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"mountainsides" poems
The loving puddle in the gutter off market street-- the one that fills with dirt and **** and damp newspaper, plastic soda cup, strange indecipherable Chinese pamphlets with bleeding characters. She smiles at the sun and renders its visions on her face, and with great tension attempts to demonstrate her willingness, her blushing consent to being totally subsumed by its whims. Of course she trembles at the diurnal stampede of feet, but is not afraid-- for she too speaks in eternity. She has evaporated before-- she has kissed the incessant sky over Marrakesh in the soft morning and dreams of the sparkling mountainsides in the night, when she is divided by callous rubber tires or cast below by competing distant rains. Yet she has always found her way back home; Nestled in the subtle indentation of road besides the brickway near Battery. "Dewdrop, let me cleanse in your brief sweet waters . . . These dark hands of life" It was one of the waning days of winter, in the blurred haze of rains, when we left the coast and began our journey home. As she drove, I watched the pebbled streaks roll across the window into great vertical streams, to be cast off indistinct along the stationary road. Upon all our sides, Even the black-toothed mountain tops lost their grandiose summits into the fog. Off the road, next to the sagging remains of a gas station, a man sat beneath the naked fist of an old willow tree. He, with a teal umbrella, twirled the nylon circle so that the collecting sheen of water spun and spiraled centrifugal out into the bombarding camaraderie of fellow drops. The damp fields sat empty of life behind him, casting into evanescent black oceans of dirt. As we hurried past, I turned back-- and following him with my own watering eyes, I watched for as long as I could--until he too faded silently into the mist.
0
Sep 4, 2018
Sep 4, 2018 at 3:27 AM UTC
I write about waters
The loving puddle in the gutter off market street-- the one that fills with dirt and **** and damp newspaper, plastic soda cup, strange indecipherable Chinese pamphlets with bleeding characters. She smiles at the sun and renders its visions on her face, and with great tension attempts to demonstrate her willingness, her blushing consent to being totally subsumed by its whims. Of course she trembles at the diurnal stampede of feet, but is not afraid-- for she too speaks in eternity. She has evaporated before-- she has kissed the incessant sky over Marrakesh in the soft morning and dreams of the sparkling mountainsides in the night, when she is divided by callous rubber tires or cast below by competing distant rains. Yet she has always found her way back home; Nestled in the subtle indentation of road besides the brickway near Battery. "Dewdrop, let me cleanse in your brief sweet waters . . . These dark hands of life" It was one of the waning days of winter, in the blurred haze of rains, when we left the coast and began our journey home. As she drove, I watched the pebbled streaks roll across the window into great vertical streams, to be cast off indistinct along the stationary road. Upon all our sides, Even the black-toothed mountain tops lost their grandiose summits into the fog. Off the road, next to the sagging remains of a gas station, a man sat beneath the naked fist of an old willow tree. He, with a teal umbrella, twirled the nylon circle so that the collecting sheen of water spun and spiraled centrifugal out into the bombarding camaraderie of fellow drops. The damp fields sat empty of life behind him, casting into evanescent black oceans of dirt. As we hurried past, I turned back-- and following him with my own watering eyes, I watched for as long as I could--until he too faded silently into the mist.
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6
Politicians speak about "The Fallen", Our dear departed servicemen* Its a nasty euphemism for the Legion of our dead. For they did not gently flutter down like leaves of gold and brown. They were raked by foes' machines guns as they fought to take some ground. They've met slaughter on the beaches, been slain on distant mountainsides. They've been sacrificed, quite needlessly, for some Politicians' pride Many a mother's heart's been broken Widows and orphans have been made. Political Stupidity has dug many a grave. So don't speak about "the Fallen", you who haven't borne the fight. You've never paid the butcher's bill so what gives you the right?
