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"notate" poems
The world begins again! Not wholly insufflated the blackbirds in the rain upon the dead topbranches of the living tree, stuck fast to the low clouds, notate the dawn. Their shrill cries sound announcing appetite and drop among the bending roses and the dripping grass.
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The Birds
Parenting organizing the day, while the baby room adjacent makes dreaming rock n' roll noises siren calls to lay in bed, semi-alert, on guard duty, scheming about dis n' dat, you are sleeping, dreaming, wide awake seeing, multitasking eyes closed simultaneously. lesser of a poet, more a notate-er, list keeper, note taker, arguing with yourself inside the head, actually feeling the thoughts coursing, lurking, seeing both sides now, parentally, washing the dishes of the hours and years ahead. while the woman-mother makes her soprano dreaming noises, you laugh at the orchestra of ******* sighing somnolent noises, a cadenza of love dancing in your irresistible wide awake dreams. paying the bills, lying in the dark, you wonder-worry about the agenda unknown that will overgrow you, fast creeping up the grain of your skin, ivy on stone skin walls. lala lala you borrow baby's lullaby, yourself calming, keeping time, silly rhyming, organizing the days ahead in you head, while, recording the harmonies of sensory inputs. the dark provides the cloak where you alone feel and hear the worry and laugh lines knitting into a single stitch of parenting. 1/20/2013
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Sep 14, 2013
Sep 14, 2013 at 11:02 AM UTC
Parenting (the baby monitor)
reposting a poem from 3 1/2 years ago, when I knew how to write    <> organizing the day, while the baby room renter in the adjacent,, makes dreamy rock n' roll noises, siren calls to stay~lay in bed, tho status of semi-alert, ready to relieve Ernie and Bert, who have the first shift covered soon on guard duty, scheming about dis n' dat, you are sleeping, dreaming, wide awake seeing, multitasking with eyes closed simultaneously. lesser of a poet, more a notate-er, list keeper, note taker, arguing with yourself inside the head, actually feeling the thoughts coursing, lurking, seeing both sides now, parentally, washing the dishes of the hours and years ahead. while the woman-mother makes her soprano dreaming noises, you laugh at the orchestra of ******* sighing somnolent noises, a cadenza of love dancing in your irresistible wide awake dreams. paying the bills, lying in the dark, you wonder-worry about the agenda unknown that will overgrow you, fast creeping up the grain of your skin, ivy on stone skin walls. lala lala you borrow baby's lullaby, yourself for to calming, keeping time, silly rhyming, organizing the days ahead in you head, while, recording the harmonies of sweet sensory inputs. the dark provides the cloak where you alone feel and hear the worry and laugh lines knitting into a single stitch of parenting. 1/20/2013
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Aug 30, 2016
Aug 30, 2016 at 4:39 PM UTC
Parenting (the baby monitor)
I die every single day. It comes slowly, gas leaking out of a tank; a river drying up to a trickle. It has taken years to notice, but here I am: On empty. In a muddy riverbed. Standing on the short timeline of my life, I look back at the man of the past. The man is not myself, and yet he is more complete than me. He is younger – yes – but brimming with delight. He knows nothing of Walls and Comments and Likes, and yet he is whole. He has no outlet for his happiness other than his own physical canvas. His sadness is absolute and crushing, but it belongs to him. I am not he. I am the autumn of his soul. There is an emptiness inside me. It has not grown like the lines on my face nor the aches in my bones. It is something immeasurable. I want to step out of my own identity. I want to live in a construct that is more unique than my own. We talk of living vicariously through others, but I live vicariously through myself. I live ten feet behind and thirty seconds after my own person. I watch the man in front of me go through every motion, and I feel nothing. I notate the changes, categorize the achievements, collate the emotions, and I feel nothing. On paper, I look quite good. Great things make headlines. Pictures show unforgettable memories, laughter, joy, and contentment. And every feeling of inadequacy, vulnerability, shame, doubt, and fear is greeted with a blind eye. The more my construct grows, the more I diminish. I am the Portrait of Dorian Gray, reversed. Each day the picture is more successful, happy, wealthy, and loved. And the man weakens and decays. I am frightened of what I’ve become. If there is a way to halt this, I spend every day searching for it. Perhaps, in moments of looking into another’s eyes, I can hide from nothing. At those times, the construct falls away, and the man on the timeline comes crashing into the present. I wonder who will greet me in the morning. Will the Man diminish, or will the Portrait grow fainter instead?
