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"mechanism" poems
the mist from my dope coping mechanism tickles my nose and my lips the corners of my mouth pulled upward as my eyes turn to slits i sink into the couch cuddle my dog ahhh, i ******* love this
0
Jul 12, 2018
Jul 12, 2018 at 5:18 PM UTC
coping
Papers, Papers, Papers Whiter than aching teeth, Whiter than whites of tilted eyes, Whiter than funeral wreaths. My hands shake as I write this, Filed away myths; Stolen lined sheets  My index finger chained by red tapes, words mix and ground breaks, I'm the one the world forsakes Yellow maize, littered leaves, all twisted into black ink and clean sharp white paper blades. -------"I am in a bit of daze," I tell myself, "look at those flaccid bits; there lay the logs who use to be the jungle of my childhood dreams." ------"Don't be amazed," I replied, "these leafless branches and twigs are for  your Papier-Mâché degrees." So I listen to my second self once, the more logical cynical satirical one, Treading on the plot of their paper works, playing crosswords as anxiety uncork my thoughts turn to the bankable orcs, just as my career forks Maybe I should be like my mother, Marking numbers on a deck of cards-- waltzing with Chance. Maybe I should be like my father, Toiling for some rich men's grandson-- seething in Trance. Maybe I should be like the Other, Going along with the system-- thanking myself beneath a cap, a diploma, a piece of paper. I wore these books like bank notes tuxedoes, I was promised the world by the credits I borrowed. Must I go along with the mechanism of their game, or should I rise up against all odds Opposing, debating, rebelling against this bundle, this trouble, funneling me into no-tomorrows Or must I write it all down, in my prayers against their lawyers, who need no reminds Or must I shred, smear, and tear the papers with my own bare hands But what will I ever be to them, friends? A papercut, perhaps.
0
Aug 19, 2018
Aug 19, 2018 at 9:33 PM UTC
Papercuts
Papers, Papers, Papers Whiter than aching teeth, Whiter than whites of tilted eyes, Whiter than funeral wreaths. My hands shake as I write this, Filed away myths; Stolen lined sheets  My index finger chained by red tapes, words mix and ground breaks, I'm the one the world forsakes Yellow maize, littered leaves, all twisted into black ink and clean sharp white paper blades. -------"I am in a bit of daze," I tell myself, "look at those flaccid bits; there lay the logs who use to be the jungle of my childhood dreams." ------"Don't be amazed," I replied, "these leafless branches and twigs are for  your Papier-Mâché degrees." So I listen to my second self once, the more logical cynical satirical one, Treading on the plot of their paper works, playing crosswords as anxiety uncork my thoughts turn to the bankable orcs, just as my career forks Maybe I should be like my mother, Marking numbers on a deck of cards-- waltzing with Chance. Maybe I should be like my father, Toiling for some rich men's grandson-- seething in Trance. Maybe I should be like the Other, Going along with the system-- thanking myself beneath a cap, a diploma, a piece of paper. I wore these books like bank notes tuxedoes, I was promised the world by the credits I borrowed. Must I go along with the mechanism of their game, or should I rise up against all odds Opposing, debating, rebelling against this bundle, this trouble, funneling me into no-tomorrows Or must I write it all down, in my prayers against their lawyers, who need no reminds Or must I shred, smear, and tear the papers with my own bare hands But what will I ever be to them, friends? A papercut, perhaps.
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40
Naked branches now scratch cold wind Leaves fell and with them his coping mechanism Within with him thoughts stay no longer swaying away
0
Dec 20, 2015
Dec 20, 2015 at 5:50 PM UTC
Leaves leave
Honesty the lost art/   Honesty is rare it should cost a lot/   It would be sublime if We could find it/   Honestly, honesty is the best policy/ We should treasure the thought cherished engulfed/   combined with Loyalty   till death do us part/ I yurn The lies tiring   like ones sleepy lay down Suffocating to a corpse/   Thought is boss employ by it   We're all guilty I guess/ Liar liar in court   A sentient being-ness/ Troth be told   I can't believe in this/ Question,   Am I the only one seeing this?/ Or only me blind and ain't            Seeing ****   I try and **** it out its epidemic, Chronic/ The remedy Poetry Hop    Visual Sonnets/ **** naked in   My correspondence/ Articulating articles   Waiting for responses/ Is it a defense mechanism   Of the conscious/ Honesty? Honestly/   Seems like everyone's Not doing it so its gotta BE/   Non honesty The ever lasting Prophecy/   And were full filling it The good succumbs   To the villainous/ My willingness/   To compromise my will I guess/   You could interpret as weak/ Most realize the Inside scoop   Yet everyone tells lies non interested in truth/   Me, a victim and a suspect An on going cycle yet/   I ask what's next/ as if I didn't know    Where the L lies underlying Facts can't grow/   HonestLy, we all lose an L to Honesty!
0
Feb 20, 2017
Feb 20, 2017 at 1:44 AM UTC
Honesty, Honestly?
