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"leitmotif" poems
You find me. In the church bells of a Hozier song, the sheets that without you feel wrong, you bind me. . You remind me, of our sunny morning walks, of our silly grinning talks, when you find me. . You touch every thought, my eternal leitmotif; no such battle fought as with you, my heart-thief. . And I want to write words, tell you how strongly I yearn, but my mind sees absurds: so each letter I burn. . And I'm terrified, paralyzed with fear; I dread your heart will cool, that you won't love me, my dear - that I've been but a fool. . Chasing dreams, all in vain, as I wonder who warms your bed; So far away, across the pain, racing terrors in my head. . An ocean between us, worlds apart, I crave desperately for your embrace. Yet still I'm silent, intrepid heart - a grave of sorrow, sans your grace. .
0
Mar 30, 2024
Mar 30, 2024 at 5:18 AM UTC
You Find Me
Nobody mourn, nobody get hurt We just project redirect the blame and sink back into interactions with coping devices of mass distraction The artificial womb of the masses Tethered by an invisible umbilical cord feeding us way too much information Like hungry ghosts salivating the next notification We can’t run. We can’t hide. There’s a threat to survive, But we’re so ******* desensitized Seduced by the school shooter we don’t hear him coming singing siren songs heart-beating shotgun blasts That leitmotif in sync with The American Horror Story allegory Just forget it Too much in the queue Too many new things We can’t reject this reality It’s really ******* broken Em, I’m sorry we’re descending Much Madness has lost its meaning It’s just the means to unlock an achievement Emulate another scumbag. romanticize a villain amplify the bodycount Like how many do you need to ***** out before they give you the cover of the Rolling Stone? It's comedically-tragic, Stranger than satire. The Judge, the jury Executioner cutie cut all your losses for ya cashed in your lil tax deductions The most sacred snuffed out before the light could become them Get woke a-f, This is enlightenment! Come on get your mind blown! He’s the one who loves to shoot his gun But he knows not what it means knows not what it means. Do you know what it means?
0
Oct 22, 2018
Oct 22, 2018 at 11:02 PM UTC
iGnoreality
drowned the Earth suddenly.   underneath honest light,                                   all    submerged. this cataract of feeling — waters pursue beginnings. cradling them to unknown ends, washed by the shore.         gluttonously the night swallowed all — parliament of birds warble no longer.              midnight, the   Moon claws the supple skin of organized stone   displaced                where all the edges bloom forth torrid froth of dappled light which kills no less than a brief life of matchflame. tenuous spar of wind on the unserious twilight; bulge of death in the stream — a body haul, rafting   in compost; stench of all topple like resins held loose in vats. rat **** becomes            as inviting as moulding bread; tantric music for no instrument, hoarse cries unbeheld —             until the flesh no longer flounders pressed against sleep-shaped youngness hewn lissome in the hours of no succor,        modeling silence in the thrill of this enthusiastic space,            hands scouring muddied   obscure, atremble,       shadowless hours fill stomachs with the plump word of rescue yet none   of these fingers unwished the ingenuity of dull gods — this twilight   nor twinight could ever grive in forethought, striking bells to signal birds          to arrive again so we could feast in  silver  fish, with bare hands scaled to callouses,            looking at it twice-over, this battered yolk of whiteness, with deeds of the viridian    now atrill in new fragile woodworks        lurching and          ameliorating as we all     stutter and sing        haunts dabbing open   lips of small wounds that    wish to shut quietly,   almost every threat of gray     or pummel of    wind startles the flyblown ornate,       hurrying us back to cornerless homes where all photographs washed away,     very few hang                swayed by verdure   of the gradual throne of sea         curving perpetually the several stars we have ignored for a while,      where everything quite begins     again to enthrall with a melodic   leitmotif of the most tender of        instances loose             in mouths                  and in endless recall                                                                   breathless—
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Nov 8, 2015
Nov 8, 2015 at 7:55 AM UTC
Rat **** As Inviting As Molding Bread
