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"implacable" poems
I want you to know one thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine
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415.6k
If You Forget Me
Whoever has no house now will never have one. Whoever is alone will stay alone Will sit, read, write long letters through the evening And wander on the boulevards, up and down... - from Autumn Day, Rainer Maria Rilke Its stain is everywhere. The sharpening air of late afternoon is now the colour of tea. Once-glycerined green leaves burned by a summer sun are brittle and ochre. Night enters day like a thief. And children fear that the beautiful daylight has gone. Whoever has no house now will never have one. It is the best and the worst time. Around a fire, everyone laughing, brocaded curtains drawn, nowhere-anywhere-is more safe than here. The whole world is a cup one could hold in one's hand like a stone warmed by that same summer sun. But the dead or the near dead are now all knucklebone. Whoever is alone will stay alone. Nothing to do. Nothing to really do. Toast and tea are nothing. Kettle boils dry. Shut the night out or let it in, it is a cat on the wrong side of the door whichever side it is on. A black thing with its implacable face. To avoid it you will tell yourself you are something, will sit, read, write long letters through the evening. Even though there is bounty, a full harvest that sharp sweetness in the tea-stained air is reserved for those who have made a straw fine as a hair to **** it through- fine as a golden hair. Wearing a smile or a frown God's face is always there. It is up to you if you take your wintry restlessness into the town and wander on the boulevards, up and down.
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7.8k
Autumn
Whoever has no house now will never have one. Whoever is alone will stay alone Will sit, read, write long letters through the evening And wander on the boulevards, up and down... - from Autumn Day, Rainer Maria Rilke Its stain is everywhere. The sharpening air of late afternoon is now the colour of tea. Once-glycerined green leaves burned by a summer sun are brittle and ochre. Night enters day like a thief. And children fear that the beautiful daylight has gone. Whoever has no house now will never have one. It is the best and the worst time. Around a fire, everyone laughing, brocaded curtains drawn, nowhere-anywhere-is more safe than here. The whole world is a cup one could hold in one's hand like a stone warmed by that same summer sun. But the dead or the near dead are now all knucklebone. Whoever is alone will stay alone. Nothing to do. Nothing to really do. Toast and tea are nothing. Kettle boils dry. Shut the night out or let it in, it is a cat on the wrong side of the door whichever side it is on. A black thing with its implacable face. To avoid it you will tell yourself you are something, will sit, read, write long letters through the evening. Even though there is bounty, a full harvest that sharp sweetness in the tea-stained air is reserved for those who have made a straw fine as a hair to **** it through- fine as a golden hair. Wearing a smile or a frown God's face is always there. It is up to you if you take your wintry restlessness into the town and wander on the boulevards, up and down.
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45
This woman speaks in tongues Foreign languages roll from her mouth Like summer fog ladled over the rim Of Candlestick Park In the not-so-distant Far far away of long long ago This woman speaks in rotund sentences Effulgent with vocabulary That shimmers with the electrified joy Of lights over Ghirardelli Square In the not-so-darkness Of the clammy and cabalistic night This woman speaks with her hands Impresciable, implacable, and inconsolable As she tries to mold untranslatable words From air that is as thin As the promises she’d preferred And purchased with the shards of her heart This woman speaks in lyrics Arpeggios of adjectives and alliteration That tumble acrobatically with the intricacy And grace Of a hummingbird in spring On the kiss of a blossom Rich and fragrant and giving as This woman speaking in tongues
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May 30, 2012
May 30, 2012 at 4:35 PM UTC
Con la Nonna Rotondetto in Cucina di Musica
Up and lead the dance of Fate! Lift the song that mortals hate! Tell what rights are ours on earth, Over all of human birth. Swift of foot to avenge are we! He whose hands are clean and pure, Naught our wrath to dread hath he; Calm his cloudless days endure. But the man that seeks to hide Like him (1), his gore-bedewèd hands, Witnesses to them that died, The blood avengers at his side, The Furies' troop forever stands. O'er our victim come begin! Come, the incantation sing, Frantic all and maddening, To the heart a brand of fire, The Furies' hymn, That which claims the senses dim, Tuneless to the gentle lyre, Withering the soul within. The pride of all of human birth, All glorious in the eye of day, Dishonored slowly melts away, Trod down and trampled to the earth, Whene'er our dark-stoled troop advances, Whene'er our feet lead on the dismal dances. For light our footsteps are, And perfect is our might, Awful remembrances of guilt and crime, Implacable to mortal prayer, Far from the gods, unhonored, and heaven's light, We hold our voiceless dwellings dread, All unapproached by living or by dead. What mortal feels not awe, Nor trembles at our name, Hearing our fate-appointed power sublime, Fixed by the eternal law. For old our office, and our fame, Might never yet of its due honors fail, Though 'neath the earth our realm in unsunned regions pale.