Why is hellopoetry.com black and white? I've always wondered about this... why my colorful photographs are required to travel back in time. How does this effect the poetry in any way, shape, or form? But I understand the wisdom of this design now. And it sets a great metaphor for all of the people of the pen involved in this truly noble motion, this secret society for people with passion, talent, and troubled minds and souls. Hello Poetry is black and white not because it has to be monochromatic and modern, but because us poets fill these pages with enough inovativeness and color already with our words, ideas, thoughts, songs, senryus, ballads, heartbreaks, insecurities, that adding literal color to this website would be overwhelming. These soft undertones of gray, black, and white may be considered drab and depressing to some, but to us poets it represents timelessness. And this is probably why we are all here. Hourly, daily, weekly, monthly, or even yearly publishing poems. Because we all know we are not going to live forever, and we are so entirely insignificant in the broad scheme of things and of the universe itself, that it is a bit comforting and helpful to have this coping mechanism or soft blankie to calm our fears, that this literature we write, however insignificant it may be, is absolutley permanent. And that maybe someday it will be remembered so a small bit of us may live on. Tom Riddle knew the needs and wants of man kind before anybody else realized it. Maybe he was just trying to cope with the fact that he is insignificant. These poems are all our Horcruxes so viveamus per camenam nostram.
0
Apr 5, 2014
Apr 5, 2014 at 5:19 PM UTC
The Tom Riddle Theory
Why is hellopoetry.com black and white? I've always wondered about this... why my colorful photographs are required to travel back in time. How does this effect the poetry in any way, shape, or form? But I understand the wisdom of this design now. And it sets a great metaphor for all of the people of the pen involved in this truly noble motion, this secret society for people with passion, talent, and troubled minds and souls. Hello Poetry is black and white not because it has to be monochromatic and modern, but because us poets fill these pages with enough inovativeness and color already with our words, ideas, thoughts, songs, senryus, ballads, heartbreaks, insecurities, that adding literal color to this website would be overwhelming. These soft undertones of gray, black, and white may be considered drab and depressing to some, but to us poets it represents timelessness. And this is probably why we are all here. Hourly, daily, weekly, monthly, or even yearly publishing poems. Because we all know we are not going to live forever, and we are so entirely insignificant in the broad scheme of things and of the universe itself, that it is a bit comforting and helpful to have this coping mechanism or soft blankie to calm our fears, that this literature we write, however insignificant it may be, is absolutley permanent. And that maybe someday it will be remembered so a small bit of us may live on. Tom Riddle knew the needs and wants of man kind before anybody else realized it. Maybe he was just trying to cope with the fact that he is insignificant. These poems are all our Horcruxes so viveamus per camenam nostram.
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1
split the atom an we get fission mass becomes energy but can we split a second enter the essence of the present what would it mean to us to be that mindful ask your self doesn't your mind only occupy past future abjectly incapable of living in the present in the true present there could not be even a ghost of a thought theres no time to think can we enter an incalculable split second and totally take in that instant with a forgotten organic technology is it the big bang in perpetuity yet quiet as a mute a raging ever expanding sea in a connected but distinct dimension if you entered it would it not utterly erases all of history the thinkers and doers along with it the step beyond the alpha and omega the great underlining reality imagine the penetrated moment an all consuming unimaginable trans-mutational merge omnipotent yet forever imperceptible to those among us time locked an irreducible limitation like an ant in a closed paper bag a fixated reflexive machine wandering aimlessly with an unknowable mission and a relentless survival mechanism with no chance of survival time as a cosmic metabolism its medium space a vast cauldron an infinite vessel containing endless points of light everywhere myriad phenomena its terrain and the temporal creatures that inhabit it both exquisite and hideous an incalculable zoo histories victors and victims one and all vanquished by the curse consciousness of dis-juncture a merciless countenance of limitation yet could time be an illusion rooted in a narrow awareness bereft of an eternal inexhaustible self effulgent now the rapture an eternal ****** if we could only penetrate into it would it swallow us and blot out the drama of creations theater is the now conscious illimitable ecstatic a perfect meta moment ? we hear from sacred texts like the Vedas... Bhagavad Gita.... and Kabbalah that we may enter beyond the veil passed time and its ravages passed mind and its distortions not to the heaven of religion in its endless closed system precepts anthropomorphic metaphors theistic gobbledygook and sophomoric social engineering a kind of cliffs notes god for dummies we can enter the eternal abode of the divine a point between the splitting of seconds revealed through the simple act of mindful breathing pierced by the effort of a focused mind
