Submit your work, meet writers and drop the ads. Become a member
Even as the sun with purple-coloured face
Had ta’en his last leave of the weeping morn,
Rose-cheeked Adonis hied him to the chase;
Hunting he loved, but love he laughed to scorn.
Sick-thoughted Venus makes amain unto him,
And like a bold-faced suitor ‘gins to woo him.

“Thrice fairer than myself,” thus she began
“The fields chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee with herself at strife
Saith that the world hath ending with thy life.

“Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know.
Here come and sit where never serpent hisses,
And being set, I’ll smother thee with kisses.

“And yet not cloy thy lips with loathed satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety:
Ten kisses short as one, one long as twenty.
A summer’s day will seem an hour but short,
Being wasted in such time-beguiling sport.”

With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth’s sovereign salve to do a goddess good.
Being so enraged, desire doth lend her force
Courageously to pluck him from his horse.

Over one arm the ***** courser’s rein,
Under her other was the tender boy,
Who blushed and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.

The studded bridle on a ragged bough
Nimbly she fastens—O, how quick is love!
The steed is stalled up, and even now
To tie the rider she begins to prove.
Backward she pushed him, as she would be ******,
And governed him in strength, though not in lust.

So soon was she along as he was down,
Each leaning on their elbows and their hips;
Now doth she stroke his cheek, now doth he frown
And ‘gins to chide, but soon she stops his lips,
And, kissing, speaks with lustful language broken:
“If thou wilt chide, thy lips shall never open”.

He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;
Then with her windy sighs and golden hairs
To fan and blow them dry again she seeks.
He saith she is immodest, blames her miss;
What follows more she murders with a kiss.

Even as an empty eagle, sharp by fast,
Tires with her beak on feathers, flesh, and bone,
Shaking her wings, devouring all in haste,
Till either gorge be stuffed or prey be gone;
Even so she kissed his brow, his cheek, his chin,
And where she ends she doth anew begin.

Forced to content, but never to obey,
Panting he lies, and breatheth in her face;
She feedeth on the steam as on a prey,
And calls it heavenly moisture, air of grace,
Wishing her cheeks were gardens full of flowers,
So they were dewed with such distilling showers.

Look how a bird lies tangled in a net,
So fastened in her arms Adonis lies;
Pure shame and awed resistance made him fret,
Which bred more beauty in his angry eyes.
Rain added to a river that is rank
Perforce will force it overflow the bank.

Still she entreats, and prettily entreats,
For to a pretty ear she tunes her tale;
Still is he sullen, still he lours and frets,
‘Twixt crimson shame and anger ashy-pale.
Being red, she loves him best; and being white,
Her best is bettered with a more delight.

Look how he can, she cannot choose but love;
And by her fair immortal hand she swears
From his soft ***** never to remove
Till he take truce with her contending tears,
Which long have rained, making her cheeks all wet;
And one sweet kiss shall pay this countless debt.

Upon this promise did he raise his chin,
Like a dive-dapper peering through a wave
Who, being looked on, ducks as quickly in;
So offers he to give what she did crave;
But when her lips were ready for his pay,
He winks, and turns his lips another way.

Never did passenger in summer’s heat
More thirst for drink than she for this good turn.
Her help she sees, but help she cannot get;
She bathes in water, yet her fire must burn.
“O pity,” ‘gan she cry “flint-hearted boy,
’Tis but a kiss I beg; why art thou coy?

“I have been wooed as I entreat thee now
Even by the stern and direful god of war,
Whose sinewy neck in battle ne’er did bow,
Who conquers where he comes in every jar;
Yet hath he been my captive and my slave,
And begged for that which thou unasked shalt have.

“Over my altars hath he hung his lance,
His battered shield, his uncontrolled crest,
And for my sake hath learned to sport and dance,
To toy, to wanton, dally, smile, and jest,
Scorning his churlish drum and ensign red,
Making my arms his field, his tent my bed.

“Thus he that overruled I overswayed,
Leading him prisoner in a red-rose chain;
Strong-tempered steel his stronger strength obeyed,
Yet was he servile to my coy disdain.
O be not proud, nor brag not of thy might,
For mast’ring her that foiled the god of fight.

“Touch but my lips with those fair lips of thine,
—Though mine be not so fair, yet are they red—
The kiss shall be thine own as well as mine.
What seest thou in the ground? Hold up thy head;
Look in mine eyeballs, there thy beauty lies;
Then why not lips on lips, since eyes in eyes?

“Art thou ashamed to kiss? Then wink again,
And I will wink; so shall the day seem night.
Love keeps his revels where there are but twain;
Be bold to play, our sport is not in sight:
These blue-veined violets whereon we lean
Never can blab, nor know not what we mean.

“The tender spring upon thy tempting lip
Shows thee unripe; yet mayst thou well be tasted.
Make use of time, let not advantage slip:
Beauty within itself should not be wasted.
Fair flowers that are not gathered in their prime
Rot and consume themselves in little time.

“Were I hard-favoured, foul, or wrinkled-old,
Ill-nurtured, crooked, churlish, harsh in voice,
O’erworn, despised, rheumatic, and cold,
Thick-sighted, barren, lean, and lacking juice,
Then mightst thou pause, for then I were not for thee;
But having no defects, why dost abhor me?

“Thou canst not see one wrinkle in my brow,
Mine eyes are grey and bright and quick in turning,
My beauty as the spring doth yearly grow,
My flesh is soft and plump, my marrow burning;
My smooth moist hand, were it with thy hand felt,
Would in thy palm dissolve or seem to melt.

“Bid me discourse, I will enchant thine ear,
Or like a fairy trip upon the green,
Or like a nymph, with long dishevelled hair,
Dance on the sands, and yet no footing seen.
Love is a spirit all compact of fire,
Not gross to sink, but light, and will aspire.

“Witness this primrose bank whereon I lie:
These forceless flowers like sturdy trees support me;
Two strengthless doves will draw me through the sky
From morn till night, even where I list to sport me.
Is love so light, sweet boy, and may it be
That thou should think it heavy unto thee?

“Is thine own heart to thine own face affected?
Can thy right hand seize love upon thy left?
Then woo thyself, be of thyself rejected,
Steal thine own freedom, and complain on theft.
Narcissus so himself himself forsook,
And died to kiss his shadow in the brook.

“Torches are made to light, jewels to wear,
Dainties to taste, fresh beauty for the use,
Herbs for their smell, and sappy plants to bear;
Things growing to themselves are growth’s abuse.
Seeds spring from seeds, and beauty breedeth beauty;
Thou wast begot: to get it is thy duty.

“Upon the earth’s increase why shouldst thou feed,
Unless the earth with thy increase be fed?
By law of nature thou art bound to breed,
That thine may live when thou thyself art dead;
And so in spite of death thou dost survive,
In that thy likeness still is left alive.”

By this, the lovesick queen began to sweat,
For where they lay the shadow had forsook them,
And Titan, tired in the midday heat,
With burning eye did hotly overlook them,
Wishing Adonis had his team to guide,
So he were like him, and by Venus’ side.

And now Adonis, with a lazy sprite,
And with a heavy, dark, disliking eye,
His louring brows o’erwhelming his fair sight,
Like misty vapours when they blot the sky,
Souring his cheeks, cries “Fie, no more of love!
The sun doth burn my face; I must remove.”

“Ay me,” quoth Venus “young, and so unkind!
What bare excuses mak’st thou to be gone!
I’ll sigh celestial breath, whose gentle wind
Shall cool the heat of this descending sun.
I’ll make a shadow for thee of my hairs;
If they burn too, I’ll quench them with my tears.

“The sun that shines from heaven shines but warm,
And lo, I lie between that sun and thee;
The heat I have from thence doth little harm:
Thine eye darts forth the fire that burneth me;
And were I not immortal, life were done
Between this heavenly and earthly sun.

“Art thou obdurate, flinty, hard as steel?
Nay, more than flint, for stone at rain relenteth.
Art thou a woman’s son, and canst not feel
What ’tis to love, how want of love tormenteth?
O, had thy mother borne so hard a mind
She had not brought forth thee, but died unkind.

“What am I that thou shouldst contemn me this?
Or what great danger dwells upon my suit?
What were thy lips the worse for one poor kiss?
Speak, fair; but speak fair words, or else be mute.
Give me one kiss, I’ll give it thee again,
And one for int’rest, if thou wilt have twain.

“Fie, lifeless picture, cold and senseless stone,
Well-painted idol, image dull and dead,
Statue contenting but the eye alone,
Thing like a man, but of no woman bred!
Thou art no man, though of a man’s complexion,
For men will kiss even by their own direction.”

This said, impatience chokes her pleading tongue,
And swelling passion doth provoke a pause;
Red cheeks and fiery eyes blaze forth her wrong:
Being judge in love, she cannot right her cause;
And now she weeps, and now she fain would speak,
And now her sobs do her intendments break.

Sometime she shakes her head, and then his hand;
Now gazeth she on him, now on the ground;
Sometime her arms infold him like a band;
She would, he will not in her arms be bound;
And when from thence he struggles to be gone,
She locks her lily fingers one in one.

“Fondling,” she saith “since I have hemmed thee here
Within the circuit of this ivory pale,
I’ll be a park, and thou shalt be my deer:
Feed where thou wilt, on mountain or in dale;
Graze on my lips, and if those hills be dry,
Stray lower, where the pleasant fountains lie.

“Within this limit is relief enough,
Sweet bottom-grass and high delightful plain,
Round rising hillocks, brakes obscure and rough,
To shelter thee from tempest and from rain:
Then be my deer, since I am such a park;
No dog shall rouse thee, though a thousand bark.”

At this Adonis smiles as in disdain,
That in each cheek appears a pretty dimple.
Love made those hollows, if himself were slain,
He might be buried in a tomb so simple,
Foreknowing well, if there he came to lie,
Why, there Love lived, and there he could not die.

