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"holsters" poems
Like rippling water distorts a reflection, the mirror reshapes my stomach, thighs, arms. Buttons unlatch from their holsters, The zipper loosens its grip, Exposed are the  things I despise. Pinching, pulling, pushing. Nothing changes, all still there. Not so much a distorted body, More so a distorted mind.
0
Feb 24, 2015
Feb 24, 2015 at 10:58 PM UTC
waves
I've seen cops way too many times, too many times to go through my **** ripping apart pillows with switches and against my better judgment I did nothing as I heard the glass of my grandmother's picture being tossed around in the back. Too many times asking me questions about this and that? Him or her? If you help us out, we'll help you out, understand? in their rooms where no love is grown and no help is on the way, their eyes were filled with the fire, they were finally gonna get this ****** make him pay for crimes he didn't commit. Too many times when i was asleep in some old sewer, and rolling up asking me if i was on drugs or drunk, and if i didn't leave they were gonna shove a nightstick up my *** get me used to it. Too many times have they slowed down at a light and turned slowly, keeping their eyes on me like I was a wolf, when they had blood in their eyes and teeth in their holsters. "Where you going tonight?" as they surrounded me, another inmate inside the bounded bars of an external prison. Cops never helped me, never asked how I was doing, or why I was doing it, or why I felt trapped inside my own body; all they saw was another ****** making problems for the civilized people. God will remember them, just as I can't forget. And most of the time, it was other black men, some fruit bred strong in them, to hate them bottom-rung ******* because they had escaped and remade themselves, apparently. In truth, I have killed many of them in my sleep, but when I step back, I see that they are a product of the same system that says the guns, drugs, and violence are part of the ****** condition, that only shows a ****** on tv when he's ***** or killed somebody, another mugshot for you to put in your scrapbook of fear. So, no I don't hate them, I hate seeing people that look like me getting killed before they come to fruition. I hate that :"black" is used as a term meant to engender fear. I hate that I walk down the street, and a white girl walks ahead turning around to check for me. I hate that when me and some of the homies walk down the street, our hoodies pulled over our heads, people look behind us for the grim reaper. There is hope, but without it being fostered, The fruits die on the vine, noosed up in a new way as they drop.
0
Feb 11, 2012
Feb 11, 2012 at 6:36 PM UTC
VENTING.
I've seen cops way too many times, too many times to go through my **** ripping apart pillows with switches and against my better judgment I did nothing as I heard the glass of my grandmother's picture being tossed around in the back. Too many times asking me questions about this and that? Him or her? If you help us out, we'll help you out, understand? in their rooms where no love is grown and no help is on the way, their eyes were filled with the fire, they were finally gonna get this ****** make him pay for crimes he didn't commit. Too many times when i was asleep in some old sewer, and rolling up asking me if i was on drugs or drunk, and if i didn't leave they were gonna shove a nightstick up my *** get me used to it. Too many times have they slowed down at a light and turned slowly, keeping their eyes on me like I was a wolf, when they had blood in their eyes and teeth in their holsters. "Where you going tonight?" as they surrounded me, another inmate inside the bounded bars of an external prison. Cops never helped me, never asked how I was doing, or why I was doing it, or why I felt trapped inside my own body; all they saw was another ****** making problems for the civilized people. God will remember them, just as I can't forget. And most of the time, it was other black men, some fruit bred strong in them, to hate them bottom-rung ******* because they had escaped and remade themselves, apparently. In truth, I have killed many of them in my sleep, but when I step back, I see that they are a product of the same system that says the guns, drugs, and violence are part of the ****** condition, that only shows a ****** on tv when he's ***** or killed somebody, another mugshot for you to put in your scrapbook of fear. So, no I don't hate them, I hate seeing people that look like me getting killed before they come to fruition. I hate that :"black" is used as a term meant to engender fear. I hate that I walk down the street, and a white girl walks ahead turning around to check for me. I hate that when me and some of the homies walk down the street, our hoodies pulled over our heads, people look behind us for the grim reaper. There is hope, but without it being fostered, The fruits die on the vine, noosed up in a new way as they drop.
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111
i met her at the crow bar - a mescalero from amarillo - her name was lily and she was in from the field wearing tiger stripe camos cut short like i like 'em and she liked to hike them - all commando she had a tattered boony hat - a kevlar vest and a tat that said - the wild, wild west - her shoulder holsters were packed with two .40s - lordy, lordy - she said they bolstered her fire power we were commando stylin' ...on the blue mesa. 12/5/14   :)
0
Dec 5, 2014
Dec 5, 2014 at 10:18 PM UTC
commando on the blue mesa
I demand to make my choices. We are here to raise our voices. These irreversible changes are locking us in cages; These are real, life-or-death issues. This is no show, and these lives are no Broadway stages. Let's talk about decisions; Let's put aside biased visions. Let’s talk about who makes these decisions; I’m looking at you, old white dudes in boardrooms. Last time you took a class in sex-ed, Gatsby and Daisy were just about this close to being bride and groom. Let's talk about consent; Let's use this space to vent. Let’s talk about who has the right to judge; I’m looking at you, anti-abortion crusaders. Feeling threatened by strong women and their placards and posters, Like they’ve got pistols in their uterine holsters, Like they’re all daughters of the dark forces of Darth Vader. Why do we insist on going to war with each other? More importantly, Why does our ****** education, The root of this problem, The rotten core of this issue - Why does our ****** education **** so much? Why do we talk about choice for a woman instead of the choice of men to respect a woman in the first place? Why are we still debating? Grown men telling women to listen, It's absolutely infuriating! Let's fight for rights and quit the hating. Women are resorting to desperate measures, Whilst men walk away with fulfilled pleasures. I adopt this tone gravely; Women are jeopardising their safety, daily. Is a living woman worth less than an unborn baby?
