So it came to the point
where nothing else was working
so we ******.

We ****** crazily, frantically.
We ****** desperately, despairingly.
We ****** without rhyme or reason.
We ****** without hope.

We ****** until we were exhausted.
We ****** until we were both sore.
We ****** and ****** until we
could **** no more.

Then we broke up.

Hip Service
By Julian Malek

The zeal of cobblestone tolerance arrayed in fashionable hues masquerading as crimson secrecy, elevates the tide of man but some boats leak in their foundations. Therefore a cork to every exuberance and a triumphant torch for every sorrow lives onward in collective time. Larks that abound because prescience and PUGET sound, that brown has become the new orange which in turn prowls as a concealed swarthy black. To antagonize the willful and frenetic pace, a prodrome of lasting but memorialized disgrace. Should I move to a state by first or last name, or is the final appellation worthy of much more lasting fame. I scurry down the aisles, bemused by shimmering tiles and the beguiled audiences who see much in my limitation but doubt little about my debited elation. Ringmaster Barnum, how much horticulture is needed for assured superstardom, how many cloisters must we evacuate from the incendiary plumes of a metaphorical Harlem..  But know that no virtual reality can supplant the reality that does truly exist, or at least our time is too infernal and purblind to resist. Carrey the tops of mountains in the humor of wellsprings and fountains, we engage a menagerie of egos lilting of an etiolated pragmatic concern. Evicted from paradise, littered with say-cheese demise ensnaring three blind mice eaten alive by snake-eyed vice. To feel good without incorporated tyranny, we must see blue and red as alternatives to the same destiny. A world that reckons with the futilitarianism of pacified malcontent and astroturf monikers that lead the impressionable into a slaughter shed. Established or not, any enchantment under the sea must include fishes once a pastiche of me, but to them I avoid their courtesy flush and never even faintly blush as my egalitarian statements are lavish thrush.

Five TO Won baby one in 99, everyone here aboard the titanic stays alive, you got your boat baby and I got mine, gonna make it with babies numbered in surreal primes. Halt the slots game the nines, a stitch in time is going to turn out to be Mine. Flanger goals, girded piles, liminal like an aborted Harry Styles, we climb mountains we issue tithes, and the turmoil is etched into 45-notched bludgeons and two-tucked knives. Excuse you, where have you been all day, have you been sauntering in a gentle rain or a genteel pain, have you wallowed beyond the mires of doubt and ranked above David Blaine. I hope you tell me of your magic tricks, rather than your other flicks endeared I stand to fight an ineradicable itch. But if not, you placid pond dented by so many rocks and so many ripples give your heart over to me, before I clinch the special Olympics *******, we ran, we span the homespun garments of your left and right hand, but death is a specter that ghoulishly carouses along the carousel terminal disease we call life. I beseech your deepest affection and want to console you for your deepest struggle, to be there every time wed with time rather than a throttled scuttle. Moons make you guarded but maroons leave me desiccated, don’t ever let that wilted flower die, always water it with a rich but gentle ties and widened deck for all to at once marvel and pry.  Monsters of Mars Attacks once flanked my bed, as though the **** brain scared every gooseflesh and restrained every frisson of mystery. I lampoon myself for those cold Dark Knights and the protection ended by the plight of the poor mattering nothing to the deliberately internecine rich. I struck gold in a valley somewhere, an oxymoron of paradox that now you have the privilege to dock, to stay aboard to be a vessel of peace less widely deplored. Even if we don’t sprout wings, we garner the exactitude of measured things and our glass elevator though easily shattered by the glower of enslavement is actually our vista to heaven or listening to brethren tingles for rich mans trinkets and other things. For humanity deserves a legend and a princess, a regimented desuetude and a flanged lust but in our mistakes wildly flouted in momentary moments we become purified by the temptations of an alabaster palace.

***** the left-field wisdom of a pragmatic paragon ellipsis in prison, slip between the cracks and let my suburban muse become your urban ruse. To enchant a caged world beyond a reality delicately and deliberately unfurled. Squirming toads on highways enchanted but dead, are graves for the blue becoming purple in every dignified red. Gainsay assaults me with platitude, a repeated hitter quit on the first bunted ball into foul-line territory. Those gripes are swiped right in all circumstance no matter the plight. The pronged hearing of a trident sensitive to ambient collection, and suddenly we are all in the mad house even though the house of profaned pain is much worse. Glimpses of gambits that gambol for nickels in transit as occult grenades and known dice waddle through without artifice or device, and the laughter and slaughter that trains collegiate minds, differs no more than the tropes of a glamorous violence articled in sordid rhymes. This surfing movie means so much more than Surf Wax America pristine in limited but sacrilege nirvana. Teen spirits smell muskier than 90s pop dreams, the grasp and grunge of gouged eyes becomes a mummified staid, a scarecrow to those who disobey. Childhood flashes with blinding light, and new sight illuminates darkening blight, A blight eradicated only by two magazines and including one that houses the bullets that ***** themselves between death and comatose dreams both within astral sight. Littoral harbor on a seaside town, a shanty with a brackish gown that glides the gourmand to the cosmopolitan eatery on the outskirts of lost & found. But forever lost in embonpoint and forever gained in chavish that exonerates the gaunt, the etiolated prince in heart becomes irrefutable marrow in minded souls.

If I am a spy you are an ESPY, and if I cry than you are a baby,but since neither are the case my wiseacres will cultivate lava lamp dreams for a new generation and suddenly Boston bets on Harvard, but who knows of this piped blather squirming for relevance rather than voguish but temporary chatter. My regatta knows how to swim, my life now knows how to cringe and yet still win and in stilted plays of bungled sincerity the God of peace reminds us of our transcendent personalities. That we in sincerity top the barnacles of invention a novelty but a rarity. But the guillotine quill of emboldened unscripted parvenus ruthless in their eager dues, outdate and outlive the sued swayed blues that indemnify Clinton and make the atomic dog an amazing Winston hill a church often in sheltered disuse. Imps and urchins sting the sentiment, cloy the alimony of repentant betterment, but neither touches the gilded skies of pleonasm striving for raspy disguise as to dissuade further diatribe investigation. Lurking in those scared days of youth, the gore of unalloyed horror scourged me with a limp, that compassion itself could ever become a gimp. Now years later athletics better and scoring goals making the mildew sweat and the years wetter, not a global warming that can be alarmed by global mourning. Take peace at heart if distanced spears of separation make Idiocracy as a pastiche look exceedingly smart. And spar only with the true antagonists bridging malevolence with expedience. Killjoys sure, will joy even more sure, but still boys fluttered heart stopping dead at a stop-watched alarm the worst tragedy of our sordid sort. Give an African Child a real home rather than a spatial roam, a palatial desiccation of momentary Jonas Brothers snapping back at captives with sexualized foam.

Narrative blinds shuttered in an Island among mountains hardly ever wiser to sanitize the sanitarium among the wasps of stung power. Police crumple their uniforms as they prowl down the avenues, looking for misfits and widened platitudes. Somehow that the vigilance of those corrupted by their very career choice, look even worse when megalomania of private is the limelight of public, to their defense few turrets I can muster but castles in the sky will be the apartheid judge. Those that cling to virtue to eradicate Porsche-driven faked or real deaths at the most breakneck speed, that Fast & Furious operation if disclosed completely would turn the Shire of the ring into the hatred curtailed by a song in Sing-Sing. Immunity must not Yoda implore, that livery Liverpool marooned on islands can also to deplore the R.E.D. and still whet the sharpened stead and the fly-by-night Manchester United alights like militant peer pressure for wranglers in tights. But beating the Beatles at a game of Walruses and egg-shelled eyeful towers likely impedes rinkside hockey from anything over bellicose ballyhoo…it exists as a transient fixated glower. But who knows about soccer speculation when love is the transcendent temptation, when nest-egg hens rather than neglecting rig Bens of clockwork and clocked words designed arise better for their token ken. Do I must repeat the subtext of submarines, yellowed as though ugly unused as though unseen, as though the quixotic earthquakes of tintinnabulations Avatar dreams. Wafted souls console the disheartened thoughts of a dashed dream that Berlin hates more than a Furor’s unbridled and useless scream.
Demotic clips slinging from the bedridden silence of a token moon and its token friends, swimming in a shore of ambiguity whether history mellows or whether its furor melts away momentary doubts. I want to avoid the sting rays exorcised by due providence and become the amalgamated talents gentry and of course the upstart swagger of Jack Dawson. But with the psy-op going on, the people manipulated on all sides of a gray picket fence will the relationship bloom without muttered dissent or pretended smiles. Will we take upon the shuffled shuttle and dig with shovels deep-rooted Christmas trees and toast our lives to Dos Equis. We may never go out of style, but the treacle of illuminated imagery when divorced from sentiment bristle shows a swagger that prioritizes rather than amalgamates all love. I love being brash and brazen and honest because when she finally ditches the grandstand of delayed frenemies fandoms of other tinsel decorations without any substance beyond meretricious thrill. You want a roller coaster on some days, but most often you want the nutcracker to elope to secret hiding places. Swim with adventure not just in love, not just in affection with the starlight now matter how luminous, sixpence all the richer is no centuries any poorer and we could be that gilded couple of star and screen and if we ever have to scream, let our screams unite us in passion, rather than a milquetoast deference to pedestaled beauty. but of course the end times don’t laugh at your crumpled wizened relapse. Not out of convenience wed by a discriminating genetic harvest moon but a deeper engagement that flatters when stylish and bristles when romantic but never defiled, never riled of specious pretense. Promise me that you will always remember me in my flaws and my faults, in my scause factory destructions and the penults of PEN-ULTIMATE wisdom that comes before the grace of God in the annihilation of passion for eroded omission. If your goal is to be remembered, check that out…but the most admirable goal is as the propinquities of souls dusted in the wind returning to a spring equinox of passion and if you find in yourselves reservations do not depart from sacred land, and never jilt me because of a boisterous and menacing friend. You are everything to me right now, and I Hope this persists despite the vicissitudes of star-favored afflictions mixed with utter benediction without the pontification of stilted Benedictines  or rather the hyped ludic effrontery of termagants being made of younger and younger women. Leave it at this ,32 leaves the royal secret in royal hands and the Knights Templar and us we altogether hold hands, if only a prelude for a masquerade ball. But the stilted embarrassment of crestfallen time, let that be relegated and emphatically lets embrace what is like to not ever need a real white horse to get back into your favor, because we never go out of style we can brandish the best elements and reject the sentiments of the too newfangled and the too stodgy. We in our crenellated pleonasm can eager ride the lightning to another tomorrow and another yesterday and if even not that, we virtually make an indelible impression of embroidered love not too distant in ivory towers and not to vulgary( catering to popular sentiments) to become a trash glam movement. We soar, others deplore but let their purblind doubts render them blind to our burgeoning love.