These lovely caves, these round enchanting pits,
Opened their mouths to swallow Venus’ liking.
Being mad before, how doth she now for wits?
Struck dead at first, what needs a second striking?
Poor queen of love, in thine own law forlorn,
To love a cheek that smiles at thee in scorn!

Now which way shall she turn? What shall she say?
Her words are done, her woes the more increasing.
The time is spent, her object will away,
And from her twining arms doth urge releasing.
“Pity!” she cries “Some favour, some remorse!”
Away he springs, and hasteth to his horse.

But lo, from forth a copse that neighbours by
A breeding jennet, *****, young, and proud,
Adonis’ trampling courser doth espy,
And forth she rushes, snorts, and neighs aloud.
The strong-necked steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.

Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven’s thunder;
The iron bit he crusheth ‘tween his teeth,
Controlling what he was controlled with.

His ears up-pricked; his braided hanging mane
Upon his compassed crest now stand on end;
His nostrils drink the air, and forth again,
As from a furnace, vapours doth he send;
His eye, which scornfully glisters like fire,
Shows his hot courage and his high desire.

Sometime he trots, as if he told the steps,
With gentle majesty and modest pride;
Anon he rears upright, curvets and leaps,
As who should say ‘Lo, thus my strength is tried,
And this I do to captivate the eye
Of the fair ******* that is standing by.’

What recketh he his rider’s angry stir,
His flattering ‘Holla’ or his ‘Stand, I say’?
What cares he now for curb or pricking spur,
For rich caparisons or trappings gay?
He sees his love, and nothing else he sees,
For nothing else with his proud sight agrees.

Look when a painter would surpass the life
In limning out a well-proportioned steed,
His art with nature’s workmanship at strife,
As if the dead the living should exceed;
So did this horse excel a common one
In shape, in courage, colour, pace, and bone.

Round-hoofed, short-jointed, fetlocks **** and long,
Broad breast, full eye, small head, and nostril wide,
High crest, short ears, straight legs and passing strong,
Thin mane, thick tail, broad buttock, tender hide;
Look what a horse should have he did not lack,
Save a proud rider on so proud a back.

Sometime he scuds far off, and there he stares;
Anon he starts at stirring of a feather;
To bid the wind a base he now prepares,
And whe’er he run or fly they know not whether;
For through his mane and tail the high wind sings,
Fanning the hairs, who wave like feathered wings.

He looks upon his love, and neighs unto her;
She answers him as if she knew his mind:
Being proud, as females are, to see him woo her,
She puts on outward strangeness, seems unkind,
Spurns at his love, and scorns the heat he feels,
Beating his kind embracements with her heels.

Then, like a melancholy malcontent,
He vails his tail that, like a falling plume,
Cool shadow to his melting buttock lent;
He stamps, and bites the poor flies in his fume.
His love, perceiving how he was enraged,
Grew kinder, and his fury was assuaged.

His testy master goeth about to take him,
When, lo, the unbacked *******, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there.
As they were mad, unto the wood they hie them,
Outstripping crows that strive to overfly them.

All swoll’n with chafing, down Adonis sits,
Banning his boist’rous and unruly beast;
And now the happy season once more fits
That lovesick Love by pleading may be blest;
For lovers say the heart hath treble wrong
When it is barred the aidance of the tongue.

An oven that is stopped, or river stayed,
Burneth more hotly, swelleth with more rage;
So of concealed sorrow may be said.
Free vent of words love’s fire doth assuage;
But when the heart’s attorney once is mute,
The client breaks, as desperate in his suit.

He sees her coming, and begins to glow,
Even as a dying coal revives with wind,
And with his bonnet hides his angry brow,
Looks on the dull earth with disturbed mind,
Taking no notice that she is so nigh,
For all askance he holds her in his eye.

O what a sight it was wistly to view
How she came stealing to the wayward boy!
To note the fighting conflict of her hue,
How white and red each other did destroy!
But now her cheek was pale, and by-and-by
It flashed forth fire, as lightning from the sky.

Now was she just before him as he sat,
And like a lowly lover down she kneels;
With one fair hand she heaveth up his hat,
Her other tender hand his fair cheek feels.
His tend’rer cheek receives her soft hand’s print
As apt as new-fall’n snow takes any dint.

O what a war of looks was then between them,
Her eyes petitioners to his eyes suing!
His eyes saw her eyes as they had not seen them;
Her eyes wooed still, his eyes disdained the wooing;
And all this dumb-play had his acts made plain
With tears which chorus-like her eyes did rain.

Full gently now she takes him by the hand,
A lily prisoned in a gaol of snow,
Or ivory in an alabaster band;
So white a friend engirts so white a foe.
This beauteous combat, wilful and unwilling,
Showed like two silver doves that sit a-billing.

Once more the engine of her thoughts began:
“O fairest mover on this mortal round,
Would t
'Tis a bleak wild hill,--but green and bright
In the summer warmth and the mid-day light;
There's the hum of the bee and the chirp of the wren,
And the dash of the brook from the alder glen;
There's the sound of a bell from the scattered flock,
And the shade of the beech lies cool on the rock,
And fresh from the west is the free wind's breath,--
There is nothing here that speaks of death.

  Far yonder, where orchards and gardens lie,
And dwellings cluster, 'tis there men die.
They are born, they die, and are buried near,
Where the populous grave-yard lightens the bier;
For strict and close are the ties that bind
In death the children of human-kind;
Yea, stricter and closer than those of life,--
'Tis a neighbourhood that knows no strife.
They are noiselessly gathered--friend and foe--
To the still and dark assemblies below:
Without a frown or a smile they meet,
Each pale and calm in his winding-sheet;
In that sullen home of peace and gloom,
Crowded, like guests in a banquet-room.

  Yet there are graves in this lonely spot,
Two humble graves,--but I meet them not.
I have seen them,--eighteen years are past,
Since I found their place in the brambles last,--
The place where, fifty winters ago,
An aged man in his locks of snow,
And an aged matron, withered with years,
Were solemnly laid!--but not with tears.
For none, who sat by the light of their hearth,
Beheld their coffins covered with earth;
Their kindred were far, and their children dead,
When the funeral prayer was coldly said.

  Two low green hillocks, two small gray stones,
Rose over the place that held their bones;
But the grassy hillocks are levelled again,
And the keenest eye might search in vain,
'**** briers, and ferns, and paths of sheep,
For the spot where the aged couple sleep.

  Yet well might they lay, beneath the soil
Of this lonely spot, that man of toil,
And trench the strong hard mould with the *****,
Where never before a grave was made;
For he hewed the dark old woods away,
And gave the ****** fields to the day;
And the gourd and the bean, beside his door,
Bloomed where their flowers ne'er opened before;
And the maize stood up; and the bearded rye
Bent low in the breath of an unknown sky.

  'Tis said that when life is ended here,
The spirit is borne to a distant sphere;
That it visits its earthly home no more,
Nor looks on the haunts it loved before.
But why should the bodiless soul be sent
Far off, to a long, long banishment?
Talk not of the light and the living green!
It will pine for the dear familiar scene;
It will yearn, in that strange bright world, to behold
The rock and the stream it knew of old.

  'Tis a cruel creed, believe it not!
Death to the good is a milder lot.
They are here,--they are here,--that harmless pair,
In the yellow sunshine and flowing air,
In the light cloud-shadows that slowly pass,
In the sounds that rise from the murmuring grass.
They sit where their humble cottage stood,
They walk by the waving edge of the wood,
And list to the long-accustomed flow
Of the brook that wets the rocks below.
Patient, and peaceful, and passionless,
As seasons on seasons swiftly press,
They watch, and wait, and linger around,
Till the day when their bodies shall leave the ground.
Call for the robin-redbreast and the wren,
Since o’er shady groves they hover,
And with leaves and flowers do cover
The friendless bodies of unburied men.
Call unto his funeral dole
The ant, the field-mouse, and the mole,
To rear him hillocks that shall keep him warm,
And (when gay tombs are robb’d) sustain no harm;
But keep the wolf far thence, that ’s foe to men,
For with his nails he’ll dig them up again.
Paul Butters Aug 2016
On the East Coast of England there’s a small resort
Called Cleethorpes, where I happen to reside.
And out towards the Pleasure Park
A short way from the shore
There is The Boating Lake.

I love to go there on a still, sundowning evening
When the parking is free.
To walk those walkways around the lake,
Dreaming I’m on Starfleet Academy Campus.
Walkways flanked by lawned hillocks and shrubs.

The lake is fringed by red-flowered reeds
And punctuated by ducks and geese.
Families and couples roam about
As I sit in meditation
Watching and listening
To the central fountain play.

Such a tranquil scene,
Far from the madding crowd.
Go over the bridge and cross the mini-railway line:
Before you reach the saltmarsh and the sea
You’ll find a stretch of shrubbery and trees
A haven for the birds
And for me,
As I walk my favourite path.

The lake is thus a prelude
To some splendid growth
As nature does its thing.

Serene and tranquil everything
A spiritual feeling
As I meditate
Beneath multi-layered clouds
Under endless sky.

Paul Butters
One of my favourite haunts.
“Nullus enim locus sine genio est.”

  Servius.

