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"isles" poems
I want you to know one thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine
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415.6k
If You Forget Me
Drunk as drunk on turpentine From your open kisses, Your wet body wedged Between my wet body and the strake Of our boat that is made of flowers, Feasted, we guide it - our fingers Like tallows adorned with yellow metal - Over the sky's hot rim, The day's last breath in our sails. Pinned by the sun between solstice And equinox, drowsy and tangled together We drifted for months and woke With the bitter taste of land on our lips, Eyelids all sticky, and we longed for lime And the sound of a rope Lowering a bucket down its well. Then, We came by night to the Fortunate Isles, And lay like fish Under the net of our kisses.
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74.7k
Drunk As Drunk
<> The Instigation: Edmund  Black, commenting on “weary weighted,” I agree with Kim; This is poetry at its best :)“ <•> *both of you shush! there is no “better” in poetry mine yours theirs, alive or not, just gasps tears and blood whimsical smiles and isles cuts and burns of pained revelations, hidden in fog, that words try to delete away, through the shrouded mists of human tissues, unconstrained by the bounded shape of the human cell, our first, our own self-imposed jail tissue, too, baby soft, or, purple beating majestic bruised blotches by those weaklings whose kindness never fully developed;   or old man mine whose skin cells erodes, so poems and light weary weighted, lightly flake off for your “betterment” mostly tho for worse good humans all await, in patientce lightly hidden, residents of dark sunspots in the glaring existence exposer of the unlit lighthouse whose time will come they get it how we get there unimportant get there GET THERE get there that is the poetic mission critical no path best or style preferred- no compare just, but, any path that lifts and elevates, to the commonplace* the common place *where all costarred, universal, where common is the temple mount of highest praise, holy smoke rising, a place that that discloses and closes, is scribed/described honestly as a connective, which is the simplest successive call my poems, blessedly common! that an honorable, so gladly accepted and so much more meaning-full than merely best or better* for that, I’d gladly weep, for no praise ever been bettered 8/2/18 406pm on the jitney to my isle
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Aug 2, 2018
Aug 2, 2018 at 4:15 PM UTC
the common place... (for Kim Johanna Baker & Edmund Black)
<> The Instigation: Edmund  Black, commenting on “weary weighted,” I agree with Kim; This is poetry at its best :)“ <•> *both of you shush! there is no “better” in poetry mine yours theirs, alive or not, just gasps tears and blood whimsical smiles and isles cuts and burns of pained revelations, hidden in fog, that words try to delete away, through the shrouded mists of human tissues, unconstrained by the bounded shape of the human cell, our first, our own self-imposed jail tissue, too, baby soft, or, purple beating majestic bruised blotches by those weaklings whose kindness never fully developed;   or old man mine whose skin cells erodes, so poems and light weary weighted, lightly flake off for your “betterment” mostly tho for worse good humans all await, in patientce lightly hidden, residents of dark sunspots in the glaring existence exposer of the unlit lighthouse whose time will come they get it how we get there unimportant get there GET THERE get there that is the poetic mission critical no path best or style preferred- no compare just, but, any path that lifts and elevates, to the commonplace* the common place *where all costarred, universal, where common is the temple mount of highest praise, holy smoke rising, a place that that discloses and closes, is scribed/described honestly as a connective, which is the simplest successive call my poems, blessedly common! that an honorable, so gladly accepted and so much more meaning-full than merely best or better* for that, I’d gladly weep, for no praise ever been bettered 8/2/18 406pm on the jitney to my isle
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72
What's it take These days To write a poem That makes the world go mad That brings the crowds to their feet That spreads like wildfire Through a dry winter forest Is it those excessively long words? The ostentatiously loquacious Platitudinous ramblings Of an insecure mind aspiring To authentic intellect? Is it perhaps...      the "creativity"                of      varied      spacing   or...    could it be..... the lack                               of capitalization                the loathsome little letters                screaming out                          hey, look at us!          ... or maybe it's                the punctuation marks,      littered, haphazardly           through the text                     (whether used correctly)                or, theyre not?!      despite worrds mispeled           and a grammar might is broken    can these gimmicks increase interest         though miswritten or misspoken? Is the trick alliteration Whose bite brightly bids us To center on the snappy sounds? Although all along      unvoiced underneath Ideas idle in the isles    (or perhaps the aisles) Of the mind To meld and craft and bind Our thorough thoughts And worthy words Into lines Which Heard by herds Raise the                   Praise for which we                   Privately, desperately                   Pray Maybe it's a magical mix Of splendid in-your-head rhythm Marvelous meter that perfectly clicks Flowing smoothly without schism Well-spaced stanzas Well-used time Well-crafted phrases Well-thought-out rhymes Well, maybe not...      those gems are often ignored      cast-aside, unread, even abhorred Why? Because the modern world doesn't need your rules your restrictions your regulations your misguided boundaries your oppression your antiquated ideas    of "the right way"    to write    to speak    to act    to live    to (fill in the blank) No, what the modern world needs is Negation! Contradiction! Resistance! Revolt! And poetry whose words Say the same thing Repeat the same meaning Echo the same lyrics Rephrase the same thoughts But in an ever-so-slightly Different Varied Altered Adjusted Changed up way Line After line Of synonyms           over                and                     over                          and                          over                          again ----- What's it take These days To not give in To narcissism's spiral? But more importantly: What's it take To make my poem go viral?