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May 29, 2012
May 29, 2012 at 7:55 AM UTC
The Fallen
My love, my love these shaky Isles Abandoned in the vast blue seas, Born in Mesozoic times When sedimentary oozes ease. From far Antarctic mountainsides To windblown dust from Austral plain They lay in layers thick and deep Beneath the Tasman Sea's domain. A thousand million years of ****** Of plate tectonic shear and drift, Mid oceanic larva seep Determines continental shift. Deep magmatic plumes arise From down within the planet's core To burst asunder from the crust As mountain God's volcanic lore. Ash and larva from the vent In pyroclastic feirce display, Obliterate the cold blue sky Explosively in massive way. Rooster tails of feiry ash And bread crust bombs cascade about Vulcan roars his rage to all In violent, vast, volcanic route. Ignimbrite flows from the vent In sheets a hundred meters deep The incandescence, from on high, Would, watching Angels, cause to weep. Like quicksilver, it cloaks the land To cover all in burning flow, To last a million years as sheets Of sharded rock where 'ere you go. So the land was born of fire And bent and twisted by the force Of upthrust from the great, beneath And earthquakes felt throughout, of course. Earthquakes of unearthly fear Wrack foundation's very base, Sudden as the artic gale Unpredictable to face. So the shaky Isles were born Here to lie in ocean's vast, Clad in forest lush and green Snowclad mountains, rivers fast. Well kept cities, well kept towns Population proud and clean, Beauty all around is felt Perched atop creation's dream. So the Shaky Isles exist Perfect in their place in time, Perched atop subducting plates Perched in ignorance sublime. What's around the corner now? Who's concerned, who really cares For Kiwis make the best of now... The rest remains as chance declares. Marshalg Celebrating a love affair with my beautiful New Zealand. 31 August 2012
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Aug 30, 2012
Aug 30, 2012 at 9:32 PM UTC
My Shaky Isles.
My love, my love these shaky Isles Abandoned in the vast blue seas, Born in Mesozoic times When sedimentary oozes ease. From far Antarctic mountainsides To windblown dust from Austral plain They lay in layers thick and deep Beneath the Tasman Sea's domain. A thousand million years of ****** Of plate tectonic shear and drift, Mid oceanic larva seep Determines continental shift. Deep magmatic plumes arise From down within the planet's core To burst asunder from the crust As mountain God's volcanic lore. Ash and larva from the vent In pyroclastic feirce display, Obliterate the cold blue sky Explosively in massive way. Rooster tails of feiry ash And bread crust bombs cascade about Vulcan roars his rage to all In violent, vast, volcanic route. Ignimbrite flows from the vent In sheets a hundred meters deep The incandescence, from on high, Would, watching Angels, cause to weep. Like quicksilver, it cloaks the land To cover all in burning flow, To last a million years as sheets Of sharded rock where 'ere you go. So the land was born of fire And bent and twisted by the force Of upthrust from the great, beneath And earthquakes felt throughout, of course. Earthquakes of unearthly fear Wrack foundation's very base, Sudden as the artic gale Unpredictable to face. So the shaky Isles were born Here to lie in ocean's vast, Clad in forest lush and green Snowclad mountains, rivers fast. Well kept cities, well kept towns Population proud and clean, Beauty all around is felt Perched atop creation's dream. So the Shaky Isles exist Perfect in their place in time, Perched atop subducting plates Perched in ignorance sublime. What's around the corner now? Who's concerned, who really cares For Kiwis make the best of now... The rest remains as chance declares. Marshalg Celebrating a love affair with my beautiful New Zealand. 31 August 2012
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59
I’ve wanted pretty, soft, hands for as long as I can remember; thin fingers, long nails. The kind that pair well with coffee mugs and bookstores. The kind you don’t hesitate to kiss; but mine are riddled with anxiety. There are scars on my knuckles from walls that didn’t deserve my anger and I can’t seem to stop biting at my fingernails. I will never be the pretty girl with soft hands and thin fingers. I am the strong girl who scales mountainsides and presses my hips into the walls I once used to punish myself. My hands haven’t been the same since I covered them in chalk and started gripping onto what has become a lifeline for me. So, no, I will never be the pretty girl with soft hands and thin fingers. I will be the strong one.