“La musique,” says Marmontel, in those “Contes
Moraux” which in all our translations we have insisted upon
calling “Moral Tales,” as if in mockery of their
spirit—”la musique est le seul des talens qui
jouisse de lui-meme: tous les autres veulent des
temoins.” He here confounds the pleasure derivable from
sweet sounds with the capacity for creating them. No more
than any other talent, is that for music susceptible
of complete enjoyment where there is no second party to
appreciate its exercise; and it is only in common with other
talents that it produces effects which may be fully
enjoyed in solitude. The idea which the raconteur has
either failed to entertain clearly, or has sacrificed in its
expression to his national love of point, is
doubtless the very tenable one that the higher order of
music is the most thoroughly estimated when we are
exclusively alone. The proposition in this form will be
admitted at once by those who love the lyre for its own sake
and for its spiritual uses. But there is one pleasure still
within the reach of fallen mortality, and perhaps only one,
which owes even more than does music to the accessory
sentiment of seclusion. I mean the happiness experienced in
the contemplation of natural scenery. In truth, the man who
would behold aright the glory of God upon earth must in
solitude behold that glory. To me at least the presence, not
of human life only, but of life, in any other form than that
of the green things which grow upon the soil and are
voiceless, is a stain upon the landscape, is at war with the
genius of the scene. I love, indeed, to regard the dark
valleys, and the gray rocks, and the waters that silently
smile, and the forests that sigh in uneasy slumbers, and the
proud watchful mountains that look down upon all,—I
love to regard these as themselves but the colossal members
of one vast animate and sentient whole—a whole whose
form (that of the sphere) is the most perfect and most
inclusive of all; whose path is among associate planets;
whose meek handmaiden is the moon; whose mediate sovereign
is the sun; whose life is eternity; whose thought is that of
a god; whose enjoyment is knowledge; whose destinies are
lost in immensity; whose cognizance of ourselves is akin
with our own cognizance of the animalculae which
infest the brain, a being which we in consequence regard as
purely inanimate and material, much in the same manner as
these animalculae must thus regard us.

Our telescopes and our mathematical investigations assure us
on every hand, notwithstanding the cant of the more ignorant
of the priesthood, that space, and therefore that bulk, is
an important consideration in the eyes of the Almighty. The
cycles in which the stars move are those best adapted for
the evolution, without collision, of the greatest possible
number of bodies. The forms of those bodies are accurately
such as within a given surface to include the greatest
possible amount of matter; while the surfaces themselves are
so disposed as to accommodate a denser population than could
be accommodated on the same surfaces otherwise arranged. Nor
is it any argument against bulk being an object with God
that space itself is infinite; for there may be an infinity
of matter to fill it; and since we see clearly that the
endowment of matter with vitality is a principle—
indeed, as far as our judgments extend, the leading
principle in the operations of Deity, it is scarcely logical
to imagine it confined to the regions of the minute, where
we daily trace it, and not extending to those of the august.
As we find cycle within cycle without end, yet all revolving
around one far-distant centre which is the Godhead, may we
not analogically suppose, in the same manner, life within
life, the less within the greater, and all within the Spirit
Divine? In short, we are madly erring through self-esteem in
believing man, in either his temporal or future destinies,
to be of more moment in the universe than that vast “clod of
the valley” which he tills and contemns, and to which he
denies a soul, for no more profound reason than that he does
not behold it in operation.

These fancies, and such as these, have always given to my
meditations among the mountains and the forests, by the
rivers and the ocean, a tinge of what the every-day world
would not fail to term the fantastic. My wanderings amid
such scenes have been many and far-searching, and often
solitary; and the interest with which I have strayed through
many a dim deep valley, or gazed into the reflected heaven
of many a bright lake, has been an interest greatly deepened
by the thought that I have strayed and gazed alone.
What flippant Frenchman was it who said, in allusion to the
well known work of Zimmermann, that “la solitude est une
belle chose; mais il faut quelqu’un pour vous dire que la
solitude est une belle chose”? The epigram cannot be
gainsaid; but the necessity is a thing that does not exist.

It was during one of my lonely journeyings, amid a far
distant region of mountain locked within mountain, and sad
rivers and melancholy tarns writhing or sleeping within all,
that I chanced upon a certain rivulet and island. I came
upon them suddenly in the leafy June, and threw myself upon
the turf beneath the branches of an unknown odorous shrub,
that I might doze as I contemplated the scene. I felt that
thus only should I look upon it, such was the character of
phantasm which it wore.

On all sides, save to the west where the sun was about
sinking, arose the verdant walls of the forest. The little
river which turned sharply in its course, and was thus
immediately lost to sight, seemed to have no exit from its
prison, but to be absorbed by the deep green foliage of the
trees to the east; while in the opposite quarter (so it
appeared to me as I lay at length and glanced upward) there
poured down noiselessly and continuously into the valley a
rich golden and crimson waterfall from the sunset fountains
of the sky.

About midway in the short vista which my dreamy vision took
in, one small circular island, profusely verdured, reposed
upon the ***** of the stream.

So blended bank and shadow there, That each seemed pendulous
in air—

so mirror-like was the glassy water, that it was scarcely
possible to say at what point upon the ***** of the emerald
turf its crystal dominion began. My position enabled me to
include in a single view both the eastern and western
extremities of the islet, and I observed a singularly-marked
difference in their aspects. The latter was all one radiant
harem of garden beauties. It glowed and blushed beneath the
eye of the slant sunlight, and fairly laughed with flowers.
The grass was short, springy, sweet-scented, and Asphodel-
interspersed. The trees were lithe, mirthful, *****, bright,
slender, and graceful, of eastern figure and foliage, with
bark smooth, glossy, and parti-colored. There seemed a deep
sense of life and joy about all, and although no airs blew
from out the heavens, yet everything had motion through the
gentle sweepings to and fro of innumerable butterflies, that
might have been mistaken for tulips with wings.

The other or eastern end of the isle was whelmed in the
blackest shade. A sombre, yet beautiful and peaceful gloom,
here pervaded all things. The trees were dark in color and
mournful in form and attitude— wreathing themselves
into sad, solemn, and spectral shapes, that conveyed ideas
of mortal sorrow and untimely death. The grass wore the deep
tint of the cypress, and the heads of its blades hung
droopingly, and hither and thither among it were many small
unsightly hillocks, low and narrow, and not very long, that
had the aspect of graves, but were not, although over and
all about them the rue and the rosemary clambered. The
shades of the trees fell heavily upon the water, and seemed
to bury itself therein, impregnating the depths of the
element with darkness. I fancied that each shadow, as the
sun descended lower and lower, separated itself sullenly
from the trunk that gave it birth, and thus became absorbed
by the stream, while other shadows issued momently from the
trees, taking the place of their predecessors thus entombed.

This idea having once seized upon my fancy greatly excited
it, and I lost myself forthwith in reverie. “If ever island
were enchanted,” said I to myself, “this is it. This is the
haunt of the few gentle Fays who remain from the wreck of
the race. Are these green tombs theirs?—or do they
yield up their sweet lives as mankind yield up their own? In
dying, do they not rather waste away mournfully, rendering
unto God little by little their existence, as these trees
render up shadow after shadow, exhausting their substance
unto dissolution? What the wasting tree is to the water that
imbibes its shade, growing thus blacker by what it preys
upon, may not the life of the Fay be to the death which
engulfs it?”

As I thus mused, with half-shut eyes, while the sun sank
rapidly to rest, and eddying currents careered round and
round the island, bearing upon their ***** large dazzling
white flakes of the bark of the sycamore, flakes which, in
their multiform positions upon the water, a quick
imagination might have converted into anything it pleased;
while I thus mused, it appeared to me that the form of one
of those very Fays about whom I had been pondering, made its
way slowly into the darkness from out the light at the
western end of the island. She stood ***** in a singularly
fragile canoe, and urged it with the mere phantom of an oar.
While within the influence of the lingering sunbeams, her
attitude seemed indicative of joy, but sorrow deformed it as
she passed within the shade. Slowly she glided along, and at
length rounded the islet and re-entered the region of light.
“The revolution which has just been made by the Fay,”
continued I musingly, “is the cycle of the brief year of her
life. She has floated through her winter and through her
summer. She is a year nearer unto death: for I did not fail
to see that as she came into the shade, her shadow fell from
her, and was swallowed up in the dark water, making its
blackness more black.”

And again the boat appeared and the Fay, but about the
attitude of the latter there was more of care and
uncertainty and less of elastic joy. She floated again from
out the light and into the gloom (which deepened momently),
and again her shadow fell from her into the ebony water, and
became absorbed into its blackness. And again and again she
made the circuit of the island (while the sun rushed down to
his slumbers), and at each issuing into the light there was
more sorrow about her person, while it grew feebler and far
fainter and more indistinct, and at each passage into the
gloom there fell from her a darker shade, which became
whelmed in a shadow more black. But at length, when the sun
had utterly departed, the Fay, now the mere ghost of her
former self, went disconsolately with her boat into the
region of the ebony flood, and that she issued thence at all
I cannot say, for darkness fell over all things, and I
beheld her magical figure no more.
Abdul Fatir Jan 2015
Fly, O Bird! I allow adventure
Of mighty lands and snowy hillocks.
Beautiful heavens amazingly add
To the treasure.
Soon thou'lt to nation your own, fly,
Breaking all my desires,
Rendering ***** void.
It's called Piphilology wherein the number of digits in each word is equal to the corresponding digit of Pi (mathematical constant).  Those were the first 33 digits of Pi, the 33rd being 0 which is represented by the word 'void'.
The digits are - 3.14159265358979323846264338327950...
In the meantime in the Állos kósmos or Ultramundi, Wonthelimar after hearing the speeches and paragraphs of the speakers saw from paradise how Calypso Lepidoptera appeared, approaching in great magnitudes on the dry land on the banks of the blue and golden stones of Skalá. In torrents of rushing from the water-sky with wind-water, by geomorphological hydraulics of the collapse of the irresistible capacity to harass each other in the ears of Seleuco's dialogues, after they piled up in the sneaking curds of him on the island of his speech. Right there it settled from the koelum or sky of the Lepidoptera from the Orofí or ceiling, on the natural arches of aeolian erosion and its devastating plumage, appearing in the subaerial splendor of Chauvet and its gloomy darkness, changing the morphology of the bank of Skalá turned into enchanted turquoise light also with Calypso nuances. From here Wonthelimar obscures the circumflex arc or circumflexes, which pierced and eroded the surface, piling up the ex-generals of Alexander the Great, to skewer them on the stump that was languidly seen supporting them, after the tides of Lepidoptera that avalanche in destined per capita towards the destined underworld of Wonthelimar.