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7.6k
Song Of The Furies
O Thou to whom the musical white spring offers her lily inextinguishable, taught by thy tremulous grace bravely to fling Implacable death’s mysteriously sable rob from her redolent shoulders, Thou from whose feet reincarnate song suddenly leaping flameflung,mounts,inimitably to lose herself where the wet stars softly are keeping their exquisite dreams—O Love! upon thy dim shrine of intangible commemoration, (from whose faint close as some grave languorous hymn pledge to illimitable dissipation unhurried clouds of incense fleetly roll) i spill my bright incalculable soul.
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7.1k
O Thou To Whom The Musical White Spring
“Beautifully Oppressive” she called my work “beautifully oppressive”   did she mean like the stifling pall of equatorial heat?   what lines had I writ to elicit such truthful and prodigious adverbs and adjectives?   I can not recall being more flattered   or believing more that it mattered   what one said of my delirious desultory delusions, my petty pecking indulgences… I believe I was recalling a dream   that spoke of elusive, fickle salvation,   the perennial  curse of the chosen ****** and their haunting hunger for implacable peace   when I evoked that response from her   “beautifully oppressive” to feel such a fate?   the promise of heaven for those trudging through hell?   what other beautiful oppressive story could I tell?
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Jun 3, 2013
Jun 3, 2013 at 5:56 PM UTC
"beautifully oppressive" (to victoria)
All summer we moved in a villa brimful of echos, Cool as the pearled interior of a conch. Bells, hooves, of the high-stipping black goats woke us. Around our bed the baronial furniture Foundered through levels of light seagreen and strange. Not one leaf wrinkled in the clearing air. We dreamed how we were perfect, and we were. Against bare, whitewashed walls, the furniture Anchored itself, griffin-legged and darkly grained. Two of us in a place meant for ten more- Our footsteps multiplied in the shadowy chambers, Our voices fathomed a profounder sound: The walnut banquet table, the twelve chairs Mirrored the intricate gestures of two others. Heavy as a statuary, shapes not ours Performed a dumbshow in the polished wood, That cabinet without windows or doors: He lifts an arm to bring her close, but she Shies from his touch: his is an iron mood. Seeing her freeze, he turns his face away. They poise and grieve as in some old tragedy. Moon-blanched and implacable, he and she Would not be eased, released. Our each example Of temderness dove through their purgatory Like a planet, a stone, swallowed in a great darkness, Leaving no sparky track, setting up no ripple. Nightly we left them in their desert place. Lights out, they dogged us, sleepless and envious: We dreamed their arguments, their stricken voices. We might embrace, but those two never did, Come, so unlike us, to a stiff impasse, Burdened in such a way we seemed the lighter- Ourselves the haunters, and they, flesh and blood; As if, above love's ruinage, we were The heaven those two dreamed of, in despair.
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3.2k
The Other Two
All summer we moved in a villa brimful of echos, Cool as the pearled interior of a conch. Bells, hooves, of the high-stipping black goats woke us. Around our bed the baronial furniture Foundered through levels of light seagreen and strange. Not one leaf wrinkled in the clearing air. We dreamed how we were perfect, and we were. Against bare, whitewashed walls, the furniture Anchored itself, griffin-legged and darkly grained. Two of us in a place meant for ten more- Our footsteps multiplied in the shadowy chambers, Our voices fathomed a profounder sound: The walnut banquet table, the twelve chairs Mirrored the intricate gestures of two others. Heavy as a statuary, shapes not ours Performed a dumbshow in the polished wood, That cabinet without windows or doors: He lifts an arm to bring her close, but she Shies from his touch: his is an iron mood. Seeing her freeze, he turns his face away. They poise and grieve as in some old tragedy. Moon-blanched and implacable, he and she Would not be eased, released. Our each example Of temderness dove through their purgatory Like a planet, a stone, swallowed in a great darkness, Leaving no sparky track, setting up no ripple. Nightly we left them in their desert place. Lights out, they dogged us, sleepless and envious: We dreamed their arguments, their stricken voices. We might embrace, but those two never did, Come, so unlike us, to a stiff impasse, Burdened in such a way we seemed the lighter- Ourselves the haunters, and they, flesh and blood; As if, above love's ruinage, we were The heaven those two dreamed of, in despair.
