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"jostle" poems
Isn’t physically quick or agile. Disappears in libraries. Has been known to dissolve into the physical pages of books. Is good at tucking herself into the stacks and retreating to reading nooks. Blends in at coffee shops where her voice can be drowned out by the grinding and the steaming. Can become indistinguishable in the dark of theatres, in the quiet shuffle of art galleries, the finger-snapping of poetry readings, the hum and jostle of the Tube. Is indistinct. Adept at hiding in plain sight.
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Aug 5, 2015
Aug 5, 2015 at 9:05 PM UTC
Catch her if you can
The night is only a sort of carbon paper, Blueblack, with the much-poked periods of stars Letting in the light, peephole after peephole -- A bonewhite light, like death, behind all things. Under the eyes of the stars and the moon's rictus He suffers his desert pillow, sleeplessness Stretching its fine, irritating sand in all directions. Over and over the old, granular movie Exposes embarrassments--the mizzling days Of childhood and adolescence, sticky with dreams, Parental faces on tall stalks, alternately stern and tearful, A garden of buggy rose that made him cry. His forehead is bumpy as a sack of rocks. Memories jostle each other for face-room like obsolete film stars. He is immune to pills: red, purple, blue -- How they lit the tedium of the protracted evening! Those sugary planets whose influence won for him A life baptized in no-life for a while, And the sweet, drugged waking of a forgetful baby. Now the pills are worn-out and silly, like classical gods. Their poppy-sleepy colors do him no good. His head is a little interior of grey mirrors. Each gesture flees immediately down an alley Of diminishing perspectives, and its significance Drains like water out the hole at the far end. He lives without privacy in a lidless room, The bald slots of his eyes stiffened wide-open On the incessant heat-lightning flicker of situations. Nightlong, in the granite yard, invisible cats Have been howling like women, or damaged instruments. Already he can feel daylight, his white disease, Creeping up with her hatful of trivial repetitions. The city is a map of cheerful twitters now, And everywhere people, eyes mica-silver and blank, Are riding to work in rows, as if recently brainwashed.
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15.4k
Insomniac
The night is only a sort of carbon paper, Blueblack, with the much-poked periods of stars Letting in the light, peephole after peephole -- A bonewhite light, like death, behind all things. Under the eyes of the stars and the moon's rictus He suffers his desert pillow, sleeplessness Stretching its fine, irritating sand in all directions. Over and over the old, granular movie Exposes embarrassments--the mizzling days Of childhood and adolescence, sticky with dreams, Parental faces on tall stalks, alternately stern and tearful, A garden of buggy rose that made him cry. His forehead is bumpy as a sack of rocks. Memories jostle each other for face-room like obsolete film stars. He is immune to pills: red, purple, blue -- How they lit the tedium of the protracted evening! Those sugary planets whose influence won for him A life baptized in no-life for a while, And the sweet, drugged waking of a forgetful baby. Now the pills are worn-out and silly, like classical gods. Their poppy-sleepy colors do him no good. His head is a little interior of grey mirrors. Each gesture flees immediately down an alley Of diminishing perspectives, and its significance Drains like water out the hole at the far end. He lives without privacy in a lidless room, The bald slots of his eyes stiffened wide-open On the incessant heat-lightning flicker of situations. Nightlong, in the granite yard, invisible cats Have been howling like women, or damaged instruments. Already he can feel daylight, his white disease, Creeping up with her hatful of trivial repetitions. The city is a map of cheerful twitters now, And everywhere people, eyes mica-silver and blank, Are riding to work in rows, as if recently brainwashed.
