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"mummified" poems
The napalan man in a violet cape   descended the stair with a lopsided gait a wretched procession, subscribers in cue rattling off as they stream from the pew   sounds and smells from a shadowy place a catholic priest to gin up base lanterns strung from bolted doors cobbled streets and wooden floors   stepping stones and iron bell fortified by the citadel hallowed halls and sepulcher dragon cane for the horse drawn tour castle turret,  archer holes centaur scribed in chamber bowls garden columns in courtyard view the blood ballet and hullabaloo   ancient tombs on warrior grounds gods and saints who made their rounds goliath still with battered scythe knelt in prayer and mummified   battle fires and crowds that roar gallows, caves, abysmal war   gargoyles flock the terraced slope pearly gates to bring on hope   serpents, snakes and burning ash lava bombs and trident clash mariners drift in absentee as neptune rises from the Tyrrhenian Sea
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Dec 2, 2016
Dec 2, 2016 at 9:20 PM UTC
Cinque Terre
Enrique, Emilio, Lorenzo, the three of them frozen: Enrique by the world of beds; Emilio by the world of eyes and wounded hands; Lorenzo by the world of roofless universities. Lorenzo, Emilio, Enrique, the three of them burned: Lorenzo by the world of leaves and billiard ***** Emilio by the world of blood and white pins; Enrique by the world of the dead and abandoned newspapers. Lorenzo, Emilio, Enrique, the three of them buried: Lorenzo in one of Flora's ******* Emilio in the dead gin forgotten in the glass; Enrique in the ant, the sea, and the empty eyes of birds. Lorenzo, Emilio, Enrique, the three in my hands were three Chinese mountains, three shadows of a horse, three landscapes of snow and a cabin of white lilies by the pigeon coops where the moon lies flat under the rooster. One and one and one, the three of them mummified, with the flies of winter, with the inkwells the dog ****** and the thistle despises, with the breeze that freezes theh eart of all the mothers, by the white ruins of Jupiter where drunks snack on death. Three and two and one, I saw them disappear, crying and singing into a hen's egg, into the night that showed its skeleton of tobacco, into my sorrow full of faces and piercing bone splinters of moon, into my happiness of whips and notched wheels, into my breast troubled by pigeons, into my deserted death with one mistaken wanderer. I had killed the fifth moon and the fans and the applause drank water from the fountains. Hidden away, the warm milk of newborn girls, shook the roses with a long white sorrow. Enrique, Emilio, Lorenzo, Diana is hard, but somtimes she has ******* of clouds. The white stone can beat in the blood of a deer and the deer can dream through the eyes of a horse. When the pure forms sank under the cri cri of daisies I understood they had murdered me. They searched the cafés and the graveyards and churches, they opened the wine casks and wardrobes, they destroyed three skeletons to pull out their gold teeth. Still they couldn't fine me. They couldn't? No. They couldn't. But they learned the sixth moon fled against the torrent, and the sea remembered, suddenly, the names of all her drowned.
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20.5k
Fable and Round of the Three Friends
Enrique, Emilio, Lorenzo, the three of them frozen: Enrique by the world of beds; Emilio by the world of eyes and wounded hands; Lorenzo by the world of roofless universities. Lorenzo, Emilio, Enrique, the three of them burned: Lorenzo by the world of leaves and billiard ***** Emilio by the world of blood and white pins; Enrique by the world of the dead and abandoned newspapers. Lorenzo, Emilio, Enrique, the three of them buried: Lorenzo in one of Flora's ******* Emilio in the dead gin forgotten in the glass; Enrique in the ant, the sea, and the empty eyes of birds. Lorenzo, Emilio, Enrique, the three in my hands were three Chinese mountains, three shadows of a horse, three landscapes of snow and a cabin of white lilies by the pigeon coops where the moon lies flat under the rooster. One and one and one, the three of them mummified, with the flies of winter, with the inkwells the dog ****** and the thistle despises, with the breeze that freezes theh eart of all the mothers, by the white ruins of Jupiter where drunks snack on death. Three and two and one, I saw them disappear, crying and singing into a hen's egg, into the night that showed its skeleton of tobacco, into my sorrow full of faces and piercing bone splinters of moon, into my happiness of whips and notched wheels, into my breast troubled by pigeons, into my deserted death with one mistaken wanderer. I had killed the fifth moon and the fans and the applause drank water from the fountains. Hidden away, the warm milk of newborn girls, shook the roses with a long white sorrow. Enrique, Emilio, Lorenzo, Diana is hard, but somtimes she has ******* of clouds. The white stone can beat in the blood of a deer and the deer can dream through the eyes of a horse. When the pure forms sank under the cri cri of daisies I understood they had murdered me. They searched the cafés and the graveyards and churches, they opened the wine casks and wardrobes, they destroyed three skeletons to pull out their gold teeth. Still they couldn't fine me. They couldn't? No. They couldn't. But they learned the sixth moon fled against the torrent, and the sea remembered, suddenly, the names of all her drowned.
