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"implausibly" poems
I wrote this poem just for you With my mind racing and my heart beating Among amorous feelings and thoughts of you My love for you is and always will be true You are my eternal sunshine of the spotless mind You are the one I can never leave behind When I first met you I knew it was a sign   You are so implausibly beautiful to my eyes You deserve the world's grandest jewels Emeralds, diamonds, sapphires, amethysts And anything else that money can buy When we met each other some time ago From the first time we said 'Hello' I knew you’d be the one To bestow my life with love and fun My words forever fail to express What I felt when you said ‘Yes’ To a Taco Bell hot sauce packet That said ‘Will You Marry Me?’ And when I held you near On the coldest day of the year When we both said ‘I Do’ And you became my wife I knew that our love was true That we’d always be together To see this movie we call life All the way thru We’ve had our ups and downs But eternal bliss is where we’re bound Together in each other’s embrace Everything we long for will come around   You are the only thing I need I’d sell my words, my talents, and me If you’d agree to proceed To be mine everlasting And never sever our affection And always retain This one piece of information: No matter what comes our way I will always love you Each and every day
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Oct 11, 2011
Oct 11, 2011 at 9:22 AM UTC
I Wrote This Poem Just For You
I still feel your breath on my neck sometimes With that stiff, clinical hand that you placed upon my spine Examining my face for harsh, worrisome lines As I walked the chemical tightrope that exists only in mind Now, still precariously balanced, still unanimously blamed I'm holding out for your smile in each passing face Though it's been years since they burned you in cold Virginian flames I can still see you watching me through the windowpane My name displaced in your mouth like some placid stone The weight on your tongue silencing thoughts unknown As your fingers nimble upon needles, weaving our winter clothes Once slept in a box where your ashes now are stowed You held no Catholic reservations, nor illusions implausibly sweet And left me with no bullets to deliver from stolen grief But sometimes, in my dreaming, you offer me reprieve With skin so milky white, loose and starch like a sheet I watched you behind that curtain, with satin on your back In the flickering light of candles, where shadows often pass And criss-cross in patterns, over blue eyes watery and vast To ignite a glowing smirk, whose teeth do shimmer like glass Your hair still wispy and short, the color of strawberries faint Fallen in a gossamer crown, to covet your wrinkled face You would take to me like a feather, and swath me in your immortal embrace Speaking divinely of Heaven, and all your ghostly grace With that kind, melodious laugh I have so terribly missed Pressing rosebuds to my temple in a matriarchal kiss A dream we were in, your wings reverently clipped For a time, if only, I felt within your loving grip You warned me not to be fooled, to make no mistake You would have returned to your grave by the time that I should wake With trembling fingers clinging tightly to your remains Standing in your old room, the bed forever made I remembered whispering in your ear, as your conscious mind wore thin Life support wailing, the color drained from your lips My fingers searching desperately for the pulse that was buried in your wrist I told you I would never forget you: my precious, parting gift
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Oct 28, 2011
Oct 28, 2011 at 7:39 PM UTC
For Evy
I still feel your breath on my neck sometimes With that stiff, clinical hand that you placed upon my spine Examining my face for harsh, worrisome lines As I walked the chemical tightrope that exists only in mind Now, still precariously balanced, still unanimously blamed I'm holding out for your smile in each passing face Though it's been years since they burned you in cold Virginian flames I can still see you watching me through the windowpane My name displaced in your mouth like some placid stone The weight on your tongue silencing thoughts unknown As your fingers nimble upon needles, weaving our winter clothes Once slept in a box where your ashes now are stowed You held no Catholic reservations, nor illusions implausibly sweet And left me with no bullets to deliver from stolen grief But sometimes, in my dreaming, you offer me reprieve With skin so milky white, loose and starch like a sheet I watched you behind that curtain, with satin on your back In the flickering light of candles, where shadows often pass And criss-cross in patterns, over blue eyes watery and vast To ignite a glowing smirk, whose teeth do shimmer like glass Your hair still wispy and short, the color of strawberries faint Fallen in a gossamer crown, to covet your wrinkled face You would take to me