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"mandolin" poems
The first time I saw you it was in math class. I didn't notice anything about you at first I just memorized the back of how your head was. After all, I had an hour to **** The second time I saw you were in English class. You sat next to me but not by choice. But I was happy about it. It took me about four to five weeks to talk to you, and I wasn't even the one to speak first. You introduced yourself and then we worked together on an assignment. It's been two weeks and I haven't said another word and I probably won't out of random. My anxiety swallows me whole and I'm sorry I can't even say hello. But I have had time to notice you. And let me just say I'm in love with your taste in music I'm in love with the way you hold your books thinking that if you change the sound of your voice when the diagonal changes, or if you struggle reading words you've never seen before and sit there for a few seconds trying to piece together what they mean. I love how you can play the mandolin, you should show me sometime. As I think about these things I also pick up how you would never even think of me. I mean really, you probably want some girl that's outgoing and can strum a guitar solo at midnight with you. You probably want someone with long hair you can intertwine your fingers in, or someone you can spend an afternoon together after church with. I can't move mountains and I can't even speak without looking like a fool, but even if nothing will ever happen It would be just as quite exciting being friends with you. We could trade books and make each other mixtapes. It hasn't even been a month yet and I'm already writing mediocre poetry about you. I'm sorry about that by the way. I'm not asking for a relationship but a friendship with someone like you would feel just the same.
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Sep 18, 2013
Sep 18, 2013 at 6:46 PM UTC
A Poem About Liking A Boy I've Barely Known
The first time I saw you it was in math class. I didn't notice anything about you at first I just memorized the back of how your head was. After all, I had an hour to **** The second time I saw you were in English class. You sat next to me but not by choice. But I was happy about it. It took me about four to five weeks to talk to you, and I wasn't even the one to speak first. You introduced yourself and then we worked together on an assignment. It's been two weeks and I haven't said another word and I probably won't out of random. My anxiety swallows me whole and I'm sorry I can't even say hello. But I have had time to notice you. And let me just say I'm in love with your taste in music I'm in love with the way you hold your books thinking that if you change the sound of your voice when the diagonal changes, or if you struggle reading words you've never seen before and sit there for a few seconds trying to piece together what they mean. I love how you can play the mandolin, you should show me sometime. As I think about these things I also pick up how you would never even think of me. I mean really, you probably want some girl that's outgoing and can strum a guitar solo at midnight with you. You probably want someone with long hair you can intertwine your fingers in, or someone you can spend an afternoon together after church with. I can't move mountains and I can't even speak without looking like a fool, but even if nothing will ever happen It would be just as quite exciting being friends with you. We could trade books and make each other mixtapes. It hasn't even been a month yet and I'm already writing mediocre poetry about you. I'm sorry about that by the way. I'm not asking for a relationship but a friendship with someone like you would feel just the same.
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32
As the voice of a dead man might sing From the depths of his tomb, For you, Mistress, my tuneless voice rings False in my heart’s catacomb. Open your soul and hear the knell Of my mandolin strings: This song I wrote, for you, which tells Of cruel and childish things. I will sing of your eyes, onyx and gold, Purged of every shadow, Then the Lethe of your breast, the cold Styx of your hair’s dark flow. As the voice of a dead man might sing From the depths of his tomb, For you, Mistress, my tuneless voice rings False in my heart’s catacomb. Then I will praise, above all Flesh that heaven did bless Whose opulent perfumes recall Nights long and sleepless. Finally, I will speak of the kiss Of your sweet red lip, Oh, how my martyrdom is bliss, – My angel! – My Whip! Open your soul and hear the knell Of my mandolin strings: This song I wrote, for you, which tells Of cruel and childish things.
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Apr 17, 2015
Apr 17, 2015 at 10:01 AM UTC
Translation: Serenade (Verlaine)
my sonnet is A light goes on in the toiletwindow,that’s straightacross from my window,night air bothered with a rustling din sort of sublimated tom-tom which quite outdoes the mandolin- man’s tiny racket. The horses sleep upstairs. And you can see their ears. Ears win- k,funny stable. In the morning they go out in pairs: amazingly,one pair is white (but you know that)they look at each other. Nudge. (if they love each other,who cares?) They pull the morning out of the night. I am living with a mouse who shares my meals with him,which is fair as i judge.
