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"moran" poems
Cold beer, a long necked bottle held to my forehead and in my throat, to my lips, so relief comes both ways, glad for it, the double of the cool, helps the day of troubled nothingness, and the long necked bottle makes it worth the extra second of anticipated tasty wait can't drink in the river park, don't cotton to brown paper bags, do it anyway cause the East River tides me over on its way thru the Verrazano Narrows, bound for the Atlantic with me low rider spirit in tow, a devil may care attitude en contrôle this troubadour opened the store at 700am but not a one came looking for a song, but the mail came reliable, with dues due, promises that need keeping, and other items, what the grownups call responsibilities June Monday early eve and the Moran tugboats ply their trade like reliable ****** to the sailors, and their larger than bathtub size toys, turning containers, freighters, into docile boys who do as they are told on their way to ports far there are stick figures outlined on the hexagon paving stones that are so nyc for me, here pedestrian! follow your designated path here pedestrian, you must walk to be safe arrived but I take to the railing, where  Isaac-bound and mesmerized, I imagine surfing the churning wakes on the surface of the riveting tides and wonderous wanderlust for where we are bound... no voice heard from the heavens, saying Abraham put down that knife, because I have not passed the test of true belief, perhaps the river's invitation is my test, if I should sing another song here, perhaps it will tale the end of this tell...
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Jun 16, 2014
Jun 16, 2014 at 7:24 PM UTC
By the East River, a Cold Beer, on My Forehead...
Cold beer, a long necked bottle held to my forehead and in my throat, to my lips, so relief comes both ways, glad for it, the double of the cool, helps the day of troubled nothingness, and the long necked bottle makes it worth the extra second of anticipated tasty wait can't drink in the river park, don't cotton to brown paper bags, do it anyway cause the East River tides me over on its way thru the Verrazano Narrows, bound for the Atlantic with me low rider spirit in tow, a devil may care attitude en contrôle this troubadour opened the store at 700am but not a one came looking for a song, but the mail came reliable, with dues due, promises that need keeping, and other items, what the grownups call responsibilities June Monday early eve and the Moran tugboats ply their trade like reliable ****** to the sailors, and their larger than bathtub size toys, turning containers, freighters, into docile boys who do as they are told on their way to ports far there are stick figures outlined on the hexagon paving stones that are so nyc for me, here pedestrian! follow your designated path here pedestrian, you must walk to be safe arrived but I take to the railing, where  Isaac-bound and mesmerized, I imagine surfing the churning wakes on the surface of the riveting tides and wonderous wanderlust for where we are bound... no voice heard from the heavens, saying Abraham put down that knife, because I have not passed the test of true belief, perhaps the river's invitation is my test, if I should sing another song here, perhaps it will tale the end of this tell...
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44
I live in Moshi,Tanzania, As a child,one day I got lost, A maasai took me to his home. He lived at the foothills of the majestic Mt.Kilimanjaro, His home was a kraal (hut) made of  stone,sticks and cow dung. I cried for my parents, So he fed me milk and blood from a cow, He pierced a hole in the cow's neck, He put a bamboo and told me to drink the blood, It was warm but I vomited, Gradually, I got used to it. The maasai's  way of life is communilism, Hunting,gathering and raiding neighbours cattle. Theirs is an age set system for men, The children look after the herd, I joined them having fun, No  school, no lessons or homework. Then,there were the Morans,the youths, They wore black **** cloths, Carried a spear in one hand, Their faces were painted with white ochre. They protected the clan and the cattle, From predators and other tribes. They lived in a circle of huts called manyatta. After being circumcised the Morans were taught the art of warfare The bravest warrior got to wear the feathers of an ostrich. The senior morans could marry and settle down, The Moran who jumped the highest got the best girl. The Laigewenanis trained the morans to be warriors, My maasai was a laigwenani, Like all maasais, he was tall and lean, He wore a bright red shuka cloth with black stripes, A red tartan blanket was slung on his shoulder, He always held a long bladed stabbing spear, His long hair was tightly braided, He had ochre painted on his body, He had no children and treated me like his son, He would take me to teach the morans about warfare. But,he had to take the permission of the chief, the Laibon. The Laibons were the chief religious leaders, They settled disputes, They decided when and on whom to attack. Luckily,after two months my maasai and I had gone to a game reserve for hunting, A game warden found me. He alerted the police and I was taken home safely. But,I missed my maasai and their pastoral way of life.
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Apr 17, 2018
Apr 17, 2018 at 5:12 PM UTC
Maasai Way Of Life
I live in Moshi,Tanzania, As a child,one day I got lost, A maasai took me to his home. He lived at the foothills of the majestic Mt.Kilimanjaro, His home was a kraal (hut) made of  stone,sticks and cow dung. I cried for my parents, So he fed me milk and blood from a cow, He pierced a hole in the cow's neck, He put a bamboo and told me to drink the blood, It was warm but I vomited, Gradually, I got used to it. The maasai's  way of life is communilism, Hunting,gathering and raiding neighbours cattle. Theirs is an age set system for men, The children look after the herd, I joined them having fun, No  school, no lessons or homework. Then,there were the Morans,the youths, They wore black **** cloths, Carried a spear in one hand, Their faces were painted with white ochre. They protected the clan and the cattle, From predators and other tribes. They lived in a circle of huts called manyatta. After being circumcised the Morans were taught the art of warfare The bravest warrior got to wear the feathers of an ostrich. The senior morans could marry and settle down, The Moran who jumped the highest got the best girl. The Laigewenanis trained the morans to be warriors, My maasai was a laigwenani, Like all maasais, he was tall and lean, He wore a bright red shuka cloth with black stripes, A red tartan blanket was slung on his shoulder, He always held a long bladed stabbing spear, His long hair was tightly braided, He had ochre painted on his body, He had no children and treated me like his son, He would take me to teach the morans about warfare. But,he had to take the permission of the chief, the Laibon. The Laibons were the chief religious leaders, They settled disputes, They decided when and on whom to attack. Luckily,after two months my maasai and I had gone to a game reserve for hunting, A game warden found me. He alerted the police and I was taken home safely. But,I missed my maasai and their pastoral way of life.