Wonthelimar was separated from everyone by the moat that was separated from the gods of the surface, but now where the supporters of Seleucus were predestined by imbibing themselves in the bilocated kingdom of Chauvet and its darkness, where they were put into agreements of suitability and clarity of words discursive for the eagerness to persuade his major general. But they all fell into the middle of a dark Ultraworld, judging themselves to be dying in stockpiles of biosystems where no one helped them and gave them some indication or diagnosis of being separated from the canopy that drained them from spectral affairs, speaking as vivid visions of benefits and sovereignties that escaped from themselves without contemplation or quietism of the human race, which procreates xenophobia to kings without throne or nation. Under the Attic, calendar were the months here were only eighth, Anthesterion, received them with the name directly of the main festival celebrated in this month, Anthesteria. In goods of name contests in the semester of Pyanepsia, Thargelia, and Skira where they were relatively significant, in some of the greatest celebrations in the life of a Polis, which is not recognized in the name of the month. Some sparkled in the sound of the Great Dionysia celebrated in Elaphebolion (ninth month), and the Panathenaia in which they are only indirectly recognized in Hekatombaion (month one), named after the hecatomb, of the sacrifice of "one hundred oxen" celebrated at night. End of the Panathenaia. This is where the suspicious fondness of both families of Seleucus and Alexander the Great differed in the accent that marks the written line of the infra Polis, where the leaders of Haides or Hades are lost, for the purposes of Aïdes, as not indivisible, but with the presence of Wonthelimar, who is invisible but epically static on his balustrade in all the rings that chorally wore them for each patronage of the diádocos generals, even so he had betrayed the Hellenic legacy, by a Hellenic-Orthodox one in the disappearance of Alexander the Great in Babylon without knowing that it had been rescued by Wonthelimar, surpassing the limits of the rings of stefánes ibix, or Aros de íbiz, as nano kvantikoí daktýlioi, quantum nano-ring that augured to sensitize the dermis of its carpal phalanges, from the eighth, Anthesterion to Elaphebolion (ninth month), minus the one hundred and twenty days of gestation in a month of the attic of imníbiz, that it was of wise advice to receive him in the new engend rivers of Wonthelimar in the depths and bundles of marrow with gestation forms of an Ibex goat, with their embedded bases of stalagmites, filing the meaning of each life that was lodged in the depths of the caves and its opacity. The Eygues of Valdaine was the Acheron, but with half the deceased who sat in rows and unleashed their laurels that possessed poor aids tormented by mandrake root hands.

The underworld was a swamp that covered the heels of the diádocos in the immense blackness of the cavern that wounded them one and the other with its Kopis, by more than a hundred blows and slashes that covered them with mud and moans in their buried half bodies. That they had been intruded from linear entrances to the underworld of Wonthelimar. In the thick musts of the quagmire where objects with ornaments of fear and cavalier materiality lay, such mangrove deserts satiated with gloomy fibromyalgia and amnesia, refiguring in the wandering bones, that sinned in lights and destinies that were adopted in the sub-world with incorporeal needs., more than the exhaustion that tore the skeletal muscle of each one behind the meager compromise openings, in the strong ligaments of the host Wonthelimar that took them at forced steps towards paradises where there will never be consciousness from a Theseus typology, but from a sub taxonomy - Verthian mythological, for purposes and among others that unleash it by propelling self-infernos that are not those born by a Macedonian force or Satrap into puny kings turned into a servile, mute and decayed.

It is necessary, that solitude of all the entrances from the abyss into which they fell, was titanic and of ultraphobic acquiescent inspiration, and in the acid gestures of search of Persephone or Aerse that in random gestures fled from their persecutors, like females who ended fleeing from themselves falling into the back room where the end of souls is never exceeded or Psyché re emigrating from the punishments of a satire or a static that resulted in a ghostly wandering, or in tendentious spinners that tribulated in belated bundles of repentance. From primitive times, subjugations have been longed for in kings who would never think of leaving their cracks and washing their hands behind the backs of others who stood by, leaving the courage to lose themselves in the perversity of a body deposited in the Tartars, having to give them their prehistoric debts and meadows of carpeted debts and caged rooms.

The generals commanded by Seleucus walked barefoot along with the stump that wounded them in seams for their plantar areas, and in extreme distress, they did not dare to ask mercy from the cave host who transported them through the deep pit of perpetuity, where the frigid bullet of angina of Wothelimar, filled them with memories that protected their survival. In unworthy caprice and watery *****,… it ran frivolously down their legs, even after each impulse to recover the flashes of estimating being scared of oneself, after finding dead fruits subsisted halfway, feeling voices from the origin of the abyss that I quoted them.

Etréstles says: "Mashiach allow me to enter this grave, I do not know if I should go to rescue them, because I know what will happen..., I only ask that if I enter with courage, help me to find the same light of the exit, with the same memory of not to waste arrests, and not to lose myself in my entrustment by those who I know will not return”

Behind some Sabine poplars, it is seen how the elytra of the Lepidoptera were opened for those who crossed from the darkness without the appearance of their fruitful eyes that tickled praises of surrender, and not of ibid in the ibid that surrounded them, as if they were violated that heal at the moment when their faces departed from the miracle of privacy, and from the solitude decreed of non-existent company, companionship calming any dogmatic symptoms and hypoxia that the glimpse of the Eygues and the Acheron left them, further behind in which Saint John the Apostle and Vernarth, Reader and Petrobus to bring Etréstles back.

Saint John the Apostle says: “Vernarth go for your brother,… he wants to protect the souls of Seleucus and his comrades, go soon because there is little left to fill them with darkness which will even besiege in their reasoning and anti homelands that will not be from the din of the campanile, out of tune with joy that runs on the graces of the gift that frees you from the worst virus by not being anti-viral… ”.

Vernarth replies: “Etréstles is the slogan of Erebus, perhaps of Bumodos…, I have to stop him for his profession, since the comrades of Seleuco will not return, the effigies of Wonthelimar have made them of his children in Ultramundi, and what is Solstice of the underworld, it is only a small Sun that fits in the buttonhole of the orthogonal slot that confines it”.

At that time Raeder paraded where he before they reached the omega of the gully pit, running swiftly over the eyelets of Wonthelimar, leaving both completely naked, to tear them away from the contrived spell and bring Etrestles back all the way together and running., but both stripped of lightness and acceleration escaped from the centripetal bodies. After the tortured walls of the pit, they no longer supported themselves in their Skotos or Erebo of Wothelimar in such a primordial deity of this theogonic and fantastic event in the bilocated cavern of Chauvet in Skalá. Here all the densities and units of physical genres, from above and below surrounded them in the thick sulfur atmosphere, Ananké in such a goddess of inevitability ran after all who tried to reverse the situation of the diádocos, for the purpose of consenting their paragraphs Hellenics and to save their lives, but the mother of the Moiras went behind Etréstles and Vernarth along with Rader and Petrobus who were basking in the glow of Persephone that imbued them as they stagnated drinking mead with the Canephores who followed him. From this cryptic moment or from the bombastic insignia of Crete, Kanti's trotting from his Cretan figure was felt united with the Lepidoptera Calypso, redeeming Demeter from her crying on the edge of some Bern olive trees, emptier now that the last gradients of the agonic and venous voices in the hilarious of some diádocos that were completely absorbed by the benevolent illusion of Wonthelimar, snowy in the harrowing tenuity of his gestures and of the great Iberian that took them towards the heights of the hillocks and towards the Ultramundi that It turned them into proles of the mountainous areas, and into super aquatic monsters with thousands of loose eyes in the arches of the generals bleating, which transposed ****** subjugations of primal deities, and philastics of phantasmagorical genres of Hellas that is plucked from the peritoneum of their stomachs, and that guttural eradicated them from the blue adrenaline of Apollo.

This odyssey dispelled the orthogonal lines of the poetic affliction of those who could see the sunset and the Spyché ***** that antagonized Ananké's numinous efforts to extubate them, and perhaps exile them to the Theban plains to graze Achaeans of the first degree alongside Shamash. Lamenting of young afternoons and of the abysmal with beautiful hair of the generous of effects, swampy and of feverish Hadesian or Hade's rounds that crippled their districts, they emanated from some Marie Curie junk and vapors radiating this Parapsychological Quantum to them from their own holy final body., for a virtuous and rout of the Ultramundis of Wonthelimar.
Wonthelimar Ultramundi
A lowly hill which overlooks a flat,
  Half sea, half country side;
  A flat-shored sea of low-voiced creeping tide
Over a chalky, weedy mat.

A hill of hillocks, flowery and kept green
  Round Crosses raised for hope,
  With many-tinted sunsets where the *****
Faces the lingering western sheen.

