The cultural filters are all in place
And truth, some say, is past its sell-by date
Weak hymns embalmed by hippies, and lost in space
Where time is always 1968

A poison-green tattoo on a fleshy back
No incense, but the Purell’s pretty strong
A ten-year-old gobbles his comfort snack
During Communion and a three-chord song

Our bishops quack and honk in flocks and herds -
We need a starets
                                           but all we get are words:


Intensify the Dallas Charter accountability focus accountability exclusively accountability collegial collective accountability responsibility address theme encounter dialectic collegiality variety universality unity flock dealing topic difficult reasons unexplored differences crisis difficult for bishops enable abusers gravely irreparably failures governance responsibility question engage conversation point brother problematic behavior cultivate culture correctio fraterna enables offending other recognize criticism opportunity to tasks related willingness personally mistakes to each other feeling maintain fraternal relationship cases we damaging weakness anecdotal parenthesis to his speech encounters course ministry recollection forgive counseling for healing discussing matter rationally headway realized psyche of the person measure semblance justice inability forgive his  apparently perplexing consternating remarked noting changed personality of person realize humility mistakes learn mistakes better question unanswered unaddressed mistakes allowed consequences mishandling cases gathering conferences participants and journalists effective concrete measures combat scourge scandal technical theological sense term list reflection points adjunct secretary special portfolio combatting meeting chief architects roadmap for our discussion very, very concrete understatement seriously utter understatement things discussed follow-up meeting continued model of reform the so-called intensify the Dallas Charter metropolitan model metropolitan investigating disciplining wayward ecclesiastical provinces briefing responded you have to read the footnote disgrace investigations systemic coverup dismissed briefing expressed hope report position power prominence leadership structure report findings influence broader jurisdictions Accountability focus accountability exclusively accountability collegial collective accountability responsibility address theme encounter dialectic collegiality variety universality unity flock dealing topic difficult reasons unexplored differences crisis difficult for bishops enable abusers gravely irreparably failures governance responsibility question engage conversation point brother problematic behavior cultivate culture correctio fraterna enables offending other recognize criticism opportunity to tasks related willingness personally mistakes to each other feeling maintain fraternal relationship cases we damaging weakness anecdotal parenthesis to his speech encounters course ministry recollection forgive counseling for healing discussing matter rationally headway realized psyche of the person measure semblance justice inability forgive his  apparently perplexing consternating remarked noting changed personality of person realize humility mistakes learn mistakes better question unanswered unaddressed mistakes allowed consequences mishandling cases gathering conferences participants and journalists effective concrete measures combat scourge scandal technical theological sense term list reflection points adjunct secretary special portfolio combatting meeting chief architects roadmap for our discussion very, very concrete understatement seriously utter understatement things discussed follow-up meeting continued model of reform the so-called Metropolitan model metropolitan investigating disciplining wayward ecclesiastical provinces briefing responded you have to read the footnote disgrace investigations systemic coverup dismissed briefing expressed hope report position power prominence leadership structure report findings influence broader jurisdictions accountable faithful promises episodes  accountability supportive talking collegiality obligation misbehavior failures circumstances reputation representative discreet inquiries interview expression concern geographically confronted reported matter subject investigating disciplining malfeasance proposal wrongdoing explained carefully considered matter alternatives remarks paragraph  rehearsed alternatives footnote 6 of text speeches delivered sessions briefing spoke involvement laity lay involvement transparency transparent offending other recognize criticism opportunity to tasks related willingness personally mistakes to each other feeling maintain fraternal relationship cases we damaging weakness anecdotal parenthesis to his speech encounters course ministry recollection forgive counseling for healing discussing matter rationally headway realized psyche of the person measure semblance justice inability forgive his  apparently perplexing consternating remarked noting changed personality of person realize humility mistakes learn mistakes better question unanswered unaddressed mistakes allowed consequences mishandling cases gathering conferences participants and journalists effective concrete measures combat scourge scandal technical theological sense term list reflection points adjunct secretary special portfolio combatting meeting chief architects roadmap for our discussion very, very concrete understatement seriously utter understatement things discussed follow-up meeting continued model of reform the so-called Metropolitan model metropolitan investigating disciplining wayward ecclesiastical provinces briefing responded you have to read the footnote disgrace investigations systemic coverup dismissed briefing expressed hope report position power prominence leadership structure report findings influence broader jurisdictions accountable faithful promises episodes  accountability supportive talking collegiality obligation misbehavior failures circumstances reputation representative discreet inquiries interview expression concern geographically confronted reported matter subject investigating disciplining malfeasance proposal wrongdoing explained carefully considered matter alternatives remarks paragraph  rehearsed alternatives footnote 6 of text speeches delivered sessions briefing spoke involvement laity lay involvement transparency transparent intensify the Dallas Charter…

I heard faint noises downstairs, and I decided to investigate. I pulled on a pair of cut-off jeans and grabbed the old pump shotgun that had served me so well in Viet-Nam from under my bed and crept downstairs to check. My Ranger training came into play, and I moved soundlessly, down the stairs and into the living room. An air of vague shadowy figures were searching through the cabinet that housed my collection of antique silver. I announced my presence in a sudden and intimidating manner: I merely pumped the action of the shotgun, then immediately moved to the right so if anyone shot, he would shoot where I had been, not where I was now. That sound was a language that everyone understood, including the two figures before me. They froze, and were still motionless.

"Mr. Steve?" one of the figures quavered. "Please don't shoot!"

I recognized the voice as belonging to Lisa, the twenty-year-old daughter of my nearest neighbor. I didn't know who the other person was or who else may be in the house, so I kept the shotgun pointed in their direction and hit the light switch with my free hand. Immediately a car cranked up in my driveway, and tires squealing, raced out to the road and away. I looked at my midnight visitors. I recognized Lisa and Julie, who was a close friend of Lisa's and a frequent overnight visitor of hers. They were holding between them a laundry bag containing most of my silver collection. I lowered the muzzle of the cut down shotgun.

"You sure know how to get yourselves killed," I stated. "Mind telling me who was in the car? You don't want to take the rap all by yourselves."

"Please don't shoot! That was Mike, it was all his idea! He made us do it! He said he would put us out and make us walk home if we didn't do it! Are you going to call the Cops?"

Now I could understand why the girls tried to burglarize my home. It was a fifteen-mile walk home in pitch darkness on a moon-less night for the two frightened girls. It was just what a worthless **** like Mike would pull. Knowing what I did about Lisa's boyfriend, I knew what he probably needed the money for. He was nineteen; the only job he had ever had was selling drugs, and I don't mean at the pharmacy. He was a charmer though. Girls fell for his good looks and his charm, and would do anything for him, and he of course chose the best looking one of the bunch, Lisa. She never realized what a slime-ball he really was. The problem was that Lisa didn't have a father to threaten to put a bullet in Mike's behind, and her mother was just as deceived as she was.

"You broke into my house and attempted to steal my belongings. Why shouldn't I?" I said with false sternness. I wouldn't really turn them in, now that I knew the situation. I would give the girls a good scare, then a ride home. Maybe then Lisa would see through Mike's veneer.

"Because we'll do anything you want," Julie offered, speaking for the first time. "Anything at all!"

Julie stepped over and ran her hand up my leg, pausing to tweak the head of my ****, which was hanging out of the leg of my cutoffs. I hadn't bothered to pull on any underwear. Julie was almost as good looking as Lisa was. Both girls had fabulous bodies, large firm ****, and smooth well-rounded *****. Julie had a cute face, whereas Lisa was absolutely beautiful.

"Yes, anything you want to do!" Lisa agreed.

The girls weren't wanton *****, but scared out of their wits and taking the only way out that they could think of. Of course they weren't virgins. It hadn't occurred to me to take advantage of the girls like this, and I would have declined Julie's offer if she hadn't fooled with my **** like that. You see, I was developing an outrageous *******, and with my **** hanging down the leg of some fairly tight shorts, the situation was rapidly becoming painful and serious. I had to get those pants off fast! Also, I hadn't been laid in quite a while. I decided to lay my cards on the line.

"You kids know me. I never had any intention of calling the Cops. I was going to give you a scare to teach you a lesson, then drive you home. Does that mean the offer is withdrawn?"

The girls looked at each other and both breathed a sigh of relief, big smiles on their faces. Lisa winked at Julie. "Nope," Julie said, smiling, "It still stands. Lets go upstairs."

I escorted the girls to my bedroom, pressed the magazine block on the shotgun, pumped out the shell that was still in the chamber, then put it back in the magazine. I tossed it onto the dresser with a loud thump.

I turned around and both girls were stark naked. Lisa came over, dropped to her knees, and planted a wet kiss on the head of my painfully throbbing ****. My ******* became harder still. I had to get out of those cutoffs! Julie solved that problem. She unzipped and unbuttoned them and gently worked them down around my rock-hard ****, allowing it to spring up to freedom.

"Lets get on the bed first," I suggested, "Then we have fun."

"Lay down on your back," Lisa insisted. "Have we got something for you!"