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47
Mary Moran can I see you a minute please? Sister Agnes said   Mary nodded and followed the nun along the school corridor walked past the statue of the ****** Mary (no relation) and into a small office where the nun closed the door after them sit down the nun said Mary sat down crossed her legs pulled the hem of her school skirt over her knees and looked at the nun blankly do you know why you are here? you asked me to come Mary replied ********* (she hoped secretly) the rim of her school knickers into a more comfortable place unmoving face the nun sighed and sat at a desk and put her hands into a prayer mode rudeness and disobedience the nun said that's why you're here Mary looked past the nun at the Crucified on the wall behind dark brown wood suntanned figure dark nails holding the hands and feet in place and rumours of you spreading rumours about Sister Lucy and Father Joseph what rumour is that? Mary said leaving the Crucified and gazing at the nun you know the nun said how can I know if you don't tell me Mary said the nun slapped the desk top and said dont try it on with me young lady I'm not to be played with (Mary hoped the nun wouldn't contact her parents her da was not in the mood for bad news right now and last time the nuns contacted them about her he tanned her behind with his big hand but that was years ago now and well she was 14 now and the hag seemed happy just to moan so) rudeness and disobedience? Mary said me being such? the nun nodded her black and white covered head yes you Moran and the spreading of the rumours Mary looked at the Crucified again he hadn't moved her fingers had sorted the knickers rim out to comfortableness I'm sorry Mary said it's my menstrual mood swings it gets to me and after I feel so ashamed that I kneel down in front of the statue of St Therese and ask for forgiveness so I do the nun sat steely faced her thin fingers joined forming a kind of church structure is that so? the nun said Mary nodded then you will see Father Joseph and confess to him and see what he says about it Sister Agnes said eyeing Mary as she stood and walked from the room swaying her small behind and muttered to herself there's none so blind as those that want to be blind and the girl had gone an odd smell of perfume being left behind.
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Jan 13, 2016
Jan 13, 2016 at 3:16 AM UTC
PERFUME LEFT BEHIND 1963
Mary Moran can I see you a minute please? Sister Agnes said   Mary nodded and followed the nun along the school corridor walked past the statue of the ****** Mary (no relation) and into a small office where the nun closed the door after them sit down the nun said Mary sat down crossed her legs pulled the hem of her school skirt over her knees and looked at the nun blankly do you know why you are here? you asked me to come Mary replied ********* (she hoped secretly) the rim of her school knickers into a more comfortable place unmoving face the nun sighed and sat at a desk and put her hands into a prayer mode rudeness and disobedience the nun said that's why you're here Mary looked past the nun at the Crucified on the wall behind dark brown wood suntanned figure dark nails holding the hands and feet in place and rumours of you spreading rumours about Sister Lucy and Father Joseph what rumour is that? Mary said leaving the Crucified and gazing at the nun you know the nun said how can I know if you don't tell me Mary said the nun slapped the desk top and said dont try it on with me young lady I'm not to be played with (Mary hoped the nun wouldn't contact her parents her da was not in the mood for bad news right now and last time the nuns contacted them about her he tanned her behind with his big hand but that was years ago now and well she was 14 now and the hag seemed happy just to moan so) rudeness and disobedience? Mary said me being such? the nun nodded her black and white covered head yes you Moran and the spreading of the rumours Mary looked at the Crucified again he hadn't moved her fingers had sorted the knickers rim out to comfortableness I'm sorry Mary said it's my menstrual mood swings it gets to me and after I feel so ashamed that I kneel down in front of the statue of St Therese and ask for forgiveness so I do the nun sat steely faced her thin fingers joined forming a kind of church structure is that so? the nun said Mary nodded then you will see Father Joseph and confess to him and see what he says about it Sister Agnes said eyeing Mary as she stood and walked from the room swaying her small behind and muttered to herself there's none so blind as those that want to be blind and the girl had gone an odd smell of perfume being left behind.
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110
Sit down, the nun says, bringing Magdalene into her office, pointing to a chair opposite her desk. The nun eyes her seriously, her face framed in a black and white headpiece, her hands on the table in front of her palms down. Magdalene sits and stares at her shoes. Do you know why you are here? the nun says. You asked me to come in here, Magdalene replies, lifting her eyes to the nun's face. The reason why I asked you to come here? the nun says firmly. Magdalene shakes her head, fidgets in the chair. The nun sits back in her chair and stares coldly. Silence fills the room and Magdalene moves back in her chair, crossing her legs at the ankles. There have been reports of you and Mary Moran being seen entering a toilet cubicle together, is that true? the nun says, head to one side as if her neck had snapped. Magdalene shakes her head, no, who'd say such a thing? What wormy **** would say that? Magdalene says. The nun eyes her colder. Sister Bridget saw you, the nun says. With or without her glasses, Magdalene says, she's a bit short-sighted, she often mistakes me for the Murphy boy. The nun stares and shakes her head and says, you should show respect to the nuns, and not try to score points off of other's disabilities. Magdalene looks at the nun's hands on the desktop, tapping away on the old wood. I was not with Mary Moran; I was on my own, and why would Sister Bridget be spying on me going to the bog? Magdalene says. The nun slams her hand down on the desktop, and says, DO NOT BE SO RUDE AND TELL THE TRUTH. Magdalene stares at the slammed down hand; once it had slapped her thighs as a young girl in R.E, for not raising her hand to leave the room for a *** now she just stares at the nun and says, that's the truth after all said and done, cross my heart and hope to die. The nun rambles on, but Magdalene no longer listens, recalls the kiss on Mary's lips, and the spark in the nun's eyes that glistens.
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Feb 26, 2016
Feb 26, 2016 at 2:50 AM UTC
ENCOUNTER WITH A NUN 1963.