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Aug 12, 2018
Aug 12, 2018 at 12:17 AM UTC
Viral
What's it take These days To write a poem That makes the world go mad That brings the crowds to their feet That spreads like wildfire Through a dry winter forest Is it those excessively long words? The ostentatiously loquacious Platitudinous ramblings Of an insecure mind aspiring To authentic intellect? Is it perhaps...      the "creativity"                of      varied      spacing   or...    could it be..... the lack                               of capitalization                the loathsome little letters                screaming out                          hey, look at us!          ... or maybe it's                the punctuation marks,      littered, haphazardly           through the text                     (whether used correctly)                or, theyre not?!      despite worrds mispeled           and a grammar might is broken    can these gimmicks increase interest         though miswritten or misspoken? Is the trick alliteration Whose bite brightly bids us To center on the snappy sounds? Although all along      unvoiced underneath Ideas idle in the isles    (or perhaps the aisles) Of the mind To meld and craft and bind Our thorough thoughts And worthy words Into lines Which Heard by herds Raise the                   Praise for which we                   Privately, desperately                   Pray Maybe it's a magical mix Of splendid in-your-head rhythm Marvelous meter that perfectly clicks Flowing smoothly without schism Well-spaced stanzas Well-used time Well-crafted phrases Well-thought-out rhymes Well, maybe not...      those gems are often ignored      cast-aside, unread, even abhorred Why? Because the modern world doesn't need your rules your restrictions your regulations your misguided boundaries your oppression your antiquated ideas    of "the right way"    to write    to speak    to act    to live    to (fill in the blank) No, what the modern world needs is Negation! Contradiction! Resistance! Revolt! And poetry whose words Say the same thing Repeat the same meaning Echo the same lyrics Rephrase the same thoughts But in an ever-so-slightly Different Varied Altered Adjusted Changed up way Line After line Of synonyms           over                and                     over                          and                          over                          again ----- What's it take These days To not give in To narcissism's spiral? But more importantly: What's it take To make my poem go viral?
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107
Pele, goddess of fire The ocean has masked your flame Your spirit drowned and chained A name to which you do not recall As though your glass Is full of life's gall I give you this name Pele, of flame That maybe your spirit be free Escape this empty shallow sea And use your feet to fly Dance like the ever changing sky Like mountain flames on distant isles Like sparks that travel miles Dance like the fires that burn the air Make every step a scorching flare That is the story I wish to tell The story of hells angel But here you lay on the oceans floor You do not dance a dance no more But once we escape this ocean of blue I'll tell all that I meet The story of you
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Nov 14, 2017
Nov 14, 2017 at 10:17 PM UTC
Lament of Fire
Let's think about this, before we do it. Let's think about this. Let's do it. You can tell me I've failed. My lungs are hot. My breath is useless, like my rescue. If you close a door, I open a wound. I made plans to steal you from yourself. I wanted sunlight for you, roots and crawling ants, pyramids of help and hope. I wanted. I wanted them to be mine, my contribution. Well. The self wants a shadow. A shield. A soul. The -I- falls apart when the skin does. There was a moment when you became who you always were: alone, surviving against a sea of black, and I could not help you. Could not swim against the dark surf your arms themselves made. And how am I now to make you some craft to come home on. How am I now to give knots and knowledge to your drowning. I cannot brave the isles that break you from the strings of sand that wait beyond the waves dying, still, to give you home and breath. I want your bedding. Your body. I want your terrible soul, your bait and switch, your milk, your cave, the meat of your isolation, the heart you hid in the Pacific. All I ever find at sea: tired arms, a head full of wishes. (Not exactly buoyant.) And the flashing fins of fish who sank and died.
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Aug 24, 2012
Aug 24, 2012 at 3:24 AM UTC
Surf, Surf, Surf
we hail from synonyms replicate those isles of dirt jagged colossal terrains of earth which sprouts to scrape the wisps of pearly clouds where marble and stone splintered scorches of gnarled bark where the soft paws of preying lions roam within the sea of swaying golden grass where each stroke of a feathered wing flourishes the air with its mighty swing and the threshold of mysterious beings idle in mischief of deep blue seas and those salty shores swallow the iron hulk of ships and ferocious savages of nature's call groaning in mourn for her body her crevasses and pools of spilling crystal cerulean water where the malachite moss sits in stone of endless time and trees groomed of wind and sun prideful beneath the drink of the setting morrow she yearns for the claim of her shape for the purity of her waters like blood her parched throat of sandy desert lands amputated into wells of gorging oil she suffocates from her very existence a poison to herself and as the days wan to a fast massacre to her own suicidal mission to feed our negligence we label: humanity
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Jul 20, 2015
Jul 20, 2015 at 7:14 PM UTC
Motherland
When descends on the Atlantic The gigantic Storm-wind of the equinox, Landward in his wrath he scourges The toiling surges, Laden with seaweed from the rocks: From Bermuda’s reefs; from edges Of sunken ledges, In some far-off, bright Azore; From Bahama, and the dashing, Silver-flashing Surges of San Salvador; From the tumbling surf, that buries The Orkneyan skerries, Answering the hoarse Hebrides; And from wrecks of ships, and drifting Spars, uplifting On the desolate, rainy seas;— Ever drifting, drifting, drifting On the shifting Currents of the restless main; Till in sheltered coves, and reaches Of sandy beaches, All have found repose again. So when storms of wild emotion Strike the ocean Of the poet’s soul, erelong From each cave and rocky fastness, In its vastness, Floats some fragment of a song: From the far-off isles enchanted, Heaven has planted With the golden fruit of Truth; From the flashing surf, whose vision Gleams Elysian In the tropic clime of Youth; From the strong Will, and the Endeavor That forever Wrestle with the tides of Fate; From the wreck of Hopes far-scattered, Tempest-shattered, Floating waste and desolate;— Ever drifting, drifting, drifting On the shifting Currents of the restless heart; Till at length in books recorded, They, like hoarded Household words, no more depart.
