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"lipped" poems
They are always with us, the thin people Meager of dimension as the gray people On a movie-screen. They Are unreal, we say: It was only in a movie, it was only In a war making evil headlines when we Were small that they famished and Grew so lean and would not round Out their stalky limbs again though peace Plumped the bellies of the mice Under the meanest table. It was during the long hunger-battle They found their talent to persevere In thinness, to come, later, Into our bad dreams, their menace Not guns, not abuses, But a thin silence. Wrapped in flea-ridded donkey skins, Empty of complaint, forever Drinking vinegar from tin cups: they wore The insufferable nimbus of the lot-drawn Scapegoat. But so thin, So weedy a race could not remain in dreams, Could not remain outlandish victims In the contracted country of the head Any more than the old woman in her mud hut could Keep from cutting fat meat Out of the side of the generous moon when it Set foot nightly in her yard Until her knife had pared The moon to a rind of little light. Now the thin people do not obliterate Themselves as the dawn Grayness blues, reddens, and the outline Of the world comes clear and fills with color. They persist in the sunlit room: the wallpaper Frieze of cabbage-roses and cornflowers pales Under their thin-lipped smiles, Their withering kingship. How they prop each other up! We own no wilderness rich and deep enough For stronghold against their stiff Battalions. See, how the tree boles flatten And lose their good browns If the thin people simply stand in the forest, Making the world go thin as a wasp's nest And grayer; not even moving their bones.
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23.6k
The Thin People
They are always with us, the thin people Meager of dimension as the gray people On a movie-screen. They Are unreal, we say: It was only in a movie, it was only In a war making evil headlines when we Were small that they famished and Grew so lean and would not round Out their stalky limbs again though peace Plumped the bellies of the mice Under the meanest table. It was during the long hunger-battle They found their talent to persevere In thinness, to come, later, Into our bad dreams, their menace Not guns, not abuses, But a thin silence. Wrapped in flea-ridded donkey skins, Empty of complaint, forever Drinking vinegar from tin cups: they wore The insufferable nimbus of the lot-drawn Scapegoat. But so thin, So weedy a race could not remain in dreams, Could not remain outlandish victims In the contracted country of the head Any more than the old woman in her mud hut could Keep from cutting fat meat Out of the side of the generous moon when it Set foot nightly in her yard Until her knife had pared The moon to a rind of little light. Now the thin people do not obliterate Themselves as the dawn Grayness blues, reddens, and the outline Of the world comes clear and fills with color. They persist in the sunlit room: the wallpaper Frieze of cabbage-roses and cornflowers pales Under their thin-lipped smiles, Their withering kingship. How they prop each other up! We own no wilderness rich and deep enough For stronghold against their stiff Battalions. See, how the tree boles flatten And lose their good browns If the thin people simply stand in the forest, Making the world go thin as a wasp's nest And grayer; not even moving their bones.
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47
The tide collects it all by morning; The drama and the ***** napalmed across the path. The scenes at second warning for most had been swept away Before they wiped the sand from their shoes. Empty cans of Dutch and Tuborg slouched on the dunes Are tight-lipped about the Velvet Strand's secret ecosystem; An underground microcosm; A peripheral cluster of seething emotions drowned. Memories of those years - although some expired, The vestiges take pride of place - hold a cosmic clump of smells, Tastes, firsts, goosebumps, hangovers, and ends. I never before understood what I was holding on to. Winters down in the shelters nearly killed us but we Huddled through the cold, lit cheap firelogs and Found our oblivion. It didn't take much for me to develop   A stagger - tolerance for a lot of things was learned later. I narrowly recall my first taste of poor judgement and Hazy-headed stargazing. Six cans of Stonehouse Dry cider - most of which ended up on the hillside - Was a ridiculous endeavour that will always be sublime. At the heart of it, I did it to impress a girl; The one every boy has or has had that sticks; Who holds your firsts and your hands and makes Things simple if only for her complexity; The one that never fails to bring upon digression when Pens are involved. Revisiting reminiscence on a jarring note, I think of my Junior Cert exams and a cross-dressed man Exposing himself to two uniformed boys behind the public toilets. This one doesn't stir the joy of the others. This one I wish would dissolve; An ugly, awkward blotch on a childhood. Luckily fondness trumps disgust when recalling that place Because of sunrises and sunsets absorbed from the roof. The Summers spent jumping the gap and drowning in the Heat of the sun were everything. The fugitive sand between our toes and under finger nails Became an accepted nuisance, a part of the territory; A lingering grain or two to drag you back. I miss waking up with the smell of last night's faded fire.
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May 3, 2015
May 3, 2015 at 8:22 PM UTC
Faded Firsts and Firelogs
The tide collects it all by morning; The drama and the ***** napalmed across the path. The scenes at second warning for most had been swept away Before they wiped the sand from their shoes. Empty cans of Dutch and Tuborg slouched on the dunes Are tight-lipped about the Velvet Strand's secret ecosystem; An underground microcosm; A peripheral cluster of seething emotions drowned. Memories of those years - although some expired, The vestiges take pride of place - hold a cosmic clump of smells, Tastes, firsts, goosebumps, hangovers, and ends. I never before understood what I was holding on to. Winters down in the shelters nearly killed us but we Huddled through the cold, lit cheap firelogs and Found our oblivion. It didn't take much for me to develop   A stagger - tolerance for a lot of things was learned later. I narrowly recall my first taste of poor judgement and Hazy-headed stargazing. Six cans of Stonehouse Dry cider - most of which ended up on the hillside - Was a ridiculous endeavour that will always be sublime. At the heart of it, I did it to impress a girl; The one every boy has or has had that sticks; Who holds your firsts and your hands and makes Things simple if only for her complexity; The one that never fails to bring upon digression when Pens are involved. Revisiting reminiscence on a jarring note, I think of my Junior Cert exams and a cross-dressed man Exposing himself to two uniformed boys behind the public toilets. This one doesn't stir the joy of the others. This one I wish would dissolve; An ugly, awkward blotch on a childhood. Luckily fondness trumps disgust when recalling that place Because of sunrises and sunsets absorbed from the roof. The Summers spent jumping the gap and drowning in the Heat of the sun were everything. The fugitive sand between our toes and under finger nails Became an accepted nuisance, a part of the territory; A lingering grain or two to drag you back. I miss waking up with the smell of last night's faded fire.
