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"mackintosh" poems
The bright sun’s rays Are dappled as they strike The manicured greensward. He, tall, lithe, teeth all aglow In cream slacks and pastel blouson, She, fair and fairylike in acres of shimmering gauze, Alight from the auto At the site of their ‘manger al fresco’ Let us call them Justin and Jocelyn. The basket is heavy No matter. He lifts it clear to carry She gasps, he grins. In minutes the scene is set The rug, the plates, the glasses The pate, the cold chicken, The fruit….the wine. He deflowers a bottle of Moselle, Wishing it were her. Guessing as much she blushes. Ants retreat to nests Wasps attack alternate targets Flies zoom elsewhere to feed. And all the while the sun The golden sun continues to dapple. The rain is not quite horizontal As Joe and Judy Run from the bus stop To the stony beach. Not quite horizontal But driven off the sea it tastes salty. He, ordinary, average, in a dampening grey mackintosh. She, hair bleached in a sister’s frock and jacket Holding hands, And hold each a sandwich Cellophane wrapped. Squatting against the seawall They eat. Wet eyes flash bright signals. Joe has a small thermos Its vegetable soup, And somehow a hardboiled egg appears, To share. The rain continues its attack.
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Jul 25, 2014
Jul 25, 2014 at 11:58 PM UTC
A Tale Of Two Picnics
It was well said of him, “The clothes bespoke the man”. Yes, he stumbled in the mud. Yes, his reputation soon was stuck within the stinking sludge and, granted, it was all of his own making. But surely you remember how he'd been so impressive. Once I said, “You're spotless as a manikin” and shared a hearty laugh with him. Be we also had some serious conversations, discussing what he meant by “loveliness”. That was all before the storm that hit us with the force of filth from continents and generations. It reminded us, again: not every love is innocent; the finest gentlemen are capable of (some say inclined to) monstrous crimes. After, no one spoke of him. He tried to hide behind his usual accoutrements: the matching tie and handkerchief; silk shirts; his feathered hat and crimson mackintosh; the smell of musk. But he was tainted, spotted once the news was out. As the headlines had it: “Gilded Lily Withers – Roots Exposed”; “If clothes have made this man, they're now irreparably torn.” “Patent leather ******* now well scuffed.” God knows what his publishers had to put upon his jacket to sell off the remainders. Yet even from the darkness of his prison, he seemed to think he could rely upon the persuasiveness of beautiful adornments - “Always envied; often copied; never matched” (his line) - trusting it would make him seem attractive once again, even clean. He died the 23rd of May, 2007. They say that night he'd tied his shirt a special way, with a feminine flamboyance, but it failed to impress as he intended. In some dark hall (we don't know how) they caught him, stripped him to the bare essentials, leaving him undressed and cut, an ochre ugliness. What were his final thoughts, when all that he had left was soiled and bleeding? What we he really needing? Still, I'm glad I knew him, Still call him friend, and miss him.
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Oct 8, 2012
Oct 8, 2012 at 5:26 PM UTC
Soiled
It was well said of him, “The clothes bespoke the man”. Yes, he stumbled in the mud. Yes, his reputation soon was stuck within the stinking sludge and, granted, it was all of his own making. But surely you remember how he'd been so impressive. Once I said, “You're spotless as a manikin” and shared a hearty laugh with him. Be we also had some serious conversations, discussing what he meant by “loveliness”. That was all before the storm that hit us with the force of filth from continents and generations. It reminded us, again: not every love is innocent; the finest gentlemen are capable of (some say inclined to) monstrous crimes. After, no one spoke of him. He tried to hide behind his usual accoutrements: the matching tie and handkerchief; silk shirts; his feathered hat and crimson mackintosh; the smell of musk. But he was tainted, spotted once the news was out. As the headlines had it: “Gilded Lily Withers – Roots Exposed”; “If clothes have made this man, they're now irreparably torn.” “Patent leather ******* now well scuffed.” God knows what his publishers had to put upon his jacket to sell off the remainders. Yet even from the darkness of his prison, he seemed to think he could rely upon the persuasiveness of beautiful adornments - “Always envied; often copied; never matched” (his line) - trusting it would make him seem attractive once again, even clean. He died the 23rd of May, 2007. They say that night he'd tied his shirt a special way, with a feminine flamboyance, but it failed to impress as he intended. In some dark hall (we don't know how) they caught him, stripped him to the bare essentials, leaving him undressed and cut, an ochre ugliness. What were his final thoughts, when all that he had left was soiled and bleeding? What we he really needing? Still, I'm glad I knew him, Still call him friend, and miss him.