like a feather, and swath me in your immortal embrace Speaking divinely of Heaven, and all your ghostly grace With that kind, melodious laugh I have so terribly missed Pressing rosebuds to my temple in a matriarchal kiss A dream we were in, your wings reverently clipped For a time, if only, I felt within your loving grip You warned me not to be fooled, to make no mistake You would have returned to your grave by the time that I should wake With trembling fingers clinging tightly to your remains Standing in your old room, the bed forever made I remembered whispering in your ear, as your conscious mind wore thin Life support wailing, the color drained from your lips My fingers searching desperately for the pulse that was buried in your wrist I told you I would never forget you: my precious, parting gift
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36
this time different, the crafting, the words knitted, care taken, no quips or easy rhymes, metaphors few, but the stitching is yet rhythmic, disciplined, beholden to its construct ~~~ yesterday, spoke of the more and the ever less, and the alpha seas restorative, today, *the ****** quick and the ever still* the beating of jumpsuit orange fabric, wind-whipped, musical homage to the terrifying silence of a battlefield, your utility belt, body parts and soul silences, a composition of what was and what will now never be you were there you are there witness-combatant, no denying the voyeured carnage of a human self destructing, or being destructed in a way **********turned you on, worse, temptingly familiar the horror meets you, it recognizes, locates its place within that is stored close by, where you keep it just close enough to surface for quick retrieval you postulate, pose, clap hands to heads, make groanings awful, rethinking fearful pictures I don't believe in free will I don't believe in free I don't believe in will there is good and there is no good there is the quick and the still the still comes fast and stays longer, the quick lasts longer, the obvious now always seconds of too long, all implausibly undenied and factually reversed I hang myself crudely, my throat slit quick, and the still images that follows everlasting and unerasable, no matter how quickly, how often temples hard squeezed I see the images, the quick and the still they won't let go of me text me that you know, exactly what I mean, know what I know
0
Aug 20, 2014
Aug 20, 2014 at 11:27 PM UTC
The quick and the still
this time different, the crafting, the words knitted, care taken, no quips or easy rhymes, metaphors few, but the stitching is yet rhythmic, disciplined, beholden to its construct ~~~ yesterday, spoke of the more and the ever less, and the alpha seas restorative, today, *the ****** quick and the ever still* the beating of jumpsuit orange fabric, wind-whipped, musical homage to the terrifying silence of a battlefield, your utility belt, body parts and soul silences, a composition of what was and what will now never be you were there you are there witness-combatant, no denying the voyeured carnage of a human self destructing, or being destructed in a way **********turned you on, worse, temptingly familiar the horror meets you, it recognizes, locates its place within that is stored close by, where you keep it just close enough to surface for quick retrieval you postulate, pose, clap hands to heads, make groanings awful, rethinking fearful pictures I don't believe in free will I don't believe in free I don't believe in will there is good and there is no good there is the quick and the still the still comes fast and stays longer, the quick lasts longer, the obvious now always seconds of too long, all implausibly undenied and factually reversed I hang myself crudely, my throat slit quick, and the still images that follows everlasting and unerasable, no matter how quickly, how often temples hard squeezed I see the images, the quick and the still they won't let go of me text me that you know, exactly what I mean, know what I know
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54
A stock image that shows a loading dock partially covered in sand: A dock rises from dirt to bridge an entrance The surrounding lake seems placid upon first glance, But the dilapidated boards clinging to one another in desperation Allude to the perpetual motion lying beneath the water’s surface A body of water that at once stretches through an implausibly limitless space, Past the tattered wooden frame This spurious snapshot of serenity was developed in black-and-white, Like my worldview, And speaks to my sense of limitations in life To the boundaries of my capacity to exist Boundaries outlined only by a finite ability to push back Against the infinite possibilities of every other force A reminder of how small my life is In comparison to the universe Maybe this does mean I am uncomfortable in my own skin after all.
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Nov 27, 2012
Nov 27, 2012 at 11:24 PM UTC
in my place?