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39
Superhuman in this skin Red-lipped smile sweetly (but beware teeth beneath) I'm Sweet Siren Song And I won't be long left within this mediocre maniverse Pretty porn-portrait perfect (But there's no staples lacerating this muffin top) Withstand this cosmetic culture curse Bedspread silky sodden sheets Writhing within nightmare glare silicon butterfly spiked beauty ages anyway Go away, I'm finished. I MEAN IT! Fucknuts (I guess Fucknuts isn't an advertiseable commodity. What's with the cheap advertising links in my poetry!) bedspread. ****
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Aug 26, 2014
Aug 26, 2014 at 4:55 PM UTC
Sweet Siren Song
i you say i am honestly not the same person i say one day i woke up honest and i do not know how to undo experience my own eyes and ears and nose and mouth cannot be undone at the moment how do you do it? push that pressure to the back of your mind like that how do you all manage to laugh with a straight face at things that you know aren't really funny i can't fathom it. where you go when you are stomping and ripping and ****** and jeering and laughing and running it's exhausting to watch you ii i apologize if it doesn't make sense that i can't play along but playing along doesn't make sense i could never win a grammy with this tight lipped smile laughing at the expense of others makes me feel more like a paparazzi placating insecurities for currency leeching off the vulnerability you may not think i'm smart but i am smart enough to know this is not 'normal' and there is nothing wrong with staring at you in the rearview and saying "i wish that was really sarcasm" i'll tell you the truth and you don't have to like it and you don't have to like me and i don't have to like you because if there's one thing i know about myself it's that i don't dislike anybody until they show off their callousness hoping it's the right party trick to gain respect iii we watch comedy tv, and you are worried by the way my spine cracks when i let out a uncontrollable laugh dragging on, beginning to spill, and as i try to quell it my whole body shakes with the pressure of it bubbling inside of me you feel all of this beside of me a small volcano with a bent back quaking absorbed by pillows and flowers and cushions not quite right for you wondering why i couldn't laugh like this earlier when we were not alone everyone is looking for something more porous more willing to let in effortlessly and absorb tirelessly that can simply laugh like a stream bubbles and let go of the undercurrent yet we are sharp and uneven and course like logs and the weight of our actions carries much further being shunted downstream by tides of gravity every intention runs it's course every intention speaks volumes if you feel that in your core every day you will uncontrollably think of how every intention defines the quality of the laughter stuck in someone else's head and you will save it for things that are funny
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Dec 5, 2013
Dec 5, 2013 at 4:26 AM UTC
honesty, paparazzi, volcanoes, undercurrents
i you say i am honestly not the same person i say one day i woke up honest and i do not know how to undo experience my own eyes and ears and nose and mouth cannot be undone at the moment how do you do it? push that pressure to the back of your mind like that how do you all manage to laugh with a straight face at things that you know aren't really funny i can't fathom it. where you go when you are stomping and ripping and ****** and jeering and laughing and running it's exhausting to watch you ii i apologize if it doesn't make sense that i can't play along but playing along doesn't make sense i could never win a grammy with this tight lipped smile laughing at the expense of others makes me feel more like a paparazzi placating insecurities for currency leeching off the vulnerability you may not think i'm smart but i am smart enough to know this is not 'normal' and there is nothing wrong with staring at you in the rearview and saying "i wish that was really sarcasm" i'll tell you the truth and you don't have to like it and you don't have to like me and i don't have to like you because if there's one thing i know about myself it's that i don't dislike anybody until they show off their callousness hoping it's the right party trick to gain respect iii we watch comedy tv, and you are worried by the way my spine cracks when i let out a uncontrollable laugh dragging on, beginning to spill, and as i try to quell it my whole body shakes with the pressure of it bubbling inside of me you feel all of this beside of me a small volcano with a bent back quaking absorbed by pillows and flowers and cushions not quite right for you wondering why i couldn't laugh like this earlier when we were not alone everyone is looking for something more porous more willing to let in effortlessly and absorb tirelessly that can simply laugh like a stream bubbles and let go of the undercurrent yet we are sharp and uneven and course like logs and the weight of our actions carries much further being shunted downstream by tides of gravity every intention runs it's course every intention speaks volumes if you feel that in your core every day you will uncontrollably think of how every intention defines the quality of the laughter stuck in someone else's head and you will save it for things that are funny
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68
Late night. Footsteps. Crane necks and girders. Fog lifts. The wind cries. Steel bones in moonlight                         I'm out                       so late now and it's Sunday night and Summer's ending                          soon. I'm aging                                           with questions fermenting in my mouth ignored for years Fenced off. Unfinished project shelved and waiting                      for next Spring. Cool night eclipsing years spent indexing, answers mislaid and blueprints unrolling Components rusting, crane necks and girders. Steel bones in moonlight. Tight lipped and staring.                              Fall comes                              construction halts now and the walls stand half                             complete And outside                                      the chain link shrugging off the cold and still wondering when Step through unfinished building. Get home. Shelved                       until next Spring.
