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"humped" poems
Blameless as daylight I stood looking At a field of horses, necks bent, manes blown, Tails streaming against the green Backdrop of sycamores. Sun was striking White chapel pinnacles over the roofs, Holding the horses, the clouds, the leaves Steadily rooted though they were all flowing Away to the left like reeds in a sea When the splinter flew in and stuck my eye, Needling it dark. Then I was seeing A melding of shapes in a hot rain: Horses warped on the altering green, Outlandish as double-humped camels or unicorns, Grazing at the margins of a bad monochrome, Beasts of oasis, a better time. Abrading my lid, the small grain burns: Red cinder around which I myself, Horses, planets and spires revolve. Neither tears nor the easing flush Of eyebaths can unseat the speck: It sticks, and it has stuck a week. I wear the present itch for flesh, Blind to what will be and what was. I dream that I am Oedipus. What I want back is what I was Before the bed, before the knife, Before the brooch-pin and the salve Fixed me in this parenthesis; Horses fluent in the wind, A place, a time gone out of mind.
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16.9k
The Eye-Mote
***Your home is still here, inviolate and certain. Thank you, oh Lord, for the white blind light. Jumped, ****** born to suffer. Made to undress, in the wilderness. Our love so found a safe niche Where we can store up riches and talk to our fellows, In the same premise of disaster. Thank you, oh Lord, for the white blind light. Let me tell you about heartache and the loss of God, wandering, wandering a hopeless night. Moonshine night, mountain village insane in the woods, in the deep trees, in the deep trees, in the deep trees. Your home is still here, inviolate and certain. Oh, I want to be there, I want us to be there, oh I want to be there, beside the lake, beneath the moon, Cool and swollen, dripping its hot liquor. I want to be there. Thank you, Lord, for the white blind light. A city rises from the sea. Let me tell you about heartache and the loss of God, Wandering, wandering a hopeless night. Let me show you the maiden with wrought iron soul. Out here in the perimeter, there are no stars. Out here we're ****** Immaculate.***
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Nov 14, 2017
Nov 14, 2017 at 12:51 PM UTC
The White Blind Light - Jim Morrison
before existentialism, and nietzsche in mind, philosophy was written or spoken of accepting the socratic rigidity of words, the rigidity of words known through the socratic method of inquiry: the simplest of questions imposed on the meaning of words; e.g. what is virtue? but with existentialism this old method of inquiry, the poised posing bewilderment lost its quality, in that the new method of inquiry was given to stress not a method of questioning but that of ambiguity, even though this new method that simply said the reverse of what is virtue as the preservation of a narrative: "virtue" concedes many variations exampled true, e.g. - this dittoing going against - previously said / as above - became staged against a brick wall - since this method, the existential method of brushing aside inquiry and entering the realm of ambiguity was already present - the pluralism of meaning found in certain words; it isn't a question whether red or blue can be ambiguous, this allocation of noun and quality is all too pervasive - so when an ambiguity is allowed to exercise its stressor posit - the word in question is allocated a verb orientation in its exercise of use and example, further diluted by the quantity and lack of example, and ascribed contorting adjectivity due to the dilution of meaning: with lessened recognition of sought out qualification to sentence an enzymic perfection of: banker and philanthropist, priest and maximilian kolbe, poetry and lack of envy. even though these examples are idealistic, they provide the obvious ambiguity already apparent, hence the double ambiguity of opposites, ideal opposites. in shorthand - if socrates were to come upon reading existentialism - his questions regarding the virtues would be bound to free floating terms in the ditto bubbles of flimsiness of non-inquiry - bewildered by the number of prompts to question, there would be no necessary ambiguity to many other terms of inactivity - such as the previously mentioned red and blue, dog and glue, but too many, it would seem, should a strict belief in categorising virtue as a noun but not a verb be kept - for categorisation of such nature only provides a linear cascade without due action or cared for imitation - ending with the only chance of virtue chanced and seen as an unvirtuous person doing crossword puzzles in silence - and already virtue's opposite is engaged in defending itself and justifying its ills by first forcing many synonyms to cover it in ambiguity, and asserting itself as an adjective within a noun framework blunt: virtue v. unvirtuous will only confiscate siamese phonetic mingling to ease the definition; i guess that's how rhyming was born, the opposite of alphabetical ordering: a, aardvark                              the violet's blue                                                                    ****** a doughnut with you.
