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"mollusk" poems
She picked it up from the seashore. He encouraged her, Flattered her with indulgence To bring back her dying flame. A girl once again, She brought it home In whimsically ebullient innocence! On the polished floor In a faraway city It found it hard to walk With the load of mollusk And made a funny sight! It strained its ears But there was no sound of the sea, No saline smell in the air, Instead the water was sweet and insipid. It went thirsty. The food was alien, It went hungry. Soon they polished the shell And celebrated addition of Another showpiece in their room! The crab had at last Found a new home.
0
Apr 16, 2013
Apr 16, 2013 at 3:06 AM UTC
Hermit Crab
I couldn't see, but water reflecting, it danced from the sun black cormorant dove under stars and pearls of sea for silvery fish to fill his beak a small boat I rowed long through water weeds, cat tail reeds paddles cut the diamond day sparkling sandy shores mollusk strewn rippled shells shimmering blue oysters bubbled, shallows breathing seagull smiled watchful scheming a beach fire to warm the night the dusky sun, no longer to keep soon the moon between the trees radiant, it wakes the stars from sleep
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Aug 7, 2012
Aug 7, 2012 at 1:42 PM UTC
Hood Canal
Hood Canal I couldn't see, but water reflecting, it danced from stars of sun Black cormorant dove under stars and pearls of sea silvery fished his netted beak A small boat left untied to float, I rowed weaving cat tail reeds, long through water weeds Paddles cut my diamond day - sparkling jewel of soul swayed, prayed to dive me deeper Sandy shores mollusk strewn rippled shells covered shimmering blue Oysters bubbled shallows breathing seagull smiled watchful scheming Beach fire to warm the night and rock the dusky sun to sleep the coming moon between trees dark night, the stars to weep
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Dec 13, 2012
Dec 13, 2012 at 9:33 AM UTC
Hood Canal
Siri. Type this: More memories. Less Facebook moments. Let’s go back to concerts filled with lighters — warm seas of flame, instead of stadiums filled with phones and waves of blue light that keeps us from sleeping at night. Our phones, it looks like we’re all telling one big ghost story around the campfire — our faces lit up from underneath in the dark. It’s like a part of our bodies, a mollusk’s shell, That we won’t outgrow until it’s torn from us and we’re eaten, still fresh. It’s like we call it Facetime because that’s what we need, but don’t have. Since when is being viral a good thing? Viral means an infectious disease. Viral Viral Viral. I feel like I need a ****** just to surf the web. I honestly can’t have a conversation with a person without toying at my phone anymore. We post our beautiful stories on snapchat, the colorful blurred days of our lives, and let it slip away into the ether. Your stories are still interesting even after 24 hours. Seeing that red notification, knowing I’m special, I’m wanted, I’m special. when it turns out to be another Farmville invite. Talk about crutches. Nitze called religion a crutch but at least religion helps people walk. Phones make people run into things. I wonder if the New Messiah will have a social media account. We are so close to just hooking up our phones to traveling robot vehicles and navigating our world from our home. The future’s hangouts will be phones arranged in a circle on a table, all on Facetime, as we take shots, in our rooms alone. Jerry smiles because he isn’t wearing pants but no one can tell. Our phones only show what’s on top. Please share this poem, by the way. For videos of my reading my poems, visit https://mateilatte.wordpress.com/content/poetry/
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Aug 21, 2015
Aug 21, 2015 at 4:23 PM UTC
the #ViralPoem