I complied, and Lisa leaned over and put my **** in her hot mouth. Her tongue swirled over the head, ran up and down the shaft, and started over again. I looked over at Julie and she was watching avidly. Not having anything better to do with my hands, I reached between her legs and caressed her ****. Julie gasped with surprise, then spread her legs. Her **** was already hot and wet, so I slid my ******* in all the way, then started finger ******* her and massaging her **** with my thumb. Her **** hardened and grew. Julie had her eyes closed and was erotically tweaking her ***** *******. She was slowly lowering her body, deepening the ******* of my finger, and rocking her hips back and forth, intensifying the stroking of her ****. Julie's hot ***** juices ran down my hand while Lisa's mouth was still working on my throbbing ****.

I began to draw my hand from Julie's sopping wet ****, but she grabbed it and held it tightly to her crotch. I pulled my hand now, and she came with it. I grabbed her thigh and swung her leg over me, so she was now sitting on my chest. I pulled my finger from her hungry ****, grabbed her ***, and pulled her ****** right up to my face. As soon as I flicked her **** with the tip of my tongue, she went wild, ******* my face, filling my nostrils with the sweet aroma of her **** juices. I thought I would give her all the licking she could handle. I rammed my tongue into her ****-hole with all my might, then gently nibbled on her ****. Apparently she had a low threshold, as this was all she could stand.

"Oh God, I'm coming!" she screamed, ground her **** into my face one more time, quivered, then collapsed sideways onto the bed.

One down, one to go. I looked at Lisa, still ******* my **** for all she was worth. I was nearing the end of my endurance, and I still hadn't had my **** in any hot **** yet. I grabbed Lisa's shoulders and pulled her mouth from my ****. I turned her around and held her up, her blonde ***** triangle just inches over my waiting tool.

"Give it to her! Now!" Julie whispered.

Lisa's **** didn't look wet or ready to take anything in it yet, but my **** was ready to take some *****. Julie reached over and spread the lips to Lisa's still dry *****, and began tweaking her ****. Lisa gasped her surprise at her most private place being touched by another chick. Within seconds though, her **** and inner ***** lips began to swell, and her juices started flowing. I slowly lowered Lisa to my rod, admiring her glistening pinkness. Julie guided my throbbing rod into Lisa's wet love hole.

"Please, be careful! Ah-h-h-h! Go slow, I'm so tight!"

I lowered Lisa very carefully, for her hot ****-hole was indeed the tightest ***** I had ever felt. With that in mind, I fought the urge to slam her down on my eager ****. As soon as she was down, I grabbed her *** and began sliding her back and forth. Lisa bit her lip as a tear trickled down from one eye.

"Stop, Mr. Steve! It's hurting her!" Julie commanded. Then to Lisa, "You haven't done it much, have you?"

"Just once, with Mike, and he isn't this big. It hurt then, too!" Lisa sobbed. "I wanted so bad to do it with Mr. Steve because he's been so nice to me, and I was so scared when I saw how big he was. Oh, it hurts!"

"You'd better get up then." I reassured, "I don't want to do anything to you that you don't want me to do."

"I want to go on, really I do! But don't you have anything I could use to make it easier?"

"Yeah, any Vaseline, or KY jelly, or something like that?" Julie asked.

"I have some KY jelly in the bathroom." I answered.

Julie jumped up and padded into the bathroom. I watched her naked *** jiggle as she left.

"You're gonna have to get up." I told Lisa. I gently lifted her ***. She bit her lip again and moaned as my **** slowly withdrew from her tortured hole. With a pop from her *****, a shriek burst from her lips as my **** sprung from her nearly dry ****-hole. She knelt on the bed next to me, softly crying, clutching herself where it hurt. I realized that she had been wrong in pretending to be so eager. A more gentle approach was needed.

I reached over, pulled her to me, and kissed her lips passionately. She ****** once in surprise, then melted into my arms, returning my kiss, forgetting the pain in her ****. I ran my hand around to her firm **** and gently stroked her *******, feeling them harden under my touch. I pulled my mouth from hers and kissed the point of each hard ******. She moaned and gasped with each touch of my lips, but from pleasure this time, not from pain. While I had her aroused, I lightly traced circles on her tummy with my finger, each circle going lower and lower, until I finally reached the blonde **** of her ***** hair. Slowly, I reached down and cupped her ***** with my hand, being careful not to press too hard or insert my finger. I would know when she was ready for *******. She responded with a **** and a gasp. I pressed again, and she gasped again. I kissed each firm ****** one last time, then started kissing down her tummy to her love nest, which was now warming and starting to respond to my touch.

I spread her legs and gently ran the tip of my tongue the full length of her slit. When I reached the vicinity of her ****, she reacted as though she had been shocked. She arched her back, pressing her **** against my face. Maybe she was ready. I probed again with my tongue, harder this time, hard enough to separate her ****-lips and tickle her ****. She went mad again, jerking and twitching in response to the touch of my tongue, moaning and panting. Then I felt her **** harden, her inner lips swell and spread, and her delicious juices start to flow. Now she was definitely ready for more. I probed her ****-hole with my tongue, licked all the way up to her ****, swirled it around, bit it gently, and then probed her hole again. When I started doing all this, she went even wilder. She spread her legs, ****** and reared against my face, and pulled my head tight against her hot cooze.

"Oh-h-h-h-h, **** me," she moaned, "I can't stand it any more! I don't care if it does hurt! Please, please **** me!"

I put her throbbing **** between my lips and gave it one hard ****, drawing it completely into my mouth, and pulled my head back sharply, causing her **** to pop back. She screamed, ****** her hips at me, and grabbed her sweating *******.

When she had subsided, her legs still spread, I mounted her in the traditional position. I started to position my throbbing pole for a gentle entry, but Lisa released her **** and spread her ****-lips with one hand and guided my tool to her sopping wet ****-hole with the other. She was much wetter now than when Julie diddled her ****, wet enough to ****.

"Please do it now!" Lisa pleaded.

I began to insert my **** cautiously, and found that due to her juices, entry was no problem. Lisa groaned like a ****** as I slid into her hot wetness. When she had taken as much of my ten-inch tool as she could, I still wasn't all the way in. But she began pumping her hips, causing the swollen head of my **** to ram against the back of her *****. She was as deliciously tight as before, but she must have been stretching, for with just a few strokes, my ***** were slapping against her ***, and I was in to the hilt. My tenderness and foreplay had paid off.

"Oh-h-h-h, that's good!" she purred when I began pumping to meet her rhythm. She wrapped her legs around my waist, and was pumping as hard as I was. With each stroke, I would completely withdraw from her hot, tight wetness, then shove my eager tool back in to the hilt, never missing her voracious target, always sliding easily in, jamming against the back of her *****.

Her pumping increased in tempo, and I sped up to match. Each pump became harder and more frantic than the one before. Lisa's breathing became harder and faster. She was about to come, and I wanted to come with her. I raised her legs over my shoulders so that I had a better angle at the depths of her tight hole, and started ramming as hard as I could.

"Don't stop! I think I'm gonna come! Oh-h-h, its so good! Come in me! Oh, please, I want to feel your load in me!" Lisa screamed. She bucked and reared and screamed incoherently, then went limp. I continued to pump. In just a few seconds, she began to pump anew. For more times than I could count, she orgasmed.

Once I felt my ****** approaching, I gave her one last hard ram and drove my weapon in as far as I could. I came at this point, spurting her sweet, tender Steve **** full of my hot sticky come, like an erupting volcano. She gasped, trembled, and fell back to the bed. I pulled out my softening ****. Our ****** energies were spent for the moment.

I glanced down at the foot of the bed, and saw Julie, whom I had forgotten. She sat in the chair at the foot of the bed, her legs spread, working a coke bottle in and out of her *****. She had found the KY jelly, then found us ******* away. Feeling left out but excited by the ****** sight of her best friend getting a good *******, she slicked up the coke bottle and began using it as a *****.

I saw that Lisa also was seeing something she had never seen before, her best friend's ****, gaping open, a coke bottle almost disappearing inside it. "Look how far in she puts it! And see how big it is to go in her like that. How does she do it?" Lisa asked, amazed.

"Why don't you get a closer look," I suggested. "Ask her." Lisa crawled down to the foot of the bed and sat on the end, astounded, watching Julie *******.

Julie finally looked down, under heavy-lidded eyes and saw Lisa so close. "Why don't you do this for me?" Julie asked.

"How?" Lisa queried.

"Just do what I'm doing now," came Julie's reply. Lisa watched for a few seconds more, then pushed Julie's hand aside and grasped the slippery end of the bottle. "In and out, and twist it a little bit. Oh, yes-s-s, oh, yes-s-s. Do it good, oh, that's so good!" Julie purred.

My **** was hardening again at the sight of one female ******* another.

I had an idea. If Julie was as promiscuous as she seemed, she might not object to what I had in mind. While Lisa continued to work the bottle in Julie's stretched ****, I helped Julie out of the chair and down to the floor, her heaving **** on the floor, her *** up in the air. She stayed in the position, crooning wordlessly, **** juice dribbling down her thighs, Lisa still ******* her.

I picked up the tube of KY jelly that Julie had used, and liberally covered my ***** rod with it. Then I stood behind Julie, straddling Lisa.

"What are you going to do?" Lisa asked.