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70
In the sky there is nobody asleep. Nobody, nobody. Nobody is asleep. The creatures of the moon sniff and prowl about their cabins. The living iguanas will come and bite the men who do not dream, and the man who rushes out with his spirit broken will meet on the street corner the unbelievable alligator quiet beneath the tender protest of the stars. Nobody is asleep on earth. Nobody, nobody. Nobody is asleep. In the graveyard far off there is a corpse who has moaned for three years because of a dry countryside on his knee; and that boy they buried this morning cried so much it was necessary to call out the dogs to keep him quiet. Life is not a dream. Careful! Careful! Careful! We fall down the stairs in order to eat the moist earth or we climb to the knife edge of the snow with the voices of the dead dahlias. But forgetfulness does not exist, dreams to not exist; flesh exists. Kisses tie our mouths in a thicket of new veins, and whoever his pain pains will feel that pain forever and whoever is afraid of death will carry it on his shoulers. On day the horses will live in the saloons and the enraged ants will throw themselves on the yellow skies that take refuge in the eyes of cows. Another day we will watch the preserved butterflies rise from the dead and still walking through a country of gray sponges and silent boats we will watch our ring flash and roses spring from our tongue. Careful! Be careful! Be careful! The men who still have marks of the claw and the thunderstorm, and that boy who cries because he has never heard of the invention of the bridge, or that dead man who possess now only his head and a shoe, we must carry them to the wall where the iguanas and the snakes are waiting, where the bear's teeth are waiting, where the mummified hand of the boy is waiting, and the hair of the camel stands on end with a violent blue shudder. Nobody is sleeping in the sky. Nobody, nobody. Nobody is sleeping. If someone does close his eyes, a whip, boys, a whip! Let there be a landscape of open eyes and bitter wounds on fire. No one is sleeping in this world. No one, no one. I have said it before. No one is sleeping. But if someone grows too much moss on his temples during the night, open the stage trapdoors so he can see in the moonlight the lying goblets, and the poison, and the skull of the theatres.
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9.3k
City That Does Not Sleep
In the sky there is nobody asleep. Nobody, nobody. Nobody is asleep. The creatures of the moon sniff and prowl about their cabins. The living iguanas will come and bite the men who do not dream, and the man who rushes out with his spirit broken will meet on the street corner the unbelievable alligator quiet beneath the tender protest of the stars. Nobody is asleep on earth. Nobody, nobody. Nobody is asleep. In the graveyard far off there is a corpse who has moaned for three years because of a dry countryside on his knee; and that boy they buried this morning cried so much it was necessary to call out the dogs to keep him quiet. Life is not a dream. Careful! Careful! Careful! We fall down the stairs in order to eat the moist earth or we climb to the knife edge of the snow with the voices of the dead dahlias. But forgetfulness does not exist, dreams to not exist; flesh exists. Kisses tie our mouths in a thicket of new veins, and whoever his pain pains will feel that pain forever and whoever is afraid of death will carry it on his shoulers. On day the horses will live in the saloons and the enraged ants will throw themselves on the yellow skies that take refuge in the eyes of cows. Another day we will watch the preserved butterflies rise from the dead and still walking through a country of gray sponges and silent boats we will watch our ring flash and roses spring from our tongue. Careful! Be careful! Be careful! The men who still have marks of the claw and the thunderstorm, and that boy who cries because he has never heard of the invention of the bridge, or that dead man who possess now only his head and a shoe, we must carry them to the wall where the iguanas and the snakes are waiting, where the bear's teeth are waiting, where the mummified hand of the boy is waiting, and the hair of the camel stands on end with a violent blue shudder. Nobody is sleeping in the sky. Nobody, nobody. Nobody is sleeping. If someone does close his eyes, a whip, boys, a whip! Let there be a landscape of open eyes and bitter wounds on fire. No one is sleeping in this world. No one, no one. I have said it before. No one is sleeping. But if someone grows too much moss on his temples during the night, open the stage trapdoors so he can see in the moonlight the lying goblets, and the poison, and the skull of the theatres.