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35
Willets cull the seawall snapper on the grill rock ***** swoon in shallow lagoons long boats pass under quiet palm shade Plovers dance and flutter handrails frayed and torn graffiti spots at lovers rock frigate-birds fall from a high noon sun Thatched roof on a mud wall fish flags settle score anchors arch in front line march pillar cracks form under rust brown scars Elegant tern and grebe watchmen fall in cue children play on crested waves whimbrels and notchers perch above Tentaciones Striped pelícanos the bandits of the sea! merchants grow in steady flow siblings jostle in a tide cooled sand Heerman gull and boobie durango smoke in yurt boiler shrimp and puffer blimp castle buckets and scrapers under a dusk light cheroot Six pulls on a lead line painted toes in sand shearwater run in a rainbow sun the portly mexicano flaunts his tacos and wares Rooster house for swordfish bamboo shoots and sails broken shells and ocean swells rise on the perfect La Ropa bay
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Apr 14, 2017
Apr 14, 2017 at 2:22 PM UTC
Sotavento
High on'a farm, make a needle biscuits water-up sits creek jostle potatoes, pan-pot boiling -with carrot cake. Purple sky, tractor runnin' time of day, sun low. E'er body say, "Why dou'a on'a farm?" entered-dat du da future; not Ford'ed fields. Face it dou'a future, "Dat future know it's place." * *Sweet devils singin' to me, sweetened tongue a' beautiful place. . . *"E'erthing set in place, ***** wit I say, -dinner on-ma tray."* *
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Mar 24, 2018
Mar 24, 2018 at 12:21 AM UTC
sweet devils 1994
spring omnipotent goddess thou dost inveigle into crossing sidewalks the unwary june-bug and the frivolous angleworm thou dost persuade to serenade his lady the musical tom-cat,thou stuffest the parks with overgrown pimply cavaliers and gumchewing giggly girls and not content Spring, with this thou hangest canary-birds in parlor windows spring slattern of seasons you have ***** legs and a muddy petticoat,drowsy is your mouth your eyes are sticky with dreams and you have a sloppy body from being brought to bed of crocuses When you sing in your whiskey voice the grass rises on the head of the earth and all the trees are put on edge spring, of the jostle of thy ******* and the slobber of your thighs i am so very glad that the soul inside me Hollers for thou comest and your hands are the snow and thy fingers are the rain, and i hear the screech of dissonant flowers,and most of all i hear your stepping freakish feet feet incorrigible ragging the world,
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10.8k
Spring Omnipotent Goddess Thou Dost
On the land molded by footsteps and ruled by obnoxiously bleached clowns, Visited by swarms of neighborhood guttersnipes and the opulent from uptown. Allured by the traditional Irish circus music and the grinding of rusted gears, To arrive at dawn and to leave only when the night sky is tired of fireworks and flares. Skittish and gleaming eyes would roll on the floor, struck by daze and lost in wonderment, At the marvel of giant steel rides and god forsaken and socially foretoken genetic mutants. The word of a woman with two faces and the boy with a tail would make any catholic priest run. Amusing the rational ones, alongside the man with elastic skin and the girl with the forked tongue. The opera lady with outlandish proportions and tumorous lips sings to break a piece of cheap glassware. Little do people know,that the magician’s red gloves are actually stained with blood of rabbit that disappeared. Their noses get caught in the medley of fragrances from the exotic perfumes shop, Blended with the saccharine tang from the stall that sells candy floss and soda pops. Indulging over the overly priced confectioneries at the stall of the baker with the forbidding grin. Try it a hundred times,try it a thousand,you’ll never get the fifth one right in the game of rings. People will come out screaming from the haunted house,only to laugh about it later, Little do they know,that skeletons that drove them pale and white couldn't get any realer. They’ll jostle and struggle to make their way through the crowd to various rides and attractions. Hustling to navigate through the maze the carnival is, encountered by countless illusions. And once your body wears out and senses give in,that’s when you've truly entered the carnival state of mind. Your ears stinging ,nose stifled,tongue baffled, eyes exhausted,and your sense of judgment blinded. That’s when my masked act begins,the most profitable act at the carnival, Diving into the heart of the crowd,to draw an act of brilliance lasting an ephemeral. Slithering across the crowd in a different disguise every hour,concealed by stealth. Sneaking into every nook and corner and slipping my furtive hands into your pockets for a little bit of wealth. Only to dine with the clowns and the carnival family at the haunted house at the end of the day. And of course, rabbits for dinner,if the baker may
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May 7, 2015
May 7, 2015 at 3:13 AM UTC
Carnival
On the land molded by footsteps and ruled by obnoxiously bleached clowns, Visited by swarms of neighborhood guttersnipes and the opulent from uptown. Allured by the traditional Irish circus music and the grinding of rusted gears, To arrive at dawn and to leave only when the night sky is tired of fireworks and flares. Skittish and gleaming eyes would roll on the floor, struck by daze and lost in wonderment, At the marvel of giant steel rides and god forsaken and socially foretoken genetic mutants. The word of a woman with two faces and the boy with a tail would make any catholic priest run. Amusing the rational ones, alongside the man with elastic skin and the girl with the forked tongue. The opera lady with outlandish proportions and tumorous lips sings to break a piece of cheap glassware. Little do people know,that the magician’s red gloves are actually stained with blood of rabbit that disappeared. Their noses get caught in the medley of fragrances from the exotic perfumes shop, Blended with the saccharine tang from the stall that sells candy floss and soda pops. Indulging over the overly priced confectioneries at the stall of the baker with the forbidding grin. Try it a hundred times,try it a thousand,you’ll never get the fifth one right in the game of rings. People will come out screaming from the haunted house,only to laugh about it later, Little do they know,that skeletons that drove them pale and white couldn't get any realer. They’ll jostle and struggle to make their way through the crowd to various rides and attractions. Hustling to navigate through the maze the carnival is, encountered by countless illusions. And once your body wears out and senses give in,that’s when you've truly entered the carnival state of mind. Your ears stinging ,nose stifled,tongue baffled, eyes exhausted,and your sense of judgment blinded. That’s when my masked act begins,the most profitable act at the carnival, Diving into the heart of the crowd,to draw an act of brilliance lasting an ephemeral. Slithering across the crowd in a different disguise every hour,concealed by stealth. Sneaking into every nook and corner and slipping my furtive hands into your pockets for a little bit of wealth. Only to dine with the clowns and the carnival family at the haunted house at the end of the day. And of course, rabbits for dinner,if the baker may
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26
86 South Winds jostle them— Bumblebees come— Hover—hesitate— Drink, and are gone— Butterflies pause On their passage Cashmere— I—softly plucking, Present them here!