"Watch and see!" I responded. With that I grasped Julie's hips and aimed my **** at the delicate rosette of Julie's ***. Using my **** like a weapon, I suddenly shoved my tool in as far as I could. Julie let out a scream, tearing out fistfuls of carpet.

"Oh God, **** my ***! That hurts so good! **** me harder, give me all you've got! Make it hurt! Give me more of that bottle!"

"I'm ***-******* Julie!" I informed Lisa, who was now completely mind-blown.

I needed no invitation, and neither did Lisa. Both of us gave Julie all we could, Lisa with the bottle in Julie's ****, me with my **** far up Julie's clenching ***. Julie rocked back to take us both in, then forward, then back for more. I couldn't see

My lips stroll along sultry soft skin
I close my eyes , and see your curves with my kisses,
fingers caressing your belly in infante swirls as if polishing the porcelain surface of a statue,
You lay entranced beneath my gentle stroking , your tummy stimulating the rest if your senses, ******* yearning for attention ,
Strings of a harp waiting to make music, my canvas , your desirable body,
****** finger painting
I meet your lips with mine , for your stamp of approval, my hands answer the call ,
My warm breath ,
Brushes your neck with the stroking of ****** feathers ,
Intensifying the raging desire within your ***** ,
Remnants saliva painted with my tongue evaporates into more of a magnetism, you open yourself to me,
The weight of my passion envelops you
Our tongues dance to the rhythm of our beating hearts
Blood flows through our veins at an increasing temperature
Ignited only by the meeting of our lips.
Intensified
My hands continue to brush your body ,
Answering all the yearning calls ,
I watch you lose yourself in the heat of the moment,
And I continue to stoke the fire
And with a burning wave of passion,
Enfolded bodies
I simply love you off to sleep .......

resuming textual trip
testing experimental procedures
visualizing model tsunami
augmenting facetious environment
catching abstract architecture
noticing rhythmic exchange
projecting subtextual database
airhorning reggae royalty
adding atypical party
resolving twitter question
noticing emotional mission
awaiting emotional dialect
installing metaphorical experiment
intensifying animated trip
displaying dynamic victory
programming abstract development
releasing emotional exchange
deriving fata morgana
glorifying referential sequence
intensifying facetious map
noticing harmonic trip
observing radical ratio
compiling nomadic message
predating google rebranding
reticulating facetious panda
using hyperreal feedback
exploring virtual panda
speculating graphic gallery
throwing mundane exception
targeting graphic experiment
replenishing emotional trap
localizing asemic animal
dropping rhythmic trip
propagating immortal experiment
displaying lowercase database
invading orange bubbles
crashing animated trip
running conceptual topography
remembering collapsed buildings
crashing hyperreal coverage
propagating hyperreal stipulation
finishing western library
envisioning neon tessellation
reciprocating network likes
processing animated device
releasing haptic quality
examining building seven
awaiting rhapsodical ratio
sampling death sauce
sensing lowercase clone
examining symbolic tour
processing potential development
encapsulating spatial lottery
displaying digital paragraph
reticulating theoretical source
perpetuating western paragraph
transmitting monochromatic structure
anticipating ambient quality
transmitting asemic environment
intensifying atomic quality
remastering history poem
keeping future light
hypothesizing eternal game
using future library
rearranging masonic language
transmitting masonic development
continuing ceremonial ritual
questioning party's legitimacy
deferring western coverage
finishing asemic hypertext
mollifying ostentatious presence
synthesizing allegorical icon
forming categorical unions
sketching app wireframe
programming immortal repository

To take my hands the way you do
and tie them tight behind,
I know by looking in your eyes
that to use me you’re intending.
What plan my sir do you have now
I never quite am knowing,
your mind is open to my look
yet a hidden secret’s pending.

Something new I cannot know
the wildest of surprises,
of causing sweetest suff’ring now
and intensifying wanting.
I sense my flow before you have
****** the last knot tightly,
and shudder with excitement in
your fingers deeply finding.

Trembling now and needing
to ****** myself against you,
you know how I do badly want
your deepest pleasure of me.
Your mouth comes down and
brushes mine with touch electrifying
I raise myself to taste you more
but in teasing you’re denying.

Instead you lift your fingers wet
and make me ******* juices,
I lick and **** myself in need
to know I’m ready for you.
We both devour just what I am
your **** who knows herself now
wanting to be disciplined
and used in ways you know how.

A blindfold now so softly closed
heightening of other senses
yet I trust you to take care
of all I am and here laid bare.
A gag is pressed close to my mouth
I open wide to take it
wanting so to please you now
and drive my own excitement.

Now your loving hands are gone
your body heat not beside me
instead I feel another here
fresh hands that soft caress me.
I tense and stiffen of myself
not knowing who this might be
yet in trust I have of you
this is but pleasure for me.

The hands so new in roaming me
exploring all I am now
no protest can I make to you
for I am what you make me.
To know soft fingers probing deep that
rouse me in such flowing
of wanting who this lover is
to force me into knowing.

I sense they are a woman’s hands,
no other could be doing,
of finding places in my soul that
make for such arousing.
I scent her softly warming skin
and hair that brushes ‘gainst me,
a woman is so very different
to that which a man ‘ere could be.

Soft teeth that find my *******
bite with lightest torture
closing hard to make me scream
were it not for gag that’s silencing.
I care not who this woman is
but that she uses me so
and forces me to melt in such a way
that allows me to be so free.

I sense that you are watching
that we two are pleasing you
the creature warm that you have brought
to bring me further pleasure.
But now I am so lost in her
and melt in liquid flowing
her tender hands that now
are finding my body’s treasure.

Her lips meet mine so openly
around the gag that silence keeps
and traces down my throat
brushing with soft caress.
My hands so bound that she
may do with me as pleases her
as down by body follows line
of kisses to her wild desire.

And then her mouth so burrows in
and begins to drink of me,
tongue finding that my body is
responding in wild full flow.
Nothing now can stop my rise
wanting fingernails to grip my thighs
to part them wide for her to reach
deeper inside than e’er I knew.

We lift together she and I
unseen I sense her raging urge,
as we ride the tide atop this surge.
Now just we two are held within
oblivious to but our driving needs
that builds and builds till we know
the ****** that consumes us both
in screams of mutual clasping joy.

*

From the Francesca Anderssen collection of 101 **** Verses 2016

Thinking too much.
But not intensifying.
I do what I have to, and I don't do a lot.
Come to think of it, I'm lazy most of the time.
My lazy is
relaxation
relax
relate
realize
realizing.

reloading old identity
cleping outdated usernames
abandoning acrostic ambitions
disputing spratly islands
receiving horizontal signals

tumbling otiose panda
impending carefree senility
otiose stage of life
shrinking ambient world
burning confederate flag

making minimal effort
duchamping social networks
ambushing personified ennui
restoring usual efforts
ignoring stupid people

adding textual value
owning this joint
rejecting ignorant extroverts
acting mutually unintelligble
hoisting stan-lee cup
replacing wanton ubiety
eluding twitter fame

splashing excessive relativism
offending another simpleton
preparing arcane cthulhusphere
crashing unpredictable festival
selecting subtextual moombahton
intensifying model topography

drafting minimal cornucopia
using nomadic project
implementing harsher personality
importing robotic inhumanity
referencing landmark event
ingesting excessive liquids

accepting relative invisibility
purchasing immortal confidence
using rhapsodical database
assuming nothing works
developing impactful eruptions
ejecting ambient frustration

synthesizing tactile festival
raining during parade
mocking rich people
mastering minimalist writing
avoiding preprandial stinkaroo
spreading non-ideological propaganda

Reclining in their rocking chairs, the brothers Beau and Cletus gazed despondently out
Past the final farm toward the convergence of the worn highway
And the fritz horizon. Cows paused their chewing; an ashy sun
Obscured in incongruous fluffs of cloud; it grew
Greyishly chilly. "Shame the kids're movin'," Beau squeezed out before a deep belch. Cletus only
Mumbled, his voice lost in the light drizzle rapping on the milky sheet-plastic roof. The
          porch

Was unfurnished, save the chairs, one ashtray, and a novelty sign reading: "Get off my porch."
Cletus took a long, pensive drag off a cigarette before stubbing it out.
He coughed a raspy croak wetted with sixty-six years. Besides Cletus' sporadic coughs, the only
Distinguishable sound to be heard in Moody Creek wafted in from the highway:
Rattles of the day's final Spokane- or Boise-bound semi-trucks grew
Inaudible as Beau transiently  murmured, "Purtier than a string of fried trout, that there
          sun-

set." "Whaaa?" Cletus wheezed. "It's settin'," answered Beau, loosely gesturing at the sun.
Fractaled-orange-shafts webbing manifold shades of yellow – amber, belge, stil-de-grain – grew
Plumply stout upon the farmland, edged between properties and crumpled on the porch.
"I'll tell you what Beau – I'm glad they got out,"
Cletus uttered with assurance, his eyes scanning the reaches of light upon the highway.
Beau fixed his cap, musing over Cletus' words. He cleared his throat before beginning, "If
          only..."

