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Hannah Dubrow Feb 2018
Your eyes are my *******.
Your kiss leaves me breathless.  
Your fingers are my toys.
I submit my body and my heart
For your abuse or adoration.
With you the red bag stays zipped.
Don’t you dare give me a blindfold
Don’t you dare gag my mouth
Don’t put leathers between us.
Only one thing does it for me.
Call it a fetish or call it love.
I just want you.
Chris Voss Oct 2013
Dear Mom,
Hey! How’re things?
So, LA is weird. It’s all sticks and stones and billion dollar homes. Last week on the Metro I forgot my headphones, but it all worked out because there was a homeless man who was naked from the waist down except for a pair of Spiderman underwear with the tag still attached who was singing “Sweet Caroline” at the top of his lungs.
Everyone here is someone important. They live the philosophy of Descartes like scripture.
I think therefore I am... exhausted. I haven’t been sleeping because my mind has taken up running, which means it’s acclimating to the culture here quicker than my body because everyone in this town ******’ loves running almost as much as they love vintage shoes and car horns.
It’s strange though, I can’t shake this feeling that I’ve lost something.
Anyway, I love you.

Dear Mom,
Thank you for the eyes.
Last afternoon a stranger told me they were beautiful, and on a day where every mirror seemed to be of the funhouse variety, it was a welcome compliment.
I’m sorry I haven’t called in a few weeks, please don’t think it’s because I don’t miss you.
It’s just, lately, I’ve been feeling a bit like a marionette whose had his strings clipped.
Slumped and crumpled.
Small.
Collapsed and sprawled cracked in some forgotten corner--the hollow knock of wood bouncing across the walls of this mezzanine dressed in finer things than me that have been fostered by
Father Time and his Mistress Stillness.
And I know how you worry.
You worry ‘til bones bruise and still your skeleton aches to shoulder my melancholy yourself, so I can’t bear to bridge this distance with crestfallen phone calls where the past year locks fully loaded on six-shooter lips--the way heels cling to cliffs edge--before finally, reluctantly, free falling; firing off each round.
Six words aimed with eyes closed as if it were up to God to decide where they’d hit:
“I wish I could come home...”
Then your silent, empty-cartridge, catacomb sigh would just teach this telephone how cavernously a mother’s heart aches for her children.


Dear Dad,
I know it goes without saying, but thank you for the check and the note attached to it.
It’s hard to describe how much home I find in the deft curves of your surgeon’s cursive.
I hope you’re doing well. Last time I saw you, you seemed a bit like a lit cigarette filter tip watching the singe approach.
Maybe it was just the embers of your eyes glazed over by one too many heavy handed nightcaps.
And this isn’t to say the Superman who stayed up late nights holding me through fits of anxiety has up and flown away, this is just to say you seem to be flickering.
This is just to say I hope you still laugh at bad movies with the thunderous bass of July fourth fireworks.
This is just to say I’ve been staying up late nights holding on to yesterday.

Dear Mom,
The care package was unnecessary.
I now have more Skittles than any one human should ever consider consuming in a lifetime. So thanks. I know I told you, at some point, years ago, that they were my favorite… but *******.
Really though, waking up to that box on my doorstep choked me up quicker than a swift kick to the nuts. You have a way of weaving through this heartland like a Middle-American interstate and I love you so much for that. It’s just next time, maybe try something that doesn’t have the nutritional value of flash-fried butter sticks.
But not too healthy. Maybe fruit leathers?
P.S. Keep the homemade fudge coming.

Dear Dad,
Forgive the handwriting of an earthquake.
My hands are shaking again like when I was young. I’ve been finding stillness, though, in between sips of five dollar coffee and midnight cigarette drags beneath and incandescent moon that seems to use breeze hands to play cat’s cradle with strings of smoke.
Life is fast here. It’s all gas pedal and touch-and-go breaks.
P.S. If you see mom, don’t mention the cigarettes.

Dear Mom,
I got your e-mail about smoking and the ensuing health issues it leads to. Graphic stuff. That was super informative and totally unprompted. Thanks for that.

Dear Dad,
...

Dear Mom,
Stop worrying so much, you’re making my bones ache.

Dear Dad,
In my dreams I am a lighthouse with an unfocused beam. I’m searching for something, I just don’t know what.
At least I’m sleeping right?

Dear Mom,
These days blur together with the fading speed of a half-life hardly lived to its fullest.
Was it different for you when you were my age? I shift between a drifting stick stuck in a current and desert stone.

Dear Dad,
In my dreams I’m a lighthouse.
There’s a fog horn distant.
I’m still searching for I don’t know what I’m searching for something and there’s a fog horn far off like it’s from someone elses dream but at least I’m sleeping.