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46
It was well said of him, “The clothes bespoke the man”. Yes, he stumbled in the mud. Yes, his reputation soon was stuck within the stinking sludge and, granted, it was all of his own making. But surely you remember how he'd been so impressive. Once I said, “You're spotless as a manikin” and shared a hearty laugh with him. Be we also had some serious conversations, discussing what he meant by “loveliness”. That was all before the storm that hit us with the force of filth from continents and generations. It reminded us, again: not every love is innocent; the finest gentlemen are capable of (some say inclined to) monstrous crimes. After, no one spoke of him. He tried to hide behind his usual accoutrements: the matching tie and handkerchief; silk shirts; his feathered hat and crimson mackintosh; the smell of musk. But he was tainted, spotted once the news was out. As the headlines had it: “Gilded Lily Withers – Roots Exposed”; “If clothes have made this man, they're now irreparably torn.” “Patent leather ******* now well scuffed.” God knows what his publishers had to put upon his jacket to sell off the remainders. Yet even from the darkness of his prison, he seemed to think he could rely upon the persuasiveness of beautiful adornments - “Always envied; often copied; never matched” (his line) - trusting it would make him seem attractive once again, even clean. He died the 23rd of May, 2007. They say that night he'd tied his shirt a special way, with a feminine flamboyance, but it failed to impress as he intended. In some dark hall (we don't know how) they caught him, stripped him to the bare essentials, leaving him undressed and cut, an ochre ugliness. What were his final thoughts, when all that he had left was soiled and bleeding? What we he really needing? Still, I'm glad I knew him, Still call him friend, and miss him.
0
Oct 8, 2012
Oct 8, 2012 at 5:26 PM UTC
Soiled
It was well said of him, “The clothes bespoke the man”. Yes, he stumbled in the mud. Yes, his reputation soon was stuck within the stinking sludge and, granted, it was all of his own making. But surely you remember how he'd been so impressive. Once I said, “You're spotless as a manikin” and shared a hearty laugh with him. Be we also had some serious conversations, discussing what he meant by “loveliness”. That was all before the storm that hit us with the force of filth from continents and generations. It reminded us, again: not every love is innocent; the finest gentlemen are capable of (some say inclined to) monstrous crimes. After, no one spoke of him. He tried to hide behind his usual accoutrements: the matching tie and handkerchief; silk shirts; his feathered hat and crimson mackintosh; the smell of musk. But he was tainted, spotted once the news was out. As the headlines had it: “Gilded Lily Withers – Roots Exposed”; “If clothes have made this man, they're now irreparably torn.” “Patent leather ******* now well scuffed.” God knows what his publishers had to put upon his jacket to sell off the remainders. Yet even from the darkness of his prison, he seemed to think he could rely upon the persuasiveness of beautiful adornments - “Always envied; often copied; never matched” (his line) - trusting it would make him seem attractive once again, even clean. He died the 23rd of May, 2007. They say that night he'd tied his shirt a special way, with a feminine flamboyance, but it failed to impress as he intended. In some dark hall (we don't know how) they caught him, stripped him to the bare essentials, leaving him undressed and cut, an ochre ugliness. What were his final thoughts, when all that he had left was soiled and bleeding? What we he really needing? Still, I'm glad I knew him, Still call him friend, and miss him.