Siri. Type this: More memories. Less Facebook moments. Let’s go back to concerts filled with lighters — warm seas of flame, instead of stadiums filled with phones and waves of blue light that keeps us from sleeping at night. Our phones, it looks like we’re all telling one big ghost story around the campfire — our faces lit up from underneath in the dark. It’s like a part of our bodies, a mollusk’s shell, That we won’t outgrow until it’s torn from us and we’re eaten, still fresh. It’s like we call it Facetime because that’s what we need, but don’t have. Since when is being viral a good thing? Viral means an infectious disease. Viral Viral Viral. I feel like I need a ****** just to surf the web. I honestly can’t have a conversation with a person without toying at my phone anymore. We post our beautiful stories on snapchat, the colorful blurred days of our lives, and let it slip away into the ether. Your stories are still interesting even after 24 hours. Seeing that red notification, knowing I’m special, I’m wanted, I’m special. when it turns out to be another Farmville invite. Talk about crutches. Nitze called religion a crutch but at least religion helps people walk. Phones make people run into things. I wonder if the New Messiah will have a social media account. We are so close to just hooking up our phones to traveling robot vehicles and navigating our world from our home. The future’s hangouts will be phones arranged in a circle on a table, all on Facetime, as we take shots, in our rooms alone. Jerry smiles because he isn’t wearing pants but no one can tell. Our phones only show what’s on top. Please share this poem, by the way. For videos of my reading my poems, visit https://mateilatte.wordpress.com/content/poetry/
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33
Unfolding into itself, inviolable in prosaic self-penetration, a boundless repertoire of shape yearns forth surreptitiously from inscrutable amniotes to claim time as its own:   Here a thicket   of sycamores, there a baldaquin     of pinnate branches, yonder       a periphery of marigolds, below         a cacophony of hyraxes, above     the corpuscle of a lynx, the mid-flight    jink of a darting swift and moribund   crawl of a mollusk;      Hymenoptera coaxing      their haploid broods into teeming      life as a cell of the swarm          and viviparous apes cajoling          suckling chimerae at the fathomless          fountainhead of a rosy breast;        Higher still,        Cirrus cephalopods traversing        the trench of sky, dandelions        hitch-hiking the drift of a barren plains'        wavering hum on cockchafers'        forewings and a turbine's        bombinating pulse, the chattering        of roots ravenous for depth -- Jittering bangtails the hallowed echoes of lascivious manes --    inchoate sprout-hood the daedal    nonage of towering evergreens --       the plaintive shrift of elegiac       redbreasts a goad to silent elation -- A likeness unlike      (vocabularies of vertiginous blinds)           (the eyes of ignorance closing)              (the mouth of the mystery)                 that spurns the truth of tongues                      is nature naturing.
0
Dec 21, 2015
Dec 21, 2015 at 6:06 PM UTC
Proteus
Unfolding into itself, inviolable in prosaic self-penetration, a boundless repertoire of shape yearns forth surreptitiously from inscrutable amniotes to claim time as its own:   Here a thicket   of sycamores, there a baldaquin     of pinnate branches, yonder       a periphery of marigolds, below         a cacophony of hyraxes, above     the corpuscle of a lynx, the mid-flight    jink of a darting swift and moribund   crawl of a mollusk;      Hymenoptera coaxing      their haploid broods into teeming      life as a cell of the swarm          and viviparous apes cajoling          suckling chimerae at the fathomless          fountainhead of a rosy breast;        Higher still,        Cirrus cephalopods traversing        the trench of sky, dandelions        hitch-hiking the drift of a barren plains'        wavering hum on cockchafers'        forewings and a turbine's        bombinating pulse, the chattering        of roots ravenous for depth -- Jittering bangtails the hallowed echoes of lascivious manes --    inchoate sprout-hood the daedal    nonage of towering evergreens --       the plaintive shrift of elegiac       redbreasts a goad to silent elation -- A likeness unlike      (vocabularies of vertiginous blinds)           (the eyes of ignorance closing)              (the mouth of the mystery)                 that spurns the truth of tongues                      is nature naturing.