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4.2k
South Winds jostle them
The villages of Algiers Well, suburbs Really, but villages Is what is said In French And heaven Knows, despite one Hundred thirty years of Colonization Brutalization Deprivation The many Algerians Still Love French. Those Villages team with men At night. At night, the women Wait Indoors Behind doors, away. Waiting. But at night the Men take the streets. At night the men crowd Streets, cut in Front of traffic, clog Cafes, stream Toward the mosque away From the mosque fill stores But mostly Mostly they Squat Sit, or just Hold up walls. They lean. Stare. Talk. They watch cars As they jostle and jolt Watch other men Walking, watch The silence The noise. Watch Stars, the Dark Still buildings The passing cat, the rhythm Of the wind, Watch the gibbous moon and It’s cycle The fullness, the waxing and waning They watch They witness The villages The suburbs The streets They watch The dead.
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Sep 3, 2014
Sep 3, 2014 at 9:28 AM UTC
The Villages of Algiers
All days may not start well Things may not go to plan Punctuality monsoon will tell Start as early as you can But not always in our hands Things at the mercy of rain Is there any place to stand? In a Mumbai fast local train? More so when it is late Leaving you at the hands of fate Men push, jostle and bicker Place to stand is a premium At your expense, they snicker For a while, it’s pandemonium To and fro, back and forth Swung for all your worth Then the train stops when it shouldn’t Getting further late when it shouldn’t When time comes to alight You are expected to defy gravity Jumping a moving train with no clarity Changing over at Dadar is no delight Later greeted by grime and muck Rain at Lower Parel adds to bad luck Noisy motorists on a narrow street Make your mind admit defeat Reaching office is a relief Your sweat beggars belief Just the start of a long day ahead A miracle not to lose your head
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Jul 25, 2017
Jul 25, 2017 at 11:08 AM UTC
A bad hair day in Mumbai local trains
Inspiration for true love, you always remain, With your ineffable look and idyllic thoughts, Your dulcet expressions are very iridescent, When two lovers are kissing in garden. Joyful love making in the dark deep forest, You will never jilt our love, my heart sings, My feelings jostle to get into your heart, When rain drops are dancing with bubbles. ***** style you have with your frizzy hair, Ebullient and effervescent flavor of your spirit, Entice my lips to kiss you all over your body, By the end of today, when the sun is setting. Lullaby your heart croons sonorously for me, You are light, love and life a lover always seeks, My heart is fond of your rosy and lustful lips, When rainbow is spreading its colorful emotions, Mesmerize me by your marvelous appearance, Your great reverence for love enrapture me, And naughty actions of your lips stare at me, When hailstorms are falling on the poor lovers. Nurturing the love seeds, you sowed yesterday, You shower your warmness on those seeds, Are eager to dance with their kind partner, When love season is reaching its adolescence. One and only partner, this is you only darling, Whom I so deeply and outrageously love, And my baby heart always beats for you, When snowy mountains stretch in ********** Passionate and pretty playmate you are, The Most romantic words I can say to you, My pride, joy and precious partner for ever, And peep from the swarm of smitten blue sky.
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Sep 6, 2016
Sep 6, 2016 at 8:11 AM UTC
A Romantic Poem For My Dream Love (PART-2)
Lady of dusk-wood fastnesses, Thou art my Lady. I have known the crisp, splintering leaf-tread with thee on before, White, slender through green saplings; I have lain by thee on the brown forest floor Beside thee, my Lady. Lady of rivers strewn with stones, Only thou art my Lady. Where thousand the freshets are crowded like peasants to a fair; Clear-skinned, wild from seclusion They jostle white-armed down the tent-bordered thoroughfare Praising my Lady.