Dear Mom,
Do you believe that streams take sticks where they need to be?

Dear Dad,
Have you dreamt of fog horns lately?
I am a lighthouse looking for a nameless something in fog so thick I should be choking.
But I’m not.
At my feet there are rocks and they’re jagged but I’m not anxious because they stay up late nights holding me.
And in the distance there’s a fog horn that seems to be saying “All is not lost.”

Dear Mom,
Do you think that desert stones are waiting for something?

Dear Dad,
In my dreams a lighthouse is built upon jagged rocks that are shaped like your hands. I’m searching for something and even though my lamplit electric torch eyes can’t touch the sky through this ******* fog, I keep them burning because I should be choking but I’m not, I’m finding stillness in the way breeze plays with smoke strings and far off there’s a fog horn distant promising “All is not lost.”

Dear Mom,
This town is all sticks and stones and broken home drifters.

Dear Dad,
All is not lost.
Mike Hauser Aug 2013
I frequent a little taco stand
Every time that I'm out west
With Elvis behind the counter
Dressed in his leathers best

Janice Joplin doing dishes
With Southern Comfort breath
Arguing with fry cook Jim Morrison
Over the best way of cheating death

Jimi Hendrix works the tables
That they have set up out front
Recommending the mushroom taco
With the psychedelic crunch

Marilyn Monroe...the entertainment
Nightly serenades the gents
While wearing here favorite T-shirt
Bobby Kennedy for president

I highly recommend the little taco stand
If you ever find yourself out West
Who's going to show up to take your order that day
Could be anybody's guess
Martin Narrod Apr 2014
She had stopped crying.
All evening in her black-mesh coup de voodoo.
On the plane she had been crying
For her Summer pal. Yesterday she had been to market
Big brown bags and white bags, little pink bags filled with crimsony scents,
Capricornia, looseleaf newsprint, postcards, and colored pencils,
She had hands full of handles, bags bundled, stitched in strict Saturday fashion.
He could barely break a step, he could fake dance with her feet on his tip toes.
She was only three quarters the perfect size to fit inside his frame.
The grand disappearing act. And she was only ifs and suicides.
A stranded ray of sun-draped hair on a cooly porcelain forehead, the segments were all just wrong,
Something so wrong, trembling heart cries over a mute coo through a flattened tongue.
The sickle tongue, dodgy on Tuesday's, She had a simple mug, oh! But so cute and soothing, the nape
That wrapped around, my arm lapped its hands in a clapping ginormous duck's bill!
Lapping rhythmically. Thwack! Thwack!
Like no crying I had ever heard. Nor Earthen beauty I had never seen.
Her little lamb legs lumbered over, her awkward thinness and long limbs spilt on top of her,
Her tiny shoulders searching for support from her hips. White aurulent doll head on a stick,
She had sad defeated eyes, whimpering, pathetic,
Too small, and she shuttered and she shook,
And she shivered out every teardrop her body ever made. And she fell back on her bottom, and looked
Up as if to see a white steed standing with her guy striking a poised hand down to her,
He split down the middle, stammering, broken pieces of words crumbling out of his mouth
With eager intentions. He was too weak
To give her his feet, or pull her up in, he hadn't the gumption. He was fully occupied standing,
He wept too; then shuffled a little
Towards where she had fallen. He knew she wasn't right
She couldn't get the devil out of her piercing blue pupils, she couldn't
She lied.
Then she just piled on top of her knees and fumbled as if to rise like a demure lamb trying to rise off its Newborn legs, she just curled her legs,
So stiffly built, and narrow footed, built with such inequality to her siblings,
She got in the way of herself, a little lamb that could not manage.
Too whittled for him, he tried, he really tried, but three years had drained his strength, no real help.
When he sat her upright on her bottom, she opened her eyes, and for a moment smiled, grabbed for His hand but then after awhile she was lost, she lost interest, her pupils wandered.
He was orchestrating everything.
A real project, much more urgent and important. By nightfall she could not stand. It was not
That she couldn't smile or laugh or love, she was born
With everything but the will to live -
That cannot be destroyed, just like a love.
Melancholy was more important to her.
Life could not get her attention.
So she died, with her handles still in her hands, green grass stains her legs.
She did not survive another warm summer night.
And then he wept uncontrollably again.
"The wind is oceanic in the elms
And the blossom is all set."