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Nov 7, 2014
Nov 7, 2014 at 11:05 AM UTC
@DorianGray
I die every single day. It comes slowly, gas leaking out of a tank; a river drying up to a trickle. It has taken years to notice, but here I am: On empty. In a muddy riverbed. Standing on the short timeline of my life, I look back at the man of the past. The man is not myself, and yet he is more complete than me. He is younger – yes – but brimming with delight. He knows nothing of Walls and Comments and Likes, and yet he is whole. He has no outlet for his happiness other than his own physical canvas. His sadness is absolute and crushing, but it belongs to him. I am not he. I am the autumn of his soul. There is an emptiness inside me. It has not grown like the lines on my face nor the aches in my bones. It is something immeasurable. I want to step out of my own identity. I want to live in a construct that is more unique than my own. We talk of living vicariously through others, but I live vicariously through myself. I live ten feet behind and thirty seconds after my own person. I watch the man in front of me go through every motion, and I feel nothing. I notate the changes, categorize the achievements, collate the emotions, and I feel nothing. On paper, I look quite good. Great things make headlines. Pictures show unforgettable memories, laughter, joy, and contentment. And every feeling of inadequacy, vulnerability, shame, doubt, and fear is greeted with a blind eye. The more my construct grows, the more I diminish. I am the Portrait of Dorian Gray, reversed. Each day the picture is more successful, happy, wealthy, and loved. And the man weakens and decays. I am frightened of what I’ve become. If there is a way to halt this, I spend every day searching for it. Perhaps, in moments of looking into another’s eyes, I can hide from nothing. At those times, the construct falls away, and the man on the timeline comes crashing into the present. I wonder who will greet me in the morning. Will the Man diminish, or will the Portrait grow fainter instead?
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17
Newton can't calculate my heart's speed Hawking can't squeeze eternity in my love Freud can't explain my passion Mozart can't notate my love song Time can't wreck the beauties of my darling
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Jan 4, 2016
Jan 4, 2016 at 1:34 PM UTC
Darling
I step to quickly without reviewing my  intentions Only to walk barefoot into the shredded glass of my mistakes I'm bleeding regrets of poor decisions I found someone worth fighting for But I've placed myself against the ropes Struggling to throw a punch But I've tied my arms behind my back I must break through these restraints  Stop traveling in circles of my repetition  Notate my mistakes, mend what I can Study hard, and apply when tested So I may tread softly
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Mar 25, 2012
Mar 25, 2012 at 1:28 AM UTC
Following my footsteps
Their presence sketches like acid,   almost pythonesque   point blank opening bus  windows in the chill of the British  winter only because  their  , over clothed shopping sweat induced the delirium, stares the weary answers why not ! If I could only notate your wrongful expression to sweep away your feigned surprise the world would  right itself.
