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patrick-john-kiernan
Irish
have you ever rubbed a piece of chalk on the asphalt shading some beautiful image only to be washed away in next tuesday’s rain? have you noticed how the chalk disappears under your fingers? imagine the ends of your dna (it’s a leap, but picture it) a protective coating like the aglets of your shoelaces guarding the fragile building blocks of you and once those telomeres break down your dna frays like so much loose cloth and your fragile little human copy machine makes bad copies that is how we age beautifully gracefully like chalk being rubbed smooth on the sidewalk only to be washed away in tuesday’s rain
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May 11, 2019
May 11, 2019 at 3:57 PM UTC
fraying
i pause in the west with gas pump in hand feeling the sand kick up against my white tee and the wind whip my coif of bed head staring off at the frosty white heads of sentinel mountain peaks would that she could see these floats across the fluid of my brain with a metal clang the pump announces it has belched its fill would that she were here follows slow and somber with printing receipt another chance begins a rainfall in my mind that will not cease until each inch is soaked
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May 2, 2015
May 2, 2015 at 4:47 PM UTC
in the west
I die every single day. It comes slowly, gas leaking out of a tank; a river drying up to a trickle. It has taken years to notice, but here I am: On empty. In a muddy riverbed. Standing on the short timeline of my life, I look back at the man of the past. The man is not myself, and yet he is more complete than me. He is younger – yes – but brimming with delight. He knows nothing of Walls and Comments and Likes, and yet he is whole. He has no outlet for his happiness other than his own physical canvas. His sadness is absolute and crushing, but it belongs to him. I am not he. I am the autumn of his soul. There is an emptiness inside me. It has not grown like the lines on my face nor the aches in my bones. It is something immeasurable. I want to step out of my own identity. I want to live in a construct that is more unique than my own. We talk of living vicariously through others, but I live vicariously through myself. I live ten feet behind and thirty seconds after my own person. I watch the man in front of me go through every motion, and I feel nothing. I notate the changes, categorize the achievements, collate the emotions, and I feel nothing. On paper, I look quite good. Great things make headlines. Pictures show unforgettable memories, laughter, joy, and contentment. And every feeling of inadequacy, vulnerability, shame, doubt, and fear is greeted with a blind eye. The more my construct grows, the more I diminish. I am the Portrait of Dorian Gray, reversed. Each day the picture is more successful, happy, wealthy, and loved. And the man weakens and decays. I am frightened of what I’ve become. If there is a way to halt this, I spend every day searching for it. Perhaps, in moments of looking into another’s eyes, I can hide from nothing. At those times, the construct falls away, and the man on the timeline comes crashing into the present. I wonder who will greet me in the morning. Will the Man diminish, or will the Portrait grow fainter instead?
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Nov 7, 2014
Nov 7, 2014 at 11:05 AM UTC
@DorianGray
I die every single day. It comes slowly, gas leaking out of a tank; a river drying up to a trickle. It has taken years to notice, but here I am: On empty. In a muddy riverbed. Standing on the short timeline of my life, I look back at the man of the past. The man is not myself, and yet he is more complete than me. He is younger – yes – but brimming with delight. He knows nothing of Walls and Comments and Likes, and yet he is whole. He has no outlet for his happiness other than his own physical canvas. His sadness is absolute and crushing, but it belongs to him. I am not he. I am the autumn of his soul. There is an emptiness inside me. It has not grown like the lines on my face nor the aches in my bones. It is something immeasurable. I want to step out of my own identity. I want to live in a construct that is more unique than my own. We talk of living vicariously through others, but I live vicariously through myself. I live ten feet behind and thirty seconds after my own person. I watch the man in front of me go through every motion, and I feel nothing. I notate the changes, categorize the achievements, collate the emotions, and I feel nothing. On paper, I look quite good. Great things make headlines. Pictures show unforgettable memories, laughter, joy, and contentment. And every feeling of inadequacy, vulnerability, shame, doubt, and fear is greeted with a blind eye. The more my construct grows, the more I diminish. I am the Portrait of Dorian Gray, reversed. Each day the picture is more successful, happy, wealthy, and loved. And the man weakens and decays. I am frightened of what I’ve become. If there is a way to halt this, I spend every day searching for it. Perhaps, in moments of looking into another’s eyes, I can hide from nothing. At those times, the construct falls away, and the man on the timeline comes crashing into the present. I wonder who will greet me in the morning. Will the Man diminish, or will the Portrait grow fainter instead?
Continue reading...