drowned the Earth suddenly.   underneath honest light,                                   all    submerged. this cataract of feeling — waters pursue beginnings. cradling them to unknown ends, washed by the shore.         gluttonously the night swallowed all — parliament of birds warble no longer.              midnight, the   Moon claws the supple skin of organized stone   displaced                where all the edges bloom forth torrid froth of dappled light which kills no less than a brief life of matchflame. tenuous spar of wind on the unserious twilight; bulge of death in the stream — a body haul, rafting   in compost; stench of all topple like resins held loose in vats. rat **** becomes            as inviting as moulding bread; tantric music for no instrument, hoarse cries unbeheld —             until the flesh no longer flounders pressed against sleep-shaped youngness hewn lissome in the hours of no succor,        modeling silence in the thrill of this enthusiastic space,            hands scouring muddied   obscure, atremble,       shadowless hours fill stomachs with the plump word of rescue yet none   of these fingers unwished the ingenuity of dull gods — this twilight   nor twinight could ever grive in forethought, striking bells to signal birds          to arrive again so we could feast in  silver  fish, with bare hands scaled to callouses,            looking at it twice-over, this battered yolk of whiteness, with deeds of the viridian    now atrill in new fragile woodworks        lurching and          ameliorating as we all     stutter and sing        haunts dabbing open   lips of small wounds that    wish to shut quietly,   almost every threat of gray     or pummel of    wind startles the flyblown ornate,       hurrying us back to cornerless homes where all photographs washed away,     very few hang                swayed by verdure   of the gradual throne of sea         curving perpetually the several stars we have ignored for a while,      where everything quite begins     again to enthrall with a melodic   leitmotif of the most tender of        instances loose             in mouths                  and in endless recall                                                                   breathless—
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60
A leitmotif of your average smug **** is a proverb here and there. Spouting them off like the receptor has no care. Their evidential naivety is blatant and almost impossible to bear. As an audience member you can do nothing but hide your malevolence and stare. ******* in maxims that are apparently laced with benevolence and care. You know the kind of oxygen waster I’m referring to. The type of person that watches BBC 4 and likes tofu. The kind that does the Financial Times So-fucking-Do-Ku. Look I’m just saying that clichés annoy me. I’m not asking you to love me, give me a reach around or employ me. In fact you don’t even have to enjoy me as I tell you of things that matter not. Suture yourself hypothetically to a geographically different mind. That mind being mine, oh that maverick-esque mischievous mind of mine, looking at this from my perspective. In my transcendental endeavours to rid the clichéd ridden world of the afore mentioned adjective. In the opposite of anachronistic times, we might successfully, surreptitiously rid the world of moral coated rhymes. We can do this; all it takes is a few. One of which needs to be you. Break out from being solipsistic, even the blind, the meek, the autistic, those that besmirch the edge of coffee cups with their lipstick. Yes, I mean you. Here is what to do… The next time someone spouts off a cliché, punish them, make them listen to an album by “Hearsay.” If someone says “An Apple a day keeps the doctor away.” Then simply say, Steve Jobs had thousands and the here’s the definite answer, that consumerism inducer still died of cancer. If a woman says “When I say jump. You say how high!” Don’t even cogitate to pardon her. If the grass is always greener on the other side – shoot your ******* gardener.
0
Aug 24, 2012
Aug 24, 2012 at 8:03 PM UTC
Clichés
A leitmotif of your average smug **** is a proverb here and there. Spouting them off like the receptor has no care. Their evidential naivety is blatant and almost impossible to bear. As an audience member you can do nothing but hide your malevolence and stare. ******* in maxims that are apparently laced with benevolence and care. You know the kind of oxygen waster I’m referring to. The type of person that watches BBC 4 and likes tofu. The kind that does the Financial Times So-fucking-Do-Ku. Look I’m just saying that clichés annoy me. I’m not asking you to love me, give me a reach around or employ me. In fact you don’t even have to enjoy me as I tell you of things that matter not. Suture yourself hypothetically to a geographically different mind. That mind being mine, oh that maverick-esque mischievous mind of mine, looking at this from my perspective. In my transcendental endeavours to rid the clichéd ridden world of the afore mentioned adjective. In the opposite of anachronistic times, we might successfully, surreptitiously rid the world of moral coated rhymes. We can do this; all it takes is a few. One of which needs to be you. Break out from being solipsistic, even the blind, the meek, the autistic, those that besmirch the edge of coffee cups with their lipstick. Yes, I mean you. Here is what to do… The next time someone spouts off a cliché, punish them, make them listen to an album by “Hearsay.” If someone says “An Apple a day keeps the doctor away.” Then simply say, Steve Jobs had thousands and the here’s the definite answer, that consumerism inducer still died of cancer. If a woman says “When I say jump. You say how high!” Don’t even cogitate to pardon her. If the grass is always greener on the other side – shoot your ******* gardener.
