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"kitchens" poems
awakened by the offsprings cry, baby powdered morning dew showers the room, coffee stained smiles shine about cheerio blanketed kitchens, so worrisome for office tardiness, the carseat won't lock into place, tire marks on fresh paved driveways, to daycare tears dry not she's on time, fatigued she plants her seed to the office seat to grow even less awaiting to see the smile of her child and say her prayers before falling asleep                      - awaked by the offsprings cry, gun powered morning dew showeres the village, rotted teeth smile amongst the body-blanketed township, so worrisome of finding a slain mother sister brother just like father, the gun won't lock into place, they never will, tattered couches paved with the ***** of slaughtered buildings, mother's dead tears dry not, fatigued, hands of grungy drainpipes plant beside, holding stagnant a somber sibling, tremors ripple crimson tides, planted to grow even less awaiting to see the smile of his mother his father his sister and say his prayers with brother before laying down
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Aug 26, 2015
Aug 26, 2015 at 8:29 PM UTC
Seattle to Syria°
zelle ma belle (zelle is an interbank system for sending cash in an instant to someone else’s bank account) sent her an unexpected $250, at 4:00am, of course, a check-plus for her life, because she revel reviews her day at school, as special person day, teaches them well, and anointed, appointed unsolicited confirmation by them “as part of our family” how they crave her body, her touch, at scary movie parts, her kitchens diner size menu, her refusal to ever disappoint, her candy drawer supreme, her crayon color visions which they execute, her zen sense of their moods, and for me, for calling them without hesitation my grandchildren indeed more here hers than mine she asks me why the $$ and poet doesn’t lie but thinks quick at 7:30 am while bed prone, “you won Nana of the Day award” the only (grandparent) on the floor with two kids in her lap, for the magic show, all the rest, benched, chattingly adultry things she thinks on it and says “ok, I accept!” p.s. also,  I have yet to inform her of the (my) elimination of a crystal champagne flute while doing my manly cleanup  from Friday night lights dinner pink champagne celebrating   le weekend’s arrival olp
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Apr 21, 2018
Apr 21, 2018 at 8:33 AM UTC
zelle ma belle
All that lead in their bones Smoke lingering blood They placed masks on their graves Unmarked in kitchens And fields of grain Washed out and bitterly red Against a blue white skin Liberty fell with her rifle Pointed at her own knees Crown set a gutter for soldiers to cower and puke in their false beliefs The only absolute in this ******* war is death You freedom ******* hypocrites
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Feb 20, 2015
Feb 20, 2015 at 2:06 AM UTC
filler fulfilment
Tall girls are beautiful, I see the poster say, looking down to myself I feel my feelings turn grey. Tall girls are perfect, I feel my soul pour out into my mind, as I awake to see I am the same height as days before this one. Tall girls are fair, loving as well as a lot more cute, much more appealing for him, a fair or perfect height for a kiss. But short girls can never reach their favourite snacks, we have to pull up a chair and climb the sides of our kitchens. Short girls have to tippy toe, just to kiss him on the lips in the right way he wants. Short girls can't look down on those who they love, only up, which leads us to remind ourselves we always remain “small”. Tall girls can stroll by and scare a small girl like me, because we fear you might just realize, that tall girl is who we want to be. You might hang up your coat and walk out on me... Still I try my hardest to be proud of myself, for short girls are beautiful inside and out. Height should not determine emotional connection, so please, like all those years don't judge me just as badly as I did. For you see, Tall girls are beautiful. But short girls, are just as beautiful too.
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Feb 9, 2016
Feb 9, 2016 at 9:32 PM UTC
"Tall Girls Are Beautiful"
I search for some decor to pretty up my house A headboard, some dead boards or maybe a couch? The said so to do it on public TV my kitchens not pretty as pretty as can be But what will the neighbors think of my design? they'll report to the magazine that it's beautiful and sublime! Some ship lap, some sconces all wrapped in a bow i will trend till tomorrow then die all alone Rip it all down Says Chip and Joanna They are more popular Than Hanna Montanna They live on a ranch an take millions to make a spectacular suprise for a couple to take We all laugh an cheer at Chip's child like antics Which makes great TV as Joanna gets Frantic! Do Chip and Joanna really care about you? As long as the station gets ten million views They tell us to fix it even though it's not broken go shop till you drop and spend every token Buy that cool sign made from cheap yellow plastic The richer get richer but, our wall looks fantastic! Do not give in to the big corporate greed there are sick, hungry people and starving mouths to feed so every cent spent on the corporate wealth helps the richer get richer and we go to stealth Wake up and see vanity is causing distress don't give in to pressure of this corporate mess!