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My Sonnet Is A Light Goes On In
1005 Bind me—I still can sing— Banish—my mandolin Strikes true within— Slay—and my Soul shall rise Chanting to Paradise— Still thine.
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Bind me—I still can sing—
Born in these hills, taken away when I was three. Son of a coal miner who took my mother, my brother, and me. Drove west to the ocean, Pacific. The kids there called me "hillbilly" and "hick." Said I talked funny. Punched me, kicked me, generally tried their best to make sure I knew I didn’t belong there. And I did not. Eventually, though, I learned to speak like them, dress like them, act as if I was not from Kentucky, my daddy was not Appalachian, that these mountains had no part of me. My only recourse was after the pledge of allegiance… I never sang the “Oregon” song. I sang, "Kentucky." But, my father, he wouldn’t change. He was proud of his heritage. He played banjo; he played mandolin; he went fishing, a lot. Grew the best garden in the county, ate soup beans and cornbread. He did not give a hang for their Yankee ways. I hated him. I hated my father. until I returned to these hills. Now I see them, I see him, in me.
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Feb 15, 2010
Feb 15, 2010 at 6:53 AM UTC
Notes from Appalachia
The curtain frays at the edges Unwinds, disobedient Only to reveal No bed (where one should be) Dainty white muslin Conflicted, floats Away from the pane More like a halo (than a shroud) Here, in the cage of your mind, Lies a mandolin Hollow (with no music in its heart) Towards another window Its brother may lie Born of nothing (but of itself)
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Mar 27, 2016
Mar 27, 2016 at 7:51 PM UTC
Une dentelle s'abolit
.university was such a bad idea... i'm starting to think... isn't university the place where only women and rapists are admission worthy?! forget the men... you're on your own!               gorgeous lisp... Fionna from Fraserburgh... worked in a nightclub to pay for a mandolin, and play her maggie may... outside her window... her sweetness imbue of honey and the letter G stumbling into a "stutter".... and? one detail... she loved queen's innuendo... the ooh ooh bit and the otherwise Spanish rodrigo in-between composer... i left Edinburgh... because my heart was not into it...   my eyes were... but in my heart...     i was not standing on an island, but an iceberg...        too many English private school educatde kids... too much interconnected meritocracy bargains... said via grandfather earned ditto position through the connectivity of his, father's father...    no...               i won't have that ******** hanging before me like a carrot, while i play the donkey...   sorry... no...     shouldn't have lied about your mother being your sister, and your grandmother being your mother...      then?! Leningrad would have made sense! thankfully?         it still doesn't! and doubly thankful for it that i am, in saying: it, never, will!
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Aug 19, 2018
Aug 19, 2018 at 10:15 PM UTC
about a girl: a reply to an ex-girlfriend's question
“Love is a temporary madness. It erupts like an earthquake and then subsides. And when it subsides you have to make a decision. You have to work out whether your roots have become so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion. That is just being “in love” which any of us can convince ourselves we are. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident. Your mother and I had it, we had roots that grew towards each other underground, and when all the pretty blossom had fallen from our branches we found that we were one tree and not two. - Captain Corelli’s Mandolin. nov 1, 09 you had me standing with chattering teeth in the novemeber chill. the first time i had spoken to you in weeks. i was holding myself together so well. and then i broke. like you knew i would. hell we both knew it. red box.hat.scent.shirts.skin.warmth.silence.depth.heart.wrecking. were held to the touch of wrong. the sweet eyes of hidden truth. you have now set me up twice but i like being taken advantage of when its you taking.i am the perfect descripiton of your sweetest downfall, your only downfall.i want this all to come. come straight into me again like you always did. i mean i saw you smile when you wanted to walk away. but something in you made you stay.you could have broken my grip in half but instead you laughed at the jokes you wished you didnt have to hear. and i know this never happened. we never happened.ever. so im writing about a night that didnt exist.your hands slipping over skin.trembling under the brush of your hand.shaking all over like it was happening all over again. “everything is so ****** up now. what do we have to lose now? everythings all ****** up.” “am i just going crazy cuz i miss you?”-atmosphere. i think you were impressed by the outcome of my words.