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21
I Sleep next to dreams as lofty words on wasted reams a miss used time or ends to means this mush of patience restrains to sin through will of mind contained within lay that to waste what aspires to be oh hidden fate in elegancey I close mine eyes withhold thy needs care not to cause few misread deeds whom only lead to spiteful seeds Moon beams wane and dissipate cross frosty panes a gauge of time ticked off by rain this music made sweet serenade a leitmotif of dreams past played on morning comes & brings the sun the brightest star of Apollo's hour and Ea's desire though all I aspire this union of fire of earth well worth we wait within deep sleep and reap our body's heat oh perfect form thoughts while I gaze attention divided open field fed by maze -2006
0
Feb 11, 2010
Feb 11, 2010 at 9:26 AM UTC
Intellectually ******
Down the lawn's decrescendo, on the curb, a blocky Mercedes, older than sound. I pull behind it, drop my things like kick drums to the ground. The door opens: a chorus of can I help, what can I take? And the quarter-rests of a fight interrupted. The whole affair like a sore wrist. He has a violinist's chin, soft but pallid, pocked, from losing a battle with teenage skin, and here is the ochre noise of his voice a can on rocks; my father's was a stone in a guitar. So this is the new arrangement. A leitmotif that trails at her heel, that tears at every quiet measure; the whole hall hears her uneasy with the next note. This is no melody, I know, but it is the new arrangement. When she is old and failed, her conductor's elbow fallen mutely to her side, what will she think of the first song she ever made?
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Feb 23, 2010
Feb 23, 2010 at 10:39 AM UTC
Composure
The fear has subsided, Uncertainty melts into endless kisses, The second movement begins On a hopeful note, The violins build with a confidence And unity, powerful and harmonious. The unstructured first movement Simply a search for a theme A leitmotif to progress from darkness To light. The woodwinds laugh, The horns announce the news, The drums are strength and power Driving the rhythm of our love. Writing the notes together We flow like rain Blow together like leaves In a breeze so brisk and strong. We are conducting this movement In gentle caresses and playful interchanges. A melody only the heart can hear, Silently envelops our waking hours, And urging us to surrender. The orchestra plays as one We float upon the ocean of sound, Wondering if the symphony will ever end. Let the musicians play on We can dance till dawn.
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Mar 30, 2016
Mar 30, 2016 at 10:39 PM UTC
Second Movement
If there is a strong ideal then wait for the graze ointment, perhaps by then I  will never be caught. If there ever was cedar shingle that  needed repairing, three layers underneath may never be enough. Tomorrow feels its wear perhaps my palms after all, will not be pious , yet under the leitmotif of the gilled fish bucket Life and I don't listen
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Jul 8, 2012
Jul 8, 2012 at 5:37 PM UTC
Life and I
Leathery skin furling by the hides of ideas, to impart the coyest We are searching for dismantled cameras with the flashy leitmotif disabled in a disbanded cinema And in the dark you ovulated, murdered under the thickness of rough tree bark Haul trunks of a honky-tonk dismembering remembrances rows of seating Squalling, beautiful voices throaty, tonefully sinking in tune with imaginary keys located in grey, clinking between stained ivory tiers and scuffed ebony branches rending the reddest of heart-drawls then plucking each riveted contour
0
Jul 13, 2015
Jul 13, 2015 at 12:40 AM UTC
Necrosis