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2.4k
First Praise
I live in a shoe And before you ask me any questions Or if this a metaphor Or try to sell me a spot in the latest **** development Let me assure you, I most definitely live in a shoe It is the left shoe to be exact Worn down and some spots extra layers of duct tape To keep out the winter cold And when it gets icy, I have to be careful For if I jostle it just right, the shoe can slide a couple feet You may ask me why, when, what and how And this is what I will say I used to work at a school, a crossing guard in the morning Lunch lady in the afternoon, and chaperone seeing the children off in the afternoon And with budget cuts, my job was the first to hit the floor And so was my pension My retirement was limited and with no health care It was impossible to see a doctor for my growing aches and pain And I was left with nothing, until I came across this shoe Abandoned and tattered, I took to fancying it up Scrubbing it out, making it into a home It took me a winter or two to get the insulation right And the city has all but forgotten this area So for now, I am safe Before the corporate giants clamor over the countryside Pulling up homes like weeds so they can plant their boxed in communities I am okay in my little spot Not long the runaways found me In school the children always ran to me for safety, and now Their children have found me, these lost children We are a little family of misfits, foraging off the land Keeping each other safe In a world that doesn’t even care if we are alive
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Mar 11, 2021
Mar 11, 2021 at 2:28 AM UTC
Shoe
I live in a shoe And before you ask me any questions Or if this a metaphor Or try to sell me a spot in the latest **** development Let me assure you, I most definitely live in a shoe It is the left shoe to be exact Worn down and some spots extra layers of duct tape To keep out the winter cold And when it gets icy, I have to be careful For if I jostle it just right, the shoe can slide a couple feet You may ask me why, when, what and how And this is what I will say I used to work at a school, a crossing guard in the morning Lunch lady in the afternoon, and chaperone seeing the children off in the afternoon And with budget cuts, my job was the first to hit the floor And so was my pension My retirement was limited and with no health care It was impossible to see a doctor for my growing aches and pain And I was left with nothing, until I came across this shoe Abandoned and tattered, I took to fancying it up Scrubbing it out, making it into a home It took me a winter or two to get the insulation right And the city has all but forgotten this area So for now, I am safe Before the corporate giants clamor over the countryside Pulling up homes like weeds so they can plant their boxed in communities I am okay in my little spot Not long the runaways found me In school the children always ran to me for safety, and now Their children have found me, these lost children We are a little family of misfits, foraging off the land Keeping each other safe In a world that doesn’t even care if we are alive
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33
My child said today, “You’d be rich if it wasn’t for me” and she then smiled that goofy smile adding, “Why did you have me then? I’m so expensive. ” And when she later shimmied like a long lean cat on a thin fence, I replied, “This is why I had you.” And when she then made up her own word, bestfuzzer, to describe a friend, I said, “This is why I had you.” And as she curled into my belly on the bed nuzzled my neck, and blew holes in my hair, I whispered, “This is why I had you.” She has forced me to reinvent myself to plumb the deep waters of my reserve my sanity, my will to live even and bring up one more shining fish one more favor, one more drive across town one more strange meal at 2 am And in cleaning away the thick of leaves, dirt, and grass from my grandparents’ headstones I become them, their bones my bones Their struggle my struggle How much we could have saved in not having children would nevertheless have impoverished us in other ways. We are driven by dumb unseen forces as ancient as soil to create our children – accident, intent, it doesn’t matter so I pay homage to my grandparents - tired, frightened immigrants barely out of childhood, with the stench of their parents on fire singing their nostrils Why did they persist? What drove my grandmother to marry a man she’d never even met? to bear his children, to suffer his beatings? This is why I had you Because I was lonely *Because I was ***** Because through you I sewed myself back together Because you are my destiny And when my child asks why I had her I breathe milk and honey into her mouth jostle the stars until they ****** like wind chimes pulling the continents back together again. And when she asks me, I can only offer up the scoop of my palms and the ticking of blood in my wrists as reasons.
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Jul 15, 2012
Jul 15, 2012 at 5:05 PM UTC
This Is Why I Had You
My child said today, “You’d be rich if it wasn’t for me” and she then smiled that goofy smile adding, “Why did you have me then? I’m so expensive. ” And when she later shimmied like a long lean cat on a thin fence, I replied, “This is why I had you.” And when she then made up her own word, bestfuzzer, to describe a friend, I said, “This is why I had you.” And as she curled into my belly on the bed nuzzled my neck, and blew holes in my hair, I whispered, “This is why I had you.” She has forced me to reinvent myself to plumb the deep waters of my reserve my sanity, my will to live even and bring up one more shining fish one more favor, one more drive across town one more strange meal at 2 am And in cleaning away the thick of leaves, dirt, and grass from my grandparents’ headstones I become them, their bones my bones Their struggle my struggle How much we could have saved in not having children would nevertheless have impoverished us in other ways. We are driven by dumb unseen forces as ancient as soil to create our children – accident, intent, it doesn’t matter so I pay homage to my grandparents - tired, frightened immigrants barely out of childhood, with the stench of their parents on fire singing their nostrils Why did they persist? What drove my grandmother to marry a man she’d never even met? to bear his children, to suffer his beatings? This is why I had you Because I was lonely *Because I was ***** Because through you I sewed myself back together Because you are my destiny And when my child asks why I had her I breathe milk and honey into her mouth jostle the stars until they ****** like wind chimes pulling the continents back together again. And when she asks me, I can only offer up the scoop of my palms and the ticking of blood in my wrists as reasons.