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Sep 22, 2015
Sep 22, 2015 at 11:31 AM UTC
the last line in a difficult poem is always fun
before existentialism, and nietzsche in mind, philosophy was written or spoken of accepting the socratic rigidity of words, the rigidity of words known through the socratic method of inquiry: the simplest of questions imposed on the meaning of words; e.g. what is virtue? but with existentialism this old method of inquiry, the poised posing bewilderment lost its quality, in that the new method of inquiry was given to stress not a method of questioning but that of ambiguity, even though this new method that simply said the reverse of what is virtue as the preservation of a narrative: "virtue" concedes many variations exampled true, e.g. - this dittoing going against - previously said / as above - became staged against a brick wall - since this method, the existential method of brushing aside inquiry and entering the realm of ambiguity was already present - the pluralism of meaning found in certain words; it isn't a question whether red or blue can be ambiguous, this allocation of noun and quality is all too pervasive - so when an ambiguity is allowed to exercise its stressor posit - the word in question is allocated a verb orientation in its exercise of use and example, further diluted by the quantity and lack of example, and ascribed contorting adjectivity due to the dilution of meaning: with lessened recognition of sought out qualification to sentence an enzymic perfection of: banker and philanthropist, priest and maximilian kolbe, poetry and lack of envy. even though these examples are idealistic, they provide the obvious ambiguity already apparent, hence the double ambiguity of opposites, ideal opposites. in shorthand - if socrates were to come upon reading existentialism - his questions regarding the virtues would be bound to free floating terms in the ditto bubbles of flimsiness of non-inquiry - bewildered by the number of prompts to question, there would be no necessary ambiguity to many other terms of inactivity - such as the previously mentioned red and blue, dog and glue, but too many, it would seem, should a strict belief in categorising virtue as a noun but not a verb be kept - for categorisation of such nature only provides a linear cascade without due action or cared for imitation - ending with the only chance of virtue chanced and seen as an unvirtuous person doing crossword puzzles in silence - and already virtue's opposite is engaged in defending itself and justifying its ills by first forcing many synonyms to cover it in ambiguity, and asserting itself as an adjective within a noun framework blunt: virtue v. unvirtuous will only confiscate siamese phonetic mingling to ease the definition; i guess that's how rhyming was born, the opposite of alphabetical ordering: a, aardvark                              the violet's blue                                                                    ****** a doughnut with you.
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58
The difficulty to think at the end of day, When the shapeless shadow covers the sun And nothing is left except light on your fur-- There was the cat slopping its milk all day, Fat cat, red tongue, green mind, white milk And August the most peaceful month. To be, in the grass, in the peacefullest time, Without that monument of cat, The cat forgotten in the moon; And to feel that the light is a rabbit-light, In which everything is meant for you And nothing need be explained; Then there is nothing to think of. It comes of itself; And east rushes west and west rushes down, No matter. The grass is full And full of yourself. The trees around are for you, The whole of the wideness of night is for you, A self that touches all edges, You become a self that fills the four corners of night. The red cat hides away in the fur-light And there you are ****** high, ****** up, You are ****** higher and higher, black as stone-- You sit with your head like a carving in space And the little green cat is a bug in the grass.
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2.8k
A Rabbit as King of the Ghosts
Just once I knew what life was for. In Boston, quite suddenly, I understood; walked there along the Charles River, watched the lights copying themselves, all neoned and strobe-hearted, opening their mouths as wide as opera singers; counted the stars, my little campaigners, my scar daisies, and knew that I walked my love on the night green side of it and cried my heart to the eastbound cars and cried my heart to the westbound cars and took my truth across a small ****** bridge and hurried my truth, the charm of it, home and hoarded these constants into morning only to find them gone.
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2.5k
Just Once
a harp has been strummed a banjo picked a heart has been numbed a ****** flicked a page has been thumbed a sharp ice pick a mouth has been gummed a desiduous tick a cigarette has been bummed a virginal stick a town has been slummed a slippery **** a ***** has been ****** a little ***** a lonely man jumped a fall and a click a crowd has been pumped a comedy shtick a mind has been stumped a clever trick
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Oct 5, 2011
Oct 5, 2011 at 2:50 PM UTC
Harp
colin, was a camel who liked to roam a two ****** fella sort of brownish yella decidely cool and mellow had an eye on the road always moving forward albeit at a somewhat leisurely pace and always with a goofy smile on his face. never looked back and that's a fact often found straying from the beaten track never in lack of a kind word or to incredably pragmatic in his point of view when asked his opinion on the world today stated emphatically ya just gotta hope and pray....that and stay outta the big boys way. colin the camel who liked to roam had eleven big brothers who stayed at home colin was wise most were twiçe his size and the rest had habits that attracted flies. so colin kept more than one step ahead cause if they caught up with him colin was dead....