0
Mar 3, 2017
Mar 3, 2017 at 8:09 AM UTC
Splitting the Second
split the atom an we get fission mass becomes energy but can we split a second enter the essence of the present what would it mean to us to be that mindful ask your self doesn't your mind only occupy past future abjectly incapable of living in the present in the true present there could not be even a ghost of a thought theres no time to think can we enter an incalculable split second and totally take in that instant with a forgotten organic technology is it the big bang in perpetuity yet quiet as a mute a raging ever expanding sea in a connected but distinct dimension if you entered it would it not utterly erases all of history the thinkers and doers along with it the step beyond the alpha and omega the great underlining reality imagine the penetrated moment an all consuming unimaginable trans-mutational merge omnipotent yet forever imperceptible to those among us time locked an irreducible limitation like an ant in a closed paper bag a fixated reflexive machine wandering aimlessly with an unknowable mission and a relentless survival mechanism with no chance of survival time as a cosmic metabolism its medium space a vast cauldron an infinite vessel containing endless points of light everywhere myriad phenomena its terrain and the temporal creatures that inhabit it both exquisite and hideous an incalculable zoo histories victors and victims one and all vanquished by the curse consciousness of dis-juncture a merciless countenance of limitation yet could time be an illusion rooted in a narrow awareness bereft of an eternal inexhaustible self effulgent now the rapture an eternal ****** if we could only penetrate into it would it swallow us and blot out the drama of creations theater is the now conscious illimitable ecstatic a perfect meta moment ? we hear from sacred texts like the Vedas... Bhagavad Gita.... and Kabbalah that we may enter beyond the veil passed time and its ravages passed mind and its distortions not to the heaven of religion in its endless closed system precepts anthropomorphic metaphors theistic gobbledygook and sophomoric social engineering a kind of cliffs notes god for dummies we can enter the eternal abode of the divine a point between the splitting of seconds revealed through the simple act of mindful breathing pierced by the effort of a focused mind
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87
Ebola, coming from the Continent of our roots The WHO is exhausted by your contagion Nurses are leaving their posts, doctors are dying What can contain exponential growth? Not the money and debts of this bankrupt America We print more money and expect The world to stay the same, but it won’t Not after you Ebola, a profit mechanism Vaccines, for each strain and mutation? Ebola, your incubation period is too long Your death-conformity is too high How can you possibly be natural? Man-made, racially biased, targeting The weak, the poor, the masses Ebola, a colonial rampage in your DNA I call your bluff, genocide, Genocide! Obama doesn’t mind Ebola, flights stay open New epicenters for outbreaks arrive The pundits say it’s already too late Fluids or air-droplets, both, who is to say? The CDC seems strangely apathetic The UN is oddly apologetic Ebola, are you ready to decimate The white man, as you have the black?
0
Oct 18, 2014
Oct 18, 2014 at 10:41 AM UTC
Ebola, Puppet of Propaganda
Dissociation: noun the disconnection or separation of something from something else or the state of being disconnected. CHEMISTRY the splitting of a molecule into smaller molecules, atoms, or ions, especially by a reversible process. PSYCHIATRY separation of normally related mental processes, resulting in one group functioning independently from the rest, leading in extreme cases to disorders such as multiple personality. Dissociation is not trendy. It’s not just depression or starring into space. It’s so much more It’s crawling away form reality and making a home in your head. Losing contact with your body. Dissociation is not knowing who you are. Dissociation is watching yourself in third person. Dissociation is feeling so scared that you’d rather loose yourself entirely then live in the present. Dissociation is not always multiple personalities but sometimes no personality. It’s losing time. It’s not recognizing those you love. It’s having little to no memory of anything that happened after the fifth grade. its knowing faces but not exactly sure where from. It’s a defense mechanism. It’s writing your name on the back of your hand to not completely lose all of you. 
It’s wearing a rubber band to snap yourself back because you have taught yourself to know when you are losing yourself It’s getting help, because you know in your very few lucid moments that this is not normal.
0
May 10, 2017
May 10, 2017 at 9:37 AM UTC
Dissociation
You say something Than I use it My denfence mechanism I say somethin really ****** or mean But in just the right tune For you to assume I'm not an ******* But using sarcasm rather than being a **** Be secretly I am I'm rude and mean and hateful But not always and not to all Just those who don't fully understand my brand of Sarcasm
0
Jul 19, 2014
Jul 19, 2014 at 4:47 AM UTC
Sarcasm?