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Oct 25, 2020
Oct 25, 2020 at 9:37 PM UTC
The Strong One
(Creation to the end of an Ice Age) © 2008 (Jim Sularz) Sun’s first rise over life-less skies, the earth cools, and the waters pool - the sun burns East to West. And the planet’s broken plates quake and move. Lightning strikes, the waters stir, and the bonds of life begin to churn - the sun burns East to West. And the waters swirl in a living urn. Strange aquatic things, they all evolve, some spiny finned, start to crawl - the sun burns East to West. And they slowly stretch ***** and tall. Eons past where the cunning reign, a savage place, with small sized brains - the sun burns East to West. And the dead surrender their twisted remains. An asteroid streaks from the sky, blocks out the sun, cause most to die - the sun burns East to West. And all in the blink of time’s eye. Footprints in stone, some on mountainsides, make it clear that rocks don’t lie - the sun burns East to West. And the fossils always tell the time. Eons past and eons more, the fittest evolves, and man is born - the sun burns East to West. And the early brain, once fast asleep, begins to dream and mourn. The first million years, man lives in fear, learns to hunt, invents the spear - the sun burns East to West. And migrates to claim the vast frontiers. Tools from stone and controlled fire, creates language, that shake man’s empire - the sun burns East to West. And splash cave paintings with human inspire. Life-times of hunter-gathering, and story-telling in the dark - the sun burns East to West. And a world spins with a million hearts. The earth starts to warm, the oceans rise, and the waters shape the lands - the sun burns East to West. And when an Ice Age ends, then comes, the Age of Man.
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Jun 10, 2012
Jun 10, 2012 at 5:03 PM UTC
The Sun Burns East to West
(Creation to the end of an Ice Age) © 2008 (Jim Sularz) Sun’s first rise over life-less skies, the earth cools, and the waters pool - the sun burns East to West. And the planet’s broken plates quake and move. Lightning strikes, the waters stir, and the bonds of life begin to churn - the sun burns East to West. And the waters swirl in a living urn. Strange aquatic things, they all evolve, some spiny finned, start to crawl - the sun burns East to West. And they slowly stretch ***** and tall. Eons past where the cunning reign, a savage place, with small sized brains - the sun burns East to West. And the dead surrender their twisted remains. An asteroid streaks from the sky, blocks out the sun, cause most to die - the sun burns East to West. And all in the blink of time’s eye. Footprints in stone, some on mountainsides, make it clear that rocks don’t lie - the sun burns East to West. And the fossils always tell the time. Eons past and eons more, the fittest evolves, and man is born - the sun burns East to West. And the early brain, once fast asleep, begins to dream and mourn. The first million years, man lives in fear, learns to hunt, invents the spear - the sun burns East to West. And migrates to claim the vast frontiers. Tools from stone and controlled fire, creates language, that shake man’s empire - the sun burns East to West. And splash cave paintings with human inspire. Life-times of hunter-gathering, and story-telling in the dark - the sun burns East to West. And a world spins with a million hearts. The earth starts to warm, the oceans rise, and the waters shape the lands - the sun burns East to West. And when an Ice Age ends, then comes, the Age of Man.
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35
Go, my friend, to Tbilisi, where the War of Roses was won. Run the mountainsides and fall into the canyons of lapsed eons. Sunk in the valley wide, past huddling of trees that open and yawn, sprinkles a misting of sunny, dewy rocks where a certain party of gypsies gather. You will only find them there after the picking of the cherry orchards, and if they welcome you, they will feed you their cherry soup. It will intoxicate, but no more than the captivating dance of cherry stained aprons you may be privileged to witness. Dark haired and dark eyed sultanas, ****** from healthy eating and laboring, do motion a curvilinear spell. Band with the men of that tribe, if they will have you. Let them choose for you, a server of cherry soup. Though cherry season is short, your life will lengthen.
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Mar 12, 2016
Mar 12, 2016 at 1:44 PM UTC
Cherry Soup
Does your darkness forecast shadows, A high noon noose hangs from the gallows, Feel the sharks circling shallow, Swim fast, I'm bleeding. Peripheral landscapes drape your gilded chatter, Purple & pink horizons, summon laughter, Your eyes blink lightning speed patterns, My clouds follow, miles per hour. What in this wide world changes, Can we live high on mountainsides, Open our door to the strangers, Surrender to the ocean tides. ~My palette craves color, Your canvas seeks attention, My callused fingers are covered, When your callous words are mentioned.