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Dec 2, 2013
Dec 2, 2013 at 3:34 PM UTC
Acid diviners
~another love poem~ In the thousands of years of Earth’s foregoing, marking the reign of humans, all seek sapience, knowing full well, neither first or last am I to mark this day’s commencement with a need, a desiring, to notate this not unusual but definitively unique calendar notation with a tribute, neither requested but freely given to the person who lies beside me. *Did I wake commanded or so compelled to scrabble a collection of words, sequences, initially disordered, into a shape, to chisel these sendings of a chest into a living disbursement, a statute, a marbleized creature, that empties and releases a sensory disposition rumbling into a messy, mediocre utterance of sentience while they sleep quiet, pockmarked by dreamed mumblings, dreaming?* No, I did not. News headlines come demanding see me, insistent that I am urgency, but one displaced by the next, making them instantly stale by pealing replacements. This poem, a self- appointed task is now eased, spent and spurted into an lifespan of a length unknown and untold. Here I end, ceased and resisting, demurring, desisting another stanza, The hour approaches the seventh hour before noon, rising time. Go now. *The choring chords of fibrous tasks that stitch existence into a sustaining impertinent permanence, list-crossing-off, a-nagging. The itches of living, ask for scratching, 1st cup of coffee making, but smile bemusedly that this first and freshest to do, newly added, is done, dispatched with a line-sworded satisfying crossing off. She sleeps on, while I soon to rise and quiet paddle to the kitchen where kept the utensils for sustenance,* I am contented, miraculously, simultaneous, emptied and fulfilled. 4-14-2021 NYC 7:18am
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Apr 14, 2022
Apr 14, 2022 at 7:30 AM UTC
One in a Thousand (Am I Compelled?)
~another love poem~ In the thousands of years of Earth’s foregoing, marking the reign of humans, all seek sapience, knowing full well, neither first or last am I to mark this day’s commencement with a need, a desiring, to notate this not unusual but definitively unique calendar notation with a tribute, neither requested but freely given to the person who lies beside me. *Did I wake commanded or so compelled to scrabble a collection of words, sequences, initially disordered, into a shape, to chisel these sendings of a chest into a living disbursement, a statute, a marbleized creature, that empties and releases a sensory disposition rumbling into a messy, mediocre utterance of sentience while they sleep quiet, pockmarked by dreamed mumblings, dreaming?* No, I did not. News headlines come demanding see me, insistent that I am urgency, but one displaced by the next, making them instantly stale by pealing replacements. This poem, a self- appointed task is now eased, spent and spurted into an lifespan of a length unknown and untold. Here I end, ceased and resisting, demurring, desisting another stanza, The hour approaches the seventh hour before noon, rising time. Go now. *The choring chords of fibrous tasks that stitch existence into a sustaining impertinent permanence, list-crossing-off, a-nagging. The itches of living, ask for scratching, 1st cup of coffee making, but smile bemusedly that this first and freshest to do, newly added, is done, dispatched with a line-sworded satisfying crossing off. She sleeps on, while I soon to rise and quiet paddle to the kitchen where kept the utensils for sustenance,* I am contented, miraculously, simultaneous, emptied and fulfilled. 4-14-2021 NYC 7:18am
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~but, yet, another love poem~ In the thousands of years of Earth’s foregoing, marking the reign of humans, all seeking sapience, full well knowing, neither first or last am I to mark this day’s commencement with a need, a desiring, to notate this not unusual but definitively unique calendar entrance with a tribute, neither requested, but freely given to the person who lies beside me. *Did I wake commanded or so compelled to scrabble a collection of words, sequences, initially disordered, into a shape, to chisel these sendings of a chest into a living disbursement, a marbleized breathing creature, that empties and releases a sensory disposition rambling, rumbling into a messy, utterance of sentience while they sleep quiet, pockmarked by dreamed mumblings, dreaming?* No, I did not. News headlines come demanding see me, insistent that I am urgency, but one displaced by the next, making them instantly stale by pealing replacements. This poem, a self- appointed task is now eased, story spent and spurted into a lifespan of a length unknown and untold.  But, and  yet, here I end, ceased and not resisting, demurring, desisting another stanza, The hour approaches the seventh hour after midnight, rising time. Go now. *The choring chords of fibrous tasks that stitch existence into a sustaining impertinent permanence, list-crossing-off, a-nagging. The itches of living, ask for scratching, 1st cup of coffee making, but smile bemusedly that this first and freshest to do, newly added, is done, dispatched with a line-sworded satisfying crossing off. She sleeps on, while I soon to rise and quiet paddle to the kitchen where kept the utensils for sustenance,* But, and yet, I am contented, miraculously, simultaneous, emptied and fulfilled. 4-14-2021 NYC 7:18am
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Jun 26, 2022
Jun 26, 2022 at 6:15 PM UTC
But, Yet, One in Thousands (Am I Compelled?)