If ever I thought I was worthless useless an empty vessel to hold the blame of the world, I was ignorant. In the shadow of others I did not realize I was outgrowing the limited social garden bed of my ‘friends’ and companions. Friends would be an overstatement and a title many of them have never and will never earn. As a Scorpio my trust is not easily gained, and one lost, it is gone forever. Something in me, though, always forgave, but kept the trespasses against my trust cataloged, loaded, waiting to fire across my synapses is self destruction. If ever I took your interest as a sign of friendship, I was a fool. If ever I opened my heart to you, if ever I extended an almost maternal hand to you I was an idiot. My body has been run ragged with its attempts at pleasing all and apologizing for its darker nature. My narcissism has become a survival mechanism that I once thought needed you. My soul is weary of your needy hands, your open-bird mouth that I keep feeding more and more of my soul. Compassion has an end with me. In this game of survival, I will always be the fittest and you’ve stopped entertaining the animal within me. I am worth so much more than being drained of my entirety. I am manifest energy as you are, as the earth is. Like the Earth my resources have been tapped and I can give no longer. Like the Earth I shall strike with ground shattering vengeance. If ever I thought friendship was giving you everything for nothing in return, I was blind, for I am a Goddess as you are. I am a Goddess as you are a God, and your meager offerings of passing interest and constant need are insufficient. My inner patriarch has fed of your male-centric patterns of thought, and the women of my past lives are too loud in protest for this to continue. I deserve much more than “friends” like you. & most of all If ever I thought my thighs were a sufficient reason for me to hate myself, if ever I thought they were an excuse for you to disrespect me, then I was a ***** Because you are an *** hole. And my body is rad
0
Nov 12, 2012
Nov 12, 2012 at 4:59 PM UTC
if ever i
If ever I thought I was worthless useless an empty vessel to hold the blame of the world, I was ignorant. In the shadow of others I did not realize I was outgrowing the limited social garden bed of my ‘friends’ and companions. Friends would be an overstatement and a title many of them have never and will never earn. As a Scorpio my trust is not easily gained, and one lost, it is gone forever. Something in me, though, always forgave, but kept the trespasses against my trust cataloged, loaded, waiting to fire across my synapses is self destruction. If ever I took your interest as a sign of friendship, I was a fool. If ever I opened my heart to you, if ever I extended an almost maternal hand to you I was an idiot. My body has been run ragged with its attempts at pleasing all and apologizing for its darker nature. My narcissism has become a survival mechanism that I once thought needed you. My soul is weary of your needy hands, your open-bird mouth that I keep feeding more and more of my soul. Compassion has an end with me. In this game of survival, I will always be the fittest and you’ve stopped entertaining the animal within me. I am worth so much more than being drained of my entirety. I am manifest energy as you are, as the earth is. Like the Earth my resources have been tapped and I can give no longer. Like the Earth I shall strike with ground shattering vengeance. If ever I thought friendship was giving you everything for nothing in return, I was blind, for I am a Goddess as you are. I am a Goddess as you are a God, and your meager offerings of passing interest and constant need are insufficient. My inner patriarch has fed of your male-centric patterns of thought, and the women of my past lives are too loud in protest for this to continue. I deserve much more than “friends” like you. & most of all If ever I thought my thighs were a sufficient reason for me to hate myself, if ever I thought they were an excuse for you to disrespect me, then I was a ***** Because you are an *** hole. And my body is rad
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16
Revelations of the heart regarding how one's money is spent echoes volumes about character and our God-given talents. For Jehovah is far from being poor; He owns the cattle on a thousand hills. He's not into ungodly extortion to keep you from paying your bills. By serving two masters, one will be dearly loved - the other sorely hated; so one can never be truly happy until settling the God and Mammon debate. The wealth of God lies in His Word. His principle of tithing is a mechanism to pour out financial blessings upon us. Therefore, purge your mindset of secularism. Jehovah desires our faithfulness to fulfill our ministry to the Earth. We won't be judged on our daily income - Know that money can never define... Our true worth. Author Notes: FYI - Mammon is the church term for the "God of money". Learn more about me and my poetry at: http://www.squidoo.com/book-isbn-1419650513/
0
Apr 13, 2012
Apr 13, 2012 at 9:27 AM UTC
Poem: Giving Tithes to God
Looking back, memories distort. Replace damaged nodes with something similar Perhaps reconstructed From previous set-up before X and Y parameters Report Step One: Check patient notes to self Re-calculate from de-constructed Inject imagination Respect self-defence mechanism or immediate virus node termination (a response attack organism) Re-calibrate instruments awareness Strip upgrade Love version 4.1 Reboot only in emergency Refer to install options Error: Temporal Lobe Anomaly Virus detected Internal nodes infected Import Rejection version 3.2 and couple with Lets Be Friends upgrade 1 (Advanced program) Monitor assimilation Danger! Overheated components - Re-inject Memory Node Objective Hindsight applet. Refer to Step One It is now safe to shut down Should you wish to.
0
Nov 15, 2012
Nov 15, 2012 at 8:09 AM UTC
Love 2.0 compliant
http://m.wikihow.com/Unhook-a-Bra Pinch the eyelets but oh so gently, To properly unhook the device to safely release paradise From it's containment chamber. This be one of many secrets to unlocking The mechanism that holds some of the happy things The human body artist conceived To perpetuate the Species. According to the internet, To extract joy to the world correctly, Depends upon both your station and your Positioning. Thus, it helps to have GPS, Which most men think is that pointy thing Between their legs, But is not. Given the laws of gravity, And other natural limitations, Sadly that utensil of little avail In this surgical operation. If one desires to release the tension Between the connectors of the protectors, Guardians of her heart, It will be necessary to Let your fingers do the walking. So cut and paste the title above, In your web browser place! Do your homework or risk feeling As petite as a schnauzer. Seems your natural tendency, Righty or lefty, matters in this endeavor, Of which I was unawares, oft pressing the incorrect lever. This, the likely cause of my spectacular Teenage Fumblings and failures. Had I known that fact, In the days before the Internet, Surely I would have brought along my Catchers mitt To step up my game. Sage advice the article provides: *Get a bra, and practice, practice, practice! It gets easier with experience.* But methinks that is a bit of a Risky adventure, Lest you be seen boy, Practicing upon yourself, Or even a dummy, Dummy! So cut and paste the title above In your web browser, Do your home work or risk feeling As petite as a pocket schnauzer. But the most important tip This wealthy article of information provides, The conclusion. In the hour of your desperate struggle, Drooping Ego And Crushed Pride, Ask for assistance from one more practiced, Hopefully nearby, Whose help usually comes with a charming smile of touching condescension For your male idiocy and verbal in-articulation. *She, unawares, that you have got her Positioned precisely where you want!* For when you lift her up, In a free state, the one Divinity intended, and in your arms, enfolded and protected, In one grand poetic gesture, Sweep her off her feet, Her surprise will be **.. O So Touching!**