0
May 25, 2019
May 25, 2019 at 5:18 AM UTC
An act of compassion
People plugged in everywhere To ipods, games and phones Like non-existent robots The world is full of drones We're now made up of circuit boards We've lost all of our bones Be different, and unplug yourself Grow a pair of stones Your life is electronic on a tablet or a chip You run your life remotely you give people email lip you wouldn't dare go jogging you might fall and break a hip Be different, and unplug yourself And give technology the slip A record made of vinyl now it's just some bits and bytes It's a relic in an antique store Along with other sights Like cameras using flashbulbs when taking shots at night Be different and unplug yourself Show digital your might It doesn't matter where you go A text, you have to send If you're going to the shopping mall Or just walking 'round the bend You've more holsters on your belt loop Than gunfighters would depend To hold onto their weapons Before they met their end Turn off the boxes, read a book Do something that's old school Don't follow all the others Acting like a dumb pack mule Don't rely on electronics Just use it as a tool Unplug yourself from everything Be a leader not a fool People plugged in everywhere To ipods, games and phones Like non-existent robots The world is full of drones We're now made up of circuit boards We've lost all of our bones Be different, and unplug yourself Grow a pair of stones
0
Dec 28, 2012
Dec 28, 2012 at 4:23 PM UTC
Unplug yourself
We sat on the grass by Banks House warm sun sound of coal men at the coal wharf just behind shunting of coal trucks up in the shunting yard by the railway bridge I showed Janice my new 6 shooter gun my old man had got me with a plastic holster that was attached to my belt she took the gun in her hands and turned it over what's fascinating about guns? she said one looks pretty much like another she opened up the gun and saw where the caps were fitted does it go bang when you fire caps? sure it does I said and took the gun and pulled the trigger and BANG BANG it went she put her hands over her ears that's loud she said ******** up her eyes I twirled the gun round a finger and put the gun back in the holster Gran said guns are dangerous things Janice said they are but this is only a toy gun I said she took off her red beret and combed her fair hair with a comb from her small handbag did they have girl cowboys? she asked cowgirls they were called I said Anne Oakley was good with a gun   have you got a spare gun and holster I could borrow? and I could be her to your Wyatt Earp she said sure I have I said I got lots of guns and holsters - I had about three sets- let's go get one and we can get you started as a cowgirl I said and I can ride a pretend white horse she said to go with your black one ok I said and we got up and walked back into the Square and we went to the flat where I lived my mother was boiling the wash in the boiler and said you want some lunch yet? I asked Janice and she said that would be nice and so we had some sandwiches and milk and I went and got her a spare gun and holster and an S belt of mine which she fitted around her narrow waist and she had a go at drawing the gun out of the holster as she'd seen me do and she was quite good and after lunch we set off to ride our imaginary horses through the Square and along the open prairie off the Meadow Row bomb site looking out for Injuns or bad cowboys we could fight.
0
Jul 11, 2015
Jul 11, 2015 at 3:19 AM UTC
COWGIRL IN 1956.
We sat on the grass by Banks House warm sun sound of coal men at the coal wharf just behind shunting of coal trucks up in the shunting yard by the railway bridge I showed Janice my new 6 shooter gun my old man had got me with a plastic holster that was attached to my belt she took the gun in her hands and turned it over what's fascinating about guns? she said one looks pretty much like another she opened up the gun and saw where the caps were fitted does it go bang when you fire caps? sure it does I said and took the gun and pulled the trigger and BANG BANG it went she put her hands over her ears that's loud she said ******** up her eyes I twirled the gun round a finger and put the gun back in the holster Gran said guns are dangerous things Janice said they are but this is only a toy gun I said she took off her red beret and combed her fair hair with a comb from her small handbag did they have girl cowboys? she asked cowgirls they were called I said Anne Oakley was good with a gun   have you got a spare gun and holster I could borrow? and I could be her to your Wyatt Earp she said sure I have I said I got lots of guns and holsters - I had about three sets- let's go get one and we can get you started as a cowgirl I said and I can ride a pretend white horse she said to go with your black one ok I said and we got up and walked back into the Square and we went to the flat where I lived my mother was boiling the wash in the boiler and said you want some lunch yet? I asked Janice and she said that would be nice and so we had some sandwiches and milk and I went and got her a spare gun and holster and an S belt of mine which she fitted around her narrow waist and she had a go at drawing the gun out of the holster as she'd seen me do and she was quite good and after lunch we set off to ride our imaginary horses through the Square and along the open prairie off the Meadow Row bomb site looking out for Injuns or bad cowboys we could fight.