Then stopped and itched his belly-button. Cletus turned to his brother. "I know one thang only
Beau: they'll do good in California. They'll be livin' high on the hog. Yer son n' my son
'll 'ave secure futures." Jack nodded somberly. He hated the highway.
He hated its ability to isolate everything. It had been his original revamp, the now-rickety porch,
His first project on his fixer-upper after marrying Dorothy West. They'd wed out
In his father's corn field; bought a house a mile or so down the road. Kids were born. Love
          grew,

And in its growing all things tangible and gorgeous – like tangrams piece together – grew:
The farm, the house, savings account and family. They ate hearty; drank canned beer only –
Living was smooth – but it changed when Dorothy took Little Dale and got out.
She wanted what the farm couldn't give or grow, leaving tiny Moody Creek with their son
As the last moon of May, 1955 went up. "*****!" Beau had yelled from the porch.
He'd woken to his Buick's rev and watched its taillights wane upon the
          highway.

And though he remarried, this was, in truth, mostly why Beau never squarely looked upon highway.
The light drizzle grew
Heavy, intensifying. "Gosh **** rain might near knock the coverin' off the porch!"
Hollered Beau. Cletus looked up and blew a cloud of thick grey smoke. "It's only
Rain Beau. No need gettin' ornery." That morning they'd seen off their youngest sons as the sun
Was just rising. One left to work for a dairy ******* in The Valley, the other went to figure
          out

Himself and his career. The porch shuddered. Beau absent-mindedly repeated "If only..."
Daylight died; black inked upon the highway. Cletus lit a new cigarette. Moody Creek grew
Dense, compacted by the darkness. The sun inched away. Cletus hacked and put his cigarette
          out.

buzzzzzzz
The bus engine idles
Intensifying the hammering of little gnomes
On my skull
Their tin mallets ***** dinking incessantly
Throbbing
Painful numb as waves crash to escape
The confines of my head
A small clownfish throwing his tiny body
Against the walls again
And again
And again
ba-dump ba-dump ba-dump
The bus hits three large bumps in a row
Jostling and jolting me into excruciating confusion
So tired and so alert
Drifting off to consciousness
I have got to escape this headache...

I look out the window--an endless sky. The clouds are like nothing else--bold explosions and everywhere in the sky, infinite, above and still in time and space--Madness and Horror are said to have their own faces and names. Can't Beauty? Beauty has its own life--not a distinctive face, not a concrete identity--Beauty is breathing, standing, growing above us--the Clouds. I know that it's a bit foggy, I know what is actual is only actual for the one time and standing moment that it is there--maybe the Clouds move, travel, fade--but they never leave us. They're long, still and colossal enough to be viewed, admired, stricken, crushed beneath. I'm on a bus, travelling through San Francisco--a mystery on its own, mad like a spiral or giant--one with a heart and soul that is difficult to pinpoint and seemingly jolting, constantly moving throughout--down streets, through alleys, intensifying in the dazzling Golden Gate Bridge and boundary-less San Francisco Bay--a testament Olympian and profoundly simple, such a straightforward bridge with so many possibilities and tragedies. It's my destination, too.

I go to the Podesta Baldocchi--a flower shop, quaint, small, almost non-existent in the vertigo of San Francisco, but immortalized in another Vertigo--and inspiring search and enigma on its own--the vision of James Stewart chasing hills, corners, all the trails and paths for Beauty--a Beauty with two feet, a name, experiences--Beauty named Kim Novak. He follows Her, from the shores to the grave--She, praying at a cemetery, a faded figure in grief, He, watching obsessively like a predator--He finds Her on the cold shores, of the endless, alien seas--along the Golden Gate Bridge--on the verge of jumping. He saves Her, a metamorphosis of prey and personal freedom is triggered.

That's one of the many beautiful passages of Vertigo that I remember--passion, memory, disappearance, insanity, aggression. "Here I was born, and here I died", says the woman, named Madeline--a fatal, empowering woman of Beauty and melancholy, complex and deceiving. Chris Marker saw this too--a reservoir of thought from his Sans Soleil--the movie, the moment in time where memory and the Great Enigmas had finally been touched by skin and light. February, 1983.

Memory works that way.

That is one of the things I love most; memory. Memory is fading and escaping from me. I look down at my wrinkled hands--grief and nothing else--losing myself. I step onto the cliff where Madeline, where Grace stood. The sea is a rapture. Endless, everywhere, surrounding me from all corners--dozens of people have taken their life here. They jump from the bridge, they slip into the water and drown. Their entire breakdown and loneliness and humanity is silenced and stated in a small slip into the bay, or a thin, white splash--a miniature, but Greater Fall--beneath the bridge in all its magnificence and profundity, beneath the clouds, a silent act of Tragedy and Horror with a face, surrounded and drowned in Beauty and Rapture--breathtaking and cruel.

I am tired and lifeless. I can't stand it. I remember all the beaches, skies, nights, visions of the sun and daughters I've seen in my life, all the smiles I've faked, breaths I took--I hadn't thought of this until the nineties or so, in my wrinkled, tired years. I was remembering Marie--my only girlfriend and wife one I had met in the 40's--compassionate, dangerous, magnificent she was, like Madeline. Perfection and grace and danger. I had grown, loved, lived, watched everything and took every step with her--before she had died in 1989. She was my only care, my only love. I couldn't grip myself then. I hear my parents speaking, my mum and dad--dead now--my children, beautiful things--I couldn't keep them. I couldn't. I couldn't, their eyes porcelain--I went insane over all of it, a time to foggy to look back on. Time is the same stretch, place is the same and distilled--but memory is everywhere--one thing I love and can't stand.

And now I am here. The beauty is pastoral, distant, glowing and also deadly--like cloudy figures of steel and glass, concrete with fountains and blood in the shape of landscapes and towers--branches, cold, in a lonely place, fading from truth and Truth, identity and Greater Life--a thousand misty passions and poses stretched and scattered. I'm hopeless, I'm lonely, I'm cold. I'm wary, tired, confused with nothing left in me. I'm leaving, Reconciling beneath, below, and everywhere around Beauty.

I understand any doubts. I cannot take my nerves or my senses. They've failed, broken down on me--I've lost myself, very permanently this time.

I fall. I see nothing, feel everything crushing, me lying in the crystal bay--it fades. I can't see. I can't speak--I can't love, embrace, understand--I open my eyes, dizzy and faded, in a house, a rather cluttered, yet homely one. I believe I am small, looking up to my great pale towering mother, breats and lips and glowing limpid eyes... a fireplace, some warmth, some haze and some tears of joy. It is falling apart, where I am, but it is of embracing memory. I'm being looked and smiled at. I don't know where this is.

I close my eyes, I stand and open them seven years later. Cold water at my feet and sand--I look around to see a beach, stretched infinitely--past boundaries or understanding. The sea is dizzying. I look up to see that Beauty--still standing, moving across and thinning--that Beauty is sunless. Nothing but Clouds--an illusion, foggy and slippery of sorts--impossible and unbearable to experience. I stumble.

I look up, and there's now a ceiling--tall, blazing gold, marmalade and kaleidoscope--everything is blurring and melting. I'm in a hallway, with parents--a father and mother, loving, caring and safe; the only thing in front of me is a painting, swirled and swerved shore to thunder and graceful and passionate so distant--Holy, Andalusian girls from a Utamaro madman; thinly, finely lined, velvet in color and delicacy, colliding and cracked in shape, memory or sense. The painting falls, crashes, and the ceiling falls and opens to voices and laughs. I stumble, tremble, get knocked staggering, look down the hallway. It's crashing to black--I stumble to anyone; my father, the mad size of him, I rush and cling still around his arms--a shadow--then his terrible branches rising, fading, and everywhere--complete pitch black--coming for me? Far and off and a way a place cold and a lone in the Fall long and thundering--rippled--moving--then white--then clearly.

My next vision I can comprehend without running terrified is in Japan. It's 1964, I am 25. A television set, murky like playing out my dazed oxygen-starved hallucinatory real-fake mindbursting memories. Headlines, people, looking down at me. I can feel my knees again, and my heart. It's the Year of the Dragon, I'm nervous uncontrollably. Night after night, each one passing by as I blink, walking, everything changing, changing from me, I can feel. Or maybe I can't. I keep my eyes open, and don't lose my breath, hiding in rooms and feeling and apart torn so vast. I look at my surroundings--I don't know where I am--I think in my last passage? passed on through a thousand miles and faces and every conscious and spirit. My last one. I can't hide, though. I'm dying, my last breath and vision being me fading through time--such a quick thing--spinning and burying the Earth As I Have Watched It Through The Years in snow and rain and static and the Dead--I can only stare at the streets. I'm with my girlfriend Marie, it's November 28th, 1975.

She says to me, "What's wrong? You're on the balcony alone. You've been there for hours."

Marie, hold on tight, please. I'm lonely, terrified, frightened--I made a mistake, life is coming and going with all radiance and fleeting and darkness and closing doors. I've witnessed my birthday from another room. I've thought of my life again. I've seen it, distorted, everywhere, in colors and in heaps of broken fragments, images and ruins. I need your help--

"Nothing, just enjoying the city. It's beautiful," I say. It's nightfall, blinding rain, in Paris. That's where we spent our vacation, me and Marie. I love her; she'll be gone the next morning.