Forget the brisk trees dangled in the wind on winding paths through haunted forest or remember them because of ghoulish fortress but with our apotropaic lamp we can avert most evil and call the rest fun and gains and shun but fames never profaned, never inalterable a destiny to magical to be some whimpered catcall. Or we could linger beneath lambent street lights disguised as though wilted garb, attrition of circumstance waiting patiently for the matinee and the vintner to escort us beyond the garb of pretense in a city so abundant with it that it deserves castigation. But I digress, a beachside cliff overlooking tepid waters tumultuous in their power but august in their noises, the cadence of love will sing a half-moon bay on full-moon nights and we will frisk each other like grasping at straws of permanent tracks trammeled of the elite and a sidetracked basque bet. Trim those antlers and instead grow metaphorical wings, to us we all sing but few can match your elegance and everyone would be crazy not to see your ennobled age and together thrilling songs to emulate thriller in sales we will collaboratively sing.
Haughty sneers from lifeless lycanthropy straggling furtively along the pastiched sidewalks of grime, livid because they can’t share the lingering limelight, with as many guarded perks of privacy clambering like a hive of snarky sharks. Lets ditch the big town dreams in terms of posh and stature if only for a caressed moment beneath the unadulterated stars and if you find spars **** to the extent they are amiable than I say guess what my name is Lars! Or wait a second, paused in the big city spotlight our stenciled hearts will guide whatever progeny is yours or mine or ours together we will sing the most comforting lullaby, and caves no longer must we abide. Yearn and earn every inch, as I gripe with my delicate saddened pinch but I think the innuendo speaks . Ripen with our trips to Napa, long afternoon sunsets swim in our hearts as we taste the vanguard’s toast on elegant wine.I console with entreaty to disavow the omen of that San Franciscan church October 2008, the doom implied by Einstein, the raillery of a world grinding down the endless decadence of a railed future inalterable in destiny or partialy amenable to widespread coquetry.

Forget those rumbles in your past that made you feel partial to insecurity and learning the ropes you transcended all and live in all eternity. Thimble and brook, tolerant of all those tokes I took your rebellious side flattens the yeast of Exodus raspy in its begrudged clapping. But the Pharaoh of the modern world sheltered me under his prickly thorns, shielded me from the sickly things that life adorns. We have the numbers on our side, the weight of destiny on our shoulders, dedicate yourself to yourself and I will preen the most vibrant wisdom and love will leap like Apollo across all borders not for camel-****** hoarders. We are culminated destiny in the wings of the best daydream

I heard faint noises downstairs, and I decided to investigate. I pulled on a pair of cut-off jeans and grabbed the old pump shotgun that had served me so well in Viet-Nam from under my bed and crept downstairs to check. My Ranger training came into play, and I moved soundlessly, down the stairs and into the living room. An air of vague shadowy figures were searching through the cabinet that housed my collection of antique silver. I announced my presence in a sudden and intimidating manner: I merely pumped the action of the shotgun, then immediately moved to the right so if anyone shot, he would shoot where I had been, not where I was now. That sound was a language that everyone understood, including the two figures before me. They froze, and were still motionless.

"Mr. Steve?" one of the figures quavered. "Please don't shoot!"

I recognized the voice as belonging to Lisa, the twenty-year-old daughter of my nearest neighbor. I didn't know who the other person was or who else may be in the house, so I kept the shotgun pointed in their direction and hit the light switch with my free hand. Immediately a car cranked up in my driveway, and tires squealing, raced out to the road and away. I looked at my midnight visitors. I recognized Lisa and Julie, who was a close friend of Lisa's and a frequent overnight visitor of hers. They were holding between them a laundry bag containing most of my silver collection. I lowered the muzzle of the cut down shotgun.

"You sure know how to get yourselves killed," I stated. "Mind telling me who was in the car? You don't want to take the rap all by yourselves."

"Please don't shoot! That was Mike, it was all his idea! He made us do it! He said he would put us out and make us walk home if we didn't do it! Are you going to call the Cops?"

Now I could understand why the girls tried to burglarize my home. It was a fifteen-mile walk home in pitch darkness on a moon-less night for the two frightened girls. It was just what a worthless **** like Mike would pull. Knowing what I did about Lisa's boyfriend, I knew what he probably needed the money for. He was nineteen; the only job he had ever had was selling drugs, and I don't mean at the pharmacy. He was a charmer though. Girls fell for his good looks and his charm, and would do anything for him, and he of course chose the best looking one of the bunch, Lisa. She never realized what a slime-ball he really was. The problem was that Lisa didn't have a father to threaten to put a bullet in Mike's behind, and her mother was just as deceived as she was.

"You broke into my house and attempted to steal my belongings. Why shouldn't I?" I said with false sternness. I wouldn't really turn them in, now that I knew the situation. I would give the girls a good scare, then a ride home. Maybe then Lisa would see through Mike's veneer.

"Because we'll do anything you want," Julie offered, speaking for the first time. "Anything at all!"

Julie stepped over and ran her hand up my leg, pausing to tweak the head of my ****, which was hanging out of the leg of my cutoffs. I hadn't bothered to pull on any underwear. Julie was almost as good looking as Lisa was. Both girls had fabulous bodies, large firm ****, and smooth well-rounded *****. Julie had a cute face, whereas Lisa was absolutely beautiful.

"Yes, anything you want to do!" Lisa agreed.

The girls weren't wanton *****, but scared out of their wits and taking the only way out that they could think of. Of course they weren't virgins. It hadn't occurred to me to take advantage of the girls like this, and I would have declined Julie's offer if she hadn't fooled with my **** like that. You see, I was developing an outrageous *******, and with my **** hanging down the leg of some fairly tight shorts, the situation was rapidly becoming painful and serious. I had to get those pants off fast! Also, I hadn't been laid in quite a while. I decided to lay my cards on the line.

"You kids know me. I never had any intention of calling the Cops. I was going to give you a scare to teach you a lesson, then drive you home. Does that mean the offer is withdrawn?"

The girls looked at each other and both breathed a sigh of relief, big smiles on their faces. Lisa winked at Julie. "Nope," Julie said, smiling, "It still stands. Lets go upstairs."

I escorted the girls to my bedroom, pressed the magazine block on the shotgun, pumped out the shell that was still in the chamber, then put it back in the magazine. I tossed it onto the dresser with a loud thump.

I turned around and both girls were stark naked. Lisa came over, dropped to her knees, and planted a wet kiss on the head of my painfully throbbing ****. My ******* became harder still. I had to get out of those cutoffs! Julie solved that problem. She unzipped and unbuttoned them and gently worked them down around my rock-hard ****, allowing it to spring up to freedom.

"Lets get on the bed first," I suggested, "Then we have fun."

"Lay down on your back," Lisa insisted. "Have we got something for you!"

I complied, and Lisa leaned over and put my **** in her hot mouth. Her tongue swirled over the head, ran up and down the shaft, and started over again. I looked over at Julie and she was watching avidly. Not having anything better to do with my hands, I reached between her legs and caressed her ****. Julie gasped with surprise, then spread her legs. Her **** was already hot and wet, so I slid my ******* in all the way, then started finger ******* her and massaging her **** with my thumb. Her **** hardened and grew. Julie had her eyes closed and was erotically tweaking her ***** *******. She was slowly lowering her body, deepening the ******* of my finger, and rocking her hips back and forth, intensifying the stroking of her ****. Julie's hot ***** juices ran down my hand while Lisa's mouth was still working on my throbbing ****.

I began to draw my hand from Julie's sopping wet ****, but she grabbed it and held it tightly to her crotch. I pulled my hand now, and she came with it. I grabbed her thigh and swung her leg over me, so she was now sitting on my chest. I pulled my finger from her hungry ****, grabbed her ***, and pulled her ****** right up to my face. As soon as I flicked her **** with the tip of my tongue, she went wild, ******* my face, filling my nostrils with the sweet aroma of her **** juices. I thought I would give her all the licking she could handle. I rammed my tongue into her ****-hole with all my might, then gently nibbled on her ****. Apparently she had a low threshold, as this was all she could stand.

"Oh God, I'm coming!" she screamed, ground her **** into my face one more time, quivered, then collapsed sideways onto the bed.

One down, one to go. I looked at Lisa, still ******* my **** for all she was worth. I was nearing the end of my endurance, and I still hadn't had my **** in any hot **** yet. I grabbed Lisa's shoulders and pulled her mouth from my ****. I turned her around and held her up, her blonde ***** triangle just inches over my waiting tool.

"Give it to her! Now!" Julie whispered.

Lisa's **** didn't look wet or ready to take anything in it yet, but my **** was ready to take some *****. Julie reached over and spread the lips to Lisa's still dry *****, and began tweaking her ****. Lisa gasped her surprise at her most private place being touched by another chick. Within seconds though, her **** and inner ***** lips began to swell, and her juices started flowing. I slowly lowered Lisa to my rod, admiring her glistening pinkness. Julie guided my throbbing rod into Lisa's wet love hole.

"Please, be careful! Ah-h-h-h! Go slow, I'm so tight!"

I lowered Lisa very carefully, for her hot ****-hole was indeed the tightest ***** I had ever felt. With that in mind, I fought the urge to slam her down on my eager ****. As soon as she was down, I grabbed her *** and began sliding her back and forth. Lisa bit her lip as a tear trickled down from one eye.

