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"insolently" poems
There's a way in which I break for beauties like you. It's a performance piece, not of the egoistic sort, but rather a birthed love-child of servility and altruism. Here's my recipe, if you ever wanted to scrutinise my path to death. First, i stare. And marvel in awe at the carved beauty of you and wonder how many cities you've inspired. Second is initiation. A delicate dance to either be executed from a carnal desire or a romantic want. I choose one or another, seldom do I pick both; tho they end the same way.   Third is the burning period. I will saturate myself with unwarranted loyalty at this point. I morph to their warmth and this is where it gets sick.         Fourth: obsession. If you look into my eyes you will see a longing to drown and to go back to the ocean that is you. It's potent enough to drive me insane. Consuming. Fifth, i surrender. I'd ask you to take off that fire. I want you to still exist but to go burn somewhere else. To be a forest-fire that inspires rather than to maim me insolently. Sixth is penance dressed masochistically. I torture myself for reasons he wouldn't understand or is justified, but I somehow think it's salubrious. Seventh concerns with the cycle of death. I die for you, over and over again. I choose to do this. Eighth is where my pain becomes stagnant and transition into ghosts with names. Ninth better itself to be the point of moving on and building graves on reverence for even having a taste of perfection. Tenth, I repeat this whole process.
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Aug 12, 2016
Aug 12, 2016 at 6:40 AM UTC
How to **** a Soul in Ten Steps.
There's a way in which I break for beauties like you. It's a performance piece, not of the egoistic sort, but rather a birthed love-child of servility and altruism. Here's my recipe, if you ever wanted to scrutinise my path to death. First, i stare. And marvel in awe at the carved beauty of you and wonder how many cities you've inspired. Second is initiation. A delicate dance to either be executed from a carnal desire or a romantic want. I choose one or another, seldom do I pick both; tho they end the same way.   Third is the burning period. I will saturate myself with unwarranted loyalty at this point. I morph to their warmth and this is where it gets sick.         Fourth: obsession. If you look into my eyes you will see a longing to drown and to go back to the ocean that is you. It's potent enough to drive me insane. Consuming. Fifth, i surrender. I'd ask you to take off that fire. I want you to still exist but to go burn somewhere else. To be a forest-fire that inspires rather than to maim me insolently. Sixth is penance dressed masochistically. I torture myself for reasons he wouldn't understand or is justified, but I somehow think it's salubrious. Seventh concerns with the cycle of death. I die for you, over and over again. I choose to do this. Eighth is where my pain becomes stagnant and transition into ghosts with names. Ninth better itself to be the point of moving on and building graves on reverence for even having a taste of perfection. Tenth, I repeat this whole process.
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The shale abounds above the pounding waves with perfect snapshots of a lost, impossible world Images beyond the skill of sculptors, ridged, spined and rippled frozen in rock, of rock - who could have guessed how long the armour would protect? And yet - trilobites who ruled the shallows when dinosaurs were but a glint in Pachamama's eye, are dead, gone, passed over in the battle for existence. While in the boiling surf below, the jellyfish who still blithely ride the tides insolently call: "Good luck wi thae shells, boys - "Bet yis'll be safe wi thaim!" and disappear in a bubble of translucent laughter.