0
Aug 9, 2013
Aug 9, 2013 at 6:30 PM UTC
Unhook-a-Bra (2013)
http://m.wikihow.com/Unhook-a-Bra Pinch the eyelets but oh so gently, To properly unhook the device to safely release paradise From it's containment chamber. This be one of many secrets to unlocking The mechanism that holds some of the happy things The human body artist conceived To perpetuate the Species. According to the internet, To extract joy to the world correctly, Depends upon both your station and your Positioning. Thus, it helps to have GPS, Which most men think is that pointy thing Between their legs, But is not. Given the laws of gravity, And other natural limitations, Sadly that utensil of little avail In this surgical operation. If one desires to release the tension Between the connectors of the protectors, Guardians of her heart, It will be necessary to Let your fingers do the walking. So cut and paste the title above, In your web browser place! Do your homework or risk feeling As petite as a schnauzer. Seems your natural tendency, Righty or lefty, matters in this endeavor, Of which I was unawares, oft pressing the incorrect lever. This, the likely cause of my spectacular Teenage Fumblings and failures. Had I known that fact, In the days before the Internet, Surely I would have brought along my Catchers mitt To step up my game. Sage advice the article provides: *Get a bra, and practice, practice, practice! It gets easier with experience.* But methinks that is a bit of a Risky adventure, Lest you be seen boy, Practicing upon yourself, Or even a dummy, Dummy! So cut and paste the title above In your web browser, Do your home work or risk feeling As petite as a pocket schnauzer. But the most important tip This wealthy article of information provides, The conclusion. In the hour of your desperate struggle, Drooping Ego And Crushed Pride, Ask for assistance from one more practiced, Hopefully nearby, Whose help usually comes with a charming smile of touching condescension For your male idiocy and verbal in-articulation. *She, unawares, that you have got her Positioned precisely where you want!* For when you lift her up, In a free state, the one Divinity intended, and in your arms, enfolded and protected, In one grand poetic gesture, Sweep her off her feet, Her surprise will be **.. O So Touching!**
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79
A bridge from colloquial to courtly fare A span where idealism and fantasy pair A railway to the existential realm; celestial lair A conduit through which rational discourse can flare Deep medium to: forage, inculcate, and inform Broad brush to paint rare beauty; sculpt surrealistic form Incisive scalpel to surgically alter the societal norm Delicate utensil to educate on civility and decorum A literary ***** a prosaic construct A mechanism our syntax to deconstruct An analytical tool; an observational viaduct Introspective milieu to reduct; extrovertive sphere to reconstruct A semantical edifice that aspiring wit, lofty orations implore An experimental structure gramatical anomalies to explore A thematic repository in which concrete ideas, abstract notions to pour A vernacular cathedral butressed by an idiomatic core
0
Jul 25, 2012
Jul 25, 2012 at 6:37 PM UTC
On Poetry and Prose
It’s the morning after the last heart session Eyes open but brain still crackling with static and white noise When I try it again Hoping to get pen to paper Before consciousness can recover sufficiently to intervene And proffer pretty syntax to the poem Hold the mind blank And stack the words in rows of green growth Like garden beds That only need time and attention to bear fruit Let truth come from some other place Than reason or left brain Or the extensive vocabulary Meticulously indexed in the cranial cavity Somewhere near the brain stem Or maybe in the DNA As C, T, G, and A Storing data like binary only twice as complex The recall mechanism operating in the darkness of our comprehension Apprehension of its failure threatening to leave the poem unfinished Unillustrated Uncalibrated Un-fact checked Like that matters somehow Like the facts are important in art Like the right brain has no sense of propriety Just as surely as the heart tells lies in gibberish A chattering maelstrom of syllables in a cyclonic vacuum And yet somehow the heart speaks with perfect clarity Uncluttered rhythm Timing and flow So you know there is more going on here than we fully understand Lend a hand to help decipher the intentions of a part of yourself wayward from the rest of you Leading to a collapse of the ego And a blurring of the lines between you and I Turning discrete data into continuous On the fly On the run Under sun and and moon and sky Until the day that even death fails to be discrete Or even an event any more important than a fire Converting energy from one form to another
0
Dec 1, 2012
Dec 1, 2012 at 7:42 PM UTC
Heartbeats & Mathematics
It’s the morning after the last heart session Eyes open but brain still crackling with static and white noise When I try it again Hoping to get pen to paper Before consciousness can recover sufficiently to intervene And proffer pretty syntax to the poem Hold the mind blank And stack the words in rows of green growth Like garden beds That only need time and attention to bear fruit Let truth come from some other place Than reason or left brain Or the extensive vocabulary Meticulously indexed in the cranial cavity Somewhere near the brain stem Or maybe in the DNA As C, T, G, and A Storing data like binary only twice as complex The recall mechanism operating in the darkness of our comprehension Apprehension of its failure threatening to leave the poem unfinished Unillustrated Uncalibrated Un-fact checked Like that matters somehow Like the facts are important in art Like the right brain has no sense of propriety Just as surely as the heart tells lies in gibberish A chattering maelstrom of syllables in a cyclonic vacuum And yet somehow the heart speaks with perfect clarity Uncluttered rhythm Timing and flow So you know there is more going on here than we fully understand Lend a hand to help decipher the intentions of a part of yourself wayward from the rest of you Leading to a collapse of the ego And a blurring of the lines between you and I Turning discrete data into continuous On the fly On the run Under sun and and moon and sky Until the day that even death fails to be discrete Or even an event any more important than a fire Converting energy from one form to another
Continue reading...