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Aug 25, 2018
Aug 25, 2018 at 10:44 PM UTC
Hobby Lobbyist
Like a meme of activism This women's coalition Mothers Sister Friends Pioneers and heroines There's courage in their convictions A guild of collectivism They hold luncheons in their kitchens Talk of abolition Mysticism Feminism Of heroes and magnetism Seduction Love Eroticism They scream like banshees at a crucifixion About injustice Dereliction Terrorism A tradition underwritten With symbolism Drums Violins Musicians They may be sitting They may be knitting Baking muffins Folding linen Running errands Stuffing chickens A juxtaposition to their ambition Of inspiring the unwilling Turning derision to optimism Their fire and brimstone Will have history rewritten Freedom of reproduction Liberalism Animism They have wisdom Intuition Rhythm They are fearsome This women's coalition
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Jan 2, 2014
Jan 2, 2014 at 4:07 PM UTC
The Women's Coalition
The pockets of our greatcoats full of barley... No kitchens on the run, no striking camp... We moved quick and sudden in our own country. The priest lay behind ditches with the ***** A people hardly marching... on the hike... We found new tactics happening each day: We'd cut through reins and rider with the pike And stampede cattle into infantry, Then retreat through hedges where cavalry must be thrown. Until... on Vinegar Hill... the final conclave. Terraced thousands died, shaking scythes at cannon. The hillside blushed, soaked in our broken wave. They buried us without shroud or coffin And in August... the barley grew up out of our grave.
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Requiem for the Croppies
December, 1870 After the beef was gone, after the pork and the lamb, and the fowl and the fish and the dogs, and the cats, and the rats in the gutter, the butchers turned to the zoo. We ate the wolves. We ate the wolves broiled in sauce of deer, the antelope truffled and terrined. We ate the camels with breadcrumbs and butter, and when they were all gone, we sharpened our knives and primed our guns and came back for the elephants. The gunsmith Devisme did the deed, hurled an explosive ball through each of their docile heads. They fell like mountains, like the pillars of Dagon pulled down by mighty Samson, and then we hacked them up and carted them away to the kitchens, to feed the wealthy and the rich in the clubs of bright Paris.
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Dec 29, 2011
Dec 29, 2011 at 4:51 PM UTC
Castor and Pollux and the Siege of Paris
Earth is my bedroom and toilet; an empty cup, my self employment Days of empty stomach churning, a forced sermon at "Sunday Breakfast" Fast-food places are my kitchens; Shelters,my free hotels and free meals Police are my nemesis; human rights, a foreign fantasy Jail cells are my places for philosophical, contemplated thought Filth is my every day attire; alertness, my only protection Weather is my lover or enemy; cold empty stares, my other human contacts Loneliness is my constant companion New horizons are never sought by this man-of-no-land ,
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Sep 14, 2014
Sep 14, 2014 at 4:19 PM UTC
Man-Of-No-Land
America, from a grain of maize you grew to crown with spacious lands the ocean foam. A grain of maize was your geography. From the grain a green lance rose, was covered with gold, to grace the heights of Peru with its yellow tassels. But, poet, let history rest in its shroud; praise with your lyre the grain in its granaries: sing to the simple maize in the kitchen. First, a fine beard fluttered in the field above the tender teeth of the young ear. Then the husks parted and fruitfulness burst its veils of pale papyrus that grains of laughter might fall upon the earth. To the stone, in your journey, you returned. Not to the terrible stone, the ****** triangle of Mexican death, but to the grinding stone, sacred stone of your kitchens. There, milk and matter, strength-giving, nutritious cornmeal pulp, you were worked and patted by the wondrous hands of dark-skinned women. Wherever you fall, maize, whether into the splendid *** of partridge, or among country beans, you light up the meal and lend it your virginal flavor. Oh, to bite into the steaming ear beside the sea of distant song and deepest waltz. To boil you as your aroma spreads through blue sierras. But is there no end to your treasure? In chalky, barren lands bordered by the sea, along the rocky Chilean coast, at times only your radiance reaches the empty table of the miner. Your light, your cornmeal, your hope pervades America's solitudes, and to hunger your lances are enemy legions. Within your husks, like gentle kernels, our sober provincial children's hearts were nurtured, until life began to shuck us from the ear.