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114
I always wanted to compose symphonies, But my hands and my head could never agree. I got the blue curse, because I always feel beats, But my fingers freeze up when I get to melo-DIEs. Recede. I want to live the nihilist's dream, Smoke packs a day to intensify screams. Maybe if I stare into the middle distance, After hours I would build up a tolerance to listen. IN THIS town, there are only 2 kinds of people Girls who pierce their NOSES and THOSE IN the steeple Walking down So. Auburn in bare feet and short shorts Catching the gleam from the street (of course), With their dreadlocks all up in auburn buns And their eyes shooting diamonds in the autumn sun. Bullet-belt vests draped lazily over their shoulders, With double-zero earrings and squirt-gun holsters. And the police-dogs and the SWAT cars are all powered by indulgence, The doctors are up to their elbows in cadavers by self-expulsion The men are splitting at the seams from over-eating obsessive compulsion And the shameful deception of upward inflection to change my direction and wind UP and the inanimate DUCKling with a large crank between its shoulders In the shape of a black key to the black energy that makes the cold rooms colder Is a disguise to the spoken word hurricanes brewing inside me. Set me to zero then make me the hero so physicists can derive me. If the sum of all forces is equal to mass times acceleration, Maybe the sum of world problems is equal to vanity times irritation. Jeans cutting up my legs, purpling due to lack of circulation Are developing holes, as well as the soles of my shoes, I'm growing impatient. The production slows to a halt, pouring salt into lacerations, And as boys grow into drunk daddies, women resort to migration. This country isn't democracy, just a ghastly and pale imitation, These people don't have representatives, only half-assed representations.
0
Feb 17, 2011
Feb 17, 2011 at 7:08 PM UTC
Mellow D's
I always wanted to compose symphonies, But my hands and my head could never agree. I got the blue curse, because I always feel beats, But my fingers freeze up when I get to melo-DIEs. Recede. I want to live the nihilist's dream, Smoke packs a day to intensify screams. Maybe if I stare into the middle distance, After hours I would build up a tolerance to listen. IN THIS town, there are only 2 kinds of people Girls who pierce their NOSES and THOSE IN the steeple Walking down So. Auburn in bare feet and short shorts Catching the gleam from the street (of course), With their dreadlocks all up in auburn buns And their eyes shooting diamonds in the autumn sun. Bullet-belt vests draped lazily over their shoulders, With double-zero earrings and squirt-gun holsters. And the police-dogs and the SWAT cars are all powered by indulgence, The doctors are up to their elbows in cadavers by self-expulsion The men are splitting at the seams from over-eating obsessive compulsion And the shameful deception of upward inflection to change my direction and wind UP and the inanimate DUCKling with a large crank between its shoulders In the shape of a black key to the black energy that makes the cold rooms colder Is a disguise to the spoken word hurricanes brewing inside me. Set me to zero then make me the hero so physicists can derive me. If the sum of all forces is equal to mass times acceleration, Maybe the sum of world problems is equal to vanity times irritation. Jeans cutting up my legs, purpling due to lack of circulation Are developing holes, as well as the soles of my shoes, I'm growing impatient. The production slows to a halt, pouring salt into lacerations, And as boys grow into drunk daddies, women resort to migration. This country isn't democracy, just a ghastly and pale imitation, These people don't have representatives, only half-assed representations.
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32
You are the monster under my bed The boogeyman I cannot forget The black hand red fingernails creeping lightly on my skin like daddy long legs mama told me couldn't bite Your lips are splinters digging into the holsters you carved into my bones October 15th I can remember your blackened eyes hollow nostrils like full moons You were the werewolf mama told me only came out at night to catch bad little boys I tried so hard to be good for you to be on your nice list mama said you checked it twice I bit my tongue till it bled while your boogeyman claws paper shredding my thighs blood coming up like well water on your wrists I didn’t look when the sun came up and you turned back into a man again I didn’t look under my bed that night because I knew nightmares weren’t what I was afraid of anymore and night terrors weren’t what was keeping me so late I didn’t ask mama if I was a bad little boy and if the werewolf was going to be coming back for me again didn’t ask her to tuck me in didn’t ask her to read me another bedtime story Because you are the monster under my bed And when I don’t cover my feet under blankets like mama said would keep me safe at night you grip me harder than mama could I can’t forgive myself and I can’t tell myself mama was wrong that werewolves and boogeymen don’t come for just the bad little boys at night but you let me know I was the cautionary fairy tale mama let me know I was the boy who cried wolf you whispered it in your growling hissing nails-on-a-blackboard boogeyman voice mama never told me what to do if I was that bad little boy mama never told me how to fight off the boogeyman never told me how to **** a werewolf If I should run a stake through your heart or use holy water mama I'm sorry I didn't know mama you told me you could forgive me That October night I prayed while I was falling asleep Mama said it would help “Dear god please forgive me I let the devil inside And he won’t get out from under my bed.”
0
Mar 7, 2014
Mar 7, 2014 at 11:12 PM UTC
Forgiveness Prompt
You are the monster under my bed The boogeyman I cannot forget The black hand red fingernails creeping lightly on my skin like daddy long legs mama told me couldn't bite Your lips are splinters digging into the holsters you carved into my bones October 15th I can remember your blackened eyes hollow nostrils like full moons You were the werewolf mama told me only came out at night to catch bad little boys I tried so hard to be good for you to be on your nice list mama said you checked it twice I bit my tongue till it bled while your boogeyman claws paper shredding my thighs blood coming up like well water on your wrists I didn’t look when the sun came up and you turned back into a man again I didn’t look under my bed that night because I knew nightmares weren’t what I was afraid of anymore and night terrors weren’t what was keeping me so late I didn’t ask mama if I was a bad little boy and if the werewolf was going to be coming back for me again didn’t ask her to tuck me in didn’t ask her to read me another bedtime story Because you are the monster under my bed And when I don’t cover my feet under blankets like mama said would keep me safe at night you grip me harder than mama could I can’t forgive myself and I can’t tell myself mama was wrong that werewolves and boogeymen don’t come for just the bad little boys at night but you let me know I was the cautionary fairy tale mama let me know I was the boy who cried wolf you whispered it in your growling hissing nails-on-a-blackboard boogeyman voice mama never told me what to do if I was that bad little boy mama never told me how to fight off the boogeyman never told me how to **** a werewolf If I should run a stake through your heart or use holy water mama I'm sorry I didn't know mama you told me you could forgive me That October night I prayed while I was falling asleep Mama said it would help “Dear god please forgive me I let the devil inside And he won’t get out from under my bed.”