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Jul 4, 2018
Jul 4, 2018 at 12:07 AM UTC
What Wide Words
She’s the same old Country girl When she settles back in With plentiful rice in mouth; Dry and yet fulfilling with Words echoing In between chopsticks, A sentence upon, And within, Every other mouthful. She has a way with Talking while drinking tea Wherein her hands, Once left to grains of Mao, Speak nearly as much as the Sound of Slurping mountainsides, Leaves telling stories And roots shaking rock – A little something so very Ancient, so very practiced And so much so, That the burden of “old” Overwhelms her “new” And 25-year old back. She rattles and he’s a way, Away, a way away, With tinkered thoughts of Mirages buried silk screens, The gentle sweep of Fingernails upon back, Shooting stars, Dodging cars And failure. He’s the man on the run, On the road, wherein – He never ate, He only watched her And he never drank, He only watched her; He’d watch Until the faint dreams of a Sunrise’d give birth, The new day’d be promised sleep, And twilight’d be labeled, “Escapade” or “escape.” When came the closed eye, He be the same ol’ boy, The “other” she’d never known.
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Aug 15, 2015
Aug 15, 2015 at 9:22 AM UTC
Manifest - and other moments prior the "split"
Brown grassy mountainsides; full of yucca and sharp burs and stripped-naked trees. (Your buffalo have all been murdered, America.) atop this vertical precipice, the edge of everything that’s never been, before a white and faceless Void: the sore thumb of a boulder. A gray and ancient troll. There sits a changed and stoic stranger wrapped in a wool blanket against piercing winter wind and frost. Sharing my thoughts. My organs. My perch. Walking along this trail… there can only be death. I check my silent moving watch. Time to turn back.
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Feb 8, 2011
Feb 8, 2011 at 7:28 PM UTC
I Am Worn Out
The coldness of my unleashed disinhibitions have gracefully succumbed to the wisdom of cosmological forces, despite my ravenous salivations for all that is vehemently forbidden. As I bark inside the relief of this solitary pound of articulated and socialised liberty, like an expression of abstract artistry within an ethical mudslide; I continue to teeter upon geographical tightropes which span unforgiving terrains across the ancient divides of propriety, where the baron plains of deuterocanonical origin are populated by restless spirits with gnashing teeth. So, if they could ever be personified, I could easily butcher a myriad of depravities which tangibly characterise my inner Astarte and Ishtar demons – although, such an event would have to occur after we have engaged in a myriad of abominations where raunchy and indulgent copulations shamefully expose our brazen wantonness to animalistic inclinations. Never offer to tie me down. Restriction diametrically opposes my socially skilled yet nomadic being, as it sojourns across a psychedelic array of vibrant gardens, and weaves through present pathways which are timeless in their being. It just is. That is the essence of ontology. Can we ever effectively contemplate the philosophies of predetermination and predestination? As I am not dichotomous in my thinking, there is a legitimate place for being an omnivore within the walls of our societal fabric. Although I radically accept that of which I do not approve, the psychology of ambivalence has led me to raise questions around the validity of horticulture. My clock has melted down the flamboyance of those multicolored mountainsides of being and nothingness.
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Sep 13, 2015
Sep 13, 2015 at 1:20 AM UTC
Our Protective Sanatorium
The coldness of my unleashed disinhibitions have gracefully succumbed to the wisdom of cosmological forces, despite my ravenous salivations for all that is vehemently forbidden. As I bark inside the relief of this solitary pound of articulated and socialised liberty, like an expression of abstract artistry within an ethical mudslide; I continue to teeter upon geographical tightropes which span unforgiving terrains across the ancient divides of propriety, where the baron plains of deuterocanonical origin are populated by restless spirits with gnashing teeth. So, if they could ever be personified, I could easily butcher a myriad of depravities which tangibly characterise my inner Astarte and Ishtar demons – although, such an event would have to occur after we have engaged in a myriad of abominations where raunchy and indulgent copulations shamefully expose our brazen wantonness to animalistic inclinations. Never offer to tie me down. Restriction diametrically opposes my socially skilled yet nomadic being, as it sojourns across a psychedelic array of vibrant gardens, and weaves through present pathways which are timeless in their being. It just is. That is the essence of ontology. Can we ever effectively contemplate the philosophies of predetermination and predestination? As I am not dichotomous in my thinking, there is a legitimate place for being an omnivore within the walls of our societal fabric. Although I radically accept that of which I do not approve, the psychology of ambivalence has led me to raise questions around the validity of horticulture. My clock has melted down the flamboyance of those multicolored mountainsides of being and nothingness.