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Aug 31, 2014
Aug 31, 2014 at 11:19 PM UTC
Construction Site
PARNELL'S FUNERAL UNDER the Great Comedian's tomb the crowd. A bundle of tempestuous cloud is blown About the sky; where that is clear of cloud Brightness remains; a brighter star shoots down; What shudders run through all that animal blood? What is this sacrifice? Can someone there Recall the Cretan barb that pierced a star? Rich foliage that the starlight glittered through, A frenzied crowd, and where the branches sprang A beautiful seated boy; a sacred bow; A woman, and an arrow on a string; A pierced boy, image of a star laid low. That woman, the Great Mother imaging, Cut out his heart. Some master of design Stamped boy and tree upon Sicilian coin. An age is the reversal of an age: When strangers murdered Emmet, Fitzgerald, Tone, We lived like men that watch a painted stage. What matter for the scene, the scene once gone: It had not touched our lives. But popular rage, Hysterica passio dragged this quarry down. None shared our guilt; nor did we play a part Upon a painted stage when we devoured his heart. Come, fix upon me that accusing eye. I thirst for accusation. All that was sung. All that was said in Ireland is a lie Bred out of the c-ontagion of the throng, Saving the rhyme rats hear before they die. Leave nothing but the nothingS that belong To this bare soul, let all men judge that can Whether it be an animal or a man. The rest I pass, one sentence I unsay. Had de Valera eaten parnell's heart No loose-lipped demagogue had won the day. No civil rancour torn the land apart. Had Cosgrave eaten parnell's heart, the land's Imagination had been satisfied, Or lacking that, government in such hands. O'Higgins its sole statesman had not died. Had even O'Duffy -- but I name no more -- Their school a crowd, his master solitude; Through Jonathan Swift's clark grove he passed, and there plucked bitter wisdom that enriched his blood.
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7.7k
From A Full Moon In March
PARNELL'S FUNERAL UNDER the Great Comedian's tomb the crowd. A bundle of tempestuous cloud is blown About the sky; where that is clear of cloud Brightness remains; a brighter star shoots down; What shudders run through all that animal blood? What is this sacrifice? Can someone there Recall the Cretan barb that pierced a star? Rich foliage that the starlight glittered through, A frenzied crowd, and where the branches sprang A beautiful seated boy; a sacred bow; A woman, and an arrow on a string; A pierced boy, image of a star laid low. That woman, the Great Mother imaging, Cut out his heart. Some master of design Stamped boy and tree upon Sicilian coin. An age is the reversal of an age: When strangers murdered Emmet, Fitzgerald, Tone, We lived like men that watch a painted stage. What matter for the scene, the scene once gone: It had not touched our lives. But popular rage, Hysterica passio dragged this quarry down. None shared our guilt; nor did we play a part Upon a painted stage when we devoured his heart. Come, fix upon me that accusing eye. I thirst for accusation. All that was sung. All that was said in Ireland is a lie Bred out of the c-ontagion of the throng, Saving the rhyme rats hear before they die. Leave nothing but the nothingS that belong To this bare soul, let all men judge that can Whether it be an animal or a man. The rest I pass, one sentence I unsay. Had de Valera eaten parnell's heart No loose-lipped demagogue had won the day. No civil rancour torn the land apart. Had Cosgrave eaten parnell's heart, the land's Imagination had been satisfied, Or lacking that, government in such hands. O'Higgins its sole statesman had not died. Had even O'Duffy -- but I name no more -- Their school a crowd, his master solitude; Through Jonathan Swift's clark grove he passed, and there plucked bitter wisdom that enriched his blood.
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44
stranded in the beauty of her throat shunted her preference a short drop in a bulwark twisting knot a hanged ghastly pendent her feet arching desperately in search of a floor they will never find obedient! yet her face a hideous insubordination she dissolves like tropical butter a screaming silence a falling prayer shuddering with downward sloping limbs she blue hemorrhaging eyes wobbled bulging to break into paradise tumbling like a dizzied cyclops as numb lipped jutting howls turn cement always willing to help he scums for her in pulsing heaves of beatific gush
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Oct 1, 2018
Oct 1, 2018 at 10:46 AM UTC
Stranded
She says she doesn’t have the strength within herself to write poetry. Yes, her. The one who so often nourished me with song til my soul began to learn how to hunt for itself, whose word carried weight in leading me to pick my own instrument, albeit one of a different tone, as the key in keyboard became prominent for the first time and the sound of purposeful fingers upon it could be considered, only in the right light, synonymous to the plucking of strings, just as rooted in emotion. Yet she's the first to say that she herself can't do it. Thing is, I suppose we’re politely at odds on the matter. She favors poetry that’s sharper, with a cleaner cut, that’s message is immediate and jarring as a conduit running from soul through skin, or a loose-lipped diary finally freed from lock and key. And when she declared it, I started to consider what my poems seem to me: Blackberry bushes (but kinder, I hope) that snag and immerse just long enough to make me feel I’ve had an effect. I’ve used writing to expel my most gnarled feelings to any passerby who’s maybe felt the same. Like crying in a mirror: alarming, but oddly refreshing, and an indefinite reminder that our aches are never only our own. Still, I'm not sure why it blows my mind to hear that even the most glamorous hearts, who wear confidence as a summer breeze that's always in their favor and who inspire, from beau gestures to sleight of hand, are included in those who find themselves pacing back, back and forth, begging curbside at the dime store for a scrap of the same feed that convinces a heart to pump ink. But she says that any art that's enjoyed is worth it. So while she seeks out words that bare the bones, I’ll stay and make a meal of the marrow, hollowing them so that the poetry may have a rightful place to reverberate as hymns in a universal monastery. But hell, like I’m any old soul. I dress nicer than I otherwise would, turn to the mother who told me I don’t meet her lowest standards, and ask for a critique. All for the moment when she greets me at the door with a legendary G#. ...Now please, could you spare a dime?