A lowly hope, a height that is but low,
  While Time sets solemnly,
  While the tide rises of Eternity,
Silent and neither swift nor slow.
On the cold solstice
the velvet magnet
of Luna's magic
pulls

quietly urges

whispering
gentle spells
into dreamy ears

compelling
her lover
to rise
quixotically
coaxing
him from
the warm sleep
of winters
first night slumber

she summons
a willing lover
inviting him
to follow
her stark
alluring light
illuminating
the lonely blackness
of a bleak universe

her
seductive powers
transcends distances of
a thousand solstices

her
resounding light
a sure mark
braces any weakness
emboldens desire
guiding the bidden
to unforeseen
destinations

standing
in your presence
my face is flush
reflected by your
resplendent light

my heart
broiled
by your
vexing
radiance

the roiling tide
of a midnight reverie
ebbs
as my
earthen shadow
begins to pass
over your
indelible
whiteness

I witness
my dark countenance
eclipse your light

defiling you
fearing
to forever
mark your
effervescent silver
with the baseness of me

without shame
your smile
allays my fear

you understand
you anticipated
the expression
of my
coy reticence

a sweet chant
sings
unencumbered
reveries
gently
reassures
you've danced
through many
moonlit nights
with eager lovers
only to return again
in virginal whiteness
across the
endless cycles
of time

released
relieved
abandoning
all restraint
now
I
summon you

my blackness
your whiteness
breeds a
sensuous
orange
sweeter
then an
open mango

she rules the sky
a celestial monarch
forcing Mars into
a sheepish retreat
commanding
mighty Orion
to sheave his sword
while
Venus
seethes
with envy

my form
begins to swallow
your lines
and
soft curves

my blackness
disappears
into
inviting cracks

falling into
dark creases
the soft billows
sweet mounds
voluptuous craters
gay playgrounds
for my mouth
mysterious hillocks
eagerly explored
with hands and
limbered fingers

a quixotic Eros
the scent of spice
swells in my head

everything
enveloped
like a
holy ghost
playfully gaming
hide and seek
radiantly moving
through
darkened canopies
of a lush forest

nostrils fill
with
tang of spice
a scent
of Caribe

face buried
in thick tresses
of maddening blackness

becoming unhinged
by eyes speaking
a thousand languages
as lips whisper
joyous whimpers

a silent kiss
of an orange lit night
writhing bodies
splayed together

ravenous tendrils
shape sloping
cloud pillows

quivering lips
unveil smiles of
alabaster pearls

mocha darkness
sambas through
the night

she exhales
her lovers name

Luna bathes
her cinnamon curves
in delicious
mango light
offers generous
dollops
of ******

peeking
baying
drifting
I cast off
onto a sea
of lucid dreams

drinking from
a dark aureole
as the tresses
of her
sweetened nest
moistened my member
in a sacred communion
to a hungry lovers mouth

her dancers legs
slim, supple
unbounded
and open
sweet to taste
smooth
so soft
to touch

the fullness
of our rumba
se los tango
con cha cha cha

light steps
close caress
kinetic commotion
wild laughter
fills the sails
of bold schooners

Luna's smile
commands
the seas
to heave

un poco loco
ola de feliz
los hablamos
un contrara
la estas
la esta

the lavender sky
of the mornings
twilight
inspire
Meadowlarks
to herald
the emerging day

still
drunkenly swigging
loves nectar
sleep creeps closer

confessing
small regrets
she fell
victim
to passion again

Luna
comes back
to her lover
pets his chest
with delicate fingers

in a voice
as light as air
she sings
a poem
into his ear
of passionate nights
beauteous art
longing to express
heartfelt truths

The mango consumed
Luna's whiteness returns

my shadow recedes
into inconsequential
nothingness

naked
I stood
sadly witnessing
the dark horizon
overtaking
my fleeing lover
swallowing her
in tiny bits
as morning drops
a final veil
over the face
of a now
vanished love

Music Selection
Grant Green, Moon River

jbm
Oakland
1/19/11
Nat Lipstadt Dec 2013
Photographs by Avedon

This was written in a friend's home in the Berkshire Mountains, on a Saturday morning, a few years ago.  Up early, I went exploring their bookshelves and found a book of Richard Avedon's photographs of average Americans out west.  Google "richard avedon photos of the american west" - then read the poem.  Please, for without seeing the faces, for this will make all the difference.  In the Berkshires, it is always chilly there, even in the summer sun.  This and other obscure references are better detailed in the notes.


Join my warmth and
my chill,
as the nine o'clock sun,
a 45 degree steeplechase
warms,
but still not
strong enough
to dispense
the lingering,
residual, remaindered,
breezy chill
of the prior eve,
that hides in,
emanates from,
the shadows
of the
deep wooded hillocks
of the
Berkshire Mountains.

Join my warmth
and my chill!

Upright jolted,
head kicked awake,
entranced and revolted,
excited and repelled,
emotive, yet, stilled.

For oh so casually,
this heroic city dweller,
brave and fearless
bookshelf explorer,
retrieves a book,
to find a new route
thru time and space
to the center of his brain.

Photographs by Avedon,
of my fellow Americans,
the Have Nots,
his "Havedons"
of the
American West.

These uncommon people
with whom I share
uncommonly little,
these drifters, the carneys,
the would-have-been cowboys,
busted blackjack dealers,
rattlesnake gut n' skinners,
coal and copper miners,
the hay truck drivers,
dirt so deep in
their pores ingrained,
colors and bloodies their souls,
browns their veins,
are the ones that
too oft,
go off first to
fight wars
in my name.

Photos untitled,
words unneeded.

In this far corner of our
shared contiguous space
called the
United States of America,
top of the line here
would be
insurance agents,
secretaries and maybe even,
the waitresses.

But their eyes,
oh their eyes!

Words I do not own
to fair share with you,
the clarifying gaze
of measured dignity and
immeasurable ache,
heritage pride,
heretical heartbreak,
that marks and unites
these disparate and dispirited
vessels of humankind.

Disjointed,
the noon suns finally,
raises my body temperature
browns my surface...

Yet, nothing eradicates
this ******* chill
in my soul
or calms my consternation,
as black and white
eyes discolor
my comfortable existence,
as I ponder
Avedon's words:

All photographs are accurate but none tell the truth

Pass over,
pass by,
The Evil Son at Passover
asks ever so sly,
what have they to do with me?

It is the Sabbath.
We luxuriate in our rest.
Rest is the greatest luxury

What is this Sabbath?
Heschel's cathedral -
existant both
in space and time,
and one enters
when and where
one can.

Do my distant,
(both in space and time)
American cousins
share my Sabbath?

Are they allowed
this luxury,
or is it endless exertion,
severity and deprivation,
all and every day
of their lives?

Constant risk every day.

Who cannot fail to see the
precipitousness of life
edged in the lines of their
hearts and minds?

Day to day hardens them
and teaches the
discipline of
severity unended.

Is the prudence of
self-forgetfulness,
their morning bitter pill
they must swallow
to carry on?

Among the resolutions
I need
to claim a
life fulfilled is this:

How to end this poem,
close this can of worms,
accidentally kicked open.

Will sunset end these
troubling questions
of which you have
your own,
more personal variations?
(what about the ...)

Perennials flower everywhere,
in Auschwitz,
along the Tigris,
even in Kabul and Somalia,
along the highways
that lead
to the mecca of
Las Vegas.

Perennials flower everywhere.

In warmth and cool,
in time and space,
they flower in my heart and
my brain and in
my prayerful tears.
flowing down my cheeks,
as I lay me down to sleep,
to dream these of
impoverished words

Havdalah^^ thoughts,
separations celebrated.

Distinctions noted,
even celebrated tween
holy and common,
light and dark,
Sabbath and
the six weekdays
of labor,
between sacred and secular
and
between me and
my American Brothers
of the American West.


I know
just one thing
to be true:

The Sabbath Cathedral is
open to all,
whatever day
you choose to
abide there

I await you,
my American cousins,
with wine and bread
and the
holy of holiest words
of comfort and sooth.

I will wash your feet and
lay you down to
restful sleep
in the
Sabbath Cathedral
in my heart.

Together,
at last,
we will be joined,
in warmth and chill.



August 29, 2010
Lanesboro, Mass.
----------------------
* "In The American West" by
Richard Avedon

** many of the phrases in this stanza were taken from an article "The Few, The Proud, The Chosen" in Commentary, September 2010

^ Abraham Joshua Heschel, a modern Jewish Philosopher.  Elegant, passionate, and filled with the love of God's creation, Abraham Joshua Heschel's The Sabbath has been hailed as a classic of Jewish spirituality ever since its original publication-and has been read by thousands of people seeking meaning in modern life. In this brief yet profound meditation on the meaning of the Seventh Day, Heschel introduced the idea of an "architecture of holiness" that appears not in space but in time Judaism, he argues, is a religion of time: it finds meaning not in space and the material things that fill it but in time and the eternity that imbues it, so that "the Sabbaths are our great cathedrals."

^^ Havdalah is the ceremony to celebrate the end of the Sabbath, and realize the distinctions between the holy day and the workweek, the day and the night, light and day...
Ye who have passed Death’s haggard hills; and ye
Whom trees that knew your sires shall cease to know
And still stand silent:—is it all a show,
A wisp that laughs upon the wall?—decree
Of some inexorable supremacy
Which ever, as man strains his blind surmise
From depth to ominous depth, looks past his eyes,
Sphinx-faced with unabashed augury?

Nay, rather question the Earth’s self. Invoke
The storm-felled forest-trees moss-grown to-day
Whose roots are hillocks where the children play;
Or ask the silver sapling ’neath what yoke
Those stars, his spray-crown’s clustering gems, shall wage
Their journey still when his boughs shrink with age.
Shane Hunt Sep 2012
If you wanted privacy,
you might have closed your blinds from time to time.

The devil doesn't knock upon entry.
He knows where he's wanted.

I've heard your conversations--
The bigotry,
the loathing.

I've ****** up filth through your floorboards.

I've tasted your tears,
mingled with sweat
from sins of the flesh,
cascading down your drains.

I've stepped through the hillocks of cigarette butts
you discard as carelessly as your dreams,
a little measure to meld your
environment and outlook:
the world as an ashcan.

I know you better than I'd ever know myself
because my assessment of you is
not gilded with pride or egotism,
not tainted by self-pity.

I know that you wanted this,
in spite of pained cries to the contrary.
I know you really wept for the innocence
you lost long before I let myself in your *****.

You let the world in--
you offered yourself up with impunity for far too long.
You valued your life so little
as to put it on display for anyone's appraisal.

You were waiting on catastrophe
to prove you were worth saving;

I was merely the instrument.

I took nothing that wasn't proffered by your unlocked door.