<> (for patty m) *"always love hearing from you, it's like a kiss in the wind"* we are intimate though never ever close, but faithful closer familiar, though our convivial roads are uncrossed, except and accept in the delicate pearl inlay of our poesy path our common way station, where can we exchange private confidentialities publicly, above and beyond, the plain and ordinary everyday intimacies from the balcony of the sixteenth floor, I can see the horizons holding our shared land together. the wind blows by, from the Atlantic crossing, continuing on its westward ** way wind comes inquiring as is its wont, as a faithful and familiar evening-tide messenger, desirous, needy for its wantings fufillment, to be a deliverer of deliverances and all kind of tidings, sent by the in absentia I post a poem the letters scatter heavenward, no worries, the amorphous wind, will Oz like reassemble them in holy order and brush them across your face, tickle the lips and eyelashes, still moist from missing a man who was intimate different, in a lifetime way and that kiss, that postage paid, the meager cost the wind receives, for a mission well accomplished, is transferred to you and yours to enable you to decode this implausibly but-all-to plausible, devoted message
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Jul 12, 2016
Jul 12, 2016 at 7:03 PM UTC
A kiss in the wind (for patty m)
can’t you see how much you want me? how much you crave my essence? open me up, open me right now. caress me with your tongue. ogle my perfectly shaped bars; lick my wrapping. are you dying yet? tear me apart, take in my implausibly deep flavor; eat me, eat me, eat me like you’ve never tasted me before.
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Aug 5, 2010
Aug 5, 2010 at 1:41 PM UTC
c-h-o-c-o-l-a-t-e
The feelings are both happy and sad So I am writing again on my pad Those things that were colossally bad How I wish I was that rad He just cheated on me It was too late to see So I went to the sea To think and have a cup of tea I didn't say anything but my heart wanted to sing the promise of a ring and the moments it bring "It's the end", I said. "Please, stay" He led. "It's getting dark. I wanna follow you but I won't. I'll be safe here. You broke me yet in the end, heart reigned." Words that I should have left unsaid. He implausibly said "All I can do is cry on my bed"
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May 24, 2015
May 24, 2015 at 6:15 AM UTC
21st of April, 2015
The sound was sonorous and never loud. It carried casually, reverberating implausibly through the marrow; Echoing off edges, imperfections and cavernous recesses. it sounded softly, spreading through the soul’s spaces. It had charisma. Attraction. Punctuation. It sung in silence, basked in pauses. It had powerful movements, a flame brought to fruition from single ember to raging forest fire. The sentences beat strokes and fanned the inferno of thought. It was heat to power cogs. Each phrase moved mental turbines to power lights in neural cities, to pass as a light through darkness. As much as it ached with fire of meaning, the chords of vocal music flow long, like rivers strummed by fingers strong as giants. Its sound undulates among the minds terrain. With the waves of simple symphony, a single voice can deluge on the ocean of thoughts, washing out weaker words, weaker voices, and erode the heart of society leaving the sediment of something new to glimmer in the river bed.
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Oct 9, 2014
Oct 9, 2014 at 10:28 PM UTC
The art of speaking
I found a bud, among nothing but grass in my garden mud, which has not been tended as it should. But to pass and awe in this flower’s beauty is the sentient’s only duty: to stop and to admire as we do with a house on fire; and you who bring my being to a place higher than anywhere a thought can to – but still you are a notion, a sight with which my mind is in motion: a controlled chaos, that causes speech slowed, implausibly placed words, and losses of thought. I mowed the grasses where I found the budding flower, and no longer think of beauty’s deep power.