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Jun 28, 2018
Jun 28, 2018 at 2:27 PM UTC
This Just In: No Showboat's Without a Few Leaks, Either
She says she doesn’t have the strength within herself to write poetry. Yes, her. The one who so often nourished me with song til my soul began to learn how to hunt for itself, whose word carried weight in leading me to pick my own instrument, albeit one of a different tone, as the key in keyboard became prominent for the first time and the sound of purposeful fingers upon it could be considered, only in the right light, synonymous to the plucking of strings, just as rooted in emotion. Yet she's the first to say that she herself can't do it. Thing is, I suppose we’re politely at odds on the matter. She favors poetry that’s sharper, with a cleaner cut, that’s message is immediate and jarring as a conduit running from soul through skin, or a loose-lipped diary finally freed from lock and key. And when she declared it, I started to consider what my poems seem to me: Blackberry bushes (but kinder, I hope) that snag and immerse just long enough to make me feel I’ve had an effect. I’ve used writing to expel my most gnarled feelings to any passerby who’s maybe felt the same. Like crying in a mirror: alarming, but oddly refreshing, and an indefinite reminder that our aches are never only our own. Still, I'm not sure why it blows my mind to hear that even the most glamorous hearts, who wear confidence as a summer breeze that's always in their favor and who inspire, from beau gestures to sleight of hand, are included in those who find themselves pacing back, back and forth, begging curbside at the dime store for a scrap of the same feed that convinces a heart to pump ink. But she says that any art that's enjoyed is worth it. So while she seeks out words that bare the bones, I’ll stay and make a meal of the marrow, hollowing them so that the poetry may have a rightful place to reverberate as hymns in a universal monastery. But hell, like I’m any old soul. I dress nicer than I otherwise would, turn to the mother who told me I don’t meet her lowest standards, and ask for a critique. All for the moment when she greets me at the door with a legendary G#. ...Now please, could you spare a dime?
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42
Check back soon to resume and consume every tight-lipped, slack-jawed fool in the room. See, it's all what you know as the fires start to grow and the future burns slow. Keep your eyes on the ceiling, and your antenna feelers feelin', for when your senses stop reeling, you will finally start believing. Kick-back to the basics, not too far from the basement, and close enough to show that **** really isn't basic. It's another mid-west, ****** ******** freak show. Another evening drinking whiskey with the seedling's peep-show. So, it's time to relax and relapse into acidified broken synapse. The lights keep flickering and the couples keep bickering: ***** I am not above homicidal snickering.” I steer clear of these diversions, and wander past the sermons, just to chew up all the crooked talk and spittle out inversions. I shovel mockery to hypocrisy, pin-prick the empty ***** whose passions lack predicates, and in the background, I'll be complexifying my medic-kit: ketamine, morphine, ecstasy; marijuana, mushrooms, LSD. Watch those ******* jitter-bug college ***** procreate while sloppy drunk, but keep an honest eye on the flies that will rise above – then fall back down in existential angst, like: “Dear God, why must I be free? Oh, God! Why is every universal eye on me? I'm just another acid war veteran, sneakin' through these gutters with pestilence and bitter sin. When they reach the promised land of golden clouds and holding hands, I'll be underground with the slugs and the spider band.” Yet here I sit, sick of sippin' poisons with illiterates. So, let the skies fall and the buildings crash, as you stand on the wall with a fist full of cash. I'll be on the front lawn, picketing for dawn, while the night around me slowly ambles on.
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Aug 21, 2012
Aug 21, 2012 at 12:23 AM UTC
Kentucky Fry-day
Check back soon to resume and consume every tight-lipped, slack-jawed fool in the room. See, it's all what you know as the fires start to grow and the future burns slow. Keep your eyes on the ceiling, and your antenna feelers feelin', for when your senses stop reeling, you will finally start believing. Kick-back to the basics, not too far from the basement, and close enough to show that **** really isn't basic. It's another mid-west, ****** ******** freak show. Another evening drinking whiskey with the seedling's peep-show. So, it's time to relax and relapse into acidified broken synapse. The lights keep flickering and the couples keep bickering: ***** I am not above homicidal snickering.” I steer clear of these diversions, and wander past the sermons, just to chew up all the crooked talk and spittle out inversions. I shovel mockery to hypocrisy, pin-prick the empty ***** whose passions lack predicates, and in the background, I'll be complexifying my medic-kit: ketamine, morphine, ecstasy; marijuana, mushrooms, LSD. Watch those ******* jitter-bug college ***** procreate while sloppy drunk, but keep an honest eye on the flies that will rise above – then fall back down in existential angst, like: “Dear God, why must I be free? Oh, God! Why is every universal eye on me? I'm just another acid war veteran, sneakin' through these gutters with pestilence and bitter sin. When they reach the promised land of golden clouds and holding hands, I'll be underground with the slugs and the spider band.” Yet here I sit, sick of sippin' poisons with illiterates. So, let the skies fall and the buildings crash, as you stand on the wall with a fist full of cash. I'll be on the front lawn, picketing for dawn, while the night around me slowly ambles on.