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Aug 25, 2014
Aug 25, 2014 at 7:43 AM UTC
the camel poem...for dp
It began with National      Geographic and those pictures      of nearly naked African women as I lay on the floor      of the hall and from there      it became being ****** by a dog      in the bathroom to twenty second ***      with a girl who said I was impotent      to becoming aware that my *****      was too small to a statutory case      where I didn't      get caught to a time in bed      with a girl who said      "How much longer      is this going to go" to a grandmother      who put me to work and the **********      was just like that      some of the time to a one-night stand      with an overweight girl which was the best time to me thinking      "I haven't done too well      with the ladies,      maybe I should try      the men" and then doing so      and deciding I didn't      like it to a few unforgettable      moments which were      forgettable to an illicit affair      with a married woman      in motel rooms to a woman who picked me up      and said, "Let's be friends"      and as she was going      up the stairs      she said, "OK, let's get      this over with"      and I ran outside      to get out of there then to twenty-one years      of celibacy when I realized      that my best ***      was with myself and so I married him.      THE END
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Mar 5, 2011
Mar 5, 2011 at 5:51 AM UTC
My Wonderful *** Life
RINGS of iron gray smoke; a woman's steel face ... looking ... looking. Funnels of an ocean liner negotiating a fog night; pouring a taffy mass down the wind; layers of soot on the top deck; a taffrail ... and a woman's steel face ... looking ... looking. Cliffs challenge ****** sudden arcs form on a gull's wing in the storm's vortex; miles of white horses plow through a stony beach; stars, clear sky, and everywhere free climbers calling; and a woman's steel face ... looking ... looking ...
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1.7k
Fog Portrait
The young lady asked the Yeti “What is your name…do you have one?” As the kissed. While kissing, the Yeti said that he had no name. So the young lady Massaging his chest gave him a name Vajramrita… after the fierce deity For he was a fierce lover. He kissed her on the fore head. Vajramrita and the young woman kissed Their tounges me and dance erotically. She sat on her lover while kisssing and rode him and rolled her hips. He ****** with her ****** rhythms as they coupled. Soon enough the Yeti got on top of his delecate lover. He entered her and gently jumping As if trying not to hurt her The yeti thengot between her legs She could feel his face bewteen her. Then she felt his probing tounge. He gently yet passionately kissed her womanhood Again not to hurt her. Even monsters need love and defection. The young woman stroked his head and he looked at her. She took him my the scruff and pulled his head closer to her And kissed him. As they kissed monster and human explore eachother in an embrace The young lady went down And kissed and nipped at his member. After she was done with his member The kissed and they slept in each other’s arms Body twisted and entwined together
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Nov 17, 2018
Nov 17, 2018 at 2:17 PM UTC
Love poem written as Nebo Tsang. 6
Seven days straight, the sun rolls up,always from the same side of town and just the same way it gives up and lays down The same buses run on the same old routes. No letup. So dream a dream. Next day,instant replay. Know what ? I know the  drill Sunday.is like Halloween, Rubber faces and trick or treat with Reverend Ike. Fire and brimstone. Please turn down ya cell phones.Pass the plate. payola to heaven's gate. Monday.Back on the grind, Blood,sweat and tears. Grinding mental gears.Pop the clutch,Earn so little Pay so much. Tuesday.? just locked in. The Lotto is calling, cant win if ya dont play. Teasin me bout easy street. Gimme my lump sum Then watch me fly. Keep missin me with that later, greater noise. Keep it real son. Wednesday. Looking of into the sunset now.All ****** up getting up for the down-stroke.Sweat  of my brow. Feel me NOW ? Take a deep breath blow out slow. If you dont tell it then the devil wont know. Thursday. Gettin closer to shore,Go for your backstroke cause yer starting to fade.  In through the mouth and out through the nose focus your gaze on the circling crows? Crows ? Friday. Ah snap yer ends came up short. Tax man just waxin yer *** Ghoulish?. Foolish. Some ends might not meet. Sat-Day. Not so fat day. Pullin pocket lint by 6.PM.Chump changin. is changin your mind. Gettin glimpses of stressin the old bump and grind On Moanday. **** expletive deleted. Stun-day. Hungday? Rake  your sh%@t in a pile day ? No Doubt Assed out. Hello... Monday.