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40
[it all matters] **i seek a chain made of silver with three black orbs and a bird facing the sky** to wrap around my chest fall between my ******* clasp around my waist and the back of my neck to remind me of my shape all day as i move i am conscious of a bead here a tug there and i am reminded that i am a woman and      i            feel power     i stand tall        i feel sure           i use my grace                       and i wield my weapons                   have you not seen the plumage of the birds of the sky? colors     textures             and sounds m e s m e r i z e attract or distract               hide          or reveal have you not seen the cuttlefish? the intelligent            mollusk and          master of disguise hiding in the sea? beauty and mystery abound *oh     that i knew      the ways    of the cuttlefish         what wonders i would create*                         female /human/ a fairly blank canvas unadorned in color but for eyes hair  and skin no spectacular showing      of plumage       no mysterious                   change in texture                     or majestic wing     some humans are aware of this (seemingly)                    overlooked pomp and                         circumstance i want more bird                                            i want more cuttlefish so i seek a chain made of silver *to remind me of my shape* i seek paint of many colors to adorn my feet and hands *i change the color of my hair with the wind* i line my eyes in black i paint my lips **if i need warpaint i shall have it** if i desire to blend in then i shall where can i shine? where can i glow? where can i pattern           myself   like a leopard? now i am powerful because i am me now i fit better into nature because i am of nature i am as human as i can get /i am all animals and all things/ roaring and silent swift and slow beautiful and plain because i am human i can choose it because i am human i create it because i am human i am claiming it and you are my witness
0
Sep 1, 2013
Sep 1, 2013 at 12:54 AM UTC
i seek a chain
[it all matters] **i seek a chain made of silver with three black orbs and a bird facing the sky** to wrap around my chest fall between my ******* clasp around my waist and the back of my neck to remind me of my shape all day as i move i am conscious of a bead here a tug there and i am reminded that i am a woman and      i            feel power     i stand tall        i feel sure           i use my grace                       and i wield my weapons                   have you not seen the plumage of the birds of the sky? colors     textures             and sounds m e s m e r i z e attract or distract               hide          or reveal have you not seen the cuttlefish? the intelligent            mollusk and          master of disguise hiding in the sea? beauty and mystery abound *oh     that i knew      the ways    of the cuttlefish         what wonders i would create*                         female /human/ a fairly blank canvas unadorned in color but for eyes hair  and skin no spectacular showing      of plumage       no mysterious                   change in texture                     or majestic wing     some humans are aware of this (seemingly)                    overlooked pomp and                         circumstance i want more bird                                            i want more cuttlefish so i seek a chain made of silver *to remind me of my shape* i seek paint of many colors to adorn my feet and hands *i change the color of my hair with the wind* i line my eyes in black i paint my lips **if i need warpaint i shall have it** if i desire to blend in then i shall where can i shine? where can i glow? where can i pattern           myself   like a leopard? now i am powerful because i am me now i fit better into nature because i am of nature i am as human as i can get /i am all animals and all things/ roaring and silent swift and slow beautiful and plain because i am human i can choose it because i am human i create it because i am human i am claiming it and you are my witness
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119
well it was the alternative to gregory isaac’s night nurse... but then the bouncer on the catwalk with flares... skidding up on a rhyme and cooling it with an edge of the appropriately cut fashion... chased it. innit kamikaze (rap’s shortchange in shaken pears for martini bond and chanced cockney slang in shakespeare, all 90’s groove though) lyric’o gangsters in the mollusk slush two’s up freed with the sly sly s.o.s. sloth chinning up to the chariots of nero’s double for portrait: naa na na na na na na na na na na na na naa, naa na na na na na na na na na na na na naa (i miscounted... didn't i?) - where kurt cobian’s yeah yeah yeah used to be along with r.e.m.’s cowboy astronaut. come mike jagger with me the liszt skeleton of b & w’s worth of crescendos tipping lazy waitresses with a toreador’s worth of breezy napkins folded, flapped and sneezed into - i’ll be dumping my shadow into splits for extras to boot frying it in the hiroshima of paparazzi’s blinking. failures are worth other people’s success when playing the lyre to a burn out of capitals: anyway, edinburgh is the ultimate cameo in the literary bloodline begot by paris for the 20th century ultimatum of identity scripted.
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Oct 9, 2015
Oct 9, 2015 at 8:38 PM UTC
burrow it up in the redribdge borough, it’s called flimsy on the sly
Garbage, filth, the literal **** stain on your perfect, porcelain abode. Wash me away with all of the heat that you can muster. The burn is vital. I flourish on the notion that I'm needed. An inadequate being, I'm bound to this misery; living in a hollowed shell like the mollusk.