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51
I thought to myself as I watched lightning dance across the sky north of my town. "They must be getting really pounded up there." But where I stood it was dry and no lightning threatened my light night walk. So I carried on. I never really plan these walks, I've never wanted to. And there is no doubt in my mind. That everyone I know spots me from time to time. Old friends, relatives to whom I rarely speak, the black lipped girl I used to write about. And sometimes I wonder what they think of me as I walk along. But then my mind jumps away to other thoughts. And its not even that I don't care which is usually the case. It's just because on my walks I never go backwards.
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Jul 2, 2014
Jul 2, 2014 at 2:13 AM UTC
Electricity.
all my life ive only thought of one thing YOU you are why i got an education why i tried so hard to make beautiful things with my hands why i got dressed up why i learned to sing and dance why i never stopped trying to make a living why i always went to the gym and worked out to be diamond hard why i was polite or inconsolable why i ran seven miles a day why i tried to be charming why i could never stop playing with myself why i got through james joyce why i learned conversational hypnosis neuro linguistics magick and witch craft to invoke a spell that would compel YOU to dance the wiggle wiggle naked from hot rhythms and slow melodic sways as i prayed burning blood red candles during the darkest moon for adorations with endless masturbations to your beautiful *** and feet for tender red lipped mercies kisses kisses kisses because you are beauty piqued from your golden angelic head soft silken hair to your sweet pink arched feet and twinkling painted toes magnetized to yank my eyes and be your **** boy *** toy my goddess glitter **** queen of heaven all paradise any man needs BUT sometimes i couldn't have YOU and it velvet crushed me taught me hopelessness broke my will gave me fear made me cry and shiver inside tore my heart to smithereens twisted my in-nerds like jagged metal melting me as i spiraled down into madness all burning veins of fire until inferiority dragged deep suffocating me shuddery like winters midnight freeze and howling winds through hollow desolations marrow-less bones
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Feb 4, 2017
Feb 4, 2017 at 1:25 PM UTC
Vulnerable
all my life ive only thought of one thing YOU you are why i got an education why i tried so hard to make beautiful things with my hands why i got dressed up why i learned to sing and dance why i never stopped trying to make a living why i always went to the gym and worked out to be diamond hard why i was polite or inconsolable why i ran seven miles a day why i tried to be charming why i could never stop playing with myself why i got through james joyce why i learned conversational hypnosis neuro linguistics magick and witch craft to invoke a spell that would compel YOU to dance the wiggle wiggle naked from hot rhythms and slow melodic sways as i prayed burning blood red candles during the darkest moon for adorations with endless masturbations to your beautiful *** and feet for tender red lipped mercies kisses kisses kisses because you are beauty piqued from your golden angelic head soft silken hair to your sweet pink arched feet and twinkling painted toes magnetized to yank my eyes and be your **** boy *** toy my goddess glitter **** queen of heaven all paradise any man needs BUT sometimes i couldn't have YOU and it velvet crushed me taught me hopelessness broke my will gave me fear made me cry and shiver inside tore my heart to smithereens twisted my in-nerds like jagged metal melting me as i spiraled down into madness all burning veins of fire until inferiority dragged deep suffocating me shuddery like winters midnight freeze and howling winds through hollow desolations marrow-less bones
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83
It was not, by any means, a loss of faith; Indeed, her devotion was a boundless, unfettered thing Beyond proscription, beyond rote chant and catechism, And what she found as a novitiate Were shuttered gates and gossipy confessionals, Standoffish priests, pig-eyed and pinch-lipped Sisters who thought life’s commerce No more than mechanical prayer and spotless linens, The whole enterprise Smacking of the exclusion of Heaven’s bounty. So she demurred when the time came to take her orders, And she returned to the world of pavements and lesser pieties, Free to seek God on park swings and barstools, In pleasures of the pastoral and the profane, Though her faith is no Dionysian walkabout, As she is passionate to the cusp of maniacal When it comes to the Book of James’ admonition upon works; She is often found among the sisters she once tiptoed alongside At food pantries and clothing drives (She is scrupulous about ministering to only secular needs, As the Bishop is not happily disposed towards those Who choose not to take the veil, And the specter of excommunication is a prospect Too awful to contemplate) Afterwards clambering onto some vaguely roadworthy MTA bus Back to her studio apartment in Green Island, Where she often walks down to the Erie Canal lock nearby, Praying for those who have travelled  near and upon the water, Convenience store clerks and ragged Irishmen fleeing famine, Feral kittens and insufficiently mourned mules.