Sit down, the nun says, bringing Magdalene into her office, pointing to a chair opposite her desk. The nun eyes her seriously, her face framed in a black and white headpiece, her hands on the table in front of her palms down. Magdalene sits and stares at her shoes. Do you know why you are here? the nun says. You asked me to come in here, Magdalene replies, lifting her eyes to the nun's face. The reason why I asked you to come here? the nun says firmly. Magdalene shakes her head, fidgets in the chair. The nun sits back in her chair and stares coldly. Silence fills the room and Magdalene moves back in her chair, crossing her legs at the ankles. There have been reports of you and Mary Moran being seen entering a toilet cubicle together, is that true? the nun says, head to one side as if her neck had snapped. Magdalene shakes her head, no, who'd say such a thing? What wormy **** would say that? Magdalene says. The nun eyes her colder. Sister Bridget saw you, the nun says. With or without her glasses, Magdalene says, she's a bit short-sighted, she often mistakes me for the Murphy boy. The nun stares and shakes her head and says, you should show respect to the nuns, and not try to score points off of other's disabilities. Magdalene looks at the nun's hands on the desktop, tapping away on the old wood. I was not with Mary Moran; I was on my own, and why would Sister Bridget be spying on me going to the bog? Magdalene says. The nun slams her hand down on the desktop, and says, DO NOT BE SO RUDE AND TELL THE TRUTH. Magdalene stares at the slammed down hand; once it had slapped her thighs as a young girl in R.E, for not raising her hand to leave the room for a *** now she just stares at the nun and says, that's the truth after all said and done, cross my heart and hope to die. The nun rambles on, but Magdalene no longer listens, recalls the kiss on Mary's lips, and the spark in the nun's eyes that glistens.
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104
Al son de músicas dolientes -rabeles, guzlas y laúdes- por cerros, llanos y taludes o por senderos y pendientes... Al son de músicas dolientes van a caza de los nepentes por las extrañas latitudes: por donde moran las virtudes 1 siempre vibrantes y latentes... Van a caza de los nepentes, locos poetas incoherentes -flora de exóticas paludes- afiebrados de lasitudes -pálidos fantasmas huyentes, locos poetas incoherentes...- Al son de músicas dolientes, -rabeles, guzlas y laúdes en medio a las vicisitudes de andar a caza del nepentes, van los poetas incoherentes por las extrañas latitudes... al són de músicas dolientes -rabeles, guzlas y laúdes-
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1.6k
Arietas
Martha takes the crucifix (light wooden cross and well crafted plaster Christ) to bed with her snuggles the Crucified beneath blankets and sheet looks at Him strokes His nailed feet kisses His nailed hands curled and wonders if He will open His eyes and stare at her maybe search her out and maybe say keeping me warm counts as a blessing but He doesn't His eyes half closed look down His lips say nothing the hands are warming no longer cold from being left in the box in the junk shop as she snuggles down there she whispers have you heard that rumour Mary Moran's been saying? About Sister Lucy and Father Joseph? Is it true? She asks bringing the Crucified's head close her lips I mean You would know if anyone does and well it is doing the rounds in the girl's toilets at the moment although Da says not to listen to gossip especially about nuns and priests he says but is it true? She asks the Crucified eyeing His eyes half closed or open depending how you look He says nothing just silence except for her stomach rumbling (she has given up supper for penance) and by the way that boy Jimmy O'Brien looks at me kind of weird the idjit as if he'd something on his mind I’m not like Mary with the boys and touching and such she kisses the crown of thorns head the plaster dark hair the red lipsticked Crucified clutched close to her small breast eyes half open or closed at rest.
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Jan 15, 2016
Jan 15, 2016 at 6:21 AM UTC
CRUCIFIED AND MARTHA 1963.
Martha Maguire sits in the back pew of the church cigarette between fingers, smoke drifting slowly to the high beams and tiled roof, her blue eyes focusing on the Crucified His arms stretched wide His head lowered His eyes shut the skimpy cloth about His midriff nails in hands and feet and wound in the side a slit of red paint revealed,   she takes a drag on the cigarette, inhales deeply holds the cigarette just away from her lips and with no effort releases the smoke in a steady stream over the pew in front, the Crucified's skin has a yellowy sheen to it, the crown of thorns have acquired cobwebs and dust, only her in the church silence except for distant traffic, Magdalene had talked of the priest and one of the nuns and some kind of thing going on, Martha muses watching the smoke rise, the young priest not the old codger, which nun was it? not St Agnes that's for sure she'd only *** out of her thingamajig, as would most of the sisters no doubt, Sister Lucy was it? maybe can't recall the gossip, she inhales deeply again scratches an itch on her thigh, Mary Moran and her ways with the boys and she only fourteen too as am I, she smiles recalling what Mary said of Brian Brady and what he tried to do put your hand in some other girl's private place not mine she said she said, the Crucified hangs in silence not a word not a judgement, some days she's sure His head lifts and He gazes at her with an awkward smile, His eyes half open the **** thorns pushing His hair over His eyes, the door at the far end opens and the young priest enters in his black garb like a young rook on the prowl, he genuflects and makes the sign of the cross, then peers down towards Martha who hides her cigarette out of sight, the smoke drifting less so but under the lower pews, he looks away goes to the altar fiddles with things goes to the tabernacle and opens the door and fiddles inside, she looks at her cigarette, lowers her head and takes a swift inhalation, then sits back up gazes at the priest **** arsing about, the cigarette between fingers out of sight, and she thinking if it was the priest and Sister Luke and the carrying ons and what and where if so, anyway she muses letting the smoke drift from her lips what do they know?
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Jan 1, 2016
Jan 1, 2016 at 4:21 AM UTC
MARTHA MAGUIRE'S SMOKE 1963.