"Stop, Mr. Steve! It's hurting her!" Julie commanded. Then to Lisa, "You haven't done it much, have you?"

"Just once, with Mike, and he isn't this big. It hurt then, too!" Lisa sobbed. "I wanted so bad to do it with Mr. Steve because he's been so nice to me, and I was so scared when I saw how big he was. Oh, it hurts!"

"You'd better get up then." I reassured, "I don't want to do anything to you that you don't want me to do."

"I want to go on, really I do! But don't you have anything I could use to make it easier?"

"Yeah, any Vaseline, or KY jelly, or something like that?" Julie asked.

"I have some KY jelly in the bathroom." I answered.

Julie jumped up and padded into the bathroom. I watched her naked *** jiggle as she left.

"You're gonna have to get up." I told Lisa. I gently lifted her ***. She bit her lip again and moaned as my **** slowly withdrew from her tortured hole. With a pop from her *****, a shriek burst from her lips as my **** sprung from her nearly dry ****-hole. She knelt on the bed next to me, softly crying, clutching herself where it hurt. I realized that she had been wrong in pretending to be so eager. A more gentle approach was needed.

I reached over, pulled her to me, and kissed her lips passionately. She ****** once in surprise, then melted into my arms, returning my kiss, forgetting the pain in her ****. I ran my hand around to her firm **** and gently stroked her *******, feeling them harden under my touch. I pulled my mouth from hers and kissed the point of each hard ******. She moaned and gasped with each touch of my lips, but from pleasure this time, not from pain. While I had her aroused, I lightly traced circles on her tummy with my finger, each circle going lower and lower, until I finally reached the blonde **** of her ***** hair. Slowly, I reached down and cupped her ***** with my hand, being careful not to press too hard or insert my finger. I would know when she was ready for *******. She responded with a **** and a gasp. I pressed again, and she gasped again. I kissed each firm ****** one last time, then started kissing down her tummy to her love nest, which was now warming and starting to respond to my touch.

I spread her legs and gently ran the tip of my tongue the full length of her slit. When I reached the vicinity of her ****, she reacted as though she had been shocked. She arched her back, pressing her **** against my face. Maybe she was ready. I probed again with my tongue, harder this time, hard enough to separate her ****-lips and tickle her ****. She went mad again, jerking and twitching in response to the touch of my tongue, moaning and panting. Then I felt her **** harden, her inner lips swell and spread, and her delicious juices start to flow. Now she was definitely ready for more. I probed her ****-hole with my tongue, licked all the way up to her ****, swirled it around, bit it gently, and then probed her hole again. When I started doing all this, she went even wilder. She spread her legs, ****** and reared against my face, and pulled my head tight against her hot cooze.

"Oh-h-h-h-h, **** me," she moaned, "I can't stand it any more! I don't care if it does hurt! Please, please **** me!"

I put her throbbing **** between my lips and gave it one hard ****, drawing it completely into my mouth, and pulled my head back sharply, causing her **** to pop back. She screamed, ****** her hips at me, and grabbed her sweating *******.

When she had subsided, her legs still spread, I mounted her in the traditional position. I started to position my throbbing pole for a gentle entry, but Lisa released her **** and spread her ****-lips with one hand and guided my tool to her sopping wet ****-hole with the other. She was much wetter now than when Julie diddled her ****, wet enough to ****.

"Please do it now!" Lisa pleaded.

I began to insert my **** cautiously, and found that due to her juices, entry was no problem. Lisa groaned like a ****** as I slid into her hot wetness. When she had taken as much of my ten-inch tool as she could, I still wasn't all the way in. But she began pumping her hips, causing the swollen head of my **** to ram against the back of her *****. She was as deliciously tight as before, but she must have been stretching, for with just a few strokes, my ***** were slapping against her ***, and I was in to the hilt. My tenderness and foreplay had paid off.

"Oh-h-h-h, that's good!" she purred when I began pumping to meet her rhythm. She wrapped her legs around my waist, and was pumping as hard as I was. With each stroke, I would completely withdraw from her hot, tight wetness, then shove my eager tool back in to the hilt, never missing her voracious target, always sliding easily in, jamming against the back of her *****.

Her pumping increased in tempo, and I sped up to match. Each pump became harder and more frantic than the one before. Lisa's breathing became harder and faster. She was about to come, and I wanted to come with her. I raised her legs over my shoulders so that I had a better angle at the depths of her tight hole, and started ramming as hard as I could.

"Don't stop! I think I'm gonna come! Oh-h-h, its so good! Come in me! Oh, please, I want to feel your load in me!" Lisa screamed. She bucked and reared and screamed incoherently, then went limp. I continued to pump. In just a few seconds, she began to pump anew. For more times than I could count, she orgasmed.

Once I felt my ****** approaching, I gave her one last hard ram and drove my weapon in as far as I could. I came at this point, spurting her sweet, tender Steve **** full of my hot sticky come, like an erupting volcano. She gasped, trembled, and fell back to the bed. I pulled out my softening ****. Our ****** energies were spent for the moment.

I glanced down at the foot of the bed, and saw Julie, whom I had forgotten. She sat in the chair at the foot of the bed, her legs spread, working a coke bottle in and out of her *****. She had found the KY jelly, then found us ******* away. Feeling left out but excited by the ****** sight of her best friend getting a good *******, she slicked up the coke bottle and began using it as a *****.

I saw that Lisa also was seeing something she had never seen before, her best friend's ****, gaping open, a coke bottle almost disappearing inside it. "Look how far in she puts it! And see how big it is to go in her like that. How does she do it?" Lisa asked, amazed.

"Why don't you get a closer look," I suggested. "Ask her." Lisa crawled down to the foot of the bed and sat on the end, astounded, watching Julie *******.

Julie finally looked down, under heavy-lidded eyes and saw Lisa so close. "Why don't you do this for me?" Julie asked.

"How?" Lisa queried.

"Just do what I'm doing now," came Julie's reply. Lisa watched for a few seconds more, then pushed Julie's hand aside and grasped the slippery end of the bottle. "In and out, and twist it a little bit. Oh, yes-s-s, oh, yes-s-s. Do it good, oh, that's so good!" Julie purred.

My **** was hardening again at the sight of one female ******* another.

I had an idea. If Julie was as promiscuous as she seemed, she might not object to what I had in mind. While Lisa continued to work the bottle in Julie's stretched ****, I helped Julie out of the chair and down to the floor, her heaving **** on the floor, her *** up in the air. She stayed in the position, crooning wordlessly, **** juice dribbling down her thighs, Lisa still ******* her.

I picked up the tube of KY jelly that Julie had used, and liberally covered my ***** rod with it. Then I stood behind Julie, straddling Lisa.

"What are you going to do?" Lisa asked.

"Watch and see!" I responded. With that I grasped Julie's hips and aimed my **** at the delicate rosette of Julie's ***. Using my **** like a weapon, I suddenly shoved my tool in as far as I could. Julie let out a scream, tearing out fistfuls of carpet.

"Oh God, **** my ***! That hurts so good! **** me harder, give me all you've got! Make it hurt! Give me more of that bottle!"

"I'm ***-******* Julie!" I informed Lisa, who was now completely mind-blown.

I needed no invitation, and neither did Lisa. Both of us gave Julie all we could, Lisa with the bottle in Julie's ****, me with my **** far up Julie's clenching ***. Julie rocked back to take us both in, then forward, then back for more. I couldn't see

The difficulty to think at the end of day,
When the shapeless shadow covers the sun
And nothing is left except light on your fur--

There was the cat slopping its milk all day,
Fat cat, red tongue, green mind, white milk
And August the most peaceful month.

To be, in the grass, in the peacefullest time,
Without that monument of cat,
The cat forgotten in the moon;

And to feel that the light is a rabbit-light,
In which everything is meant for you
And nothing need be explained;

Then there is nothing to think of. It comes of itself;
And east rushes west and west rushes down,
No matter. The grass is full

And full of yourself. The trees around are for you,
The whole of the wideness of night is for you,
A self that touches all edges,

You become a self that fills the four corners of night.
The red cat hides away in the fur-light
And there you are ****** high, ****** up,

You are ****** higher and higher, black as stone--
You sit with your head like a carving in space
And the little green cat is a bug in the grass.

Blameless as daylight I stood looking
At a field of horses, necks bent, manes blown,
Tails streaming against the green
Backdrop of sycamores. Sun was striking
White chapel pinnacles over the roofs,
Holding the horses, the clouds, the leaves

Steadily rooted though they were all flowing
Away to the left like reeds in a sea
When the splinter flew in and stuck my eye,
Needling it dark. Then I was seeing
A melding of shapes in a hot rain:
Horses warped on the altering green,

Outlandish as double-****** camels or unicorns,
Grazing at the margins of a bad monochrome,
Beasts of oasis, a better time.
Abrading my lid, the small grain burns:
Red cinder around which I myself,
Horses, planets and spires revolve.

Neither tears nor the easing flush
Of eyebaths can unseat the speck:
It sticks, and it has stuck a week.
I wear the present itch for flesh,
Blind to what will be and what was.
I dream that I am Oedipus.

What I want back is what I was
Before the bed, before the knife,
Before the brooch-pin and the salve
Fixed me in this parenthesis;
Horses fluent in the wind,
A place, a time gone out of mind.

I was working at the local McDonald's
In the afternoon and was
Told by my boss that since I disappointed him
On not making the fries salty enough
That he would put me on the midnight shift

So there I am
Taking orders in my little cubicle
Hearing the headphone
BEEP BEEP
"Yes I'd like a whopper, crap wrong place"
*******
I take orders and then work the dishes
Jorge calls out to me whether or not
I took off the pickle in the order by mistake

Night shift comes and the air feels cool
Through the drive-thru window
I feel the night time air caressing
And cooling me
My ******* erecting
Exalting a scent that reminds me of perfume

Afterward I have to take the trash out

As I go out the air hits me
Tackles me as I transfer myself
From inside to outside
I feel the same sensations but yet I hear music
DaDAdadumDAdadumDADADAAAADaDAdum
And I feel the sudden change to fill me with warmth

I go back inside and one of my fellow employees
Comes to me
"You want to see something cool?"
We walk to the back of the store
Where all the fry boxes are kept
And there is a whole in the ground

"I dug this hole and I think I found Mother Earth's ******."
I give him a puzzled look
"Looked, I ****** it earlier man and I've got to tell you.  It's a wild ride."
I begin to walk away
"Look man, these people around here call me The Master man.  I'm your guide through all this.  I'm the closest thing to the Alpha.... Or was it the Omega?....  **** man, I don't know just stick your **** in there."  