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11
A distrust of details… Ample amounts of reporting, And eroding authority; More freeze-thaw cycles, Upswells, dead zones. Early signs Wash up onto the shore, as the Earth’s core continues to warm. Hurricanes play mercilessly with Uninsured lives, and earthquakes Evolve from tickles to fissures. Snow disappears from Whole mountainsides. The floodgates HAVE opened, temperatures ARE Rising; Perception is always partial but there’s plenty of evidence, regardless - When we start to question the record-keepers And legislators, those omitting parts of history; People who willingly walk into the sun, selfishly Sidestep the natural order and equilibrium of all things, Exactly where does that journey end? I think, somewhere around the place Where we start to forge our own histories, Or indifference begins.
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Aug 31, 2011
Aug 31, 2011 at 1:37 AM UTC
Indifference Begins
Carla, Whom I love and regret in equal measure, Told me to talk less and think only in the morning. It’s unfair, she said, for someone with your demons, To obsess past mid day. You will only exhaust yourself, Become dizzy from looking over your shoulder. It’s the sparrow’s lunch you eat, she said Afterwards you think only of suicide, It’s your pathetic answer to everything. You have a propensity, an absolute need to confess, Carla advised me, You see sin as an obligation, As a necessity to fuel your ridiculous notion of salvation, Repentance is a shell game, No sooner have you apologized for being yourself, Than you begin sinning all over again. Your quest for innocence is a self-selected Sisyphean task. I told her I had no idea what she was talking about, And that if she wanted to save me she had to speak in simpler terms. Quit looking for the meaning in things, Carla said, Life is lived on the surface, What we really fear is not that we will die, But how we will die, I mean good god, The insane Christians Have us picturing death With nails driven through our hands and feet, Hanging from a crucifix, Can you imagine the indignity, While some low level centurion, Stabs at us with a sword, I mean really, Hauling crosses up mountainsides Being laughed at and scorned in our weakest moment, The drama is laughable, When the absolute truth is most of us Will die peacefully in our sleep, Gone without even knowing the party is over.   Replace your metaphysics with a game of chess, Carla told me, At least do psilocybin once in awhile And have a genuine spiritual experience, And she held up her hand for two more glasses of scotch, Neat, And lit her cigar.
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Aug 30, 2016
Aug 30, 2016 at 7:10 PM UTC
Sin
Carla, Whom I love and regret in equal measure, Told me to talk less and think only in the morning. It’s unfair, she said, for someone with your demons, To obsess past mid day. You will only exhaust yourself, Become dizzy from looking over your shoulder. It’s the sparrow’s lunch you eat, she said Afterwards you think only of suicide, It’s your pathetic answer to everything. You have a propensity, an absolute need to confess, Carla advised me, You see sin as an obligation, As a necessity to fuel your ridiculous notion of salvation, Repentance is a shell game, No sooner have you apologized for being yourself, Than you begin sinning all over again. Your quest for innocence is a self-selected Sisyphean task. I told her I had no idea what she was talking about, And that if she wanted to save me she had to speak in simpler terms. Quit looking for the meaning in things, Carla said, Life is lived on the surface, What we really fear is not that we will die, But how we will die, I mean good god, The insane Christians Have us picturing death With nails driven through our hands and feet, Hanging from a crucifix, Can you imagine the indignity, While some low level centurion, Stabs at us with a sword, I mean really, Hauling crosses up mountainsides Being laughed at and scorned in our weakest moment, The drama is laughable, When the absolute truth is most of us Will die peacefully in our sleep, Gone without even knowing the party is over.   Replace your metaphysics with a game of chess, Carla told me, At least do psilocybin once in awhile And have a genuine spiritual experience, And she held up her hand for two more glasses of scotch, Neat, And lit her cigar.
