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"isobel" poems
I lay my hands over the rot concealed within my belly and imagine instead I am ripe with a husband's love, feeling for the beating warmth of a life beginning inside my desolate womb. I await constantly the trial of my womanly worth; this man may be my judge. ©Isobel G.     15.02.2022
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Apr 13, 2022
Apr 13, 2022 at 8:41 AM UTC
Desert womb
Abbie hailed a yellow top cabbie Brenda had a sister in-law named Glenda Cate ran late on her first date Delly ate seven bowls of lemon jelly Edwina drove to the town of Catalina Fran burnt her finger on the very hot frying pan Gwen had a strong yen to go and see her aunty Jen Hope bought her husband a towing rope Isobel fell under the magician's spell Joann took her mother on a holiday in a caravan Kylie went to the dentist with her brother Wylie Lesley liked listening to Elvis Presley Marcia enjoyed eating a freshly baked focaccia Nell saw a turtle coming out of his shell Olga lived at the top end of the river Volga Primrose had a Pinocchio nose Queenie knitted a multicolored beanie Ruth could never tell the whole truth Stacey loved playing dress ups with her friend Tracey Tilly behavior was always rather silly Una bought a house in the suburb of Yagonna Verity wanted to be a well known celebrity Winifred never stopped taking about Alfred Xena was presented with a court subpoena Yale told her teacher a tall tale Zealand ventured out into the bushland
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Aug 25, 2013
Aug 25, 2013 at 8:30 AM UTC
ABC Poem (Girls Names)
I was sitting on the steps of the wrong building — two blocks over from The Vermont awash in gold and the noble lights of the Avenue. I was drunk, or, there-abouts. Isobel was coming. I was sitting on the steps of the wrong building, pulling the collar of my Burberry coat against my jaw and ears; it was November and the concierge came out to ask me if I’d like to come inside and wait — “No, I’m good, Sir.” “Thank you, Sir.” What was two blocks? I pull out my cellphone — “Where are you?” “My mom’s drunk.” Code for: “I’m playing therapist.” I’m almost out — out of brain cells (really?” out of patience out of love out of “it” out of time — but, the curious thing is, I’m never almost out of money. I notice him when he stops on the step I sit on. He’s a sterling silver chain, the thin, delicate kind that breaks with a soft tug. He looks down at me, eyes the colour of darkened ice, not softened by the yellow lights raining down from under the awning. “Do you live here?” “Where is “here”?” He laughs. Smiles. “The Florence.” He’s beautiful, the way a poppy is beautiful, transparent, saying so much with his flushed cheeks and dark eyes, so full of life and resembling something or, someone, dead — “Lest we forget,” whispered the corpse, ouvert, in the slush of Alsace-Lorraine. He sits beside me, shoulder warm, firm — he’s a guy, but he’s so ******* beautiful — I want to touch him, brush his cheek as if he’s a rose protruding from the briar, the thorny path — not pick him, because he’s too beautiful, too tragic, and I don’t want to **** him; — “Where do you live?” He’s smoking like a flower. I want to lie. I don’t. “The Vermont.” His expression doesn’t change, remains soft, his eyes stay ice. He looks away. I’ll uproot him and plant him in richer soil, I won’t be looking into ice, no more mirror, but, the sky after rain, the soft fragrant grey, so much light. “What’s that? Two blocks?” “Yeah.” He rubs his face. He has sensitive skin, red upon contact with the cuff of his wool coat. “I’ll walk you.” “Please.” I stand up slowly and breathe in cold air and vapour. Out comes alcohol. “You’re drunk?” “I was.” “Your laces are undone.” “Are they?” I look down at him, he’s laughing, lowering his head at my knees and I feel something despite myself — warmth in my chest, accompanied by a warmth in my abdomen, tensing. “I’ll fix them.” I watch him, shoulders moving under his coat, and I imagine him higher, on his knees and, a little higher, stop myself with: “I’m not a child.” He stops — I stop him. He looks up; his lashes are like glass. “I want to kiss you.”