42
what's the point of buying a portrait if you are blind? nothing i would see is worth my precious time— just more metal, bad skin, and tired, jealous eyes senseless sensibility is a cold kettle boiling, nonsense steam fogs up the jaded glass. draw a picture with your finger, smile as it fades to apathy, all that lovely water turned to gas. i lick my palms to play pretend with illness, stay in bed with the quilt kicked off-kilter, crawling with the brood of the six-legged past; they are eating the nests of the threatened, bitter future change the cable channels in my brain, but only stations two and five are clear, and eight if a wire coat-hanger antenna is bent at an angle from my dominant ear so i can sit, content, and watch the weather sneaking in exhaust from every orifice gets me passed out stupid every time; a coping mechanism, coated **** between the gears, and only this pollution left behind.
0
Jun 23, 2012
Jun 23, 2012 at 11:13 PM UTC
this pollution.
I feel the walls of my mentality breaking down. The defense mechanism has failed. My weakness has been found. Bombs bombard my frontal lobes. How much time do I have left? That's a question nobody knows. But the army of stress wages through. Setting fire and killing cells, torturing them as the army continues to move. My head throbs with pain, my legs join my arms in what feels like an earthquake; Heart pounds with tremendous force, my body is on a crash course. The room becomes an amusement park ride. While different moods pass me by. Day after day the symptoms increase. Today may be the day when I accept defeat. Socializing has become a thing of the past, all I have is panic attacks. Happiness has finally been lost. Without a map, and at what cost? Control center has been compromised. Here I am, I have met my demise.
0
Jul 17, 2014
Jul 17, 2014 at 2:26 PM UTC
Breakdown
Sometimes when I do something a little less than good, the mind bugs me with a guilt trip to ****** land, and I know that morality is a cornerstone of Buddhism which I subscribe to, but the moral, virtuous, pure way bothers me as does the chemistry of the mechanism of the mind which gives me this crap.
0
Jan 20, 2012
Jan 20, 2012 at 3:44 PM UTC
A Buddhist Conscience
''Sexual attraction is confusing, maddening, euphoric, even dangerous. It drives people to extreme behavior, even unspeakable crimes. The beating pulse, the sweating palms, the rise of chemicals in the brain are the symptoms of a much deeper, more mysterious affliction. The mechanism that chooses and controls the objects of ****** desire can only be found in the heart of the unexplained''
0
Aug 31, 2014
Aug 31, 2014 at 7:00 PM UTC
****** attraction
I caught a tremendous fish and held him beside the boat half out of water, with my hook fast in a corner of his mouth. He didn't fight. He hadn't fought at all. He hung a grunting weight, battered and venerable and homely. Here and there his brown skin hung in strips like ancient wallpaper, and its pattern of darker brown was like wallpaper: shapes like full-blown roses stained and lost through age. He was speckled with barnacles, fine rosettes of lime, and infested with tiny white sea-lice, and underneath two or three rags of green **** hung down. While his gills were breathing in the terrible oxygen --the frightening gills, fresh and crisp with blood, that can cut so badly-- I thought of the coarse white flesh packed in like feathers, the big bones and the little bones, the dramatic reds and blacks of his shiny entrails, and the pink swim-bladder like a big peony. I looked into his eyes which were far larger than mine but shallower, and yellowed, the irises backed and packed with tarnished tinfoil seen through the lenses of old scratched isinglass. They shifted a little, but not to return my stare. --It was more like the tipping of an object toward the light. I admired his sullen face, the mechanism of his jaw, and then I saw that from his lower lip --if you could call it a lip grim, wet, and weaponlike, hung five old pieces of fish-line, or four and a wire leader with the swivel still attached, with all their five big hooks grown firmly in his mouth. A green line, frayed at the end where he broke it, two heavier lines, and a fine black thread still crimped from the strain and snap when it broke and he got away. Like medals with their ribbons frayed and wavering, a five-haired beard of wisdom trailing from his aching jaw. I stared and stared and victory filled up the little rented boat, from the pool of bilge where oil had spread a rainbow around the rusted engine to the bailer rusted orange, the sun-cracked thwarts, the oarlocks on their strings, the gunnels--until everything was rainbow, rainbow, rainbow! And I let the fish go.