It is June. Plaridel is in sepia, or leaden – whichever, this is the leitmotif. Soon clouds with jettison a plodding swathe of water. You will wear the petrichor, While a ramshackle of a passing tricycle whelms a throbbing orchestra of junk. Here is the hearth that rears no fire: a mother, children in tow – a troika, on a cart not even close to ease of a hurtling thing. Trees naked in vulnerable green – the verdigris carried by a miniscule Maya. Here comes again, the neighbor peering through the nuisance, is alarmed, eyes like a fugitive, curses my mother – I grab the nearest, sharpest object available that was my own hand. Ingrained deep within, a root – or a stone, among many other stones in me, this salt-well, a savingslight of turning wave that is almost an approximate oceanview in me. Gnarled over the longest time. In here we soothe by gin, passing out in front of our gated homes, singing whatever was available, close to our pitch. Somewhere, Windsor has lost the poem / critiqued by a mirror fecundating a smeared image, a blot. A Rorschach was it, or just a day dazed they did. Somewhere, this is scattered. Uncollected. To make remnants of as evidence, not to investigate if true. The 6th body of this is what I am speaking of in glossolalia. A requiem leaves it stark and cold in this consummate weather. Another piercing salvage of metal cuts the humdrum town and unlike the sturdy mango tree, this is a collective of secret encrypted lasting more than a life. It is June. Plaridel has ripened from the expired summer. Perchance the exquisite promise is sweet, holding all the bitterness together, ready to fall, at last.
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May 31, 2016
May 31, 2016 at 10:22 PM UTC
Plaridel is in sepia, or leaden
It is June. Plaridel is in sepia, or leaden – whichever, this is the leitmotif. Soon clouds with jettison a plodding swathe of water. You will wear the petrichor, While a ramshackle of a passing tricycle whelms a throbbing orchestra of junk. Here is the hearth that rears no fire: a mother, children in tow – a troika, on a cart not even close to ease of a hurtling thing. Trees naked in vulnerable green – the verdigris carried by a miniscule Maya. Here comes again, the neighbor peering through the nuisance, is alarmed, eyes like a fugitive, curses my mother – I grab the nearest, sharpest object available that was my own hand. Ingrained deep within, a root – or a stone, among many other stones in me, this salt-well, a savingslight of turning wave that is almost an approximate oceanview in me. Gnarled over the longest time. In here we soothe by gin, passing out in front of our gated homes, singing whatever was available, close to our pitch. Somewhere, Windsor has lost the poem / critiqued by a mirror fecundating a smeared image, a blot. A Rorschach was it, or just a day dazed they did. Somewhere, this is scattered. Uncollected. To make remnants of as evidence, not to investigate if true. The 6th body of this is what I am speaking of in glossolalia. A requiem leaves it stark and cold in this consummate weather. Another piercing salvage of metal cuts the humdrum town and unlike the sturdy mango tree, this is a collective of secret encrypted lasting more than a life. It is June. Plaridel has ripened from the expired summer. Perchance the exquisite promise is sweet, holding all the bitterness together, ready to fall, at last.
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35
Torrents of wind, strewn upon man and beast an irradiant moment terses through the veins howls bewilderment speculates,  attempting to overthrow the instant, home is a short shrift distance her only resonance is a leitmotif that hail the late seasons repentance.
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Feb 22, 2014
Feb 22, 2014 at 5:43 PM UTC
Chiding November.
We live in a society where a simple glance shift the way we are Drowning the child living in our souls in a sea of prejudice and lies Stifling his fearful cries in a whirlwind of deception He re-appears as a 'man' like they say A person who's leitmotif is security Too scared to face the unknown , Too coward to fulfill his childhood dreams The desire to be alike becomes so extreme That he destroys what god gave him and made him so unique Every single one of us is a part of the all mighty Which makes us special in every ways We are fruits stemming from various trees with a specific taste Spurning that gift is like removing a part of ourselves Admitting that we are weak within Stand for it and you'll become a source of inspiration A well moisturizing uncountable souls about to faint Don't be afraid of what they think Be free Be you !