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49
don't understand me. this is not for you. It's for you. my Gemini shin splints are pirates. hopeless Romans, romantically dismantling the things you Undo. the things you You. I Doctor in your Seuss canal. with a frontal lobe, more Job than a postage stamp - in this Day and Age. It's grey and rage - with the tooth torn out ! Out through the probable snout of the next mummified god-king of our interlocking rot... our chamber pots spotting the oft begot good of our evil Mummenschanz we are crepes' rue; yet we roulette best in Typhoons from murk placid. with 2.8 kids and damp matches. we are struck in a gale of flaccid dumb as a Belle of the Ball that Squares a Rube with an Ism.... from Ix. sometimes.
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May 2, 2013
May 2, 2013 at 8:38 PM UTC
STRAIGHTEN UP AND PYRITE
Today I saw a frog, dried up from the heat close by I saw another, cracked upon the street I counted thirty four in all, mummified and dry Fifty feet from a dried out pond, I took some time to cry The pond was once so vibrant, full of turtles and of frogs But with the drought now here, you could count all of the logs A stench so strong, it burned your eyes, if you chose to get near Decomposing life, is all that's left, the pond is dead I fear The pond, another victim of the crippling, hellish heat Without the rain, it is just a monster we can't beat The farmers put a spin on, give a positive sort of line While they have to put their livestock down, their harvest die-ing on the vine The fields are bare, the ground is dust, no life from it will come You see the farmers trying everything, while we just stand there numb Fans are running in the barns to keep the livestock cool But the heat, it just gets stronger, you can't even use the pools You could say they've dropped the middle man, as they grow dehydrated meals The kiddie park and water park, have no water for their seals You see the livestock out in the fields, looking for some grass to munch on But, with the heat taking it all away, their field of grass has now gone The cows, no longer vibrant, a leather coat on skin and bones The farmers losing money, they're defaulting on their loans The barnyards running empty, you can't even see a turkey The cows themselves are so dried up, that the butcher calls them jerky A break might come, the tv said, with a cold front moving through But the grounds too hard to take the rain, what extra damage will it do? The end result is prices will go up on all we eat It's this ********* global warming, the creator of this heat Look around at where you live, go and check your ponds and streams Take note if they are die-ing, this is real, not in your dreams Take action where it's needed, conserve water where you can This is not a local problem, it affects the whole **** land I saw a frog this morning...he was dead...it made me cry.......
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Jul 19, 2012
Jul 19, 2012 at 9:34 AM UTC
The frog (an environmental tale)
Today I saw a frog, dried up from the heat close by I saw another, cracked upon the street I counted thirty four in all, mummified and dry Fifty feet from a dried out pond, I took some time to cry The pond was once so vibrant, full of turtles and of frogs But with the drought now here, you could count all of the logs A stench so strong, it burned your eyes, if you chose to get near Decomposing life, is all that's left, the pond is dead I fear The pond, another victim of the crippling, hellish heat Without the rain, it is just a monster we can't beat The farmers put a spin on, give a positive sort of line While they have to put their livestock down, their harvest die-ing on the vine The fields are bare, the ground is dust, no life from it will come You see the farmers trying everything, while we just stand there numb Fans are running in the barns to keep the livestock cool But the heat, it just gets stronger, you can't even use the pools You could say they've dropped the middle man, as they grow dehydrated meals The kiddie park and water park, have no water for their seals You see the livestock out in the fields, looking for some grass to munch on But, with the heat taking it all away, their field of grass has now gone The cows, no longer vibrant, a leather coat on skin and bones The farmers losing money, they're defaulting on their loans The barnyards running empty, you can't even see a turkey The cows themselves are so dried up, that the butcher calls them jerky A break might come, the tv said, with a cold front moving through But the grounds too hard to take the rain, what extra damage will it do? The end result is prices will go up on all we eat It's this ********* global warming, the creator of this heat Look around at where you live, go and check your ponds and streams Take note if they are die-ing, this is real, not in your dreams Take action where it's needed, conserve water where you can This is not a local problem, it affects the whole **** land I saw a frog this morning...he was dead...it made me cry.......