Your home and your body share sentiments--
I simply took the welcome mat at its word.
A map of every country known,
With not a foot to call his own.
A list of folks that kicked a dust
On this poor globe, from Ptol. the First;
He hopes,-- indeed it is but fair,--
Some day to get a corner there.
A group of all the British kings,
Fair emblem! on a packthread swings.
The Fathers, ranged in goodly row,
A decent, venerable show,
Writ a great while ago, they tell us,
And many an inch o'ertop their fellows.
A Juvenal to hunt for mottos;
And Ovid's tales of nymphs and grottos.
The meek-robed lawyers all in white;
Pure as the lamb,-- at least, to sight.
A shelf of bottles, jar and phial,
By which the rogues he can defy all,--
All filled with lightning keen and genuine, 20 And many a little imp he'll pen you in;
Which, like Le Sage's sprite, let out,
Among the neighbours makes a rout;
Brings down the lightning on their houses,
And kills their geese, and frights their spouses.
A rare thermometer, by which
He settles, to the nicest pitch,
The just degrees of heat, to raise
Sermons, or politics, or plays.
Papers and books, a strange mixed olio,
From shilling touch to pompous folio;
Answer, remark, reply, rejoinder,
Fresh from the mint, all stamped and coined here;
Like new-made glass, set by to cool,
Before it bears the workman's tool.
A blotted proof-sheet, wet from Bowling.
--'How can a man his anger hold in?'--
Forgotten rimes, and college themes,
Worm-eaten plans, and embryo schemes;--
A mass of heterogeneous matter,
A chaos dark, no land nor water;--
New books, like new-born infants, stand,
Waiting the printer's clothing hand;--
Others, a mottly ragged brood,
Their limbs unfashioned all, and rude,
Like Cadmus' half-formed men appear;
One rears a helm, one lifts a spear,
And feet were lopped and fingers torn
Before their fellow limbs were born;
A leg began to kick and sprawl
Before the head was seen at all,
Which quiet as a mushroom lay
Till crumbling hillocks gave it way;
And all, like controversial writing,
Were born with teeth, and sprung up fighting.

'But what is this,' I hear you cry,
'Which saucily provokes my eye?'--
A thing unknown, without a name,
Born of the air and doomed to flame.
A is for anthill which I have in my drive
B is for buzzing from a hidden bee hive
C is for cockroach that run all round the house
D is for droppings, that have been left by a mouse
E is for egg sack that hangs in my trees
F is for flying which the bugs do with ease
G is is for gophers which inhabit my yard
H is for hillocks with which my yard is marred
I is for insects which are all I can see
J is for june bugs, they're as big as my knee
K is for killing which I try to do
L is for lugworms that are shaped like a *****
M is for Mickey and his mousey like friends
N is for never...this infestation won't end
O is for Oscar, my scared orange cat
P is for well...***...and he's good at that
Q is for quinine which I leave out to treat
R is for rodents, which I want Oscar to eat
S is for slugs which are killing my grass
T is for totalled, just give me a match and some gas
U is for underwriter who has insured my place
V is for vermin, that now own all my space
W is for water with which I started a flood
X is for poison, which will thin out their blood
Y is for Yertle, a turtle by suess
Z is me sleeping...to bugs and vermin on the loose
Hence loathèd Melancholy
  Of Cerberus and blackest midnight born,
In Stygian Cave forlorn
  ‘Mongst horrid shapes, and shreiks, and sights unholy.
Find out som uncouth cell,
  Where brooding darknes spreads his jealous wings,
And the night-Raven sings;
  There, under Ebon shades, and low-brow’d Rocks,
As ragged as thy Locks,
  In dark Cimmerian desert ever dwell.
But com thou Goddes fair and free,
In Heav’n ycleap’d Euphrosyne,
And by men, heart-easing Mirth,
Whom lovely Venus, at a birth
With two sister Graces more
To Ivy-crownèd Bacchus bore;
Or whether (as som Sager sing)
The frolick Wind that breathes the Spring,
Zephir with Aurora playing,
As he met her once a Maying,
There on Beds of Violets blew,
And fresh-blown Roses washt in dew,
Fill’d her with thee a daughter fair,
So bucksom, blith, and debonair.
  Haste thee nymph, and bring with thee
Jest and youthful Jollity,
Quips and Cranks, and wanton Wiles,
Nods, and Becks, and Wreathèd Smiles,
Such as hang on ****’s cheek,
And love to live in dimple sleek;
Sport that wrincled Care derides,
And Laughter holding both his sides.
Com, and trip it as ye go
On the light fantastick toe,
And in thy right hand lead with thee,
The Mountain Nymph, sweet Liberty;
And if I give thee honour due,
Mirth, admit me of thy crue
To live with her, and live with thee,
In unreprovèd pleasures free;
To hear the Lark begin his flight,
And singing startle the dull night,
From his watch-towre in the skies,
Till the dappled dawn doth rise;
Then to com in spight of sorrow,
And at my window bid good morrow,
Through the Sweet-Briar, or the Vine,
Or the twisted Eglantine.
While the **** with lively din,
Scatters the rear of darknes thin,
And to the stack, or the Barn dore,
Stoutly struts his Dames before,
Oft list’ning how the Hounds and horn
Chearly rouse the slumbring morn,
From the side of som **** Hill,
Through the high wood echoing shrill.
Som time walking not unseen
By Hedge-row Elms, on Hillocks green,
Right against the Eastern gate,
Wher the great Sun begins his state,
Rob’d in flames, and Amber light,
The clouds in thousand Liveries dight.
While the Plowman neer at hand,
Whistles ore the Furrow’d Land,
And the Milkmaid singeth blithe,
And the Mower whets his sithe,
And every Shepherd tells his tale
Under the Hawthorn in the dale.
Streit mine eye hath caught new pleasures
Whilst the Lantskip round it measures,
Russet Lawns, and Fallows Gray,
Where the nibling flocks do stray,
Mountains on whose barren brest
The labouring clouds do often rest:
Meadows trim with Daisies pide,
Shallow Brooks, and Rivers wide.
Towers, and Battlements it sees
Boosom’d high in tufted Trees,
Wher perhaps som beauty lies,
The Cynosure of neighbouring eyes.
Hard by, a Cottage chimney smokes,
From betwixt two agèd Okes,
Where Corydon and Thyrsis met,
Are at their savory dinner set
Of Hearbs, and other Country Messes,
Which the neat-handed Phillis dresses;
And then in haste her Bowre she leaves,
With Thestylis to bind the Sheaves;
Or if the earlier season lead
To the tann’d Haycock in the Mead,
Som times with secure delight
The up-land Hamlets will invite,
When the merry Bells ring round,
And the jocond rebecks sound
To many a youth, and many a maid,
Dancing in the Chequer’d shade;
And young and old com forth to play
On a Sunshine Holyday,
Till the live-long day-light fail,
Then to the Spicy Nut-brown Ale,
With stories told of many a feat,
How Faery Mab the junkets eat,
She was pincht, and pull’d the sed,
And he by Friars Lanthorn led
Tells how the drudging Goblin swet,
To ern his Cream-bowle duly set,
When in one night, ere glimps of morn,
His shadowy Flale hath thresh’d the Corn
That ten day-labourers could not end,
Then lies him down the Lubbar Fend,
And stretch’d out all the Chimney’s length,
Basks at the fire his hairy strength;
And Crop-full out of dores he flings,
Ere the first **** his Mattin rings.
Thus don the Tales, to bed they creep,
By whispering Windes soon lull’d asleep.
  Towred Cities please us then,
And the busie humm of men,
Where throngs of Knights and Barons bold,
In weeds of Peace high triumphs hold,
With store of Ladies, whose bright eies
Rain influence, and judge the prise
Of Wit, or Arms, while both contend
To win her Grace, whom all commend.
There let ***** oft appear
In Saffron robe, with Taper clear,
And pomp, and feast, and revelry,
With mask, and antique Pageantry,
Such sights as youthfull Poets dream
On Summer eeves by haunted stream.
Then to the well-trod stage anon,
If Jonsons learnèd Sock be on,
Or sweetest Shakespear fancies childe,
Warble his native Wood-notes wilde,
And ever against eating Cares,
Lap me in soft Lydian Aires,
Married to immortal verse
Such as the meeting soul may pierce
In notes, with many a winding bout
Of linckèd sweetnes long drawn out,
With wanton heed, and giddy cunning,
The melting voice through mazes running;
Untwisting all the chains that ty
The hidden soul of harmony.
That Orpheus self may heave his head
From golden slumber on a bed
Of heapt Elysian flowres, and hear
Such streins as would have won the ear
Of Pluto, to have quite set free
His half regain’d Eurydice.
These delights, if thou canst give,
Mirth with thee, I mean to live.
I was surprised it felt heavier
Uneasiness too pinched me
Haven’t carried a weightier ever
What could fill a family!

Did I see a red heart there
Did I see a silver line
Did I carry the weight of care
Sealed with the hands of valentine!

It was heavier but I felt so light
And free as my dreams set free
Scaled the hillocks reached mountain height
When remembered what she heard from me!

There’s no time I must haste
A load of work at office knocks
Would come home late it would be best
If you forget for today the lunchbox!


Now I’m smiling as I eat the meal
More than daily quota manifold
The lunchbox lends me the much needed fill
Sealed with a heart of gold!
Olivia Kent Aug 2014
She's lost and alone.
As she bays at the moon,
it's soul, so full.
The full moon smiles in a mischievous way,
Inviting her sorely to come out and play.

Tangled hair rolls down her back,
enveloping her fearsome face.
For tonight's cull,
Her manicure's gone
her nails have grown,
They're so sharp, so vicious, so fierce,
her tears,
although,
tumbling,
remaining unwiped,
She can bear no scars,
from her previous hunt.

Who said that t'was only the seventh son of the seventh son?

She wanders lonely hillocks,
On the hunt for human kind,

Her mind is cursed,
with ****** souls blood,
As she wanders alone through the wind blasted wood,
she's looking for food.

Her mind's set on feeding the curse she was given,
Stuck in a situation she did not want to live in,
Death did not become her,
it never could,
while,
she wandered lonely
through the wild wood.
Although,
desperately,
she tried hard to expire,
as an immortal wolf woman,
her wish was denied,
and she cried.