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44
Hot on the tail of that wily, elusive beast named ‘inspiration’, I travelled north. North, where colours mute and transformative shadow bends in darklight, revealing the world as it really is, as it once was. Hundreds of years pass, rolling back time, boiling clouds rushing over peaks in reverse, a tiny tornado ***** in on itself, and hundreds become thousands. Rain blackens the babies of volcanoes, engorges forces with greater purpose and cleanses every shred of vision from my grasping, desperate mind. Thousands become millions And I am stripped of incentive to try. There is no ruination, here. No furious nor frantic need to imagine past lives in this manicured, managed place. High-vis’d toilers scuttle on mountainsides carefully placing and re-placing rocks, funnelling feet and discovery on a prescribed and sensible path. Only the rain wreathing a secretive misted ribbon, creeping in glacial cut-throughs, is possessed of fanciful virtue. Nothing shatters but the slate and the landscape does not turn inward to eat itself in gnawing, atavistic need. It says more about me, than it does of the Lake District that I would wrench out and offer my super-heated heart to see the mountains fall.
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Aug 24, 2015
Aug 24, 2015 at 8:53 AM UTC
I didn't 'get' the Lake District
A new day sprays my room with colors and dust particles and light rays like underwater sleep and showers. There are chemicals to be blasted, jackhammers with holes to pound into mountainsides This house looks like you and it was built in my honor. Every time I climb the stairs, I hold your hand Every wall, every angle, every archway, every door They're all your eyes, your lungs, your veins I revere in your deep colors. Arms outstretched, a temple flattened We will make our patterns loud and our faces heard. I'd rather destroy this landmark than soil it with people And their idea of success or power or God. We are God. It's time we shout it. We may not have every planet. Or the stars Or the souls and tears of a million followers, But we have knowledge. We have wisdom. We have a healthy curiosity for more. In this, we are the kings of our own world We wear the crown of daisies and clouds Muses are alive in every forest, every fence Every field that we have wandered without sense Every breath we have taken in this gulch. When you looked at me, you didn't have to say anything. I knew you were mine. I didn't have to say it. And I wouldn't have given you the satisfaction in doing so. This is a calling for every American soul aching to be free I yearn for a revolutionary who will hold this man With this face: no fear, no guilt, no pain In the face of a billion firing squads, At the edge of the gallows With nooses around our necks. This is a calling for a patriot: "I threw that statue down the elevator shaft Because I love you."
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Oct 15, 2010
Oct 15, 2010 at 9:25 AM UTC
Old Golden Statues
A new day sprays my room with colors and dust particles and light rays like underwater sleep and showers. There are chemicals to be blasted, jackhammers with holes to pound into mountainsides This house looks like you and it was built in my honor. Every time I climb the stairs, I hold your hand Every wall, every angle, every archway, every door They're all your eyes, your lungs, your veins I revere in your deep colors. Arms outstretched, a temple flattened We will make our patterns loud and our faces heard. I'd rather destroy this landmark than soil it with people And their idea of success or power or God. We are God. It's time we shout it. We may not have every planet. Or the stars Or the souls and tears of a million followers, But we have knowledge. We have wisdom. We have a healthy curiosity for more. In this, we are the kings of our own world We wear the crown of daisies and clouds Muses are alive in every forest, every fence Every field that we have wandered without sense Every breath we have taken in this gulch. When you looked at me, you didn't have to say anything. I knew you were mine. I didn't have to say it. And I wouldn't have given you the satisfaction in doing so. This is a calling for every American soul aching to be free I yearn for a revolutionary who will hold this man With this face: no fear, no guilt, no pain In the face of a billion firing squads, At the edge of the gallows With nooses around our necks. This is a calling for a patriot: "I threw that statue down the elevator shaft Because I love you."