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Nov 16, 2017
Nov 16, 2017 at 10:39 AM UTC
the thursday nun
they danced in a dream of bending shadows face down begging *** all hungry back door paradise ankles strapped on a foot worn floor paint faced in whorey nights with pin needle eyes beded blood crimson neon's cut curtains like kissing claws so their bodies wouldn't forget dark pleasures lightening and biting tantra tantrums they swallowed mad ***** blossoms of hell candy breathing the others inhalations foot sniffing ballet arch in fastened Japanese melting red slippers gazing upwards rectums prayer solar eyed insurrection finger by finger clutching wrists like the grave for bloods salty cove an injured landscape a dire pink desert like bogs hold bones a rave for a slave covered in yellow ocher rubber sheets soft on the feet x rated amputee costume made of blood and spit look mommy no arms a bellied tattoo of hennaed homunculi   burning Candomblé Jejé, skull black eyed beauty hissing while accordion throated rip tie tighten another notch please a dizzy ******* down silver fluted gullet in a steamed up bath house party of blotted sockets *** kitten kissed dead girls thighs tremulous and stretched a shimmering serum like wide tubular channels as pontoon edges slit through midnight howls for velvet skinned girl who thrills her head a veiled Jehovah saliva wagging tongue **** a stuttering ****** dance a hula hot momma in rubble slapping hot lipped kisses over starved darkness along telegraphs avenue melting eyes like butter a globed pudding spill ******* drool drops of gold and black river gladiators slaughter lies with every long stroke between cascading squeals paraphilias mausoleum like tumbling eels a scapegoat pulp fiction chiseled in cement ******* rips drip drip drip babbling **** bubbles **** spasms ooze like a hot glue gun fire spats soil cherry clover
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Jan 12, 2019
Jan 12, 2019 at 3:39 PM UTC
*** Kitten and Little Dead Girl....Ero ****
they danced in a dream of bending shadows face down begging *** all hungry back door paradise ankles strapped on a foot worn floor paint faced in whorey nights with pin needle eyes beded blood crimson neon's cut curtains like kissing claws so their bodies wouldn't forget dark pleasures lightening and biting tantra tantrums they swallowed mad ***** blossoms of hell candy breathing the others inhalations foot sniffing ballet arch in fastened Japanese melting red slippers gazing upwards rectums prayer solar eyed insurrection finger by finger clutching wrists like the grave for bloods salty cove an injured landscape a dire pink desert like bogs hold bones a rave for a slave covered in yellow ocher rubber sheets soft on the feet x rated amputee costume made of blood and spit look mommy no arms a bellied tattoo of hennaed homunculi   burning Candomblé Jejé, skull black eyed beauty hissing while accordion throated rip tie tighten another notch please a dizzy ******* down silver fluted gullet in a steamed up bath house party of blotted sockets *** kitten kissed dead girls thighs tremulous and stretched a shimmering serum like wide tubular channels as pontoon edges slit through midnight howls for velvet skinned girl who thrills her head a veiled Jehovah saliva wagging tongue **** a stuttering ****** dance a hula hot momma in rubble slapping hot lipped kisses over starved darkness along telegraphs avenue melting eyes like butter a globed pudding spill ******* drool drops of gold and black river gladiators slaughter lies with every long stroke between cascading squeals paraphilias mausoleum like tumbling eels a scapegoat pulp fiction chiseled in cement ******* rips drip drip drip babbling **** bubbles **** spasms ooze like a hot glue gun fire spats soil cherry clover
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75
The infatuating smile you got On this spring day. Capricious like you, London. I can't stop myself from Stumbling back to you. The things unsaid, the poems unread A thin lipped man like you, full beard suits you the best. Ah, the beard,dotted with white snow flakes my hearts skips for this fickle spring day.
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May 27, 2015
May 27, 2015 at 11:25 AM UTC
Smile
No more In love No more fallen Rather falling We are brushed finger tips Waving goodbye Choked, Air stuck Tight lipped I feel sick And tired Raw flesh And cut deep Straight through To already Brittle and broken Bone. Alone And tripping Over the Falling sky. Red eyes Disguise Roll the dice Snake eyes And the next roll Is in your hands.
0
May 20, 2010
May 20, 2010 at 4:23 PM UTC
Snake eyes
our coolest babysitter lit a long joint and drove us to church in her well worn '87 oldsmobile with chipped gold paint a drooping side mirror and a tape player that smelled like stale london gin mothballs and a sunset butterfly heart at the same time it had a deep ocean green calcite mandala dancing from the windshield mirror and a steal-your-face tattooed on the back glass she used to blare brit-pop trying to make the speakers bleed that day when they finally oozed she swerved us left through the other lane and sunday morning fog to cut a jagged path through thick woods and into an oak tree with a soundtrack of slow motion oasis and screeching tires i clammored to the backseat to block the window glass from your beautiful angelic blonde head as dew sprayed into the vacancy from the ditch and when i pulled the seatbelt spiderweb out of your mouth and lifted you out of the car i was standing barefoot in a cluster of bright red sumac next to an ant hill pile of twisted steaming metal and you were dripping blood from your eye and knees asking me if we'd be late for sunday school but you were awake and trying to smile so we followed the powerlines back to the main road holding hands dizzy and sweating worried no one would ever find us limping while the springtime songbirds held their tongues for us but when the hot ringing in my ears finally stopped the sirens grew loud and close and the birds too began their wet lipped eulogy sometimes i think about missing church that day when the weather's bad on nights like last night sometimes i remember our babysitter when the fog rolls in over the road in the morning i wonder if she still gets high on the good stuff while she drives or if she's just a treehugger
0
Aug 23, 2015
Aug 23, 2015 at 9:09 AM UTC
seatbelt spiderweb
our coolest babysitter lit a long joint and drove us to church in her well worn '87 oldsmobile with chipped gold paint a drooping side mirror and a tape player that smelled like stale london gin mothballs and a sunset butterfly heart at the same time it had a deep ocean green calcite mandala dancing from the windshield mirror and a steal-your-face tattooed on the back glass she used to blare brit-pop trying to make the speakers bleed that day when they finally oozed she swerved us left through the other lane and sunday morning fog to cut a jagged path through thick woods and into an oak tree with a soundtrack of slow motion oasis and screeching tires i clammored to the backseat to block the window glass from your beautiful angelic blonde head as dew sprayed into the vacancy from the ditch and when i pulled the seatbelt spiderweb out of your mouth and lifted you out of the car i was standing barefoot in a cluster of bright red sumac next to an ant hill pile of twisted steaming metal and you were dripping blood from your eye and knees asking me if we'd be late for sunday school but you were awake and trying to smile so we followed the powerlines back to the main road holding hands dizzy and sweating worried no one would ever find us limping while the springtime songbirds held their tongues for us but when the hot ringing in my ears finally stopped the sirens grew loud and close and the birds too began their wet lipped eulogy sometimes i think about missing church that day when the weather's bad on nights like last night sometimes i remember our babysitter when the fog rolls in over the road in the morning i wonder if she still gets high on the good stuff while she drives or if she's just a treehugger
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46
The men, mostly wrapped in grey, With knitted necks have nothing to say. But sway out of the way of the others, passing. Over there, on six, a man is checking No one is asking, but he’s still looking. His finger’s pointing. Beside me, a beautiful lady, is waiting Speaking softly to her lover: “Not long now” – she whispers’, lower. With late night morning upon our faces We wonder why, we are here at all Collecting colds, old age, and wages: Before middle, old, and then the fall. And then the sun appears: It lights the seats where no one sits I feel my heart beat miss a bit. I see myself years ago. Waiting for a train to go. To take our family away, for free For fish, chips, salt and sea. All of us all, sitting there: Our fathers 1950’s hair, Our sixties mother thin lipped stare, my sisters, bothers, and me, just sat there. Frozen cold, with tears sticking in my eyes. And for a moment I want back that time. To start again, at another me: No more trains - but more sea.