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Mar 6, 2011
Mar 6, 2011 at 10:30 AM UTC
Permian Life Lessons
I think you may think I’m pretty I also think that’s not enough To make me want to know beyond your name Or hold the different layers of warmth between your fingers The walls stand against me tonight There is feral love within the unseen of our dreams Why do you croon so insolently, child? The forces of gravity are in your favor, be keen I want to taste your pain and insecurities I want the exposure of your body to melt in my mouth Cherry blossoms spring forth from desolate hymns Autumn leaves spur foolishly among the skies Press your throat against my earlobe I want to hear you louder I want to hear you clear Your every sigh, a memory left for me to dwell on Your every moan, an undoing, my virgin’s suicide These are the things that matter, the more you get the less you are The higher you are, the more you fall The more you fall apart These are the words that hold my youth These are the words that hold my heart These are the words that will never be enough, no never be enough To make you less you and make you more mine Yet I hope for your life, I hope for you, I do There are subliminal messages on my birthday cake The candle lit itself on fire cause it did not know No, it did not know how to feel about time Glow in the darkness with me, monsieur There are secret worlds in your mind That you yourself are not aware of Let the strum of vision put you to sleep f-f-feel it, again and again In your bones, on my bed You've got to close your eyes to see me better There are ghosts in the back of my head They want to know Don’t tell them why Neither one Neither one of us Will make it down this hill alive Gila, Gila, Gila They will teach us everything Except how to mourn, except how to die Maybe I will change Maybe things will change Maybe you will change your mind Madame, I meant it when I called you pretty Madame, I meant it when I held your hand Piano tuner vibrations at one-hundred-fifty decibels form inside my chest Yet, it's not enough No, it's never enough To hurt the soft smoldering of my insides With the conditioned paradise of your pain.
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Oct 9, 2013
Oct 9, 2013 at 3:43 AM UTC
t r o i s
I think you may think I’m pretty I also think that’s not enough To make me want to know beyond your name Or hold the different layers of warmth between your fingers The walls stand against me tonight There is feral love within the unseen of our dreams Why do you croon so insolently, child? The forces of gravity are in your favor, be keen I want to taste your pain and insecurities I want the exposure of your body to melt in my mouth Cherry blossoms spring forth from desolate hymns Autumn leaves spur foolishly among the skies Press your throat against my earlobe I want to hear you louder I want to hear you clear Your every sigh, a memory left for me to dwell on Your every moan, an undoing, my virgin’s suicide These are the things that matter, the more you get the less you are The higher you are, the more you fall The more you fall apart These are the words that hold my youth These are the words that hold my heart These are the words that will never be enough, no never be enough To make you less you and make you more mine Yet I hope for your life, I hope for you, I do There are subliminal messages on my birthday cake The candle lit itself on fire cause it did not know No, it did not know how to feel about time Glow in the darkness with me, monsieur There are secret worlds in your mind That you yourself are not aware of Let the strum of vision put you to sleep f-f-feel it, again and again In your bones, on my bed You've got to close your eyes to see me better There are ghosts in the back of my head They want to know Don’t tell them why Neither one Neither one of us Will make it down this hill alive Gila, Gila, Gila They will teach us everything Except how to mourn, except how to die Maybe I will change Maybe things will change Maybe you will change your mind Madame, I meant it when I called you pretty Madame, I meant it when I held your hand Piano tuner vibrations at one-hundred-fifty decibels form inside my chest Yet, it's not enough No, it's never enough To hurt the soft smoldering of my insides With the conditioned paradise of your pain.
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54
i finally told him I want to try. with you. I want to try, with you. I want to be with you. I want to be with you. because it's been there at the forefront of everything Waiting to be said okay. okay.  like a sigh-- I had been trying all night From the moment he threatened To drive away, standing insolently In front of his headlights-- but he was quiet and all i could do was smile and say, *but that's not enough anymore, is it?* no, it's not. but I know why it isn't, and why this poem is short with so very few words. because decisions are yes or no, but some yes' are too late and some no's follow in suit.
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Apr 14, 2017
Apr 14, 2017 at 10:11 AM UTC
what, brooke?
As the sun embarks Upon a journey To the hills that it Insolently calls home, It becomes a painter- A wild one, And splashes its colours Carelessly, As if purging them, And creates a pristine Melange of dire shades And a melee of Cacophonous hues, While writing a vague Amphigory, And swirls the clouds with Its sugary, yellow fingers, Like those of a gluttonous child Who spent most of his time Handpicking his favourite candy, But as the clouds perform An elegant pirouette And make merry for the world To ogle at, The dreary eyes of a young girl Find solace in the daily atrocities Of the endless sky.
