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"manhattan" poems
Here is the inimitable Jeff Buckley's poem, "My New Year's Eve Prayer," which he performed live at Sin-é in Manhattan, NYC, in 1996. "You, my love, are allowed to forget about the Christmas you just spent stressed out in your parents' house. You, my love, are allowed to shed the weight of all the years before, like bad disco clothes. Save them for a night of dancing ****** with your lover. You, my love, are allowed to let yourself drown every night in bottomless wild and naked symbolic dreams. You, my love, in sleep can unlock your youth and your most terrifying magic; and dreaming is for the courageous. You, my love, are allowed to grab my guitar and sing me idiot love songs if you've lost your ability to speak. Keep it down to two minutes. You, my love, are allowed to rot and to die and to live again, more alive and incandescent than before. You, my love, are allowed to beat the **** out of your television, choke it's thoughts and corrupt its mind. **** **** **** **** the ************ before the song of zombiefied pain and panic and malaise and it's narrow right-winged vision and it's cheap commercial gang **** becomes the white noise of the world. Turn about is fair play. You, my love, are allowed to forgive and love your television. You, my love, are allowed to speak in kisses to those around you and those up in heaven. You, my love, are allowed to show your babies how to dance full bodied, starry eyed, audacious, supernatural and glorified. You, my love, are allowed to **** in every single endeavor. You, my love, are allowed to be soaked like a lovers' blanket in the New York summertime with the wonder of your own special gift. You, my love, are allowed to receive praise. You, my love, are allowed to have time. You, my love, are allowed to understand. You, my love, are allowed to love. Woman, disobey, when little men believe; You, my love, are Rebellion."
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Aug 3, 2015
Aug 3, 2015 at 5:08 PM UTC
My New Year's Eve Prayer by Jeff Buckley
Here is the inimitable Jeff Buckley's poem, "My New Year's Eve Prayer," which he performed live at Sin-é in Manhattan, NYC, in 1996. "You, my love, are allowed to forget about the Christmas you just spent stressed out in your parents' house. You, my love, are allowed to shed the weight of all the years before, like bad disco clothes. Save them for a night of dancing ****** with your lover. You, my love, are allowed to let yourself drown every night in bottomless wild and naked symbolic dreams. You, my love, in sleep can unlock your youth and your most terrifying magic; and dreaming is for the courageous. You, my love, are allowed to grab my guitar and sing me idiot love songs if you've lost your ability to speak. Keep it down to two minutes. You, my love, are allowed to rot and to die and to live again, more alive and incandescent than before. You, my love, are allowed to beat the **** out of your television, choke it's thoughts and corrupt its mind. **** **** **** **** the ************ before the song of zombiefied pain and panic and malaise and it's narrow right-winged vision and it's cheap commercial gang **** becomes the white noise of the world. Turn about is fair play. You, my love, are allowed to forgive and love your television. You, my love, are allowed to speak in kisses to those around you and those up in heaven. You, my love, are allowed to show your babies how to dance full bodied, starry eyed, audacious, supernatural and glorified. You, my love, are allowed to **** in every single endeavor. You, my love, are allowed to be soaked like a lovers' blanket in the New York summertime with the wonder of your own special gift. You, my love, are allowed to receive praise. You, my love, are allowed to have time. You, my love, are allowed to understand. You, my love, are allowed to love. Woman, disobey, when little men believe; You, my love, are Rebellion."
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46
Ilion gray poet extraordinary is away learning the codes hidden in raindrops no reason for surprise; for the mountains of Brooklyn, the Manhattan caverns of Sunhenge^, corridors of narrow focus for trapping the declining sun rays, neither high enough, narrow blinding, to keep a good man from doing good things that life provides as opportunities to do the right thing he muses that it took five years for the other poets to understand our poem-dreams; avant-garde he says, but I laugh, never felt more misunderstood and reply take care, be en garde! no matter for he is learning a new language, the codes hidden in raindrops in a land of wheat once called Indian Territory and eager await his return so we may walk along the Brooklyn shoreline, beginning from under the Brooklyn Bridge where Washington’s men escaped a British trap and he can decode for me the whispery thunderous noises of NY showers that come up so sudden,  so roughened, but right now, the seductive sun blinks in Manhattan windowed towers reflecting back on to our East River as golden blinks of nature We will walk lost in the absorption of our different commonalities, holding the hands of his young son, and my Wendy, both of them equal in possession of round saucer eyes that give us poems He calls me me friend, I call him brother, teacher, master, better than the best, well recalling a late night message that bred a five year conversation ongoing not everything need be coded what you read here it is not coded, for the raindrops come clear and clean and the poems land on our tongues bounce on the foreheads and eyes of the babes, all stored and saved for the future blessings spoken in a single tongue 7/18/18 ^https://en.m.wikipedia.org/wiki/Manhattanhenge
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Jul 18, 2018
Jul 18, 2018 at 10:41 PM UTC
Ilion is learning the codes hidden in raindrops
Ilion gray poet extraordinary is away learning the codes hidden in raindrops no reason for surprise; for the mountains of Brooklyn, the Manhattan caverns of Sunhenge^, corridors of narrow focus for trapping the declining sun rays, neither high enough, narrow blinding, to keep a good man from doing good things that life provides as opportunities to do the right thing he muses that it took five years for the other poets to understand our poem-dreams; avant-garde he says, but I laugh, never felt more misunderstood and reply take care, be en garde! no matter for he is learning a new language, the codes hidden in raindrops in a land of wheat once called Indian Territory and eager await his return so we may walk along the Brooklyn shoreline, beginning from under the Brooklyn Bridge where Washington’s men escaped a British trap and he can decode for me the whispery thunderous noises of NY showers that come up so sudden,  so roughened, but right now, the seductive sun blinks in Manhattan windowed towers reflecting back on to our East River as golden blinks of nature We will walk lost in the absorption of our different commonalities, holding the hands of his young son, and my Wendy, both of them equal in possession of round saucer eyes that give us poems He calls me me friend, I call him brother, teacher, master, better than the best, well recalling a late night message that bred a five year conversation ongoing not everything need be coded what you read here it is not coded, for the raindrops come clear and clean and the poems land on our tongues bounce on the foreheads and eyes of the babes, all stored and saved for the future blessings spoken in a single tongue 7/18/18 ^https://en.m.wikipedia.org/wiki/Manhattanhenge
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44
There's something like that. It does exist, doesn't it? Poverty, is earning less than ₹ 47 a day. That's less than a dollar a day. Who earns less than a dollar a day? Beggars in Manhattan make more than that. There is no poverty. There's nothing like that. Wait a minute: beggars in Manhattan?