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Ode To Maize
America, from a grain of maize you grew to crown with spacious lands the ocean foam. A grain of maize was your geography. From the grain a green lance rose, was covered with gold, to grace the heights of Peru with its yellow tassels. But, poet, let history rest in its shroud; praise with your lyre the grain in its granaries: sing to the simple maize in the kitchen. First, a fine beard fluttered in the field above the tender teeth of the young ear. Then the husks parted and fruitfulness burst its veils of pale papyrus that grains of laughter might fall upon the earth. To the stone, in your journey, you returned. Not to the terrible stone, the ****** triangle of Mexican death, but to the grinding stone, sacred stone of your kitchens. There, milk and matter, strength-giving, nutritious cornmeal pulp, you were worked and patted by the wondrous hands of dark-skinned women. Wherever you fall, maize, whether into the splendid *** of partridge, or among country beans, you light up the meal and lend it your virginal flavor. Oh, to bite into the steaming ear beside the sea of distant song and deepest waltz. To boil you as your aroma spreads through blue sierras. But is there no end to your treasure? In chalky, barren lands bordered by the sea, along the rocky Chilean coast, at times only your radiance reaches the empty table of the miner. Your light, your cornmeal, your hope pervades America's solitudes, and to hunger your lances are enemy legions. Within your husks, like gentle kernels, our sober provincial children's hearts were nurtured, until life began to shuck us from the ear.
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Absence of imagination, the End of independent thought. Cities reek of corruption, ****** and the greatest of sins. They raise and **** in by the millions yet onlysome men seem to win. Glorious eyes of curve-free posters used as wallpaper for the cleanest streets. Looking up to their Father all good citizens try to weep the plain and empty tears the Party demands them sheep. Maybe it will soon end, but I'm never able to trust us men; maybe weeks will tell, but I still can't seem to hear a bell Inside the people's empty homes, Fathers, sons left alone. Big Brother dominates, he commands, a billion voices in one hand. Behind the money lies the pain, into fields fall the rain. With empty pockets walk the road a thousand stories left untold. Blood can be found on every street, death and life here meet.    Maybe it'll someday end, but I'm never able to trust us men, maybe years will tell; but I still can't seem to hear a bell. A hungry stomach calls for meat, rotting, green, foul or sweet. Rank food from the kitchens, will be served, millions of peoples have reserved. Between the alleys at the mass the cross’s shadow isn't cast. Those booklets burn easy, use them well, let vain ideas fry in hell. Maybe it's will oneday end, but I'm never able trust us men. maybe our grandhildren shall one day know, Their grandeparents wept but did not sow.
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Jun 30, 2014
Jun 30, 2014 at 5:24 PM UTC
CCCP
We are surrounded by shatter broken  beer bottles, wine coolers gone to waste. We've gone to war inside our own heads, pulling ourselves into corners and kitchens and couch cushions where all I can think is how pretty you look tonight I can feel my heart beat to the technicolor rhythm of your butterfly gas leak eyes "This music hurts my heart I want to leave now" is what you whisper to me under dropped basses and stepped dubs "I know" is what I whisper back alongside the same sad forget-your-worries rhythm So we leave, floating over alcohol puff swollen bodies left behind by unreliable boy-girlfriends sick of cleaning ***** out of the back of their pickup trucks And we roll our sickly drunken souls to the Mcdonalds where they give  you coffee to get rid of wasted smashed faces if you're underage and alcohol-laced we sober up over cold coffee and scalding fries We sober up, But I get drunk on your candy stained mouth as you pour out lies you've never told anyone before I want to let you know all my favourites, all my secrets, all my everythings But I don't. And after that pretty pretty night where we sobered up but I got drunk on you The only time I see you Is past someone else's head As I smash my drunken lips to theirs.