2

The boy has come back
From the seashore, and atop the plateau.
The woes of women are like a genocide
In the morning, when the killing is over,
And the heat begins, and the bodies lie,
And stark life moves for its sobbing bones,
The curved women move with fire.
Father Father Father the girls
Are weeping, and crying and I cannot resist that gentle frailty
They are shucked in their skin suits rising from their soporific slumbers
In decadent leathers and frou frou dresses. They cling to bold faces,
Nothing can escape that cold crying of women weeping for their princes.
Blood-letting rage cannot overthrow the meadow from the pebble brook,
As a laden head bleats its tarnished tongue across a milky breast, it cannot
Escape the sounds of blue-stained teardrops cascading across the plains,
The sounds of woolbirds braying while their skins are sheared against the
Sluicing sound of water rushing through the flume.
All summer they have lamented, gorging on melancholy, tottering their cotton pyramid heads,
Shaking their cries in deliberation, bald skinny victim women screaming out!
Cotton-mouthed clams yaffing, hearts in panic, wholes of bodies clambering in a *** of woe.
They roost useless, pollard and wethered, jealous
Squinting out the last droplets of desperation from their eyes, screaming their mouths in awful
Togetherness, this cacophony of tortured tongue-song
They curdle the last notes of despair out under knotted breaths
With every inch of strength left inside them, they bray this way and that.
Their mothers scream out in wretched despair, ahhh!
On distant cliffs, on scrawny legs
Their stiff pain goes on and on in the September heat.
"Only slowly their hurt dies, cry by cry,"
Whipped bodies toting wergeld on a shore.

The Day She Died

Was the gloomiest day of the new century,
The first of calamitous, unfortunate autumns to come,
The first dying breath from piceous lungs.

That was yesterday. Early morning, soft rime droplets
Frosted to every blade of grass, not like any other
Earlier June day we've ever had. In the deep twilight
The syzygy announced the moon and demoted the sun.

The Earth-crisp frost nuzzled snow droplets.
Black bands of ravens whipping. Martens littering
Fresh kills of red-eyed rabbits on stark white stale
Summer lawns. A fox grayed, its cold bones
Mapped by ravaged feasts. A possum prowling
In a spot of tawny light.

The concrete spread into a maze
Of black veins ripening in the acute niello
Destitution of its widening cracks,

And when the summer left
It left without her. It will have to accept,
In the paley dim light of this vengeful wilderness -
She is gone.
But for now the warmth has not returned but a naked, half-pomegranate
Rotten moon for us two.
And a great vacancy in our memory.
Written for Britni West
Reece Nov 2013
Sick and cyclical memories linger, how unjust it seems
In somber city streets, her father's name she screams
When the fix is late and her body sodden and shaking
Her childhood recollections waking, every joint aching
Falling on tarmac, tearing stockings and fleshy knees
Through the distant mist it's a saviour that she sees
Marvin on a white steed, motorbike and leathers
To get her straight  he only requires her nethers
What difference could it make to such a worn woman
So little that her eyes glaze as he announces his comin'
And she's immediately put to work after initial transaction
All night shifts, ****** abstraction, customer satisfaction
Returning 'home' to Marvin where the earnings are counted
Giggling schoolgirl as playful stories of John's are recounted
And Marvin's insatiable perversions are compounded
****** cocktails and deviancy, her psyche confounded
The **** sleeps blissfully beside his new top girl
And through ****** daze, she examines her world
Laura J Aug 2016
I'm not a person who collects things
I live a very minimalist's life
But I have a bag of treasures
I keep close to me day and night

I sleep on an old painted daybed
It squeaks softly as I lay down
Most of my clothes are second hand
And my shoes a little worn down

But I have some precious treasures
Hidden in bags of different names
Fendi, Burberry and Prada
Leathers and fabrics of worldly fame

My treasures are hidden deep inside
In makeup bags and zippered pockets
Shiny compacts full of velvety colors
From Paris, Milan and Rome

A black cloth bag of 8 tiny bottles
Protected from the sun and rain
Bottles of perfume oils made in an alchemist's lab
With names like Dragon's Milk, Snow White and Bliss

A Christian Dior handkerchief or two
Hangs delicately inside the bag
In case the breeze brings on a sneeze
Or I notice a tear in the eye of a friend

by Mark Lj
Kitty Parson Sep 2013
There you were on your camo Kawasaki
Riding leathers on, in racing position
Pacing the metallic beige Subaru
Pacing the vintage blue Volvo
Pacing me, in the back seat,
Hungover.
Ron Sparks Jun 2016
(note - This is a haibun; a Japanese writing form that combines haiku with prose.)*

Two days on the road, two thousand miles on my motorcycle. Hard miles; my *** so sore that every bump in the road brings biting pains up my back and down my legs.

I’m riding alone. No highways. No hotels. Camping in fields and eating in greasy diners. Seeing the America not available to the Interstate. The real America. I’m rough riding across the continent and this isn’t a mid-life crisis. I’m on a mission.

There’s been a ghost haunting me for five years. And yesterday, somewhere on the back roads of Nebraska, I left that ghost, the ghost of my cancer, behind. The specter of death that lingered on me, over me, and around me after excision of the tumors is finally gone.