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Aug 4, 2014
Aug 4, 2014 at 4:50 PM UTC
Poverty
Off the train I hit the streets and start laughing. This is ridiculous, incomprehensible. How can innumerable bipeds have individual inner lives. Why are they doing what they’re doing? I have no answer New York City but to also go about my business in this case prepare for surgery, survival. But why survive with so many exact replicas to replace me? A swarm of ants or hive of bees, social organisms they’re called, climbing over each other, avoiding bumping and amazingly making way, anticipating the sudden turns and straight paths of others, strangers but brothers, sisters incubating, the cells of a small ***** nodes of a single semi-conscious organism. The concept of a higher power that cares for me is also risible yet how else can I explain the surgeon and his team, robots and magnetic resonance imaging machines, all primed and trained to save my life. They are not particularly interested in what I do with my time. I am immediately in love with the Irish brogue of the head nurse, the Indian skin of the physician’s assistant. The long extraordinarily thin fingers of the famous surgeon. All mine to savor (and the other cancer patients). Despair, lose all hope that’s what the sign says at the gates of hell and at the Memorial Sloan Kettering Cancer Center the sign says Be kind to our customers who are waiting and suffering. Yesterday’s suicidal thoughts: the mind is a clever servant, insufferable master. Therefore, meditate on this: absolute need, dependence on the Other. I still like Hombre, The Shootist and Ulzana’s Raid but realize those dead heroes were subordinate to society: the gun manufacturers who armed them. Thus, I go for cancer tests, accepting, not predicting results. Hero accepting help. A torrential rain following five days of flooding, tornadoes out west busting up wooden towns all because too many of us are hoarding plastic, herding electrons. None of us know how it will end, what the outcome will be (of our surgery). The best that can be said is Don’t forget to breathe. And you might as well believe in that higher power.
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Mar 5, 2019
Mar 5, 2019 at 6:00 AM UTC
Upper Manhattan Medical Group
Off the train I hit the streets and start laughing. This is ridiculous, incomprehensible. How can innumerable bipeds have individual inner lives. Why are they doing what they’re doing? I have no answer New York City but to also go about my business in this case prepare for surgery, survival. But why survive with so many exact replicas to replace me? A swarm of ants or hive of bees, social organisms they’re called, climbing over each other, avoiding bumping and amazingly making way, anticipating the sudden turns and straight paths of others, strangers but brothers, sisters incubating, the cells of a small ***** nodes of a single semi-conscious organism. The concept of a higher power that cares for me is also risible yet how else can I explain the surgeon and his team, robots and magnetic resonance imaging machines, all primed and trained to save my life. They are not particularly interested in what I do with my time. I am immediately in love with the Irish brogue of the head nurse, the Indian skin of the physician’s assistant. The long extraordinarily thin fingers of the famous surgeon. All mine to savor (and the other cancer patients). Despair, lose all hope that’s what the sign says at the gates of hell and at the Memorial Sloan Kettering Cancer Center the sign says Be kind to our customers who are waiting and suffering. Yesterday’s suicidal thoughts: the mind is a clever servant, insufferable master. Therefore, meditate on this: absolute need, dependence on the Other. I still like Hombre, The Shootist and Ulzana’s Raid but realize those dead heroes were subordinate to society: the gun manufacturers who armed them. Thus, I go for cancer tests, accepting, not predicting results. Hero accepting help. A torrential rain following five days of flooding, tornadoes out west busting up wooden towns all because too many of us are hoarding plastic, herding electrons. None of us know how it will end, what the outcome will be (of our surgery). The best that can be said is Don’t forget to breathe. And you might as well believe in that higher power.
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46
Ruddy's was the place to be on Wednesday nights, cheap drinks, free hotdogs and the graceful presence of Times Square hookers late at night, what a wonderful scene, marines hookers and the best jazz juke box inn manhattan, rowdy and something almost always happened, better than life. I was a young man in a strange country, had my fists tested in FLA and Brooklyn for stupid prejudices on my behalf and others, words hurt only those who do not know their meaning and root. There was a black man sitting next to me, quiet and still, a true barfly, he turned and said; - you are not from round here- -  no - I said -I am from Mexico - - you don't look Mexican, but let's go with it, I don't look African American either- - r you from the south?- -Georgia, as they call it - -well, I've worked in FLA and met some rednecks, Cubans, blacks, but almost no Chinese- -you mean yellow- -or ******* - or **** you know men, I prefer racism down south, over there the distinction is cut loose clear, we don't like each other, but here, men I tell you, you wannanother beer?- -sure men- -Girls just wanna **** you cause I'm black, you know, to be cool and **** -yeah, Jewish girls wanna **** white Gentiles, different reasons same goal- -I hear you, here it's all about being fashionable, but deep in the pit it's all fake as a 10 dollar coin-   We kept at it until Beth started a fight with another ****** they were calling each other **** I've never heard.
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Aug 28, 2014
Aug 28, 2014 at 10:43 PM UTC
Dialogue between a **** and a blackman.