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Apr 10, 2013
Apr 10, 2013 at 5:08 PM UTC
The Florence
I was sitting on the steps of the wrong building — two blocks over from The Vermont awash in gold and the noble lights of the Avenue. I was drunk, or, there-abouts. Isobel was coming. I was sitting on the steps of the wrong building, pulling the collar of my Burberry coat against my jaw and ears; it was November and the concierge came out to ask me if I’d like to come inside and wait — “No, I’m good, Sir.” “Thank you, Sir.” What was two blocks? I pull out my cellphone — “Where are you?” “My mom’s drunk.” Code for: “I’m playing therapist.” I’m almost out — out of brain cells (really?” out of patience out of love out of “it” out of time — but, the curious thing is, I’m never almost out of money. I notice him when he stops on the step I sit on. He’s a sterling silver chain, the thin, delicate kind that breaks with a soft tug. He looks down at me, eyes the colour of darkened ice, not softened by the yellow lights raining down from under the awning. “Do you live here?” “Where is “here”?” He laughs. Smiles. “The Florence.” He’s beautiful, the way a poppy is beautiful, transparent, saying so much with his flushed cheeks and dark eyes, so full of life and resembling something or, someone, dead — “Lest we forget,” whispered the corpse, ouvert, in the slush of Alsace-Lorraine. He sits beside me, shoulder warm, firm — he’s a guy, but he’s so ******* beautiful — I want to touch him, brush his cheek as if he’s a rose protruding from the briar, the thorny path — not pick him, because he’s too beautiful, too tragic, and I don’t want to **** him; — “Where do you live?” He’s smoking like a flower. I want to lie. I don’t. “The Vermont.” His expression doesn’t change, remains soft, his eyes stay ice. He looks away. I’ll uproot him and plant him in richer soil, I won’t be looking into ice, no more mirror, but, the sky after rain, the soft fragrant grey, so much light. “What’s that? Two blocks?” “Yeah.” He rubs his face. He has sensitive skin, red upon contact with the cuff of his wool coat. “I’ll walk you.” “Please.” I stand up slowly and breathe in cold air and vapour. Out comes alcohol. “You’re drunk?” “I was.” “Your laces are undone.” “Are they?” I look down at him, he’s laughing, lowering his head at my knees and I feel something despite myself — warmth in my chest, accompanied by a warmth in my abdomen, tensing. “I’ll fix them.” I watch him, shoulders moving under his coat, and I imagine him higher, on his knees and, a little higher, stop myself with: “I’m not a child.” He stops — I stop him. He looks up; his lashes are like glass. “I want to kiss you.”
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** I wrote this long ago for a friend with cancer - a small malignancy the size of a pearl in her lung. The hateful thing metastasised to her pancreas after two years in the shadows - she lost her battle last week. She was 73. She was firm friends with my mother my entire life, and her own children Isobel and Craig are like my own flesh and blood. I was unable to attend the funeral due to ill health, but she requested this poem be read out at her funeral - I'm sharing it here as a tribute to her, and I've changed names to preserve her privacy and dignity. ** This kingdom's hewn of time and words And glances flashing over Shadows, shapes and silhouettes And pearls of smoke and ochre. Rude invaders! Generals! Who dares encroach our borders? "Naught but pearls my princess, so We strike! At dawn! No quarter!". Set shoulders low and feet aplant And curl your fingers slowly. Your enemy is swift and lean, Ten thousand times below you. No mercy from a princess who Instilled in fresh disciples Wisdom, courage, whimsy, love and When it's called for... rifles. Gather muskets! Catapults! Oh marshalls! Summon nurses! The game's afoot and outcomes? Well, who dwells on whom we versus? For masses swell behind you and your Gleaming armour guides us. Swords aflame! We saw! We came! Wakes of pearls behind us! Ten years hence, one hundred, more Louises, Davids, Andrews, Will sing with you your victory, Sandy Alexandrou.