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Jun 28, 2014
Jun 28, 2014 at 9:32 PM UTC
Platitude
seedy motels crowded with undesirables shooting up smoking **** toothless ******** for a fix welcome to America home of the brave and the crack den what a beautiful country ours is majestic purple mountains slick black tar ****** amber waves of grain skid row and soup kitchens the struggle to survive we fight to stay alive land of the free but free has hidden fees free love? Aids'll stop ya free health care? Get out you ****** ******* free speech? Only if you don't mind mace Here the dom in freedom means ********** ********** of the free we go through it all like marionettes glassy eyed and blank faces our strings pulled by wealthy men we become older and older until death and don't forget the debt that will be your children's problem
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Feb 18, 2013
Feb 18, 2013 at 4:00 AM UTC
America!
They are rattling breakfast plates in basement kitchens, And along the trampled edges of the street I am aware of the damp souls of housemaids Sprouting despondently at area gates. The brown waves of fog toss up to me Twisted faces from the bottom of the street, And tear from a passer-by with muddy skirts An aimless smile that hovers in the air And vanishes along the level of the roofs.
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Morning At The Window
I'd never cared for flowers Symbols of affection that wilt And forget memories And fall apart in kitchens and bedrooms and strew their pieces on the floors Dried and broken after only days of being lovely Flowers with their alternating patterns of Unreliable determinations Claiming every other petal as an opposite declaration Of a determination Of love And I never liked removing thorns from roses Because they added something truthful and Poetic But when you gave me flowers I held them to my heart and let my eyes dance across the kaleidoscope that they created in a glass vase I let them live for longer than they did Because they were still pretty even when no one else seemed to think so And when they hang dried on a wall Still colorful but slightly brittle Maybe they'll stay like that if I just don't touch them When you gave me flowers I plucked off every other petal Into a bouquet of He-Loves-Me Because for once there was no doubt For once I believed the sentiment in the flowers and the words from your lips as you handed them over The lack of nots in the petals Pulling apart the knots in my stomach He loves me He loves me Truer than the dirt that holds Wilting symbols of affection Sweeter than the honey Of their pollinators He loves me He loves me A garden of something new and beautiful Perennial and built on symbolism after all Until you let me know that dead flowers were just dead flowers That they were past their worth And metaphors aren't worth the dirt they were grown in That perennials can't return When you've salted the soil And brittle flowers on the wall should always be removed But I always lived in metaphors anyway And I had a new appreciation for flowers that I didn't want to lose I was no longer a rose But a thorn I always thought smooth stems were so boring Not to mention dishonest But I didn't want to make you bleed So painfully I dug an olive branch from my rib cage Then realizing that a ****** token may not be so well received I decorated it with a bouquet of blue Forget-Me-Nots But you plucked off every other petal And handed back an array of He-Loves-Me-Nots He loves me not And there was no doubt in the sentiment The sentience of metaphors dying all around me When all I know is metaphors And flowers were never just flowers And words were never just words But both are found on gravestones and poems and apologies And parallels have fallen into nice and even spacing Reducing flowers to clichés Of alternating promises Of He loves me and He loves me not Of broken promises He loves me Not
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May 22, 2014
May 22, 2014 at 6:04 PM UTC
Flowers
I'd never cared for flowers Symbols of affection that wilt And forget memories And fall apart in kitchens and bedrooms and strew their pieces on the floors Dried and broken after only days of being lovely Flowers with their alternating patterns of Unreliable determinations Claiming every other petal as an opposite declaration Of a determination Of love And I never liked removing thorns from roses Because they added something truthful and Poetic But when you gave me flowers I held them to my heart and let my eyes dance across the kaleidoscope that they created in a glass vase I let them live for longer than they did Because they were still pretty even when no one else seemed to think so And when they hang dried on a wall Still colorful but slightly brittle Maybe they'll stay like that if I just don't touch them When you gave me flowers I plucked off every other petal Into a bouquet of He-Loves-Me Because for once there was no doubt For once I believed the sentiment in the flowers and the words from your lips as you handed them over The lack of nots in the petals Pulling apart the knots in my stomach He loves me He loves me Truer than the dirt that