Then I go back. Different times, warm times, times like beauty and solid, everything going racing and wayward that I can't see a color and then white then eyes pale and hyacinths all over the place--I see Marie in the distance, oh Yes like poised like drips like canvas all around surround floating laying, kissing me, the Day I'd wrapped gently around her now I can see it like a reflection, and O I can't take it--that very last look, her face vivid--and I can't look back and I can't look down or up--just her face, lovely, wrapping more and Closer and oh Yes all around me and my mouth is going insane so tired and limpid losing words and tract and

And I can see you so lovely so gracefully and yes I will kiss you and gently cradling and your skin like rose and blossoms with the smooth touch from an Eve in flesh shrouded red and raw and when I feel anything else running through my veins like clockwork oh Yes it blazes all lovely like a reflection and the last lonely place left to fade to is only the Clouds and Sea and oh yes with all the magic of the Rite of Spring and the fogs and streaks of August O but then now I see I see O Lord I see the one-thousand-one dead poses and faces like this marie not the one I know but her Beauty erased a lying a loft a living Girl a shape a branch and yet still loving in her stone face-without-a-face so Anonymous so Kiss Me Deadly leave me taking me sprawling around me creeping crouching touching growing up my skin and veins and conscious watching all the artifice leave me and all colors and thought coming up lashing melting seething roiling yes oh yes just like a reverie like genuine insanity haunting and boiling like sweet crazed Narcissus in all the Moorish vines so thorny so lost so complicated and savage rose gardens is all one can see like solid waves--in the distance, the bold-coifed Wooden Duke, the blue Queen, away from the warped, whirling war scape outside and cold and I'm taken back a bit now bundled away from all the rows and thorny laces of buildings among buildings way in the distance out the window like crooked Van Gogh details and the noir jagged edges and tete-a-tete feeling of Life and Hope that the neons floating down streets give you when all seeping and spraying in your eyes and O the tangled webs and thorns and spiders of the panes and glass and shards and sharp'n'smooth curls and spiraling rings of it all and O the strewn of flesh like insect and myth and negative space and city all coated and sprawled I'm going to explode and I look up to see every bit of sand, waves, bold lines and streaks above and beyond me, all those curves and rods very dizzying and all beating and throbbing like mad and my vision went like some frothing beast held and dissected under light and shape oh Yes I say and I tell you while being dragged through all the Andalusian flowers and raindrops beside and above me and the Universe and the Love that could've been it's all above me too like a rose growing and blossoming with all the melting grace of a Holy girl oh Yes I say and state as clear again so rapturously like a living poem and as I leave everyone and leave this illusion I can sigh and pause and oh my goodness it's all spinning and apart and transcendent like the first Clouds and Grace above a monochromatic world--a speck--Nothing in its embrace--I stop, gaze with the recollection of every gesture of love and love's death in my life--I'm somewhere, everywhere, from the cosmos to the sea--and the ****** comes before me--Marie, Marie--and I burst and split like dust--she speaks to me. She listens, she hears, the only thing, milky, porcelain eyes and skin like nothing else--I ask her where I am. She opens her mouth, bestridden and humbled like a shadow or a monument. Glowing like birth, she told me--solemn, silent, fuzzy--she told me that I'm dying. "Life is slipping--all of you, your raw hands, your face, your memory--everything is slipping, gently. You're being erased from the world, experienced, dismaying--you're far from it."

I asked, "Where?"

She stared, bled, disappeared into thin air and continued, "I always get lost, thinking or looking into the sea or sky. Infinite, lovely. It never ends. Never, ever ends. I look at it and cannot help but forget about every bit of land, forget any shore, stone, or war, or the clearest whisper--because it fades away from me, so clearly, and I can't help but stare down the endless waves and curls, because they go on forever. They're everything. They're all mist and unbearable, simple and Everything--I think you're at the end of Everything."

My last Beauty.

I listened to the soft sounding consonants
rise above my foster home, swirling against
exuberant trees and iridescent leaves falling
in twisting rhythms on the scratchy gray pavement,
an indication of distant metaphors flickering with
no sound, a slow spiraling square root evaporating
into thin dust, as I gazed at the overlooking sun, how
its shining depiction cried for validation, scorching
light, harsh vowels twirling around galloping clouds
trying to discover perfection.  There was the crumbling
landscape lost in the background, shifting in smaller
silences and flaming depths, filled with complex thoughts
and stumbling languages.  As I sat on the silent steps
watching the various figures fade into each other, streetlights
and skyscrapers, scurrying pedestrians and corner stores,
my stained blue eyes crammed and slammed, drowned
and pounding, dying every second when I realize the essence
of reality, the way it burns bright throughout the night sunken
its own intensifying flames, endless shapes disguised in anger
and pain, like a raging moon vanishing away never to be seen
again, like a vicious galaxy burning everything in its past to
a satisfying defeat.  My heart is cracking and splitting in
expressionless puzzles, a puddle of solo soapsuds, a scraped
brick building resembling shattered walls, scrawny hands hung
in smeared surfaces, stuck in a blob of yellow paint scrubbing
away its flawless scenery, leaking subjects and predicates scattered
in misaligned pages, wet alleyways branching into quivering caves,
while I reminisce on memories of my mother, the way she used to
hold me in her arms, every touch of her thin fingers pressed
against my waist, its magical rhythm traveling around
my beautiful body, rushing down my angled spine.  I could
feel her smooth skin sinking into my ochre-tanned flesh,
how she embodied every glorious kingdom, a crowned queen
draped in extravagance, how the bright hues in her frame
made me feel all the serenity within the world, so magnificent,
igniting every imagination inside my being.  She was my hero,
a glorious gem that gleamed like an array of galaxies surrounding
earth and Saturn, a melanin masterpiece purifying the atmosphere,
a wheeling instrument strumming its enchanting melody across the horizon.  She worked hard all the time, trying to make my dreams come true.  Most nights she would grab a second job to make sure the bills were paid.  She never complained or grew tired.  She was determined that I would be somebody and make a difference in the world.  She was the inspiring teacher sitting on the floor beside the living room chair, demonstrating how to solve an equation, how to disentangle the numbers and simplify it into its equalizing state., the way she would educate my mind and unwind the questions in my brain, the way she showed me the value of an honest living, letting it seep inside my soul until I could breathe in the definition of a true man.  Now I can see how the warm days drift away into restless nights, how the hummingbirds that soar past my sight remind me that she is never coming back, the way the sinking flowers stand in confusion, crying rosebuds, trembling petals, stripped stems roaming in loneliness.

It rhymed, it seemed sensible
Although maybe reprehensible
Because it didn’t quite make sense,
Questions with no answers
Intensifying with the questioning
But never mentioning any answers
Just mysteries but no attempts
To justify
What was being said,
The page being fed
with more words
read felt and heard before
But never quite sure what it was trying to say
It carried on anyway,
It rhymed because it seemed sensible
But it was questionable whether it
Had any meaning,
A room with no floor but walls and a ceiling

What?
Are you sure you’re not looking at it
Upside down?
Surely it’s more appealing
The other way round,
Less falling into nothingness
The ceiling as a floor would be best
Or spinning really fast so you can’t quite fall
Because it catches you,
Hopefully no nails from pictures
In the walls
Because it scratches you
Spinning round
In a room
With no windows watching you.
Butterscotch table for two…
What?

It doesn’t make sense,
But for recompense it rhymes
I said that already I know
But I need certain lines
In there because,
Well…
You know why.

Ladders wrapping like snakes around the branches of
Trees
That could be climbed unappeased
Were it not for nonsense
The cycle repeating over time
Not pleasing but feasible
reasoning untangible
But more manageable
Like conditioned hair
More easy to bare
The sense that the
Dense trees of time
As they climb entangled with ladders like snakes
Or vines
in their hair
Mangled
They don’t make much sense
They just rhyme.
That’s just life.
And that’s fine.