They sentenced me to twenty years of boredom For trying to change the system from within I'm coming now, I'm coming to reward them First we take Manhattan, then we take Berlin. I'm guided by a signal in the heavens I'm guided by this birthmark on my skin I'm guided by the beauty of our weapons First we take Manhattan, then we take Berlin. I'd really like to live beside you, baby I love your body and your spirit and your clothes But you see that line there moving through the station? I told you, I told you, told you, I was one of those Ah you loved me as a loser, but now you're worried that I just might win You know the way to stop me, but you don't have the discipline How many nights I prayed for this, to let my work begin First we take Manhattan, then we take Berlin I don't like your fashion business mister And I don't like these drugs that keep you thin I don't like what happened to my sister First we take Manhattan, then we take Berlin I'd really like to live beside you, baby I love your body and your spirit and your clothes But you see that line there moving through the station? I told you, I told you, told you, I was one of those And I thank you for those items that you sent me The monkey and the plywood violin I practiced every night, now I'm ready First we take Manhattan, then we take Berlin Remember me? I used to live for music Remember me? I brought your groceries in Well it's Father's Day and everybody's wounded First we take Manhattan, then we take Berlin
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6.5k
First We Take Manhattan
They sentenced me to twenty years of boredom For trying to change the system from within I'm coming now, I'm coming to reward them First we take Manhattan, then we take Berlin. I'm guided by a signal in the heavens I'm guided by this birthmark on my skin I'm guided by the beauty of our weapons First we take Manhattan, then we take Berlin. I'd really like to live beside you, baby I love your body and your spirit and your clothes But you see that line there moving through the station? I told you, I told you, told you, I was one of those Ah you loved me as a loser, but now you're worried that I just might win You know the way to stop me, but you don't have the discipline How many nights I prayed for this, to let my work begin First we take Manhattan, then we take Berlin I don't like your fashion business mister And I don't like these drugs that keep you thin I don't like what happened to my sister First we take Manhattan, then we take Berlin I'd really like to live beside you, baby I love your body and your spirit and your clothes But you see that line there moving through the station? I told you, I told you, told you, I was one of those And I thank you for those items that you sent me The monkey and the plywood violin I practiced every night, now I'm ready First we take Manhattan, then we take Berlin Remember me? I used to live for music Remember me? I brought your groceries in Well it's Father's Day and everybody's wounded First we take Manhattan, then we take Berlin
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34
You know how the Lorax spoke for the trees? I feel the need to speak for my four-year-old niece. Not because she can't speak -- she can and rarely stops once she starts -- but because there are certain concepts time has yet to grant her. So until time does, I got you covered, Lucy. Mommy, you call it the "poetry" of a child's sleep, ohh 'n ahh, she's so, so sweet, I call it child's "pose." Not the yoga neither. I'm posing and rolling and cooing biding time until you're tripping on the Ambien retreating to a dream. You're only reprieve. 'Cause when your *** is asleep, I be mixing up the Play-doh, red and yellow, black and white, 'till it's 50 shades of brown, alright? Dirt pies from the backyard, put 'em by the brownies in the morning world-weary in your pajamys Slip-up, slip-up, I smell a slip-up. Ain't a direct threat, Queen Buttercup because you'd just say, "I ain't afraid of you, shorty." Blood flow. Blood slow. Simmering, saucy. Mommy, looking down skyscraper balcony. May I remind, a giant ain't bringing down Manhattan, It's that little, wayward wrecking ball, eh Captain? Over my shoulder, drinking from a thermos -- stumble in your step mean you gettin' nervous-- hand me piece of paper and two crayons macaroni orange and swamp water liaisons these coloring sheets are so bourgeoisie. These coloring sheets are so bourgeoisie. "Color outside the lines, eh Lucy? don't play by the rules," my Mommy say, but I been around long enough to know dat 'dese rules pay. Outside the lines?  Is just uh sloppy. Been outside the club in front of the line with my fellow shawties. Slip-up, slip-up, I smell a slip-up. Ain't a direct threat, Queen Buttercup because you'd just say, "I ain't afraid of you, shorty." Blood flow. Blood slow. Simmering, saucy. Mommy, looking down skyscraper balcony. May I remind, a giant ain't bringing down Manhattan, It's that little, wayward wrecking ball, eh Captain? Chicken and fries three meals-a-day. Chocolate milk three meals-a-day. Tricycle boys three wheels away. Hands on your hips can't make me stay. Lego blocks lodged in your skull. I've hid the Advil. The Dayquil. Drank the Nyquil though. Alright, alright, time to get confessional. All my ***** accidents are intentional. I melt my own Barbies to feel alive. Snort glue sticks just to get hella high. Mommy, you've got a messy ketchup face. Mommy, you've got spiders in your hair. Mommy, you've got ****** on your pants. Ha. Ha. Ha. Ha. Ha. Ha. Bi-otch. Blood flow. Blood slow. Simmering, saucy. Mommy, looking down skyscraper balcony. May I remind, a giant ain't bringing down Manhattan, It's that little, wayward wrecking ball, eh Captain?
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Apr 18, 2013
Apr 18, 2013 at 7:29 PM UTC
Wrecking Ball Freestyle (For Lucy Claire)
You know how the Lorax spoke for the trees? I feel the need to speak for my four-year-old niece. Not because she can't speak -- she can and rarely stops once she starts -- but because there are certain concepts time has yet to grant her. So until time does, I got you covered, Lucy. Mommy, you call it the "poetry" of a child's sleep, ohh 'n ahh, she's so, so sweet, I call it child's "pose." Not the yoga neither. I'm posing and rolling and cooing biding time until you're tripping on the Ambien retreating to a dream. You're only reprieve. 'Cause when your *** is asleep, I be mixing up the Play-doh, red and yellow, black and white, 'till it's 50 shades of brown, alright? Dirt pies from the backyard, put 'em by the brownies in the morning world-weary in your pajamys Slip-up, slip-up, I smell a slip-up. Ain't a direct threat, Queen Buttercup because you'd just say, "I ain't afraid of you, shorty." Blood flow. Blood slow. Simmering, saucy. Mommy, looking down skyscraper balcony. May I remind, a giant ain't bringing down Manhattan, It's that little, wayward wrecking ball, eh Captain? Over my shoulder, drinking from a thermos -- stumble in your step mean you gettin' nervous-- hand me piece of paper and two crayons macaroni orange and swamp water liaisons these coloring sheets are so bourgeoisie. These coloring sheets are so bourgeoisie. "Color outside the lines, eh Lucy? don't play by the rules," my Mommy say, but I been around long enough to know dat 'dese rules pay. Outside the lines?  Is just uh sloppy. Been outside the club in front of the line with my fellow shawties. Slip-up, slip-up, I smell a slip-up. Ain't a direct threat, Queen Buttercup because you'd just say, "I ain't afraid of you, shorty." Blood flow. Blood slow. Simmering, saucy. Mommy, looking down skyscraper balcony. May I remind, a giant ain't bringing down Manhattan, It's that little, wayward wrecking ball, eh Captain? Chicken and fries three meals-a-day. Chocolate milk three meals-a-day. Tricycle boys three wheels away. Hands on your hips can't make me stay. Lego blocks lodged in your skull. I've hid the Advil. The Dayquil. Drank the Nyquil though. Alright, alright, time to get confessional. All my ***** accidents are intentional. I melt my own Barbies to feel alive. Snort glue sticks just to get hella high. Mommy, you've got a messy ketchup face. Mommy, you've got spiders in your hair. Mommy, you've got ****** on your pants. Ha. Ha. Ha. Ha. Ha. Ha. Bi-otch. Blood flow. Blood slow. Simmering, saucy. Mommy, looking down skyscraper balcony. May I remind, a giant ain't bringing down Manhattan, It's that little, wayward wrecking ball, eh Captain?