I walked away from it
But as I looked at the hole
I felt a certain allure to it
Drawing me in like a Siren calling
Perhaps it could be my Muse
My reason for being
Am I meant to do this?
An attempt at procreating with Earth?
It'd make sense since The Master had made
With love this handcrafted ******

I couldn't resist any longer
Temptation being to strong
I knelt down and inserted myself
Into the hole

At first I felt nothing but a scraping sensation
The sharp rubble of the ground grinding against my flesh
But then it became wet and calm
Almost soothing
I closed my eyes and then I saw her
Earth
Coming toward me and pressing my head against her breast
Calming allowing me to **** the ******
Which let me take in the sensation
Running through me as rapidly as a river
I heard the streams
Calming
The dirt was wet and I could put my feet in it
The wind blew with a lush autumn air
That was when I knew it was almost over
And I soon as the white of winter came
So did I

I removed myself and no longer knew what to think
I went home and slept and mulled over what happened
Over a pancake brunch
With chicken on the side
They go better together than you think

Crispin as hermit, pure and capable,
Dwelt in the land. Perhaps if discontent
Had kept him still the pricking realist,
Choosing his element from droll confect
Of was and is and shall or ought to be,
Beyond Bordeaux, beyond Havana, far
Beyond carked Yucatan, he might have come
To colonize his polar planterdom
And jig his chits upon a cloudy knee.
But his emprize to that idea soon sped.
Crispin dwelt in the land and dwelling there
Slid from his continent by slow recess
To things within his actual eye, alert
To the difficulty of rebellious thought
When the sky is blue. The blue infected will.
It may be that the yarrow in his fields
Sealed pensive purple under its concern.
But day by day, now this thing and now that
Confined him, while it cosseted, condoned,
Little by little, as if the suzerain soil
Abashed him by carouse to humble yet
Attach. It seemed haphazard denouement.
He first, as realist, admitted that
Whoever hunts a matinal continent
May, after all, stop short before a plum
And be content and still be realist.
The words of things entangle and confuse.
The plum survives its poems. It may hang
In the sunshine placidly, colored by ground
Obliquities of those who pass beneath,
Harlequined and mazily dewed and mauved
In bloom. Yet it survives in its own form,
Beyond these changes, good, fat, guzzly fruit.
So Crispin hasped on the surviving form,
For him, of shall or ought to be in is.

Was he to bray this in profoundest brass
Arointing his dreams with fugal requiems?
Was he to company vastest things defunct
With a blubber of tom-toms harrowing the sky?
Scrawl a tragedian's testament? Prolong
His active force in an inactive dirge,
Which, let the tall musicians call and call,
Should merely call him dead? Pronounce amen
Through choirs infolded to the outmost clouds?
Because he built a cabin who once planned
Loquacious columns by the ructive sea?
Because he turned to salad-beds again?
Jovial Crispin, in calamitous crape?
Should he lay by the personal and make
Of his own fate an instance of all fate?
What is one man among so many men?
What are so many men in such a world?
Can one man think one thing and think it long?
Can one man be one thing and be it long?
The very man despising honest quilts
Lies quilted to his poll in his despite.
For realists, what is is what should be.
And so it came, his cabin shuffled up,
His trees were planted, his duenna brought
Her prismy blonde and clapped her in his hands,
The curtains flittered and the door was closed.
Crispin, magister of a single room,
Latched up the night. So deep a sound fell down
It was as if the solitude concealed
And covered him and his congenial sleep.
So deep a sound fell down it grew to be
A long soothsaying silence down and down.
The crickets beat their tambours in the wind,
Marching a motionless march, custodians.

In the presto of the morning, Crispin trod,
Each day, still curious, but in a round
Less prickly and much more condign than that
He once thought necessary. Like Candide,
Yeoman and grub, but with a fig in sight,
And cream for the fig and silver for the cream,
A blonde to tip the silver and to taste
The ***** gouts. Good star, how that to be
Annealed them in their cabin ribaldries!
Yet the quotidian saps philosophers
And men like Crispin like them in intent,
If not in will, to track the knaves of thought.
But the quotidian composed as his,
Of breakfast ribands, fruits laid in their leaves,
The tomtit and the cassia and the rose,
Although the rose was not the noble thorn
Of crinoline spread, but of a pining sweet,
Composed of evenings like cracked shutters flung
Upon the rumpling bottomness, and nights
In which those frail custodians watched,
Indifferent to the tepid summer cold,
While he poured out upon the lips of her
That lay beside him, the quotidian
Like this, saps like the sun, true fortuner.
For all it takes it gives a ****** return
Exchequering from piebald fiscs unkeyed.

**** backed Tilly, was moonstruck mad and silly
Leaning on a stile with her pail upon her arm
Muttering the while; a curse, perhaps a charm?
****** backed Tilly tells of things I never knew
Of maggot pies, chocolate skies, and monkeys painted blue
She kept a nanny goat, a weasel; a long haired stoat called *****
Folks said she was moonstruck, du dilly mad and silly
She kept a bird that couldn’t sing, a battered bat without a wing
Was there ever a stranger thing, than ****** backed Tilly?
She said her humps were presents, they didn’t weigh her down
She said her humps made her special; she wore them like a crown
She didn’t have much schooling, yet she can milk a cow
She’s a wizard when the butter turns,
A healer when the sunlight burns
A sayer of the sooth; ****** back Tilly tells the truth
I’ve loved my ****** back Tilly girl, ever since I was a youth

before existentialism, and nietzsche in mind, philosophy was written
or spoken of accepting the socratic rigidity of words,
the rigidity of words known through
the socratic method of inquiry:
the simplest of questions imposed on
the meaning of words; e.g. what is virtue?
but with existentialism this old method
of inquiry, the poised posing bewilderment
lost its quality, in that the new method of
inquiry was given to stress not a method
of questioning but that of ambiguity,
even though this new method that simply
said the reverse of what is virtue as
the preservation of a narrative: "virtue" concedes
many variations exampled true, e.g. -
this dittoing going against - previously said /
as above - became staged against
a brick wall - since this method, the existential
method of brushing aside inquiry and entering
the realm of ambiguity was already present -
the pluralism of meaning found in certain words;
it isn't a question whether red or blue can
be ambiguous, this allocation of noun
and quality is all too pervasive - so when
an ambiguity is allowed to exercise its stressor
posit - the word in question is allocated
a verb orientation in its exercise of use and example,
further diluted by the quantity and lack of example,
and ascribed contorting
adjectivity due to the dilution of meaning: with lessened
recognition of sought out qualification to sentence
an enzymic perfection of: banker and philanthropist,
priest and maximilian kolbe, poetry and lack of envy.
even though these examples are idealistic,
they provide the obvious ambiguity already apparent,
hence the double ambiguity of opposites, ideal opposites.
in shorthand - if socrates were to come
upon reading existentialism - his questions
regarding the virtues would be bound to free floating
terms in the ditto bubbles of flimsiness of non-inquiry -
bewildered by the number of prompts to question,
there would be no necessary ambiguity to many other
terms of inactivity - such as the previously mentioned
red and blue, dog and glue, but too many, it would seem,
should a strict belief in categorising virtue as a noun
but not a verb be kept - for categorisation of such nature
only provides a linear cascade without due action
or cared for imitation - ending with the only chance of virtue
chanced and seen as an unvirtuous person
doing crossword puzzles in silence - and already
virtue's opposite is engaged in defending itself
and justifying its ills by first forcing many synonyms to
cover it in ambiguity, and asserting itself as an adjective
within a noun framework blunt: virtue v. unvirtuous
will only confiscate siamese phonetic mingling to ease the definition;
i guess that's how rhyming was born, the opposite
of alphabetical ordering: a, aardvark                              the violet's blue
                                                            ­        ****** a doughnut with you.

Around the time
I entered the place I was
Already sweating like a *******.

Fiends poured from crooked parking meters - all unpaid and blinking red.
Angular threats were shooting from the eyes of dead gangsters - wives all mad.
Laughters entrails spilled out onto the rotten wooden blanks
Like Jimi Hendrix's gun-shots of Vietnam lore.

At noon the church doors will open and
There, the wind will freeze like water to ice;
Memories menace psychedelic post-war like;
Upstairs toward the 4th floor, the blast-furnace blasts away.

My eyes were pink. The music was loud.
When I heard my name, I said, "no, I don't believe it."
There was a knife floating from the ceiling and
I swore
God whispered "Run" into my ear.

A squeal
From the corner of the bathroom.
There, I witnessed a kitten reading a piece of newspaper.
Times like these I imagine an imagination indifferent,
Only to shudder as I enter the freezing winter of space.

Blame is there for all who wish to take it.

Back at the table,
I tried to reform the face of my date.
She smiled and frowned and sighed and grimaced
All the same time.
I wondered what love felt like, then
Entered a new space of hazing music, malnourished.

Hubert came through the window,
With a 8 inch bowie knife and a grin.
I chuckled and he did too.
I asked, "Where you headed?"

"To the kitchen. There are beasts in there that need killing and I'm the man to do it."

Nodding, I went back to my
Dusty periodical, silently hoping he would
Execute one of the hares or bison I
Kept near the garbage disposal and dish soap.

A vibration.
A musical note.
Echoes through eternity.
In there faces float still, poised, perfect.
A baby is born,
An old man dies,
Lovers intertwine.

The end.

Instead of sleeping, I stayed awake.
Sleep frightens me.
Dreams are sometimes to good to wake up from.
When will be the day I can stay in one?