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35
Mutted sounds The city sleeps... traditional Rest...closed shutters Against the heat....skies white Blinding, implacable Brurnt, liquid: coupolas baking Through centuries of glazed splendor My lover's breath on old fashioned Sheets: starched, crip...ironed flat Our bodies recouping In the cool inner wall... welcomed presence Nary a sound...inanimate objects Enrobed in silence Languid , heavy, waiting for the shadows Announcing night's fresh enconter. Colette Anne Naegle copyrights 2005
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Mar 2, 2012
Mar 2, 2012 at 3:34 AM UTC
Venitian siesta
Percepts of enlightenment & civilization to encounter The grim aftermath of tales unspoken from the galaxies afar Betokening Indian tales of deeper truths than ever, For the Great Spirit still swirls in gestures previously milder, At a snail's pace and surely winning the pursuit among souls or Is example better than pre-conceived precept? or “Is that a dog in the manger?” Now cherishing the viper? The human dilemma between liberty & authority? “Has mythology now become psychology?” A dingy white color in disguise of tranquility To suit the blemished features of the 21st century With fair women & brave men turning fables into verse, Yet Socrates’ doctrine about death bespeaks a wafture so callous! The new-age “iron claw” screams nastiness in time and space. The pretences of mankind like the puritan; Mars trapped in the net of Vulcan, Jupiter is serene and above the conflict to win, While Venus tries to fight upon the plains of troy That the Greek gods of serenity may win at Tuscany. “When do these sultry groans of mortal remorse cease?” To calm the sordid uproar that Love may peruse Through the scattered white aromatic rose petals In search of the scintillating path back to the highland stables Were snowflakes are an irresistible lure for the Arctic snowbirds! Nature herself is proud of her designs Yet! There is nothing grating in mortal cosmoses but direct villainy. Sinister fate climbs the lonesome banister faster Before the “fanged dawn” descends nearer, As stronger minds virtually become weaker; These “shameless actors” are melted into “thin air” “Must they cheat themselves with that same foolish vice of honesty?” Mischievousnesses feed! Like beasts till they be fat, and then they bleed As they are led to bend the curve of “No return” Since it is only rational that after the darkest of nights There is a brighter day to reveal the true knights Of the once gloomy age of Democritus. Tis plain, from hence, that our vows Request hurtful intense things, or useless at the best.
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Sep 17, 2009
Sep 17, 2009 at 5:16 AM UTC
Implacable fate
Percepts of enlightenment & civilization to encounter The grim aftermath of tales unspoken from the galaxies afar Betokening Indian tales of deeper truths than ever, For the Great Spirit still swirls in gestures previously milder, At a snail's pace and surely winning the pursuit among souls or Is example better than pre-conceived precept? or “Is that a dog in the manger?” Now cherishing the viper? The human dilemma between liberty & authority? “Has mythology now become psychology?” A dingy white color in disguise of tranquility To suit the blemished features of the 21st century With fair women & brave men turning fables into verse, Yet Socrates’ doctrine about death bespeaks a wafture so callous! The new-age “iron claw” screams nastiness in time and space. The pretences of mankind like the puritan; Mars trapped in the net of Vulcan, Jupiter is serene and above the conflict to win, While Venus tries to fight upon the plains of troy That the Greek gods of serenity may win at Tuscany. “When do these sultry groans of mortal remorse cease?” To calm the sordid uproar that Love may peruse Through the scattered white aromatic rose petals In search of the scintillating path back to the highland stables Were snowflakes are an irresistible lure for the Arctic snowbirds! Nature herself is proud of her designs Yet! There is nothing grating in mortal cosmoses but direct villainy. Sinister fate climbs the lonesome banister faster Before the “fanged dawn” descends nearer, As stronger minds virtually become weaker; These “shameless actors” are melted into “thin air” “Must they cheat themselves with that same foolish vice of honesty?” Mischievousnesses feed! Like beasts till they be fat, and then they bleed As they are led to bend the curve of “No return” Since it is only rational that after the darkest of nights There is a brighter day to reveal the true knights Of the once gloomy age of Democritus. Tis plain, from hence, that our vows Request hurtful intense things, or useless at the best.