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Oct 18, 2016
Oct 18, 2016 at 6:38 AM UTC
Poem for a friend with cancer
Mummy, Happy birth-mothersday Throw ya toast out the window Feed it to the dog Kiss me with your laughing eyes Kiss me kindly with your lips Touch my cheek with your smooth brown hands Not one more time But forever more times please Mum Let's get ***** growing potatoes Let's get paint on the carpet Let's write love notes on the walls Like all normal people do Tell me to make you a cuppa tea. (I'm turning into you mum.) Sing my songs to me mummy Tell me about Rindacella again please tell me how she slopped her dripper on the stairs Can you hear the morepork Mummy? Listen with me Did you see that shootin' star? Are you smelling these trees? Wrap me up in itchy woollen cardies Put my odd socks on Puddle jumpin' in my gummies In a land called Honalee I'll climb into bed with you tonight Lace bedspread catching my toes Curl up in the nest of the crook of your knees It's cold, sleep back-to-back Dance in front of my friends if you like They all think you're cool Sorry I didn't tell you. Teenagers **** Tell me I'm amazing Adventurous and strong Your courageous daughter Smart and beautiful Remind me I can sail ships through storms That God is always close Pray over me and praise with me Read the bible again to me Come play piano with Isobel Or computer games if you like I think I've killed your Farmville farm Sorry . Mummy Chat with me on Facebook Ocean's teacher likes Donald Trump Be outraged with me please Come with me to the school I'll hide behind your storm People aren't afraid of my Gentle, steady rain I think I hear my babies stirring They're amazing Mum You should see the stuff they do and say You should see how fierce they are You should. You should. You should. Be. Here. They're creeping round the house now Making my heart laugh I better open up my bedroom window Ready for the toast.
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May 8, 2016
May 8, 2016 at 10:44 PM UTC
Mummy
Mummy, Happy birth-mothersday Throw ya toast out the window Feed it to the dog Kiss me with your laughing eyes Kiss me kindly with your lips Touch my cheek with your smooth brown hands Not one more time But forever more times please Mum Let's get ***** growing potatoes Let's get paint on the carpet Let's write love notes on the walls Like all normal people do Tell me to make you a cuppa tea. (I'm turning into you mum.) Sing my songs to me mummy Tell me about Rindacella again please tell me how she slopped her dripper on the stairs Can you hear the morepork Mummy? Listen with me Did you see that shootin' star? Are you smelling these trees? Wrap me up in itchy woollen cardies Put my odd socks on Puddle jumpin' in my gummies In a land called Honalee I'll climb into bed with you tonight Lace bedspread catching my toes Curl up in the nest of the crook of your knees It's cold, sleep back-to-back Dance in front of my friends if you like They all think you're cool Sorry I didn't tell you. Teenagers **** Tell me I'm amazing Adventurous and strong Your courageous daughter Smart and beautiful Remind me I can sail ships through storms That God is always close Pray over me and praise with me Read the bible again to me Come play piano with Isobel Or computer games if you like I think I've killed your Farmville farm Sorry . Mummy Chat with me on Facebook Ocean's teacher likes Donald Trump Be outraged with me please Come with me to the school I'll hide behind your storm People aren't afraid of my Gentle, steady rain I think I hear my babies stirring They're amazing Mum You should see the stuff they do and say You should see how fierce they are You should. You should. You should. Be. Here. They're creeping round the house now Making my heart laugh I better open up my bedroom window Ready for the toast.
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Inspired by Neil Diamond's "Morningside" A tale of when an old man died, Of nights spent alone, and days that I've cried, For my children This poem is real, this poem is me, Far from the person each one of you see, Depression, emptiness, a life I can't flee, For my children. By mistakes a plenty, my life defined, The gift I hold, verses from what's on my mind, A tormented soul, with the words I've signed, For my children. Emilia and John, years spent apart, Thinking back each night, tearing at my heart, To go back in time, and correct from the start, For my children. Isobel and Lydia, off doing their things, Watching them flourish, the joy that it brings, Two ladies growing, in my heart it sings, For my children. And obviously Ben, my Junior Sharkbait, My final reason to smile, this tiny wee mate, Giving me purpose, keeping life great, For my children. People believe as a dad I am good, But I've let them all down far more than I should, And I'd change it all for a chance that I could, For my children. As a father I know that I truly am blessed, I've five stars that to me, are simply the best, With their joy, love and laughter, my heart is caressed, For my children. But when I die, truth is sad, Not a child will claim the gift I had, The words I write become my epitaph, For my children." Cinco Espiritus Creation 2018
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Mar 2, 2018
Mar 2, 2018 at 5:58 AM UTC
For My Children
A poem runs just like the tide, What word comes next, I must decide, With words as water, they ebb and flow, But how it ends, I don’t yet know. A title from film, or even song lyric, A spark will light, and then I click, My fingers type, the poem forms, Be it still of night, or as day dawns. I use my words to create a verse, I’m always thinking, a blessed curse, I follow no plan, I write off the cuff, So pardon me if some seem rough. I use these words to ease my woes, Wound so tight, sometimes it shows, My poems help to set me free, Not always good, but always me. The style that suits, I make them rhyme, I whip them out in lightening time, The inner me is in them all, You read each one, you will find Paul. I write for causes of which I fight, My inner soul as dark as night, I share my hopes, I share my fears, With more to come throughout the years. My children are my creative spark, They are my light when it gets dark, John, Isobel, Lydia, Emilia, Ben, You inspire me onwards, time and again. We all have things held deep inside, A truth we hold, that won’t be denied, The reason why my poems thrive? It’s simple, my sweet children five. © Cinco Espiritus Creation 2013
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May 1, 2016
May 1, 2016 at 7:41 AM UTC
A Poem.