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7.2k
Seaweed
A D C B B B Be correct please... I cant stand these tests Desighned to determine the worth of our mind. Dont mind me im just suisidal because i got a C, plus these desks lined infront of me, im my three hour exam that took me two and a half hours of writting i took the rest of my time to count the isles, 35 then i took some time to count how many were lined in front of me 31, and with me thats 1120 desks filled with students so stressed you could cut their hope with a single breath. Now this horror scene has no bars but the crippiling debt deffinitly imprisons us. Its funny that a gymnasium can be turned to a slaughter house, maybe even a gas chamber killing hope by the masses leaving thoasands behind because they allready got their check.
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Dec 20, 2014
Dec 20, 2014 at 6:39 PM UTC
exam
Winds from far foreign climes beats upon the Lizard rocks Gulls driven towards the blackest of crags, yet pass over safely inland In the darkest skies they wheel and spin as if torn by some giant’s hand White horses gallop crests of waves as they rush towards tiny harbours There to crash savagely and rend cut stones from their secured places Men work to save their boats, fighting the storm which mothers sent Nature conspires to take their very lives as they struggle with her might Rocks gnash their teeth and boats not safe yet, pass near their faces Hoping for the safety of their port, men’s white faces line their gunwales Black, white, red, blue and yellow, boats colours lost within the spray These same boats that forge the men they carry out upon the sea’s wrath But now just seek to bring them safely home to their worried wives Their women stand upon the quay or stare worried from their windows Churchyards on the hills above seaside villages filled with headstones Men’s deaths caused by storms in past times of fishing for their living Leaving spouses, their children to carry on their traditions and religion Headstones cut from the very granite of the weather worn Lizard cliffs Menfolk deep beneath the Cornish loam, there to rest for all eternity Whilst below in the thrashing storm, the families fight once again Then as quickly as it came, the storm blows out, waters return to placid Men stretch their aching backs, those hidden from storm turn out The seaman’s mission helps as it can the fractured families And church maybe rings for those lost out to sea, never to be seen again There will be time to mourn, and the village will then lament together And those who are left, they return to their sacred craft of netting fish Return to shining calm, to ply their trade, to bring food to this isles shore
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Oct 4, 2016
Oct 4, 2016 at 8:56 AM UTC
The Lizards Rocks
Winds from far foreign climes beats upon the Lizard rocks Gulls driven towards the blackest of crags, yet pass over safely inland In the darkest skies they wheel and spin as if torn by some giant’s hand White horses gallop crests of waves as they rush towards tiny harbours There to crash savagely and rend cut stones from their secured places Men work to save their boats, fighting the storm which mothers sent Nature conspires to take their very lives as they struggle with her might Rocks gnash their teeth and boats not safe yet, pass near their faces Hoping for the safety of their port, men’s white faces line their gunwales Black, white, red, blue and yellow, boats colours lost within the spray These same boats that forge the men they carry out upon the sea’s wrath But now just seek to bring them safely home to their worried wives Their women stand upon the quay or stare worried from their windows Churchyards on the hills above seaside villages filled with headstones Men’s deaths caused by storms in past times of fishing for their living Leaving spouses, their children to carry on their traditions and religion Headstones cut from the very granite of the weather worn Lizard cliffs Menfolk deep beneath the Cornish loam, there to rest for all eternity Whilst below in the thrashing storm, the families fight once again Then as quickly as it came, the storm blows out, waters return to placid Men stretch their aching backs, those hidden from storm turn out The seaman’s mission helps as it can the fractured families And church maybe rings for those lost out to sea, never to be seen again There will be time to mourn, and the village will then lament together And those who are left, they return to their sacred craft of netting fish Return to shining calm, to ply their trade, to bring food to this isles shore
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Dear Hot Straight Actresses, Stop playing perfect lesbian characters on TV that cause me to become wet on lonely Thursday nights. It’s the equivalent of waving double chocolate fudge cake in front of a menstruating woman who has just been diagnosed with type 2 diabetes. To name a few, Jennifer Beals as Bette Porter on The L Word. Stop it! Naya Rivera as the sassy Santana Lopez on Glee. Stop it! Angie Harmon as butch goddess Detective Jane Rizzoli on Rizzoli & Isles. You may be in the closet but you are gay and stop! And Sara Ramirez and Jessica Capshaw as the married ****** Dr. Cali Torrez and Dr. Arizona Robbins of Grey’s Anatomy. You…you keep going. You two give me hope. Hope that someday my insanely high expectations will be met when my hot art collecting, sassy mouthed Doctor with handcuffs in her back pocket jumps from the screen and onto my sweatpants covered lap. In this crazy assumption that I’ll end up falling out of an apple tree letting gravity push me into the arms of a woman who fixes my broken sense of reality with a amazing great hair and a wedding proposal. Missing out on the Hot barista who gives me an extra large when I ask for a small or the Budding **** artist who invites me to her galleries only to realize her muse has oddly the same hips as me. or the Best friend who is still stuck in the shadows of my closet. Nope…didn’t see any of those. I’m too busy watching the **** tube to see what low cut tops they can get away with before they leave the set and back to their husband and 2.5 kids. All I’m asking is… …when is it coming out on DVD?