When there was glory,
There was man.

When there was faith,
There was God.

When there was death,
There was life.

Eating up the trough, far past the fill-up,
Cooking up any excuse the twisted mind can come up with.

Eavesdropping love songs to tormented poetry readings.

A foggy night in San Francisco
Leaves a clue so slight to the hand that pens.

The raps burn against the metal, rusted window panes twanging with cheap celebrity.
Here, the brown line runs, as the Mississippi purrs chasing atonement.

New York City is still burning.

There was the sense that something was wrong when I entered the other room.
I'd heard of it. Someone had told me about it, but I couldn't recall who.
On the street, the wind was like cold milk and the smell of candles was stinking up the street.
It was somebody's birthday and it was morning and there was no escaping the day.

At noon, I was still in bed, trying to fend off the sun. Impossible
To do, I got up and braced myself for the sinking put-put of my feet against wood floors.
There in the hell that was upon me, the warden sunk his teeth into a miniature grapefruit.
Surprised by his choice and subtle nerve of health,
I saw then he was a large volkswagen sized man with teeth the size of sharks.

I was away for too long. This was here. Here was this place. I was here now, for good.
To leave would be to go to the same place, all over again.
Instead of throwing away the future, I ****** the present into oblivion.
Eyes bug-out backing up the bartender in a noon-day brawl and instead of calling the cops,
We called the bald gimp Jerry K. because his father used to be in the military and
Taught him a couple things when he was seven and half.
The man died that night in the alley by a knife and few hearty laughs.

Waking to sleep the day away.
Burning money to see what color it'll make.
Fending of friends with solitude and *****.
Shoot pool to drool and stay cool.
A ladies a lady until proven otherwise.
Candid scenes pass, though the flames engulf the lazy, littered
Streets with sleeping hobo's sick for the one's who don't
Have time to be; hard work must be done for our good country.

I stained my mind the other day. Saw
Seven virgins all spinning like circus china in a window
Too hard to see through. Their silhouettes were something to be
Haunted by and because past loves always seem to haunt me,
I bought one and took it home quickly.

She stands in the corner spinning, as I type away, grinning.  

After I rearranged her face
She started to cry. I watched her eyes as they turned from blue, to violet,
To sunken ships of hurt not let go.
I tried to show her where the desert was not dried up,
But she would not take my hand. It hung there like a bobbing kite and
Because the ocean can never run out, the bout we thought
Would break us, only made us cackle like the downtown girls we know.

After some convincing, I took her to a french breakfast spot rather than the desert.
A few spotted chinese women sat next to us with an abnormally large golden retriever.
"I've never seen such a beast before, " I giggled, "They must ride that ******* home."
"Don't be gross," she scowled, "It's an animal with feelings."
I told her I got a triple bacon egg-sandwich and she started to weep lightly into the
Broken hem of her beige linen vest. Something told me I should nip this in the ****, but
Just then, my sandwich came. I handed her a napkin then began to eat. She finished her
Coffee in one gulp and picked up her leather and left. Eating alone, I watched the golden
Giant eat bits of hot dog the smaller of the two chinese women had hid in her shoe.

Why think of the ending when the beginning was where it started?

Smart they are. **** she can be. Aye, here I am again.

Aye.

Here we all are again.

Just once I knew what life was for.
In Boston, quite suddenly, I understood;
walked there along the Charles River,
watched the lights copying themselves,
all neoned and strobe-hearted, opening
their mouths as wide as opera singers;
counted the stars, my little campaigners,
my scar daisies, and knew that I walked my love
on the night green side of it and cried
my heart to the eastbound cars and cried
my heart to the westbound cars and took
my truth across a small ****** bridge
and hurried my truth, the charm of it, home
and hoarded these constants into morning
only to find them gone.

a harp has been strummed
a banjo picked
a heart has been numbed
a ****** flicked
a page has been thumbed
a sharp ice pick
a mouth has been gummed
a desiduous tick
a cigarette has been bummed
a virginal stick
a town has been slummed
a slippery ****
a ***** has been ******
a little *****
a lonely man jumped
a fall and a click
a crowd has been pumped
a comedy shtick
a mind has been stumped
a clever trick

colin, was a camel
who liked to roam

a two ****** fella
sort of brownish yella
decidely cool and mellow

had an eye on the road
always moving forward
albeit at a somewhat leisurely pace
and always with a goofy
smile on his face.

never looked back
and that's a fact
often found straying
from the beaten track
never in lack
of a kind word or to
incredably pragmatic
in his point of view

when asked his opinion
on the world today
stated emphatically
ya just gotta hope
and pray....that
and stay outta
the big boys way.

colin the camel
who liked to roam
had eleven big brothers
who stayed at home

colin was wise
most were twiçe
his size
and the rest
had habits
that attracted flies.

so colin kept
more than one step ahead
cause if they caught up
with him
colin was dead....

it was once called a beyond "good" and "evil"... as if the two were confused... i think the actual confusion comes by calling it: "beyond" good and evil - clearly we have a distinct understanding of the two, in how we treat them in the most extreme cases (as antonyms), and how we can't seem to comprehend them as antonyms: one's a ******* square, the other is a ******* triangle... in that we create a synonym siamese of the two... and how the good men squabble for an argument to contend against their "crimes", and the justice served against them... or this much came from creating Ed Gein into a romance... a fetish for artistic inspiration from Rob Zombie and the Silence of the Lambs... but no one bothers... ah... what's his name... Ted Bundy... no one wrote a song about him... no, he was clearly evil... this is what i find bewildering: the suggested "beyond".

oh, but it's only a game... there no etymology involved,
there's no looking back at words created
from the alphabetical cornflake bowl...
where cornflake-a floats about with cornflake-b
through to c, d, e... m n... l  o      p... and finally
rests with zed.... this is another type of game...
i don't mean it as a craft of etymology,
scouting the tongue prior, to say something
about the word in the tongue, now...
   it could be a raving lunatic using the word
  *δαιμων - and yes... before i make
the incission marks into the two syllables....
    i want to see how a "chiral"
aesthetic of: much the identical sound will give rise
to macron omicron ō = ω... just like like η = é,
   given the standard of epsilon
(ε) being the: quite distinct
measure of the sound suggested / intended.
but then, within a framework of bilingualism,
     made redundant as "schizophrenia" it's an absolutely
blunt statement to say: naturally, i am split mind...
i use two tongues... i can only imagine the horror
of being mono-lingual and having the symptom of
"hearing" "voices" in your case of dis- (negated)
-ease... that suffix needs not exfoliation...
but a game, there is, nonetheless! but it requires
the Caribbean tongue of patois... never know
why certain words sound better in the native tongue
than in the tongue acquired, but hell, they do...
    and to think my bilingualism became squandered on
    imitating a hellish encounter with schizophrenia...
   a condition so misunderstood and so exploited ("romanced")
that it makes no sense, unless if used in slandering someone:
not quiet 80, and actually in a degenerate state of having
lived a life... but i mean someone in their
20s, and embarking on a trip that completely obliterates
the boring tourist in them, along with the hope
of the father in them... and yes, if i wasn't bilingual
and merely monolingual i'd probably experience
the classic symptom: so many went down the route of
taking l.s.d. and so few never realised that the true
essence of horror is: music... people can't never fear what
they can or cannot see... it's what they hear,
or what others think that frightens the living-daylights out
of them! i mean: can you imagine a cultural
revolution when the drug made you
experience auditory-hallucinations
that's than optical variations in fluorescent
colours? i'd love to meet the man
who invented a drug that made you hallucinate
a Bach symphony... i really really would
love to meet such a man...
     meaning there's a bewilderment
about blind men and deaf men...
    sure, you can find them in
supermarket isle testifying that
   an elephant just ****** a donkey with
its trunk... while the donkey bellowed
out some jazzy impromptu...
  cos that **** would, just make sense.
how can anything make sense
when you already have five,
and given the sense of sight you turn
all revisionist and imagine things?
   it can't make sense, given the senses
are already given...
    it has to be the sense, turned into
a faculty: seeing-imagination
hearing-composure,
                           ­   poets are never compared
to musical composers...
my choice of vocab is a bit poor
at this moment...
             give me a tape recorder and i might
just be able to encrust my voice
like a cello in some symphony...
this isn't the game though...
i need patois and polish to play with
this word δαιμων...
     cut open: δαι-         / daj
  in polish means: give... a prompt, not: to give,
but: just give it, a basis of instruction...
   and now the patois... i.e. -μoν
    or man... aye aye mon, the drunken jammy-sailors
sung, drinking and swerving their dreads
    into puke-soaked sofas of the brothel...
so yes, we cheated a tad bit...
   we didn't write down: give me the moon,
we just said: give me man...
              and so pandemonium ruffled
a few feathers of man's peacock known as vanity...
and so the puppeteers said: enough
of strings! to the rook and bishop, pawn, king
queen and knight! suma summarum?
  only in england, could bilingualism ever be confused
with schizophrenia... oddly enough bilingualism
can deflate classical schizophrenic symptoms...
well: the symptom isn't exactly a pain...
     and they did suggest it to be a chemical imbalance...
which i found quiet funny...
given i have a chemistry degree from Edinburgh...
  i can't exactly state what a chemical imbalance is...
    not with the equilibrium theory...
   or any care to call phosphorus dipped in water
after having stored it oil to be an "imbalance"...
    surely we are talking about giving examples,
a bit like regurgitating facts...
but it would appear that there are no examples to
be given, as we are more interested in
simply regurgitating facts...
           i heard this one "dear" friend of mine call
my work a word salad... as if i hadn't heard that
phrase before... well great, coming from a man
who i remember unable to recite the ******* alphabet.
               god, how could i have become so
engrossed in these belittling narratives from past
or present, it's like i'm chewing on roast beef...
and i'm chewing, and i'm chewing, and i can never
even sniff the tulips of transcendence...
  every time i do, i just get dragged down onto
the plateau of being the common man...
             i just don't seem to value
will as my modus operandis -
    only a mere be - and **** me, with that there
are so many things optional...
                 i feel no river needing a travelling down
on in me, i feel no sea in need of
     a tide or a shipwreck...
               i feel no need for a mountain and
an avalanche...
            but whereas the will would guide me toward
overcoming the mountain,
  with each congestion of being bewildered by
a be injected into any thing real or imaginable,
along with that quasi-thing known as thought
that later becomes speech or writing or song,
      i can only state: without a will to overcome
a mountain, without a will to sail across a sea...
     i am both the mountain and the sea...
    in that i am being: set aside by both mountain
and sea in claiming a will over them,
           i am set aside by both mountain and sea:
for i know my own vanity,
            and as counter to res cogitans,
being a res vanus: i am of foremost concern to
fill that void with thought, rather than
   with sights of Eldorado across the sea...
    or a Tibetan monsestary, high in the mountains.