Martha Maguire sits in the back pew of the church cigarette between fingers, smoke drifting slowly to the high beams and tiled roof, her blue eyes focusing on the Crucified His arms stretched wide His head lowered His eyes shut the skimpy cloth about His midriff nails in hands and feet and wound in the side a slit of red paint revealed,   she takes a drag on the cigarette, inhales deeply holds the cigarette just away from her lips and with no effort releases the smoke in a steady stream over the pew in front, the Crucified's skin has a yellowy sheen to it, the crown of thorns have acquired cobwebs and dust, only her in the church silence except for distant traffic, Magdalene had talked of the priest and one of the nuns and some kind of thing going on, Martha muses watching the smoke rise, the young priest not the old codger, which nun was it? not St Agnes that's for sure she'd only *** out of her thingamajig, as would most of the sisters no doubt, Sister Lucy was it? maybe can't recall the gossip, she inhales deeply again scratches an itch on her thigh, Mary Moran and her ways with the boys and she only fourteen too as am I, she smiles recalling what Mary said of Brian Brady and what he tried to do put your hand in some other girl's private place not mine she said she said, the Crucified hangs in silence not a word not a judgement, some days she's sure His head lifts and He gazes at her with an awkward smile, His eyes half open the **** thorns pushing His hair over His eyes, the door at the far end opens and the young priest enters in his black garb like a young rook on the prowl, he genuflects and makes the sign of the cross, then peers down towards Martha who hides her cigarette out of sight, the smoke drifting less so but under the lower pews, he looks away goes to the altar fiddles with things goes to the tabernacle and opens the door and fiddles inside, she looks at her cigarette, lowers her head and takes a swift inhalation, then sits back up gazes at the priest **** arsing about, the cigarette between fingers out of sight, and she thinking if it was the priest and Sister Luke and the carrying ons and what and where if so, anyway she muses letting the smoke drift from her lips what do they know?
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97
Magdalene waits in the passage for Mary to come. Other girls pass by hurrying on to the next lesson. Mary comes along swinging her satchel over her shoulder, cursing. If that old fart’s teaching next term I’m off to join the convent and be a ******* nun, she says, looking back along the passage, her face flustered, her hair in her eyes. Magdalene says, what up? Has old Murphy had a go at you again? Mary sighs, moves along the passage and Magdalene follows, her eyes moving over Mary’s swaying hips, taking in her thighs outlined by her school skirt. Old Murphy’s long overdue to retire, Mary says, she should be in the graveyard of St Luke’s with dog’s ***** on her tombstone. She and Magdalene pause by the girl’s toilets, then enter in, making sure there’s no one in there, before they quickly and greedily kiss. They part and stand back staring at each other. I needed that, Magdalene says, all through R.E. I’ve thought of it, despite Fr Gragin going on about the Blessed Trinity. Mary says, I’d have done the same if the old **** hadn’t been on about the Civil War and what do I care? Mary Moran, says she, will you stop chewing gum and sit on four legs of the chair. I think she was after to giving me the ruler across my palms, instead she gave me 500 lines on how to sit on a chair and listen. They move to the mirror and attend to their hair and faces. Far off a bell rings. They look at their reflections in the mirror. They look at each other, then and touch hands and lips and part, one to double maths, the other to boring craft and art.
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Apr 29, 2012
Apr 29, 2012 at 10:43 AM UTC
BETWEEN LESSONS.
Magdalene waits in the passage for Mary to come. Other girls pass by hurrying on to the next lesson. Mary comes along swinging her satchel over her shoulder, cursing. If that old fart’s teaching next term I’m off to join the convent and be a ******* nun, she says, looking back along the passage, her face flustered, her hair in her eyes. Magdalene says, what up? Has old Murphy had a go at you again? Mary sighs, moves along the passage and Magdalene follows, her eyes moving over Mary’s swaying hips, taking in her thighs outlined by her school skirt. Old Murphy’s long overdue to retire, Mary says, she should be in the graveyard of St Luke’s with dog’s ***** on her tombstone. She and Magdalene pause by the girl’s toilets, then enter in, making sure there’s no one in there, before they quickly and greedily kiss. They part and stand back staring at each other. I needed that, Magdalene says, all through R.E. I’ve thought of it, despite Fr Gragin going on about the Blessed Trinity. Mary says, I’d have done the same if the old **** hadn’t been on about the Civil War and what do I care? Mary Moran, says she, will you stop chewing gum and sit on four legs of the chair. I think she was after to giving me the ruler across my palms, instead she gave me 500 lines on how to sit on a chair and listen. They move to the mirror and attend to their hair and faces. Far off a bell rings. They look at their reflections in the mirror. They look at each other, then and touch hands and lips and part, one to double maths, the other to boring craft and art.
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41
I had finished tonight, Readings done tea drunk Then as I tried to sleep I picked up my phone I read a poem from girl a who feels alone Betrayed by a boy who cherished another Emotionally hurt and so in pain Yet she wrote about it She wrote in imagery that moved me My day was as abhorrent as hers yet I had no words I couldn't write as she did nor paint the picture She apologized for her outburst The most moving soul bearing write Yet apologized. So long as she writes an old **** like me will read To be reminded of the love hurt pain and joy To feel life, to be moved May I suggest you sample her world Live a day of her life in words and be humbled Bad day-bad times Katy Moran Then tell me if I'm wrong.
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Apr 18, 2013
Apr 18, 2013 at 8:53 PM UTC
Alone
Cuando estoy en Madrid, las cucarachas de mi casa protestan porque leo por las     noches. La luz no las anima a salir de sus escondrijos, y pierden de ese modo la oportunidad de pasearse por     mi dormitorio, lugar hacia el que                               -por oscuras razones- se sienten irresistiblemente atraídas. Ahora hablan de presentar un escrito de queja al     presidente de la república, y yo me pregunto: ¿en qué país se creerán que viven?; estas cucarachas no leen los periódicos. Lo que a ellas les gusta es que yo me emborrache y baile tangos hasta la madrugada, para así practicar sin riesgo alguno su merodeo incesante y sin sentido, a ciegas por las anchas baldosas de mi alcoba. A veces las complazco, no porque tenga en cuenta sus deseos, sino porque me siento irresistiblemente atraído, por oscuras razones, hacia ciertos lugares muy mal iluminados en los que me demoro sin plan preconcebido hasta que el sol naciente anuncia un nuevo día. Ya de regreso en casa, cuando me cruzo por el pasillo con sus pequeños cuerpos     que se evaden con torpeza y con miedo hacia las grietas sombrías donde moran, les deseo buenas noches a destiempo -pero de corazón, sinceramente-, reconociendo en mí su incertidumbre, su inoportunidad, su fotofobia, y otras muchas tendencias y actitudes que -lamento decirlo- hablan poco en favor de esos ortópteros.