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61
MEMORIAL DAY May 26th, 2014 **************************************************** To all of you that have ever worn "The Uniform", the uniform of safety and security, the uniform of pride the uniform of freedom, the uniform of liberty THE UNIFORM OF THE UNITED STATES OF AMERICA ********** THANK YOU Thank you to all, in every branch, in every time From: The American Revolution (most of us have roots to our founders) The Civil War (North or South) World War I World War II Korea Vietnam Cambodia Laos Panama Nicaragua The Falkland Islands Somalia Yugoslavia Bosnia Kuwait Iraq Afghanistan Pakistan The Persian Gulf ** areas and battlefields such as (not all locations are listed with no dis-respect) Lexington/Concord, Gettysburg, Pearl Harbor, Midway Island, Normandy, D-Day, Berlin, Tripoli, Iwo Jima, Okinawa, The 38th Parallel, The Bay of Tonkin, Me Lei, Hanoi, The Hanoi Hilton, Saigon, The ** Chi Minh Trail, Baghdad, Kabul, Ground Zero Manhattan, Pentagon 9/11, a field near Shanksville PA. and many many more, you are all heroes and role models, not for a nation, for the world, not for American Patriots, for all humanity, not only on this Memorial Day, for all days and all days to come. You are appreciated! because freedom has high costs and you pay the price for all of us. ****************************** Godspeed, safety and peace where ever you are. Sincerely, Warner C. Baxter Jr. American Patriot Scottsdale, AZ. U.S.A. God bless America
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May 25, 2014
May 25, 2014 at 12:44 PM UTC
MAY 26TH 2014
i wanted to write a poem that rhymes but revolution doesn't lend itself to be-bopping then my neighbor who thinks i hate asked – do you ever write tree poems – i like trees so i thought i'll write a beautiful green tree poem peeked from my window to check the image noticed that the school yard was covered with asphalt no green – no trees grow in manhattan then, well, i thought the sky i'll do a big blue sky poem but all the clouds have winged low since no-Dick was elected so i thought again and it occurred to me maybe i shouldn't write at all but clean my gun and check my kerosene supply perhaps these are not poetic times at all
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May 17, 2013
May 17, 2013 at 1:24 PM UTC
For Saundra
Small and observant, this girl child already loves her solitude. Dark eyes taking in everything for much later, long hair a little mussed-up, tumbling over feet pyjamas, she stands quietly in the doorway of her little bedroom. Across old parquet floors, into spare white rooms she gazes at the grown-ups in their party clothes, secretly planning that someday she will be one of them. Plain white origami birds, suspended from the high vintage ceilings, hand-made from her poet-mother's typing paper, are the only decorations. The soft, indirect lighting, all invented by her father out of simple things, creates a perfect visual tone. This quiet inventor has also chosen jazz he loves to animate the evening for his friends. These grown-ups in their party clothes, yellows, greens and reds, puffy skirts, stiletto heels, men in simple suits, white shirts, thin black ties, talented painters, holocaust survivors, intellectuals, talking, laughing, smoking too much, martini glasses in hand. What stayed with her most was the music, and the way it brought the whole world right to her. Jazz from here in her native city, Soft, sultry Bossa Nova that her soul knew even better. Only some of what she saw that night became the life she chose. The intimacy of observing, of silently forming words around what she saw, talking and laughing with friends, loving passionately, getting scorched to the bone, and the music, the music.... The music would always stay with her, leading her across wide expanses of this beautiful old world to the parts of it that she would someday taste, and see. Her life would become the stretching wide open of her heart. To love it all, to write about it all. to give this back, someday, to the music, and to this big, beautiful old world.
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Sep 18, 2015
Sep 18, 2015 at 11:28 PM UTC
Bossa Nova in Manhattan
Small and observant, this girl child already loves her solitude. Dark eyes taking in everything for much later, long hair a little mussed-up, tumbling over feet pyjamas, she stands quietly in the doorway of her little bedroom. Across old parquet floors, into spare white rooms she gazes at the grown-ups in their party clothes, secretly planning that someday she will be one of them. Plain white origami birds, suspended from the high vintage ceilings, hand-made from her poet-mother's typing paper, are the only decorations. The soft, indirect lighting, all invented by her father out of simple things, creates a perfect visual tone. This quiet inventor has also chosen jazz he loves to animate the evening for his friends. These grown-ups in their party clothes, yellows, greens and reds, puffy skirts, stiletto heels, men in simple suits, white shirts, thin black ties, talented painters, holocaust survivors, intellectuals, talking, laughing, smoking too much, martini glasses in hand. What stayed with her most was the music, and the way it brought the whole world right to her. Jazz from here in her native city, Soft, sultry Bossa Nova that her soul knew even better. Only some of what she saw that night became the life she chose. The intimacy of observing, of silently forming words around what she saw, talking and laughing with friends, loving passionately, getting scorched to the bone, and the music, the music.... The music would always stay with her, leading her across wide expanses of this beautiful old world to the parts of it that she would someday taste, and see. Her life would become the stretching wide open of her heart. To love it all, to write about it all. to give this back, someday, to the music, and to this big, beautiful old world.
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"Beep-beep. BANKERS TRUST AUTOMOBILE LOAN You'll find a banker at Bankers Trust" Advertisement in N.Y. Times When comes my second childhood, As to all men it must, I want to be a banker Like the banker at Bankers Trust. I wouldn't ask to be president Or even assistant veep, I'd only ask for a kiddie car And permission to go beep-beep. The banker at Chase Manhattan, He bids a polite Good-day; The banker at Immigrant Savings Cries Scusi! and Olé! But I'd be a sleek Ferrari Or perhaps a joggly jeep, And scooting around at Bankers Trust, Beep-beep, I'd go, beep-beep. The trolley car used to say clang-clang And the choo-choo said toot-toot, But the beep of the banker at Bankers Trust Is every bit as cute. Miaow, says the cuddly kitten, Baa, says the woolly sheep, Oink, says the piggy-wiggy, And the banker says beep-beep. So I want to play at Bankers Trust Like a hippety-hoppety bunny, And best of all, oh best of all, With really truly money. Now grown-ups dear, it's nightie-night Until my dream comes true, And I bid you a happy boop-a-doop And a big beep-beep adieu.
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If He Were Alive Today, Mayhap, Mr. Morgan Would Sit on the Midget's Lap
Hey Harvey Wallbanger I’d like you to tie me to the bedpost, baby And press your fuzzy navel to my *slippery ****** Give me your white angel kiss and I’ll lie down like a brown cow While between the sheets you play the Italian stallion. Like a kamikaze pilot head for my pink squirrel Then give me your ol’ Alabama slammer And pack a *** punch* into that screwdriver of yours. I want a *screaming ****** That’ll send me to blue heaven. Wu Wu! So, don’t mention that ****** Mary* With her devil’s kiss, Or you’ll find I can give a snake bite that’s as deadly as a B-52. Instead let’s ride into the tequila sunset in our golden Cadillac For *** on the beach* And on the sea breeze we'll hear an old love song sung by a ‘salty dog’ with a Gibson And watch a tropical storm over Manhattan We'll go to Peppermint Patti’s café And order an Irish coffee and a large slice of cherry pie. Happy, after dark let’s drive home for a *sloe comfortable ***** with satin pillows* And fall into the sweet surrender of a summer dream.