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44
There're swords, lots of them, and long-bows, with fresh, eager arrows jostle with notched expert axes; legendary hair frame braided beards flowing into refilled tankards drowning curses through broken teeth gnawing at poor personal hygiene across the stench of the public tavern as granite-stares challenge bone-shattering laughter. - All as anticipated - there's Orcs about and the prescribed heroes assemble. - - Slow rolling leaden mist cloaks howling creatures at dawn from deep within the forest, then disabling rain falls at dusk and steel clashes with steel in the storm… - All these exploits ferment short of full strength and stretch onto a wide Winter screen before facing the final critical battle for a 12A Christmas.
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Jul 12, 2016
Jul 12, 2016 at 4:01 PM UTC
Tolkien trilogy
*Tears as brittle As glass cascade lazily down Her rosy cheeks leaving behind Indelible outstanding imprints They reveal  a brokenness A vulnerability  that’s so Sweet and scary almost In equal measure Her eyes know not the Splendor of a radiant sparkle They downcast and a Shade darker than normal Naivety meekness and innocence Jostle unabated within her eyes bounds But seldom if never Do her fears see the light of day Her eyes speak a dialect That would mind boggle linguists Of reasonable repute And render them obsolete She undoubtedly a goddess Of pure emotion and acute sensitivity*
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Oct 25, 2013
Oct 25, 2013 at 6:08 AM UTC
Ice princess.
Every single day is partitioned fairly, I'd  think amongst us denizens of this uncertain universe, that makes no loss ever in its  unceasing transactions, as every end is a new begining and also the reverse. I wonder again on  the complex algorithm at play and demands upon  each moment to accomplish it! With a laugh I just let go the thread of that ***** thought on  processors and servors for a humanguous operation needed for that to go on for ever and aye! What nonsense! the human logic is hugely flawed Cosmos has better manuels of operation never needed to be written down, just like the affairs of heart of men and woemen that jostle in this planet ,driven by urges prompted by mind, body and if you'd believe without any qualms,the  spirit, but I wouldn't insist. Dusk was falling, and I sat smugly on the sugary sands of the bikiny beach, with a vengence on my face (but not with the bitterness of one, just now short changed) And with an adamence to get my fair share of that day's catch, plucked fruits, harvest,hunted gold or whatever! I didn't want anyone notice as my exchange was happening in in silence, on cycles higher without any means tangible, of communication of any meterial sort. Then there was a  on sand behind me, I felt warmth, the dog was snuggling closer and closer to me to comfort! Her liquid eyes said, all that I wanted to hear She was my solace for the day's battle wound, I reckoned exuding warmth, she drained my pain like the bad blood darkly stuck,let out through the cut I just had survived..... Night was long and the moon anointed us with her balm on the sand bed a man and a stray dog slept unstirred.
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Dec 21, 2018
Dec 21, 2018 at 6:09 AM UTC
The fruit of the day
Every single day is partitioned fairly, I'd  think amongst us denizens of this uncertain universe, that makes no loss ever in its  unceasing transactions, as every end is a new begining and also the reverse. I wonder again on  the complex algorithm at play and demands upon  each moment to accomplish it! With a laugh I just let go the thread of that ***** thought on  processors and servors for a humanguous operation needed for that to go on for ever and aye! What nonsense! the human logic is hugely flawed Cosmos has better manuels of operation never needed to be written down, just like the affairs of heart of men and woemen that jostle in this planet ,driven by urges prompted by mind, body and if you'd believe without any qualms,the  spirit, but I wouldn't insist. Dusk was falling, and I sat smugly on the sugary sands of the bikiny beach, with a vengence on my face (but not with the bitterness of one, just now short changed) And with an adamence to get my fair share of that day's catch, plucked fruits, harvest,hunted gold or whatever! I didn't want anyone notice as my exchange was happening in in silence, on cycles higher without any means tangible, of communication of any meterial sort. Then there was a  on sand behind me, I felt warmth, the dog was snuggling closer and closer to me to comfort! Her liquid eyes said, all that I wanted to hear She was my solace for the day's battle wound, I reckoned exuding warmth, she drained my pain like the bad blood darkly stuck,let out through the cut I just had survived..... Night was long and the moon anointed us with her balm on the sand bed a man and a stray dog slept unstirred.