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43
I almost died the other day And I came back to this place just to say That you never know when it all can get taken Away All your life's lessons suddenly play like a highschool production through your mind's electric grey clay, a mind managing to keep itself oxygenated enough to operate even as consciousness fades A body lying there, blue as a mid summer's day, gasping For breath, and for a chance to stay Alive. I woke up, having almost died the other day, To a room full of strange faces, whose eyes all aimed my way. A room full of strangers, My vision regaining clarity, I see equipment of many types, lying around a well decorated living room, it seemed out of place, devices dreamed up by engineers a few hundred miles away, At an elite institution, of mechanical engineering and science, engineering devices that now lay about my horrified friend's living room, Then the puzzle regained its shape, and I was graced with the understanding that it was all going to be okay, this time, anyway. the first responders, My saviours. Real heroes, Who wear no capes, Nor spandex, But who know their job well, And do it without delay, And these people who saved my life today Are out of my life now forever, and onto saving another fragile life, on some other street, On some other day. I saw people in blues, reds, and greys, yellows and oranges, and then the light of the day. The light of the day on which I did not die, But I could have, had it been another time, Another place. My stretcher was bright yellow, by the way... I almost died the other day, and its implacable oncoming rush scared me. The fear of not having lived a worthy life, an unobserved life, Of dying too soon, with things left to do Of leaving people behind, Of wrongs left to right Of lying here blue On my dear friend's plush carpet, And her child witnessing it as he comes home from school. Innocent as day, then scarred for life. Luckily I have a few friends and modern miracles on my side. I almost died the other day, and I came back here, having missed all the poetry, that makes life worth living, day after day. Beyond the biorhythms we must feed In order to stay Alive.    Peace.          Love. Breath.              Focus.                      A good enough mantra,                      Wouldn't you say? I almost died the other day, But I didn't. I breathe in with gratitude, And I exhale with relief, that I still got the knack for it.
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Dec 9, 2022
Dec 9, 2022 at 10:52 AM UTC
I Almost Died the Other Day
I almost died the other day And I came back to this place just to say That you never know when it all can get taken Away All your life's lessons suddenly play like a highschool production through your mind's electric grey clay, a mind managing to keep itself oxygenated enough to operate even as consciousness fades A body lying there, blue as a mid summer's day, gasping For breath, and for a chance to stay Alive. I woke up, having almost died the other day, To a room full of strange faces, whose eyes all aimed my way. A room full of strangers, My vision regaining clarity, I see equipment of many types, lying around a well decorated living room, it seemed out of place, devices dreamed up by engineers a few hundred miles away, At an elite institution, of mechanical engineering and science, engineering devices that now lay about my horrified friend's living room, Then the puzzle regained its shape, and I was graced with the understanding that it was all going to be okay, this time, anyway. the first responders, My saviours. Real heroes, Who wear no capes, Nor spandex, But who know their job well, And do it without delay, And these people who saved my life today Are out of my life now forever, and onto saving another fragile life, on some other street, On some other day. I saw people in blues, reds, and greys, yellows and oranges, and then the light of the day. The light of the day on which I did not die, But I could have, had it been another time, Another place. My stretcher was bright yellow, by the way... I almost died the other day, and its implacable oncoming rush scared me. The fear of not having lived a worthy life, an unobserved life, Of dying too soon, with things left to do Of leaving people behind, Of wrongs left to right Of lying here blue On my dear friend's plush carpet, And her child witnessing it as he comes home from school. Innocent as day, then scarred for life. Luckily I have a few friends and modern miracles on my side. I almost died the other day, and I came back here, having missed all the poetry, that makes life worth living, day after day. Beyond the biorhythms we must feed In order to stay Alive.    Peace.          Love. Breath.              Focus.                      A good enough mantra,                      Wouldn't you say? I almost died the other day, But I didn't. I breathe in with gratitude, And I exhale with relief, that I still got the knack for it.