I was 'bout a haf mile down Shadow Holler, lookin' for my dog Jack.  I rounded the bend long the river and thar he sat just lookin' up at the moon that was back dropped behind him.  I was so entranced I stood stockstill in the chill evening air.  He raised his head and let out with that beautiful soulful baying only a huntin' dog can make.
Then he took off tearing through the woods like his tail was on fire.

Well, I commenced chasin' ol' Jack down, but I swear evra tree in that holler was out to get me.
My clothes, they was ripped up and my feet were on fire from being torn by briars and such.
I finally, upped and caught up to Jack.  He was pacing the bottom of a Sycamore that was glowing white in the moonlight.  I heard some cacklin' up in that tree and I looked up to see a sight that I nev'r saw afore.  They was a **** up in there just grinnin' down at Jack like he was playing with him.  Now Jack was in a right tizzy over that ****.  He leaped up the side of the tree as high as he could, barking treed as though his life depended on it.  That **** was doing a bit of glowing in the moonlight itself.  I'd never seen a Cinnamon colored **** before, but thar 'e was, bigger 'an life.  And while it was grinnin' it was busy collecting some twigs.  Next thing ya know it was chattering to beat the band and throwin' sticks at ol' Jack.  Well, I can tell you, Jack didn't appreciate the humor in this sitcheation.  He backed up and made a leap so high I thought shore he was gonna take flight, but he got nothin' for his trouble but a whack in the head as he collided with a big ol' twig thrown by that ****.  

Thinkin' that Jack had had about enuf I tried coaxing him home, but he was havin' nothing to do with it.  So, I told Jack I was heading home and he could come if he had a mind to, but I wasn't staying out in the woods all night while he made an *** of himself over a **** that was makin' fun of him.  I started off and then heard a loud yelp.  All of a sudden Jack came blastin' past me, and not far behind was that old Cinnamon **** giving it all he was worth.  Well, as he was headin' towards home I followed along.  Just at the mouth of Shadow Holler, and not to fer from home I found ol' Jack.  He was up a low slung tree whimperin' like a puppy.  That **** was pacing the trunk, back ****** up, teeth bared and laughin' out the side of its mouth.  As I walked up on this pathetic scene, ol' Jack took one look at me and started crying fer help.  Well, I took pity on the poor fella and walked up on that **** with a right big stick.  And right afore my eyes it just faded into nothin'.  Scared the bejeebers outta me!

Took me an hour to coax ol' Jack outta that tree.  And then I couldn't keep up with him once he headed towards our cabin.  At home I told Pa all about our lil adventure, and he bout whooped me fer even goin' into Shadow Holler.  He said, "Son, I tole you to stay outta that holla.  They's ghosts and spooks down in thar.  Old Lady Jalson disappeared never to be seen again until the Smith boys saw her wanderin' a trail down there.  On'y problem is they cud see through 'er.  They's all sorts of stories 'bout shadows roaming free and playin' tricks an' worse on folks."  

Well I never seen my Pa so scairt as when he was tellin' me that, so now I just keep away from that holler.  And, ya know what?  I ain't never seen ol' Jack even turn in that direction since that night.  Musta learned himself somethin'.

There were three in the meadow by the brook
Gathering up windrows, piling ***** of hay,
With an eye always lifted toward the west
Where an irregular sun-bordered cloud
Darkly advanced with a perpetual dagger
Flickering across its *****. Suddenly
One helper, thrusting pitchfork in the ground,
Marched himself off the field and home. One stayed.
The town-bred farmer failed to understand.

“What is there wrong?”

“Something you just now said.”

“What did I say?”

“About our taking pains.”

“To **** the hay?—because it’s going to shower?
I said that more than half an hour ago.
I said it to myself as much as you.”

“You didn’t know. But James is one big fool.
He thought you meant to find fault with his work.
That’s what the average farmer would have meant.
James would take time, of course, to chew it over
Before he acted: he’s just got round to act.”

“He is a fool if that’s the way he takes me.”

“Don’t let it bother you. You’ve found out something.
The hand that knows his business won’t be told
To do work better or faster—those two things.
I’m as particular as anyone:
Most likely I’d have served you just the same.
But I know you don’t understand our ways.
You were just talking what was in your mind,
What was in all our minds, and you weren’t hinting.
Tell you a story of what happened once:
I was up here in Salem at a man’s
Named Sanders with a gang of four or five
Doing the haying. No one liked the boss.
He was one of the kind sports call a spider,
All wiry arms and legs that spread out wavy
From a ****** body nigh as big’s a biscuit.
But work! that man could work, especially
If by so doing he could get more work
Out of his hired help. I’m not denying
He was ******* himself. I couldn’t find
That he kept any hours—not for himself.
Daylight and lantern-light were one to him:
I’ve heard him pounding in the barn all night.
But what he liked was someone to encourage.
Them that he couldn’t lead he’d get behind
And drive, the way you can, you know, in mowing—
Keep at their heels and threaten to mow their legs off.
I’d seen about enough of his bulling tricks
(We call that bulling). I’d been watching him.
So when he paired off with me in the hayfield
To load the load, thinks I, Look out for trouble.
I built the load and topped it off; old Sanders
Combed it down with a rake and says, ‘O. K.’
Everything went well till we reached the barn
With a big catch to empty in a bay.
You understand that meant the easy job
For the man up on top of throwing down
The hay and rolling it off wholesale,
Where on a mow it would have been slow lifting.
You wouldn’t think a fellow’d need much urging
Under these circumstances, would you now?
But the old fool seizes his fork in both hands,
And looking up bewhiskered out of the pit,
Shouts like an army captain, ‘Let her come!’
Thinks I, D’ye mean it? ‘What was that you said?’
I asked out loud, so’s there’d be no mistake,
‘Did you say, Let her come?’ ‘Yes, let her come.’
He said it over, but he said it softer.
Never you say a thing like that to a man,
Not if he values what he is. God, I’d as soon
Murdered him as left out his middle name.
I’d built the load and knew right where to find it.
Two or three forkfuls I picked lightly round for
Like meditating, and then I just dug in
And dumped the rackful on him in ten lots.
I looked over the side once in the dust
And caught sight of him treading-water-like,
Keeping his head above. ‘**** ye,’ I says,
‘That gets ye!’ He squeaked like a squeezed rat.
That was the last I saw or heard of him.
I cleaned the rack and drove out to cool off.
As I sat mopping hayseed from my neck,
And sort of waiting to be asked about it,
One of the boys sings out, ‘Where’s the old man?’
‘I left him in the barn under the hay.
If ye want him, ye can go and dig him out.’
They realized from the way I swobbed my neck
More than was needed something must be up.
They headed for the barn; I stayed where I was.
They told me afterward. First they forked hay,
A lot of it, out into the barn floor.
Nothing! They listened for him. Not a rustle.
I guess they thought I’d spiked him in the temple
Before I buried him, or I couldn’t have managed.
They excavated more. ‘Go keep his wife
Out of the barn.’ Someone looked in a window,
And curse me if he wasn’t in the kitchen
Slumped way down in a chair, with both his feet
Stuck in the oven, the hottest day that summer.
He looked so clean disgusted from behind
There was no one that dared to stir him up,
Or let him know that he was being looked at.
Apparently I hadn’t buried him
(I may have knocked him down); but my just trying
To bury him had hurt his dignity.
He had gone to the house so’s not to meet me.
He kept away from us all afternoon.
We tended to his hay. We saw him out
After a while picking peas in his garden:
He couldn’t keep away from doing something.”

“Weren’t you relieved to find he wasn’t dead?”

“No! and yet I don’t know—it’s hard to say.
I went about to **** him fair enough.”

“You took an awkward way. Did he discharge you?”

“Discharge me? No! He knew I did just right.”

It began with National
     Geographic
and those pictures
     of nearly naked
African women
as I lay on the floor
     of the hall
and from there
     it became
being ****** by a dog
     in the bathroom
to twenty second ***
     with a girl
who said I was impotent
     to becoming
aware that my *****
     was too small
to a statutory case
     where I didn't
     get caught
to a time in bed
     with a girl
who said
     "How much longer
     is this going to go"
to a grandmother
     who put me to work
and the love-making
     was just like that
     some of the time
to a one-night stand
     with an overweight girl
which was the best time
to me thinking
     "I haven't done too well
     with the ladies,
     maybe I should try
     the men"
and then doing so
     and deciding I didn't
     like it
to a few unforgettable
     moments which were
     forgettable
to an illicit affair
     with a married woman
     in motel rooms
to a woman who picked me up
     and said, "Let's be friends"
     and as she was going
     up the stairs
     she said, "OK, let's get
     this over with"
     and I ran outside
     to get out of there
then to twenty-one years
     of celibacy
when I realized
     that my best ***
     was with myself
and so I married him.

     THE END

RINGS of iron gray smoke; a woman's steel face ... looking ... looking.
Funnels of an ocean liner negotiating a fog night; pouring a taffy mass down the wind; layers of soot on the top deck; a taffrail ... and a woman's steel face ... looking ... looking.
Cliffs challenge ******; sudden arcs form on a gull's wing in the storm's vortex; miles of white horses plow through a stony beach; stars, clear sky, and everywhere free climbers calling; and a woman's steel face ... looking ... looking ...