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31
My mother questions, “Why aren’t we equal?” As she paints my walls with white She wonders why my colorful friends don’t get as lucky as me But she also wonders about the financial aid the government says we don’t need I bang on her white walls and insist we’re well off But she still asks why And I can’t say “you! It’s because of people like you that my friends need a dollar or two” Because of the way she plays hypocrite Condemning welfare and the impoverished while asking why she doesn’t get any Confirming the stereotype that most people aren’t innately racist It’s just their own thoughtlessness that causes the disconnect And it’s not just my mother, it’s all my people, me too My friend once asked, “Why is Kierra so into social justice?” Maybe because the history of our ancestors was carried on the backs of her people Maybe because even today my people say we’re so good, so equal, so righteous When we still look at a black man and assume the white is better We don’t mean it but my assumptive mind insists that Kierra always needs a hand When what is really needed is a strict hand to the side of my head Jostle that rude assumption out of my head She is her own person, not a broken house left on stilts And assuming she is broken is worse than anything I can think of So it’s a double edged sword because races need to work together to fix this atrocity But we must also give each their freedom to grow and equalize equally I will never understand the plight of one a different race But I understand plight, from my gender and my mental state My mother always told me treat everyone fairly She always said to treat everyone right But here she keeps on going Painting my walls with white
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Mar 22, 2015
Mar 22, 2015 at 9:54 AM UTC
Paint
My mother questions, “Why aren’t we equal?” As she paints my walls with white She wonders why my colorful friends don’t get as lucky as me But she also wonders about the financial aid the government says we don’t need I bang on her white walls and insist we’re well off But she still asks why And I can’t say “you! It’s because of people like you that my friends need a dollar or two” Because of the way she plays hypocrite Condemning welfare and the impoverished while asking why she doesn’t get any Confirming the stereotype that most people aren’t innately racist It’s just their own thoughtlessness that causes the disconnect And it’s not just my mother, it’s all my people, me too My friend once asked, “Why is Kierra so into social justice?” Maybe because the history of our ancestors was carried on the backs of her people Maybe because even today my people say we’re so good, so equal, so righteous When we still look at a black man and assume the white is better We don’t mean it but my assumptive mind insists that Kierra always needs a hand When what is really needed is a strict hand to the side of my head Jostle that rude assumption out of my head She is her own person, not a broken house left on stilts And assuming she is broken is worse than anything I can think of So it’s a double edged sword because races need to work together to fix this atrocity But we must also give each their freedom to grow and equalize equally I will never understand the plight of one a different race But I understand plight, from my gender and my mental state My mother always told me treat everyone fairly She always said to treat everyone right But here she keeps on going Painting my walls with white
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29
Cases of old records sat Waiting for someone to buy Along with mismatched tea cups And plates as blue as sky Vultures jumped at everything Leaving cars running in park Picking through the yard sale scraps Like a raccoon in the dark Bickering for savings Saying a quarter is too much I'll only pay a nickel To buy a broken crutch Ice skates, ball gloves, baseball hats tossed and thrown around the yard To watch these jackals fighting Over a half pound piece of lard It's amazing that one's treasures Are reduced to blobs of crap By bargain hunters set to pay For unused Christmas wrap They jostle and they tussle To get close for a deal They try to bundle things together To them....it is a steal You smile, take their money Tell them thank you, as they shriek Over deals they think that they have got On stuff...they'll sell next week!!
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May 26, 2013
May 26, 2013 at 10:03 PM UTC
Yard Sale Vultures
From dawn until dusk, you are here, Meandering images smiling sweetly, Your words, a thousand-fold message, Caress me inside, soothing my soul, Bringing perpetual joy to my mind, For you are all, my loving constant. My companion, thoughts of you jostle, Real-time memories holding sway, yes, Corralling projected musings, taming, Horned unicorn harnessing wild stallions, Calming dreams, wayward ripples in time, Cosseting us with complete and utter love. Whole, unified spiritually, emotionally, We become unconquerable, unassailable, Our Aztalan utopia, home to our musings, Deep stronghold, fastened by pure love, I kiss your humble mind, sincere heart, Forging a blended alloy of true happiness.