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Mar 6, 2010
Mar 6, 2010 at 7:58 AM UTC
Cocktail Order
~ *atop the Manhattan skyline her similitude descends as rain we see her wonderwork we see her water-standing her very abandonment of draperies unassuming and artless where the heedless moths settle with bodies of mystic warmth colored with rose and a dash of flame* ~ – for Audrey Munson
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May 18, 2021
May 18, 2021 at 9:52 AM UTC
Heedless Moths
The falling stars in this ironic night make majesties out of those cubicle-ridden New Yorkers' routine Tuesday night daydreams, where they make macabre escape routes out of every perfectly-placed window piercing the concrete sentences that escalate from Ground Zero. Your law offices, corporate ******* headquarters, are all bursting at the seams with these drones, the falling stars of the human race, all composed of 14 different shades of grayscale; could've been should've been could've been shootin' stars that year they were promised lives of upper middle class incomes and Lexus dealerships bought to dent their status on the neighborhood, but that sparkle's been emaciated by the truth, the underwhelming spectacle of realization accentuated by the clicking and the clacking of company keyboards, each little click gnawing more at their patience than the next; the faceless brush strokes gawk through that window, their plans less hypothetical over the calendar years. "I can hear it calling me from miles away," says Copy #90045280, "see, they SPEAK to me, man, tell me to transcend the hurdle of the windowsill and make my rendezvous with an asphalt avenue, to join the other casualties of this rut-infested nation in a life with the real stars, falling and shooting and jettisoning alike, throbbing lights through dark sky silk and into the hearts of even the most robotic of this catalog culture, and I frightfully, excitedly, must listen."
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Apr 29, 2010
Apr 29, 2010 at 10:53 AM UTC
Manhattan Astronomy
my love brought me tranquility. my love bought me tranquility, in a Manhattan bodega. late at night in my city, everything is for sale where least expected in mini marts, local delis, greek coffee shops, spanish bodegas pizza parlors, hardware stores, all selling salves for late night salvation purveyors of differential equations of differing soulful sustenances, certain imports that will probably never be for sale in Walmart after midnight all, readily available, twenty four seven in my miracle Manhattan heaven My woman, mapper of the byways of my ****** landmarks worn broad~ways, his-toric foot trails of tears, lines of laughters, even a purported dimple I call a crevasse. a sole survivor of a mother's birthing skill marker, duly recorded by her upon my visage, in my miracle Manhattan She knows, as do some of youse guys, that my poetry is water born(e) and water soluble, but Peconic Bay always ain't right handy, so bring on a substitute teacher, a hot bath, helps me to enunciate my verbal visitations my love brought me tranquility. my  love bought me tranquility in a Manhattan bodega. pour the aromatherapy, my love brought me for inspiration into and upon my liquid writing table, "Tranquility," a summer garden aroma It soothes my bad memories, the herbs salve accursed ancient wounds that will never ever fully heal or be forgiven my love brought me tranquility. my graces restored, this poem offered in grateful appreciation with unlimited adoration, something, maybe even the very one thing **that can't be bought, even, in my miracle Manhattan**
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Jan 30, 2014
Jan 30, 2014 at 12:44 AM UTC
my love brought me tranquility
my love brought me tranquility. my love bought me tranquility, in a Manhattan bodega. late at night in my city, everything is for sale where least expected in mini marts, local delis, greek coffee shops, spanish bodegas pizza parlors, hardware stores, all selling salves for late night salvation purveyors of differential equations of differing soulful sustenances, certain imports that will probably never be for sale in Walmart after midnight all, readily available, twenty four seven in my miracle Manhattan heaven My woman, mapper of the byways of my ****** landmarks worn broad~ways, his-toric foot trails of tears, lines of laughters, even a purported dimple I call a crevasse. a sole survivor of a mother's birthing skill marker, duly recorded by her upon my visage, in my miracle Manhattan She knows, as do some of youse guys, that my poetry is water born(e) and water soluble, but Peconic Bay always ain't right handy, so bring on a substitute teacher, a hot bath, helps me to enunciate my verbal visitations my love brought me tranquility. my  love bought me tranquility in a Manhattan bodega. pour the aromatherapy, my love brought me for inspiration into and upon my liquid writing table, "Tranquility," a summer garden aroma It soothes my bad memories, the herbs salve accursed ancient wounds that will never ever fully heal or be forgiven my love brought me tranquility. my graces restored, this poem offered in grateful appreciation with unlimited adoration, something, maybe even the very one thing **that can't be bought, even, in my miracle Manhattan**
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MEMORIAL DAY June 1, 2015 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ To all of you that have ever worn "THE UNIFORM" The Uniform of safety and security, The Uniform of pride and liberty THE UNIFORM OF FREEDOM THE UNIFORM OF THE UNITED STATES OF AMERICA ~~~~~~~~~~~~~~~~~~~~~~~~ THANK YOU Thank you to all, in every branch, in every time From: 1776 - 2015 The American Revolution The Civil War (North or South) World War I World War II Korea Vietnam Cambodia Laos Panama Nicaragua The Falkland Islands Somalia Yugoslavia Bosnia Kuwait Iraq Afghanistan Pakistan The Persian Gulf ~~ War Zones and Battlefields, such as: Lexington/Concord, Gettysburg, Pearl Harbor, Midway Island, Normandy, D-Day, Berlin, Tripoli, Iwo Jima, Okinawa, The 38th Parallel, The Bay of Tonkin, Me Lei, Hanoi, The Hanoi Hilton, Saigon, The ** Chi Minh Trail, Baghdad, Kabul, Ground Zero Manhattan, Pentagon 9/11, a field near Shanksville PA. and many many more, (not all locations are listed with no dis-respect) You are all Heroes and Role Models, not for a Nation, for A Peaceful Planet not for Americans, for all Humanity, not only today this Memorial Day, for all days and all days to come. You are appreciated! because freedom has high costs and you pay the price for all of us. ~~~~~~~~~~~~~~~~~~~~~~~~~ Godspeed, safety and peace where ever you are. Sincerely, Warner C. Baxter Jr. American Patriot Scottsdale, AZ. U.S.A. GOD BLESS AMERICA Semper Vigilo
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Jun 1, 2015
Jun 1, 2015 at 2:26 AM UTC
MEMORIAL DAY
We have a small sculpture of Henry James on our terrace in New York City. Nothing would surprise him. The beast in the jungle was what he saw-- Edith Wharton's obfuscating older brother. . . He fled the demons of Manhattan for fear they would devour his inner ones (the ones who wrote the books) & silence the stifled screams of his protagonists. To Europe like a wandering Jew-- WASP that he was-- but with the Jew's outsider's hunger. . . face pressed up to the glass of *** refusing every passion but the passion to write the words grew more & more complex & convoluted until they utterly imprisoned him in their fairytale brambles. Language for me is meant to be a transparency, clear water gleaming under a covered bridge. . . I love his spiritual sister because she snatched clarity from her murky history. Tormented New Yorkers both, but she journeyed to the heart of light-- did he? She took her friends on one last voyage, through the isles of Greece on a yacht chartered with her royalties-- a rich girl proud to be making her own money. The light of the Middle Sea was what she sought. All denizens of this demonic city caught between pitch and black long for the light. But she found it in a few of her books. . . while Henry James discovered what he had probably started with: that beast, that jungle, that solipsistic scream. He did not join her on that final cruise. (He was on his own final cruise). Did he want to? I would wager yes. I look back with love and sorrow at them both-- dear teachers-- but she shines like Miss Liberty to Emma Lazarus' hordes, while he gazes within, always, at his own impenetrable jungle.