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4.2k
The Fish
I caught a tremendous fish and held him beside the boat half out of water, with my hook fast in a corner of his mouth. He didn't fight. He hadn't fought at all. He hung a grunting weight, battered and venerable and homely. Here and there his brown skin hung in strips like ancient wallpaper, and its pattern of darker brown was like wallpaper: shapes like full-blown roses stained and lost through age. He was speckled with barnacles, fine rosettes of lime, and infested with tiny white sea-lice, and underneath two or three rags of green **** hung down. While his gills were breathing in the terrible oxygen --the frightening gills, fresh and crisp with blood, that can cut so badly-- I thought of the coarse white flesh packed in like feathers, the big bones and the little bones, the dramatic reds and blacks of his shiny entrails, and the pink swim-bladder like a big peony. I looked into his eyes which were far larger than mine but shallower, and yellowed, the irises backed and packed with tarnished tinfoil seen through the lenses of old scratched isinglass. They shifted a little, but not to return my stare. --It was more like the tipping of an object toward the light. I admired his sullen face, the mechanism of his jaw, and then I saw that from his lower lip --if you could call it a lip grim, wet, and weaponlike, hung five old pieces of fish-line, or four and a wire leader with the swivel still attached, with all their five big hooks grown firmly in his mouth. A green line, frayed at the end where he broke it, two heavier lines, and a fine black thread still crimped from the strain and snap when it broke and he got away. Like medals with their ribbons frayed and wavering, a five-haired beard of wisdom trailing from his aching jaw. I stared and stared and victory filled up the little rented boat, from the pool of bilge where oil had spread a rainbow around the rusted engine to the bailer rusted orange, the sun-cracked thwarts, the oarlocks on their strings, the gunnels--until everything was rainbow, rainbow, rainbow! And I let the fish go.
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76
See the Rabbi.  See him tormented by choice.  See his people.  See them wracked by hate.  See the others.  See their anger radiate outward in glowing spokes, exploding firebrand in a tinder city. On a night like any other, the moon at sixth house, fulcrum of pinwheel zodiac, the Rabbi, awash in lidless starlight, rises somber and makes his choice.  And when the sun is furthermost, he and three of his others gather at the murmuring riverbank where the brown clay is most pliable and begin to dig, sifting rock and root from trundled earth.  Hours spent exhuming the clay, molding it, kneading its muscles, tracing its veins, baking its skin in the starlight.  More hours spent in whispering prayer, the words bent and somersaulting over themselves like tumbling books. See Truth drawn on its forehead, life etched from clay and word.  As the sun rises, so it does, wavering at first, but steadier, lapping at the river, and their faces move slowly across the water.  See the Rabbi speak to it, his words winding its mechanism.  See it stride past the ghetto, wade through the market, and into the borough, siege unto its own. See the others scream for mercy from the kiln of its stare, from their flaming tenements, their crumpling rooftops. See it wade back through the market, past the ghetto, back to the riverbank to kneel in the underbrush.  See it tilt its head to the lilt of a stranded daisy caught in a vagrant gust.   See it caught, too, and see it see.  It sees the colors of Eden in the ferns.  It hears the river churning sediment, fossils, gravel, whirling over driftwood.  It touches moss on a rock; gently rotates its hand to let a grub complete an oblivious circumference.  See it sit in silence. See the Rabbi meet with the others, then his others.  And on a day like any other, when the sun is at its apogee, they slip down the riverbank where it still sits, still.  It ignores their autonomous logic, their homunculus rationale.  They are perversions of variety cloaked in righteous intention.  So it remains. See the Rabbi and his others gather at the murmuring riverbank, shadow conclave in shifting sunlight, then rise somber and decided.  They pin it to the earth as the Rabbi chants, invoking the void in which forbidden knowledge spirals.  It squirms under the power of the Word, mind-forged manacle as incantation.  See the Rabbi draw to a close.  His hand is arbiter, swooping down to smudge Truth from its forehead.  What is left but Death. See its hand crumble in its passage as it reaches for the stranded daisy.  See the colors of Eden darken in its eyes, its own body the dust that denies it light.  See it collapse into itself, the clay that was once animate spilling onto the riverbank.  See the Rabbi and his others shimmer then fade into city grey. The daisy stands still.