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58
Ok, Sinabi ko na na kung kinalimutan mo ako. Kung kakalimutan mo ako. Kung nawala ako sa isip mo. Hindi na kita patutuntungin kahit sa door mat ng kamalayan ko. Ok, ang nasabi ko ay nasabi ko na. Pero ang nakakainis At nakakatawa, bakit sinisilip pa rin kita mula sa maliit na siwang ng bintanang sinadya kong iniwang bukas para makahinga. Ok, Kung kinalimutan mo na ako at tuluyang nawala sa sa isip mo, Ok, Kung nakatulog kang hindi man lang naalala ang pangalan ko. Huwag na huwag mo na akong hanapin Tuluyan mo nang alisin ako sa isip mo dahil hindi lang ako naka-invi. Nag-logout na ako. At nagbubuklat ng dictionary. Sinusubukang tagalugin ang tula ni Pablo Neruda. Pero habang hindi ko pa nahahanap ang mga tamang salita. Habang hindi ko pa natutumbasan ng mga tamang kataga hayaan **** basahin ko muna nang mahina. "I want you to know one thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine."
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Aug 2, 2015
Aug 2, 2015 at 12:59 PM UTC
Ok, If You Forget Me (Pasintabi kay Neruda)
Ok, Sinabi ko na na kung kinalimutan mo ako. Kung kakalimutan mo ako. Kung nawala ako sa isip mo. Hindi na kita patutuntungin kahit sa door mat ng kamalayan ko. Ok, ang nasabi ko ay nasabi ko na. Pero ang nakakainis At nakakatawa, bakit sinisilip pa rin kita mula sa maliit na siwang ng bintanang sinadya kong iniwang bukas para makahinga. Ok, Kung kinalimutan mo na ako at tuluyang nawala sa sa isip mo, Ok, Kung nakatulog kang hindi man lang naalala ang pangalan ko. Huwag na huwag mo na akong hanapin Tuluyan mo nang alisin ako sa isip mo dahil hindi lang ako naka-invi. Nag-logout na ako. At nagbubuklat ng dictionary. Sinusubukang tagalugin ang tula ni Pablo Neruda. Pero habang hindi ko pa nahahanap ang mga tamang salita. Habang hindi ko pa natutumbasan ng mga tamang kataga hayaan **** basahin ko muna nang mahina. "I want you to know one thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine."
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28
--- impassive implacable emerging from a sea of glass this reflection of marble this face of stone with eyes so sapphire blue the depths of which go into eternity soulsurvivor (C) 7/8/2015
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Jul 8, 2015
Jul 8, 2015 at 12:32 PM UTC
face of stone
Quizá fue una hecatombe de esperanzas un derrumbe de algún modo previsto ah pero mi tristeza sólo tuvo un sentido. Todas mis intuiciones se asomaron para verme sufrir y por cierto me vieron. Hasta aquí había hecho y rehecho         mis trayectos contigo hasta aquí había apostado a inventar la verdad pero vos encontraste la manera         una manera tierna         y a la vez implacable         de desahuciar mi amor. Con un solo pronóstico lo quitaste de los suburbios de tu vida posible lo envolviste en nostalgias lo cargaste por cuadras y cuadras y despacito sin que el aire nocturno lo advirtiera ahi nomás lo dejaste a solas con su suerte         que no es mucha. Creo que tenés razón la culpa es de uno cuando no enamora         y no de los pretextos         ni del tiempo. Hace mucho         muchísimo que yo no me enfrentaba como anoche al espejo y fue implacable como vos         mas no fue tierno ahora estoy solo francamente                         solo. Siempre cuesta un poquito empezar a sentirse desgraciado antes de regresar a mis lóbregos cuarteles de invierno con los ojos bien secos por si acaso miro como te vas adentrando en la niebla y empiezo a recordarte.
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2.5k
La culpa es de uno
The Great Outdoors Doors open every which way and it's impossible to escape you since you are behind everyone of them. The overflowing cascade that is your hair the splendor of the sun at noon that is your smile and the ever present flawless work of art that is your body. The gorgeous landscape of your chest needless to say how much I love the view. The great outdoors lives and breathes within you. Let me take you indoors so I could breathe you at dawn take off the weight of all those weary kisses and slowly nourish me in your lips. Let me spend an eternity attached to your hips. Let our anatomies condense into one another creating record setting heat. Let me taste the warmth of your mouth and feel the cold of your feet. Your implacable thighs, your indomitable abdomen the pearls of your eyes, your button nose and pillow cheeks. The softness of your hands as your fingers run all over me. The flirtatious ways of your walk inhaling your fresh essence in the air with your aura by my side knocking down the door to my lair and awake from my self-imposed hibernation to dedicate this loving prose in ode to Mother Nature's greatest creation. Like an impatient Great White I can still sense your flesh when I can't see devouring everything in sight and this hunger towards you it leads because my waters are yours I can smell your thick blood algae, seaweed or other life forms are not nearly enough to keep me from craving you and fulfilling this unfulfilling love to find a way to repress what my flinching body has become from the Savannah to the Sahara I can't suffice this longing night, afternoon or morning for your great outdoors.