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Henry James in the Heart of the City
We have a small sculpture of Henry James on our terrace in New York City. Nothing would surprise him. The beast in the jungle was what he saw-- Edith Wharton's obfuscating older brother. . . He fled the demons of Manhattan for fear they would devour his inner ones (the ones who wrote the books) & silence the stifled screams of his protagonists. To Europe like a wandering Jew-- WASP that he was-- but with the Jew's outsider's hunger. . . face pressed up to the glass of *** refusing every passion but the passion to write the words grew more & more complex & convoluted until they utterly imprisoned him in their fairytale brambles. Language for me is meant to be a transparency, clear water gleaming under a covered bridge. . . I love his spiritual sister because she snatched clarity from her murky history. Tormented New Yorkers both, but she journeyed to the heart of light-- did he? She took her friends on one last voyage, through the isles of Greece on a yacht chartered with her royalties-- a rich girl proud to be making her own money. The light of the Middle Sea was what she sought. All denizens of this demonic city caught between pitch and black long for the light. But she found it in a few of her books. . . while Henry James discovered what he had probably started with: that beast, that jungle, that solipsistic scream. He did not join her on that final cruise. (He was on his own final cruise). Did he want to? I would wager yes. I look back with love and sorrow at them both-- dear teachers-- but she shines like Miss Liberty to Emma Lazarus' hordes, while he gazes within, always, at his own impenetrable jungle.
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68
On my way from DC to Manhattan, the sky an odd indigo. Got some donuts from the local bakery, which I'm munching on. Some girl sits next to me. After a couple hours she dozed off, and I whisper to her: "You might be stardust, but you're no nebula." She can't see the window through my silhouette. I hate that inky nothing, I hate that shadow, I hate that silhouette.
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Dec 10, 2015
Dec 10, 2015 at 8:46 AM UTC
Winter Break
I get it, my problems aren't that bad. Worse things happen to better people everyday. I live in a costal, wealthy, yatch club town, Officially an only child, With my judgmental sister spending her freshman year in Manhattan. I live with my favorite parent, who doesn't care what fun I have as long as I'm honest and safe, and of course I get my schoolwork done, and the other who drives me insane is fortunately not in the same area code as me. But it hurts To be the listener for the people who created me As they speak horrible things about each other, Express their loathing for one another. To be so broken And not to know what do to about it.. Self abuse is in my rearview, but I just hate talking about myself so much. I've gotten really good at bottling up And moving on Just letting my bad thoughts and feelings Dissolve into worthlessness. But sometimes it ***** to be alone. I just wish you were here to tell me I'm not and that you love me.
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Oct 8, 2013
Oct 8, 2013 at 8:50 PM UTC
problems
Stay. I don't care if you hate yourself And hate everything around you. Im going to be a selfish blunt ***** and tell you that I need you. We need you. If you leave me, Who will remind me to punish the holy and free the sinned All while being awesome? You will just leave me with heartache And too many tears... The grief will drown me, And I will struggle for a breath that isn't there. I might even join you. There's still so much left for you to experience, Like the way the sun might dance across your skin as you lay lackadaisically on the beach, Or how you might smile and maybe shy away as I go paparazzi mode on you, And the way the skyscrapers will tower over you, blocking the sun, A vampire's natural habitat. I need you to try Theres so much left you need to do... Like meet at starbucks somewhere in manhattan and write poetry together ;) I want to be your tour guide.   Stay. I need you, If you leave, I'll never forgive you or myself. I won't be able to go on, And there would be no point for me to stay.