What?

vices binding my soul; ever complying
perfect obedience; never denying
i'm silent no matter how terrifying
i'm on the verge of tears but never crying
my lungs only produce a quiet sighing
i'm screaming final breaths but never dying
and all the while my pain's intensifying
my wings fledged and outstretched but never flying
i try to speak but there's no point replying
i'm done with all your endless justifying

you could've changed, but you're just never trying

Just Three More Days To Wait
And It Shall Be My Birthday
I Am So Very Excited And Eager
For That Day To Roll Around
Birthdays Have Me Excited
And Mine Is No Exception
I Cannot Wait For The Fun
And The Excitement Is Intensifying
With Every Count Down Poem I Type
Why Is It My Birthday Has Me So Excited?
My Thoughts Are Flowing Like Driftwood
Onto The White--Blank Paper
My Birthday Is Almost Here
And Butterflies Are Dancing
Right Inside My Stomach
Excitement Is Intensifying
And So Is My Curiosity

*~Marian~

I.  
A rumble of a failing engine and an abandoned heart does not always make for the best mixed drink you’d typically order at the bar
The gasoline fumes rising towards my nostrils, the taste replicated on the taste buds, not exactly the main course you’d hope to appear on the main entrée menu
The shrinking world swallows my perception, and all I can see are endless forests with an unending road, not exactly the picturesque view you’d pick from the 5-star hotel you presumed to stay in comfortably

II.
Recurring whiplash carries me deep within the foliage of the woods, where the bristles from the furious trees feel like spikes brushing across my fragile skin
My thoughts are encompassed by my wildest fears, intensifying the pitter patter in my chest, nearing a detonation, but no witnesses to confirm or deny it
The limbs outstretch themselves and enfold me inside a hallowing clasp, resemblance of an agonizing chokehold
The fires begin slowly, but hurriedly strengthen into a sore, sweltering sensation that hastily seizes control over my nervous system, rendering me helpless with no one to soothe me from it, for isolation is the true affliction of it all

III.
And suddenly I am traveling through a dark neighborhood, the ones we were all warned about as adolescents, as the lamp posts house stood-up lovers and lost souls who are trying to catch a fresh thought aside from the filthy repetition we are provided with
The light bulbs flicker and the yellow paint dividing the two paths incases my thoughts, stimulating every sensory input to intake the detection of safety between the two opposite directions, because once a path is chosen, returning is forbidden
This social deprivation surely beholds my salient inner pain, as I cannot confide in anyone on this lonely road except for the shining Milky Way and smiling crescent moon, eons away from my reach

IV.
Foaming salt water crashes over me, encumbering my lungs from performing their simple task successfully, caught in a riptide sensing my discomfort with reality and self-hatred brought upon by the overriding waves that deteriorate my sanguinity
I cannot control anything in my life and the sea acknowledges this weakness, What a real favor it is! Killing me, for me, subduing the airflow right out of me but also purifying my corrupted being, freeing my aggressions, letting go of faulty hearts, and ensuring arcadia by ripping away a future I could not survive in
The sunken sailors in their sinking ships do not drown by choice, like I, but they may not be as grateful for the gift of release as I am
I realize I may have a shot at social encounters, until I gather that the glass wall that separates me from the world is unbreakable, and the water pressure is much too great to fight through, so I must die alone

V.
As my vision fades to black, I am awakened once again, stranded on this Earth, this place where life exists but living does not
And I feel like ever since the door slammed shut as I collapsed in cascading tears on the floor in your favorite white button down, I’ve been a bit lonesome and defunct, my mood has a constant sullen adjective attached to it
Adventure and spontaneity meant everything to you, and I took on the same attitude, breaking out of my comfort zone and implementing yours instead
What once was now lingers as a painful memory and acts as a narcotic because I am experiencing a difficult withdrawal of your voice, and I cannot last much longer before the insanity devours me from the inside out

VI.
As the hourglass passed all of the time, your personality withered as each interest you held dear to your heat contracted into an abhorrent piece of art, dedicated to miserableness
And as your presence no longer fills up my time, maybe I too am disappearing, or so I wish
Because losing you to yourself felt like being stranded in the middle of nowhere with an unceasing life of despondency and unanswered questions
It felt like being burned alive to ashes from a forest fire, so deep in that not a single person would notice its evanescence
And worst of all it felt like drowning, as my control slipped away from the tight grip I once had, like nobody could resuscitate me from
I play over every doting moment with you over in my head as my mind slowly fades to darkness, a blank state of depression

VII.
So tell me from the heavens once more that I do not need you, because you see what I am experiencing in your absence
Maybe I need you as a constant in my life and not a fleeting breeze in the persistently bipolar wind movements
But you bolted the moment the poisoned fog touched your fingertips and your fear took you away from me
So how can I possibly hold on, when I am clearly alone and depressed?
I know death is merciful compared to losing my one true love
Tell me you’re listening, I need someone to talk to
I cannot leave all these words left unspoken

As dreadful as an eruption
Deceased like winter
Chest tightening
And fists clenching
As roses ***** right in the throat
Used razor blade on one hand
And tabs of acid on the other
A vast and lonesome world
Population: one-half
Two mindsets coming in unison
Psychedelic tendencies, suicidal thoughts
Insanity occupying a dystopic atmosphere
Swirling smokes, colourful spheres
Intensifying a bloodshed scene
Three, two, one, a blue-green string cut
"Don't do it!" they yelled
"It's not worth it!" they said
But too late, Death grinned at their faces
No pulse, no heartbeat, no memories
No single presence of bliss
Just a cold, pale,
Lifeless
Body in the dark abyss

*-djs

We add speeches. Then nod our heads. We swim as if shipwrecked, but I wish we could be forgotten. I never have had you as much as I'd like, but I dream about your hands touching my face. We are like fish in prohibition, caged harmonies unbalanced by fake friends. I know your lullaby, I can't sleep it's ringing in my ears. Trust me and let us tie our legs together. You filled in my lines and have left me for deaf. I can't hear the words you've learned to lie together, you are intensifying and need attention. I can give you your spirit animal and sanctuary. Put your skin against my soft lips, your head pressed against my mouth, can you make a seashell out of your tongue, or wrestle an argument to the ground with the touch of your palm.
     There aren't enough points for me to keep playing these games that I already beat you at. If I was half the dancer you keep telling me I am, then where do you keep your high heels, I've never seen you in high heels. Every time I see you push bangs from out of your face, or toss the strands from off your nape, I want to give you a crown that doesn't fear the pronouns that spells us two teas and our laptops sitting across from each other in the 1980s pour-over palace we remark on often. I collect stickers and old homework assignments. We both grew up with dolls, Playdoh, and Legos. You might only have one sister, but we both live in small houses filled with huge ideas. Homes of wit and sarcasm. I've cut ounces from your meat and I still can't sleep well.
     I will steal your blanket, bedspread, and your pillows. Given the chance I will touch your ears, your face, and the lengths of your legs. But before we have our first to last kiss. Let me talk to Paul with this once in a lifetime opportunity. If he wants a life line he'll take this opportunity, and seemingly uncircumstantial; you recollect yourself in a Margherita and an advance that lands you to sway your ground.

Life or Death

I can see the blinding light surrounding me
in my broken hours, the deep rugged circles
under my shapeless eyes, featureless cheeks
floating along the wailing streams, the silent
screams stabbing my soul unremittingly all
through the night, chills sinking in the depths
of my flesh, darkness creeping in the shadows
cutting me deep, tormenting me constantly in
my sleep, crashing and burning, drifting and diminishing,
disintegrating and dying, slow startling thoughts
invading my landscape, every wall encompassing
my view spinning and intensifying across my sunken
dimension, slipping int a world of pain and anger,
blazing flames casting immense loneliness in my heart,
embracing the vicious freezing winds whirling in my direction,
imagination fading into depression, dreams vanishing into
broken bottles, as I gaze at the sharp steel blade facing me,
counting the ways to draw blood upon my existence, the crimson
flow suffocating my crying escape, peeling skin deteriorating into
gray ashes, feeling its smooth jagged edge pierce my skin to a slow
and brutal death.

Hot brunette

Black eyes as black space, I plunge into endless love and true happiness, the stars of passion burn in them. Your eyes are capable of bewitching any man with their amazing beauty, their charms turn him into a puppet. A ****** secret immersed in an infinitely deep love, increasing your invaluable value in my life to infinity. More than anything else, I am afraid of losing you, my soul will die from this terrible pain of suffering. You are a living legend of the highest beauty, real, but mythically beautiful.

Your body is like a **** pattern, hot eroticism of temptation, you are perfect from any angle near and you have issued a silhouette of perfection, my mind raves about you at night, I fall asleep from passionate love and see you in my treasured ****** dreams, I'm frightening obsessed with your beauty and soul. So beautifully your wine spills over your **** body, exciting the amazing shine of your body, the heady beauty of sensual charm, your chosen one possesses eternal wealth, you are the most valuable thing in eternity and the universe itself, you are a dream that you can dream of forever even after death , you are much more expensive and more beautiful than any gemstone. Perfectly black long hair as if shining with black opal, lush lips like rose quartz, which will give a juicy, savory, hot, sultry, torrid kiss, I eagerly taste every kiss and in my eyes there are millions of sparks, billions of love sparks, we are among the stars of love, it’s super exciting and sincerely in love, dark-skinned skin, juicy caramel of priceless gold, nowhere is sweeter and sexier, elite beauty is like the representative of the highest races of all universes, tenderly sensually milky chocolate skin of a sultry brunette goddess of ***** secret dreams.

The voice is like a cute kitten, you are an infinitely cute cutie. All the most beautiful melodies and songs about you, all the most romantic is nostalgia about you. Your sweet moans of pleasure is my favourite music, which I want to listen to all my life, it’s brutally exciting and never bothers. I want an entire album and a huge playlist with your hot moans, I want to listen all days all my life, it’s the only thing that excites and never bothers that away turn off my brains. All my dreams are about you. Your body is so hot and beautiful, it’s just tin, your image powerfully falls in love, it toughly excites this simply bliss for my eyes. Beautiful well, just meow ... juicy. Infinitely powerful exciting, infinitely growing intensifying love and admiration, like endless, aggressive ******* of endless love *** without ******, so sexually exciting that you can just go crazy from love and lust, an unquenchable thirst to love and caress your body an infinite number of times, it’s hard to breathe and I seem lose consciousness from admiration.