I knew that something was going on When she went to walk each night, Just on dusk when the tide swept in With the blue moon of delight, She never asked me to tag along Though at times I thought she must, We’d once been close, but the time was wrong And our closeness turned to dust. I stayed back up in the dunes while she Took on the darkening shore, It triggered memories held when we Had walked it once before, That gentle rise where the sand had dried And we sat awhile and kissed, Now I sat lonely and cold aside Bemoaning what I’d missed. I didn’t follow along the beach Too scared what I might find, A lovers tryst in the dark I feared That might upset my mind, I knew my temper was short and so I feared what might be done, Out there, and under a hasty moon Might see me overcome. The moon was skirting the ocean’s rim The stars were riding high, My only thought as she disappeared, In a single word, was ‘Why?’ I wondered what the attraction was That would take her away each night, Would leave me sat alone in the gloom Like a pensive troglodyte. It had to come to an end, I knew So I strode along the beach, Followed the trail of footprints where The tide had failed to reach, Till sudden, there was the sweetest song On the wind, I ever knew, And there was Isobel, sitting rapt While the notes came fast and few. And on a rock set above the tide Sat the singer of the song, The perfect form of a sweet mermaid With her tail, so curved and long, But then she gave out a sudden cry When she saw my shadow fall, And slithered back off the rock, to swim Below to the mermaids’ hall. ‘Why did you come,’ said Isobel, ‘Why did you have to pry, She’ll never come to the shore again To sing to the empty sky.’ I turned and ran from her angry gaze But at least I now know why, She sits at night in the moon’s half light And I often hear her cry. David Lewis Paget
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Jun 22, 2016
Jun 22, 2016 at 6:02 PM UTC
The Singer
I knew that something was going on When she went to walk each night, Just on dusk when the tide swept in With the blue moon of delight, She never asked me to tag along Though at times I thought she must, We’d once been close, but the time was wrong And our closeness turned to dust. I stayed back up in the dunes while she Took on the darkening shore, It triggered memories held when we Had walked it once before, That gentle rise where the sand had dried And we sat awhile and kissed, Now I sat lonely and cold aside Bemoaning what I’d missed. I didn’t follow along the beach Too scared what I might find, A lovers tryst in the dark I feared That might upset my mind, I knew my temper was short and so I feared what might be done, Out there, and under a hasty moon Might see me overcome. The moon was skirting the ocean’s rim The stars were riding high, My only thought as she disappeared, In a single word, was ‘Why?’ I wondered what the attraction was That would take her away each night, Would leave me sat alone in the gloom Like a pensive troglodyte. It had to come to an end, I knew So I strode along the beach, Followed the trail of footprints where The tide had failed to reach, Till sudden, there was the sweetest song On the wind, I ever knew, And there was Isobel, sitting rapt While the notes came fast and few. And on a rock set above the tide Sat the singer of the song, The perfect form of a sweet mermaid With her tail, so curved and long, But then she gave out a sudden cry When she saw my shadow fall, And slithered back off the rock, to swim Below to the mermaids’ hall. ‘Why did you come,’ said Isobel, ‘Why did you have to pry, She’ll never come to the shore again To sing to the empty sky.’ I turned and ran from her angry gaze But at least I now know why, She sits at night in the moon’s half light And I often hear her cry. David Lewis Paget
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