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37
Infinity on end The hourglass has fallen and time continues to pretend With grains of sand spread far and wide They cover hilltops and mountainsides They paint the world an unearthly glow But all that glitters is not gold Yet here in our little bubble, ignorance is bliss But just beneath the surface we know not what we miss Cos while we think we live, we live only for the puppeteer To cut the strings Is to switch off the life support, rebel To flip the switch Is nothing but a one way ticket to Hell Or so they’d have us believe Edges on display The shiny glass has broken, fragments scatter in disarray With shards of glass spread far and wide They cover oceans and countryside They paint the world with unearthly snow But all that glitters is not gold Here they give us nothing, yet we honour and obey So what have we got to lose, of what are we afraid? Cos while we think we live, we live only for the puppeteer To grow our wings Is to remove the safety net in place To cut the strings Is nothing but an almighty fall from grace Or so they’d have us believe Eternity’s end The hourglass has shattered and the puppeteer descends With freedom now spread far and wide The tainted earth is purified The strings are burned to ashes and dust Leaving all that glittered now to rust Now we see the world in truth, no more ventriloquism We see it all; the black and blue; why not embrace the crimson? Copyright ©2016-2017 KF
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Dec 14, 2016
Dec 14, 2016 at 7:21 PM UTC
Infinity On End
Sixteen children watched as I played a video of unimaginable horror. The planet misbehaving water turning into tumbling concrete boats heaved up mountainsides helplessness too small a word. It is important to bring the world into the classroom and I put my misgivings aside trusting the children to understand. They had seen the images already, could say 'Tsunami', didn't laugh, though the scene was ridiculous. I was proud of them. Perhaps we will write to Japanese children and wish them well. Ten minutes later, Harvey pushed Aaron off his chair and all hell broke loose.
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Mar 16, 2011
Mar 16, 2011 at 12:54 PM UTC
Small Things Still Happen
a bird on a wire anxiously tweets outside my Good Friday pane The Carl Vinson battle group plies the China Seas rolling through waves like a deadly Tsunami MOABS plaster mountainsides, commanders are certain the right bomb, for the right job produced a righteous body count Tomahawks strafe another Syrian neighborhood, already desperately choking on the stench of corpses “Crucify Him!” They shout “We want blood!” “Give em a good scourging” Before we place a crown of thorns on his head Let the blood drip pierce him with a pike, let it all spill out The pundits sanctify the sacraments of death with strategic acuity Just another day in a closer walk with Thee, for the Pilgrims of Sorrow Music: Soul Stirrers, Pilgrim of Sorrow Painting: The Road of Sorrows Nina Marchenko Good Friday 2017 Lavallette NJ jbm
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Apr 14, 2017
Apr 14, 2017 at 6:08 PM UTC
a closer walk
beneath   her   feet    her   most  daring    feet    that  traversed    the murky waters    of    dawn, past  mountainsides   of  prayers,   stallions  the blackest mare    love combined,  daresay   silence   annuls    the    noise   of heart   and the  shadow    casts its  darkest immaterial   stone beneath    her   feet     her  most  daring     feet     the    dead    continue     to   bury the   living    and the    living    excites     the    demanded hue   of another   blue      to hold close   into the   sky      whose    also    darling   feet   dangle      much    like     water’s    fervent  collapse     mantling   the   rivers,    miles you have    walked   without     images    of I beneath her    feet    her most   beautiful    feet     we   go   wind  by   wind in   excess     of    days     in   the night’s   blackest   dress    soiled   by     light    is inmost    dance   instep,      curated   from   machineries    beneath her feet     your     feet    I    adore   which   bony prominences    hurdle    me     weak,    ruined, where    I    lay   is   always  the   cradle    of   Earth    your    feet and   I beneath   them,   emerging   from   the  possible   life     of    leaves   in   birdflight, beneath    your    feet     your     cold    feet,   unrelenting on    the    unkind    tomb   of   my body       your   swift   drop    of    feet,  their superfluous   coming-and-going    love    landing    on my  body – trampled,   weighed down   beneath   your    feet,     your    most darling    feet.