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Sep 9, 2012
Sep 9, 2012 at 1:38 PM UTC
Cover the Roots
“Love is a temporary madness. It erupts like an earthquake and then subsides. And when it subsides you have to make a decision. You have to work out whether your roots have become so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion. That is just being “in love” which any of us can convince ourselves we are. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident. Your mother and I had it, we had roots that grew towards each other underground, and when all the pretty blossom had fallen from our branches we found that we were one tree and not two. - Captain Corelli’s Mandolin. nov 1, 09 you had me standing with chattering teeth in the novemeber chill. the first time i had spoken to you in weeks. i was holding myself together so well. and then i broke. like you knew i would. hell we both knew it. red box.hat.scent.shirts.skin.warmth.silence.depth.heart.wrecking. were held to the touch of wrong. the sweet eyes of hidden truth. you have now set me up twice but i like being taken advantage of when its you taking.i am the perfect descripiton of your sweetest downfall, your only downfall.i want this all to come. come straight into me again like you always did. i mean i saw you smile when you wanted to walk away. but something in you made you stay.you could have broken my grip in half but instead you laughed at the jokes you wished you didnt have to hear. and i know this never happened. we never happened.ever. so im writing about a night that didnt exist.your hands slipping over skin.trembling under the brush of your hand.shaking all over like it was happening all over again. “everything is so ****** up now. what do we have to lose now? everythings all ****** up.” “am i just going crazy cuz i miss you?”-atmosphere. i think you were impressed by the outcome of my words.
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8
Take my saxophone Take my piano Take my guitar Take my mandolin Take my washboard Take my harmonica Take my sunglasses Take my hairbrush Take my Bible Take my clothes Take my trophies Take my baton Take my ballet shoes Take my cane Take my sword Take my monkey Take my collections Take my cat Take my house Take my memories Take my plans My, that was a heavy load. I feel so light.
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Nov 25, 2010
Nov 25, 2010 at 9:01 AM UTC
Like A Feather
My fingers pluck the strings Of willow wood mandolin Upon my knee it sits The wood of willow As smooth as a feather pillow Atop my knee sits In steady posture In my heart of hearts There tears a lonely hollow My voice shrieks shallow The willow wood mandolin Shatters into splinters Splinters pierce my skin Filling through my body From my heart of hearts A willow chisel carves Away the organs That flow and break From my eyes Bleed wood chips My tongue drools Sawdust A girl no more sits Under this willow But a wood sculpture Of steady posture
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Dec 5, 2012
Dec 5, 2012 at 7:32 PM UTC
Willow Wood Mandolin
IT'S going to come out all right-do you know? The sun, the birds, the grass-they know. They get along-and we'll get along. Some days will be rainy and you will sit waiting And the letter you wait for won't come, And I will sit watching the sky tear off gray and gray And the letter I wait for won't come. There will be ac-ci-dents. I know ac-ci-dents are coming. Smash-ups, signals wrong, washouts, trestles rotten, Red and yellow ac-ci-dents. But somehow and somewhere the end of the run The train gets put together again And the caboose and the green tail lights Fade down the right of way like a new white hope. I never heard a mockingbird in Kentucky Spilling its heart in the morning. I never saw the snow on Chimborazo. It's a high white Mexican hat, I hear. I never had supper with Abe Lincoln. Nor a dish of soup with Jim Hill. But I've been around. I know some of the boys here who can go a little. I know girls good for a burst of speed any time. I heard Williams and Walker Before Walker died in the bughouse. I knew a mandolin player Working in a barber shop in an Indiana town, And he thought he had a million dollars. I knew a hotel girl in Des Moines. She had eyes; I saw her and said to myself The sun rises and the sun sets in her eyes. I was her steady and her heart went pit-a-pat. We took away the money for a prize waltz at a Brotherhood dance. She had eyes; she was safe as the bridge over the Mississippi at Burlington; I married her. Last summer we took the cushions going west. Pike's Peak is a big old stone, believe me. It's fastened down; something you can count on. It's going to come out all right-do you know? The sun, the birds, the grass-they know. They get along-and we'll get along.