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Aug 15, 2015
Aug 15, 2015 at 9:57 AM UTC
Romantic Aspirations
The tourists all jostle for a look at the falls At the point where the water just drops It goes over the edge, crashing down far below And then it's all over, it just stops But, further up river before the falls are in sight Where the river's hypnotic, dull and oh, so boring The dark voices are waiting, hiding and calling This is the place that the powers are storing Beware the dark voices They come and they go They infect your mind You've heard them, you know The dark voices are different But, they always are there Turn away from their callings And as always....beware A dark, gloomy bar on the wrong side of town Where the waitresses all dance for their tips A strip joint so defined, but really not so This is where one's morality slips A sniff of a perfume, so fragrant yet cheap Blurs your connection to the ring on your hand The dark voices are calling, telling you things Get the waitress and prove you're a man Beware the dark voices They come and they go They infect your mind You've heard them, you know The dark voices are different But, they always are there Turn away from their callings And as always....beware You've returned from a movie, back to your home You must now take the babysitter back Your wife stays home waiting for your return But, with the babysitter you kind of lose track You see a young body, and a glimpse of her breast She crosses her legs, but you don't look that far You share idle chatter, as you flirt like a kid And you take the girl to the back seat of the car Beware the dark voices They come and they go They infect your mind You've heard them, you know The dark voices are different But, they always are there Turn away from their callings And as always....beware The voices keep coming, just block them out They feed on your weakness and pain You have to ignore their pleadings to break down For nothing good comes of them, there's nothing to gain Jump in the water, go over the falls Go with the dancer, surrender your life Lay down with the baby sitter Feel the voices twist the knife Beware the dark voices They come and they go They infect your mind You've heard them, you know The dark voices are different But, they always are there Turn away from their callings And as always....beware
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Feb 16, 2013
Feb 16, 2013 at 8:55 AM UTC
The Dark Voices
The tourists all jostle for a look at the falls At the point where the water just drops It goes over the edge, crashing down far below And then it's all over, it just stops But, further up river before the falls are in sight Where the river's hypnotic, dull and oh, so boring The dark voices are waiting, hiding and calling This is the place that the powers are storing Beware the dark voices They come and they go They infect your mind You've heard them, you know The dark voices are different But, they always are there Turn away from their callings And as always....beware A dark, gloomy bar on the wrong side of town Where the waitresses all dance for their tips A strip joint so defined, but really not so This is where one's morality slips A sniff of a perfume, so fragrant yet cheap Blurs your connection to the ring on your hand The dark voices are calling, telling you things Get the waitress and prove you're a man Beware the dark voices They come and they go They infect your mind You've heard them, you know The dark voices are different But, they always are there Turn away from their callings And as always....beware You've returned from a movie, back to your home You must now take the babysitter back Your wife stays home waiting for your return But, with the babysitter you kind of lose track You see a young body, and a glimpse of her breast She crosses her legs, but you don't look that far You share idle chatter, as you flirt like a kid And you take the girl to the back seat of the car Beware the dark voices They come and they go They infect your mind You've heard them, you know The dark voices are different But, they always are there Turn away from their callings And as always....beware The voices keep coming, just block them out They feed on your weakness and pain You have to ignore their pleadings to break down For nothing good comes of them, there's nothing to gain Jump in the water, go over the falls Go with the dancer, surrender your life Lay down with the baby sitter Feel the voices twist the knife Beware the dark voices They come and they go They infect your mind You've heard them, you know The dark voices are different But, they always are there Turn away from their callings And as always....beware
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64
Meadows of loving emotion Jostle us kindly away From cascades of swollen ire That guide our desires astray.
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Apr 17, 2019
Apr 17, 2019 at 6:24 PM UTC
Meadows
Misty Morning, tunnel exit Radio blaring. Yet more Brexit Shipyards looming in the mist Coffee. Top of this checklist Distantly spied, Golden Arches glisten Dumbly calling those who listen Desperate homeless huddled outside Callous addiction stealing his pride Inside the feckless locals gather Of nameless baby dads they caw & blather No sign of insight, syns nor points Weight of burgers on their joints Red-eyed middle management jostle for WiFi Ketchup spilt upon his tie Spreadsheets, targets, bonuses forgotten Awareness at last. This lunch is rotten Light bursting inside his head Realising how easily he's been led A new day. A Golden New Dawn A middle-management minion reborn Now with joy. Now with flourish New skills, his mind does nourish Never Stop. Ignore what they say And make this day. Make this day. Make this the day.
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Apr 16, 2019
Apr 16, 2019 at 6:40 AM UTC
Make This Day
Mildew clutched tight, hollow-boned, manic thrusting, marionette-faced, barrow-lunged, nails bit to the bone-gristle, lips raw with spit-polish, redacted eyes, redacted eyes -- two palpable creatures, transient drifters of soulspeck, one unraveling the other constructing one unraveling the other constructing forever, sallow truth would dissolve skin. Lips read: founder a self. Rusty copper with adamantine eyes. Steel core, unbroken by absence. Drown in opposite directions, oceanwater salve, yes calloused tongues jostle, ribbed in salt and rust. Unlaced corset, striped sweater, grunged trainline veins run on endless. A clock, abandoned in the middle, I think once it very much mattered.