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33
(Inspired by article below) I. Continuity your filibuster egg of sand dazzled curiosity with creaky shell of hints heaped upon the tedium of knowledge's unfurl undeterred by encyclopedic impatience Assurances of rip(Van Winkl)ed economics shooed paper strings of revelation like anarchy-powered taxes summoning a foreword to anachronistic campaigns of environmental friendliness II. Meanwhile years have been filed down to flashes of chronology for continuity's organic rebus However long it took the economic karma to fall into the abodes of hedonistic pharaohs it was instant Skin that ruled behind the constitution of allergic breath bailed on the bones against their most sublime intentions Limbo-treading landlords huddled in their mummified freeze after breadline bashers scolded them with the spoils of a new brand of pyramid scheming Robbers of the coffin palaces stole the intimations of identity theft from today Immortality and freedom were compelled to share a meaning like estranged siblings or bound dynasties I(a). Abydos how you coyly toyed with us with a diversion bordering on monolithic 04 23 14
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Apr 23, 2014
Apr 23, 2014 at 12:58 PM UTC
VALLEY OF THE OTHER KINGS
There must be a wound! No one can be this hurt and not bleed. How could she injure me so? No marks No bruise Worse! People say 'My, you're looking well' .....God help me! She's mummified me - ALIVE!
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3.5k
Feelings
And after knowing you for only a few weeks, we knitted our failures into a heinously tacky quilt. It scratched against our bare skin when we spent the night making love underneath it and kept us warm when we went outside to puff away the day's disappointments. The quilt got bigger everyday because you and I stopped caring about anything that was not each other. You, swallowed up by a sea of shortcomings and I, mummified by a warmth that blinded us from reality, became strangers. Now you are just a patch in the new quilt I am creating from battle wounds. It is thick and vibrant, even more coarse than the last. Underneath it, no one can touch me but myself.
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Feb 19, 2013
Feb 19, 2013 at 2:36 PM UTC
The Quilt
The words I saw the other day on the bathroom stall read "Glorified Prison" MMMM, Cognitively thinking to myself. "This is my life" In an instant flashback of bent memories, I thought about the year when it all happened. My heart started beating rapidly, my brain collapsing, My body drenched in sweat. I was drowning. Drowning inside a mental pool and there was no life ring to save me. I just stood there, Mummified to the moment. My eyes were glazed over as if I had glaucoma trying to stare through a thick London fog. Everything was disappearing in front of me. I saw it though, in my distant memory, quickly flashing in front of me, like a shooting star across the sky, then it was gone. Gone to a place that I never recognized before. A place that was out of some sort of bad dream. That place. That brick house. Pitch black outside. That kind of bad dream, "the worst kind of nightmare that you can ever imagine" and I couldn't wake up from it. Make it go away!! Please, Make it go Away!! I am begging you. STOP IT!! His hands suffocating me, but I could barely feel them or hardly breathe, none the less. Breathless in this moment. I became to numb to my surroundings. Trapped in my own seclusion and by my own misdirection. I was left wondering. I had no idea what was going on. Lost inside myself, with unknown fear, trapped inside that brick house of malicious trepidation and insidious manipulation. I was being sexually violated and I didn't know why nor could I control it. I was in a poisoned induced coma of fear. My mind was twisted beyond reproach as he continued his sadistic and cruel usage of my body. I was longer a human being, I was just object for his enjoyment. Escaping the insanity, I ran!! Finally free or so I thought. This mental torture has burdened me for so long and has taken me down many diluted paths of mistrust, misguidance and internal, penalized grief. I am became lost unto myself. I have grown to live inside this Glorified Prison, with no release date in site. The torture that I was subjected to, will never leave me. So this prison has become solace. It has also become my hell. It is where I put on my shoes and walk without fear but it is also where I run away from things. Many times I begin to tremble when I think of that nightmare. It has become a seeded part of me. It is who I am. I am a survivor though. One day I hope to be released beyond the walls of this glorified prison, so I can finally be free.