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32
I can’t really tell you About love, You. I’m interested in ******* Till I’m raw, and holding You like the universe you Are. Sometimes I go around With hoes, Smoking blunts till we fume And sing and laugh And start getting handsy. Sometimes they have their kids in the other room, And they yelp and laugh; when I look into these hoes Eyes, all I see is aggression. I’m not seeing myself. I’m not saying these things The way I want them to be sung. Most of my money Runs out the door. Like a bandit, Trouble likes to peep me when I’m at my worst. The cops have never been so ***** As when they see me, and they ****** Holsters. I go alone a lot. To a lot of places. Hoes, Money, Depression, Debt, Bad Credit, All kinds of Addiction, **** Alcohol, **** Codeine, Nicotine, My brain is a Chemical Frenzy, Most days I’m hovering like a mote. I graduated, Look at my degree: **** Me. I have come home to a confining place, A spit-swallowing place, full of half-breathed people And tight-lipped sorrows. I can only go when it’s convenient And necessary. I can only be when it’s part of a digression, Never progression. Food tastes like paper, I’ve taken a likening. Lights are fastened to the sky, The glue wears, washes my eyes in milk, The jewels drop, The world ends. Then it all snaps back into place, eerily, So clean I never saw it. Ask me if I can tell you about love, When I can remember your body And It’s casual thump, Clothed or not, Drunk or sober, Speaking or silent. Ask me if I can drive home and peel back the sky with my left hand, while steering Earth into oblivion, As I lean across wind-swept galaxies of dust, ash, and settled nicotine To kiss Florida Orange lips, sip the nectar of insanity, and Swerve on universe eyes.
0
Mar 14, 2013
Mar 14, 2013 at 11:09 AM UTC
Ask me about love.
I can’t really tell you About love, You. I’m interested in ******* Till I’m raw, and holding You like the universe you Are. Sometimes I go around With hoes, Smoking blunts till we fume And sing and laugh And start getting handsy. Sometimes they have their kids in the other room, And they yelp and laugh; when I look into these hoes Eyes, all I see is aggression. I’m not seeing myself. I’m not saying these things The way I want them to be sung. Most of my money Runs out the door. Like a bandit, Trouble likes to peep me when I’m at my worst. The cops have never been so ***** As when they see me, and they ****** Holsters. I go alone a lot. To a lot of places. Hoes, Money, Depression, Debt, Bad Credit, All kinds of Addiction, **** Alcohol, **** Codeine, Nicotine, My brain is a Chemical Frenzy, Most days I’m hovering like a mote. I graduated, Look at my degree: **** Me. I have come home to a confining place, A spit-swallowing place, full of half-breathed people And tight-lipped sorrows. I can only go when it’s convenient And necessary. I can only be when it’s part of a digression, Never progression. Food tastes like paper, I’ve taken a likening. Lights are fastened to the sky, The glue wears, washes my eyes in milk, The jewels drop, The world ends. Then it all snaps back into place, eerily, So clean I never saw it. Ask me if I can tell you about love, When I can remember your body And It’s casual thump, Clothed or not, Drunk or sober, Speaking or silent. Ask me if I can drive home and peel back the sky with my left hand, while steering Earth into oblivion, As I lean across wind-swept galaxies of dust, ash, and settled nicotine To kiss Florida Orange lips, sip the nectar of insanity, and Swerve on universe eyes.
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61
Double sided Your presence always accompanied By the most dreadful momentum You are gaining speed You are losing peace You are giving the lead To a power that won’t cease It’s cloaked in impulse A body of desire Though intention rests in its holsters Pride is all it fires Swirling beauty slow down! Running too fast for those Who can recognize to see And those who can’t to catch You champion hope by burying action With action of the wrong kind This version of hope doesn’t Liberate, but rather infects the mind Hope was meant to inspire Not fuel a pointless fire You’ve made your conscience a liar Dragging ideals through the mire Shadow-kissed A waste of this Inverting experiences You won’t want to reminisce A romance not worth a single ounce Of the blood you’ve already lost Put to death that with which you lay If only you knew the cost Why can’t you see the bottom?