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Caboose Thoughts
IT'S going to come out all right-do you know? The sun, the birds, the grass-they know. They get along-and we'll get along. Some days will be rainy and you will sit waiting And the letter you wait for won't come, And I will sit watching the sky tear off gray and gray And the letter I wait for won't come. There will be ac-ci-dents. I know ac-ci-dents are coming. Smash-ups, signals wrong, washouts, trestles rotten, Red and yellow ac-ci-dents. But somehow and somewhere the end of the run The train gets put together again And the caboose and the green tail lights Fade down the right of way like a new white hope. I never heard a mockingbird in Kentucky Spilling its heart in the morning. I never saw the snow on Chimborazo. It's a high white Mexican hat, I hear. I never had supper with Abe Lincoln. Nor a dish of soup with Jim Hill. But I've been around. I know some of the boys here who can go a little. I know girls good for a burst of speed any time. I heard Williams and Walker Before Walker died in the bughouse. I knew a mandolin player Working in a barber shop in an Indiana town, And he thought he had a million dollars. I knew a hotel girl in Des Moines. She had eyes; I saw her and said to myself The sun rises and the sun sets in her eyes. I was her steady and her heart went pit-a-pat. We took away the money for a prize waltz at a Brotherhood dance. She had eyes; she was safe as the bridge over the Mississippi at Burlington; I married her. Last summer we took the cushions going west. Pike's Peak is a big old stone, believe me. It's fastened down; something you can count on. It's going to come out all right-do you know? The sun, the birds, the grass-they know. They get along-and we'll get along.
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41
Mandolin harmonies trailed up Bear Hair Gap, echoed between the chestnuts, hickories & sweet blackberries. Lodi & a bad moon rising stifled the cool air, wood spirits whispered secret incantations to the fairies & sprites flying amongst the fireflies. This is the sacred Coosa place, where bricks have names, where the wolf man drove his Impala spooking summer campers & where old blackie got trapped. Two are gone now, one succumbed to the bottle, the other still stalking hikers near the Raven Cliffs o'er near Helen. The bricks will remain forever 'neath the phases of the moon beside the maiden Trahlyta, up from Blood Mountain.
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Mar 4, 2014
Mar 4, 2014 at 3:22 AM UTC
Blue Ridge Flare (Childhood Memories)
Whenever my family and I, Prepare to embark on a fair drive, I grab my phone with my playlist along with my headphones. Filled with excitement that nobody knows. We set out on our excursion, I put my headphones in, I turn on my music, And let the symphonies enter my head. If I close my eyes, I can visualize, An ancient city filled with song and dance, Amidst a sacred feast with the finest band. I see the dresses swirl, and I smell the wheat in the fields, Along with the fresh bread that they created with their yields. The song changes to a more melancholic melody, I envision a final stand, one with honor and dignity. The knight fights its hardest, but is overrun, The piano’s keys, haunting me, as it dies under the setting sun. Another change, more upbeat, a comforting, catchy symphony. I wish to dance, but I am confined to the car seat. I open my eyes and look to the right, At the sprawling landscape we’ve been passing by, But instead of farmland and trees, guess what I see, The same mind-boggling envisioning! More songs play, various tones, From joyous to somber, sacred to monotone, Threatening to empowering, all on their own. The drums beat to the piano’s keys, As a rare mandolin strums in harmony. A glorious symphony, An undertone for creativity. Oh, the power of envisioning!
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Sep 18, 2025
Sep 18, 2025 at 7:17 PM UTC
Envisioning
Picasso reported a theft By art thieves who barely had left. "Did you see them?" cops prodded. "I think so."  He nodded. "Perhaps you could sketch them To help us to ketch them." So he sat down to draw And they watched him with awe. After they knew What Pablo drew, Arrests swiftly came. I cite them by name: Mandolin, guitar, and horse. But do I jest?  Of course.