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Oct 23, 2018
Oct 23, 2018 at 11:03 PM UTC
Glorified Prison
The words I saw the other day on the bathroom stall read "Glorified Prison" MMMM, Cognitively thinking to myself. "This is my life" In an instant flashback of bent memories, I thought about the year when it all happened. My heart started beating rapidly, my brain collapsing, My body drenched in sweat. I was drowning. Drowning inside a mental pool and there was no life ring to save me. I just stood there, Mummified to the moment. My eyes were glazed over as if I had glaucoma trying to stare through a thick London fog. Everything was disappearing in front of me. I saw it though, in my distant memory, quickly flashing in front of me, like a shooting star across the sky, then it was gone. Gone to a place that I never recognized before. A place that was out of some sort of bad dream. That place. That brick house. Pitch black outside. That kind of bad dream, "the worst kind of nightmare that you can ever imagine" and I couldn't wake up from it. Make it go away!! Please, Make it go Away!! I am begging you. STOP IT!! His hands suffocating me, but I could barely feel them or hardly breathe, none the less. Breathless in this moment. I became to numb to my surroundings. Trapped in my own seclusion and by my own misdirection. I was left wondering. I had no idea what was going on. Lost inside myself, with unknown fear, trapped inside that brick house of malicious trepidation and insidious manipulation. I was being sexually violated and I didn't know why nor could I control it. I was in a poisoned induced coma of fear. My mind was twisted beyond reproach as he continued his sadistic and cruel usage of my body. I was longer a human being, I was just object for his enjoyment. Escaping the insanity, I ran!! Finally free or so I thought. This mental torture has burdened me for so long and has taken me down many diluted paths of mistrust, misguidance and internal, penalized grief. I am became lost unto myself. I have grown to live inside this Glorified Prison, with no release date in site. The torture that I was subjected to, will never leave me. So this prison has become solace. It has also become my hell. It is where I put on my shoes and walk without fear but it is also where I run away from things. Many times I begin to tremble when I think of that nightmare. It has become a seeded part of me. It is who I am. I am a survivor though. One day I hope to be released beyond the walls of this glorified prison, so I can finally be free.
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89
The weight of the world sitting dumbly on those fructose eyelids. They, in turn.      melt into the mummified morning. laying in the corner forever like a favorite-shirt ruined in the wash. Every other stripe on you is stained pink from some cheap volunteer tee that ******              up The whole load. Each ray from the blinds Takes some life away. Searing past you- into the floorboards with quiet fury. Time passes_ It shoves us down into compact spaces. (but) I thought of you In a shoplifter's prayer. (There is something left that evaporates out in the form of you) I imagined you Still. But growing Like Crystal salts Crusting up the pores of the earth. Vapors fumbling upwards to rehydrate My dry fingers_ We make decisions . that stick around. We break off blisters. Rip little things that hang off our lips. We take breaks before we need them. Take too long to say **** this. Thoughtlessness. *Somewhere out there, they are screaming loud. Somebody either cares or Doesn't.* The marks on the carpet know better than us How to last forever
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Oct 15, 2016
Oct 15, 2016 at 11:59 PM UTC
:the first domesticated crop
That was a red-banded paper Itching to reclaim original state Of un-sweet bagasse and bamboo With surely no musical possibility. Lonely were our drooping eyelids Behind the vacuous leg’l scroll. Some faded white trousers stated Black legal existence nd’ bow tie. Our sleep-together of fearsome nights Leapt out of the window cat-silent Into the sterilized portals of wordy law. Our mummified before was not this. Our after-thoughts slowly cauterized us As we waited for the black decision.
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Nov 1, 2010
Nov 1, 2010 at 4:48 PM UTC
Divorce
There’s black butteflies twirling around my soul Slowly luring me, wrapping my crushed spirit Inviting me to disappear from this world of misery The black butterflies mummified my body Inch by inch they took care of my wrecked vessel like a soldier died fighting on the battlefield People keep on telling me to be strong They never realized my strength is drained I wish my heart is big enough to contain this endless pain Oh I want to be in paradise Oh I want to be in paradise Oh.I.want.to.be.in.paradise.
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Aug 9, 2018
Aug 9, 2018 at 3:34 AM UTC
Black butterflies
As you spin this web of deceit I realize there is no way to retreat. Barely able to breath it's impossible to conceive that every lie you told I believed. Caught-up in this crazy design of confusion, your lack of truth brought life to this illusion. Was it love or lust that stole my trust? Leading me to this path of foolishness, sown in the silk of ignorance and guilt, Not wanting to feel the wrath of loneliness. By your many eyes I've been hypnotized, brainwashed to the point of no return Passion is your poison, and as it flows it burns. Sanity hanging on by a thread while thoughts of you I strain to shed. You left me cold, surviving on my blood, getting closer to my soul. Leaving me encapsulated, almost mummified Suffocating in this web ...barely alive
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Oct 1, 2012
Oct 1, 2012 at 1:17 AM UTC
Arachnophobia
Mark this spot on the sun. Do it now. You have your east minus west and the dead skin from mummified snow... you must be one of those Ancient stones, I skip across the altar. Would you now be altered - to call forth the fifth drum, the first fife and the long drone ? If not, do this... shift your weight to your better angels and hum - Some lung-free dirge in the Demi-corona of your obstinate tongue ? Your purple transcendental flying cow...bovine divine and howitzer quiet - Shuns the fundamental hopscotch, the thatch latch and the Kumquat So surely there is time enough to thumb dots Where your third eye was last caught seeming. Mark my words, or become lost. Do it now. Or Knot.