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Dec 16, 2014
Dec 16, 2014 at 4:09 PM UTC
To Andy
There are metallic, life-like statues of human figures scattered through my city, often on park benches. You must look twice the first time you spot them, and sometimes, each time, as they are so nat-ural, that they fool the retina image of man. The traffic light, red to green, yet my limbs, froze fruit solid, release catch stuck, unflippable, somehow plastic freezes, mobility skills rusted by December's hampering cheeky cheeks, a seasonal reddish copper discoloration of the extremities, a harmony of no sensation A comet stuck in pedestrian neutral, collided/jostled by starry eyed Fifth Avenue street walkers and tourists. my presence sensed, touched, yet avoided, unnoticed, like streetlight, lamppost, mailbox, I am, a body, at rest, unseen but on display in the art gallery of Manhattan's Lost and Found In the section of the paper where the unimportant local news is sliced n' diced into single paragraphs, of human interest, tidbits, amuse bouche, items of major minor interest, The New York Times reported the discovery of an unauthorized lifelike bronze n' copper sculpture. eyes of polished nickel, heart of stained steel, rendition of a man so lifelike y'all do a triple take, smile, take a cell photo, phone a friend his embodiment can be found on the rounded corner of Columbus Circle, @59th St., where you enter Central Park. upon a bench, man clutching Sunday newspapers, a pair of scissors, coupons cut, scattered at his feet. a homely but comely, ****** expression, one of bewilderment. A tiny plaque on a brass plate, at his feet, hints of his progenitor and human origins. Artist: Unknown, Materials: Organic Metals Title: A Living Finish
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Nov 18, 2013
Nov 18, 2013 at 5:38 PM UTC
A Living Finish (Sunday's newspapers come on Saturday - Part II)
There are metallic, life-like statues of human figures scattered through my city, often on park benches. You must look twice the first time you spot them, and sometimes, each time, as they are so nat-ural, that they fool the retina image of man. The traffic light, red to green, yet my limbs, froze fruit solid, release catch stuck, unflippable, somehow plastic freezes, mobility skills rusted by December's hampering cheeky cheeks, a seasonal reddish copper discoloration of the extremities, a harmony of no sensation A comet stuck in pedestrian neutral, collided/jostled by starry eyed Fifth Avenue street walkers and tourists. my presence sensed, touched, yet avoided, unnoticed, like streetlight, lamppost, mailbox, I am, a body, at rest, unseen but on display in the art gallery of Manhattan's Lost and Found In the section of the paper where the unimportant local news is sliced n' diced into single paragraphs, of human interest, tidbits, amuse bouche, items of major minor interest, The New York Times reported the discovery of an unauthorized lifelike bronze n' copper sculpture. eyes of polished nickel, heart of stained steel, rendition of a man so lifelike y'all do a triple take, smile, take a cell photo, phone a friend his embodiment can be found on the rounded corner of Columbus Circle, @59th St., where you enter Central Park. upon a bench, man clutching Sunday newspapers, a pair of scissors, coupons cut, scattered at his feet. a homely but comely, ****** expression, one of bewilderment. A tiny plaque on a brass plate, at his feet, hints of his progenitor and human origins. Artist: Unknown, Materials: Organic Metals Title: A Living Finish
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69
From Brooklyn, over the Brooklyn Bridge, on this fine morning, please come flying. In a cloud of fiery pale chemicals, please come flying, to the rapid rolling of thousands of small blue drums descending out of the mackerel sky over the glittering grandstand of harbor-water, please come flying. Whistles, pennants and smoke are blowing. The ships are signaling cordially with multitudes of flags rising and falling like birds all over the harbor. Enter: two rivers, gracefully bearing countless little pellucid jellies in cut-glass epergnes dragging with silver chains. The flight is safe; the weather is all arranged. The waves are running in verses this fine morning. Please come flying. Come with the pointed toe of each black shoe trailing a sapphire highlight, with a black capeful of butterfly wings and bon-mots, with heaven knows how many angels all riding on the broad black brim of your hat, please come flying. Bearing a musical inaudible abacus, a slight censorious frown, and blue ribbons, please come flying. Facts and skyscrapers glint in the tide; Manhattan is all awash with morals this fine morning, so please come flying. Mounting the sky with natural heroism, above the accidents, above the malignant movies, the taxicabs and injustices at large, while horns are resounding in your beautiful ears that simultaneously listen to a soft uninvented music, fit for the musk deer, please come flying. For whom the grim museums will behave like courteous male bower-birds, for whom the agreeable lions lie in wait on the steps of the Public Library, eager to rise and follow through the doors up into the reading rooms, please come flying. We can sit down and weep; we can go shopping, or play at a game of constantly being wrong with a priceless set of vocabularies, or we can bravely deplore, but please please come flying. With dynasties of negative constructions darkening and dying around you, with grammar that suddenly turns and shines like flocks of sandpipers flying, please come flying. Come like a light in the white mackerel sky, come like a daytime comet with a long unnebulous train of words, from Brooklyn, over the Brooklyn Bridge, on this fine morning, please come flying.
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2.9k
Invitation To Miss Marianne Moore
From Brooklyn, over the Brooklyn Bridge, on this fine morning, please come flying. In a cloud of fiery pale chemicals, please come flying, to the rapid rolling of thousands of small blue drums descending out of the mackerel sky over the glittering grandstand of harbor-water, please come flying. Whistles, pennants and smoke are blowing. The ships are signaling cordially with multitudes of flags rising and falling like birds all over the harbor. Enter: two rivers, gracefully bearing countless little pellucid jellies in cut-glass epergnes dragging with silver chains. The flight is safe; the weather is all arranged. The waves are running in verses this fine morning. Please come flying. Come with the pointed toe of each black shoe trailing a sapphire highlight, with a black capeful of butterfly wings and bon-mots, with heaven knows how many angels all riding on the broad black brim of your hat, please come flying. Bearing a musical inaudible abacus, a slight censorious frown, and blue ribbons, please come flying. Facts and skyscrapers glint in the tide; Manhattan is all awash with morals this fine morning, so please come flying. Mounting the sky with natural heroism, above the accidents, above the malignant movies, the taxicabs and injustices at large, while horns are resounding in your beautiful ears that simultaneously listen to a soft uninvented music, fit for the musk deer, please come flying. For whom the grim museums will behave like courteous male bower-birds, for whom the agreeable lions lie in wait on the steps of the Public Library, eager to rise and follow through the doors up into the reading rooms, please come flying. We can sit down and weep; we can go shopping, or play at a game of constantly being wrong with a priceless set of vocabularies, or we can bravely deplore, but please please come flying. With dynasties of negative constructions darkening and dying around you, with grammar that suddenly turns and shines like flocks of sandpipers flying, please come flying. Come like a light in the white mackerel sky, come like a daytime comet with a long unnebulous train of words, from Brooklyn, over the Brooklyn Bridge, on this fine morning, please come flying.