holds Wilting symbols of affection Sweeter than the honey Of their pollinators He loves me He loves me A garden of something new and beautiful Perennial and built on symbolism after all Until you let me know that dead flowers were just dead flowers That they were past their worth And metaphors aren't worth the dirt they were grown in That perennials can't return When you've salted the soil And brittle flowers on the wall should always be removed But I always lived in metaphors anyway And I had a new appreciation for flowers that I didn't want to lose I was no longer a rose But a thorn I always thought smooth stems were so boring Not to mention dishonest But I didn't want to make you bleed So painfully I dug an olive branch from my rib cage Then realizing that a ****** token may not be so well received I decorated it with a bouquet of blue Forget-Me-Nots But you plucked off every other petal And handed back an array of He-Loves-Me-Nots He loves me not And there was no doubt in the sentiment The sentience of metaphors dying all around me When all I know is metaphors And flowers were never just flowers And words were never just words But both are found on gravestones and poems and apologies And parallels have fallen into nice and even spacing Reducing flowers to clichés Of alternating promises Of He loves me and He loves me not Of broken promises He loves me Not
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70
An outcast, A creature we despise, It looks so small and tiny, And has gimlet eyes, It stalks the drains and kitchens, And scavenges in the night, And climbs upon our plates of food, Such an unwelcome sight.
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Aug 28, 2012
Aug 28, 2012 at 5:55 AM UTC
The Cockroach
My mother used to bake cookies with me when I was young Intricate designs of colored icing that varied with the seasons. They were always perfect and looked far to good to suffer the crime of eating. For half a century I always baked cookies for the holidays Whilst my children grew tall and independent with no apparent Interest in baking As the pale blue winter light falls into my kitchens I see myself Cutting shapes and painting colors a silhouette on the shadows of the wall. Placing the last cookie into a Christmas scene can I Arive at the hospital and sit next to her in the ICU I see her frailness the alarm in her eyes as she recognises me But is yet unable to enunciate her thoughts. Silence as loud as thunder fills the room the seams of the walls are stretched to their limits. The outer limits beep of the monitor acknowleging her heartbeats Counting down each one until the last. I miss our intimacy in that long ago kitchen And  the random thought enters my mind I am her only child and she is my only mother. The monitor rings an alarm a code blue Signalling the end of her like the end of a football match. I feel the loss of her like a razor blade cutting my flesh. And as I leave her for the last time There seems to be a a mortality in the measured unknown days ahead and the cans of cookies yet to be baked.
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Jul 30, 2018
Jul 30, 2018 at 2:04 PM UTC
Baking with my mother
earth boy. air conditioned and living. /or following the light of something far from home. begin: old town and lovely she. loved she. love she like there is no other she. the one and only she. she dumps him. finds a new he. has *** with the new he in a far corner apartment complex peak beyond the tracks. train. troubles; like screeching howls of love spit and **** city at midnight. he buries his hopes and face in pie at the café volta. new her, wiping the counter calm yet tired yet cute and soon to close shop. she tells him - about the keys of lost lovers. the doors to remain open for the sake of dreams and all possibility. she tells him - of the pies at the end of the night. the cheesecake and the apple pie /entirely gone. the peach cobbler and the chocolate mousse /almost gone. but the blueberry pie, always /untouched. he’ll have that. some sort of broken in the heart have that/love that/eat that/pie. they talk for hours. he rests his head on the counter and sleeps icecream on his lips. she almost kisses him right there. and she remembers him. attempts to call him while he’s in memphis /or some other southern city. he's on somekind of journey. he works kitchens for more money to motion further west. westward sweat and burgers. see/saw. little money, little love, little city and onto the next. she remembers him. attempts to call him while he’s deeper into the glowing desert dome /or vegas. /or, you see the stars above? she writes him letters. and he writes her back, and in return, they fall toward a thought, a light, a lit-up little idea of life full on good something. return. to new york and old scents. old town. corner apartment complex peak window and memories of a once-was girl. beyond the tracks. train. troubles no more. return/ to pie. to café and concept of sweet-tooth, sweet real something, sweet blueberry nights and icecream. and there she is. with warmer winter/spring smiles than even dreamt. and her words for hours. she almost kisses him, but kisses him. something perpetual is love.