0
Aug 24, 2015
Aug 24, 2015 at 2:43 PM UTC
Shadow-Kissed
A Dotard deals directly with death His empty head wastes it’s breath Fire and fury; war and worry Life lost like a blink of an eye A flash in the dark and then we die Another ****** on the news Black, white, Muslims, Jews Fears of terror on the rise Weapons of sizeable lies Pray for Paris, stand with me Pray in public for people to see We’ll send our thoughts, a share, a like And we’ll declare another drone strike Tears shed for the injured and dead For every white city stained red Another elementary school mess Caused by a child’s carelessness Or some ****** having fun With the barrel of his gun A classroom of souls sit silent Victims of a life so violent Education spent on waging war Using the pockets of our poor America’s defence, say the boasters Our children, new age holsters A mother explains the world to her son That’s ruled under finger and gun Until a time when tragedy hits here We all live life, paralyzed in fear A world in decay and that’s okay Because her child won’t ever know The sky on fire raining ash-like snow Won’t ever see the rising sea Will not hear the screams of the free As they rally together for peace And are rained down on by police Higher he will have to rise Higher, after he dies No longer burdened by the blow of living In a time of eternal unforgiving Plunged into a nightmare, he screams Softly, slowly, delved into drowning dreams As his mother stands above Holding him under with love A monster, a fiend they’ll see An American reality Another victim of violence A soul becomes silence Hearts break, tears are shed Out of jealousy for the dead For all the world’s war and strife He’s just another casualty of life On the news, a leading millionaire Offering a thought and prayer
0
Oct 18, 2017
Oct 18, 2017 at 8:09 PM UTC
The American Dream
A Dotard deals directly with death His empty head wastes it’s breath Fire and fury; war and worry Life lost like a blink of an eye A flash in the dark and then we die Another ****** on the news Black, white, Muslims, Jews Fears of terror on the rise Weapons of sizeable lies Pray for Paris, stand with me Pray in public for people to see We’ll send our thoughts, a share, a like And we’ll declare another drone strike Tears shed for the injured and dead For every white city stained red Another elementary school mess Caused by a child’s carelessness Or some ****** having fun With the barrel of his gun A classroom of souls sit silent Victims of a life so violent Education spent on waging war Using the pockets of our poor America’s defence, say the boasters Our children, new age holsters A mother explains the world to her son That’s ruled under finger and gun Until a time when tragedy hits here We all live life, paralyzed in fear A world in decay and that’s okay Because her child won’t ever know The sky on fire raining ash-like snow Won’t ever see the rising sea Will not hear the screams of the free As they rally together for peace And are rained down on by police Higher he will have to rise Higher, after he dies No longer burdened by the blow of living In a time of eternal unforgiving Plunged into a nightmare, he screams Softly, slowly, delved into drowning dreams As his mother stands above Holding him under with love A monster, a fiend they’ll see An American reality Another victim of violence A soul becomes silence Hearts break, tears are shed Out of jealousy for the dead For all the world’s war and strife He’s just another casualty of life On the news, a leading millionaire Offering a thought and prayer
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54
A showdown on Sunset At sundown the two met A breakdown of Corvettes Cellphones drawn by execs From holsters, my wild west On speed dial is the best Lawyers to slow down, lay to rest This showdown of suits neatly pressed
0
Mar 28, 2010
Mar 28, 2010 at 6:25 PM UTC
Collision of bumpers and egos
David slings a rock Cop holsters a glock, Lizzie Borden packs an axe Mac he packs the knife, Billy battles with a club, Tommy’s gun is a sub Kelly’s got 1 too, Bazooka Joe Is Gum, Peter Gun not, Colt 45 is not malt Nor a horse, hand grenades, canons w/big ***** Doc Holiday had TB Rock Hudson *** James Dean crash his car,Hank Williams in his bar Natalie Wood don’t float, Cain killed brother, Juliette poison her lover, Whitey Bulger, he  killed and got paid,  deadman walking  gets to eat Rodney King he got beat, got beat Mama Cass Elliott choked on ham 58,000 gone in Nam, 4 dead in Ohio, Kamikazes fall 1941, again 2001 Iraqi leader w/ a rope, John Belushi too much dope, C. Manson is alive Michael Jackson isn’t,  Saturday night special is very ordinary Fast and furious is the crime, **** Clark just his time Pirate victims walk the plank, THINK, Next I’ll come rolling up in a tank Hear the whistle of my missile ***** Harry had the biggest The  Derringer  is  small Smokey Bear forest fire Greek funeral is a pyre Too many  +’s or  -’s Is electrical surges Woman and child sing the dirges Walking dead Are  zombies Fat man and Little Boy Are atom Bombies as for me in a blaze of glory BOOM
0
May 31, 2015
May 31, 2015 at 2:57 PM UTC
BAZOOKA JOE IS GUM
Why do you wear your guns back to front in the holsters? Helen asked me as we walked the bomb site by Meadow Row I saw this cowboy in a film at the cinema have his like this and you cross your hands over and get your guns isn't it slower that way? she asked no it's speed that matters not how you wear your guns I said I showed her how quick I was and she stood bemused clutching her doll Battered Betty tightly to her chest haven't you got caps in your guns to make them sound real? she asked no I ran out and anyway I can make the sound myself by going BANG BANG she jumped away holding Battered Betty to her chest you could have told me you were going to make that loud banging noise Betty got frightened I looked at her tightly woven plaits of hair and thick lens glasses and her small hands holding the doll sorry Betty I said patting the doll's head I put the guns away and we walked to the New Kent Road and along under the railway bridge and by the Trocadero cinema gazing at the billboards and small pictures of films being shown you can come with me here on Saturday I said they've got a good cowboy film showing haven't any money for the cinema Mum said she can't afford it Helen said my old man'll cough up some money if I ask I said she looked at me Mum'll let me go if you ask her Helen said ok let's go ask her now I said so we walked to Helen's house and I told her about how I practised drawing my guns everyday she looked at Betty but whether she was listening to me or not I couldn't say.