0
Sep 22, 2012
Sep 22, 2012 at 2:44 AM UTC
forms of beauty (ottava rima)
I am the destroyer of worlds the crasher of dreams the inevitable that will and always have eternally be I am a creator the beauty of life the maker of all things the eternal clock an infernally holy device I've caused more death and pain then any man could ever dream i've achieved the highest highs of pure ecstasy implausibly i am the only plausible because i am a force of nature of essence of your very sentient being a part of the core the root cause of all in the nether and aether but to such ignorant fickle beings i am just a double edged sword another in the arsenry of the entire complexless complexness of the universe I'am in the beginning and end both black and white
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Jan 30, 2014
Jan 30, 2014 at 10:30 PM UTC
Crassus's Love
He nurses his coffee, by himself most days, Occasionally with the one or two others Constituting the bulk of the clientele of the diner (Low-slung building both faceless and nameless Although those who remember a day When the village was at least borderline prosperous Still refer to it as “Kitty’s Place”, Though its namesake has been dead and gone some two decades) One of the few going concerns which implausibly remain, Seemingly through nothing more than sheer inertia, In the drab little downtown along Canton Street. He languishes over his cup for as long as the mood hits him, There being no discernible reason to hurry (Indeed, the diner itself, once open before sunrise Now dark and silent until a leisurely seven-thirty or so) His place not really a working farm these days, Just a smattering of beef cattle (Milking and stripping out more than he can manage now) And what acreage of corn he can get in the ground. Eventually, he totters out of the front door, One sleeve of his shirt rolled and pinned up (Its former occupying member removed After the incident with the ancient and malevolent corn binder), Moving toward his truck with an all-but-one-legged gait, His left-leg jigsaw-puzzled By an overturned Farmall some time back (Most days he reckoned he’d tipped the tractor By failing to shift his balance to accommodate driving one-armed, Though if he was in a black enough mood he’d put it down To an old Iroquois curse placed on the entire St. Lawrence valley.) One could say, if he was a poet Or some other **** philosophical fool, That these partial sacrifices served To ward off some even more awful finality. He would have none of that, of course—in his own cosmology The gods and demons most likely have bigger fish to fry, And, as to the prospect of some inexorable wreck and ruin, He is of the opinion that what he was given up to this point Is both ample and sufficient.
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Oct 3, 2018
Oct 3, 2018 at 12:10 PM UTC
the harvested man
He nurses his coffee, by himself most days, Occasionally with the one or two others Constituting the bulk of the clientele of the diner (Low-slung building both faceless and nameless Although those who remember a day When the village was at least borderline prosperous Still refer to it as “Kitty’s Place”, Though its namesake has been dead and gone some two decades) One of the few going concerns which implausibly remain, Seemingly through nothing more than sheer inertia, In the drab little downtown along Canton Street. He languishes over his cup for as long as the mood hits him, There being no discernible reason to hurry (Indeed, the diner itself, once open before sunrise Now dark and silent until a leisurely seven-thirty or so) His place not really a working farm these days, Just a smattering of beef cattle (Milking and stripping out more than he can manage now) And what acreage of corn he can get in the ground. Eventually, he totters out of the front door, One sleeve of his shirt rolled and pinned up (Its former occupying member removed After the incident with the ancient and malevolent corn binder), Moving toward his truck with an all-but-one-legged gait, His left-leg jigsaw-puzzled By an overturned Farmall some time back (Most days he reckoned he’d tipped the tractor By failing to shift his balance to accommodate driving one-armed, Though if he was in a black enough mood he’d put it down To an old Iroquois curse placed on the entire St. Lawrence valley.) One could say, if he was a poet Or some other **** philosophical fool, That these partial sacrifices served To ward off some even more awful finality. He would have none of that, of course—in his own cosmology The gods and demons most likely have bigger fish to fry, And, as to the prospect of some inexorable wreck and ruin, He is of the opinion that what he was given up to this point Is both ample and sufficient.