17
I inherit the tome of your life nearly complete. The first pages well-worn and traveled by your daughters, Now yellowing and stiffening before the onslaught of grandchildren. The middle is clean and organized, The pages laid out in the brick of a self-built home, The words of 'wife' and 'child' recorded with care and detail. As the chapters progress, your handwriting turns. Tidy inscriptions widen and loop, and mastery becomes primitive. In the mire of your later stories I am lost, as - it seems - you are. It is hard to discern the fact from the fiction, The present moments from the conjured memories. In the final pages, there is a remarkable renaissance. You shed the child's scrawl and the dimwit's jargon, And the master stands before us once more. You write of pain, of struggle, of fear, And the pages crack and fall out. Closing the book and adding it to the shelf, Your story is not yet ended. All around are novels of lives, And they take from yours their inspiration. There are four novels of daughters, and four of their husbands Twelve of grandchildren, six of their spouses Thirteen of great grandchildren, and three to be delivered. There are books of neighbors, books of friends, Pamphlets of patrons, and journals of soldiers. Each a part of your story, each a part of the library Each magnificent, and each unique. And in the center, care-worn and complete, Is you, grandfather.
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Feb 12, 2014
Feb 12, 2014 at 8:53 AM UTC
For John: the Tome of a Life
It does not seem so strange, this current age. A Generation of Amazing Things And yet it is impossible to own The things that we have lost while we have grown Just sit in thoughtful silence in a bar: Those Meeting Houses, Dens of Ill Repute And listen to the hum of conversation And feel the emptiness in their vibration It does not take a skilled interpreter A master linguist or psychologist To feel the paint that’s chipping from the wall; the rot that has begun to claim us all Look up, look out, connect, and know that pain Will be the saving grace to keep us sane.
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Jan 31, 2014
Jan 31, 2014 at 9:14 AM UTC
Sonnet: On What We've Lost
Chasing the dappled sunlight Across miles of fields and forests For one brief moment Of warmth
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Jan 12, 2014
Jan 12, 2014 at 11:04 AM UTC
Chasing
On nights like this When the sky is a black cup of coffee You can sweep your hand across the velvet of nothingness And feel the pinpricks of the infinite stars On nights like this When warm air comes up from the gulf And a cold breeze clips in from the north You stand and stare Trying to comprehend the gods in their houses And how limitless the heavens have become And on nights like this When there is nothing above you Nothing beside or around you No connection to this lifetime or any other There is the knowledge That you are the fathomless And the gods in their heavens cannot possibly comprehend How infinite you are
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Jan 6, 2014
Jan 6, 2014 at 9:24 AM UTC
On boundless nights
Red and yellow marigolds planted by the roadside Hide the fact that nothing grows nor ever will but Trees, trees tall pines thick and fat like old monks with Hoods thrown off gazing upwards at an unchanging sky and Weather, weather oh-my-god the weather, so unchanging so unending: Sunshine and blue skies and cold nights and always these Pine trees. Give me leaves thick and fat and broad like the hands of a giant with Veins and rivers of life always flowing, ever-changing, and Doomed to die and rot. Give me the rustle: the sound that those orchestras make, A tumultuous journey from heaven to earth. Give me the apple, so fair and full of fall and Reeking of the crisp, the downward spiral of life into Decay, disease, and decadence. And the pumpkin with Flesh so firm and taut, ready to be Bought or stolen Felt or broken Carved or thrown Give me December, nights of warning and longing and Echoing silence Bring me a snowfall, each perfect flake's descent Destined to be marred in slush and salt and snowplows and sunshine. Give me the end of the year, the short days, the long nights The perpetual trudging through aching ages of decay and disease and decadence and .
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Dec 26, 2013
Dec 26, 2013 at 8:54 PM UTC
Give Me
In deep September The air was thick with change And of everything it was time to say. With each breath of wind and lung The truth came closer. In ripe October We hunted apples like Missionaries; Shoulder to shoulder in the brush. The graze of a hand The gentle whisper of skin to skin And the colorful world became electricity. In forgetful November We clung together in howling rain Cheering the lumbering giants Creeping down sixth avenue. Your inverted umbrella Our own private world. In December Our hands pleading for warmth from steaming mugs The truth unraveled. In a stream of words and consciousness Came everything I meant to say About the Fall. I gazed at you; a spent flood. Your eyes lifted. And I knew That even in cold December Life can blossom.
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Sep 15, 2013
Sep 15, 2013 at 11:45 AM UTC
re: (r)ache-
You've got it, kid! (That thing you've got). The world is yours! (Bad things are not). Put on your hat, Zip up your coat. Those things will keep Your ship afloat. You've got your dreams All packed up tight. And never fear Bumps in the night. But you will find The things you fear: Those Huffs and Puffs That laugh and jeer. You might get sad (Oh yes, you might) And that is when You'll take your flight. You'll run away (Oh yes, you will). Those things that huff Will chase you still. Your flights, you'll find, Will take you far. About as far As Barnard's Star. Those Huffs will fall, And you'll be free! The day is yours! (I guarantee) Yet don't forget When you've grown tall, The dreams you dreamt When you were small.
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Sep 8, 2013
Sep 8, 2013 at 9:16 PM UTC
For Seuss