Contrary to opinion, ghosts are heavy. With mine gone, I ride through the night – the stars and my newfound peace my sole companions. I stop only when the false dawn begins to turn into the real thing.

serpentine road
​curves into the sun;
  my throttle opens

The country diner I find myself in front of welcomes both me and the morning sun. I’m tired, sweaty in my leathers, and covered in road dust as I enter. And I’m deaf, the roar of the road is still loud in my ears.

I tell the waitress I take my coffee black – as black as my soul. My joke falls flat; what comes from my mouth is a rough growl, thanks to a dry throat. It earns me dark looks from the other diners. The ***** biker with no manners.

I have a moment of tired reflection and then I get a visitor to my table. An old lady, dressed in her Sunday best, moves with slow deliberation and takes an unexpected seat across from me. Her frail hands wrap my grimy ones in a cool and gentle grip.

Her eyes, framed by a wrinkled face that smooths as she smiles at me, capture mine before she bows her head and prays loud enough for all to hear. “Lord, please help this young man find his way. He’s lost, alone, and needs your guidance to help cleanse his heart and his soul.”

She kisses my hand and, without another word, stands again. There’s a reverent silence as we all watch her sit back down at her table and take a bite of her breakfast as if nothing exceptional had just occurred.

I look out the window as the rising sun reflects off of my bike, thinking that, here, maybe it wasn’t really that exceptional at all.   And thinking; lady – I’m not lost; I’m finally finding myself again.

red cardinal
alights upon my bike –
  notices me
This is a haibun; a Japanese writing form that combines haiku with prose.
DieingEmbers Feb 2012
You say walk a mile in your shoes...

Fine,

now you do the same...

Here's mine.

The souls well worn...

from front to back,

one size fits all...

Only colours black.

The leathers aged...

and see that crack?

That's paranoid anti-social depressive disorder...

WHAT

you want your shoes back.
Black for depression and yes one size fits all, fit as in mood swings and crack as in cracked mad mentally unstable, still wanna walk a mile in my shoes?
Terry Collett Sep 2013
You and Ingrid
bummed a ride
on the back
of the coal truck

the spring holiday underway
Ok
said the coal truck driver
but keep

your heads down
don't want to get
pulled over
by the rozzers

and so you both
climbed in the back
of the truck
settling down

between sacks of coal
covered over
by tarpaulin
with just a slit

for light and air
and you and she
just sitting there
she clothed

in an old green dress
and  cardigan of grey
brown scuffed shoes
and grey socks

you in jeans
and blue shirt
open necked
and sleeveless

patterned jumper
never been
in the back
of a coal truck before

Ingrid said
mustn't get too *****
in case Dad finds out
and leathers me one

you watched
as she sat there
in the semi-dark
gazing out

through the slit
at the thin
aspect of sky
hands on her knees

biting her lip
been once before
with Jimmy
but then it rained

and we got drenched
you said
what did your parents say?
Ingrid asked

nothing much
you replied
Mum moaned a bit
but the old man said nothing

just stared
as he blew smoke
from his cigarette
through his nose

God my dad'd go mad
if I had done that
she said
pulling her knees

together hands
holding on the top
I'd not be able
to sit for a week  

he'd beat me such
she added
moving
with the movement

of the truck
you said nothing
knowing her old man
seeing him often

walking through the Square
swaying with the *****
or seeing her mother
bruised and battered

crossing to the shops
enduring neighbours' whispers
for a while she was silent
looking through the slit

as the sky drifted by
as the truck moved
you swayed
side to side

her shoulder
against yours
her arm touching yours
the smell of wet washing

and of yesterday's dinner
captured on her clothes
seeping in your nose
now and then

she spoke
of this and that
of kids at school
of names called

of hair pulled
and how she liked it
when she saw you
enter school

and your kind words
and helpful ways
and when the driver
pulled off the tarpaulin
to get out sacks of coal
daylight blew out
your eyes
and made you smile

and cheered your hearts
you shared the sandwiches
you'd brought
and bottle of lemonade

factory made
sitting on the truck floor
she nibbling a sandwich
and drinking shyly

from the lemonade bottle
after you'd wiped
the top with the palm
of your hand

her eyes on you
her lips open for words
her knees pressing together
to keep the balance