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Dec 26, 2009
Dec 26, 2009 at 3:49 PM UTC
"The Great Outdoors"
The Great Outdoors Doors open every which way and it's impossible to escape you since you are behind everyone of them. The overflowing cascade that is your hair the splendor of the sun at noon that is your smile and the ever present flawless work of art that is your body. The gorgeous landscape of your chest needless to say how much I love the view. The great outdoors lives and breathes within you. Let me take you indoors so I could breathe you at dawn take off the weight of all those weary kisses and slowly nourish me in your lips. Let me spend an eternity attached to your hips. Let our anatomies condense into one another creating record setting heat. Let me taste the warmth of your mouth and feel the cold of your feet. Your implacable thighs, your indomitable abdomen the pearls of your eyes, your button nose and pillow cheeks. The softness of your hands as your fingers run all over me. The flirtatious ways of your walk inhaling your fresh essence in the air with your aura by my side knocking down the door to my lair and awake from my self-imposed hibernation to dedicate this loving prose in ode to Mother Nature's greatest creation. Like an impatient Great White I can still sense your flesh when I can't see devouring everything in sight and this hunger towards you it leads because my waters are yours I can smell your thick blood algae, seaweed or other life forms are not nearly enough to keep me from craving you and fulfilling this unfulfilling love to find a way to repress what my flinching body has become from the Savannah to the Sahara I can't suffice this longing night, afternoon or morning for your great outdoors.
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53
This silence is of the other sort. Not that silence of stillness born; That meditative calm that washes you when morning's light shyly peeks through your curtains. No, this is the malignant sort, an out of control cellular growth, (A Growth!) that pushes out other thought and claims the territories of your mind all for himself. for himself. This silence screams at you, "Listen to me!", "Listen, now, lover! And you can't do anything but hear his absent, his vacant, that vacant, that Voice! This is the silence that shoves his way into your brain and demands attention. He stamps his foot and shouts "Look at me!" Are you looking? And all you can do is stare at his invisible, His implacable Face. You wonder, "Who are you, to invade "my sanctuary?!" But then it comes to you, in that moment of Reckoning: You left your key laying casually on the window sill outside your door, red ribbon tied on, an exclamation point, That mocking point! No, you can't blame this silence. You are the one who left the light burning brightly, in your window, that small, indescript window, all night long. http://www.youtube.com/watch?v=SE_l1hLps1g&feature;=shareice.**
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Jan 14, 2014
Jan 14, 2014 at 10:09 PM UTC
you can't blame this silence
Burnt umber in the morning As the planets do align, Ominously holding To the Zodiac design, Reminding us that somewhere In the Bible, it was said, That by the twelfth year of this century Whole populations would be dead. They say it is upon us Those children of the moon, They say the fingers of our destiny Shall fall upon us soon. Calamitous catastrophe To befall the western world That fiscal debt implosion Will result with fraud unfurled, When abnormal plate subduction Along the continent's divide Will magnify the earthquake swarm   Across the planet's hide. When enormous ring tsunamis Emanate from deep at sea To cascade onto shorelines To wreak extreme calamity. Across the globe, Astrologist's,   Say something huge is due. Their whispers quietly amplified To percolate to you. What little can be done or said It's very hard to say Because authorities worldwide Refuse to recognize this day, They won't readily acknowledge Those symptoms verily to hand, The frequent natural disasters Occurring in each land. Contagion is  contagious The whispers may be wrong, Perhaps the future holds for us A vastly different song, But when the moon is full and white And I look into her face, I discern a bleak anxiety Destined for the human race I see mother nature poised To take the heavy, upper hand With an implacable demeanor And un empathetic stand. Burnt umber in the morning As the planets do align, Ominously holding To the Zodiac design, Reminding us that somewhere In the Bible, it was said, That by the twelfth year of this century Whole populations would be dead. Marshalg @theBach In the cold moonlight 20 May 2010
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May 19, 2010
May 19, 2010 at 3:04 AM UTC
Burnt Umber