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Apr 27, 2017
Apr 27, 2017 at 12:10 AM UTC
The Mollusk
Once filled with a writhing mollusk Now excavated and empty Enter at the mouth of a continually twisting cave To the left Curling deeper into the heart of the shell Shining and polished from years Of water lapping at the coating And brushing gently against the sand Iridescent green and blue fade into purple Suddenly The shell’s twisting cavity Ends
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Jun 4, 2012
Jun 4, 2012 at 1:31 PM UTC
Inside a Snail's Shell
In dreams I see her blonde hair always in a pony tail She walks along the shoreline Scouring the sand for treasure Light blue shorts and a striped shirt She quietly wends her way Bare feet in and out of foam In her hands, she holds small shells Delicate and colorful Orange, pink, yellow and white These were wampum long ago Gone now, all gone from this shore But there she is, eight years old Golden, tanned, happy alone Treasures, wampum in her hand She slips them in her pocket Stepping into the water She sees something moving there A scallop! So carefully, She reaches down patiently Leads it with her hand until The live mollusk slips right in Clamping shut as she lifts it It is beautiful, alive. She knows they have many eyes A bright blue like no other If opened, they look like eggs Cracked, sunny side up inside Return it to the water Watching for the many eyes It hesitates, then opens Jets away, ever backward She lifts her face to the sun One must notice those blue eyes Then they cloud, time is short now Soon the sun will leave the sky. She runs for her red bucket Half fills it with salt water The water to her ankles, She twists her feet, digs up clams Chowders and some Cherrystones Digging clams with little toes Fills the bucket, off she goes. Wednesday’s child is full of woes. © Lin Cava 29-August-2008 I grew up on an island. Clams and scallops, ***** and flounder were plentiful and available for the taking. No one took more than they could eat. I had bay fishermen in the family – and they earned their living from the bounty of the waters around us. This poem is about a girl growing up in just such a place. Children this age are often not left to themselves. She thrives in solitude, happiest there. Notice there is no running or jumping or laughter. This is meant to be a somber work. The child knows that she is older than her years, yet she takes her happiness in those simple things that children do. So might we all be awestruck at the beauty of shells, the feeling of a living creature with its own beauty, in our hands. If only we could take the time. In whatever life holds for her, the girl takes her childhood in whatever way she can. Gazing over the water, whether it is the ocean, the bay or a lake, she often sees a woman there, a projection from within. I often see the child in my work. I am a Wednesday Child.
0
Oct 25, 2010
Oct 25, 2010 at 4:10 PM UTC
Wednesday's Child
In dreams I see her blonde hair always in a pony tail She walks along the shoreline Scouring the sand for treasure Light blue shorts and a striped shirt She quietly wends her way Bare feet in and out of foam In her hands, she holds small shells Delicate and colorful Orange, pink, yellow and white These were wampum long ago Gone now, all gone from this shore But there she is, eight years old Golden, tanned, happy alone Treasures, wampum in her hand She slips them in her pocket Stepping into the water She sees something moving there A scallop! So carefully, She reaches down patiently Leads it with her hand until The live mollusk slips right in Clamping shut as she lifts it It is beautiful, alive. She knows they have many eyes A bright blue like no other If opened, they look like eggs Cracked, sunny side up inside Return it to the water Watching for the many eyes It hesitates, then opens Jets away, ever backward She lifts her face to the sun One must notice those blue eyes Then they cloud, time is short now Soon the sun will leave the sky. She runs for her red bucket Half fills it with salt water The water to her ankles, She twists her feet, digs up clams Chowders and some Cherrystones Digging clams with little toes Fills the bucket, off she goes. Wednesday’s child is full of woes. © Lin Cava 29-August-2008 I grew up on an island. Clams and scallops, ***** and flounder were plentiful and available for the taking. No one took more than they could eat. I had bay fishermen in the family – and they earned their living from the bounty of the waters around us. This poem is about a girl growing up in just such a place. Children this age are often not left to themselves. She thrives in solitude, happiest there. Notice there is no running or jumping or laughter. This is meant to be a somber work. The child knows that she is older than her years, yet she takes her happiness in those simple things that children do. So might we all be awestruck at the beauty of shells, the feeling of a living creature with its own beauty, in our hands. If only we could take the time. In whatever life holds for her, the girl takes her childhood in whatever way she can. Gazing over the water, whether it is the ocean, the bay or a lake, she often sees a woman there, a projection from within. I often see the child in my work. I am a Wednesday Child.