as the truck
moved on and away
just you and she
on a bright spring day.
Martin Narrod Nov 2015
There are some pronouns we cannot uncompose. Yellow leathers, blue April tides, and red licorice red, unconsolidated red and blue and yellow first person pronouns. Can it not be favorite contact season again, with the lips touching too. I am evil's ruthless seismatic trepidation.
Catrina Sparrow Nov 2012
the snow falls sincerely sorry,
like a pale yellow skirt at the foot of your bed-
i always said, "i didn't mean it".
but i meant it.
it's that time of the year,
where you'll wrap yourself in wool and leathers,
in hopes no one will feel just how cold you truly are,
but i can feel it.
you drink your whiskey straight,
yet feel too inhumane to rest your lips on the same bottle
as the only people who've ever loved you drink from.
your glass gets frosty.
you blow hot, pungent air between your teeth like steam,
in hopes we'll see you as some frightening machine,
instead of how you really are when you forget
that you should be holding up your fashionably unfashionable walls.
you're just another washed up actor,
who somehow lost the ability to differentiate between being on-set,
and being alive.
so you lie.
frantically,
frivolously,
and frusterated,
that nobody you trust can trust you to be you.
the scenes that you build get muddled and confused,
rendered too busy by your lack of attention
and over-use of the exact same hues.
you used to seem so beautiful,
until i found your pallet
under your worn-down mattress...
you only paint with grey.
oh, how you tried
to hide the colors that i am under a tweed cloak of comfort ability,
but i don't fade,
and i most certainly do not run.
i change every day,
and when i begin to hate the direction that my masterpiece is heading in,
i change course entirely.
i abandon the compass,
and the guide books,
and stampede across the pages,
until i become the new and improved version of who i was yesterday.
stop pretending,
and just be.
you wear your "fight" face everyday,
as if you may have to chase a pride of giggling hyenas away
at any given moment.
put down your knife and act right,
no one here wants to hurt you.
you hurt me,
you tried to hide me,
and you lied to me.
still, 
all i want to do is teach you.
teach you to let go of your charade,
to embrace the life you've made,
and how to paint the sunset as a sunset-
not a eulogy.
Timothy Mooney Jun 2011
Well let me tell you bout' Amazing Grace
A Devil body and an Angel Face
When she kneels down on the barroom floor
She offers up forgiveness and a whole lot more

If it's redemption that you're trying to find
Her Absolution is one-of-a-kind
And I can attest that She can Blow Your Mind!
My Sweet Sweet Amazing Grace.

Her Patent Leathers are a sight to see
(If you look closely you'll know what I mean)
Her double pleated plaid skirt can knock you down
But then she'll raise you up boy
Without a doubt.

   She's such a Cutie
   A real Beauty but
    You wouldn't take her home to Mom...
   Daddy wouldn't mind it
    If you thought that you could find it
    To sneak him in the backseat and tag along...

So let me tell you bout' Amazing Grace
A Devil body and an Angel face
She'll let you baptize her all over her face
My Sweet Sweet Amazing Grace
(Gimme an AMEN!)
My Sweet Sweet Amazing Grace!
Larry Ladd May 2017
You fellas, Harley and Davidson
Pull your chaps and jackets on.
V-twin Thunder may be your passion.
But you also dictate leather fashion.
n0r May 2018
2300
Quantum Computers
Turing Test Defeated

Somewhere beautiful
A man casts his line into a lake
And lifts his wrist
Up towards his lips
Asking the tiny chip
Within his flesh
“Hey Siri,
Know the best way
To gut a fish?”

An Infinity Expands

every knife slicing into every animal
the blood and organs
the hands that hold them
the chemicals of blood
oxidation reactions
chemicals congealing blood
chemicals melting the bones?
bones inside the hands
pulling apart the flesh
vivisecting organs
falling to the surface
blood cascading
upon countertops stainless steel rocks dirt animals water grande canyons grand castles within the scaffolding
do humans think like this within the scaffolding of their minds?
of castles countertops stumps
the nervous system
active after death
fish whipping
twisting blades into the second hands
pain rippling through the other nervous system
electricity nerves muscles contractions force matter flesh  nerves again electric energy
pills swallowed before procedure
wielding knives while deep in stupor
wearing gloves to guard the hands
guarding the second hand
a single glove
blades slicing up the gloves
particles from gloves exploding
embedding within the fish
toxins
skin leathers wood synthetics plastics polycarbonates leathers
an infinity of leather guarded hands slicing pulling flesh bones muscles bleeding upon stumps organs crashing through the dirt

All of this
Before he inhales
All this infinity
Collapsed
Into a sentence.