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Oct 2, 2013
Oct 2, 2013 at 1:39 AM UTC
Takin Shorts
Seven days straight, the sun rolls up,always from the same side of town and just the same way it gives up and lays down The same buses run on the same old routes. No letup. So dream a dream. Next day,instant replay. Know what ? I know the  drill Sunday.is like Halloween, Rubber faces and trick or treat with Reverend Ike. Fire and brimstone. Please turn down ya cell phones.Pass the plate. payola to heaven's gate. Monday.Back on the grind, Blood,sweat and tears. Grinding mental gears.Pop the clutch,Earn so little Pay so much. Tuesday.? just locked in. The Lotto is calling, cant win if ya dont play. Teasin me bout easy street. Gimme my lump sum Then watch me fly. Keep missin me with that later, greater noise. Keep it real son. Wednesday. Looking of into the sunset now.All ****** up getting up for the down-stroke.Sweat  of my brow. Feel me NOW ? Take a deep breath blow out slow. If you dont tell it then the devil wont know. Thursday. Gettin closer to shore,Go for your backstroke cause yer starting to fade.  In through the mouth and out through the nose focus your gaze on the circling crows? Crows ? Friday. Ah snap yer ends came up short. Tax man just waxin yer *** Ghoulish?. Foolish. Some ends might not meet. Sat-Day. Not so fat day. Pullin pocket lint by 6.PM.Chump changin. is changin your mind. Gettin glimpses of stressin the old bump and grind On Moanday. **** expletive deleted. Stun-day. Hungday? Rake  your sh%@t in a pile day ? No Doubt Assed out. Hello... Monday.
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32
Travelin Man, They call me Nomad. Rolled into Kansas and found there really is an OZ. Didn't see Dorothy or Toto, But both witches found me. Found a painting, Mona Lisa for real. Then time jumped The TinMan ****** And from the Belly of the Beast, Grace prevailed. 27 days right off Main Street, The address of the Yellow Brick Road 27 days sharing and caring. Me and Mona Lisa rolling. And she rose from the ashes, Her red shoes tap tap tapping, Mona Lisa came back to the world, I heard the miracle Her Spirit reborn. Not even a chapter in a hero sage, But a good first page The Knight of a soaring heart, More will be revealed.....
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Jul 7, 2015
Jul 7, 2015 at 4:01 PM UTC
TINMAN FOUND
Exalted eggs sell lent egg salad to eggshells. Egg beaters beat her for the better of the better eggs. Yokes of the yokel yolks choke the yolks they’re meant to yoke. Though runny and broken, run he and broke in. ****** he, dumped he, leaving all the eggs in eggshells. These saddest fractions, in shattered silence, sigh “Let’s decompose. Let’s be compost. Let’s become a flower.” But on the wind they twist, they wind, they rose.
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Oct 23, 2013
Oct 23, 2013 at 5:17 PM UTC
Humpty Dumpty Jesus
he ****** her on the hempen hill the birds were singing "haiku! haiku!!" on the highway to heaven he looked toward his lord and said "won't you help me save the world?