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May 21, 2015
May 21, 2015 at 4:23 AM UTC
Railways
~ *Lost inside a labyrinth Tight-lipped tinkerer open-mouthed cynosure Pressing matters completing their circuit all things said, but not spoken Osculated locution, succinct phrasing released, but not heard The human element imparting seminal spark —together felt and touched A tingling syntax owing to its art becoming its nucleus* ~
0
Jun 3, 2021
Jun 3, 2021 at 4:10 PM UTC
A Kiss is a Conversation
The sun tipping over the horizon Lifts my lids each revolution of this Shady green sphere... And for a few brief seconds The fingers of sleep Drag me back. Warm pressure on my eyes, Pooling, (re)opening them to the last Paradise; The only oasis where your eyes are not closed And your bones are not dust somewhere Mingling with the soil in Pittsburgh. Just the same, I know you're the product now Of some hypnagogic state; Of the last traces of theoretical DMT swirling in my brain As is leaves Morpheus behind in the shadows. You're just the most beautiful hallucination The truth in the chaos of dreams Cluing me into what I've been denying For 13 years. Impossible that I've preserved you better Than any mortician could have In the recesses of my mind You are a perfect replica An unholy copy of the original All creamy skin And ocean eyes, Full-lipped smile tipping somewhere between Arrogance and joy. "I'm gone," you say. "I'm dead." Repeating what I already know "I'm dead, I'm not coming back." On repeat like the worst kind of ear worm; A carousel of sound that dips and weaves through every filament of Unconsciousness. Denial; like reaching out my hands I shove against the reality, against the unreality Against the prison sleep has woven And crash forth Damp and gasping Like breaking the surface once more Teetering over the horizon with the sun Into the waking hell of another day. The carousel makes another revolution. See you on the other side tonight.
0
Nov 11, 2015
Nov 11, 2015 at 10:08 AM UTC
The Last Paradise.
Some people like fall, but not me. It's full of death and decay, the gorgeous pieces of fire drift from their skeletal homes and burn out into sodden mushy brown paper. Hard smooth and brown pebbles, spiky holey bombs, and twirly helicopter blades fall from the same skeletons and hide beneath the paper, waiting for an innocent victim, lying in the perfect position to slip someone up so that they lose their bags and packages as they themselves go slip slide crashing into the ground. The victims are sure to rise up again, but with some bruises and bits of soggy brown, stuck all over their clothes In fall, all the blooms of color decease, all fruit and vegetable and good green things die and leaves the world sodden mushy and brown. Some people say they like winter, but not me. It's a cold cruel and heartless season, robbing any last trace of life from all helpless and left-behind creatures. The vegetation becomes glazed over with melting glass and is the one spot of beauty, as the only green left resides on prickly evergreens, housebound plants, and the occasional tacky coat. In winter, there is no way to leave your personal fortress without mountains of clothes, and so every person becomes a chapped lipped, red cheeked, stiff fingered puffball. Every time you jump into a mound of the white fluff that accompanies the dread season, some is bound to creep into your shirt and boots, freezing whatever it touches, and then ever so so slowly flowing along your skin, one of Gaia's little tortures.
0
Oct 8, 2012
Oct 8, 2012 at 10:19 PM UTC
seasons
Some people like fall, but not me. It's full of death and decay, the gorgeous pieces of fire drift from their skeletal homes and burn out into sodden mushy brown paper. Hard smooth and brown pebbles, spiky holey bombs, and twirly helicopter blades fall from the same skeletons and hide beneath the paper, waiting for an innocent victim, lying in the perfect position to slip someone up so that they lose their bags and packages as they themselves go slip slide crashing into the ground. The victims are sure to rise up again, but with some bruises and bits of soggy brown, stuck all over their clothes In fall, all the blooms of color decease, all fruit and vegetable and good green things die and leaves the world sodden mushy and brown. Some people say they like winter, but not me. It's a cold cruel and heartless season, robbing any last trace of life from all helpless and left-behind creatures. The vegetation becomes glazed over with melting glass and is the one spot of beauty, as the only green left resides on prickly evergreens, housebound plants, and the occasional tacky coat. In winter, there is no way to leave your personal fortress without mountains of clothes, and so every person becomes a chapped lipped, red cheeked, stiff fingered puffball. Every time you jump into a mound of the white fluff that accompanies the dread season, some is bound to creep into your shirt and boots, freezing whatever it touches, and then ever so so slowly flowing along your skin, one of Gaia's little tortures.