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Jan 24, 2013
Jan 24, 2013 at 4:15 PM UTC
Your Purple Transcendental Flying Cow
She came to me at two thirty, Covered in cuts and bruises. She came to me at two thirty, Covered in cuts and bruises. Her hair was plastered to her face, Her scarf, enveloping her like a python. Hot, salty tears ran down her cheeks. She held out her arms to me. She came to me at two thirty, Covered in cuts and bruises. She came to me at two thirty, Covered in cuts and bruises. Bolting the doors with an anxious expression, I pulled her close to me and whispered in her ear. Bullets of tears pelted my shoulder, I held on tight. She came to me at two thirty, Covered in cuts and bruises. She came to me at two thirty, Covered in cuts and bruises. The soothing, hot sponge tingled her tender skin, The alcohol attacked like an armada of nettles. The hands of the sobbing carcass violently shook, Droplets of red ink soiled my hands. She came to me at two thirty, Covered in cuts and bruises. She came to me at two thirty, Covered in cuts and bruises. Bandaged up - the wound was blinded, A mummified image. I gave a watery smile and she was guided along towards the path of the shining star; She rested, and I never let go of her hand. She came to me at two thirty, Covered in cuts and bruises. She came to me at two thirty, Covered in cuts and bruises. Lei era al sicuro ©Maniba Kiani , 28/11/13
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Jan 23, 2014
Jan 23, 2014 at 4:02 PM UTC
Lei era al sicuro
The bright moments of the past do not die They do not lie idly in the earth, buried beneath unpassable tombs Their beauty does not fester or languish Their times come again They are reborn, are the bright things that come Those jewels dug up by autonomous spades They do not die, they are reborn Our excitement like an old friend reunited Do not mourn the past, it did not fall Left to rot, mummified in worms As a child when we picked it up, as an adult when we carry it Those moments live on with us Again
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Oct 25, 2021
Oct 25, 2021 at 2:21 PM UTC
Egyptian Moments
i was so peacefully apathetic once that i managed to get a chemistry degree and started loving manual labour, but then humanity of a spontaneous act of stupidity constricted my chest and left me without a definite vector to unload my affection, leaving me on debility benefits of the state that started to turn to the lord peerage anonymity of skinny budgets, and i was left drinking walking the same streets in circles wishing my apathy had returned and the substance that so mummified my thought in couches with ease. i feel for those who ache like budgies in cages of emotion so early in life, wishing to sing and flutter away to hawaii, but i just don’t have it in me to be so pain-crushed from a life un-lived, to feel so much but live so little... if i’m supposed to feel so much and live so little i rather live remembering my former apathy that nearly conjured a hindu avatar in full bloom... but as avatars go... shiva’s avatar is hard to tame... it’s destructive power is a bullish potency to create, and once it starts charging there’s only the red light district of amsterdam to stop it.
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Oct 19, 2015
Oct 19, 2015 at 11:00 AM UTC
budgies migrating to hawaii
Hieroglyphs on my ancient soul foretell the end of me, they say I'll die by my own hand when I’ve reached god status and every knee has knelt before me and I have nothing left to achieve. This prophecy has been written on me for many lives each ended by a pill, bullet, or brilliance — I can feel it. My fingers are my slaves who type a pyramid of words that'll hide my body in a maze of booby-trapped metaphors that no thief would ever dare explore. So shut me away with my mummified poetry so the gods in the next life will worship me. Let me hold the empty orange bottle like a rosary in chalky hands folded stiff into forced prayer. Let me rot away and be forgotten while my poetic pyramids stand for thousands of years in the sun. Let tourists stand under their shadows in awe while my bones turn slowly to dust somewhere deep in the chambers of their brilliance.