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Oct 1, 2012
Oct 1, 2012 at 7:17 AM UTC
Dear Hot Straight Actresses,
Dear Hot Straight Actresses, Stop playing perfect lesbian characters on TV that cause me to become wet on lonely Thursday nights. It’s the equivalent of waving double chocolate fudge cake in front of a menstruating woman who has just been diagnosed with type 2 diabetes. To name a few, Jennifer Beals as Bette Porter on The L Word. Stop it! Naya Rivera as the sassy Santana Lopez on Glee. Stop it! Angie Harmon as butch goddess Detective Jane Rizzoli on Rizzoli & Isles. You may be in the closet but you are gay and stop! And Sara Ramirez and Jessica Capshaw as the married ****** Dr. Cali Torrez and Dr. Arizona Robbins of Grey’s Anatomy. You…you keep going. You two give me hope. Hope that someday my insanely high expectations will be met when my hot art collecting, sassy mouthed Doctor with handcuffs in her back pocket jumps from the screen and onto my sweatpants covered lap. In this crazy assumption that I’ll end up falling out of an apple tree letting gravity push me into the arms of a woman who fixes my broken sense of reality with a amazing great hair and a wedding proposal. Missing out on the Hot barista who gives me an extra large when I ask for a small or the Budding **** artist who invites me to her galleries only to realize her muse has oddly the same hips as me. or the Best friend who is still stuck in the shadows of my closet. Nope…didn’t see any of those. I’m too busy watching the **** tube to see what low cut tops they can get away with before they leave the set and back to their husband and 2.5 kids. All I’m asking is… …when is it coming out on DVD?
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24
Who knows, when His Watch will tell you the Truth And reveal the Sins he refused to Pour Mostly when the Priest he tries to Conduce When in Practice their Ripe Karma does Sour How you Dive and Resist at the same time Mostly on Cards you purse and refuse Face Even if they show Numbers worth in-Line, If not from the Isles are locked in Disgrace Yet the Wheel-Friend still refuses this Fact And tries to re-file this False Document Even at-risk to be billed a Blackheart, Booting that supposed Good Sentiment. Daily, no pause, fold my hands for your Health If you find Creepy, not my loss of Wealth.
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Mar 11, 2013
Mar 11, 2013 at 4:01 AM UTC
SONNET TRIBUTE SUNDRY - FIFTY-THREE - TOM DALEY
deli meats and cheeses i look past them at soft crinkling smiling faces and i drink my java warms up my hands and ******* and i sweat in my coat walking up and down the isles I see trail mix and sunchips and sweet sweet sweets the yummies that i adore chocolates especially dark chocolate cocoa orange cherry strawberry berry red brown it's the sweetness and saltiness of summer time ice cream It's the cold crispness of carrots and snap peas It's the warmth and comfort of big muffins and a plate of hashbrowns at Perkin's after a stressful morning spice smells of pad tai noodles sourdough bread, fresh baked crunch crunch on the outside soft hot squish inside (save that part for me, i eat them separate -you laugh) how many times did we laugh about how you ate that bug and we were never picky *cherries all those cherries.* we ate nutella on bread, washed it down with cold organic orange juice from a cafe neither of us had ever heard of and tofu tofu tofu always cooked perfectly (we wondered how they do it) (i still don't know) chocolate, melting slowly "you missed some." -------just an excuse to kiss me. i giggle peanut m&m;'s turn my tongue colors. Watermelon at a potluck wedding cake cheesy potatoes and an extra helping of bread (we laughed so hard at the white bread, squished into a cube) ruby red made you wince I drink it straight from the bottle and smile remembering every kiss that tasted of grapefruit in that tent every kiss that tasted of salt from the eggs? or from the sweat on your lips the sweat on your lips. we kiss more i smile into your lips i remember that, especially we never got sick of each other nutella on everything, now. especially on s'mores i smile with every memory i put my hands in pockets, the cold rushes to meet my face in the ice cream aisle i cool down as i graze through the tubs or corn syrup and double churned triple churned cream with extra fudge sherbet i chuckle to myself memories memories of sitting up high with you, sand on our toes chocolate caramel fudge coffee on our tongues love in our hearts you remember. the taste of that summer
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Nov 9, 2011
Nov 9, 2011 at 8:12 PM UTC
taste of summer
deli meats and cheeses i look past them at soft crinkling smiling faces and i drink my java warms up my hands and ******* and i sweat in my coat walking up and down the isles I see trail mix and sunchips and sweet sweet sweets the yummies that i adore chocolates especially dark chocolate cocoa orange cherry strawberry berry red brown it's the sweetness and saltiness of summer time ice cream It's the cold crispness of carrots and snap peas It's the warmth and comfort of big muffins and a plate of hashbrowns at Perkin's after a stressful morning spice smells of pad tai noodles sourdough bread, fresh baked crunch crunch on the outside soft hot squish inside (save that part for me, i eat them separate -you laugh) how many times did we laugh about how you ate that bug and we were never picky *cherries all those cherries.