblessed doom;
His musical mouth is indeedst my song,
a song that I'th been singing intimately with, all along!
For this then shall I shall continue my pursuit,
with a grateful heart and so a considerate wit,
for I am sure now-that he is mine, and only mine,
and duly certain of these promising, though long, signs;
But now I feel my heart grow easier;
as it now embraces days in ways lovelier;
for I hath now awakened again, to a better mind,
so that everything is now to me just fine;
Still he bears all my love and intuitive goodwill,
yet how to waken my love, God knowest better still.

Heavy-hearted,
Heavy-browed,
Self-conscious,
Snapping pictures,
Struggling to say ‘please’.
Too tall,
Not tall enough,
Thin enough,
Not thin at all.
Crooked smile,
Goofy grin now and then,
Born with a heart that
Skips a beat now and then,
Demure, quiet, shy to speak,
Short attention span,
Stories that could fill a book,
But the kind that one skims
For recipes, dusty, in a kitchen nook.
Never been a statue,
Never been a muse,
Comes with a deep stillness that
She has no clue how to use.
Lost,
Found,
True and tried,
Dark-eyed,
Weary-minded,
Trying to be kind,
Trying to find the time,
Having nothing but time,
Time after time.
Long feet, long toes,
Long fingers, long hair,
Long time coming,
Long time leaving.
Stumbling over the long feet,
Stumbling over a small vocabulary,
Wearing a peace sign at the neck
Like it’s mandatory.
Tattoos,
Taboos,
She’ll remember you,
But you’ve gotta impress her
For her to recall your name too.
No dark without some kind of light,
Barefoot in the dead of night,
Or dead of noon,
Barefoot anytime feels alright.
Lyrics and strings,
Colors and wishing she could sing,
Hoop earrings and other pretty things;
Ins and outs,
Screams and shouts,
Awake and dreaming,
Asleep and living,
Taking it one day at a time,
Learning how:
To be healthier,
To be more productive,
To be better,
To be honest,
To be herself,
To laugh,
To forget,
To live,
To raise those heavy brows,
To yearn,
To show concern,
To love,
To learn.

Alice in chains
Rattling themselves in my brain
Nutshell's melody makes a play
One lyric is ingrained
"And yet I find
And yet I find
Repeating in my head
If I can't be my own
I'd feel better dead"
Truer words were never said.
There's no one else I could try to be
Better than the woman that is me.
I may have all these lofty dreams
Wishing to break outside of me
But also I'm bound by Alice's chains
That remind me that I'm not meant to change.
Into you or by someone else's guidelines
They worked their own time
Just to find
The person who fits that rhyme.
I simply must comply
That I'm no better or worse than my crimes.
They made me who I am today
Alone or surrounded by others sway.
Inspired to act out in infamy
Or be an angel blessed with her wings.
Talking love or shouting hate
Staying pure or *******
Throw the punch or keep fists still
It's all depending on my will.
The devil made me do it
I think the quote is full of ****.
If he makes my pulse erupt
And then my voice drink that bitter cup
I might as well not choose at all
Since he's responsible for my personal flaws.
And yet I find
And yet I find
Repeating in my head
If I can't be my own
I'd feel better dead.
Truer words were never said.

(the waiting room)

these magazines do nothing to help
as I flip through the empty pages
ringing commotion of the phone
in my mind, a war still rages


(this will only hurt for a minute)

this isn't home
the couch seems so *****
from the sifting comb
from words not worthy


(doctor do little will see you now)

have a seat, lay back, and relax
tell me about your panic attacks
I know you better than you know yourself
and my money even comes in stacks

(analyze but do not treat)

what does this ink blotch look like?
...a ****** ink blotch!

how does this make you feel?
how does that make you feel?
...inadequate!


(anger management)

when you get angry
just scream into a pillow
or talk to this puppet...

(and I'm the one who is crazy?)

please see cashier on your way out

Sunlight, sunlight, you are my eternal sunlight,
whilst all but tender and benign is the night.
And you shine on me like the collapsing moon
but lurk away as morn greets our humanity too soon.
You can sometimes be obscure but real;
and your soul is the ring my poet's heart wants to steal.
Your love is too frequently demanded
Yet as you gaze into me it might just be finally authenticated.
Run, run, as I did once from your thin figure
with flashes of anger and loath but unsure.
How when you are mad you look but tiresome and timid
Odd as it is, as to your very liveliness and inborn wit.
But you are simply too genuine and weak and true
and with your smile you often touch my heart
just like our nature's undying morning dew.

Oh, my secret love-just as it is now and again,
tell me now how to cure this deafening pain.
I might have never told you I love you,
but inside am sure that you love me too.
Probably it is just my longing that is too shy
but how it can ever be please never ask me why.
For in your name I wish never to tell a lie
But whenever dusk comes my secret will be gone
as to truly embrace only the meaning of your sun.
In my dear heart you are somehow mine,
just like I might already be within thine
But how the world will blacken and wrong us
if we give way and surrender to this lust.
Look, my love, at how the trees and birds sing!
With peace at heart they form one loyal lavish string
On this country's honest farms and soil
So that their own joy they shall never spoil.
Hark, darling, hark how they dance throughout the foliage!
Ah! Just like the melodies buried far down in your cleavage
You are now and again my very own vivid shadow,
that trusts my poems and be with me
as I overcome the bleeding tomorrow.

And be with me and the chorus in my dear heart
Although this world seems cruel and is but to tear us apart
As at only your breath my womanhood raves;
and for only your veins my delight and soliloquy craves.
In your manliness my whole solitude shall rejoice
meanwhile my dimmed heart brightens at your grand voice.
Oh! How I want to leave you not-to my destined sphere!
How my blood is stained by and reeks of fear,
and as mischievous like springs are towards bitter snow,
whenst they are to warm off its whining skin
and so scornfully send away whose glow.

O my love, my love! Then tell me just fervently once more
before I needst to leave and walk outside the door.
Release me from this sinister unloved hell
and free me from my single nutshell.
Tell me how you love me, and long to age with me
within the rustic village behind the maple tree.
Amongst the loveliness of the old church and parish
Next to the brown grass and green pond of fish.
And at night, how shall we sit amidst those witty bushes
with two cups of tea and due pairs of romantic torches.
But please, please be with me, and be mine-mine, only-
o my love, thus leave me not within this dire uncertainty
as long as I breathe still and my heart beats within me
but make me stay here and forever crave for thee,
as far as love can go, and as deep as eyes can see.

I watch her shrivel
In her shell,
Everytime the sun shines:
Perhaps the darkness hides her wounds,
And the battle she fights with time.

I watch her shed
Her wings,
Quite often, while looking upon the sky:
Perhaps she wonders what lies above,
Where even the stars happen to die.

I watch her tie
Her dreams,
Like they are supposed to be,
Perhaps she enjoys the absence of joy,
.... Or the pleasure of making it last.