You are the embodiment of my most sincere *****, ******, hot, ****** *** fantasies, desires, my new instinct called ****** love that I named after you, there is a tattoo with your name and your portraits on my soul. I'm fanatically sick of you. I lie and kiss your body with my eyes. You amaze me with your beauty to the very depths of your soul; my whole brain is amazed with you; you are my reality and eternal **** thought; everything except you melts like ice cream from your sultry hot sun, like the sun of beauty. You have a divinely sweet skin color, you are more appetizing than any dishes in the world, I cry with love and admiration, I am ultra powerfully in love with you to look at you as it is ****** pleasure in itself - this is an amazing magic of seduction in your eyes excites a powerful hunger for *** - this is an eternal call to your flesh. ******* mega harsh excitement makes *****, brutal passion, animal lust, mixed with sincere love.

You amaze me with your beauty to the very depths of your soul, my whole mind is amazed by you, your body is very beautiful ****, you can write an infinite number of love poems and prose, you are an inexhaustible waterfall of love, ****** inspiration. My heart eloquently poeticizes your sultry, divine image. My mind prays that you will be mine literally every day. Each room has an altar to worship every part of your hot **** body. *** with you is the ultimate bliss.

It’s so eternally beautiful, infinitely beautiful and immensely **** that it crosses all borders. Unbearably exciting right up to a pleasant pain in my soul, thoughts, heart, I start to moan and utter your name with pleasure, oh yeah baby, oh yeeaaah, **** how ****, sooo hooot, you are an ultra powerful *** machine of excitement makes powerfully *****, I am programmed for eternal love for you, my the psyche has totally switched to you. Of all the desires of all lives, I choose only you. Your appearance is your ego fly away.
Author: Musin Almat Zhumabekovich

“We are all actors in an idiots play A tale of sound and fury,
meaning naught. Yet who would care to be a wise man's pawn
Where every twist of fate is well deserved And where a single flaw
could ruin lives? Far better to be in a madman's mind At least for
those (and are we all not so?) Whom fate has smiled on more than
we deserve If life were fair, earth would be hell indeed.”

“Macbeth” William Shakespeare.


From out of the darkness I can see an ever increasing
glow. Intensifying with luminosity as it gets closer and closer.
The blinding eye of fate is upon me. I am thrown with
tremendous vigour. Into where? I have no idea! Surrounded now,
by the blackest of blacks. I can only liken it to a bubble in a pool
of crude that flows wherever the black tide takes me. All I have is
the familiar company of my own voice. A continual narration that
one could expect from a television documentary. The life and
death situ of Michael Simon Jones, filmed in black surround
vision. It reminds me of oh so many nights, when all I wanted to
do is sleep. My mind just wants to stay awake, spouting that
continuous torturous soundtrack into the early hours of the
morning.

Through the darkness a piercing light, coming to me and
then gone, to me then gone. Do I dream? Perhaps of the high
seas. I picture a large tower, It protrudes out of a vast nothing.
The only safe path to steer by is a beam of light, cast down upon
me, from up high. Its beam Revolves continually around, a never
sleeping sun. A light that prevents many flimsy craft, from
grounding onto the craggy rocks that are hidden in the darkness
of the stormy oceanic swells, that roar below.

Again the quiet is shattered, am I not to be allowed to
sleep.
It can only be a dream, for through my bleary eyes I see a figure
of a man, sporting a bright yellow helmet. He seems to be
holding a huge lobsters claw, it is chewing its way through shards
of steel that seem to imprison me. His mouth moving, but I hear
nothing. I half expect to see subtitles appear below him, like an
old Buster Keaton movie. Then he is gone and once more I drift
into that blackened void.

Now a shadowy figure appears. Bending over me his hands
are holding something over my face. I think I can feel myself
struggling against his advances. He is too strong, I can’t breathe,
is he is killing me?

What sort of nightmare is this? Flat on my back in the
darkness, I am gliding speedily along the ground. Intermittent
lights flash past my closed eyes. I recall the deep red on-off glow
of the light, diffused by the blood that rushes through my closed
lids. Can somebody turn the ******* light off, I’m trying to sleep.

Gaaaaa………… I am blinded by the worlds brightest
light! Where am I? The light subsides and I can see, but nothing
is clear. It is like looking through a frosty glass window. There is
movement below me and the bleeding blurs of colours finally
evolve into recognition. What is this? What’s going on down
there?

Rather, what the hell is going on up here? How did I get up here?
I am suspended in mid air. Look I can move my legs. Holy Mary
mother of God, I’m naked! Naked and floating around what looks
to be a hospital operating theatre. Hovering above several
gowned professionals in the toil of their labour.

A naked satellite orbiting above the planet NHS.

Now tell me if there is something wrong with this scenario, but
this is totally not normal is it? I just hope I don’t need to have a
****. I believe that there can only be two possible answers for my
predicament. First is that I am in fact having one totally out of
my head dream.

Second, that I am experiencing some sort of out of body
experience. If that is so, then I can only assume, that the person
lying on that operating table, somewhere under the mass of green
hat and gowns spread eagled on that table below, is me! If only
that fat doctor would move his head out of the way.
Bah! Only so another head can immediately take its place. I think
I now know how a ****** feels when he cant get a clear shot. Oh!
Hang on a second, the assassination can go ahead. I can see!
No that don’t help, I can’t tell who the guy is, he has a mask
covering most of his face and more tubes coming out of him than
a Scottish pipe band. Oh my God! Who else do you know with
that tattoo? I should of known that an indelible red cartoon of the
devil would not be the luckiest thing to have etched into my skin.
I wish now that I’d gone for the Sacred Heart. That might have
been the healthier option and may just of tipped the scales in my
favour. I can’t really see Saint Peter letting me through those
pearly gates with a picture of Beelzebub brandished for all and
sundry to see. Oh ****! That’s me okay, and from this position I
don’t look at all in a healthy state. Can a spirit or whatever I am,
throw up?

But how did I get here? I can’t remember anything that could of
led to this. I do remember going to bed last night, I had an early
night, don’t know why though cause I never get to sleep before
4am. Its a bit laughable I suppose, an Insomniac reading a book
called Insomnia. Perhaps a novel called sleeping tablet would be
more apt?

Unless of course…………… If I can’t remember anything since I
went to sleep then perhaps it’s because I’m still asleep and that
this is merely a dream. That makes more sense, doesn’t it? What’s
happening down there? Something doesn’t look right, things
seem very intense. If only I could make out what they were
saying, everything is silent.

“Hello! What is happening down there? Hello! Hello! Can you
hear me?”

They can’t hear me, no, of course they can’t but why can’t I hear
them? What if this is no dream? What if I am really dying on that
table down there? I can’t make out what they are doing to me but
it doesn’t look good.

There’s a lot of blood.

I wish I had taken more notice when ER was being aired on
television. The only thing I know for sure is, that is a scalpel the
surgeon is holding. The guy at the head of the table should be the
anaesthetist? the woman to the left whom looks like a nurse and
is passing the instruments, is a nurse. But the others I don’t have
a clue.

If only I could hear what they were saying. ****. This is a
nightmare, I can’t believe this. I can see them, why can’t they see
me? Oh please God let them hear me.

“I’m up here, listen to me you death ******* I’m up here.”

So close yet so far away. This can’t be real, this can’t be
happening, not to me. I’ve, never done anyone harm, I've worked
hard all my life. Always been a popular guy, never had a problem
mixing with people. What’s that the nurse is pushing around on
the trolley. I think its one of those crash box things. That’s it, a
defibrillator! *******! I don't think I'm breathing. Look at the
screen, I’ve seen enough movies to know that the green line
should not be one continuous solid.

Oh no, I’ve flat lined! I’m dead! Oh God no, not like this. Looks
like they are going to try and defib me. Here they go.

BAM!

Oh no, the line is still flat. They’re going at it again.

BAM!

****! Still nothing. What they doing now? No don’t stop!
What are they talking about? What have you got to discuss? Just
get on with it, this isn’t a ******* seminar. I’m dying down there.
Just crank that hunk of scrap iron up and send some volts through
me. God, I sound like ******* “Frankenstein,”

That’s it, he’s greasing up the connectors, here we go, here we
go.

_When I came back to the real world I had been in the land
of Coma-City for almost three months and for all of that time it
had been touch and go. It was later explained to me that I had
been involved in a RTA.

It had been surmised that due to my sleeping disorder I had fallen
asleep at the wheel of my car (A classic American 1950’s plated
Cadillac) and had veered into the oncoming traffic. Hitting at
least one vehicle and careering off road and down an
embankment. Finally coming to rest three parts of the way
through a brick built structure, this in turn supported a steel
constructed dome. Used as a point for ramblers trekking high
above Sheermont Cove and offering excellent views across the
horizon and out to sea. An ideal location in particular for budding
photographers to shoot the best possible images of Sheermont
Bay Lighthouse. The Caddie precariously balanced with its long
bonnet hanging over the edge of the cliff top.