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900
Dato biográfico
Ya cabalga Diego Ordóñez,   ya del real había salido, armado de piezas dobles,   sobre un caballo morcillo; va a retar a los zamoranos,   por muerte del rey su primo. Vido estar a Arias Gonzalo   en el muro del castillo; allí detuvo el caballo,   levantóse en los estribos: -¡Yo os reto, los zamoranos,   por traidores fementidos! ¡Reto a mancebos y viejos,   reto a mujeres y niños, reto también a los muertos   y a los que aún no son nacidos; reto la tierra que moran,   reto yerbas, panes, vinos, desde las hojas del monte   hasta las piedras del río, pues fuisteis en la traición   del alevoso Vellido! Respondióle Arias Gonzalo,   como viejo comedido: -Si yo fuera cual tú dices,   no debiera ser nacido. Bien hablas como valiente,   pero no como entendido. ¿Qué culpa tienen los muertos   en lo que hacen los vivos? Y en lo que los hombres hacen,   ¿qué culpa tienen los niños? Dejéis en paz a los muertos,   sacad del reto a los niños, y por todo lo demás   yo habré de lidiar contigo. Más bien sabes que en España   antigua costumbre ha sido que hombre que reta a concejo   haya de lidiar con cinco, y si uno de ellos le vence,   el concejo queda quito.  Don Diego cuando esto oyera   algo fuera arrepentido; mas sin mostrar cobardía,   dijo: -Afírmome a lo dicho.
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852
Romance xvii con el reto de diego ordóñez
ERIN MORAN FROM HAPPY DAYS HAS SUDDENLY PASSED AWAY FONZIE IS GRIEVING BADLY CHACHI IS EXTREMELY SAD MARION IS HEART BROKEN AND RALPH IS VERY MAD HAPPY DAYS WAS A GREAT SHOW AND WHAT AN INCREDIBLE CAST IT WILL STAY IN OUR MEMORIES AND LIVE IN OUR HEARTS AND THERE IT WILL ALWAYS LAST
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Apr 26, 2017
Apr 26, 2017 at 10:31 PM UTC
ERIN MORAN HAPPY DAYS
a reply to caitlin moran's 27/5/2017 article: 'i know the question that every woman should ask all the men in her life now. how i lost my virginity?    beautiful girl... isabella, from grenoble, third year psychology exchange student...        yep... we were both drunk...      and in her dreamy, rather than an unconscious state... she asked me to put on a ******   which i did...            i can't even remember if i ecajulated; so she was responsive enough to, later not press charges to the university authority; so yeah... **** culture? anything to add about the girl?      yep... she loved japanese cartoons, studio ghibli esp.; so no, i didn't loose my virginity                                                to a sex-bot.
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May 27, 2017
May 27, 2017 at 8:26 AM UTC
****** mary
Mary Moran rolls a cigarette between fingers and thumbs, liberated tobacco and paper from her da's pocket, if he knew he'd belt her behind, she licks the paper end with her damp tongue, rolls it thin and lights it up with a Swan Vesta stole from her ma's kitchen box, Magdalene she'd met at the coffee bar had a laugh talked of Sister Bridget and the priest and some going ons, sweet Mags gazed at her placed a hand on her thigh talked of her da, the smoke rises from the ciggie skyward cloud like, Martha sat sipping her coffee ********* her rosary in the bar like Brian fingers my bra strap the loon, Mary knows what Brian is after he's more chance of the pox than that she muses watching the smoke twirl as it touches the roof of the greenhouse glass, if Da found me now he'd tan my *** she muses inhaling deeper lungful drag, the priest in confessions (the old boy)nigh on had a heart attack when she confessed the weeks worth, spluttering she heard through the wire mesh of the confessional, Magdalene wants me to go listen to LPs on her record player in her room away from her da and ma and their moans and groans, Martha with her blue eyes stared at the crucifix on her rosary like a lovesick cow as they sipped their coffee and yakked of the priest and nun and imagined fun.
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Dec 29, 2015
Dec 29, 2015 at 10:18 AM UTC
TIPPERARY MARY 1963.
The nun watched the girl Moran stub out a cigarette by the cycle sheds, and flick it away. She watched her put hands in the pockets of her coat, and saunter back towards school. Mary entered by the double doors of the school, and the nun stopped her raising an open hand towards her. Want a word with you, Moran, the nun said, eyeing the girl, taking in the bright of eyes, the pouting lips. What's up? Mary said, I've lessons to be getting to, and you know what the Bridget's like if we're late, half wets herself with anger, so she does. Hush yourself, the nun said, and follow me. Mary followed the nun into a side room, and the nun shut the door behind them. Sit down, the nun said, and peered at Mary with her dark eyes. Mary sat and looked at her hands in her lap. I saw you smoking by the cycle sheds, the nun said, and smoking is not permitted in the school or grounds. Was I smoking? Mary said, don't recall smoking, may have been the cold air; sometimes when you breathe out it looks like smoke, but it's just cold air. It was smoke; I saw you stub out the cigarette and flick it away, the nun said, walking in front of Mary, hands tucked inside her black habit out of sight. Was it a cigarette? I had gum; you may have seen me flick that away, Mary suggested. The nun stood still; stony faced. It was a cigarette I saw, the nun stated. I see, Mary said, funny what you can forget, if you're not paying attention to what you're doing, could have sworn it was gum. IT WAS A CIGARETTE, the nun bellowed, flushing at the face, her hands out at her sides, flapping like wings of fledgling bird. Don't be telling me it was gum, the nun said her voice softer, held in check after the bellowing, remembering her vows, her Christ like vocation. You're probably right, Sister, I'll see the priest and put it onto the sin list I've to tell him in confessions, Mary said, keeping her face straight as she could. The nun breathed deeply, eyed the girl, if you'd been a boy, I'd have you caned for your manners, but as your not, you can see me after school at detention. Mary nodded her head and stood up and said, can I go now? You know what the Bridget is like if we're late? The nun stilled her wings, and nodded her head, and watched as the girl sauntered off out of the room and away. The nun crossed herself, muttered a short prayer, rubbed her rosary, to get her through another day.