~but, yet, another love poem~ In the thousands of years of Earth’s foregoing, marking the reign of humans, all seeking sapience, full well knowing, neither first or last am I to mark this day’s commencement with a need, a desiring, to notate this not unusual but definitively unique calendar entrance with a tribute, neither requested, but freely given to the person who lies beside me. *Did I wake commanded or so compelled to scrabble a collection of words, sequences, initially disordered, into a shape, to chisel these sendings of a chest into a living disbursement, a marbleized breathing creature, that empties and releases a sensory disposition rambling, rumbling into a messy, utterance of sentience while they sleep quiet, pockmarked by dreamed mumblings, dreaming?* No, I did not. News headlines come demanding see me, insistent that I am urgency, but one displaced by the next, making them instantly stale by pealing replacements. This poem, a self- appointed task is now eased, story spent and spurted into a lifespan of a length unknown and untold.  But, and  yet, here I end, ceased and not resisting, demurring, desisting another stanza, The hour approaches the seventh hour after midnight, rising time. Go now. *The choring chords of fibrous tasks that stitch existence into a sustaining impertinent permanence, list-crossing-off, a-nagging. The itches of living, ask for scratching, 1st cup of coffee making, but smile bemusedly that this first and freshest to do, newly added, is done, dispatched with a line-sworded satisfying crossing off. She sleeps on, while I soon to rise and quiet paddle to the kitchen where kept the utensils for sustenance,* But, and yet, I am contented, miraculously, simultaneous, emptied and fulfilled. 4-14-2021 NYC 7:18am
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Shall I sing you the song of woman? Shall I notate the anatomy that is divine? Shall I lengthen this verse or shorten, Of the marvel that is Eve? Shall I as well cry and sink in despair Of impact and influence have they left in my being? Shall I lay my forehead on the palm of my hand, and lay my liquor in the palm of the other? God made no mistake, men are imperfect. Woman, complete me for I am incomplete. God has made my being a flawed design, And has made you trace the broken lines.
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Jan 31, 2014
Jan 31, 2014 at 12:44 PM UTC
The Song of Eve
~one more, for Pradip~ you write me a simple irony of steely truth love to know how you do that thing you do... every time you notate upon a scribble I discard, you manage to extract the kernel, the original seeded sin, and in a single sentence, summarize so much better than all my itinerant beggar-thy-peer essaying. and it’s 3:49am here in the epicenter and only 335 anonymous-to-me died yesterday, they died unmedaled, (does that include the ER doc who committed suicide?) a fact to be sadly celebrated and sadly commemorated only in charts and graphic graphs, but I distract myself. for what needs saying is this: my sense of what you wrote, modest old poet, the title of this very poem is best internally directed, attached, as an appliqué yellow star, proudly worn, when sewn upon the chest *of the man who authored it... <>
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Apr 29, 2020
Apr 29, 2020 at 4:04 AM UTC
“The most medaled men have no medals to show.”^
how long have i been sitting here just came out of a fog minutes and hours and years///Dear girl you are so desperately trying to force something out for what, validation? and for what validation? don't you know by now that it's not to serve yourself but serve the Universe      well yes that's why i took 30 minutes to sit and notate it Keep my fake shades on like the artificial front that they are to shield "me" from a reality check black chic loner with cold tired feet flick some ash onto the curb you feel good when you get it on the first try isn't that everything in your life?...you just said this morning you're coming back to life yet I'm still right here and you lay before me struggling to escape my sweet suffocating deprecating embrace. run from the only things that ever made so much sense in your life, keep inviting fallacies and waiting for him to finally lose his love for you, how when you've found two of the biggest answers you've ever been searching for can you be manipulated into honoring an evil side? you can't possibly still be 80% water at least 30% smoke 20% weakness 10% greed 9% rules 6% haste 4% waste 3.1% not giving yourself credit and just a little bit left over for all the big dreams that wilt in the darkness of your head guess they don't care to know too badly how the sunshine feels
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Mar 6, 2016
Mar 6, 2016 at 8:41 PM UTC
dump