0
Mar 4, 2010
Mar 4, 2010 at 11:01 AM UTC
Be you
In here everything attempts to be infinite – that when utterances free themselves from mouth’s dungeon it may all be but locutionary. This is your leitmotif. To have your darkness breed flaxen hair, and in a split-second your eyes in their deep epistaxis of blackness follow me with the drone of such machine. This unmethodical severance; something drastic by necessity, but does not strike with the same accuracy of necessary haunts. Back when I was young, I had no picture of ravens. You, screaming all across the yard of your rawness, fracturing the morning. The trees with their shadows strode in stilts – the span of such winged vestige, I thought, on the sterile concrete was the virginal image of ravens. Even the rain is able in that awning fount. The sound of tranquil is the water pipe left pouring, draining itself of its entirety. Fire hydrants inflamed, grow jealous of such catharsis. The bus, running over a pile of garbage, is never off-tangent. I do not know if you have still the memory of this place – if you look back too near, wide-eyed, and surgery-precise, or if you are to trail back too far, the settings will only pulse with a life you used to know, and adjustments we are not inured to: if you are to take this dream of fish out of sleep’s water, it will fade into a cathode. It had in its forgetfulness, something still the moon is a raven in a knell of silence. If you are to come back here, everyone is stranger than they were when you left, and that what used to pass on as answers are now mauled into fustian of enigmas. The din of such demeanor, electric and tense – so swell you can feel it close in like some pain masquerading itself into a close encounter with the sheen of pristine moment; but pain is in media res and to look at you merely, a disappearance       or a terminal finish .
0
Feb 1, 2016
Feb 1, 2016 at 10:55 AM UTC
In media res
In here everything attempts to be infinite – that when utterances free themselves from mouth’s dungeon it may all be but locutionary. This is your leitmotif. To have your darkness breed flaxen hair, and in a split-second your eyes in their deep epistaxis of blackness follow me with the drone of such machine. This unmethodical severance; something drastic by necessity, but does not strike with the same accuracy of necessary haunts. Back when I was young, I had no picture of ravens. You, screaming all across the yard of your rawness, fracturing the morning. The trees with their shadows strode in stilts – the span of such winged vestige, I thought, on the sterile concrete was the virginal image of ravens. Even the rain is able in that awning fount. The sound of tranquil is the water pipe left pouring, draining itself of its entirety. Fire hydrants inflamed, grow jealous of such catharsis. The bus, running over a pile of garbage, is never off-tangent. I do not know if you have still the memory of this place – if you look back too near, wide-eyed, and surgery-precise, or if you are to trail back too far, the settings will only pulse with a life you used to know, and adjustments we are not inured to: if you are to take this dream of fish out of sleep’s water, it will fade into a cathode. It had in its forgetfulness, something still the moon is a raven in a knell of silence. If you are to come back here, everyone is stranger than they were when you left, and that what used to pass on as answers are now mauled into fustian of enigmas. The din of such demeanor, electric and tense – so swell you can feel it close in like some pain masquerading itself into a close encounter with the sheen of pristine moment; but pain is in media res and to look at you merely, a disappearance       or a terminal finish .
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40
in the lighter steps of yesteryears come the name of which I cannot remember insofar as I am awash with the delusion of what a poem, or what to make out of a poem, or what use is there, to heave out poems – I was then raw, supple if you may allow, like dew on blade of grass, face front against the blithesome matutinal, heart somewhere displaced, beginning to look for something the inward expects, as though things happen for the first time again, with wisdom of what to look for – resigned, young, inconsistent with the word, fetal in my hands: pen and paper. a well-guarded secret swaying in tune, curtailed by some sort of split-second inhibition, trying to save face and give this blandness a whole new meaning and arrive at two intersecting points where the lost self will be redeemed in finding – monologue of sorts, dark it was, dampened by such bleakness, this leitmotif; all around me purged of sound, strip to rogue without senses, suddenness at the tip of my body, lunging at any feat of light that succeeds to champion this behemoth of blackness, to complete this impedance, a singular impetus to fruition ekphrasis, yet not quite, deep in the study again, as though yesteryears are all but the days starting to disintegrate into tiny segments to wreak something devastatingly vague, as in, a language curled in the tongue, relentlessly flexed against the wall of me, losing yet no little piece.