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Mar 5, 2016
Mar 5, 2016 at 6:04 AM UTC
THROUGH ANOTHER DAY 1963.
The nun watched the girl Moran stub out a cigarette by the cycle sheds, and flick it away. She watched her put hands in the pockets of her coat, and saunter back towards school. Mary entered by the double doors of the school, and the nun stopped her raising an open hand towards her. Want a word with you, Moran, the nun said, eyeing the girl, taking in the bright of eyes, the pouting lips. What's up? Mary said, I've lessons to be getting to, and you know what the Bridget's like if we're late, half wets herself with anger, so she does. Hush yourself, the nun said, and follow me. Mary followed the nun into a side room, and the nun shut the door behind them. Sit down, the nun said, and peered at Mary with her dark eyes. Mary sat and looked at her hands in her lap. I saw you smoking by the cycle sheds, the nun said, and smoking is not permitted in the school or grounds. Was I smoking? Mary said, don't recall smoking, may have been the cold air; sometimes when you breathe out it looks like smoke, but it's just cold air. It was smoke; I saw you stub out the cigarette and flick it away, the nun said, walking in front of Mary, hands tucked inside her black habit out of sight. Was it a cigarette? I had gum; you may have seen me flick that away, Mary suggested. The nun stood still; stony faced. It was a cigarette I saw, the nun stated. I see, Mary said, funny what you can forget, if you're not paying attention to what you're doing, could have sworn it was gum. IT WAS A CIGARETTE, the nun bellowed, flushing at the face, her hands out at her sides, flapping like wings of fledgling bird. Don't be telling me it was gum, the nun said her voice softer, held in check after the bellowing, remembering her vows, her Christ like vocation. You're probably right, Sister, I'll see the priest and put it onto the sin list I've to tell him in confessions, Mary said, keeping her face straight as she could. The nun breathed deeply, eyed the girl, if you'd been a boy, I'd have you caned for your manners, but as your not, you can see me after school at detention. Mary nodded her head and stood up and said, can I go now? You know what the Bridget is like if we're late? The nun stilled her wings, and nodded her head, and watched as the girl sauntered off out of the room and away. The nun crossed herself, muttered a short prayer, rubbed her rosary, to get her through another day.
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Magdalene shows her room to Martha (her parents said not to bring Mary) Martha stares at the walls sees a small crucifix above a single bed glad you got Jesus here Martha says Magdalene looks at her in a long black slim dress hair cut short you still want to be a ****** nun? Magdalene says to her bride of Christ I'd call it Martha says turning round and looking deep eyed at Magdalene want a drink? what you got? gin all right? make it large Martha says no need to **** around half measures Magdalene pours two gins both large ones want music? who you got? Bill Fury or Elvis? Fury's best Martha says sitting down on the bed Magdalene puts on the Fury disc then sits down by Martha both girls sip their large gins what would you say if I kissed you once? Magdalene says softly just the once? unless you wanted more why kiss me? thought Moran was your one? like you both equally (though Mary was more hers sexually) its a sin you know that? Martha says just a kiss no sin there don't want to go further Magdalene informs her (lying through her back teeth) further what? Martha asks I don't want bed you here (fecking liar her mind says) why bed me? I'm not one for sleeping in the day Martha says she sips gin and ignores Magdalene's hand touching her plump thigh Christ sees us sees all things Martha says Mary says that some times Jesus turns a blind eye does he now? Martha asks that Smithy boy tried to get his hand underneath my school skirt I thumped him on his nose Magdalene informs her did it bleed? his big nose? on his white fecking shirt just one kiss on the cheek Martha says taking off Magdalene's hand from her plump warm thigh finishing off her gin with a sigh.
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Aug 3, 2016
Aug 3, 2016 at 2:46 AM UTC
THE TRY ON 1963.
Magdalene shows her room to Martha (her parents said not to bring Mary) Martha stares at the walls sees a small crucifix above a single bed glad you got Jesus here Martha says Magdalene looks at her in a long black slim dress hair cut short you still want to be a ****** nun? Magdalene says to her bride of Christ I'd call it Martha says turning round and looking deep eyed at Magdalene want a drink? what you got? gin all right? make it large Martha says no need to **** around half measures Magdalene pours two gins both large ones want music? who you got? Bill Fury or Elvis? Fury's best Martha says sitting down on the bed Magdalene puts on the Fury disc then sits down by Martha both girls sip their large gins what would you say if I kissed you once? Magdalene says softly just the once? unless you wanted more why kiss me? thought Moran was your one? like you both equally (though Mary was more hers sexually) its a sin you know that? Martha says just a kiss no sin there don't want to go further Magdalene informs her (lying through her back teeth) further what? Martha asks I don't want bed you here (fecking liar her mind says) why bed me? I'm not one for sleeping in the day Martha says she sips gin and ignores Magdalene's hand touching her plump thigh Christ sees us sees all things Martha says Mary says that some times Jesus turns a blind eye does he now? Martha asks that Smithy boy tried to get his hand underneath my school skirt I thumped him on his nose Magdalene informs her did it bleed? his big nose? on his white fecking shirt just one kiss on the cheek Martha says taking off Magdalene's hand from her plump warm thigh finishing off her gin with a sigh.
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Erin Moran has died at the age of fifty-six. She was special and a credit to all chicks. She was adorable when she starred as Joanie Cunningham. When a person dies that young, it's always hard to understand. I learned about her death on Facebook and it made me feel bad. When we learned of her passing, it was tragic and so very sad. She had a wonderful figure and good looks. When we watched her on Happy Days, we were hooked. She died too young and her death has devastated her fans. Sadly, we have to say goodbye to the talented Erin Moran.