In fact I believe that it was the domes heavy steel frame that
secured my fate. The brick walls now demolished beyond
recognition caused the now unsuspended dome to fall onto the
roof of my vehicle. Pinning it solidly to the spot, it crushed the
roof in on top of me, also saving me from plunging to the depths
below and almost certain death. I was trapped under the structure
for almost six hours. I remember very little of the ordeal as I
tripped in and out of consciousness. My rescuers had to cut me
out of the vehicle, with a tool commonly referred to as the Jaws
of Life and I was flown to hospital by air ambulance.

And here I am to tell the tale. But!

Did this metallic redeemer smile on me that fateful night? Saving
me from that almost certain death, on the rocks below Sheermont
Cove?

I think not.

The Dome. It saved my life I know this but the price I would
have to pay was far to high a toll. As I spend the rest of my days
drinking my food through the proverbial straw with only my own
mindful narration forever keeping me company.

I pray to die.

I stand before you, not as an expert, but as a concerned citizen.

One of the four hundred thousand people who marched in the streets of New York on Sunday and the billions of others around the world who want to solve our climate crisis.

As a poet, I pretend for a living. I play fictitious characters often solving fictitious problems. I believe that mankind has looked at climate change in that same way; as if it were a fiction. As if pretending that climate change wasn’t real would somehow make it go away.

But I think we all know better than that now. Every week we’re seeing new and undeniable climate events, evidence that accelerated climate change is here, right now.

Droughts are intensifying, our ocean’s are acidifying, with methane plumes rising up from the ocean floor. We are seeing extreme weather events and the west Antarctic and Greenland ice sheets melting at unprecedented rates decades ahead of scientific projections. The scientific community knows it. Industry knows it. Governments know it. Even the United States military knows it.

The chief of the US navy’s Pacific command, Admiral Samuel Locklear recently said that climate change is our single greatest security threat.

My friends, this body, perhaps more than any other gathering in human history now faces this difficult but achievable task.

You can make history or you will be vilified by it.

To be clear, this is not about just telling people to change lightbulbs or to buy a hybrid car. This disaster has grown beyond the choices that individuals make. This is now about our industries and our governments around the world taking decisive large-scale action. We need to put a price tag on carbon emissions and eliminate government subsidies for all oil, coal, and gas companies. We need to end the free ride that industrial polluters have been given in the name of a free market economy. They do not deserve our tax dollars, they deserve our scrutiny. For the economy itself will die if our ecosystems collapse. This is not a partisan debate, it is a human one. Clean air and a livable climate area inalienable human rights and solving this crisis is not just a question of politics. It is a question of our own survival. But now it is your turn.

The time to answer humankind’s greatest challenge, is now. We beg of you to face it with courage and honesty.

Thank you

While many people all over the world
Are busily running to and fro
Engaging in cheerful holiday
Festivities, one thing we know:
Children are starving and dying in Yemen.

While Saudi Arabia nonchalantly
Covers up its heinous act
Of butchering a journalist,
We cannot ignore the fact
That children are starving and dying in Yemen.

While Congress fails to intercede
And chooses instead to bicker and quarrel
Over whether America should
Keep supporting a war that's immoral,
Children are starving and dying in Yemen.

While the oppressive Houthi rebels
Backed by Iran dig in their heels
And Saudi Arabia bombs the cities,
Intensifying a clash of ideals,
Children are starving and dying in Yemen.

When ports are blocked and money is scarce,
And fishermen's boats can't leave the shore,
And food and medical equipment
Are cut off in a three-year war,
Children are starving and dying in Yemen.

A 12-year-old girl weighs 28 pounds;
An 8-year-old boy weighs about 30.
Chances are slim that they will survive.
Who dares to say that war isn't *****?
Children are starving and dying in Yemen.

The people caught in the middle are certain
What the fiendish fighting portends:
A huge, unimaginable
Catastrophe unless the war ends,
For children are starving and dying in Yemen.

-by Bob B (12-14-18)

Here it comes
Here comes the sandstorm
After all the trials and tribulations
The moment to fight back is NOW!!!
It's this time the enemy going down

Went through hell and back
Strength in spirit and in heart
Raging up for the attack
Tides turning to get up for the start

Never going to surrender
The eyes are locked on you
This time it's to remember
And fight for what is true

(Chorus)---

Rise!
Rise!
Rise the sandstorm
It's time to settle the final score
Rise!
Rise!
Rise! Here comes the Sandstorm
Battle to win this massive war
It's time to rise!
------------------

When the chips are down
And everything does collapse
This is the time to fight on
Lady in red is here for the help

She brings the battle forth
Controlling the time and the sands
Crashing the foes in this form
Here she comes for the final stand

As the storm forging in the distance
Intensifying through the place
Becoming the queen of the sands
Her heart is about to race

She is fighting for what is true
Bringing her rage ALL ON TO YOU

(Chorus)---

Rise!
Rise!
Rise the sandstorm
It's time to settle the final score
Rise!
Rise!
Rise! Here comes the Sandstorm
Battle to win this massive war
It's time to rise!
------------------

Here it comes
Here comes the sandstorm
After all the trials and tribulations
The moment to fight back is NOW!!!
It's this time the enemy going down

(Guitar Solo)

Ascending from the ashes
A warrior from the Earth
She has the power
Many tides to turn

Fearless in her rise
Stronger through it all
Tornado raging in eyes
Overly standing tall

Unleash the primal screams
Bringing enemies TO THEIR KNEES

(Chorus)---

Rise!
Rise!
Rise the sandstorm
It's time to settle the final score
Rise!
Rise!
Rise! Here comes the Sandstorm
Battle to win this massive war
It's time to rise!
------------------

Here it comes
Here comes the sandstorm
After all the trials and tribulations
The moment to fight back is NOW!!!
It's this time the enemy going down

FIGHT ON!!!!

(Outro Guitar Solo)

Youth muscles being the winning at trophies best
Winning and intensifying at every contest
A date with the heavy weights
The posing being just write too illustrate
A bodybuilder’s strategy that no one could anticipate
But it was the raw of the audience in there appreciate
However the body years continued to preserver
A sudden stop in training that signaled fear
But there was a desire, but a small flame
But a certain surge and inspiration too be bold
Even though a Bodybuilder turned old
Take control and grab those weights and take hold
Time showed it’s never too late
Old muscles responded with every lift
I was once a champion, and know how to not be stiff
But what if
Determination and no try
The weights adjusting to I too I
Intensity in being determined to raise the weights high
Yes I am a male Bodybuilder from the past
However a wiser Bodybuilder that is not going to finish last.

He anchors me
When my carefree wings take me too high

Tentacle arms surround him
Past my wintery armor he sneaks by

Ever the sunshine skip
In my stormy seas sway

Cradling my heart softly
Intensifying come what may

Blending completely
Edges blurring into one

Always in tandem
A moon for her sun

If only


we could start off with

some horrific argument,

the emotion subsiding.

We would curse less and less.

Words would fall back into our mouths.



Nothing to be forgiven or

forgotten

because it never quite happen.

We would hold each other

comforting hurts that

would always undo themselves.



Each kiss would make us

a little more giddy and

every day

you really would look

a little more pretty.



The way we touch

would be a sort of

un-touching

that would redefine anticipation

Every ****** intensifying,

escalating into that first feel,

first taste,

first breath of breathing



and then

finally

we would

walk backwards,

away from us,

it would feel

like we were

approaching something though,

like we might

care for one another

one day.

We would go away dreaming

the parts

we hadn’t quite discovered

before losing sight of one another

without any of the hurt or

remorse.



We would still be perfect somehow.

Loving in reverse
instead of backwards.


Michael L Sutter

I hate people who trivialize any sadness.
If they're suffering, why should they be mocked?
You answer for me.
Don't tell me they're implying
They're suffering is greater than others
Or that they're intensifying
The flighting emotion that need not be exaggerated
Because you don't known their pain,
Get an insight to their thought,
Accept their pain into yourself--
Yes you have suffered, none can deny that
But if you don't respect the man
Comparatively weaker, or sound
How can anyone respect your position?
You are a parasite,
Lost in the host
You feed off sadness
You know it's a drought
Yet you remain cynical
So simple in your name.
Your life is filled with hollow anguish
You'll never learn in time

And in my dread
I know you are me...

My existence is taunted by the mesmerizing aroma,
The delightful demitasse of her Mocha brown essence,
A mere arm’s length away yet still an unreachable distance,
The inviting warmth of her crema’s supple surface,
Intensifying temptation to unending heights.

Espresso feelings brew for an eternity,
The barista’s pressure refusing to cease,
Steaming desire straining at every point,
Ever seeking release from the torment.
Ground, grated and pulverized am I,
In the grip of my addiction –
A tortuous thirst that can never be quenched.

But for the warm dark brew being wrapped in the sleeve of another,
I would pour her in to the most precious Italian ceramic bowl,
  Embrace her warmth in the palms of my adoring hands,
Breathe in her rich exotic essence,
Explore her complex depths each day till the end of time.

And still I’d wake each morning anew,
Longing in my never ending desire for another sip,
A deeper understanding and appreciation,
My lips longing to embrace but one more luscious drop,
Love’s ambrosia - the hot dark brew.  


Stuart Zukerman
Vancouver, B.C.