0
May 14, 2014
May 14, 2014 at 4:36 AM UTC
HELEN AND THE GUNS.
Why do you wear your guns back to front in the holsters? Helen asked me as we walked the bomb site by Meadow Row I saw this cowboy in a film at the cinema have his like this and you cross your hands over and get your guns isn't it slower that way? she asked no it's speed that matters not how you wear your guns I said I showed her how quick I was and she stood bemused clutching her doll Battered Betty tightly to her chest haven't you got caps in your guns to make them sound real? she asked no I ran out and anyway I can make the sound myself by going BANG BANG she jumped away holding Battered Betty to her chest you could have told me you were going to make that loud banging noise Betty got frightened I looked at her tightly woven plaits of hair and thick lens glasses and her small hands holding the doll sorry Betty I said patting the doll's head I put the guns away and we walked to the New Kent Road and along under the railway bridge and by the Trocadero cinema gazing at the billboards and small pictures of films being shown you can come with me here on Saturday I said they've got a good cowboy film showing haven't any money for the cinema Mum said she can't afford it Helen said my old man'll cough up some money if I ask I said she looked at me Mum'll let me go if you ask her Helen said ok let's go ask her now I said so we walked to Helen's house and I told her about how I practised drawing my guns everyday she looked at Betty but whether she was listening to me or not I couldn't say.
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100
Lydia sat on the red tiled door step of the ground floor flat looking out at the Square one morning one Sunday her father was in bed her mother preparing Sunday lunch listening to music on the old radio her 15 year old big sister was asleep with her boyfriend her brother Hem was out looking for spiders to pull off their legs one by one the man with his boxer dog walked by then she saw Benedict in tee shirt and blue jeans armed with his 6 shooters in holsters wearing a cowboy hat where abouts you going? She asked him clean up Dodge he replied why? is it ***** then? She called out sitting there in her green flowered dress Benedict walked over to where she was sitting you ok? He asked her pushing back on his head the black hat no I'm bored and fed up she replied come with me we can both clean up Dodge Benedict said to her so where's Dodge? She asked him on the big bomb site off Meadow Row can I have one of your 6 shooters? Sure you can have to tell my mum where I'm going Lydia said Benedict nodded his head and said best not to mention Dodge or she may not let you go with me so she went indoors and asked her mum where will you be? she asked we're going to clean up Dodge City who are we? Benedict and just me her mother stared at her o I see mother said be careful of the roads and that was all she said carrying on with the preparing of the lunch Lydia went off with Benedict borrowing one of his 6 shooters tucked in the green bow of her green dress her eyes bright her straight hair unbrushed and quite a mess.
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Jun 13, 2015
Jun 13, 2015 at 3:20 AM UTC
THE CLEAN UP 1958.
Lydia sat on the red tiled door step of the ground floor flat looking out at the Square one morning one Sunday her father was in bed her mother preparing Sunday lunch listening to music on the old radio her 15 year old big sister was asleep with her boyfriend her brother Hem was out looking for spiders to pull off their legs one by one the man with his boxer dog walked by then she saw Benedict in tee shirt and blue jeans armed with his 6 shooters in holsters wearing a cowboy hat where abouts you going? She asked him clean up Dodge he replied why? is it ***** then? She called out sitting there in her green flowered dress Benedict walked over to where she was sitting you ok? He asked her pushing back on his head the black hat no I'm bored and fed up she replied come with me we can both clean up Dodge Benedict said to her so where's Dodge? She asked him on the big bomb site off Meadow Row can I have one of your 6 shooters? Sure you can have to tell my mum where I'm going Lydia said Benedict nodded his head and said best not to mention Dodge or she may not let you go with me so she went indoors and asked her mum where will you be? she asked we're going to clean up Dodge City who are we? Benedict and just me her mother stared at her o I see mother said be careful of the roads and that was all she said carrying on with the preparing of the lunch Lydia went off with Benedict borrowing one of his 6 shooters tucked in the green bow of her green dress her eyes bright her straight hair unbrushed and quite a mess.
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128
25 little soldiers lined up in a row 25 gun holsters tucked beneath each elbow 25 little soldiers get 25 to life for 25 death threats to the President's wife
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Sep 23, 2014
Sep 23, 2014 at 12:34 AM UTC
Overthrown
The Future to me is Walking Toasters and Cars that glide and go faster than roller coaster No more big screens nothing but virtual TVs & invisible gun holsters Art Displays still magnificence in portable posters. Images and pictures are no longer created by hand they are simply imagined then transferred to an electrical canvas through the movement of sand. Homes are bought with credits in the digital lands all types of music played together with the mystical hands Medley's majestically moving the fans   No more war or hate just peace by command it’s amazing to see the future in conceptual hands, emotional bangs and physical hangs dominated by the extraterrestrial man. The future is no place for a regular man a scholar must know mathematics and formulas to simply understand love as a feeling and how it stands. Vagabond walkers on the side of the technological wastelands everything that's trash is thrown in biological waste cans then mutated among each other to create bands.