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Jun 17, 2010
Jun 17, 2010 at 4:04 PM UTC
lavender hill mob #1 trilogy
the ville was just women, old men, young children--mostly gaunt ghosts before my platoon arrived with our own dead men walking I gave the order to burn the village, rout its dazed denizens and grease any who offered resistance only one woman did, clawing at my boys like a crazed cat, going after Freddie from Fresno with a bamboo stalk I don't know who shot her but I remember standing over her with Freddie and Mickey from Milwaukee who stepped on a mine within the hour Freddie bought it too, but not until that night, when small arms fire from the jungle woke us from our dread dreams the apparitions that haunted our heads whenever we spilled the blood of innocents or even the red devils' kin--perhaps an equivalent sin the next day we ****** back to base camp, a twelve click hike; as hours passed, and the earth dried, our shadows became sharper, darkening reminders we could run but never hide
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Mar 28, 2016
Mar 28, 2016 at 5:33 PM UTC
old sins, long shadows
I walk down the street whisked by the fragrant aroma of a ***** floating above the clouds Encased in venom but dismantled plumes of disembodied hair gave her a shroud I saw in her minced reflection the swindled lust of a happy conclusion To years of isolated rebarbative delusion To serenade with penultimate swaggers as though I have been fully swooned Too soon to aim my praise at an adoring moon Tugging on mutual hearts entwined with the summer breeze Trying to garner the summer heir and the summer flair A panache to clothe every armed bear, disarmed by a propitiated care A crisp lament crashes the party as a heckler gouging for blindness I clinch a ****** anger as a riotous engine crafted from wineskins Belonging to an ageless agelast scurried in dismay I warp the warbled marble sleet a craven disarray Then I clamber, risqué in fleeting moments a criminal repartee I wallop the emerging consensus as the 16th hands me over dumped tea And a ****** tree laughs as the whitewashed sanity of sanitarium ****** I swerve away from the indecency of a pepper enclosed in chosen wax A gibbous shackle crumpled on a concrete semaphore An erratic blithe minatory metaphor Saturnine clout sweeps the dusty apron from the desuetude of homespun lethargy Rampant clovers distilled from a dreamscape a raspy sea Trespassing whisper surmounts the lambent alpenglow of a newborn sun A sleek potter’s spell encumbered by a lapsed pun Doors ajar and vats wed with an aimless spar I finally see the fullness of majesty adorned as a breathing star.
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Jun 30, 2016
Jun 30, 2016 at 7:42 AM UTC
Moonshine Tide
I walk down the street whisked by the fragrant aroma of a ***** floating above the clouds Encased in venom but dismantled plumes of disembodied hair gave her a shroud I saw in her minced reflection the swindled lust of a happy conclusion To years of isolated rebarbative delusion To serenade with penultimate swaggers as though I have been fully swooned Too soon to aim my praise at an adoring moon Tugging on mutual hearts entwined with the summer breeze Trying to garner the summer heir and the summer flair A panache to clothe every armed bear, disarmed by a propitiated care A crisp lament crashes the party as a heckler gouging for blindness I clinch a ****** anger as a riotous engine crafted from wineskins Belonging to an ageless agelast scurried in dismay I warp the warbled marble sleet a craven disarray Then I clamber, risqué in fleeting moments a criminal repartee I wallop the emerging consensus as the 16th hands me over dumped tea And a ****** tree laughs as the whitewashed sanity of sanitarium ****** I swerve away from the indecency of a pepper enclosed in chosen wax A gibbous shackle crumpled on a concrete semaphore An erratic blithe minatory metaphor Saturnine clout sweeps the dusty apron from the desuetude of homespun lethargy Rampant clovers distilled from a dreamscape a raspy sea Trespassing whisper surmounts the lambent alpenglow of a newborn sun A sleek potter’s spell encumbered by a lapsed pun Doors ajar and vats wed with an aimless spar I finally see the fullness of majesty adorned as a breathing star.
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25
Spring sweeps over Canton in slow moving waves of sun- branches on the few carefully planted trees begin to bud beautiful white petals, clean and spotless against dirt tinted brick and unwashed windows, shedding blankets of soft confetti on hybrid cars and BMWs crowded into spots on the street sides. The warm weather brings bees, mosquitoes, and morning joggers who smile at each other as they pass, their dogs running beside them. They stop to smell the patches of weeds that have sneaked between cement panels on the sidewalk, but are quickly ****** ahead as their owners’ heart rates begin to fall. The jogging trail is tracked in old houses ****** over like aging women. They soak up the warmth like a sponge, their seventy year old walls continuing to peel old asbestos speckled paint beneath brand new wall paper and paneling. Bankers and law students, doctors and nurses, barflies and models hunt them like injured pray on a mountain top- so few to feed on that when one emerges, hundreds dive for the **** but only the ones with the fattest wallets win, and can sink their teeth into the tender taste of prime real estate, a thin slice of Hip in this burgeoning yuppie haven.
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Jul 13, 2010
Jul 13, 2010 at 9:39 AM UTC
Spring in Canton
I never fell for you. I jumped! I wore springy shoes. That night we ****** I wanted more. You gave a smile. It got serious. You ran a mile! Another lost love. A memory lingers. The thing I miss most... Your healing fingers!
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Feb 8, 2016
Feb 8, 2016 at 1:28 PM UTC
Lost love.