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46
I am a pearl In the warm embrace of a mollusk Something beautiful, glorious But with its own secrets I am guarded, walls up high The mollusk moulds me Thinks it knows every part of me But alas, that is not the case I was placed in the mollusk, a grain of sand But the ones that know me better Are my fellow sand grains Hard, but smooth as one They know everything about me They know my past They know my present They will know my future As I emerge from the mollusk So do they, from theirs We come together, to form something Gloriously beautiful While we journey with Pearls who know our true face We must never forget the mollusks Who shaped us from sand
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May 1, 2015
May 1, 2015 at 6:26 AM UTC
Sands and Pearls
Renegade crows swagger ashore lifting unlucky tritons high into the whirling wind, dropping them to the rocks below shell is rendered to fine dust revealing the mollusk vainly hiding in the fissured whorl of what was once Home now a splintered chamber with no exit from which to squeeze into the minute space between falling and breaking clean open.
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Nov 30, 2015
Nov 30, 2015 at 9:26 AM UTC
Shell
wind, think-bits, and traffic. they all mesh up and dawdle through the goon-soaked mind. okay. this is a fine kind of semi-quiet. a motorbike, revving to explode cuts through the noise and commands me: "listen to me groan. boy am I ever alive." on the bike, I can't help but suppose, there's a person. and I  further suppose a rush, sweet, vicious rush of adrenaline. a lurching in the ***** a landscape of streetlights and gust, ******* screaming straight through. out there. maybe there's two of them? and the wheels just spinning and spinning and spinning. and back here my head's just spinning and spinning and spinning, while people are out there tunneling through to the edge of death. **** now I gotta get up and write all this down just so I don't feel like a mollusk.
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Dec 26, 2014
Dec 26, 2014 at 8:26 PM UTC
i can so very almost feel what you feel
the english don't know how to drink ***** sorry... they don't... by the way? the english artifact of saying sorry? it doesn't actually mean an apology... the apology always comes too late... but english nightclubs? the english? they don't know how to serve ***** ***** is never served on ice... i'm losing followers? am i? good... i like my self-imposed censorship... i like weeding out the soft pockets... of people with weak stomachs... for all the celebration of Darwinism? peer into my eyes... if you really want to serve ***** ***** isn't whiskey isn't red wine, served at room temp. being allowed airing... mind you... funny fact... six cloves of garlic dumped into a bottle of red wine, matured for 2 weeks... 3 x 25ml of the wine... apparently curbs your appetite... don't ask me whether that's inclusive of a placebo effect... but when you're drinking ***** proper? you don't add ice... and keep it at room temp., you freeze it... to below -10°C... vodka isn't whiskey! i know what warm **** tastes like, i once fused red wine, and, having ****** into the holy grail, and subsequently drank the concoction... come to think of it... ******* the Vatican colored flag of extraction into a sacrament? you need ***** to be served below the freezing point of water, given that, 0°C is a baron of quality differentiating water from ***** alcohol evaporates at around 70+°C... p.s. interlude: i was never fond of the imperial rubric of Fahrenheit and ounces, pounds, miles, inches... and all that quirky "genius" of measurements... mathematically? i'm aligned with French... but you don't serve ***** at room temp. with ice cubes and a mixer... given that ***** has a lower boiling point, you serve it under the "niqab" of waster becoming ice... so you serve it... as something, equivalent of gomme syrup... you drink ***** that appears syrupy... like any single malt puritan when it comes to whiskey? there are ***** puritans out there... you don't drink ***** lukewarm, or slightly chilled... you drink it at a temp. of a gomme syrup... liquid -20°C... thick... with all the alcohol poisoning bacterium dead... appearing excessively sugary, but not really... night clubs that serve ***** not stashed in refrigerators like butcher's meat? don't drink the ***** in those places... if it doesn't have the smoothness of a gomme syrup? sliding down your throat like a mollusk on amphetamines? the epitome: ***** and orange juice?! you ******** me or opening a ******* parachute while stranded to the the ******* ground?