The young lady asked the Yeti
“What is your name…do you have one?” As the kissed.
While kissing, the Yeti said that he had no name. So the young lady
Massaging his chest gave him a name
Vajramrita… after the fierce deity
For he was a fierce lover.
He kissed her on the fore head.
Vajramrita and the young woman kissed
Their tounges me and dance erotically.
She sat on her lover while kisssing and rode him and rolled her hips.
He ****** with her ****** rhythms as they coupled.
Soon enough the Yeti got on top of his delecate lover.
He entered her and gently jumping
As if trying not to hurt her
The yeti thengot between her legs
She could feel his face bewteen her.
Then she felt his probing tounge.
He gently yet passionately kissed her womanhood
Again not to hurt her.
Even monsters need love and defection.
The young woman stroked his head and he looked at her.
She took him my the scruff and pulled his head closer to her
And kissed him. As they kissed monster and human explore eachother in an embrace
The young lady went down
And kissed and nipped at his member.
After she was done with his member
The kissed and they slept in each other’s arms
Body twisted and entwined together

Seven days straight, the sun rolls up,always from the same
side of town and just the same way it gives up and lays down
The same buses run on the same old routes.
No letup.
So dream a dream.
Next day,instant replay.
Know what ? I know the  drill

Sunday.is like Halloween, Rubber faces and trick or treat with Reverend Ike.
Fire and brimstone. Please turn down ya cell phones.Pass the plate.
payola to heaven's gate.

Monday.Back on the grind, Blood,sweat and tears.
Grinding mental gears.Pop the clutch,Earn so little
Pay so much.

Tuesday.? just locked in. The Lotto is calling, cant win if ya dont play.
Teasin me bout easy street. Gimme my lump sum Then watch me fly.
Keep missin me with that later, greater noise.
Keep it real son.

Wednesday. Looking of into the sunset now.All ****** up
getting up for the down-stroke.Sweat  of my brow. Feel me NOW ?
Take a deep breath blow out slow. If you dont tell it then the devil wont know.

Thursday. Gettin closer to shore,Go for your backstroke  cause yer starting to
fade.  In through the mouth and out through the nose focus your gaze on the
circling crows? Crows ?

Friday. Ah snap yer ends came up short. Tax man just waxin yer ***.
Ghoulish?. Foolish. Some ends might not meet.

Sat-Day. Not so fat day. Pullin pocket lint by 6.PM.Chump changin.
is changin your mind. Gettin glimpses of stressin the old bump and grind On Moanday. ****.@%#$##$%@
expletive deleted.

Stun-day. Hungday?
Rake  your sh%@t in a pile day ?

No Doubt Assed out.
Hello... Monday.

Exalted eggs
sell lent egg salad
to eggshells.
Egg beaters
beat her
for the better
of the better
eggs.
Yokes of the yokel
yolks
choke the yolks
they’re meant to yoke.
Though runny and broken,
run he and broke in.
****** he,
dumped he,
leaving all the eggs
in eggshells.
These saddest fractions,
in shattered
silence, sigh “Let’s
decompose.
Let’s be compost.
Let’s become a flower.”
But on the wind
they twist,
they wind,
they rose.

Travelin Man,
They call me Nomad.
Rolled into Kansas
and found there really is an OZ.

Didn't see Dorothy or Toto,
But both witches found me.
Found a painting,
Mona Lisa for real.

Then time jumped
The TinMan ******
And from the Belly of the Beast,
Grace prevailed.

27 days right off Main Street,
The address of the Yellow Brick Road
27 days sharing and caring.
Me and Mona Lisa rolling.

And she rose from the ashes,
Her red shoes tap tap tapping,
Mona Lisa came back to the world,
I heard the miracle
Her Spirit reborn.

Not even a chapter in a hero sage,
But a good first page
The Knight of a soaring heart,
More will be revealed.....

I waited by the pond-or lake as Yehudit called it being a romantic- staring across the skin of the water. Dragonflies hovered over the still surface like miniature helicopters, then took off zigzagging this way and then that. Ducks swam by on the other side gliding on the surface and now and then ducking under the water like upturned boats. Yehudit said yesterday to meet at the lake. I'll be there, Baruch, she said-she Herbrewizes  my name sometimes, most call me Benny-, even if I have to sneak out of a window. Some days her mother makes it difficult for her to get out before chores, and as it was the start of the summer school holidays, she was more firmer than ever about getting chores done. I looked at the bushes across the water leading into the woods that way. Behind me were more bushes and trees of the other part of the wood. There was an area secluded from the rest behind me where Yehudit and I had made love a couple of times. Even though it was secluded we were always on the listen for sounds, for foot steps or human voices. One time a grey squirrel spied on us as we were making love, stood on a branch and watched us for a few moments like some hairy voyageur. I stood with my hands in the pockets of my blue jeans, my white shirt open at the neck and loose from my jeans trying to act the cool kid. On the way to the pond I had passed cows in a field, avoiding cow pats, unsure if one of them might be a bull. I walked past the secluded area wondering we could have been seen by anyone passing by. I couldn't see in so I guess no one would if we were silent and not going it some. I thought it was silent, but it wasn't, there were birds singing, a woodpecker was hammering away in the woods to my left. There was no breeze, the air was still, it was balmy. Then she was there, coming out of the woods by a narrow path. Been waiting long? She asked. No, not long, I said. She was dressed in a black skirt and green top. She stood there staring at the water. Had a job to get out with out too many questions, she said. Where are you going in such a hurry? Mum asked, and so on and I said, meeting Baruch and she said who? Baruch or Benedict, I said. What'd she say then? I asked. Third degree questions where and what are you doing kind of stuff. What'd you say? Yehudit sighed and sat on the grassy bank and pulled her skirt over her knees- spoilsport- I sat next to her. I said I was going with you butterfly watching, Yehudit said. Did she believe you? I doubt it. But she let me go eventually. She lay back on the grass, looking up at the blue sky. I turned and lay on my stomach studying her. So what now? I asked. Have to see, won't we. I eyed her lips. Red, pink, slightly open. She spoke. What if she comes and looks for me? The lips moved opening and closing with each word. I loved her chin, the curve of it, the redden cheeks. Why would she? I asked, lowering my eyes to her neck. I'm fourteen as are you, and I think, she thinks things about us. Such as? Her neck was creamy white, soft, kissable, but no love bites were visible, thank God. She thinks we're having ***, I think, Yehudit said. We are, I said, looking at the swell of her *******, snuggled away like small babes. But, she shouldn't know that; she ought not to even think of that, Yehudit said angrily. Did she say as such? No, but I felt  as if she thought we were or had. Yehudit looked at me. Her bright eyes searched me. So she just might come here, she said, spy on us. I laughed. It's no laughing matter, Baruch, what if she does? We're just sitting here; no harm in that, I said. Anyway, I said, did you tell her where we'd be? She nodded. I had to or she'd not let me out. She'd walk half a mile to catch you being ******? I said. Someone may have seen us last time, Yehudit said. Who and where? She closed her eyes. I wanted to kiss her *******, but they were wrapped away like gifts. Don't know, but someone my mother knows. So we just sit here until it all blows over, I said. How long? Baruch, I can't just sit by a pond all day waiting to see if my mother turns up. I kissed her neck. Soft, velvety. She opened her eyes. That doesn't help. I kissed her chin. Nor does that. I kissed her lips, she murmured then was silent. We kissed. Warm, sticky, tongues touching. She hugged me close to her; I touched her hair with my left hand and her thigh with my right going beneath her skirt. She pulled away. What if she come? What if she does? What then? I said. I'm for it, Yehudit said. We kissed again. My hand touched her *****. She giggled. Stop or she'll hear me, Yehudit said. The pond was still; ducks swam on their way. Dragonflies hovered and took off. I turned away and lay back on the grass, staring at the sky, feeling dampness on my fingers. It's too risky, she said. She may come. I watched white clouds drift by. My pecker had stirred. My heart was thumping fast. Sorry, she said, want to, but I'd not relax thinking her near listening. I closed my eyes, recalled the last time. After church, before she went home, us coming to the pond and it just happened. Us in the secluded area, the sound of the Sunday hymns going round my head, the bushes our shelter, the soft grass our green bed. Not your fault, I said, musing on the last time ******* on our soft green bed.

the ville was just women,
old men, young children--mostly gaunt ghosts
before my platoon arrived with our own dead
men walking

I gave the order to burn the village,
rout its dazed denizens and grease any
who offered resistance

only one woman did, clawing
at my boys like a crazed cat, going after Freddie
from Fresno with a bamboo stalk

I don't know who shot her
but I remember standing over her
with Freddie and Mickey from Milwaukee
who stepped on a mine within the hour

Freddie bought it too, but not until
that night, when small arms fire from the jungle
woke us from our dread dreams

the apparitions that haunted our heads
whenever we spilled the blood of innocents
or even the red devils' kin--perhaps
an equivalent sin

the next day we ****** back
to base camp, a twelve click hike;
as hours passed, and the earth dried,
our shadows became sharper, darkening
reminders we could run
but never hide

I walk down the street whisked by the fragrant aroma of a ***** floating above the clouds
Encased in venom but dismantled plumes of disembodied hair gave her a shroud
I saw in her minced reflection the swindled lust of a happy conclusion
To years of isolated rebarbative delusion
To serenade with penultimate swaggers as though I have been fully swooned
Too soon to aim my praise at an adoring moon
Tugging on mutual hearts entwined with the summer breeze
Trying to garner the summer heir and the summer flair
A panache to clothe every armed bear, disarmed by a propitiated care
A crisp lament crashes the party as a heckler gouging for blindness
I clinch a ****** anger as a riotous engine crafted from wineskins
Belonging to an ageless agelast scurried in dismay
I warp the warbled marble sleet a craven disarray
Then I clamber, risqué in fleeting moments a criminal repartee
I wallop the emerging consensus as the 16th hands me over dumped tea
And a ****** tree laughs as the whitewashed sanity of sanitarium ******
I swerve away from the indecency of a pepper enclosed in chosen wax
A gibbous shackle crumpled on a concrete semaphore
An erratic blithe minatory metaphor
Saturnine clout sweeps the dusty apron from the desuetude of homespun lethargy
Rampant clovers distilled from a dreamscape a raspy sea
Trespassing whisper surmounts the lambent alpenglow of a newborn sun
A sleek potter’s spell encumbered by a lapsed pun
Doors ajar and vats wed with an aimless spar
I finally see the fullness of majesty adorned as a breathing star.