Your stomach is so Soft and just with The perfect, miniscule layer of fat, So warm but tender. Your lips have The epitomic rondure Of a woman’s kiss. Your legs are smoother than silk, and I lay my lips, up and down the paths that form them. And I follow up To the succulent rear And I pour my hand onto, To pull cloth away. My fingers paint Every thread of hair That stems across Your sweaty face, To clear your eyes, So I can see the Absolutely idyllic libido Pulse through you. Your hands hold Firmly onto my back, Scratching lightly across, But bring such bliss. Your breaths fall Faster and faster Out of your lips, Into my shoulder, Where you kiss Away every inch you can. Let me pull away, But I will coalesce again, Just to see you, Entire you, eternal you, And watch your flesh Shiver and shake In my love and In my passionate quake. And I place my hand Down onto the crevice That folds into your Eagerly-waiting ***** Feeling the short hair, Covered in wet lust, Pressing lightly enough That I induce further joy, As I feel me come in And retreat out. I bend over you, Pull my arm behind you, Lift you up into me, With our lips colliding, Your chest, with each breath, Connecting with mine, And you poise on top, And take control, But I’m too caught up In your legs Your arms Your hair Your stomach Your chest Your pleased moan, Your grasping hands, Your lascivious hips, Your teeth biting your lip, Your closed eyelids, And the way you feel When you shake so violent, And I twist so vehement, That, for a moment, I’m almost scared That we might die, But I saw this light Go off in my head, As you grabbed my hand And my side, And ****** harder And harder, Until you finally did this Sort-of-scream, Sort-of-moan noise, And I did, too, And all I remember afterwards Was the smell of your hair And the smile you gave me.
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Jan 11, 2012
Jan 11, 2012 at 10:58 PM UTC
And the smile you gave me.
Your stomach is so Soft and just with The perfect, miniscule layer of fat, So warm but tender. Your lips have The epitomic rondure Of a woman’s kiss. Your legs are smoother than silk, and I lay my lips, up and down the paths that form them. And I follow up To the succulent rear And I pour my hand onto, To pull cloth away. My fingers paint Every thread of hair That stems across Your sweaty face, To clear your eyes, So I can see the Absolutely idyllic libido Pulse through you. Your hands hold Firmly onto my back, Scratching lightly across, But bring such bliss. Your breaths fall Faster and faster Out of your lips, Into my shoulder, Where you kiss Away every inch you can. Let me pull away, But I will coalesce again, Just to see you, Entire you, eternal you, And watch your flesh Shiver and shake In my love and In my passionate quake. And I place my hand Down onto the crevice That folds into your Eagerly-waiting ***** Feeling the short hair, Covered in wet lust, Pressing lightly enough That I induce further joy, As I feel me come in And retreat out. I bend over you, Pull my arm behind you, Lift you up into me, With our lips colliding, Your chest, with each breath, Connecting with mine, And you poise on top, And take control, But I’m too caught up In your legs Your arms Your hair Your stomach Your chest Your pleased moan, Your grasping hands, Your lascivious hips, Your teeth biting your lip, Your closed eyelids, And the way you feel When you shake so violent, And I twist so vehement, That, for a moment, I’m almost scared That we might die, But I saw this light Go off in my head, As you grabbed my hand And my side, And ****** harder And harder, Until you finally did this Sort-of-scream, Sort-of-moan noise, And I did, too, And all I remember afterwards Was the smell of your hair And the smile you gave me.
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90
You do not ****** me, high as hell, give me a bunk apology, and six months later turn around and change the facts. Cause they're ******* facts! I was there, with your unwelcomed touch. He walked in to my rescue, while you dry ****** fantasies on my couch. (burn it) You are dead to me.