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Apr 25, 2017
Apr 25, 2017 at 8:05 AM UTC
Goodbye Erin Moran
Bara roams our streets The ubiquitous grins Vultures circles our skies Our land painted in reds The Folly laughs Bara, Okunrin kukuru, Okunrin gogoro Okunrin peke bi ori atana Esu abani woran bi a orida A yi kondu seyin eleyin O soro ana di moran Koju ti mo. Bara Visits Our water, turned sour His moist hands, he dips in our meal Down he gulps our share Hungry he leaves us. Egunugun keeps watch Praying to Bara for more Orisanla, wisdom we pray for To navigate through these tough times For Bara has come to stay. by Amudipe Opeyemi Marcus
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Apr 23, 2017
Apr 23, 2017 at 7:23 PM UTC
Bara
Magdalene's mother yaks about the price of things in the shops when she gets back from town and how she'd met Bridget O'Connell and how that woman can talk it's no wonder her husband goes away quite frequently and what was Mary Moran doing here? her mother says just listening to records Magdalene says better be no mess in your room I only tidied it up the other day no mess her daughter says (she'd tidied up the bed and floor and hid the ***** and cigarettes) there's talk of her at the school from the sisters Magdalene's mother says what talk? none to worry your head with her mother says so what was she doing here? you know I don't like her being here don't you? just listening to the Billy Fury record   just friends Magdalene says (they'd lain in bed and kissed and did things and she reflects on it now as her mother yaks on) and that other friend of yours that Martha there's talk of her there at the school too the nuns thinking her being a  nun at sometime now if there's one to encourage it is there she's the one the mother says putting away shopping don't want that Mary here unless I am here too understand? Magdalene nods it is easier than arguing and I smell smoke have you been smoking again? And with her? she's a bad influence on you I won't have it and if your da finds out you're for it now let me get on and make sure the room is tidy because if I go up and it's not then there'll be trouble Magdalene says nothing watching her mother's lips opening and closing like a fish out of water and she the queer girl loving daughter.
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May 7, 2016
May 7, 2016 at 2:40 AM UTC
AND MOTHER SAID 1963.
Magdalene's mother yaks about the price of things in the shops when she gets back from town and how she'd met Bridget O'Connell and how that woman can talk it's no wonder her husband goes away quite frequently and what was Mary Moran doing here? her mother says just listening to records Magdalene says better be no mess in your room I only tidied it up the other day no mess her daughter says (she'd tidied up the bed and floor and hid the ***** and cigarettes) there's talk of her at the school from the sisters Magdalene's mother says what talk? none to worry your head with her mother says so what was she doing here? you know I don't like her being here don't you? just listening to the Billy Fury record   just friends Magdalene says (they'd lain in bed and kissed and did things and she reflects on it now as her mother yaks on) and that other friend of yours that Martha there's talk of her there at the school too the nuns thinking her being a  nun at sometime now if there's one to encourage it is there she's the one the mother says putting away shopping don't want that Mary here unless I am here too understand? Magdalene nods it is easier than arguing and I smell smoke have you been smoking again? And with her? she's a bad influence on you I won't have it and if your da finds out you're for it now let me get on and make sure the room is tidy because if I go up and it's not then there'll be trouble Magdalene says nothing watching her mother's lips opening and closing like a fish out of water and she the queer girl loving daughter.
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Seamus hopes that the girl Moran will (he's heard she maybe will) have a touch and a kiss maybe more he sees her by the fence standing there moodily other kids going home from the school walking past the wire fence she sees him approaching his swagger the dark hair snotty nose how are ya? Seamus asks who's asking? Mary says eyeing him her satchel by her feet you now me I'm Seamus he replies taking in her fine eyes her small bust what you want? Mary says walking on he follows how about you and me meeting up? Seamus asks we've met up I mean some place after school where we can do things Seamus says what you mean by do things? Go to church? Kiss a nun? Go visit the sick ones or the poor? Mary says monotone I thought of something more Seamus says maybe us touching up kissing such I'd rather smell a pig's foul behind than kiss you or let you touch my skin Mary says her voice hard (thinking of Magdalene's hands on her and kissing a day back) up you then ***** teasing Moran girl fecking **** he walks off ********* signs to her hope you get warts on yours Seamus Doyle Mary calls after him she walks on home from school muttering to herself fecking fool.
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Sep 5, 2016
Sep 5, 2016 at 6:26 AM UTC
HOPELESS SEAMUS 1963.
The nun stopped her in the corridor Magdalene need a word with you the nun said. What word would that be Sister Bridget? the girl said. A word of warning follow me to the office the nun turned and walked back the way she had come. Magdalene followed watching the nun in front of her how sexless she was. The nun opened the door of the office and held the door open so that Magdalene could walk in then she closed the door and sat at the desk and indicated for the girl to do likewise opposite her. It has been brought to my notice that you were seen with Mary Moran in the girls' toilets what have you to say? Not unusual for two girls to go to the girls' toilets Sister Magdalene said. The nun stared not both in the same cubical the nun said stiffly. Magdalene stared at the nun who'd say such a thing? we were not in the same cubicle we were in adjoing cubicles Magdalene said. The nun gazed at her you were both seen coming out of a cubicle together the nun affirmed. Magdalene looked at the nun at the pinched features the nose the black and white habit. That was afterwards I just went in there to talk with Mary Magdalene said. You were heard whispering in the same cubicle the nun said eyeing the girl. You are not to be in the same cubical with the Moran girl at any time at all do you understand me? The nun said firmly if I hear of this again I will be having words with both of your parents and the priest understand? Magdalene nodded yes Sister Bridget she said. The nun stared at her off you go and remember what I said. The girl got up and looked at the large crucifix on the wall above the nun's head and wish her with piles or one day dead.
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Feb 24, 2017
Feb 24, 2017 at 3:32 AM UTC
ONE DAY DEAD 1963.