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Oct 4, 2015
Oct 4, 2015 at 9:48 AM UTC
blueberry nights
earth boy. air conditioned and living. /or following the light of something far from home. begin: old town and lovely she. loved she. love she like there is no other she. the one and only she. she dumps him. finds a new he. has *** with the new he in a far corner apartment complex peak beyond the tracks. train. troubles; like screeching howls of love spit and **** city at midnight. he buries his hopes and face in pie at the café volta. new her, wiping the counter calm yet tired yet cute and soon to close shop. she tells him - about the keys of lost lovers. the doors to remain open for the sake of dreams and all possibility. she tells him - of the pies at the end of the night. the cheesecake and the apple pie /entirely gone. the peach cobbler and the chocolate mousse /almost gone. but the blueberry pie, always /untouched. he’ll have that. some sort of broken in the heart have that/love that/eat that/pie. they talk for hours. he rests his head on the counter and sleeps icecream on his lips. she almost kisses him right there. and she remembers him. attempts to call him while he’s in memphis /or some other southern city. he's on somekind of journey. he works kitchens for more money to motion further west. westward sweat and burgers. see/saw. little money, little love, little city and onto the next. she remembers him. attempts to call him while he’s deeper into the glowing desert dome /or vegas. /or, you see the stars above? she writes him letters. and he writes her back, and in return, they fall toward a thought, a light, a lit-up little idea of life full on good something. return. to new york and old scents. old town. corner apartment complex peak window and memories of a once-was girl. beyond the tracks. train. troubles no more. return/ to pie. to café and concept of sweet-tooth, sweet real something, sweet blueberry nights and icecream. and there she is. with warmer winter/spring smiles than even dreamt. and her words for hours. she almost kisses him, but kisses him. something perpetual is love.
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Keen little neons playfully jump around, colliding with her mind and she sits there, legs crossed, her ***** aroused, but it gets doused as the Wall Street pinstripe type walks by she utters a sigh, looks at the sky, the ending's nigh, and it's night. Skyline looks pretty beams and lighted apartment block kitchens and real pop-up ads, them keen little neons, her eyes flicker like those hanging lights in horror films, perpetuate fear, the skeletons are in the clear. I told you, you schmuck, the end is near.
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May 30, 2015
May 30, 2015 at 3:28 AM UTC
Skyline Stickball
Put on a clean shirt before you die, some Russian said. Nothing with drool, please, no egg spots, no blood, no sweat, no ***** You want me clean, God, so I'll try to comply. The hat I was married in, will it do? White, broad, fake flowers in a tiny array. It's old-fashioned, as stylish as a bedbug, but is suits to die in something nostalgic. And I'll take my painting shirt washed over and over of course spotted with every yellow kitchen I've painted. God, you don't mind if I bring all my kitchens? They hold the family laughter and the soup. For a bra (need we mention it?), the padded black one that my lover demeaned when I took it off. He said, "Where'd it all go?" And I'll take the maternity skirt of my ninth month, a window for the love-belly that let each baby pop out like and apple, the water breaking in the restaurant, making a noisy house I'd like to die in. For underpants I'll pick white cotton, the briefs of my childhood, for it was my mother's dictum that nice girls wore only white cotton. If my mother had lived to see it she would have put a WANTED sign up in the post office for the black, the red, the blue I've worn. Still, it would be perfectly fine with me to die like a nice girl smelling of Clorox and Duz. Being sixteen-in-the-pants I would die full of questions.