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Dec 15, 2011
Dec 15, 2011 at 4:22 PM UTC
The Golem
See the Rabbi.  See him tormented by choice.  See his people.  See them wracked by hate.  See the others.  See their anger radiate outward in glowing spokes, exploding firebrand in a tinder city. On a night like any other, the moon at sixth house, fulcrum of pinwheel zodiac, the Rabbi, awash in lidless starlight, rises somber and makes his choice.  And when the sun is furthermost, he and three of his others gather at the murmuring riverbank where the brown clay is most pliable and begin to dig, sifting rock and root from trundled earth.  Hours spent exhuming the clay, molding it, kneading its muscles, tracing its veins, baking its skin in the starlight.  More hours spent in whispering prayer, the words bent and somersaulting over themselves like tumbling books. See Truth drawn on its forehead, life etched from clay and word.  As the sun rises, so it does, wavering at first, but steadier, lapping at the river, and their faces move slowly across the water.  See the Rabbi speak to it, his words winding its mechanism.  See it stride past the ghetto, wade through the market, and into the borough, siege unto its own. See the others scream for mercy from the kiln of its stare, from their flaming tenements, their crumpling rooftops. See it wade back through the market, past the ghetto, back to the riverbank to kneel in the underbrush.  See it tilt its head to the lilt of a stranded daisy caught in a vagrant gust.   See it caught, too, and see it see.  It sees the colors of Eden in the ferns.  It hears the river churning sediment, fossils, gravel, whirling over driftwood.  It touches moss on a rock; gently rotates its hand to let a grub complete an oblivious circumference.  See it sit in silence. See the Rabbi meet with the others, then his others.  And on a day like any other, when the sun is at its apogee, they slip down the riverbank where it still sits, still.  It ignores their autonomous logic, their homunculus rationale.  They are perversions of variety cloaked in righteous intention.  So it remains. See the Rabbi and his others gather at the murmuring riverbank, shadow conclave in shifting sunlight, then rise somber and decided.  They pin it to the earth as the Rabbi chants, invoking the void in which forbidden knowledge spirals.  It squirms under the power of the Word, mind-forged manacle as incantation.  See the Rabbi draw to a close.  His hand is arbiter, swooping down to smudge Truth from its forehead.  What is left but Death. See its hand crumble in its passage as it reaches for the stranded daisy.  See the colors of Eden darken in its eyes, its own body the dust that denies it light.  See it collapse into itself, the clay that was once animate spilling onto the riverbank.  See the Rabbi and his others shimmer then fade into city grey. The daisy stands still.
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9
Losing a tail Is like losing a rudder Like losing a ballast Stability must be found elsewhere As a quadruped there are four points of contact A biped has only two How do we replace that stability? With aspiration ~ Extinct ~ **** erectus* and **** neanderthalensis* ~ Extant ~ Hominids Great Apes Primarily lumbering along on all fours Quadrupedal Except Us **** sapiens* What mechanism allowed for bipeds? Natural selection? Or a naturally selected collective vision Through collective perspiration Art is used to mine dream-time Inspiring the masons among us The art is the plan The architecture is built upon And the builders perspiration Leads to the built environment How do you cap it? Egyptians used a capstone Aspiration Leading to Inspiration Leading to Perspiration Leading to A Spire Naturally
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Oct 24, 2014
Oct 24, 2014 at 3:58 AM UTC
Natural Aspirations
The Pen The pick up the pen; The put it down again (That sunken feeling, nemesis or friend?) The pen. The Pen. The pacing, the pressing up against The period. Stop stopping Again. Pick it up to put it down. Pointless. Pshaw. Please. Please me simplicity. C’mon! C’mon pen lemme pick it up And put something down. I’ll plagiarize the flow for a few words of my own. I’m looking for inspiration from the great beyond. My muse is missing. I know the medium is a constraint. I know inside The set of symbols paints Me into a corner. The parameters Of my pen’s head worn out. I’m ****** The metaphors Pressed. The pen is second-guessed. A literate piece of poetic license, The defense mechanism Against the prison I impose. Me, myself, and I inside The pen pining for a purpose. The nexus of picking it up and putting it down Is perplexing me, is vexing Me like a sticky keyboard key. So, I’m putting it all down With the pen. The pen. The picking it up: who cares? The putting it down: pensive prohibition. The picking up; what I left out. The putting it down: polygraph precision. The picking up where I left off: The putting it down: priority, what’s left of me. The picking it up, when I don’t even know Why I bother? The putting it down: passion The putting it down: plea of let me be. The putting it down periscope; I’m diving under The pressure’s mounting; I’m down for the counting on my muse To bring me back From that inky black abyss once again My personal sonar is Probing the depths, of what lies hidden within the pen.
0
Aug 1, 2016
Aug 1, 2016 at 7:46 AM UTC
The Pen
The Pen The pick up the pen; The put it down again (That sunken feeling, nemesis or friend?) The pen. The Pen. The pacing, the pressing up against The period. Stop stopping Again. Pick it up to put it down. Pointless. Pshaw. Please. Please me simplicity. C’mon! C’mon pen lemme pick it up And put something down. I’ll plagiarize the flow for a few words of my own. I’m looking for inspiration from the great beyond. My muse is missing. I know the medium is a constraint. I know inside The set of symbols paints Me into a corner. The parameters Of my pen’s head worn out. I’m ****** The metaphors Pressed. The pen is second-guessed. A literate piece of poetic license, The defense mechanism Against the prison I impose. Me, myself, and I inside The pen pining for a purpose. The nexus of picking it up and putting it down Is perplexing me, is vexing Me like a sticky keyboard key. So, I’m putting it all down With the pen. The pen. The picking it up: who cares? The putting it down: pensive prohibition. The picking up; what I left out. The putting it down: polygraph precision. The picking up where I left off: The putting it down: priority, what’s left of me. The picking it up, when I don’t even know Why I bother? The putting it down: passion The putting it down: plea of let me be. The putting it down periscope; I’m diving under The pressure’s mounting; I’m down for the counting on my muse To bring me back From that inky black abyss once again My personal sonar is Probing the depths, of what lies hidden within the pen.
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