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Jan 26, 2016
Jan 26, 2016 at 7:40 AM UTC
Disintegration
figurined affectations weary on their pedestals, high-pouncing in their formless wind, whimpering in their places, like a woman imagined in leitmotif - chords outstretched to symphonic wrestle, lissome fingers touch gossamer ground lips wovenly shut to figure out in silence, its language. this is a showcase of longing, yet, wildly it goes with its urgency, into the    unrests of my cerebra, imprisoned there, slumbering there, thieving and thriving there.
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Sep 19, 2015
Sep 19, 2015 at 2:16 AM UTC
Figurines
*Sympathetic comfort, peace -a harmony of perishable Liberty! Such dying love, was never my leitmotif; and I will not foolishly go about haunting the town -seeking from thee, that deplorable Pity, of which you deem me • as tho renowned • fond of once -as unsightly Greed is to debts! as heavy-laden gluttons add another pound and ounce • on the go • are to Gluttony! And oh! Ye fiendish dunce • I am here now, (how soon she forgets.)  And I stand above -above the hunts. So many once fetched, lest yet I deem no more necessity. But rather I mourn, mourn now • an Ode to Death, (owed to Death.)  And also I grieve the loss by severed head, my mighty steed -and I wept. Oh! how I wept. And I lay flowers upon this, his departed spirit.  Of which I had foreseen to naught offend thee • the dead • who'd grin & bear it: but due for his long service to me, I offer him • the weary •  solace from your offence. I shudder to mention it • even now •  I swear it! And do send you a suffered lyric -to confound your pretty head.*
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Mar 18, 2016
Mar 18, 2016 at 2:45 AM UTC
Gainfully Employed
Psyche soaking wet with devout atheism, this lifetime skeptic now tenuously linkedin with Unitarianism attests, said upbringing proffered, mine credo, gestalt, leitmotif, sans abstractionism eludes elucidation, delineation, clarification... some readers might dismiss as absurdism defying established dogma fixed absolutism millenniums, would be hashtagged heretical, and such cavalier blithe apostasy, declared alarmism, now - twenty first century extant accursed as alcoholism within various non Western statecraft enclaves, barely tolerating agnosticism no fool to ********* proclamations antithetical opinionism where condemnation to death (I obediently, humbly, and gladly accept) inadequate punishment, cited on par relegated to alienism, amoralism, antiestablishmentarianism... never does this anachronism loosely cabled with pioneerism, (when ****** forests bedecked America), a veritable wilderness, necessitated quintessential self survivalism knowhow long since forgot, which dependence on consumerism finds yours truly afflicted against capitalism commercialism, conformism, cultism et cetera more aligned with reliance on individualism nearly an extinct species, where anti materialism betrays, cavils, and discourages ecocentrism, versus profit motive maximization, though of late environmental dynamism aggressive representative thank you Greta Ernman Thunberg regarding criticism, nee opprobrious global ecological terrorism mandating staunch defeatism as stave bulwark against criminal determinism to wreak irrevocable traitorous dogmatism predicated on tenets of egocentrism brewed, steeped, and galvanized in exceptionalism of **** sapiens and expansionism exclusive to said primate that requires serious assessment, asper bracketing craven doctrinairism edified fundamentalism granting humans unfettered expansionism!
0
Mar 23, 2019
Mar 23, 2019 at 3:52 PM UTC
Netherworld Unearthed Within This Mind
Psyche soaking wet with devout atheism, this lifetime skeptic now tenuously linkedin with Unitarianism attests, said upbringing proffered, mine credo, gestalt, leitmotif, sans abstractionism eludes elucidation, delineation, clarification... some readers might dismiss as absurdism defying established dogma fixed absolutism millenniums, would be hashtagged heretical, and such cavalier blithe apostasy, declared alarmism, now - twenty first century extant accursed as alcoholism within various non Western statecraft enclaves, barely tolerating agnosticism no fool to ********* proclamations antithetical opinionism where condemnation to death (I obediently, humbly, and gladly accept) inadequate punishment, cited on par relegated to alienism, amoralism, antiestablishmentarianism... never does this anachronism loosely cabled with pioneerism, (when ****** forests bedecked America), a veritable wilderness, necessitated quintessential self survivalism knowhow long since forgot, which dependence on consumerism finds yours truly afflicted against capitalism commercialism, conformism, cultism et cetera more aligned with reliance on individualism nearly an extinct species, where anti materialism betrays, cavils, and discourages ecocentrism, versus profit motive maximization, though of late environmental dynamism aggressive representative thank you Greta Ernman Thunberg regarding criticism, nee opprobrious global ecological terrorism mandating staunch defeatism as stave bulwark against criminal determinism to wreak irrevocable traitorous dogmatism predicated on tenets of egocentrism brewed, steeped, and galvanized in exceptionalism of **** sapiens and expansionism exclusive to said primate that requires serious assessment, asper bracketing craven doctrinairism edified fundamentalism granting humans unfettered expansionism!