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2.9k
Clothes
I am not your sunrise lover. I am 10pm after a hard days labor. Dinners cooked and kitchens cleaned. Lazy hands trace limp bodies. Breath softens and bodies roll. But I am not your sunrise lover I am midnight moon high in the sky eyes thrown back and thighs open wide. Sweat drips breath thick blood rushing in our lips body quivers spirits moan But I am not your sunrise lover I am 2am secrets whispered through heavy voices and drooping eyes true selves revealed under the cloak of night. Bodies held close -which is yours? -which is mine? It doesn't really matter I'll be gone before dawn Because I am not your sunrise lover...
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Jan 30, 2014
Jan 30, 2014 at 2:46 PM UTC
Symphony #7: Sunrise Sonata
I stand in the kitchen not really present talking about baking potatoes with my husband. For a second the girl who baked potatoes in so many other people's kitchens looks out of these woman's eyes awed at the fact that she can bake potatoes in her own kitchen. In that instant the woman receives as a gift the incredible pleasure of baking potatoes in her own kitchen, and is grateful.
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Jan 5, 2021
Jan 5, 2021 at 4:01 PM UTC
Baking potatoes
Neon Stella Artois lights and sly hellos It commenced as we were flew spinning Ticket stubs and ink -stains Oh, as our love flirted we both were seeking Brooklyn Subway stops and ***** clothes We perched by the equator but only when beginning Backwards flasks and ******* Then winter solstice was challenged by spring’s springing Strands of soft pearls and wishing wells We shivered the anxious touch of a faux July summer’s evening Empty bar stools and firelight It was still bitterly February but with the mockery of songbirds floating Two Thirty Seven A.M. and sea shells How can the world deceive us in this fashion: fools, we accept ever-knowing Buttered bread and hindsight Dawn will crash with frostbite and these daisies will pay the price of their beauty’s sinning Wine before noon and payphone bills Wind will eviscerate this moment for once you have touched the sun the ice is more than suffocating Dry heaving and ribbons We were only waiting then at the heart of a train station for the stretches of shadows to lengthen First drags of cigarettes and blue diet pills The glitter within the dew drops stolen from our tired eyes when our first summer was stolen Cheap motels and kitchens We could barely exchange syllables, our melodies quarreling, our blood had thinned Calendar pages and black lace ******* The euthanasia of the spring would have hung us too if we had breathed it in The Last calls and lollipops One can repose more gently in the absence of color than in the theft of sin Bitten manicured hands and autumn leaves We used to sleep in a room with wonders, windows, and blankets within Midnight whispers and rooftops It was the only place that could soften the swords in all this ruin ****** wrappers and painting supplies Today is cruel, it cannot be summer if the world doesn’t spin Happy hour cocktails and goodbyes
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Jan 26, 2013
Jan 26, 2013 at 2:16 PM UTC
Marshall Evans
Neon Stella Artois lights and sly hellos It commenced as we were flew spinning Ticket stubs and ink -stains Oh, as our love flirted we both were seeking Brooklyn Subway stops and ***** clothes We perched by the equator but only when beginning Backwards flasks and ******* Then winter solstice was challenged by spring’s springing Strands of soft pearls and wishing wells We shivered the anxious touch of a faux July summer’s evening Empty bar stools and firelight It was still bitterly February but with the mockery of songbirds floating Two Thirty Seven A.M. and sea shells How can the world deceive us in this fashion: fools, we accept ever-knowing Buttered bread and hindsight Dawn will crash with frostbite and these daisies will pay the price of their beauty’s sinning Wine before noon and payphone bills Wind will eviscerate this moment for once you have touched the sun the ice is more than suffocating Dry heaving and ribbons We were only waiting then at the heart of a train station for the stretches of shadows to lengthen First drags of cigarettes and blue diet pills The glitter within the dew drops stolen from our tired eyes when our first summer was stolen Cheap motels and kitchens We could barely exchange syllables, our melodies quarreling, our blood had thinned Calendar pages and black lace ******* The euthanasia of the spring would have hung us too if we had breathed it in The Last calls and lollipops One can repose more gently in the absence of color than in the theft of sin Bitten manicured hands and autumn leaves We used to sleep in a room with wonders, windows, and blankets within Midnight whispers and rooftops It was the only place that could soften the swords in all this ruin ****** wrappers and painting supplies Today is cruel, it cannot be summer if the world doesn’t spin Happy hour cocktails and goodbyes
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