* we ate nutella on bread, washed it down with cold organic orange juice from a cafe neither of us had ever heard of and tofu tofu tofu always cooked perfectly (we wondered how they do it) (i still don't know) chocolate, melting slowly "you missed some." -------just an excuse to kiss me. i giggle peanut m&m;'s turn my tongue colors. Watermelon at a potluck wedding cake cheesy potatoes and an extra helping of bread (we laughed so hard at the white bread, squished into a cube) ruby red made you wince I drink it straight from the bottle and smile remembering every kiss that tasted of grapefruit in that tent every kiss that tasted of salt from the eggs? or from the sweat on your lips the sweat on your lips. we kiss more i smile into your lips i remember that, especially we never got sick of each other nutella on everything, now. especially on s'mores i smile with every memory i put my hands in pockets, the cold rushes to meet my face in the ice cream aisle i cool down as i graze through the tubs or corn syrup and double churned triple churned cream with extra fudge sherbet i chuckle to myself memories memories of sitting up high with you, sand on our toes chocolate caramel fudge coffee on our tongues love in our hearts you remember. the taste of that summer
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90
heavy traffic so we stash ourselves in the publix parking lot and watch the flashes of the departing thunderstorm she lays out on the buicks hood in a bikini top a bead of sweat kisses her bellybutton her thick dreadlocks spread like ropes i pick one up and stick it in her ear shes not happy with that afternoon is all sunshine and watered down sodas isles of plastic goodies and elevator musics the old woman pushing her empty cart while dragging a bag she goes to get her nails done i push pebbles into parking lot puddles and watch the sky drift in the reflection she is half my age she sticks her tongue in my ear i dont mind there are palm trees and lizzards everywhere and pebbles in puddles im a pebble and shes my puddle shes all wet im hard we laugh in the forever summer sunshine we dance in the parking lot puddles of the fiveashes publix lot and daydream the stars above this is no ordinary love this is passion's fire in the hearts eyes shes my jezebel im her poet
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Mar 19, 2014
Mar 19, 2014 at 11:42 AM UTC
dreadlock girl ( an elegant love affair)
I On the Coast of Coromandel Where the early pumpkins blow, In the middle of the woods Lived the Yonghy-Bonghy-Bo. Two old chairs, and half a candle,-- One old jug without a handle,-- These were all his worldly goods: In the middle of the woods, These were all the worldly goods, Of the Yonghy-Bonghy-Bo, Of the Yonghy-Bonghy-Bo. II Once, among the Bong-trees walking Where the early pumpkins blow, To a little heap of stones Came the Yonghy-Bonghy-Bo. There he heard a Lady talking, To some milk-white Hens of Dorking,-- ''Tis the lady Jingly Jones! 'On that little heap of stones 'Sits the Lady Jingly Jones!' Said the Yonghy-Bonghy-Bo, Said the Yonghy-Bonghy-Bo. III 'Lady Jingly! Lady Jingly! 'Sitting where the pumpkins blow, 'Will you come and be my wife?' Said the Yonghy-Bonghy-Bo. 'I am tired of living singly,-- 'On this coast so wild and shingly,-- 'I'm a-weary of my life: 'If you'll come and be my wife, 'Quite serene would be my life!'-- Said the Yonghy-Bonghy-Bo, Said the Yonghy-Bonghy-Bo. IV 'On this Coast of Coromandel, 'Shrimps and watercresses grow, 'Prawns are plentiful and cheap,' Said the Yonghy-Bonghy-Bo. 'You shall have my chairs and candle, 'And my jug without a handle!-- 'Gaze upon the rolling deep ('Fish is plentiful and cheap) 'As the sea, my love is deep!' Said the Yonghy-Bonghy-Bo, Said the Yonghy-Bonghy-Bo. V Lady Jingly answered sadly, And her tears began to flow,-- 'Your proposal comes too late, 'Mr. Yonghy-Bonghy-Bo! 'I would be your wife most gladly!' (Here she twirled her fingers madly,) 'But in England I've a mate! 'Yes! you've asked me far too late, 'For in England I've a mate, 'Mr. Yonghy-Bonghy-Bo! 'Mr. Yonghy-Bonghy-Bo!' VI 'Mr. Jones--(his name is Handel,-- 'Handel Jones, Esquire, & Co.) 'Dorking fowls delights to send, 'Mr. Yonghy-Bonghy-Bo! 'Keep, oh! keep your chairs and candle, 'And your jug without a handle,-- 'I can merely be your friend! '--Should my Jones more Dorkings send, 'I will give you three, my friend! 'Mr. Yonghy-Bonghy-Bo! 'Mr. Yonghy-Bonghy-Bo!' VII 'Though you've such a tiny body, 'And your head so large doth grow,-- 'Though your hat may blow away, 'Mr. Yonghy-Bonghy-Bo! 'Though you're such a Hoddy Doddy-- 'Yet a wish that I could modi- 'fy the words I needs must say! 'Will you please to go away? 'That is all I have to say-- 'Mr. Yonghy-Bonghy-Bo! 'Mr. Yonghy-Bonghy-Bo!'. VIII Down the slippery slopes of Myrtle, Where the early pumpkins blow, To the calm and silent sea Fled the Yonghy-Bonghy-Bo. There, beyond the Bay of Gurtle, Lay a large and lively Turtle,-- 'You're the Cove,' he said, 'for me 'On your back beyond the sea, 'Turtle, you shall carry me!' Said the Yonghy-Bonghy-Bo, Said the Yonghy-Bonghy-Bo. IX Through the silent-roaring ocean Did the Turtle swiftly go; Holding fast upon his shell Rode the Yonghy-Bonghy-Bo. With a sad primaeval motion Towards the sunset isles of Boshen Still the Turtle bore him well. Holding fast upon his shell, 'Lady Jingly Jones, farewell!' Sang the Yonghy-Bonghy-Bo, Sang the Yonghy-Bonghy-Bo. X From the Coast of Coromandel, Did that Lady never go; On that heap of stones she mourns For the Yonghy-Bonghy-Bo. On that Coast of Coromandel, In his jug without a handle Still she weeps, and daily moans; On that little hep of stones To her Dorking Hens she moans, For the Yonghy-Bonghy-Bo, For the Yonghy-Bonghy-Bo.