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39
We’d made things once, things of substance: Copiers, straight-sixes for Chevelles, Novas, Impalas, And tons of film, of course, loaded into tiny Instamatics Which accompanied us to everywhere and everything (Unless they mystifyingly scampered away from pocket or purse, In which case we drove, cursing and volleying blame to and fro, Fifteen, twenty, maybe more miles to retrieve them From the kitchen table or back of the toilet) To document births and baptisms and weddings, The in-betweens and hereafters, (Renderings of children and dogs Sitting under trees with blossoms of pink and red The blooms implausibly bright, child and beast stolid yet smiling, Or tableaus of tux-clad cousins and brothers, Squinting blankly in the aftermath of a visual right-cross Courtesy of the supernova-esque emanation From the blue cube perched on the camera’s top) So they would not be victims of the vagaries of memory. All of that is gone--no, taken--from us now, The means of production having embarked for Memphis or Mumbai, Those things which sustained us now simply vestigial curiosities, Like hand-cranked presses or ancient milking machines We’d tittered at on long-ago school field trips. The march of time and technology, to be fair, But it has left us obsolescent as well, Stranding us without context or clarity, With access to neither advance or retreat (The old photographs simply mock us now, The red-eyed images fading to the soft tones Of a rose at the end of its summer, The name of the third man on the left, Who’d worked on the line with us nearly three full decades, Refusing to be conjured out of the thin air) Leaving us diffuse and unordered As the old and cracked negatives Stuffed higgledy-piggledy between old snapshots In an enveloped at the back of an old file drawer.
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Feb 21, 2017
Feb 21, 2017 at 7:30 PM UTC
an empire of kodachrome
We’d made things once, things of substance: Copiers, straight-sixes for Chevelles, Novas, Impalas, And tons of film, of course, loaded into tiny Instamatics Which accompanied us to everywhere and everything (Unless they mystifyingly scampered away from pocket or purse, In which case we drove, cursing and volleying blame to and fro, Fifteen, twenty, maybe more miles to retrieve them From the kitchen table or back of the toilet) To document births and baptisms and weddings, The in-betweens and hereafters, (Renderings of children and dogs Sitting under trees with blossoms of pink and red The blooms implausibly bright, child and beast stolid yet smiling, Or tableaus of tux-clad cousins and brothers, Squinting blankly in the aftermath of a visual right-cross Courtesy of the supernova-esque emanation From the blue cube perched on the camera’s top) So they would not be victims of the vagaries of memory. All of that is gone--no, taken--from us now, The means of production having embarked for Memphis or Mumbai, Those things which sustained us now simply vestigial curiosities, Like hand-cranked presses or ancient milking machines We’d tittered at on long-ago school field trips. The march of time and technology, to be fair, But it has left us obsolescent as well, Stranding us without context or clarity, With access to neither advance or retreat (The old photographs simply mock us now, The red-eyed images fading to the soft tones Of a rose at the end of its summer, The name of the third man on the left, Who’d worked on the line with us nearly three full decades, Refusing to be conjured out of the thin air) Leaving us diffuse and unordered As the old and cracked negatives Stuffed higgledy-piggledy between old snapshots In an enveloped at the back of an old file drawer.
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37
( ) ( ) ( ) /----\ • Pure /// The darkness is everywhere We all see //// We see death everywhere • We remain so implausibly silent ///// wuss warriors ///// //// We don't want to offernd ! //// We don't want to hurt their feelings ! • We betray ourselves when we water down The absolute purity of what LOVE is /// Wuss warriors ! • We fight the paper tigers of " insensitivity " while drowning out the sounds Of death ! ////wuss warriors ! //// ///// Wanting lovers Without love
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Dec 15, 2014
Dec 15, 2014 at 12:39 PM UTC
one more day
heraldic entry (ii) god is the secret god wants us to keep. I hold onto my leg because you cannot return without it. children drop in on women men murder. this, I share. heraldic entry (iii) we junk the stove by not thinking about it. I hide my gun inside and then find you doing the same. we survive and believe it’s a sign from television. heraldic entry (iv) the wee sharpshooter is scratching his ear with a sprung mousetrap. you tell me, listen, when I am not. heraldic entry (v) the healthy son has a sick. well I’ll be. of all the implausibly hedonistic, god is the one who didn’t get away.
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Aug 1, 2014
Aug 1, 2014 at 3:23 PM UTC
heraldic entry (ii - v)
I'm imagining infinite instances, inspiring insatiable insanities, inside implausibly intrinsic ideas, increasingly infiltriating inner ideals
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Feb 7, 2016
Feb 7, 2016 at 1:59 AM UTC
Ineptitude is indeed imbued