0
Aug 23, 2018
Aug 23, 2018 at 8:00 PM UTC
how best to serve *****
the english don't know how to drink ***** sorry... they don't... by the way? the english artifact of saying sorry? it doesn't actually mean an apology... the apology always comes too late... but english nightclubs? the english? they don't know how to serve ***** ***** is never served on ice... i'm losing followers? am i? good... i like my self-imposed censorship... i like weeding out the soft pockets... of people with weak stomachs... for all the celebration of Darwinism? peer into my eyes... if you really want to serve ***** ***** isn't whiskey isn't red wine, served at room temp. being allowed airing... mind you... funny fact... six cloves of garlic dumped into a bottle of red wine, matured for 2 weeks... 3 x 25ml of the wine... apparently curbs your appetite... don't ask me whether that's inclusive of a placebo effect... but when you're drinking ***** proper? you don't add ice... and keep it at room temp., you freeze it... to below -10°C... vodka isn't whiskey! i know what warm **** tastes like, i once fused red wine, and, having ****** into the holy grail, and subsequently drank the concoction... come to think of it... ******* the Vatican colored flag of extraction into a sacrament? you need ***** to be served below the freezing point of water, given that, 0°C is a baron of quality differentiating water from ***** alcohol evaporates at around 70+°C... p.s. interlude: i was never fond of the imperial rubric of Fahrenheit and ounces, pounds, miles, inches... and all that quirky "genius" of measurements... mathematically? i'm aligned with French... but you don't serve ***** at room temp. with ice cubes and a mixer... given that ***** has a lower boiling point, you serve it under the "niqab" of waster becoming ice... so you serve it... as something, equivalent of gomme syrup... you drink ***** that appears syrupy... like any single malt puritan when it comes to whiskey? there are ***** puritans out there... you don't drink ***** lukewarm, or slightly chilled... you drink it at a temp. of a gomme syrup... liquid -20°C... thick... with all the alcohol poisoning bacterium dead... appearing excessively sugary, but not really... night clubs that serve ***** not stashed in refrigerators like butcher's meat? don't drink the ***** in those places... if it doesn't have the smoothness of a gomme syrup? sliding down your throat like a mollusk on amphetamines? the epitome: ***** and orange juice?! you ******** me or opening a ******* parachute while stranded to the the ******* ground?
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99
You Shattered My silence. My Empty Mollusk That Is My shell. If You Think I loved You, Wouldn't. You. Be. To. Tell? I Would C r a w l To The edges Of The universe. Just for You.
0
Oct 16, 2013
Oct 16, 2013 at 6:42 PM UTC
crawling
Crushed under the dust riding thick in the air. Hands and knees to choke and cough on a heavy *** of burning oxygen. In the valley where all is a blown out shade of sepia green, you're reduced to a mollusk crawling in your clothing, clawing at the dirt, calling, shouting, eyes defeated, "Someone turn that ******* light off before I go blind!"
0
May 10, 2014
May 10, 2014 at 5:00 AM UTC
Penumbra of Defeat
We aren’t, necessarily, up. Beat not beaten, we feast, and we will be. Come, tell me, what information can’t be held in our fatty acids? Immodestly, we’ve had both the morsel modified and not. Its tiny bits mix in us and with us, so it can inform us forward with a digestibly new identity. We have eaten more than this too, and it’s all in us, with the knowledge of a world less well-preserved. Less is on ice, but there’s more for us to taste, and it’s the more and we’re the more. We know of it, what it is that can’t get inside of us if we don’t eat it. Let it, get inside, it won’t eat at us. It won’t, it can’t shake us from the unusual way we’ve wobbled through a closely-measured firmament cold-packed with these immeasurable clues. We’re no less permanent there than this half-shell is here. Fixed by a thin glaze, it awaits one sun, or the tide’s finding its stomach again for mollusk, fine sand and pebbles.