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Mar 25, 2016
Mar 25, 2016 at 4:25 AM UTC
Beneath Her Feet
beneath   her   feet    her   most  daring    feet    that  traversed    the murky waters    of    dawn, past  mountainsides   of  prayers,   stallions  the blackest mare    love combined,  daresay   silence   annuls    the    noise   of heart   and the  shadow    casts its  darkest immaterial   stone beneath    her   feet     her  most  daring     feet     the    dead    continue     to   bury the   living    and the    living    excites     the    demanded hue   of another   blue      to hold close   into the   sky      whose    also    darling   feet   dangle      much    like     water’s    fervent  collapse     mantling   the   rivers,    miles you have    walked   without     images    of I beneath her    feet    her most   beautiful    feet     we   go   wind  by   wind in   excess     of    days     in   the night’s   blackest   dress    soiled   by     light    is inmost    dance   instep,      curated   from   machineries    beneath her feet     your     feet    I    adore   which   bony prominences    hurdle    me     weak,    ruined, where    I    lay   is   always  the   cradle    of   Earth    your    feet and   I beneath   them,   emerging   from   the  possible   life     of    leaves   in   birdflight, beneath    your    feet     your     cold    feet,   unrelenting on    the    unkind    tomb   of   my body       your   swift   drop    of    feet,  their superfluous   coming-and-going    love    landing    on my  body – trampled,   weighed down   beneath   your    feet,     your    most darling    feet.
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He and I are the same: umbrellas on sunny days, nothing in the rain and shivering, slightly, in the warmth of sunny rooms. His gentle face watches me walk through the door and he paces the floor looking for a rhyme that will hold me, neat like the sonnet he’s folding                     my quiet dear, who walked in shadowed rooms                     forever, noticed slightly dimming lights                     and slighter changes in the weather, afternoons                     with showers, clear and starry nights.                     she smelled like air and puddles on the street                     The rosy blush of clouds after a storm--                     the pinkish blush of clouds after a storm--                     the white and empty sky after a storm-- He admits defeat, and again we are the same, afraid to speak each other’s names, waiting for rhymes that would’t come, or never came. But we could slink back into the mountainsides, coastlines, deep tree recessions and rain-filled nights, you and I.  Be brave and build a home, a bed and a desk, fill up our books with poems about the weather, the curves of our necks, lay our words in the soil of the cold, careful northwest.
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Aug 2, 2012
Aug 2, 2012 at 10:31 PM UTC
Untitled in Rhyme
When I’m with you, I feel beautiful. I feel as though the world around us fades away, and all that’s left is you, me, and the sound. The sound of our hearts singing out in harmony. The warmth of our lips touching, ever-so gently. So gently that the butterflies inside of me weep out the sweetest nectar that has ever been made. When I’m with you, I feel alive, I feel giddy, and wild, and free. So free that I can barely keep from leaping off mountainsides In hopes that I may soar, Away from all the troubles And into your loving arms.
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Sep 17, 2012
Sep 17, 2012 at 1:01 AM UTC
With You
Had I not waltzed out into that fair night And faded off into the autumn air, As such would be the loss I dared endure If ever such a life I failed to spare. If I had been aware of such a place Where blissful contemplation often floats About in clouds of radiating light, Perhaps I would find her there. But even though the sturdiest of walls Could stand in front of her, or deepest moats Rest along her path in peaceful currents, A barrier is yet a broken limit. Or had she stood atop the tallest peak Of ever treacherous vertical slate, Could I simply stare blindly to that spire As though she held the sun within her arms? Or could I put my life to such a test; Perhaps within a split-second decision, That light which draws me in may never die But even so, I still aspire to fire. Or could my own propulsion bring me up Along those horrifying mountainsides? If not the danger, then the fear itself Would lend itself to me and take its toll. But had I ever reached that daunting spire And gazed upon her ever lovely hair, She’d simply spread her wings and fly away, And leave me in the howling autumn air.
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Mar 17, 2014
Mar 17, 2014 at 9:15 PM UTC
Something Splendid
we don’t hold hands but it’s okay i build back my own heart to not burden you with expectations i rear-end an old man on the way to your house my heart keeps beating even when the car turns off and when i look at you it doesn’t stop stuttering i’m so wound tight but the hours grow softly into one another until i have to remind myself to wind up again: i need to leave, so i shroud myself in a satin second skin perfect for saying good bye i drive away we didn’t kiss that’s okay there are no expectations my gut twists painfully as i’ve always wished i could be more bold i sleep fast caught between two mountainsides and there’s no time to ask myself when it’ll all end
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Jan 3, 2023
Jan 3, 2023 at 1:32 PM UTC
1st date