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Taos Pueblo fashion designer Patricia Michaels returns to New York City for “Style Fashion Week NYC”on September 10th to present her latest 30 piece collection at aspecial RSVP eventat Hammerstein Ballroom, 311 West 34th St, Midtown Manhattan. Michaels was a finalist on season 11 of the Lifetime reality TV show, “Project Runway”, and “Project Runway All-Stars”, gaining thousands of admirers as the media world followed her success along with an excited and proud Indian country. Michaels will present her trademark PM Waterlily line and her latest collection for Spring/Summer 2017. Known for her use of Native-themed fabrics, hand painted or hand dyed, cut and fabricated at her Taos, New Mexico studio, Michaels says she is inspired by nature walks at Taos Pueblo among the trees, wildflowers and water plants, and “seeds” are important symbols of her designs and concepts. The following description is from the website, speaking of the “Modern Native” who inspires and wears her designs. “Patricia Michaels...will have a few pieces for colder climates as her woman travels to regions where during the summer the climates tend to be cold. She is a world traveler so one may made need that special look to freshen her palette.” Those living in or near the New York area that are interested in attending can visit toEventbrite to RSVP for the September 10 event. Seating is limited. We wish Patricia Michaels and PM Waterlily success in New York City and beyond. According to their site, Style Fashion Week, producer of globally recognized fashion events, provides top designers a world class platform to showcase their collections. Each year Style Fashion Week presents the season's must see shows, unforgettable performances and exclusive installations. Our expansive Style Marketplace immerses guests in fashion as well as art and design. Guests directly engage with brands throughout the week.Read more at:http://www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/backless-formal-dresses
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Sep 3, 2016
Sep 3, 2016 at 1:38 AM UTC
Patricia Michaels' Line in NYC Sept 10 for Style Fashion Week
Taos Pueblo fashion designer Patricia Michaels returns to New York City for “Style Fashion Week NYC”on September 10th to present her latest 30 piece collection at aspecial RSVP eventat Hammerstein Ballroom, 311 West 34th St, Midtown Manhattan. Michaels was a finalist on season 11 of the Lifetime reality TV show, “Project Runway”, and “Project Runway All-Stars”, gaining thousands of admirers as the media world followed her success along with an excited and proud Indian country. Michaels will present her trademark PM Waterlily line and her latest collection for Spring/Summer 2017. Known for her use of Native-themed fabrics, hand painted or hand dyed, cut and fabricated at her Taos, New Mexico studio, Michaels says she is inspired by nature walks at Taos Pueblo among the trees, wildflowers and water plants, and “seeds” are important symbols of her designs and concepts. The following description is from the website, speaking of the “Modern Native” who inspires and wears her designs. “Patricia Michaels...will have a few pieces for colder climates as her woman travels to regions where during the summer the climates tend to be cold. She is a world traveler so one may made need that special look to freshen her palette.” Those living in or near the New York area that are interested in attending can visit toEventbrite to RSVP for the September 10 event. Seating is limited. We wish Patricia Michaels and PM Waterlily success in New York City and beyond. According to their site, Style Fashion Week, producer of globally recognized fashion events, provides top designers a world class platform to showcase their collections. Each year Style Fashion Week presents the season's must see shows, unforgettable performances and exclusive installations. Our expansive Style Marketplace immerses guests in fashion as well as art and design. Guests directly engage with brands throughout the week.Read more at:http://www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/backless-formal-dresses
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*In his breakthrough work of channeled literature, I Am the Word, author and medium Paul Selig recorded an extraordinary program for personal and planetary evolution as humankind awakens to its own divine nature. I Am the Word is an energetic transmission that works directly on its readers to bring them into alignment with the frequency of the Word, which Paul's guides call the energy of "God in Action." Paul was born in New York City and received his Master's Degree from Yale. He had a spiritual experience in 1987 that left him clairvoyant. As a way to gain a context for what he was beginning to experience, he studied a form of energy healing, working at Marianne Williamson's Manhattan Center for Living and in private practice. In the process, he began to "hear" for his clients, and much of Paul's work now is as a clairaudient, clairvoyant, channel, and empath. Paul has led channeled energy groups for many years. In 2009 he was invited to channel at the Esalen Institute's Superpowers symposium, where he was filmed for the upcoming documentary film Authors of the Impossible. He is the subject of the feature-length documentary film Paul & the Word which will be released late summer, 2011. His workshops in 2011 include Edgar Cayce's A.R.E. in New York City, the Jungian Center in Vermont and the Esalen Institute in Big Sur, Calfornia. Also a noted playwright and educator, Paul serves on the faculty of NYU and directs the MFA in Creative Writing Program at Goddard College. He lives in New York City, where he maintains a private practice as an intuitive and conducts weekly, channeled energy groups.* Personal and planetary evolution- Live channeling with Paul Selig http://www.youtube.com/watch?v=CAgh2pXDDls&feature;=youtu.be Waking Universe With Guest Paul Selig http://www.youtube.com/watch?v=Z7BI0Lgb9Kk&feature;=youtu.be
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Dec 26, 2012
Dec 26, 2012 at 8:19 PM UTC
Personal and planetary evolution- Live channeling with Paul Selig
*In his breakthrough work of channeled literature, I Am the Word, author and medium Paul Selig recorded an extraordinary program for personal and planetary evolution as humankind awakens to its own divine nature. I Am the Word is an energetic transmission that works directly on its readers to bring them into alignment with the frequency of the Word, which Paul's guides call the energy of "God in Action." Paul was born in New York City and received his Master's Degree from Yale. He had a spiritual experience in 1987 that left him clairvoyant. As a way to gain a context for what he was beginning to experience, he studied a form of energy healing, working at Marianne Williamson's Manhattan Center for Living and in private practice. In the process, he began to "hear" for his clients, and much of Paul's work now is as a clairaudient, clairvoyant, channel, and empath. Paul has led channeled energy groups for many years. In 2009 he was invited to channel at the Esalen Institute's Superpowers symposium, where he was filmed for the upcoming documentary film Authors of the Impossible. He is the subject of the feature-length documentary film Paul & the Word which will be released late summer, 2011. His workshops in 2011 include Edgar Cayce's A.R.E. in New York City, the Jungian Center in Vermont and the Esalen Institute in Big Sur, Calfornia. Also a noted playwright and educator, Paul serves on the faculty of NYU and directs the MFA in Creative Writing Program at Goddard College. He lives in New York City, where he maintains a private practice as an intuitive and conducts weekly, channeled energy groups.* Personal and planetary evolution- Live channeling with Paul Selig http://www.youtube.com/watch?v=CAgh2pXDDls&feature;=youtu.be Waking Universe With Guest Paul Selig http://www.youtube.com/watch?v=Z7BI0Lgb9Kk&feature;=youtu.be
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Manhattan by line, by subway track purr, by foot in a midwinter fresh, gale force air. The dying battery in Times Square's wristwatch, halts hands in mid air, each hailing the second taxi that comes to them every next minute; definitely in the next ten. Buried benches in thigh high snow look lost, with only their branching tops on display for the tourist's show, tramping through this January snow. Double-back, back past the Chipotle store, where diners stand and eat, stand and greet, stand with napkins to appear neat, stand near the radiator to warm their feet, stand-in-the-corner-and-text-your-wife-saying-you'll-be-home-late-because-this-meaty-wrap-is-pleasurable-to-eat. He was with another woman, kissing her cheek. Manhattan is a horizon of horizontal lines, drawn by pencil lead, led up a page to create this fascinating portrait that a point-and-click-camera cannot comprehend, let alone negotiate. We can go unnoticed there, like most others in this gale force air, but billboard boys- the ones that braid ****** building hair, window panes and balcony balustrade- are the famous ones of Broadway, with nothing more than their commercial stare.
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Jan 22, 2013
Jan 22, 2013 at 10:33 AM UTC
ANOTHER NEW YORK POEM