On the evenings,
when the moon was wane,
she sobbed to herself.
Feeling such pain,
knowing incarnate,
that soon the full moon,
would with it bring with her next date,
a date with death,
for somebody else.
(C)Livvi
22

All these my banners be.
I sow my pageantry
In May—
It rises train by train—
Then sleeps in state again—
My chancel—all the plain
     Today.

To lose—if one can find again—
To miss—if one shall meet—
The Burglar cannot rob—then—
The Broker cannot cheat.
So build the hillocks gaily
Thou little ***** of mine
Leaving nooks for Daisy
And for Columbine—
You and I the secret
Of the Crocus know—
Let us chant it softly—
“There is no more snow!”

To him who keeps an Orchis’ heart—
The swamps are pink with June.
Nat Lipstadt Nov 2023
the cardiologist, in passing, remarks, or perhaps,
“re-marks” my ECG test, casually revealing
that every fifteen or twenty or so of my regularly scheduled
hearts beats, an extra one sneaks it, which appears
unlike all the rest of those normative little hillocks
pointing skyward, ^ ^ ^ V ^ ^ ^ ^
yep that one,

sneaky ****** slips in, pointing downwards
like a class clown always disrupting classroom’s good order…

Doc reassures it don’t mean a thing
if you got that extra swing,  
and our friendly informing internet reassures:

“The idea of your heartbeat going rogue may sound alarming.
But in most cases, an ectopic beat is a harmless condition.
It's also a common one”

but yet I am intrinsically intrigued,
oh yeah, that’s an intentional funny double entendre,
but methinks that explains
so much of my irregular, irreverent poetry scribbling,
particularly because this bratty beat be best addressed directly as:

“You Little Rogue!”

a highly scientific term,
taught in medical schools by non-poets,
but needy for definitions that the layman
can love and keep in their
heart shaped hands…
Sat Oct 28 2023
4:58am
amanda barlow Oct 2018
I thought about Norfolk and Norfolk folk,
And Norfolk bricks and the Norfolk coast,
I thought of winds in a hollow dune and waveless seas
Where the heat washed a breeze -
Into a summer fret!

Where hawking gulls who balance by
point towards straight roads at sunrise
Where the hillocks fall down to
The summer's edge

In the wash of the Gibraltar flats
Reflected fractions of a perfect sky
Form blue pools in the heated sand
The stuff of dreams
That Norfolk
Land
Tom McCone Aug 2015
i walk down roadsides n smile at clouds in towering wonder and sit upon hillocks of gravel watching citylights and knowing the same kinds of light shine upon you, too, sometimes: sweet, and in flittering movements. and in this snow-flurry, a single snowflake floats down the river of endless night, and drifts lazy pattern from our respective skins to each other's; i'll clamber up, down, over valleytops and riverbeds

to find you
naturellement
PK Wakefield Jul 2010
d
softly
         and deep
                           and
                                    infinitely
and on and on and on
the night yawns  strenuous  **** limbs
uncoiled precisely fingers splayed groping the
hillocks. and loves the land with gentle laps
of the moons tongue. refreshed wholly with pleasure.
       pale towers undescent pillaring dully.
and the flaccid dawn scallops the piles of mountains.
    or about the lips, whom the (day sprays dew), glistening
on the cheeks. and i go quivering between its ivory legs. kissing
         her flexing belly. exactly arched. lip biting.

                                                                 emoc
                                                    rehtih; hither coming
giddy mystery.
                                  pumping string. gasping on my stomach.

                    naked sliver grin for me.
the neighbor's hens ventured into my backyard
and they've deposited the odd calling card
the path out the back has lime hillocks on it
which have proved not to be such a hit

the neighbor and I had a Mrs Harris and a Mrs Higgs
we discussed the hens not so polite depositing within my digs
she said the hen house door had fallen off its hinge
that is why the hens did so impolitely impinge

her hubby the local long arm of the law
later this afternoon shall repair the unattached door
the venturing wont escape custody
they'll be locked up for their impropriety
A Palette of Sunrise

Bronze spears waltz with pure aubergine
amid cauliflower cumulus –
gold touch-paper.

Sugar sprinkled wash with
candy pink bubble-burst
stains church spire and oak.

Saturated in spongy tangerine
night-shapes meld into broken egg yolk
coffee spills through fields.

Foggy wool tufts
grasp mushy-pea hillocks,
sweat drops from tired shoots.

If I was a mender of souls
I would prescribe
five minutes, twice a day.
The Tenderness

My hand slow motion falls, with the soft of the gentlest rain,
sensed,
but not disturbing,  nay reassuring,
by the quality of the sensation, rolling caresses over
the hillocks of her body, outlined beneath the
Sea of Coverlets

My arm rotates and reverses, back forth, up down,
as if it were a well oiled engine, the hand strokes with
a smooth four cylinder stroke, gentle coating the panorama of
her body on the surface of our Planet-of-the-Bed.

The woman does not stir, meaning the dewey doux
intensity of my touch, there sufficient to please but
not disturb, is a perfect ten,  for I intuit, that she attends
to my comforting attentions, with pleasure
by the
absence of objection.

This will not be the first poem I have written on this day,
but though not premiered, the experience is newly born
with each escapade of tenderness delivered, and steel hard
iron of ironies, it please. me as much if not more, for fully
awake and alert, am receiving by the giving and though
she stirs not, my heart does, for the electrical pulses of my
soothing her, soothe me in much the same way.

This is how I make love in the morning.

This is why this Poems is well titled and entitled as

“The Tenderness”
6:43 AM
7/25/23
thomas gabriel Dec 2011
My window has no seat, why would it? I wish it did.
There is just a glossy magnolia ledge, barely wide enough to
cater a slender bottom. Upon the ledge books and candles
rest, illuminating the murk outside. Directly opposite orchard
trees recede as I welcome autumn with a zealous smirk.
For now faintly visible between their visceral arms are the
all-seeing hillocks that in winter will dominate my view.

An impartial observer once stated they were mere freckles
on the landscapes recumbent spine, but to me their sight alone
is vertiginous. On balmy April days I would surmount them,
a personal expedition, up there where I’m the valleys curator, wearing
pristine white gloves I meticulously unravel the terrain: an ancient
manuscript, the vellum inked with meandering streams, occasional farms,
cursive hamlets and little else - a land of sobriety and dearth.

In November though there is a permanent mist and its source
inexplicable. Does it simply effervesce from the precipitous tors about?
Is it the villager’s enshrined collective sigh? No it is something
more. Sitting atop the villages head it’s the beloved satin bonnet you
wore religiously as a child. Wholly impractical for this season
its gossamer fabric offers little solace or insulation to those below
as its pleated extremities elope with the moss-brown hinterland.

Fervently stoking their hearths the villagers broaden the
ethereal cloth with a smoke not acrid but satisfying and nourishing:
with a terrifically edible, hardwood flavour. From my hillock
vantage, the sanguine stone of the manorial chimneys is all that
penetrates the film; casually they release torrents of smoke like
ivory doves that weft patterns instinctively into the sky’s pallid damask.






©*Thomas Gabriel
Nat Lipstadt Dec 2020
just before never...

my last performance,
the words came original
and easy, unlike all its
predecessors; someone
drew me a map of my
life and times, cities,
countries, and roads
well travelled and a few,
not too. Mountains, each with
a woman’s name, who carried
care, until she couldn’t, didn’t, and
time’s weathering returned us
individually into hillocks, and then
rain eroded us back into old soil.

the broad highways and back roads,
always snaking away, fork-forcing
directional choices, usually taking the
wrong way, the easy and safe one,
and how I have come to hate those
words: easy and safe, for they
are the pill combo that leaves you
for dead, dulling the questioning
one inquires of oneself, late, reluctantly.

But there is always the unexpected.

Today I saw a sunset on the Hudson
River with a humpback whale blowing,
running beside a river ferry, plowing the
waters back and forth tween two states.

Lived by this river for s e v e n t y years,
and have seen the whales in many places,
but here, in my city, in the river of my youth,
never.

and I got the sign, message received, there
are still sights and poems to behold, arms to
embrace, youngers to guide if they’ll permit it.

so this title, these two,
just before,
this day, poem, came to remind me, the
days map remains unfinished, there are lands
and voyages and poems still awaiting drawing,
and it is tomorrow, and just before tomorrow, that
recording insistent demands, and a map is just a
moment in time, until just before...never



5:28 AM Thu Dec 10
2020 (a year deserving
of its own line and ending)

Manhattan, between two rivers.
https://pbs.twimg.com/media/EovXVHyXcAAHXax?format=jpg&name=large
Seán Mac Falls Dec 2013
Rain dapples in fens of the marshland brooks,
Among the rue hillocks of the sapling woods,

What little peace may fall to drop the shivering
Leaves, rood of the sun, a crop, kestrels quiver

In midair, to keep as they sway into the stations
Of all minions moused who faulter in formation

And bright is birth, when night clothes the day,
As all the mornings long, song of hope, in May.
Warren Gossett Sep 2011
Down from the icy Sawtooth crags
and through the winter-laden landscape,
the wind eventually dips to the canyon
and creek we loved so well as children.
Continuing on, it threads through the
hollows above the creek, sculpted even
today by stooped cottonwood trees.

Twisting above granite outcroppings
and lava boulders, the wind courses
through the giant arteries of this canyon,
passing among quaking aspen, river willow,
and gnarled cottonwood, shorn rudely
by now of every dryly-veined leaf.

At ancient volcanic escarpments the
wind bears south, scraping hard along
canyon walls. Upward it moves, out of
the canyon, slowing and sallying about
the hillocks, the gullies, the poplars
until it finally comes to stir ever more
gently, warmer even, my dear brother,
around your gray marbled headstone.

Primeval of days, this very same wind
blows for eternity upon eternity, polishing
and purifying even the roughest of
the earth's elements and impediments.
This said, at this hill's crest where you rest,
there is no need of further refinement. Feel
how the northern wind quiets for you,
as if it knows over whose stone it passes.