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Dec 12, 2013
Dec 12, 2013 at 11:27 PM UTC
Autopsy of a Living Thing
The door is shut. She leaves the curtained office, And down the grey-walled stairs comes trembling slowly Towards the dazzling street. Her withered hand clings tightly to the railing. The long stairs rise and fall beneath her feet. Here in the brilliant sun we jostle, waiting To tear her secret out . . . We laugh, we hurry, We go our way, revolving, sinister, slow. She blinks in the sun, and then steps faintly downward. We whirl her away, we shout, we spin, we flow. Where have you been, old lady? We know your secret!-- Voices jangle about her, jeers, and laughter. . . . She trembles, tries to hurry, averts her eyes. Tell us the truth, old lady! where have you been? She turns and turns, her brain grows dark with cries. Look at the old fool tremble! She's been paying,-- Paying good money, too,--to talk to spirits. . . . She thinks she's heard a message from one dead! What did he tell you? Is he well and happy? Don't lie to us--we all know what he said. He said the one he murdered once still loves him; He said the wheels in wheels of time are broken; And dust and storm forgotten; and all forgiven. . . . But what you asked he wouldn't tell you, though,-- Ha ha! there's one thing you will never know! That's what you get for meddling so with heaven! Where have you been, old lady? Where are you going? We know, we know! She's been to gab with spirits. Look at the old fool! getting ready to cry! What have you got in an envelope, old lady? A lock of hair? An eyelash from his eye? How do you know the medium didn't fool you? Perhaps he had no spirit--perhaps he killed it. Here she comes! the old fool's lost her son. What did he have--blue eyes and golden hair? We know your secret! what's done is done. Look out, you'll fall--and fall, if you're not careful, Right into an open grave. . . but what's the hurry? You don't think you will find him when you're dead? Cry! Cry! Look at her mouth all twisted,-- Look at her eyes all red! We know you--know your name and all about you, All you remember and think, and all you scheme for. We tear your secret out, we leave you, go Laughingly down the street. . . Die, if you want to! Die, then, if you're in such a hurry to know!-- . . . She falls. We lift her head. The wasted body Weighs nothing in our hands. Does no one know her? Was no one with her when she fell? . . . We eddy about her, move away in silence. We hear slow tollings of a bell.
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1.6k
The House Of Dust: Part 04: 02: Death: And A Derisive Chorus
The door is shut. She leaves the curtained office, And down the grey-walled stairs comes trembling slowly Towards the dazzling street. Her withered hand clings tightly to the railing. The long stairs rise and fall beneath her feet. Here in the brilliant sun we jostle, waiting To tear her secret out . . . We laugh, we hurry, We go our way, revolving, sinister, slow. She blinks in the sun, and then steps faintly downward. We whirl her away, we shout, we spin, we flow. Where have you been, old lady? We know your secret!-- Voices jangle about her, jeers, and laughter. . . . She trembles, tries to hurry, averts her eyes. Tell us the truth, old lady! where have you been? She turns and turns, her brain grows dark with cries. Look at the old fool tremble! She's been paying,-- Paying good money, too,--to talk to spirits. . . . She thinks she's heard a message from one dead! What did he tell you? Is he well and happy? Don't lie to us--we all know what he said. He said the one he murdered once still loves him; He said the wheels in wheels of time are broken; And dust and storm forgotten; and all forgiven. . . . But what you asked he wouldn't tell you, though,-- Ha ha! there's one thing you will never know! That's what you get for meddling so with heaven! Where have you been, old lady? Where are you going? We know, we know! She's been to gab with spirits. Look at the old fool! getting ready to cry! What have you got in an envelope, old lady? A lock of hair? An eyelash from his eye? How do you know the medium didn't fool you? Perhaps he had no spirit--perhaps he killed it. Here she comes! the old fool's lost her son. What did he have--blue eyes and golden hair? We know your secret! what's done is done. Look out, you'll fall--and fall, if you're not careful, Right into an open grave. . . but what's the hurry? You don't think you will find him when you're dead? Cry! Cry! Look at her mouth all twisted,-- Look at her eyes all red! We know you--know your name and all about you, All you remember and think, and all you scheme for. We tear your secret out, we leave you, go Laughingly down the street. . . Die, if you want to! Die, then, if you're in such a hurry to know!-- . . . She falls. We lift her head. The wasted body Weighs nothing in our hands. Does no one know her? Was no one with her when she fell? . . . We eddy about her, move away in silence. We hear slow tollings of a bell.
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51
Billions of sheep Following false bellwether's To the abattoir Starving, they jostle for crumbs While those dressed as wolves eat lamb
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Dec 30, 2014
Dec 30, 2014 at 2:03 PM UTC
World Economics