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Oct 19, 2016
Oct 19, 2016 at 11:32 AM UTC
The Future
~ **Wesson gives a lessen with a .357 David slings rock cop holsters a glauk Lizzy Borden packs an axe Mac he packs the knife Billy battles with a club Tommy's gun is a sub Kelly's got one too Bazooka Joe is  gum Peter Gunn is not Smokey has the right to "bear" arms or did we just arm bears don't let my gun become undone never stifle my rifle hear the whistle of my missle think    next I'll bring the tank after that what do you bet?  i'll come flying in a Jet**
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Jan 26, 2014
Jan 26, 2014 at 10:49 AM UTC
Bazooka Joe is Gum
The stakes of civilization burn mundane flares fighting wars with HAZ-MAT suits. The nonsense blabbers death on the rotting flesh of surreal zombies. Late distillations throw parties--singing songs to dummy suicides, martini holsters in bubonic grief. Stupid people do smart things in this 24601 world. Frost penalization claims ghosts as lost lovers. Stupid people make catacombs from burning villages in carbon sockets.
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Feb 7, 2013
Feb 7, 2013 at 3:19 AM UTC
The Stakes of Civilization
Benny and Helen got off the bus at Camberwell Green, and Benny showed her the shops, and they looked around; he at the toy shops looking at guns and holsters, and rifles with pictures of cowboys on the packet, and she at dolls and prams, and skipping ropes; then he showed her the hospital where he was born which was a way further along a long road. That's where I was born, he said, showing her the hospital, pointing it out.   Why were you born there, and not Guy's hospital? Helen said. Because my mum lived in Dulwich then, and not the Elephant, Benny said. O I see, said Helen, wide-eyed through her thick lens spectacles. I was born in Guy's hospital, Helen said. They stood watching for a while, then they walked back to the shops again, and found a cafe, and went in, and Benny bought them both ice creams, and they walked to Camberwell Park, and sat on one of the seats, and ate their ice creams. I was in another hospital when I was about 6 weeks old, Benny said. Why was that? Helen said. I had a twisted gut, Benny said, and nearly died. Helen gazed at him: her eyes big and shocked. Did you? she said. Yes I was baptised in the hospital, and my aunt, and some medical staff were my godparents, Benny said. Glad you didn't die, she said. Me too, Benny said, couldn't have bought these ice creams then, or be sitting here with you. And I wouldn't be here, because Mum would never let me come this far on my own, and then I wouldn't have seen it, or the hospital where you were born, Helen said. They sat in the park and ate their ice creams, and then Benny showed her the cinema he came to sometimes, a real fleapit, he said, but they show good films. Can I come with you next time? she said, if Mum'll let me. Sure you can, Benny said. She kissed him on the cheek, and he hoped that no boys from school saw the kiss in case they thought him a cissy, but it was a good kiss he supposed, as far as he knew. But what was a 7 year old boy, having been kissed by a 7 year old girl, to do? He pretended it wasn't there, and pretended not to care.
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Apr 24, 2016
Apr 24, 2016 at 2:12 AM UTC
PRETENDED NOT TO CARE 1955.
Benny and Helen got off the bus at Camberwell Green, and Benny showed her the shops, and they looked around; he at the toy shops looking at guns and holsters, and rifles with pictures of cowboys on the packet, and she at dolls and prams, and skipping ropes; then he showed her the hospital where he was born which was a way further along a long road. That's where I was born, he said, showing her the hospital, pointing it out.   Why were you born there, and not Guy's hospital? Helen said. Because my mum lived in Dulwich then, and not the Elephant, Benny said. O I see, said Helen, wide-eyed through her thick lens spectacles. I was born in Guy's hospital, Helen said. They stood watching for a while, then they walked back to the shops again, and found a cafe, and went in, and Benny bought them both ice creams, and they walked to Camberwell Park, and sat on one of the seats, and ate their ice creams. I was in another hospital when I was about 6 weeks old, Benny said. Why was that? Helen said. I had a twisted gut, Benny said, and nearly died. Helen gazed at him: her eyes big and shocked. Did you? she said. Yes I was baptised in the hospital, and my aunt, and some medical staff were my godparents, Benny said. Glad you didn't die, she said. Me too, Benny said, couldn't have bought these ice creams then, or be sitting here with you. And I wouldn't be here, because Mum would never let me come this far on my own, and then I wouldn't have seen it, or the hospital where you were born, Helen said. They sat in the park and ate their ice creams, and then Benny showed her the cinema he came to sometimes, a real fleapit, he said, but they show good films. Can I come with you next time? she said, if Mum'll let me. Sure you can, Benny said. She kissed him on the cheek, and he hoped that no boys from school saw the kiss in case they thought him a cissy, but it was a good kiss he supposed, as far as he knew. But what was a 7 year old boy, having been kissed by a 7 year old girl, to do? He pretended it wasn't there, and pretended not to care.