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4.2k
The Courtship Of The Yonghy-Bonghy-Bo
I On the Coast of Coromandel Where the early pumpkins blow, In the middle of the woods Lived the Yonghy-Bonghy-Bo. Two old chairs, and half a candle,-- One old jug without a handle,-- These were all his worldly goods: In the middle of the woods, These were all the worldly goods, Of the Yonghy-Bonghy-Bo, Of the Yonghy-Bonghy-Bo. II Once, among the Bong-trees walking Where the early pumpkins blow, To a little heap of stones Came the Yonghy-Bonghy-Bo. There he heard a Lady talking, To some milk-white Hens of Dorking,-- ''Tis the lady Jingly Jones! 'On that little heap of stones 'Sits the Lady Jingly Jones!' Said the Yonghy-Bonghy-Bo, Said the Yonghy-Bonghy-Bo. III 'Lady Jingly! Lady Jingly! 'Sitting where the pumpkins blow, 'Will you come and be my wife?' Said the Yonghy-Bonghy-Bo. 'I am tired of living singly,-- 'On this coast so wild and shingly,-- 'I'm a-weary of my life: 'If you'll come and be my wife, 'Quite serene would be my life!'-- Said the Yonghy-Bonghy-Bo, Said the Yonghy-Bonghy-Bo. IV 'On this Coast of Coromandel, 'Shrimps and watercresses grow, 'Prawns are plentiful and cheap,' Said the Yonghy-Bonghy-Bo. 'You shall have my chairs and candle, 'And my jug without a handle!-- 'Gaze upon the rolling deep ('Fish is plentiful and cheap) 'As the sea, my love is deep!' Said the Yonghy-Bonghy-Bo, Said the Yonghy-Bonghy-Bo. V Lady Jingly answered sadly, And her tears began to flow,-- 'Your proposal comes too late, 'Mr. Yonghy-Bonghy-Bo! 'I would be your wife most gladly!' (Here she twirled her fingers madly,) 'But in England I've a mate! 'Yes! you've asked me far too late, 'For in England I've a mate, 'Mr. Yonghy-Bonghy-Bo! 'Mr. Yonghy-Bonghy-Bo!' VI 'Mr. Jones--(his name is Handel,-- 'Handel Jones, Esquire, & Co.) 'Dorking fowls delights to send, 'Mr. Yonghy-Bonghy-Bo! 'Keep, oh! keep your chairs and candle, 'And your jug without a handle,-- 'I can merely be your friend! '--Should my Jones more Dorkings send, 'I will give you three, my friend! 'Mr. Yonghy-Bonghy-Bo! 'Mr. Yonghy-Bonghy-Bo!' VII 'Though you've such a tiny body, 'And your head so large doth grow,-- 'Though your hat may blow away, 'Mr. Yonghy-Bonghy-Bo! 'Though you're such a Hoddy Doddy-- 'Yet a wish that I could modi- 'fy the words I needs must say! 'Will you please to go away? 'That is all I have to say-- 'Mr. Yonghy-Bonghy-Bo! 'Mr. Yonghy-Bonghy-Bo!'. VIII Down the slippery slopes of Myrtle, Where the early pumpkins blow, To the calm and silent sea Fled the Yonghy-Bonghy-Bo. There, beyond the Bay of Gurtle, Lay a large and lively Turtle,-- 'You're the Cove,' he said, 'for me 'On your back beyond the sea, 'Turtle, you shall carry me!' Said the Yonghy-Bonghy-Bo, Said the Yonghy-Bonghy-Bo. IX Through the silent-roaring ocean Did the Turtle swiftly go; Holding fast upon his shell Rode the Yonghy-Bonghy-Bo. With a sad primaeval motion Towards the sunset isles of Boshen Still the Turtle bore him well. Holding fast upon his shell, 'Lady Jingly Jones, farewell!' Sang the Yonghy-Bonghy-Bo, Sang the Yonghy-Bonghy-Bo. X From the Coast of Coromandel, Did that Lady never go; On that heap of stones she mourns For the Yonghy-Bonghy-Bo. On that Coast of Coromandel, In his jug without a handle Still she weeps, and daily moans; On that little hep of stones To her Dorking Hens she moans, For the Yonghy-Bonghy-Bo, For the Yonghy-Bonghy-Bo.
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120
The fisherman’s swapping a yarn for a yarn Under the hand of the village barber, And her in the angle of house and barn His deep-sea dory has found a harbor. At anchor she rides the sunny sod As full to the gunnel of flowers growing As ever she turned her home with cod From George’s bank when winds were blowing. And I judge from that elysian freight That all they ask is rougher weather, And dory and master will sail by fate To seek the Happy Isles together.