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May 24, 2018
May 24, 2018 at 5:57 PM UTC
Slay the LyingCunt
Man broke into a million peices destroying the world and sizzling the faces that the God thought they made in Grace But there were many reasons and many treasons that said They were destined to no longer Have any season Through the thick of the trees Love snapped and grasped The idea that man is merely an insect, a plague A fire that started and hasn't stopped burning Where were the angels when mistakes were made And streets were not obeyed And New York burned And Love turned in on itself Where phone calls became abolishments And tears fell down the faces of a thousand ridicules The in between became seen as all the while Exhaustion ****** its way into oblivion With welfare daring And poor men sit staring With faces that twirl in my sight The after delight Gun fire and marmadukes and flowers bleeding blood All of the above The formation of a million roses burning a soft hue of blue Remembrances of what it used to mean To be a child Running around with no one caring if you lived or died Or ever even tried For they forgave your stupidity Your naievty And now we make mistakes of a illusions of grandeur This is how we will die and this is how we will begin Again The scratching of the God's is upon us And we don't even hear it We don't even smell it We don't even sense it Because we have forgotten We have forgotten We have forgotten Because we are all so On top of it
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May 3, 2011
May 3, 2011 at 6:59 AM UTC
We've Forgotten
Everybody is nobody To somebody A homebody Aged female Children gone Wrinkled skin Brown eyes Rotten teeth Holds tightly To old memories As they slip like mercury Between her fingers To be forgotten Tired old veteran ****** back Body sore From the last fall Hurts to breath But at least He is still alive Holding down The old folks town The sidewalk *** Hungry and lonely Looking for nothing Affection forgotten Joys lost to the Ravages of time Little boy bruised Abused Miss-used By angry adults Tormented by other teens Hazel eyes hold no light Only finds hope in Razor blade delights The middle aged sage poet Stumbling through life Half awake But more alert then others Wrinkles of pain Under his eyes Those bags are full And sag so deep That they burn Not movie stars Or pop divas Nobodies Forgotten remembered And lost again Fragile beauty Breaking with time People who I claim As mine My brotherhood We are all beautiful nobodies
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Jun 30, 2015
Jun 30, 2015 at 3:01 PM UTC
Nobodies
We gathered, like we were in a huddle Doing Yin and Yang movements in a circle... A lighted candle was in the middle. We closed our eyes, we were concentrating, Slowly, internalizing... Stillform Shibashi movements followed While thanksgiving prayers were solemnly offered... Out of nowhere,  Two furry, roundish creatures leapt from behind On the red-yellow flame they almost landed... Both stretched...and ****** and stretched, As if they were doing the movements with us... Suddenly, they were up and about... One was raring to have fun, while  The other could not focus on cleaning its tiny snout. On a gay mood, they went on rolling within our big circle Not minding they could be burned by the gentle flame.  We, the quiet ones,with a bit of fear,  Were just watching, Captured by their honest fun,  Exercises started fading... Back and forth, the two creatures went romping Hitting the feet of most everyone in the circle... They were seizing their moment Overflowing was their adrenaline   In the open air, they were reckless, uncaring.. Under the morning sun, they were shining brightly I had silently asked, at first, "Who would need one black and one white mittens? "Who would have thought, with their tiny heads hidden,  They were two furry, purry playful kittens? Sally Copyright 2014 Rosalia Rosario A. Bayan ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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Oct 19, 2014
Oct 19, 2014 at 3:04 AM UTC
BLACK AND WHITE
Look what rises out of the sea a land like a footprint filling with water devoted sun circling into view, the mist-eater scalds the coffee *** on the stove hissing at its hot pedestal and how much life is before you, hidden in the bushes. What are you that you are not changed? A wet-eyed bird feeds its sharp beak into the ground and comes up wanting. The sea is full of chandeliers and sled dogs. A girl walks, smiling, with an arm around her dead grandmother, herself young, and slyly kisses her cheek. What are you that you are not changed? All of the bees are dead. All of the usury has been forgiven. All eyes meet eyes across the room. All we want is a mug of cocoa. We all go on seeking. What are you that you are not changed? Joy comes from a bag, where you placed it. The noise of paper drawn out and carefully flattened reminds your fingers of their curious dryness. If it comes from love it must have a source in you. You are not a character. You are a pearl on a desk. What are you that you are still here? A train goes on through the dark, between ****** old mountains, foothills, really, and inside every compartment is its own bowl of amber. A rattle of track passes through any foot flat on the ***** carpet. A little chill. A little peace. Every passenger reads a book, and every passenger waits to sleep with their doors an inch ajar.
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Feb 21, 2019
Feb 21, 2019 at 5:24 PM UTC
Passenger
Can we talk about the daisies that lie in wait as the little sister shouts to her brother not too far, that flowers aren’t only for girls because one day he will have to bring them to the humped shape in the green grass where she rests and the daisies have finally wilted, store-bought ones don’t have the same charm it enraptured his sister with and didn’t create the same smile on his drying lips, the watercolor red stains his eyes and the veins become the stems of a regret-filled life.
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Oct 29, 2019
Oct 29, 2019 at 1:06 PM UTC
Wish You Could Bloom