“No ****, *******”
Spills out from the chip.
Read 2312 by Kim Stanley Robinson and was inspired by his quantum walks
Leathers ladies and insanity

that's all that old fool needs

ride to hell and **** the smell

living by his own creed

Your brothers belly's are full of beer

their hearts are full of pride and power

flirting with death and crystal ****

and toking on that wild wood flower

but he ain't no different bro's

He justa whole lot further down the line

Just thought I'd call to let you know

He'll be coming in late tonight

Pool ***** are crackin

and the beer is guzzled down

a couple more lines of whatever that was

and he just gonna hang around

Don't know where he's going now

and frankly he don't care

some other dimly lit smoky bar

probably waitin for him there

but he ain't no different bro's

He justa whole lot further down the line

He said to call to let you know

He'd be comin in late tonight

A diesel rig kinda ******* the chrome

so ya lay that mother down

justa couple miles from home

but you're gone before ya hit the ground

Don't where you're goin now

but you can bet your bottom buck

all us earth bound bro's down here

We'll hoist a few and wish ya luck

but you ain't no different now

you're just a whole lot further down the line

I guess I'll call to let em know

You won't make it in tonight,

so tell the operator, reverse the charges

cause the call's on us tonight,

I gotta call to let em know

You won't make it in this time.

So leathers ladies and insanity

is all that old fool needs

ride to hell and **** the smell

he gonna live by his own creed
dj Mar 2012
I can't look good.
I'm not wearing the right clothes,
They're just not for me even though I want it to be that way,
to be that way would be nice.

Waking in september,
I could use a splash of color today,
I could use an advancement today,
somebody special may notice today,
these new clothes I have on,
maybe notice me, too.

Trying to stop the threads from wrapping around my neck,
the spools laughing like fools,
Trying to keep my skin unseen,
Because that vulnerability is dangerous, so I now,
prepare for a ****** day.

Years pass by like strangers in Manhattan,
Head to toe, covered in fashion,
Hat for a head,
Shoes, socks for feet.
Belts, buttons, silks, leathers, gloves,
all wrapped in heavy jackets.
Sunglasses. My eyes are faulty,
They can't be seen. Must remain shaded.
No skin anywhere so, my wish is granted.

Big brand names all over my body,
but somehow nameless.

The seams start to wither,
Like nature does do,
Arms of sweaters fall to threads,
Fibers of cotton fill the area,
Moths become alert.
All the garments fade into oblivion but the interesting part -
No nakedness underneath the glamour, only nothingness.
A plume of fattened moths and dust scatter,
The clothes fell down and there was an empty space.
This is a pretty basic poem. Just a lot of word-play on a widely studied topic. Obsession is like a blackhole - nothing about you can escape it and it will eventually ruin you.
Jamie King Jul 2015
We have defiled her
She screams silently while we claim we have refined her

She grew up inside roses,
a single dress with footsteps of needle sets.
Her thighs now smothered by ropes of skirts, each embedding it's mark, these are the scars she must bear.
Her parents are skeletons, pendulous in coat hangers, dressed in old leathers with jaws fractured.

have we refined her as we claim?
Silently she screams
We have defiled her!
I promise you it's not what you think!

I do Apologies for being gone so long
When I think of our love to date
All that we've done together
these are the moments that stand out

first
New Year's Eve
We woke up early and went to a diner
then spent the afternoon going for a drive
sitting in your car
no music playing, little conversation
enjoying the snow covered scenery
you stopped to buy mice for your snake
and I stopped to chat with the parrots

Second
A January snow day
We spent all morning and afternoon in bed
watching the snow from your window
you took me furniture shopping
we wandered through the store
debating shape and color
learning about leathers
afterwards you took me to the mall
showed me a small shop that sold art
we finished off the day by cooking together
and ettouffee I shall never forget

Third
lying in my bed in February
listening to folk music and your heart beating
a nervous rush pulsing through my veins
I told you I wanted to tell you something
that I was scared
and that I loved you

Fourth
driving home from a beach vacation
your dog snuggled on my lap
fields of corn dancing as we drove by
daydreaming of our future together
my heart hoping that you wrote me into your plans

May I write a million moments on notebook paper
May our love last forever
May we grow old together
They are both my questions and my hopes
jeffrey conyers Sep 2012
ooooh,
look at the head lights.
And then glance at the wheels.
See, how the body shines?
Don't the wax appears tight.

Feel the leathers.
Smooth and soft to the touch.
Check out the dash board.
The interior is appealing.

And the bumpers impressive.
I listen closely to the engine.
The motor sounds great.
And you thought I was talking about a car.
When in truth I'm speaking of a girl.

Yes, it might sound sexist.
But then a woman might think of a man like a truck.
And, I wonder what they compare them too.
A GMC.
A Chevy or Ford pickup truck.
Sure, I wants to drive.
Just the same as them.
Yes, I be happy just riding along.
If she don't wants to come along.
We better look out.
When they starts to speak about him.
Archadio Jan 2015
I know
a single thing that
you don't know

It's hiding below the car's
seat belt!

laces knotted like phrases,
not praises
and astounded with
places

dusty in my heart's
spaces

clean leathers you don't love

like distant hands
at
night
Manila, 2015
The elderly man sat reminiscing over his life
now unable to walk far.
Breathing in oxygen through a nasal tube
he knew it wouldn't be long.
Shortly after in his sleep he quietly passed
at his funeral the truth masked!