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Feb 7, 2012
Feb 7, 2012 at 11:17 PM UTC
On the half shell
Pain is awakening: the expansion of consciousness. There is no half-way mark: ignorance in sleep, health in full waking, bound the gulf of hallucinations we call life. In that Abyss of lies we deceive ourselves until at last Truth annihilates the deceived, unveiling the hidden Glory of the liar. In the mantle of victimhood, Identity accretes like a pearl on the tongue of a mollusk; and a narrator, lost in the telling, comes to mistake the story for reality, wounds for tragedy, scars for harm. Identity forms about Chaos, a shell of experience that shrouds a kernel of Truth. A pearl is but a grain of sand made beautiful by pain.
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Apr 29, 2014
Apr 29, 2014 at 11:49 AM UTC
Wounds, Our Wisdom
Here's the thing about a mollusk Sometimes from a distance you can think you've glimpsed a pearl inside So you get closer to investigate but the thing clenches tight It's a defense mechanism; you know this So you fight, and struggle to get the **** thing open Your fingers bleed Your muscles ache You begin to believe that it will never break Really going through something But right when you're about to give up, it loosens And you gaze inside to find Nothing What you thought was a pearl was just a trick of the light I've had it with this girl It's over alright
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Jan 10, 2014
Jan 10, 2014 at 9:04 PM UTC
S(h)elfish
I destroy my imperfections with methodical, practiced precision. In the mirror. Face to face with the witching hour. I swallow them whole like oysters in the moonlight, ripe and swollen. I strike when I am the least opaque. Which is, of course, when no one else is looking. My belly swells to fullness with my mollusk sorrows and all the ways I hide them. I admire its roundness, and caress its crescent shape. I am alone on this plane, with my hands, Where every night I digest and birth myself in endless cycle. Until morning. Daily, I reteach myself my own history in pictures And try to remember how to love.
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Feb 26, 2019
Feb 26, 2019 at 11:48 PM UTC
BFRB
I retract like a mollusk receding into it’s shell. I think of the way I could simply just tilt my head back out of the passenger seat window he drove, moving through songs that meant the same to us. I tickle the sand between my toes slowly into the water while it wades around my knees, how I could wrap my hands around his neck just stand there while the world moved around us. I find the trajectory of the mania, the nights where I just tried to lay as still as possible, not breathing too heavy or looking him in the eyes. How triggering it could have become if I would have crossed my arms, sat up, or spoke. I think of how the smoke enveloped most of our time together blurring our vision clouding our minds viscerally I didn’t need to see much further than his skin I didn’t need to look over his shoulder Just closed my eyes and soaked it all in.
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Sep 23, 2017
Sep 23, 2017 at 2:31 PM UTC
Soak
Today I feel like a snail who took forty years to cross a road to find that the other side was the same. And you don't want to deal with the rage of a tired snail. It is sad to find yours is such an unglamorous totem. Tomorrow I will feel like an old philosopher. I might even go as far as to offer advise (tiresome and languid), and will talk about my great and epic drift through the great gray dessert. And you will say, here's a wise man, without knowing that everything was a mistake. That it still is. I warn you, I can change expressions, seamlessly. Remember this, cats can't smile, they can laugh or destroy it's world, with the furious sorrow and as slowly as a tired mollusk. And they will try.
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Oct 11, 2017
Oct 11, 2017 at 10:43 AM UTC
A tired mollusk
He hates writing poetry, as boys like him often do, he hates books, and science fiction and generally most everything I like. He clings like a mollusk, is none too smart, and often I'm bored with his very existence, but lord he is sweet as he spends an hour writing a fantastically ****** poem to repair what I keep breaking. Poem in hand, he lays his heart at my feet, and in one swift motion I stomp on it.
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Mar 5, 2014
Mar 5, 2014 at 2:44 PM UTC
Heart-Breaker, or so they say...