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56
god's plaything - what is the colour of rain that paints this city with the havoc that once trouble wreaked over our sorriness? god's no god until he is god in someone's throne and i may be a fool. he is a cool cat rolling thunderously over the silence of our homes or perhaps a soldier marching his way homeward amid the tatterdemalion of days. god's temple is the body and a body's oblivious of this - god knows no "sigue sigue" nor "sputnik" nor piercing the helm cerebrally god's no fool to goad any gambit or watch the wane of old solace. or is it that i am a leitmotif and my peccadilloes are a path's adagio towards contrite? god voyeurs over the windowless hours of my sanity's eclipse and soon, when all of my prayers turn to ash and no sound of me is heard, in the evening of this tide is deliverance and i have slept.
0
Sep 14, 2015
Sep 14, 2015 at 9:40 AM UTC
I Have Slept Longer Than Imagined
digress from this river that flows into a straight line. the following here    will be that there is another body waiting at the brink of       another figure lacking in speech: brook as excursion. this plaintive leitmotif this afternoon. everything smells         of old furniture. something this is trying to preserve wrung out of suspicion, shorn out of air         and unrest. when I begin saying it, and when I become what I want to become, I will fold you in a manner of houses. tell me of the footfall before I plunge.    outside my home you will be waiting for a question because you liked the idea that        askance is the heart of all assertions. and I will slowly begin to realize that imagination    as machine, has not failed me. when moved by the sight of you,    gradually dissipate. when halted by the inching step of    your basis, take a moment as evidence and use as ground for furtive contest. when there is evitable cipher of silence,      I will phrase gestures into something like a metaphor would induce     when there is meaning, there is the moving away and coming unabashed, pendulum your way into two walls    as weathered as this house. Your face, a thousand adorations.                   your heart a truism in the heat    of naivety in place of a wild embrace.               your hands this evening, tremulous, nervously seeking to be one with my measurement: this thing that has nothing to do with me,       except we have such fondness over allowing sorry states. that we have use for what we have no use for. This thing,    a fragment so foreign to me,                             like hearing my name disintegrate, as if a thing      of obsolescence, as everything is.
0
Apr 13, 2016
Apr 13, 2016 at 10:26 PM UTC
A thing for sorry states
digress from this river that flows into a straight line. the following here    will be that there is another body waiting at the brink of       another figure lacking in speech: brook as excursion. this plaintive leitmotif this afternoon. everything smells         of old furniture. something this is trying to preserve wrung out of suspicion, shorn out of air         and unrest. when I begin saying it, and when I become what I want to become, I will fold you in a manner of houses. tell me of the footfall before I plunge.    outside my home you will be waiting for a question because you liked the idea that        askance is the heart of all assertions. and I will slowly begin to realize that imagination    as machine, has not failed me. when moved by the sight of you,    gradually dissipate. when halted by the inching step of    your basis, take a moment as evidence and use as ground for furtive contest. when there is evitable cipher of silence,      I will phrase gestures into something like a metaphor would induce     when there is meaning, there is the moving away and coming unabashed, pendulum your way into two walls    as weathered as this house. Your face, a thousand adorations.                   your heart a truism in the heat    of naivety in place of a wild embrace.               your hands this evening, tremulous, nervously seeking to be one with my measurement: this thing that has nothing to do with me,       except we have such fondness over allowing sorry states. that we have use for what we have no use for. This thing,    a fragment so foreign to me,                             like hearing my name disintegrate, as if a thing      of obsolescence, as everything is.