Outwardly thought of as a charming man
inoffensive and kindly.
Nobody knew he had once been in prison
for an unsolved ******!
Evidence against him they tried to seek
but it was too weak!

For all those years he had kept his secret
the body was never found!
They knew he had committed the crime
but they had no proof!
He had put it in the large leather chair
nobody guessed it was there!

Playing on his mind sitting with the victim
who was not at rest.
And in the end hounded him to his death
as in the chair it still laid!
Before long the furniture had to be sold
the dark secret still untold.

To the furniture auction the chair was taken
there a young woman was thrilled.
A real brown leather chair for sixty pound
what a bargain she thought.
Always wanted one of these she shouted
of this none doubted.

So pleased when it arrived at her new flat
it did look out of place.
Keen to show her boyfriend the purchase
he was on his way.
As she smelt the leathers strong scent
it made her content.

Sitting in the plush chair she felt important
for a short while.
A sick feeling filled her retching throat
through blurry eyes!
There a man stood struggling to her feet
managing to retreat.

Blurting out what had happened to her friend
together they returned.
Nothing was there on the chair saw a tear
pulling it a body part fell out!
Soon the police arrived to the address
to clear up the mess!

The chair for evidence was soon removed
the case against the old man proved!

The Foureyed Poet.
For years the elderly man had kept his dark secret! The Foureyed Poet.
mark john junor Dec 2013
contagion of hope

her soft blonde hair brushed back
over one pierced ear
the tones of her eye was one of hesitation
i asked her of what such a beauty could fear
after all she would have a thousand strong souls
to nail their backs to a wall at a
word from her feather light lips
but she insisted that the soft touch of her cheek was enough
to be a contagion of hope
to even the most desperate of soulless men

i must have been mad
because i did stop to caress that sweet face with my weary eyes
i sought out her lock and key heart
and found that she desired to be desired but never touched
and there came a burning in the dark forest of my mind
i would wander a time without count before i would see the burning for sadness
meanwhile she apologised profusely but could not contain her dream to flee
and away she rode on a black mare
'her riding clothes brown leathers from Portugal
and they were as soft to the eye as she

she spoke quick to the man at the gate
and he shut out the night
and sealed her eyes with tears
so i kept the watch though i am no professional solider
her companions did sneer at my reckless behaviour
but she in passing let one hand trail over my face
that left welts on my soul
what price is a good price for such heartache
"such is love" she said to me
and i began to see that i could never save her from herself
she will forever ride from one ancient kingdom
of bone dry dust to the next
forever unfulfilled but forever loved
by her army of nights in shining armour
desperate to save her from her own distress  

her ice cold lips are painted this night
a light shade of pink
and what a thousand strong souls wouldn't do to feel
their tender touch
but iv been in that prison
and in the morning i shall ride free
of this blinding hope
i can bear no more flags of the hearts defeat
the last i saw her
she lay swooning at the gate
one breast bared
and her handsome knights milling about
in a panic
forever unfulfilled but forever loved
Mike Bergeron Dec 2012
Moving shapes
Of hulking, blackened,
Highlighted shadows
Going every which way
Without the slightest
Clue as to
Which way
They’re going
Or coming from
And they’re painted
And draped
And covered in straps,
Shreds,
Trails of furs, leathers,
Plastics of every sort,
And it gets hard to sort
Them out,
The monsters
From
Their
Costumes.

How much depravity
Is enough or too much
For the depraved
Before the irony
Is too clean
To waste on themselves?

I’m standing in the
Midst
Of a mist
Of sweat and ****
And my jeans
Are soaked to the
Shins with *****,
Or sweat,
Or ****,
Or hopefully blood,
And I’m staring into
A shifting cloud
Of tall, thin, cold
Glasses of water
Waving skinny limbs,
Twisting and flailing
As the show
Is put on for the
Other bony, ragged
Appendages by their
Androgynous semi-owners,
Draped in furs
That are just as
Flea bitten as
Their desire to
Create substance
Through the flagrant
Display of debauchery
And purposeful
And tactfully
Tactless
Effort
To prove
A lack
Of substance.
Londis Carpenter Jul 2011
When the wind whispers o'er the prairie
When the grass swells like the tide
When old leathers mew as they tend to do
When they stretch the fresh rawhide

When the sound of cowboy's jingling spurs
Across the canyons ring
When the cattle bawl their haunting call
These are the sounds of spring

And every spring is round-up time
When cowboys earn their pay
Gathering herds together
And locating every stray

This is a time legends are born
As heroes come to light
In stories cowboys love to tell
Around campfires at night

When cowboys die along the trail
Few monuments are found
They're often buried where they fell
Pushing their herds to town

And though no funeral may prevail
To honor one who rode
New songs and ballads may arise
For that's the cowboy's code

And Mistrels sing in stories true
Plucked on rusty guitars
New tales of cowboy heroes
At rest beneath the stars
Pen Lux Dec 2011
The best burn I've ever felt
came from a small reflection
tucked away, strong,
removed from temptation.