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3.8k
The Flower Boat
Please see me. Not the person I appear to be. Not the one you see walking isles, The one who grins, who looks at you with those doggy eyes Who apologizes, who cowers. Please see me. Not my skin. Not my hair. Please don't call me something I'm not. Please understand that I love your people But I come from somewhere else. Please understand me. As I have come to understand you, This place, these people, These ways and the talk. Please try, as I have tried countless times before.
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Sep 17, 2014
Sep 17, 2014 at 11:12 AM UTC
Please See Me
in the middle of a dark night no moon or street light and  I could hardly see the road in front of me but it was free and so we settled and thus we pedaled more then 30 winding miles into this wilderness of isles or so it seemed so very mean, just like a dream he said "continue , for it is in you and we can make it to the place within an hour, at this pace." his plan was brutal I'm not a poodle but I could truly smell the sweat and feeling hot and sopping wet it was no fun. at. all and like the day y'all so very done again not fun and it is true that maybe you would think ahead and plan the weekend get a room and buy a map none of this crap (but I'm a sap and went along with his idea for I had hopes for us last year) and so we learned the hard way burned. Well I could barely, i say just barely make out the single line white striping while he's right behind me griping, "can't you speed up? we're gonna meet up and the collision won't be pleasant" not that pleasant was he were so very DER! it's so ironic, perhaps moronic for there were headlights coming up the hill in front and to be blunt they had to blind me oh please don't mind me for I quickly left the scene right off the road and with scream into the blackness of a pitch which sent me down into a ditch a steep ravine so very mean and then the bike no longer able to remain beneath my seat after that drop the roll to stop landed on top and not so sweet so very beat I said '"oh sheet" I was not laughing, nor was I crying and but more like " could it be dear Lord that I am dying? Oh my God, excuse the curse so freaking odd, though i've seen worse and though my body's somewhat shaken not a bone or tooth was breakin' and I'm fully wide awake and not a pain or any ache~ so very odd it must be God. and there I lie perfectly high my eyes wide open couldn't scope but in the darkness I could ***** the rock beside my fallen hide and in a moment not an omen he said "Gee!" "Is this your knee?" I said: " Hey Mr. Moulder, you've got my shoulder." "I should have driven in the Bently" and as he pulled the bike off gently asking how these things do happen "nevermind, just lets get snappin" and we made it to the youth hostel that night.
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Sep 14, 2013
Sep 14, 2013 at 10:41 PM UTC
night cliff biking
in the middle of a dark night no moon or street light and  I could hardly see the road in front of me but it was free and so we settled and thus we pedaled more then 30 winding miles into this wilderness of isles or so it seemed so very mean, just like a dream he said "continue , for it is in you and we can make it to the place within an hour, at this pace." his plan was brutal I'm not a poodle but I could truly smell the sweat and feeling hot and sopping wet it was no fun. at. all and like the day y'all so very done again not fun and it is true that maybe you would think ahead and plan the weekend get a room and buy a map none of this crap (but I'm a sap and went along with his idea for I had hopes for us last year) and so we learned the hard way burned. Well I could barely, i say just barely make out the single line white striping while he's right behind me griping, "can't you speed up? we're gonna meet up and the collision won't be pleasant" not that pleasant was he were so very DER! it's so ironic, perhaps moronic for there were headlights coming up the hill in front and to be blunt they had to blind me oh please don't mind me for I quickly left the scene right off the road and with scream into the blackness of a pitch which sent me down into a ditch a steep ravine so very mean and then the bike no longer able to remain beneath my seat after that drop the roll to stop landed on top and not so sweet so very beat I said '"oh sheet" I was not laughing, nor was I crying and but more like " could it be dear Lord that I am dying? Oh my God, excuse the curse so freaking odd, though i've seen worse and though my body's somewhat shaken not a bone or tooth was breakin' and I'm fully wide awake and not a pain or any ache~ so very odd it must be God. and there I lie perfectly high my eyes wide open couldn't scope but in the darkness I could ***** the rock beside my fallen hide and in a moment not an omen he said "Gee!" "Is this your knee?" I said: " Hey Mr. Moulder, you've got my shoulder." "I should have driven in the Bently" and as he pulled the bike off gently asking how these things do happen "nevermind, just lets get snappin" and we made it to the youth hostel that night.