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Nothing like this assault. In here you were gradually introduced. The keen sense for identity realized, the distance that was a sullen word for madness, a tender perimeter established. The calm wind as not-so-distant. You in your plain clothes this afternoon, lost in a commute of phases. This weather schemes to be your leitmotif.  This is of no identical ownership but breakage. In here you were met with constant delimitation, yet always you are as you always were, perhaps, quite unsure of the next face dislimned past the delicatessen. The barkeep yesterday wiped the glass clean as I watched from the edge of poor furnitures. You, sudden, of no warning, no clear word for objects, has objections for marvels made clear still opaque in the eye of you. That when you were brought into the world, I had you coming as soft blow in the wilderness hardly tractable, all by yourself as I witnessed everything, past dead underfoot, being all necessary to yourself,  as you always were in various settings and adjustments. You were sure of the unsure and I am in the middle of things feeling the winding of it all, the breaking, and the passing. Nothing like this assault.
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Apr 15, 2016
Apr 15, 2016 at 3:00 AM UTC
The deep drone of your becoming
the rest of the lights before you slid into erasures. we have become everything the city is in its precocity; from the wind that gallops, the dog howling into a crossfade, even underneath the already dead lampposts that give in to the velocity of such departure, a divisible line. a border I cannot cross. I dip my body into the thick dark and become bendable light through the crevice of doors. the gnawing silence, your leitmotif. something the wind is still all beautiful things passing and I become nothing more but a dank memory in the muck of forgetting – whatever it was, that I conversed with, stars their dereliction, all across the flagrant void, I am beating with more life than ever, dancing around your leftover moon.
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Mar 9, 2016
Mar 9, 2016 at 11:15 PM UTC
Borders
carve you, me, made godly a being from kink of Earth when all hands and the leprous sneer of folding pavement sway swing a swift embrace, bringing a face when you read me blind, crooning a tune when you reverberate me deaf, touching me warm when you swarm me coldly, fevering me a saltine sweat when you chase around a fleeting image, preening through the impedance or was it a dance when you move me, limbless— leitmotif lures to nets of waiting when you break the hue of an adjusted format telling no lost piece; oh, you, i, our strangeness, our fondled ways, our being taken away to care for only rogue night. our having chanced upon each other in between mellifluous slowness of paces and our frequent sojourns, looking for something unfamiliar.
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Nov 4, 2015
Nov 4, 2015 at 2:41 AM UTC
Strangers
everything in life is tech-ordered, in this age of mega-multitasking, the brain poorly functions, so in its defense, the brain leans on learned reflexive behaviors she, on the couch, cashmere blanket covered, the Tv platform reconstituted as a drone, a politician in front of a camera pontificating, while she scans the Ipad, and both me and god, don’t know what more she might need (to buy) so when I stroke her legs, to give added heat to her fiber-edged warming, I do it more than once to test my theoretical, she responds repeatical, unhesitatingly “hello my love” after the fourth or sixth testing, she looks up, ears perking, sensing, knowing, something is afoot (a-legged?) quizingly asking, “ok, what’s up?” I smile, and explain most rationally, that in furtherance of my current poem, now underway, I was testing my leitmotif, that even love benefits from proper training <> *no, I will not show her this poem, lest she show me in return,   her new self-improvement, her recently-learned-at-home, mindful, meditative training in* kickboxing skills.
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Apr 14, 2020
Apr 14, 2020 at 12:10 PM UTC
Her best reflex (“hello my love”)
i love thee poetry. whose hands, steadfast, catatonic waters past end freely in dusk, carrying me over life's ferocious waters, if not death. whose slender body is to make love, make fire, sinking in a leitmotif of seraphs unknowing sepulchers, which ails me so in the night drunk without stars shall i seek the dharma burning in the bone, the fanfare of mind berserks the thorough ablution of the mind's useless wanderings, i love thee poetry, its rescue, its curse, its waysides - i love them all nothing but shorter lifelessly, a brief night ended in the bat of an eye.
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Sep 14, 2015
Sep 14, 2015 at 11:27 AM UTC
I Love Thee, Poetry