Share your selection: perception.

Something about this weather makes me sick,
and cuddly. All I want these days is to be alone,
with a body, and nobody, and something to help
me forget a few things: less personal.

Moving around, faster, each by three.
So in love with this moment, I start to catch on fire,
a page full of ****, and forget me please.
You tasted better in the morning, I hope I did too.

Contamination through determination.
We're going back in time for the last time,
it's the beginning of moving forward.
What haunts us haunts us only in subconscious,
so we lay on the floor, curl in the kitchen,
inhale: new decisions.

Getting on tracks, hearing about the ones that got loose,
and the ones that go too close
avoiding getting ran over,
running over,
rereading
listening
listening
listening
I can hear you listening in the silence you create:
thank you!

This progress is beating it's way inside
of us, the way we beat into each other.

Um, um um um uhhhh Ah cha rah cha cha cha
I love you,
and I'm not going to say it more
than I feel it
and I feel it, oh honey, it's coming
faster than I do on the weekends.

Sttttrrrreeeeetttcccchhhhhhhhhhhh
rip feathers, wash away the leathers.
Last nights reminder sent me shivering
shocked.

Your voice is changing,
there's more than one
and you can talk about her as much as you want,
'cause I spend most my day doing the same thing's
inside as you do outside, just we do everything at the
same time, so there's no need for questions, because
everything's an answer.

Answering yes.
Yes yes yes yes yes
yes yes yes
y e s
  y  eeee sssss
ssss
ssssss
eyy yeeuh yes
yesh.


I've always liked the shape of a woman,
long hair pulled back.
It makes sense.
Since when?
“I just woke up and you're already attacking me,
all I want to do is just go to sleep.”
     you told me when I write,
and I proved you                     wrong.
Proved myself                         wrong.

Wrong is a word said quickly and distorted at the same pace,
it's manifest destiny in the form of emotions in motion.

Wrongwrongwrong
wrungwrungwrung
riiiing riiiing riiing-
don't answer that!
DieingEmbers Feb 2012
You say walk a mile in your shoes...

Fine.

Now you do the same...

Here's mine.

The souls well worn
from front to back...

One size fits all
the colour black.

The leathers aged
and see that crack?

That's paranoid anti social depression...

What

You want your shoes back.
Crack as in cracked meaning mental mad , fit as in bouts of mood or personality swings, black as in depression. And yes one size fits all
Still wanna walk a mile in my shied
Mike Bergeron Nov 2011
Moving shapes
Of hulking blackened
Highlighted shadows
They’re going
Every which way
Without the slightest
Clue as to
Which way
They’re going
Or coming from
And they’re painted
And draped
And covered in straps
Shreds
Trails of furs, leathers
Plastics of every sort
And it gets hard to sort
Them out,
The monsters
From
Their
Costumes.

How much depravity
Is enough or too much
For the depraved
Before the irony
Is too clean
To waste on themselves?

I’m standing in the
Midst
Of a mist
Of sweat and ****
And my jeans
Are soaked to the
Shins with *****
Or sweat
Or ****
Or hopefully blood
And I’m staring into
A shifting cloud
Of tall thin cold
Glasses of water
Waving skinny limbs
Twisting and flailing
As the show
Is put on for the
Other bony, ragged
Appendages by their
Androgynous semi-owners
Draped in furs
That are just as
Flea bitten as
Their desire to
Create substance
Through the flagrant
Display of debauchery
And purposeful
And tactfully
Tactless
Effort
To prove
A lack
Of substance.
Brian Oarr Dec 2013
Brethren skulking from the daylight shadows,
we watched other guys **** up to chicks,
offering to trade their Beatles bubble gum cards;
lying about how much they dug "Love Me Do".
***** Stones fans, we snickered every time
the sycophants lauded Ringo over Pete Best;
stared in disbelief at enraptured female fainting
on Ed Sullivan's really-big Sunday show.

Displaying our leathers, we were anything but Fab;
Brian Epstein would have deemed us scrofulous,
a given that nobody's daughter would marry us.
Back then, chicks were rated by putting-out,
not how many texts backed up on their cell phone.
No one really gave a thought to "the British Invasion",
nor if our lot in life would "Not Fade Away".

— The End —