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Jan 15, 2015
Jan 15, 2015 at 1:57 PM UTC
Prophecy
In twilight sleep, thoughts out of control, images take hold. Viewed against  the canvass of blackness, dead people dance with succubi an incubuses. Tiny gymnasts balance on sharp edged swords in le cirque du soleil under a moonless sky. Grimm’s tales of baked children and hungry wolves play out. On a runway starving women show the latest fashions in cardinal red. The Grinch stole my  green silk  Balenciaga gown. Gave it to the frog  prince. Sleeping beauty is just a ****** She had too much of all of it. Hermes glass slippers are sold Only too few and deserving  Cinderellas, trophy wives of  mummified kings. What they really deserve is not on the menu. Just le plat du jour of ortolans. The three pigs are out of breath, Not enough air for a blow job. Rose colored glasses take on a nasty hue of watered down blood. Bottle green is not la couleur du jour, rather that bile color with a tint of pus yellow. There is a storm brewing, A tsunami rising, the earth shakes, Volcano red lava licks down the mountain. Destiny? Fate? Apocalypse? A voice whispers: put up a shield, a bright canvass. Paint with bold rounded strokes in earthen tones.  Mold  vessels to hold the morning dew. Catch rays of sun in a glass glockenspiel. Hum the world, sing life. Touch, feel, be alive. A ray of sun sneaks through the blinds. Dust dances in a shaft of light. I am safe, for another day.
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Feb 19, 2012
Feb 19, 2012 at 6:25 PM UTC
HIERONYMUS BOSCH 2012 ( or the effect of a doppio espresso after dinner.)
They call it crude. The dessicated then carboxilated, carbonified, ****** of dead Permian flesh. This is the reason the salamanders die. Corporeal concreted, mummified, fossilized. This is the reason we dance. Dirges of West Texas dirt romances. Lost in the flares, Caught in the gases blaring making nostrils glare. Requiescat in pace. All these women. Dancing through the caliche, Giving a reason to taste the air. Through one breath of speechless. The loam is never settled where boots tread and weather. Destroying bedrock through hydrolic fracking to the earths core. I land my toes in the sand of the Llano. I taste my Mexicans, greasy, with cheese, With. Hot. Sauce. Dorthy never went to the fest of Oil. But there's no place like home. Her silver slippers or prosthesis feet placed instantaneously upon me. Would bring me directly into a thorny, Patch of Mesquite.
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Apr 14, 2013
Apr 14, 2013 at 12:49 AM UTC
Oil Town Blue ***** for Uncircumsized Women
gallows on the rooftop where window washers go                             to suspend metal gibbet             quick hinge, raise and lock secure against the weather whipped                                   combed and packed snow     ice crusted dunes strain the winds over the buildings roofing                                  an extreme combing exposure                                  doubtlessly they'll be no labor done today On the seventh floor i watch from behind               an environment sealed window               wolfing my lunch on a short break                                 in the warm fire escape i watch a solitary worker is ejected from a hatch in the exterior wall                                       cuffed by a spasm of wind he descends a short bolted ladder               and makes a geared approach crouching his weight against the wind             he drags a heavy kit             mummified in protective clothing               passing my spot and he then heads outward                     towards the bounds of the rooftop he mends a stable stance one foot close to the edge the rest of him in a low defensive pose clips his harness to the gallows stands to take a confident beating             of the breath stealing                       brawling winter gale he radios for the gantry to be raised
0
Mar 10, 2022
Mar 10, 2022 at 2:07 PM UTC
suspend
gallows on the rooftop where window washers go                             to suspend metal gibbet             quick hinge, raise and lock secure against the weather whipped                                   combed and packed snow     ice crusted dunes strain the winds over the buildings roofing                                  an extreme combing exposure                                  doubtlessly they'll be no labor done today On the seventh floor i watch from behind               an environment sealed window               wolfing my lunch on a short break                                 in the warm fire escape i watch a solitary worker is ejected from a hatch in the exterior wall                                       cuffed by a spasm of wind he descends a short bolted ladder               and makes a geared approach crouching his weight against the wind             he drags a heavy kit             mummified in protective clothing               passing my spot and he then heads outward                     towards the bounds of the rooftop he mends a stable stance one foot close to the edge the rest of him in a low defensive pose clips his harness to the gallows stands to take a confident beating             of the breath stealing                       brawling winter gale he radios for the gantry to be raised
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38
Here we are again, in the deathmask of the city spinning. The circumcised sea with its crocodiles and scars. Never is the onrush of blood so violent the falsehoods of the sky that drip neon on our heads from desiccated clouds so true This is the wild: To the clusterfucked and cloistered swimming in their bowls of soup and the scuttled shells synchronous in their bass pulse beeping to the blackhats who don’t believe their messiah will ever come because they hear the trump of doom every second of every day yet they still stomp in their flatbeds for joy and the prismatic dead who drag themselves from their gurneys to march through the alleys like tuskless elephants shoving their fingers into the sun’s fumarole determined to disintegrate into a mist of Krylon and copper where we carry our concrete world slung over our shoulders and the ravenous moon in its ellipse above beached night heaving, eyes curling in their sockets like gunsmoke smoldering hearts humming like taut snares beheaded fish in front of us, beheaded bodies behind us I drag mine along by the hair. To the children and the panhandlers who greet the lion like hello kitty and the skittish magnetic few in their lightning-spaded furrows on the ecliptic chained but leaping ever farther and higher like the wrecking ***** pendulum and all the naked lost milling among the mummified tenements, waving Geiger counters before them as they wander  the sweaty street holding their heads high as they grind flesh against flesh pulverizing themselves into rubble measuring the toll of time by destruction   drinking in mercury and hard water and shrapnel and gamma and fire and gold to them I say: turn your hourglass on its side turn your hourglasses on their sides then acknowledge me so I can die in peace.