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20
Xeroxed vitals on paperplanes Crashing into window panes Broken-heart blisters and voyeuristic veins Appear and create transparent glass stains Blue-Green grass on the other side Laying there, our fathers died Dreams and streams of alcohol Run from their mouths with no control. Shaking, breaking, no where to decompose Skin peeling off of worn down toes. Tell me where their love goes Tell me where their love goes Everything turned into gun-shy eyes Blue-lipped Sunday surprise Bodies breaking into waiting This is nothing but carbon dating Bottles breaking of ***** that's so clear That I won't see until they're near God and Jesus in picture frames Suburban families with jungle brains Broken homes and replacement Brad's 401 k's and missing ads Finding our homes that aren't so black and white Let us sleep in our dreams tonight Validation through our existence Is dead but still our resistance
0
Sep 26, 2014
Sep 26, 2014 at 8:21 PM UTC
6. Carbon Dating-Carbon Dating
Welcome Back You are the art. Don’t you dare tear yourself apart. Ripping away the “ugly” from your pulchritudinous body. Don’t be a copy, of every other thin legged, supple lipped, big busted, media lusted women. Don’t be Cheating yourself of the life you have to live. Deprives others of that only which you can give Outlive the ugly in this society. One step out of the door, I know you can feel your anxiety. Are you perfect enough???? Yes indeed you are! You’ve come so far. You are more than what you think u are. Now Open up that spiritual jar, throw away the negativity. You are no longer in captivity. You are free. You’ve found the key. To everlasting acceptance. So pick yourself up beautiful, it’s crucial that you stop being so critical about your self-worth. Calibrate the rebirth of you. Welcome back. x
0
Apr 16, 2014
Apr 16, 2014 at 7:22 PM UTC
Welcome Back
The curves that could **** a man Aren't at her hips But dance around her lips As words that serve neither to stroke nor strangle the silence that tangles inside your grip, but sings and breathes beneath wings of wit from Those casually crafted curves Weaving a wind into a wave Never tumbleweeding out But either darting Or floating To and through you As an inner voice would Had you not muffled it with music And reduced it to one or two loose lipped quips and semantic antics Curves, warm with form and with friction Neither liquid or gas in state With no mass but with weight They're past but don't pass away They lay aloft, lingering in the light they were given unto Or, did they bring the light to you? Oh yes. Sultry sounds of synchronizing synapses Seep and slide deep inside, into the spaces That two souls so similar, long have sat Seemingly separate from the infinite vastness Telepathic, though she doesn't act it. Hourglass figure, go figure The hourglass smashes Or remains undetected, in those seconds The curves that could **** a man Form the words that could resurrect him.
0
Nov 14, 2015
Nov 14, 2015 at 8:37 AM UTC
Curves
you leave a sour taste in my mouth, like the shot of apple cider vinegar i take at the end of each day. things between you and i didn’t even get that far, tell me why is it that i feel this way? never have we exchanged the “L” word, never have we made love . yet, a stinging jealousy lingers on the tip of my tongue. the wings of thousands of butterflies in my stomach would flap, whenever my phone rung. how can a kiss or two lead to an emotionally draining attachment? **** near a soul-tie! i was certain of the decision i made when i said my last goodbye. perhaps my heart had other plans for you...us. but i told you from the jump a toxic trait of mine was having the inability to trust. time passes and here i sit; in disgust, feeling all betrayed. never have we been officially exclusive, still, i feel cheated on, neglected and led astray. my mind has moved on but it appears to be my heart that’s having difficulty keeping up. if i were to spot you anywhere i’d give a cold shoulder and a tense lipped “wassup”. my soul bellows out to the Bill Withers classic, “Ain’t No Sunshine”. if the saying “time heals all wounds” is true, then why is it that i am not fine? the frustration with myself is far deeper than the frustration i have for you. turns out the grass ain’t greener on the other side, turns out it was all too good to be true. my spirit is stirred, but my eyes refuse to cry. so i promised myself to keep my head up, but **** **** this soul-tie. - d.berry
0
Jul 21, 2019
Jul 21, 2019 at 8:59 AM UTC
beloved situationship
you leave a sour taste in my mouth, like the shot of apple cider vinegar i take at the end of each day. things between you and i didn’t even get that far, tell me why is it that i feel this way? never have we exchanged the “L” word, never have we made love . yet, a stinging jealousy lingers on the tip of my tongue. the wings of thousands of butterflies in my stomach would flap, whenever my phone rung. how can a kiss or two lead to an emotionally draining attachment? **** near a soul-tie! i was certain of the decision i made when i said my last goodbye. perhaps my heart had other plans for you...us. but i told you from the jump a toxic trait of mine was having the inability to trust. time passes and here i sit; in disgust, feeling all betrayed. never have we been officially exclusive, still, i feel cheated on, neglected and led astray. my mind has moved on but it appears to be my heart that’s having difficulty keeping up. if i were to spot you anywhere i’d give a cold shoulder and a tense lipped “wassup”. my soul bellows out to the Bill Withers classic, “Ain’t No Sunshine”. if the saying “time heals all wounds” is true, then why is it that i am not fine? the frustration with myself is far deeper than the frustration i have for you. turns out the grass ain’t greener on the other side, turns out it was all too good to be true. my spirit is stirred, but my eyes refuse to cry. so i promised myself to keep my head up, but **** **** this soul-tie. - d.berry
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