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Oct 7, 2015
Oct 7, 2015 at 2:34 AM UTC
A Psychedelic Farrago
This earthly body is incomprehensible. Piles of cells which make muscle, bone and nerv(ous)es. This earthly body too heavy for a spirit--too light to touch the ground. I beg you not to weigh me down. Please don't weigh me down. I try in earnest to touch your face, to feel for only a moment sweet flickers of skin on skin, but I grasp right through you. I felt about a ghost town, ghosted around; marveled upon shivers of what I knew was dead. I walked so insolently as the living through fields that whisper passage and rivers calling out on moments gripped in sun. I walked right through you. Ghosted around. Scoffed at fading memories empty pitying passages long since written down: I read you like fiction, ghost town: fancied myself so solid among your intangible willows. Ghosting around. Now come to find seeking skin on mine I breeze right through you. I try a second time, a third and come  to find it's I who's too light for living. It is I who passes through the solid walls and wails in caves; it's I who fade into night irepperable by light. I who watched the world so arrogantly as the living like it would pass before MY eyes. But here I waver unbreakable in the shaking shining of many tiny lights. Ghost am I.
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May 15, 2013
May 15, 2013 at 1:32 AM UTC
Spect(ated)
Your lips are wet, ****** clean by your tongue darting insolently, giving the game away. Your lips burn red in angry anticipation and agitated by the hot raw sting of your racing breath. Your eyes are ink, you spilled it with trembling hands over your coffee liqueur irises but I drank them anyway.
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Aug 17, 2013
Aug 17, 2013 at 7:33 PM UTC
Ventilation at Dinnertime
In a world amongst the untrue, the wrongful, the two-faced; pseudo reality is taunting at humankind insolently. To have faith, to be hopeful, to believe; only for them to trash and scatter what you've been believing in. The betrayed, the deceived, the deceitful; carelessly and mercilessly succumbed upon their sins. Arrogantly looming upon all, unknowing and forgetful of those who sang prayers at dawn for them. The smiles, the tears, the two-faced; o' the mighty entities everyone praised, not even Judas would have the nerve. It's a shame humankind is a fool; easily played and toyed with. The denial, the anger, the bargaining, the depression, the acceptance; five stages of grief that I learned, only to know that I could never master. The spirit is willing, but the flesh is weak. The body is hollow, for the soul is in sorrow.
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Feb 27, 2017
Feb 27, 2017 at 10:27 PM UTC
Adultery
you have many personalities inside your head face full of lead but I'm still not dead I need love I need you I I am no more than a blade of grass no more than a shell cast out of the sea no more than a bird in migrant flight nor am I less than a star whose light penetrates infinity yet last night When a half spent moon Lay on the ***** of heaven And day's heat pressed down The sides of mountain peaks To squeeze the desert floor, And all the world was weariness Which the stars wept to see, Boldly A desert songster Insolently free, joyously Lifted melody To the moon, and teasing a breeze Into cooling the night And drifting the yucca's perfume Bringing heart's ease to me
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Aug 7, 2017
Aug 7, 2017 at 3:33 PM UTC
Grasping For Straws
Beneath the oak tree I lie Watching all the passers-by: Here are a happy chubby boy And a girl playing with a toy, I hear them intellectually converse Over the sins of universe: ‘Humans crave wealth with immense love, Like the bread crust eaten by a hungry dove, Like an elephant devouring tons of peanuts, Like an ape wolfing down a tree of coconuts, Like pearls bringing woes to misers, Like swords slaying their carriers, Like truces signed by traitors, Calling them “The Peace Creators” Like Pharaohs, owners of stakes, Oppressing within lands and lakes, Like Agamemnon taking Achilles’ prize, Like Caesar thinking he’d immortalize.’ ‘I concur,’ the girl goes on to say, ‘Our life on earth is a short stay, The Lord above we should obey, But creatures, insolently, go astray; Yet He awards us generously. Caution: we may be taken heedlessly!’ No time to waste, no time to sleep, No time to slacken; the matter IS deep: To the Lord above I beseech, Oh God, have mercy on our breach.