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Jan 28, 2017
Jan 28, 2017 at 12:36 PM UTC
Abstract expressionism
*Will you stroll with me This path of Autumn leaves Crunching underneath Both our melodic feet Said the Harp to the Six String Guitar Come walk with me... Will you dive with me Into the open sea Together we will swim An enchanting melody Said the Mandolin to the Violin Come swim with me... Will you float with me On this cool night breeze As fireflies flicker on and off To our quaint melody Said the Piccolo to the Saxophone Come fly with me... You can hear the melodies Playing free From one end of the other Sea to shining Sea As the instruments are all beckoning Come play with me...*
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Sep 8, 2015
Sep 8, 2015 at 7:31 AM UTC
Come Play With Me
Pluck both wings off a butterfly twin Toss five bones into a black stone cauldron Pull three strings of a skeleton puppet Draw a white circle around a mandolin One burning needle, carved into a coffin Six long shadows swing the pendulum A dagger to the chest, weave the mortal flesh Pierce the embryo outside the yolk of death
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Feb 3, 2021
Feb 3, 2021 at 11:28 PM UTC
Splinter
I’m learning to travel light. A backpack, a mandolin case, and a water bottle. That’s enough. A black skirt, an extra pair of wool tights, and a teeshirt big enough to sleep in. Headphones. my sister asks me when and where and why I’m coming and going and leaving and staying I’m packing up I’m always packing up but my suitcases are getting smaller, more efficient, less attached. I can’t keep track myself
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Jul 10, 2014
Jul 10, 2014 at 11:01 PM UTC
The Zipper Broke on the Big One
When Twilight falls the Fairies Play gracefully upon their Enchanted instruments Celtic harps and violas Join in this beautiful solo Double basses and violins Ring out through the calm Night The Fairies play from Twilight 'Til Midnight Then move on somewhere else And play upon their instruments 'Tis the Fairies' melody For they love living in Instrumental harmony With happiness and smiles From little pink lips They play upon the prettiest Bells and chimes ever Celestas and harpsichords, Pianos and organs Raise their beautiful But meek and humble voices Creating a tapestry of music The mandolin also follows And lifts its voice And the flute comes next Beautiful sounding oboes Sing sweetly on the Night breeze Next come the wood winds and brass winds And their beauty cries out A bittersweet paradise The most beautiful music Played while All humans are asleep But when Fairies are awake ~Marian~
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May 16, 2013
May 16, 2013 at 11:18 PM UTC
The Fairies' Melody
IV Thou hast thy calling to some palace-floor, Most gracious singer of high poems! where The dancers will break footing, from the care Of watching up thy pregnant lips for more. And dost thou lift this house’s latch too poor For hand of thine? and canst thou think and bear To let thy music drop here unaware In folds of golden fulness at my door? Look up and see the casement broken in, The bats and owlets builders in the roof! My cricket chirps against thy mandolin. Hush, call no echo up in further proof Of desolation! there ’s a voice within That weeps . . . as thou must sing . . . alone, aloof
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Sonnet 04 - Thou Hast Thy Calling To Some Palace-Floor
everything about it the raising waves of sound and the pluck of the violin the fiddling fingers on the mandolin and the swell of the drums his voice bows like a singing saw and curls down into the depths of his own feeling and art not only in the poetry but poetry in the very sound *i want to see the things you see because i like the way you breathe* it pulls a soul onto its toes both of the mind and of the feet and sends it dashing down the snowy roads lined by broken corn stalks and gray buildings and fairy lights of the city brings us one with the buskers and into the hearts of every other person who has heard it my god, it has made us into a pool of humanity each soul touching in ways deeper than this to my dear violins and violas and basses and mandolins and drummers thank you for the gift of sound
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Oct 8, 2013
Oct 8, 2013 at 6:25 PM UTC
Ode to a Band
It slowly continues to argue with me day in and day out. Like a creep following in the shadows, it decides to elude me no matter how I feel. As the mandolin plays its sad tune, and the guitar only remembers the sound of minor chords, the melancholy erodes the wall that has protected the people since birth. Taking its time to analyze and devise, making plans and biding its time. The edge defines the lie that it says is inside. Maybe the next ship will take me along. Maybe it will sail farther away than the last one. Maybe its anchor will drop on more pleasant shores. As I scream at the city that has been my home for so long, As I stare into its ugly face, I no longer know which way to go. Do I go to the harbor and board the boat? Do I search for my creeper in the alleys and roads? Or do I stay where I am and take heart to the fact that I am still taking breath? Why are you staying by my side? You should go. Why are you still waiting with me in line? Don't you have better places to be? When the night is angry and the clouds block out the moon, I wonder if it will find me? When the weather is sour and the day looks like the night, I wonder if it will find me? Anyway, I choose you, stay by my side. Any path I take you have loved me despite the tide. Any time I wept you were there with me and you cried. Why do you stay when I am in the fray, When my anxiety shoots you like a gun, or when my anger manifests and stabs you like a knife? I look over my shoulder and the creeper is there. Always ten paces behind no matter which way I twist and I turn. I look over my shoulder and I see you coming up beside. You're reaching for my hand and telling me to trust. I close my eyes and let you guide me to where I should go. I release any semblance of control. The sun finally breaks the clouds and the creeper steps aside. Still, ten paces behind but comfort are by my side. The sun brightens my face and I begin to cry. For the night was long and the day has finally come. The day is finally the day, and I can see the bay. The boat is right where I left it. I look to you and you say it's okay. So we take our steps and board the boat looking for better shores where we can play.