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46
Naked pink and ebony feet brush the slimy grass filled path Through the tea fields elephants retreat After a night of jaded mud bath Armored with sack and gunny  weight Enter the frost covered fields in drowsy rest Wake up the greens to  a gentle fright And pluck under care of  enchanting ******* The supervisor mackintosh Walking with a bend and a toss Shout at those Cinderellas Who look for shoes and umbrellas Even  before its time to knock off The tin covered temple of olfactory  auditory deity, the holy Garden tea The chanting enchanting to a coma hot  mesmerizing wafts of aroma fills the air, capture the sense of all devotees who belong to the Orthodox commune TEA or CTC. The sirens bugle the devotees into fits They come in shifts for worship. The tender hearts freshly plucked before they attain mature Tea Spread to wither under a  hell of a hot air with care. crushed and torn and curled, the souls are put into a purgatory rotary drum to pause to meditate on the ephemeral color change To cover the green with copper red Garment to ferment  before being sent to the fluid fire dance To attire in black and retire in packages for a last plunge in to a boiling cauldron The finale Endgame A sacramental service, a self sacrifice to energize the tired souls In cups of tea..
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Dec 6, 2018
Dec 6, 2018 at 1:07 PM UTC
Making of Tea - stretched Field of View
I do not like olives. They are the only food I have been unable to educate myself into. Just one food, Most people have more, But I will eat anything Rather than an olive, I'd rather gobble down a rotten egg. I want to like them. When the waiter brings a little bowl, Balsamic, bread and oil, I sigh and let the wistfulness kick in. They are so civilised, So summery, I feel I'm missing out - - But I just can't - They taste like mackintosh, Or shower gel, Or toothpaste gone wrong. I feel sorry for the olives, Offering a holiday vibe, A Mediterranean ambience, And meeting revulsion, rejection, (Juddery shuddering). Perhaps I am making too much of this, No-one can like everything, They will never know. Perhaps I am someone's olive aversion. Perhaps they are (Juddery shuddering) At the thought of me, right now.
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Oct 4, 2013
Oct 4, 2013 at 4:30 PM UTC
Olive Aversion
Can't believe what I'm seeing, All the flames and smoke, Sparks ignite expanding foam, Skyline begins to choke, Smoke is seen from miles around, Drifts across the M8 motorway, Drifting down Renfrew Street, Students stand and pray, Students were getting ready, Their talent ready to show The fire put a stop to that, Some talent just won't show, Built by Rennie Mackintosh, In the Art Nouveau design, A building of world renown, Some think of it a shrine, Building damage wasn't too bad, Fire and Rescue saved most, Student's art and Rennie's art, Didn't end up like burnt toast.
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Jan 4, 2015
Jan 4, 2015 at 3:46 PM UTC
Glasgow School of Art
An old florist, dressed in black Hands a white rose to a guy. While the beggar pets a stray.. A bicycle falls by. It’s the westerly winds again... Rain peeking through the sunless sky… Though everything is getting moist around.. It’s my heart that’s running dry.. There’ goes the artist’s beret And the lil girl’s pink umbrella.. A child pays a sixpence.. To the friendly pretzel fella.. The street lamp winks While it listens to the accordion.. Lovers falling in love again… While I wait for my old companion The sea isn’t getting any wetter with the rain… Though my hands are getting wrinkled and white… Then the same old man in his mackintosh.. Comes into my old ,weary sight.. We just saw, gave a reserved smile.. Then I cursed the different ways I chose… Yet he melted all my regrets… And held out that white rose…
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Feb 21, 2014
Feb 21, 2014 at 5:44 AM UTC
White Rose
She did not look burly from across the vast room A crowd of thousands, but her blood stained blazer shined against the fixtures An easy catch for the looking eye, But deeper than the red that rolled off her shoulders That waterfall flooded her chest and biceps Not a crease nor a dent, a flawless exterior for a woman To hide a healing girl Tens of golden bands hugged her skinny fingers Though she kept her left finger a clean slate An offering? An assertion? A statement. Left for the interpretation of ones not looking hard enough Golden links swung back and forth across her chest as she swayed to the music Weighed boldly by the sign of a higher presence A facade to be accepted, not a belief condemning her sins She pushed forth her sins just below the surface of recognition Her eyes mirrored the soil far beneath her feet Deep, leading straight to Earth's core, her core The sole insight to her cry to be loved and not someone's lust She built a fortress with those crimson walls So the softness within could take a breath A break short lived as it was approached by a harsh wave of blush When she longed for the hidden intensity across the vast room A woman draped in a deeper blue than the oceans they were yet to sail Whose water could wash away blood stains And expose a red louder than mackintosh, sweeter than red delicious Those crimson then walls began to fade Into a woman worth knowing what's hidden behind her walls