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Apr 1, 2015
Apr 1, 2015 at 1:59 AM UTC
Heedlessness
Slouching...                    From an idea suggested by Robert Graves in                                        On English Poetry I. Thesis Formalist poetry to attention stands In ordered meters, ranks and files and lines Of scansion as determined by disciplined minds And set in place through skillful strategy II. Antithesis Other poetry slouches indolently, insolently with its louche trilby askew Sleeping late, smoking cigarettes,                                                      sauntering off                                                                               for a beer Through scansion as admitted by the heart or the pancreas or something And seldom set in place at all unless it just sort of happens III. A Perhaps Unnecessary but Useful Conjunction But IV. Synthesis All poems ramble the same neighborhood In quest of the true, the beautiful, the good
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Aug 1, 2019
Aug 1, 2019 at 4:04 PM UTC
A Poem Slouching Like a Civilian
Prayer beads got me sticking to the thickets and the trees hella lurking and occasionally ******* in the reeds insolently indescrete I'm whisper yelling when I creep About the voices, your beliefs, the **** you get from smoking **** Best case you'll express some discontent with me and not just disregard opinions that I incidentally speak Shtok Slicha, Sheket bevakasha Admit you're secular cause Christmas is better than hannukah Till all you Muppet *** ******* get whipped with a Yamaka ...doo         do             do                do,                      Mahnahmahnah
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Jul 12, 2020
Jul 12, 2020 at 9:03 PM UTC
Feeling like
I have remembered you. I remember, how we Spoke of never being separated Living together until eternity, When we were young, we saw things In a different light, brighter than most people... Some might have label, us as Thelma and Louise: You were kind, you were adventurous, and most of all You had a heart, but I knew you weren't a lady. But I respected you back then. (I am puzzle by you now) The Gambler,” you have to “know when to fold 'em. Thank you, Kenny Rogers. And I just did it. I walked away However, I was her best friend, imagine the treatment that she Done to her sister, was humane, Leaving her scar for life. (Leaving her wondering Why?) My kind, adventurous friend: (my Thelma) The last time I saw her, I didn’t even recognize her Until, I pulled her sister aside and asked who she was? Our mind has a protection emotional warning, (at least with mind) It wouldn’t allowed me to connect her ****** memories: her ill treatment, toward me, were uncalled for. (Mental abuse) These days I pour my heart into my writing Her sister, pours her pain into her cooking, And as the saying goes practice makes perfect. She is so good at it. Our way of getting our therapy Without flattening our wallets. Even breaking the bank Forgiveness must be earned. But whom or what will Make the pain of betrayal go away Psalm 55:12–14 12 For it is not an enemy who taunts me— then I could bear it; it is not an adversary who deals insolently with me— then I could hide from him. 13 But it is you, a man, my equal, my companion, my familiar friend. 14 We used to take sweet counsel together; within God’s house we walked in the throng.
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Sep 27, 2021
Sep 27, 2021 at 5:52 PM UTC
When a childhood friend turn on you.
I have remembered you. I remember, how we Spoke of never being separated Living together until eternity, When we were young, we saw things In a different light, brighter than most people... Some might have label, us as Thelma and Louise: You were kind, you were adventurous, and most of all You had a heart, but I knew you weren't a lady. But I respected you back then. (I am puzzle by you now) The Gambler,” you have to “know when to fold 'em. Thank you, Kenny Rogers. And I just did it. I walked away However, I was her best friend, imagine the treatment that she Done to her sister, was humane, Leaving her scar for life. (Leaving her wondering Why?) My kind, adventurous friend: (my Thelma) The last time I saw her, I didn’t even recognize her Until, I pulled her sister aside and asked who she was? Our mind has a protection emotional warning, (at least with mind) It wouldn’t allowed me to connect her ****** memories: her ill treatment, toward me, were uncalled for. (Mental abuse) These days I pour my heart into my writing Her sister, pours her pain into her cooking, And as the saying goes practice makes perfect. She is so good at it. Our way of getting our therapy Without flattening our wallets. Even breaking the bank Forgiveness must be earned. But whom or what will Make the pain of betrayal go away Psalm 55:12–14 12 For it is not an enemy who taunts me— then I could bear it; it is not an adversary who deals insolently with me— then I could hide from him. 13 But it is you, a man, my equal, my companion, my familiar friend. 14 We used to take sweet counsel together; within God’s house we walked in the throng.
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