Burnt umber in the morning As the planets do align, Ominously holding To the Zodiac design, Reminding us that somewhere In the Bible, it was said, That by the twelfth year of this century Whole populations would be dead. They say it is upon us Those children of the moon, They say the fingers of our destiny Shall fall upon us soon. Calamitous catastrophe To befall the western world That fiscal debt implosion Will result with fraud unfurled, When abnormal plate subduction Along the continent's divide Will magnify the earthquake swarm   Across the planet's hide. When enormous ring tsunamis Emanate from deep at sea To cascade onto shorelines To wreak extreme calamity. Across the globe, Astrologist's,   Say something huge is due. Their whispers quietly amplified To percolate to you. What little can be done or said It's very hard to say Because authorities worldwide Refuse to recognize this day, They won't readily acknowledge Those symptoms verily to hand, The frequent natural disasters Occurring in each land. Contagion is  contagious The whispers may be wrong, Perhaps the future holds for us A vastly different song, But when the moon is full and white And I look into her face, I discern a bleak anxiety Destined for the human race I see mother nature poised To take the heavy, upper hand With an implacable demeanor And un empathetic stand. Burnt umber in the morning As the planets do align, Ominously holding To the Zodiac design, Reminding us that somewhere In the Bible, it was said, That by the twelfth year of this century Whole populations would be dead. Marshalg @theBach In the cold moonlight 20 May 2010
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the candy cane sign   is gray with frost   its spiraled dance stopped years before the old man died     he, the emperor of hair, meant to get it repaired   like all good intentions and the clipped hair that got swept away   day by day, hour by hour, minute by m o m  e n t o u s     m o n o t o n o u s minute   the cutting, the sweeping punctuated by the clang of the register the hardy laugh at a racial joke   the passing of a borrowed smoke   and the buzzing silences in between when I would watch and wonder what spell he was under   in his royal white regalia   chopping and chatting away (at eyeless and earless heads I thought)   until I would sit in his chair   and escape the gulag of my life   with his ponderous questions about   feather light skies   heavyweight jabbing   the “old lady gabbing”   the engine in my “shrimp nip” car   and how very far I would go when I rose from his leather and chrome throne   and once again be on my own   with hair a bit shorter and life a bit neater   for a minuscule dot in time   I would not even remember when I thought of his implacable place in the cold past
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Jan 21, 2013
Jan 21, 2013 at 7:50 PM UTC
the barber of Siberia
Lofted over the Cedar murky waters the color of coffee flow implacable immutable towards the Southeast horizon while Pleiades and Orion hunt above tenacious juniper fingers driven into crags boreal bonsai stands everlasting in time for me to fly this roost
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Mar 9, 2010
Mar 9, 2010 at 2:49 PM UTC
Night Breathes
Running for a thousand places Running for my very hide, Running to obscure the traces Run from those I can’t abide. Pursued by the claw of guilders Pursued by the Bank of Greed, Running from the Ruin Builders Run from those whose lust is need. I’ve worked to build a modest holding Worked to feel a pride secured, Family of love enfolding Sanctity midst world endured. Feel manipulations brooding Moneys lust does intervene, Those who have it all, concluding, What is mine is theirs to glean. Claw back by manipulators Claw back by the fiends of greed, Implacable cold calculators Cut with Law to make me bleed. Running for a thousand places Running for my very hide, Run to flee pursuing faces Run from that I can’t abide. Anguish at my walls collapsing Wailing of my bride’s despair Futility’s tomorrow lapsing Monstrous as it flails me there. Standing in a freezing stillness Standing in this hall of time, Forlorn in a prisoned illness Greed has vanquished me and mine. Marshalg For the forgotten people who have been ruined by those, who call themselves the mighty. Auckland N.Z. 9 February 2013
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Feb 8, 2013
Feb 8, 2013 at 10:37 PM UTC
Running from the Ruin Builders
The fog shall not lift...sapphire, ruby, emerald studded chimeras roam the primordial soup. The hysterical triad of a bleating goat, lion's roar, dragon's inflamed screech. The implacable lot of sublime vision... reels the shadow of a halo. The shadow of what's opaque...an ominous drumbeat of the collective unconscious. Pagan hybrid...chimera--sulphurous manacle of delirium, pomp and glory of madness. Releasing opiates within the plush chambers of your Gaian skull. Lunar stone's throw to quashing tides... bone-fetching chimeras 'neath their moonlit charge at flesh. Chimeras, no mere inhabitants of an exotic petting zoo...pattering the early puddles which became The Face of the Deep.