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Aug 18, 2019
Aug 18, 2019 at 5:58 PM UTC
The Woman In The Crimson Suit
Dom Higgs came to the room and spoke to me of the monastic life it was late evening and the shutters were closed so no moon no stars, est forma mortis he said, moon glow by bell-tower especially after Compline and the haunting looking cloister, and she said her husband wouldn't be home for hours and there was time for it so we did, the French peasant monk peeled onions in the kitchen peler sous l'eau he said, I cut the grass around the gravestones of the monks and flattened out molehills before the hour of Sext, flying from the pains of hell we desire to reach life everlasting Benedict said, Hölle ist hier the German monk said pointing to his chest with his thick finger, Hugh made the chair in the guest house I saw it there after he told me he was no Charles Mackintosh but it served it's purpose, sancta Maris audi nos Dom Peter whispered in the cloister while waiting to enter the church for Vespers his voice thick as treacle but pure as soft snow, she undressed for me with the skill of a ***** I a youth unravelling the apple as Adam had, Dom Charles sat in the refectory at supper his face still as a china doll his eyes stern and unblinking maybe God-ward thinking, Dio è con noi the Italian monk said as he showed me how to sharpen the scythe his hands powerful fingers gripping the stone, non veniam sine poenitentia, the ultimate value of life depends upon awareness and the power of contemplation rather than upon mere survival Gareth said quoting Aristotle as we sat in the novice room after Terce, stars above me moon bright as ghostly ship I walked the drive way letting curses let slip.
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Apr 21, 2016
Apr 21, 2016 at 3:31 AM UTC
CURSES LET SLIP MCMLXXI.
Dom Higgs came to the room and spoke to me of the monastic life it was late evening and the shutters were closed so no moon no stars, est forma mortis he said, moon glow by bell-tower especially after Compline and the haunting looking cloister, and she said her husband wouldn't be home for hours and there was time for it so we did, the French peasant monk peeled onions in the kitchen peler sous l'eau he said, I cut the grass around the gravestones of the monks and flattened out molehills before the hour of Sext, flying from the pains of hell we desire to reach life everlasting Benedict said, Hölle ist hier the German monk said pointing to his chest with his thick finger, Hugh made the chair in the guest house I saw it there after he told me he was no Charles Mackintosh but it served it's purpose, sancta Maris audi nos Dom Peter whispered in the cloister while waiting to enter the church for Vespers his voice thick as treacle but pure as soft snow, she undressed for me with the skill of a ***** I a youth unravelling the apple as Adam had, Dom Charles sat in the refectory at supper his face still as a china doll his eyes stern and unblinking maybe God-ward thinking, Dio è con noi the Italian monk said as he showed me how to sharpen the scythe his hands powerful fingers gripping the stone, non veniam sine poenitentia, the ultimate value of life depends upon awareness and the power of contemplation rather than upon mere survival Gareth said quoting Aristotle as we sat in the novice room after Terce, stars above me moon bright as ghostly ship I walked the drive way letting curses let slip.
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comfort rain keeps all under- shelter- umbrellas in doorways mackintosh coats- holding newspaper hats- and rushing for home to sit by the fire and warm up bones
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Aug 12, 2014
Aug 12, 2014 at 8:54 AM UTC
comfort rain
That late hour after school When all is mellow and gentle The quiet light licks the sides of things Making pale shadows as we begin. Unroll the mackintosh and onto The ground put out our frugal Tea that we may eat after Climbing the trees. For these times are long past But to see all the leaves And stones in the dry earth And feel that warmth of you Our mum and the courage She had. For that walk Was not an easy trek when tired And your eyes only wanting A sigh as we both played It was such as is given By a poor man. Love Mary Love Mary x
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Apr 18, 2018
Apr 18, 2018 at 12:39 PM UTC
A sigh