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Dec 15, 2011
Dec 15, 2011 at 4:35 PM UTC
Infinity
Here we are again, in the deathmask of the city spinning. The circumcised sea with its crocodiles and scars. Never is the onrush of blood so violent the falsehoods of the sky that drip neon on our heads from desiccated clouds so true This is the wild: To the clusterfucked and cloistered swimming in their bowls of soup and the scuttled shells synchronous in their bass pulse beeping to the blackhats who don’t believe their messiah will ever come because they hear the trump of doom every second of every day yet they still stomp in their flatbeds for joy and the prismatic dead who drag themselves from their gurneys to march through the alleys like tuskless elephants shoving their fingers into the sun’s fumarole determined to disintegrate into a mist of Krylon and copper where we carry our concrete world slung over our shoulders and the ravenous moon in its ellipse above beached night heaving, eyes curling in their sockets like gunsmoke smoldering hearts humming like taut snares beheaded fish in front of us, beheaded bodies behind us I drag mine along by the hair. To the children and the panhandlers who greet the lion like hello kitty and the skittish magnetic few in their lightning-spaded furrows on the ecliptic chained but leaping ever farther and higher like the wrecking ***** pendulum and all the naked lost milling among the mummified tenements, waving Geiger counters before them as they wander  the sweaty street holding their heads high as they grind flesh against flesh pulverizing themselves into rubble measuring the toll of time by destruction   drinking in mercury and hard water and shrapnel and gamma and fire and gold to them I say: turn your hourglass on its side turn your hourglasses on their sides then acknowledge me so I can die in peace.
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43
The desert is not the grave of the sea. The heaving reign of pharaohed seas, Rule in bloodline of palm wine and embalming fluid of brine. The tides are their mummified lips, Whispering the coming forth of spells eternally to the sky.   All goddesses, like shawled Isis, in lamentations of hair And past-wept somnolence for Egypt, Lie across the heart-bound murmur of waters From their dead kings and the kingly divine, Amun-Ra, Whose bird-starred eyes fill the canopic jar of the cosmos. The sea is the grave of the desert.
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Jun 9, 2019
Jun 9, 2019 at 9:53 PM UTC
The Desert is Not a Grave
Do you want to know why I can't sleep at night? Why every time I think of you I choke on my own breath? Why I want to shake you, kick, and scream, untill you see this grated pain that I live with? It is the love I have gifted to you And it is dieing A slow and merciless deth Slow rotting in its own chest The metal teeth of your lies no longer comfort it No longer pacified the beast that hungers for more The things you promised but stopped delivering Blotted blue, a blood turned red as it falls Having been starved of the nutrients that gives it vigor The reciprocity of mutual  connection The stale sickly bile of backed up emotions poison me Taint me Ready to explode Wanting not to hurt you by showing you what you have done What you have bottled inside me A love that could have moved mountains like it has done before Killing me Brutally with each day I wake With each expectation you no longer fulfil With each I love you from your lips I die, the churning clog of ash And the unforgiving malice Of pretty words Waiting for you to withdrawal Even more As if I were some old wound left to rot Decay Decompose there at your doorstep To long forever a mummified homage to the hopeless The loveless The ******
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Nov 21, 2012
Nov 21, 2012 at 11:09 PM UTC
Decay