The nun stopped her in the corridor Magdalene need a word with you the nun said. What word would that be Sister Bridget? the girl said. A word of warning follow me to the office the nun turned and walked back the way she had come. Magdalene followed watching the nun in front of her how sexless she was. The nun opened the door of the office and held the door open so that Magdalene could walk in then she closed the door and sat at the desk and indicated for the girl to do likewise opposite her. It has been brought to my notice that you were seen with Mary Moran in the girls' toilets what have you to say? Not unusual for two girls to go to the girls' toilets Sister Magdalene said. The nun stared not both in the same cubical the nun said stiffly. Magdalene stared at the nun who'd say such a thing? we were not in the same cubicle we were in adjoing cubicles Magdalene said. The nun gazed at her you were both seen coming out of a cubicle together the nun affirmed. Magdalene looked at the nun at the pinched features the nose the black and white habit. That was afterwards I just went in there to talk with Mary Magdalene said. You were heard whispering in the same cubicle the nun said eyeing the girl. You are not to be in the same cubical with the Moran girl at any time at all do you understand me? The nun said firmly if I hear of this again I will be having words with both of your parents and the priest understand? Magdalene nodded yes Sister Bridget she said. The nun stared at her off you go and remember what I said. The girl got up and looked at the large crucifix on the wall above the nun's head and wish her with piles or one day dead.
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There is nothing I can compare to the wait. The moment before flesh hits wall And knuckles hard as stone bleed against brick.  We see red through the tears that run down the distorted lines of our faces, cooling the burning skin of our cheeks, And seasoning our lips with salty streams. We hide our sadness behind our rage. Our bruised hearts behind bandaged knuckles, The way the air smells fresh with perfumed lies and a hint of apologies. The smell that reminds me of the color red. And we wait for that moment, That the line becomes blurred. We loose our sense somewhere between adrenaline and addiction To the pain they cause and the pain we live for. And we wait. We wait for a sign, a cure, an apology, an explanation, a reason. Nothing compares to the static silence, No words to describe the reckless sadness, I close my eyes and the wait looks red. -K. Moran @words.and.weapons
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Apr 11, 2017
Apr 11, 2017 at 11:26 PM UTC
Red
The boy Sean watches her by the bogs *** smoking short skirted with some girl I'll chance it he muses walks over cockily to them both oy Moran how's about you and me have a talk the girls stare what the **** do you want? Mary says just a talk just us two Sean suggests eyeing them I'll go now Magdalene tells Mary and goes off Sean watches her go off nice backside she's on her he mutters put your eyes back away you donkey Mary says what you want? Have a chat you and me Sean tells her about what? She replies fancy you like your eyes your figure your hairstyle your backside he tells her and so what? She asks him stubbing out the self rolled cigarette on the wall we could meet after school have some fun you and me he tells her do I look desperate? That hard up? Mary says Just asking the boy says you want it you're gagging for a bit he informs I fancy the fat nun who takes us for high maths more than I fancy you Mary says I'd rather sleep with her than with you **** you then Sean mutters and walks off not today donkey boy Mary says watching him walks away another boy another day.
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Jun 8, 2016
Jun 8, 2016 at 1:38 AM UTC
ANOTHER BOY 1963.
I never asked to be held, But it never stopped The lines of my shadow From caressing your silhouette. -K. Moran
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Jul 11, 2018
Jul 11, 2018 at 11:10 PM UTC
Caress
The nun closed the door of her small office and studied Magdalene who stood facing the oak desk You know why you are here? the nun said No idea Magdalene replied looking at the crucifix on the wall above the desk it was an old wooden crucifix with coloured plaster Christ the nun walked to the desk and sat down Sit she demanded Magdalene sat in the chair you are here because it has been reported to me that you and the Moran girl were seen kissing in the locker room the nun paused and looked at Magdalene What have you to say about this accusation? Nothing at all Magdalene said You don't deny you were kissing with her? the nun said Is it against school rules to kiss someone? Magdalene asked Girls kissing as you two were kissing is a sign of depravity the nun said eyeing the school girl How were we kissing? Magdalene asked the nun stared at the girl Don't be flippant and try to avoid the issue the nun said I merely asked a question Magdalene said after all if we are accused of kissing in a given way how is it different from kissing in general my aunts kiss my mother used to kiss me as a child ENOUGH the nun shouted Magdalene stared at the crucifix not at the nun You will not kiss the Moran girl at school understood? the nun said Magdalene lowered her eyes to the nun If you say so she said I do say the nun said If there is a repeat of this I will contact your parents Magdalene said nothing to that but stared at the crucifix again You can return to your next lesson the nun said Magdalene rose from the chair and left the room and closed the door quietly and walked on to the maths room where other kids were waiting to go in she would have to talk to Mary soon about the kissing sin.
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Jan 23, 2020
Jan 23, 2020 at 3:28 AM UTC
Not To Kiss 1963.
The nun closed the door of her small office and studied Magdalene who stood facing the oak desk You know why you are here? the nun said No idea Magdalene replied looking at the crucifix on the wall above the desk it was an old wooden crucifix with coloured plaster Christ the nun walked to the desk and sat down Sit she demanded Magdalene sat in the chair you are here because it has been reported to me that you and the Moran girl were seen kissing in the locker room the nun paused and looked at Magdalene What have you to say about this accusation? Nothing at all Magdalene said You don't deny you were kissing with her? the nun said Is it against school rules to kiss someone? Magdalene asked Girls kissing as you two were kissing is a sign of depravity the nun said eyeing the school girl How were we kissing? Magdalene asked the nun stared at the girl Don't be flippant and try to avoid the issue the nun said I merely asked a question Magdalene said after all if we are accused of kissing in a given way how is it different from kissing in general my aunts kiss my mother used to kiss me as a child ENOUGH the nun shouted Magdalene stared at the crucifix not at the nun You will not kiss the Moran girl at school understood? the nun said Magdalene lowered her eyes to the nun If you say so she said I do say the nun said If there is a repeat of this I will contact your parents Magdalene said nothing to that but stared at the crucifix again You can return to your next lesson the nun said Magdalene rose from the chair and left the room and closed the door quietly and walked on to the maths room where other kids were waiting to go in she would have to talk to Mary soon about the kissing sin.
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