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Jun 18, 2021
Jun 18, 2021 at 2:32 PM UTC
Why Are You By My Side?
It slowly continues to argue with me day in and day out. Like a creep following in the shadows, it decides to elude me no matter how I feel. As the mandolin plays its sad tune, and the guitar only remembers the sound of minor chords, the melancholy erodes the wall that has protected the people since birth. Taking its time to analyze and devise, making plans and biding its time. The edge defines the lie that it says is inside. Maybe the next ship will take me along. Maybe it will sail farther away than the last one. Maybe its anchor will drop on more pleasant shores. As I scream at the city that has been my home for so long, As I stare into its ugly face, I no longer know which way to go. Do I go to the harbor and board the boat? Do I search for my creeper in the alleys and roads? Or do I stay where I am and take heart to the fact that I am still taking breath? Why are you staying by my side? You should go. Why are you still waiting with me in line? Don't you have better places to be? When the night is angry and the clouds block out the moon, I wonder if it will find me? When the weather is sour and the day looks like the night, I wonder if it will find me? Anyway, I choose you, stay by my side. Any path I take you have loved me despite the tide. Any time I wept you were there with me and you cried. Why do you stay when I am in the fray, When my anxiety shoots you like a gun, or when my anger manifests and stabs you like a knife? I look over my shoulder and the creeper is there. Always ten paces behind no matter which way I twist and I turn. I look over my shoulder and I see you coming up beside. You're reaching for my hand and telling me to trust. I close my eyes and let you guide me to where I should go. I release any semblance of control. The sun finally breaks the clouds and the creeper steps aside. Still, ten paces behind but comfort are by my side. The sun brightens my face and I begin to cry. For the night was long and the day has finally come. The day is finally the day, and I can see the bay. The boat is right where I left it. I look to you and you say it's okay. So we take our steps and board the boat looking for better shores where we can play.
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47
Palm trees sway in the breeze as waves crash on the beach. The sun sets low over the horizon as the boat gently rocks just off of the shore. Paradise to some an escape to others. Cabanas are decked with blinking lights as people dance to the sound of the steel drum and the Mandolin. Coconut drinks are mixed with local spirits to bring good cheer. Dark and White *** are the mixers of choice as fish bake on open coals and ***** boil in a *** Gifts are exchanged by the light of Tike torches and bon fires. The moon rises over the ocean and a starry sky is beset like jewels in the night. All is at peace with a tropical Christmas .
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Nov 30, 2015
Nov 30, 2015 at 7:15 PM UTC
A Tropical Christmas
you played me like a mandolin, striking notes like broken glass in the space between your wayward sheets. your hands were my compass, your eyes the Adriatic Sea- and I plunged into the depths like an albatross, fawning over wide open spaces and beautiful colors. yes, you played me like a symphony, my body ebbing and flowing in ghastly syncopation. notes like honeysuckle and lilac coursing through my bloodstream- capillaries to venules to veins to the vena cava and straight on into my heart. and you'd be ecstatic to know that I haven't heard such a haunting refrain since you went away.
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Jun 2, 2013
Jun 2, 2013 at 11:05 AM UTC
notes like broken glass
Sweet Oriental Angels with your cloth-thread harps play your song on dizi flute and mandolin echo soft in the foreground to the cruel industrial drum of a new world. This palace orchestra scrawled on scriptures now a specter of labors and dawns coated in smog.
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Mar 19, 2015
Mar 19, 2015 at 10:36 PM UTC
Thoughts on Airplanes Over Taipei