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Apr 10, 2015
Apr 10, 2015 at 10:52 AM UTC
Chimeras Roam the Primordial Soup
The human being is an inherently contentious creature. Seven billion rock-wall eyes; Eyes staring belligerently down seven billion sharp noses; Noses affixed to seven billion faces; Faces covered in creases and scars, Framed in unruly hair And outlined in stark exactness By the flames cowering in bipedal shadows. Into the human heart is chiseled "inexorable". We are an incongruence: We row up the rapids, Scale the waterfall And taunt the oily heavens from atop Devil's Tower. We will always get what we want, Whether it involves killing the albatross Or playing Gondorff's chess. Whether we wrest it from Gaia's grasp Or that of our more miserly peers. Robert C. crystalised our resolve. The riot gear-clad Blue and Green with timers in their throats Stand abreast. Chanting "Listen to Mother. Mother knows best.", They begin the forward press. When an impish grenade leaps our way, We fling it back between mouthfuls of chips. The barricades erected By Mother and ourselves alike Are many and implacable and incessant, But they will be broken and overtaken. They will be broken and overtaken by us, The humans, Because we are.
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May 8, 2015
May 8, 2015 at 8:05 AM UTC
The Protest
I watched adrift on a putrid plank That had saved me once before ‘Twas the elusive Pride of the Pacific Constructed in ‘74 Her bronze bells and mighty foghorn Commanded all to make way And the tides knelt beside her feet To congregate as they say: “Tis pitiful, such punishment Bestown upon the Ancient Blue Our vengeance creeps forth each day And will drown this peace askew. Their corpulence, disgusting As they carouse all day and night Limiting themselves to their marvels” Alas! A human they spied in sight! “The humans have rejected you From their blissful celebration Now let us stir up trouble For complete annihilation!” With swift currents bombarding, The passengers fled with haste And in one implacable calamity, The ship was left to waste The bronze bells won’t resound With the ship flipped on its hull The foghorn’s left to drown As beauty is left to null. I sobbed adrift a putrid plank Never abandoned from the start “Such horrors would go unnoticed If humanity had the heart!”
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Mar 4, 2010
Mar 4, 2010 at 10:32 AM UTC
Adrift
Quiero que sepas una cosa. Tú sabes cómo es esto: si miro la luna de cristal, la rama roja del lento otoño en mi ventana, si toco junto al fuego la impalpable ceniza o el arrugado cuerpo de la leña, todo me lleva a ti, como si todo lo que existe, aromas, luz, metales, fueran pequeños barcos que navegan hacia las islas tuyas que me aguardan. Ahora bien, si poco a poco dejas de quererme dejaré de quererte poco a poco. Si de pronto me olvidas no me busques, que ya te habré olvidado. Si consideras largo y loco el viento de banderas que pasa por mi vida y te decides a dejarme a la orilla del corazón en que tengo raíces, piensa que en ese día, a esa hora levantaré los brazos y saldrán mis raíces a buscar otra tierra. Pero si cada día, cada hora sientes que a mí estás destinada con dulzura implacable. Si cada día sube una flor a tus labios a buscarme, ay amor mío, ay mía, en mí todo ese fuego se repite, en mí nada se apaga ni se olvida, mi amor se nutre de tu amor, amada, y mientras vivas estará en tus brazos sin salir de los míos.
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1.8k
Si tú me olvidas
Picture it when in a flash of a description, brought you the news it said was your derelict. when in becoming we ultimately fail our being championed by our unbecoming seeking the real scathed by a sizeable truth like a persimmon in your tender hand. This is the default sketched over a sagging paper, plugged within the air the motes depart and is as easy as it is explained: an elusive thing that may never be captured. Something the arriving betrays then assuages with a word treated benignly: a transit. let gray define the day: let the file describe the motive: let presence soil where we stood our place like a monument: let it seek a real object or a found language a wafting presence is lost somewhere gliding over unnamed territories commencing a displacement said was our undisputable location roads becoming roads vehicles becoming salvage birds becoming orchestra shambles becoming complete thus dearth becoming us before our denied image from a source that was our implacable place like a deadspot discovered
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Jun 14, 2016
Jun 14, 2016 at 3:03 AM UTC
the default