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A beautiful nation, In the middle of the pacific ocean... Filled with all races, its multi racial... A paradise where the sun rises first... Lots of people come as tourist or guests... Sun shines brighter in the west... Heat smearing enjoyed by rest... With coconuts to quench your thirst... You bet, we are the best... Fiji as a small country with a big heart... Welcoming people from all different castes... With majority population of Fijians and Indians... We are given the citizenry to be known as Fijians... Hindi, English and Fijian are the spoken words... Once you come you may never feel among odds... Hot springs, hike place, wonderful beaches... Friendly people and no dangerous creatures... Waterfall, country rides, water dives and much more... Am sure you would enjoy and not get bore... This is my home, a paradise heaven on earth... I seek nothing but to live here until my death... ©sim
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Feb 7, 2018
Feb 7, 2018 at 11:36 PM UTC
From the Isles of Fiji
I needed to do some shopping On poem ideas I was running low So I checked out the local flyer To the downtown poet store Just to see what they had on sale Some of my friends they call me cheap But why pay full price if you don't have to On all the rhyming words I need The front page slapped me in the face With the Spring Cleaning Sale Galore Everything I needed was half price So I headed straight to the store I ventured up and down the isles Filling my basket with the best of rhyme Getting a few extras of every word So I'd have them when the time was right I stocked up on love and encouragement The right words I carefully chose Because in my experience You can never have to many of those I even took a few from the back Down a darkened isle where the lights were low Being a poet my mood can rapidly change And what words I might need you never know With my basket full of wonder I felt my day of shopping done Confidant and ready To go home and continue writing poems
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Apr 1, 2013
Apr 1, 2013 at 5:23 PM UTC
"Shopping"
"O day! he cannot die When thou so fair art shining! O Sun, in such a glorious sky, So tranquilly declining; He cannot leave thee now, While fresh west winds are blowing, And all around his youthful brow Thy cheerful light is glowing! Edward, awake, awake-- The golden evening gleams Warm and bright on Arden's lake-- Arouse thee from thy dreams! Beside thee, on my knee, My dearest friend, I pray That thou, to cross the eternal sea, Wouldst yet one hour delay: I hear its billows roar-- I see them foaming high; But no glimpse of a further shore Has blest my straining eye. Believe not what they urge Of Eden isles beyond; Turn back, from that tempestuous surge, To thy own native land. It is not death, but pain That struggles in thy breast-- Nay, rally, Edward, rouse again; I cannot let thee rest!" One long look, that sore reproved me For the woe I could not bear-- One mute look of suffering moved me To repent my useless prayer: And, with sudden check, the heaving Of distraction passed away; Not a sign of further grieving Stirred my soul that awful day. Paled, at length, the sweet sun setting; Sunk to peace the twilight breeze: Summer dews fell softly, wetting Glen, and glade, and silent trees. Then his eyes began to weary, Weighed beneath a mortal sleep; And their orbs grew strangely dreary, Clouded, even as they would weep. But they wept not, but they changed not, Never moved, and never closed; Troubled still, and still they ranged not-- Wandered not, nor yet reposed! So I knew that he was dying-- Stooped, and raised his languid head; Felt no breath, and heard no sighing, So I knew that he was dead.
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3.5k
A Death-scene
"O day! he cannot die When thou so fair art shining! O Sun, in such a glorious sky, So tranquilly declining; He cannot leave thee now, While fresh west winds are blowing, And all around his youthful brow Thy cheerful light is glowing! Edward, awake, awake-- The golden evening gleams Warm and bright on Arden's lake-- Arouse thee from thy dreams! Beside thee, on my knee, My dearest friend, I pray That thou, to cross the eternal sea, Wouldst yet one hour delay: I hear its billows roar-- I see them foaming high; But no glimpse of a further shore Has blest my straining eye. Believe not what they urge Of Eden isles beyond; Turn back, from that tempestuous surge, To thy own native land. It is not death, but pain That struggles in thy breast-- Nay, rally, Edward, rouse again; I cannot let thee rest!" One long look, that sore reproved me For the woe I could not bear-- One mute look of suffering moved me To repent my useless prayer: And, with sudden check, the heaving Of distraction passed away; Not a sign of further grieving Stirred my soul that awful day. Paled, at length, the sweet sun setting; Sunk to peace the twilight breeze: Summer dews fell softly, wetting Glen, and glade, and silent trees. Then his eyes began to weary, Weighed beneath a mortal sleep; And their orbs grew strangely dreary, Clouded, even as they would weep. But they wept not, but they changed not, Never moved, and never closed; Troubled still, and still they ranged not-- Wandered not, nor yet reposed! So I knew that he was dying-- Stooped, and raised his languid head; Felt no breath, and heard no sighing, So I knew that he was dead.
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All-knowing, My great lord: From the eternal palace, Wherein we serve, On the field of Sahiga, Looking back At the isles far offshore: Where on the fresh, clean shoreline With the blowing of the wind, Breakers roar And with the ebbing of the tide, They go cutting jewelled seaweed: From the age of gods An awesome, Jewelled mountain isle.
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All-knowing, (the eternal palace)
Waiting for me today was a grapy sky, a purplish dusk over titian fields. Then a familiar autumn scent perfumed the air, the fragrant tea olive burst in orange blooms. I ambled and paused a bit, and watched the little ray of sun that lingered on the horizon. I saw an outline of my dream, a vision above the western isles. I held my breath and firmly thought. I have to find my purpose. Embrace my lows and my highs, my weaknesses and strengths, even the creeping darkness and the marvelous sunrise. I have to love life each day. With every sunset as my witness to accomplish something worthwhile.
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Sep 27, 2021
Sep 27, 2021 at 10:12 AM UTC
An Autumn Sunset
Going out with thy ecstatic rile, Sun soaked cherubic smile, You impale my ziel senile, I slay a thousand miles To meet ya' at Zion's isles....
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Jul 20, 2017
Jul 20, 2017 at 6:58 AM UTC
Your smile
580 I gave myself to Him— And took Himself, for Pay, The solemn contract of a Life Was ratified, this way— The Wealth might disappoint— Myself a poorer prove Than this great Purchaser suspect, The Daily Own—of Love Depreciate the Vision— But till the Merchant buy— Still Fable—in the Isles of Spice— The subtle Cargoes—lie— At least—’tis Mutual—Risk— Some—found it—Mutual Gain— Sweet Debt of Life—Each Night to owe— Insolvent—every Noon—
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I gave myself to Him