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101
Pluto is in my brain And archers stick my spine I am not flammable Cabled streets And ***** walks Broken windows cut my Finger tips And the world looks small Non existent I am ephemeral Filled with a Jupiter cancer And you're the teacher 3 minutes left Walk with your chin loose Biting knuckles Please don't **** me Over and out With frozen band aided  hands Radio jazz And drifting holsters VZA show me that speed Five more houses Give me what I want Whoever knows What I'm trying to say Means nothing anyway Enjoy the night Kick me in the stomach And feed me moths I love you only if that. Jamaican carnivals And white wine Love on me fully Unlock the temptation Of soft reggae And the slayer of lungs Crackling voices Hear me I felt your soul It's nice You're flowered heart Reaps me inside Tears me to shreds To plant flora and trees And work on the yard On and on Simple life equates on The beautiful one The grass they make In this moment Women are strong With Aquarius And your laugh is sweet Like hickory Please turn it off
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Apr 5, 2015
Apr 5, 2015 at 9:47 PM UTC
Oh hell
You roll in like a vaquero to the Wild West: water galloping the earth & black clouds rippling: the foaming flank of a stallion. Tip your hat & get to business: charge the air with cactus-prickle shivers, slip your Zeus fingers from holsters and lightning- rod them to the sky. Rumble your spurs & order me a sarsaparilla—lid-crack carefully; an effervescent gale will brew. Breathe slow at first: electric hum through bone- white grass: bows as you ghost by— clear your throat, lasso tight my attention with guttural echoes pressed heavy on my chest. Then rip open the constellations with gunshot blows, explode wide saloon doors & take no prisoners. Oil-lacquer streets & ride off blazing: leave the women but take me, saddle-swing me high in the catatonic static of a ghost town. You’ll vanish like you came: I know what they say about red skies in morning. But I’m never awake to watch you silhouette away.
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May 2, 2014
May 2, 2014 at 11:37 PM UTC
Love Letter to a Thunderstorm
He was a brawned and ugly gun-slinger, and he came from the wild west; He had the names of six dead Texan boys, tattoed on his chest; His hat was 15 gallons tall, his long-coat midnight black; He wore his holsters mighty high and he said his name was Jack. He rode a palamino horse on the day he came to town; Three deputies were in the street, and he shot those suckers down; Dismounting by the sheriffs door, he hollered out a cry, *"Get yer no-good chicken *** outside, today yer gonna die."* The sheriff boldly stepped outside, a shotgun in his hand, *"You'd best be coming quiet son, or your life aint worth a **** Jack tipped his hat and curled his lip, he turned his head and spat, "You shot my brother, sheriff, and yer gonna pay for that." The sheriff paused to ponder, then he slowly shook his head, "Your Jimmy robbed a stagecoach and he left the driver dead." Jack grimaced at his brother's name, and his hands twitched by his side, "You can call it how you like", he said, "But I'm gonna have yer hide." The sheriff put the shotgun down, and they faced off in the street, His hands were poised above his guns, he was sweating in the heat; He waited till he saw Jack flinch, and his hands flew lightning fast, His trusty colts were smoking as they fired their deadly blast. For a moment they both stood stock still, then Jack fell to the ground, His face was full of shocked surprise, but he never made a sound; The sheriff felt a tinge of pain, and he saw his badge was bust; As the blood came seeping from his chest, he fell into the dust. The townsfolk still recall the day, when Jack rode into town, And every year they say a prayer, on the day they both fell down; They were buried up on old Boot Hill, their graves were side by side; The sheriff renowned for killing Jack, with the man who took his hide.
0
Jun 28, 2014
Jun 28, 2014 at 12:11 AM UTC
One-Hide Jack
He was a brawned and ugly gun-slinger, and he came from the wild west; He had the names of six dead Texan boys, tattoed on his chest; His hat was 15 gallons tall, his long-coat midnight black; He wore his holsters mighty high and he said his name was Jack. He rode a palamino horse on the day he came to town; Three deputies were in the street, and he shot those suckers down; Dismounting by the sheriffs door, he hollered out a cry, *"Get yer no-good chicken *** outside, today yer gonna die."* The sheriff boldly stepped outside, a shotgun in his hand, *"You'd best be coming quiet son, or your life aint worth a **** Jack tipped his hat and curled his lip, he turned his head and spat, "You shot my brother, sheriff, and yer gonna pay for that." The sheriff paused to ponder, then he slowly shook his head, "Your Jimmy robbed a stagecoach and he left the driver dead." Jack grimaced at his brother's name, and his hands twitched by his side, "You can call it how you like", he said, "But I'm gonna have yer hide." The sheriff put the shotgun down, and they faced off in the street, His hands were poised above his guns, he was sweating in the heat; He waited till he saw Jack flinch, and his hands flew lightning fast, His trusty colts were smoking as they fired their deadly blast. For a moment they both stood stock still, then Jack fell to the ground, His face was full of shocked surprise, but he never made a sound; The sheriff felt a tinge of pain, and he saw his badge was bust; As the blood came seeping from his chest, he fell into the dust. The townsfolk still recall the day, when Jack rode into town, And every year they say a prayer, on the day they both fell down; They were buried up on old Boot Hill, their graves were side by side; The sheriff renowned for killing Jack, with the man who took his hide.
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28
Off the dusty reckless trail, my two angry-feet stared back at me from across my kingdom- a claw-footed tin-lined copper washtub manufactured in St. Louis for wayward Western royalty, just me and my feet. From under the bubbles, I swore there would be no trouble. Between a thick-veneer of desert **** I told my toes not to be alarmed, to hang tight, 'cause this was going to be our night for peace. The last thing I saw as we drifted into serenity was my twin 44's hanging quietly in my well worn holsters. Yessum, there's were rare times out here, out here in the desperado-hinterlands, where quick hands could bury a man and his two feet. I felt my hands tremble at the thought of tomorrow. But for tonight, this quiet peaceful evening, me & my feet were surely safe from any immediate harm. Amen (for these peaceful easy feelings).
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Jul 14, 2014
Jul 14, 2014 at 9:56 PM UTC
Desperado Feet (Peaceful Easy Feelings)