I never fell for you.
I jumped!
I wore springy shoes.
That night we ******!

I wanted more.
You gave a smile.
It got serious.
You ran a mile!

Another lost love.
A memory lingers.
The thing I miss most...
Your healing fingers!

Spring sweeps over Canton
in slow moving waves of sun-
branches on the few carefully
planted trees begin to bud
beautiful white petals,
clean and spotless against
dirt tinted brick
and unwashed windows,
shedding blankets of soft
confetti on hybrid cars
and BMWs crowded into
spots on the street sides.

The warm weather brings bees,
mosquitoes, and morning joggers
who smile at each other as they pass,
their dogs running beside them.
They stop to smell
the patches of weeds that have
sneaked between cement panels
on the sidewalk, but are quickly
****** ahead as their owners’
heart rates begin to fall.

The jogging trail is tracked
in old houses ******
over like aging women.
They soak up the warmth
like a sponge, their seventy
year old walls continuing to peel
old asbestos speckled paint
beneath brand new wall paper
and paneling.

Bankers and law students,
doctors and nurses,
barflies and models
hunt them like injured
pray on a mountain top-
so few to feed on
that when one emerges,
hundreds dive for the ****
but only the ones with the
fattest wallets win,
and can sink their teeth into
the tender taste of
prime real estate,
a thin slice of Hip in
this burgeoning yuppie haven.

Your stomach is so
            Soft and just with
The perfect, miniscule layer of fat,
So warm but tender.
Your lips have
The epitomic rondure
Of a woman’s kiss.
Your legs
are smoother than silk,
and I lay my lips,
up and down the paths
that form them.
And I follow up
To the succulent rear
And I pour my hand onto,
To pull cloth away.
My fingers paint
Every thread of hair
That stems across
Your sweaty face,
To clear your eyes,
So I can see the
Absolutely idyllic libido
Pulse through you.
Your hands hold
Firmly onto my back,
Scratching lightly across,
But bring such bliss.
Your breaths fall
Faster and faster
Out of your lips,
Into my shoulder,
Where you kiss
Away every inch you can.
Let me pull away,
But I will coalesce again,
Just to see you,
Entire you, eternal you,
And watch your flesh
Shiver and shake
In my love and
In my passionate quake.
And I place my hand
Down onto the crevice
That folds into your
Eagerly-waiting *****,
Feeling the short hair,
Covered in wet lust,
Pressing lightly enough
That I induce further joy,
As I feel me come in
And retreat out.
I bend over you,
Pull my arm behind you,
Lift you up into me,
With our lips colliding,
Your chest, with each breath,
Connecting with mine,
And you poise on top,
And take control,
But I’m too caught up
In your legs
Your arms
Your hair
Your stomach
Your chest
Your pleased moan,
Your grasping hands,
Your lascivious hips,
Your teeth biting your lip,
Your closed eyelids,
And the way you feel
When you shake so violent,
And I twist so vehement,
That, for a moment,
I’m  almost scared
That we might die,
But I saw this light
Go off in my head,
As you grabbed my hand
And my side,
And ****** harder
And harder,
Until you finally did this
Sort-of-scream,
Sort-of-moan noise,
And I did, too,
And all I remember afterwards
Was the smell of your hair
And the smile you gave me.

Dalya couldnt even bring herself to be nice to the Yank girl anymore it was as much as she could do to even look at her with her dark hair and eyes and that ******* tight black leather two piece which made her skinnier than a runt and that accent seeming straight out of some American movie and the constant yak about the guys shed had and how that was the worse part the how of it all as if Dalya cared as if she gave a sod about the Yanks love life and that time they showered at the Oslo camp base and the Yank said *** how plump you are like a hippo bathing and she laughed and Dalya gave her a look that would have frozen another more sensitive ***** but no she laughed at Dalya and her so called humour and Dalya would have flicked her towel around the Yanks scrawny **** but another girl passing got in the way and it flicked her **** instead and O did she moan and the Yank ***** walked off swaying if one can sway a backside like hers and was gone or that time when Dalya had been out with a guy called Benny who rode the same mini bus as the Yank and Dalya had got back in the tent real late and the Yank said what time do you call this some of us need our beauty sleep and Dalya said you could sleep for thousand years and still be one heck of an ugly Yank ***** and the Yank stormed out into the night or early morning which ever it was and Dalya lay in her tent trying to sleep after shed gone when Benny creeps in and said the American girls gone in the Aussie guy and is in my sleeping bag and theyre doing things which I wont describe least not before breakfast and so he came in to the tent with Dalya and Dalya seethed and swore and Benny said did you want me to leave but Ill have to sleep in the bar area as shes in my tent with him so Dalya said ok but no funny business and he said I don t do funny business and lay there in the tent where the Yank girl used to lay and she seemed determined not to let him get too near but at the time the birds were beginning to sing and she still being awake she said to him if you want to come nearer we can keep warm against this ground frost or so it seems and he said sure why not and moved next to her and they hugged and one thing led to another and well shed not be telling her mother when she got home that aspect of her holiday and hoped to God her brother didnt see Benny come out of her tent in the morning and next morning when she showered in the base camp the ***** was there washing off her sins with the Aussie guy laughing  and acting like some latter day Joan Crawford and Dalya glared at her the way her skinny arms were wrapped about her rake thin body and love bites around her neck and tiny **** and Dalya thought God what a sight and that time on the ship from Oslo to Amsterdam and Dalya stood on the deck as the waves rose and fell and the ***** of good old USA was puking over the side and O that was good Dalya thought that was a scream and she looked green and looked as if she'd puke up her ring and Dalya smiled to  herself and later when they landed in Amsterdam Benny and Dalya sought out a cafe and sat and drank coffee and ate a couple of burgers and she said how would you rate the *** the other night in my tent? and Benny said how rate? and she said from one to ten one being utter crap to ten being ****** heaven and Benny thought as he drank his coffee and said well its as near to Heaven as Ill get is it better than having the Yank *****? she asked I dont what she humps like but Id say yes with you it was heaven and Ok she said dont let my brother know or hell tell my mother and then shell go off the deep end you know what mothers are like with their daughters and it was in Amsterdam that the good old American girl split saying she was meeting some French guy in Paris the **** ***** Dalya said she must have a ****** like a drinking hole in the Sahara and Benny said nothing but wondered why women worried about each other like that why they couldnt be more like guys who just think lucky guy wish I could be pimple on his **** while hes going it some then as the camping trip was coming to an end and they were on the last leg of the trip at the last and final base camp and she had her tent to herself she invited Benny in for a final fling but before that they went to the base camp bar and bought a good deal of the ***** and staggered back to the tent and she said you know what? and he said no and she said well lie down and Ill tell you and so Benny lay down on the tent floor next to her and she said I was ****** by my cousin once it was at a birthday party at my parents house and me and him- his name must be kept hush hush- had a little must of  my fathers punch drink and we went up to my bedroom-I slept alone- and I thought it would just be kissing but no one thing led to another and next thing I remember we were ******* away like two hounds on heat and the music was still being pumped from downstairs and singing and laughter and Benny said I wish Id been there I could have made it a ******* but Dalya said it was a bad enough him being there ******* away and she looked past him at the dull sky of their last day.

Everybody is nobody
To somebody
A homebody
Aged female
Children gone
Wrinkled skin
Brown eyes
Rotten teeth
Holds tightly
To old memories
As they slip like mercury
Between her fingers
To be forgotten

Tired old veteran
****** back
Body sore
From the last fall
Hurts to breath
But at least
He is still alive
Holding down
The old folks town

The sidewalk ***
Hungry and lonely
Looking for nothing
Affection forgotten
Joys lost to the
Ravages of time

Little boy bruised
Abused
Miss-used
By angry adults
Tormented by other teens
Hazel eyes hold no light
Only finds hope in
Razor blade delights

The middle aged sage poet
Stumbling through life
Half awake
But more alert then others
Wrinkles of pain
Under his eyes
Those bags are full
And sag so deep
That they burn

Not movie stars
Or pop divas
Nobodies
Forgotten remembered
And lost again
Fragile beauty
Breaking with time
People who I claim
As mine
My brotherhood
We are all beautiful nobodies

Man broke into a million peices destroying the world
and sizzling the faces that the God thought they made in
Grace
But there were many reasons and many treasons that said
They were destined to no longer
Have any season
Through the thick of the trees
Love snapped and grasped
The idea that man is merely an insect, a plague
A fire that started and hasn't stopped burning
Where were the angels when mistakes were made
And streets were not obeyed
And New York burned
And Love turned in on itself
Where phone calls became abolishments
And tears fell down the faces of a thousand ridicules
The in between became seen as all the while
Exhaustion ****** its way into oblivion
With welfare daring
And poor men sit staring
With faces that twirl in my sight
The after delight
Gun fire and marmadukes and flowers bleeding blood
All of the above
The formation of a million roses burning a soft hue of blue
Remembrances of what it used to mean
To be a child
Running around with no one caring if you lived or died
Or ever even tried
For they forgave your stupidity
Your naievty
And now we make mistakes of a illusions of grandeur
This is how we will die and this is how we will begin
Again
The scratching of the God's is upon us
And we don't even hear it
We don't even smell it
We don't even sense it
Because we have forgotten
We have forgotten
We have forgotten
Because we are all so
On top of it

Dr. Bekham, grey suited, stumbles
On the road but dark.
Only an image of a lion, full of breath.
He glances at autumnal leaves,
Fallen and shrivelled.
" i would come here in my blossom days
And lie under that ****** tree.
How swiftly spring and summer have elapsed.
Old age is pilgrimage
And time for reconciliation with the providence."