--
Seán Mac Falls Jan 2017
.
Rain dapples in fens of the marshland brooks,
Among the rue hillocks of the sapling woods,

What little peace may fall to drop the shivering
Leaves, rood of the sun, a crop, kestrels quiver

In midair, to keep as they sway into the stations
Of all minions moused who faulter in formation

And bright is birth, when night clothes the day,
As all the mornings long, song of hope, in May.
Nat Lipstadt Feb 2014
Erase All Brinks

*The title and the realization of this poem, commissioned unknowingly today by Pradip Chattopadhyay.  This poet's banner is empty, no history, no philosophy of life, no self-aggrandizement. He lets his poems do his walking, share-telling of his steep and steppe plains, journeys through the poetic minutiae of the city street, the hallowed hallways of his plain people who speak in meter and rhyme.  Thankfully, he lets us walk in the footsteps of his eyes, letting us sink into the soft sands of his visionary visions.  As I commence this essay, unknowing where it will begin, nor it's inevitable end, I pray I do his commission, and him, the justice and the honor due them.

~~~~~~~~~


Brink: the edge or margin of a steep place or of land bordering water; any extreme edge; verge;a crucial or critical point, especially of a situation or state beyond which success or catastrophe occurs.

~~~~~~~~~


if we would we could,
erase all the brinks,
write but of the simple,
mysteries of men and their marigolds,
speak only of daily treasures so oft,
overlooked and left unpronounceable
as merely common

if but could, would we not
do away, dull the extremes,
unsharpen the gorges and the verges,
no melodrama, but only mellow,
let life be more than lurching from
success into catastrophe,
the difference tween the two,
only a finale tally

boring?
walk the precise precipices of the daily
with eyes open, there be enough small plates
to satisfy the gourmand's need for beauty,
comedy and tragedy, all well supplied

take the cancer-struck, the love-unrequited,
the grandpa's passing, the joyous adoration of new births,
these hillocks, un-green valleys, mountain ranges of life will
n'ere be ended and will beg us, nay, demand of us
write!

in between, and of the days of in-between,
far the greater, more the numerous,
keen and ken, sift the softer edges of diurnal
takes and tales of simpler majesties,
write me in meter
of the meter man
who totals
your usage of the world,
your measured presence here,
in words of watts and volts

speak to me of a hard week's pay,
the working man's lunchbox,
his rules of thumbs for living clean,
wives, who through endless henpecking,
remind husbands that they are beloved,
endlessly,
of sneezes and mustard fields

Let us erase all the brinks,
scribble me words birthed in everyday
inkblots, mine the veins of the wonders of real life,
put aside the cutting of woeful veins that bleed your
demanding need to be paid attention,
to right now

step back from the brinkmanship of the dramatic,
find the sensitivity of the sensible shoes daily worn,
use your talents to celebrate your talents,
there will be plenty days when the tally ends red,
and you will be more skilled, better comprehending
the special needs of those days,
to speak and tell of the uncommon,
if only we practice to
write, speak well of the common
A Pradip passing comment outs a passable poem...
Paul Idiaghe Jul 2021
I never meant to fall

but sunrise greased your chassis.
The crest and fall of your jaw—

the blade and bend of it,
mudslide contouring of it—

dropped me ribless at your feet.

O promising land, crisp field  
of flesh, whose fireflies

steered my eyes in the darkness—
your land, where my eyes had strayed—

scaled over eolian caves, the slick
basins of your clavicle, onto
the hexa hillocks clustered
like honeycomb chambers
on your abdomen.

I never meant to fall,

but the cursive lines of you,
I might have trod with loose eyes—

even now, there is a voice
drawing them to strike
at the aquifer beneath your waistline,

voice of vined thirst,
of torso and tug—
with them, I struck and drowned
after ‘Waist and Sway’ by Natalie Diaz
Amidst endless cyclones
I kept moving with
dreams in my eyes,

Without stopping
Without bending
Without tiring

I just kept walking
Unerasable
Unstoppable
Always moving..

I heard voices
Crying
Shaking
Calling
Shouting
Yelling
Bribing
Always­
Stopping
!!
But I kept walking
To achieve my dreams

I moved forward
Upon
Unknown roads
Unknown twists & turns
Unknown crossroads
Unknown hillocks

To achieve the impossible
To set an example
Filled with positivity
  in my heart..
Telling always it's
Attitude that's important

I kept moving
Unthinking
Unbending
Unstoppable
!!

Sparkle In Wisdom
Dec 2018
Seán Mac Falls Oct 2014
Rain dapples in fens of the marshland brooks,
Among the rue hillocks of the sapling woods,

What little peace may fall to drop the shivering
Leaves, rood of the sun, a crop, kestrels quiver

In midair, to keep as they sway into the stations
Of all minions moused who faulter in formation

And bright is birth, when night clothes the day,
As all the mornings long, song of hope, in May.
Esfoni Sep 2014
Butterfly's searching
On the wings of an enraged wind
Within the shivering leaves of a willow tree
For her footprint
Lurking on the desert hillocks
Athirst
Around midnight, promenading lame
“Have you seen my footprint?”
Asked of every being: The butterfly
“I've seen it!”
Uttered: The scorpion
Inside the intestinal curves
In the belly of a horned viper
Was looking for you!

09/19/2014
PK Wakefield May 2010
a cluttered fragrant death
(stark garden
a valley billowing with apathy
sweat scented flavors richly bloom
an
aspect consumed with the tedious
graves accurately graying in verdant profusion
as riven plaited dusty erosion
beckons the touch ofINFINITE drops:

this cloudy cowl drawn taught on
everclear translucent whiskers shorn
from rough bubbling lilies
rivuleting heady green stems
onto the tender hillocks of rocky *******
jut so silently into finite

                                                      ;)
The Japanese Current
Flows through my veins-
Father of undertow
Feeder of the clam beds
Grinding away
The smooth edges
Of Summer and Autumn

Stranger to Southern beaches
The current creates
Weather of it’s own
And plays rough at it’s mildest.

I watch as the tow
Sweeps away my sandy footing.
How fast I can move
Is how fast I survive.

Don’t turn your back
On the Japanese Current
Mercy isn’t floating in that tide
And it will knock you down.

You can wade into the freezing waves
But only a fool would try to swim.
Nothing for Michael Phelps here
Unless he excels with a shovel.

From little motor court cabins
With linoleum floors
And sand in the corners
We’d pile out in the dark

At four A.M. low tides
Slender shovels in our hands
We braved the gales
That would be banned in Maui
Gifting us with glorious misery.

Wind whipping scarves and hair
And sneaking through the jackets
That didn’t really shield us
From the sideways blowing rain
That couldn’t wash away our smiles.


We’d stomp the sand and look for bubbles
Dig for all we’re worth - plunge a hand
Into the hole collapsing
To ***** for the illusive razor clam -
Treasure of the Northwest beaches.

Special treat for seafood lovers
Fried, or ground or cooked in stew
They seemed like sliced up innertubes to me
My fun was in the finding and the digging
The cleaning was my dad, the frying was my mom
And not eating them was me.

LONG BEACH WASHINGTON

World’s longest unbroken sandy beach
Twenty-eight miles of solid sand
Bring your car, ride your horse or bike
Cut christies in the hard packed sand.
Splash along the edges of the waves
Race with no red lights behind you.

Just watch the turning of the tide
Or boys with jeeps will have to pull you out
(Impossibly heroic idols of
My childhood beach adventures.)

And yet sometimes the sun came out-
Oh rarest gift from Mother Nature
We wandered below the kite filled skies
And sandy castle festivals.

We hid both sorrows and often and joys
And sometime hanky panky
Among the sea grass covered hillocks
That roll like the boil of a bubbling kettle
Between the sand and civilization.

It’s still there, almost unmarred
By glitzy boardwalks and sunglass shacks
Just as I remember it, what seems an eon later
Familiar things at every turn
Small thing tell me that my world abides
And I’m not really home until I’m there.
ljm
I see it beginning to change and become more commerical.  Beard's Hollow, where we used to camp with our tent is now inaccessible from the road.  Clams  have been over dug and now there is a season and a limit.  The little motor ourts have been replaced with multistory hotels, but the little town is virtually unchanged. I cannot go to Southwest Washington without a day at the beach.
Seán Mac Falls Dec 2014
Rain dapples in fens of the marshland brooks,
Among the rue hillocks of the sapling woods,

What little peace may fall to drop the shivering
Leaves, rood of the sun, a crop, kestrels quiver

In midair, to keep as they sway into the stations
Of all minions moused who faulter in formation

And bright is birth, when night clothes the day,
As all the mornings long, song of hope, in May.
A vast landscape spanning mountains and valleys,
Enter entombed upon the dark marsh and gullies.
-
The trees, all decayed except the weeping willows,
Flattened forests jut up through the hillocks.
-
The call of a raven can be heard betwixt,
The open cavemouth of all silence,
The breeze concerns your cheek’s fine flesh,
And you know inside that God exists.
-
The beautiful darkness that escapes the light,
Shocks as if thunder were having its fright.
-
From the gorgeous hillside at where Cain murdered Able,
To the trepid path leading to Four horses’ stable.
-
The wind’s vague touch clearing fallen leaves,
The spring’s dripping water rids of disease,
Ash of the cremated flows through the air,
Swept up, caught in without despair.
-
Sharing stories around a somber fire,
The warming words do stoke the pyre.
-
The Black Cabal does peak between,
The center valley betwixt mounts obscene,
-
The abhorrent cathedral in gothic fashion,
Does purify in all reactions,
Leaving clean and reborn again,
Remaining free for eternity to gate about Eden.
Pearson Bolt Apr 2016
our clothes are perfumed
in the after effects
of the cigarettes
you and he share
as we drive down
unpaved paths in Iowa

bits of ash
slip past your seatbelt
to build new nests
tangled gray birds
in my beard's brambles

the wind splutters its dying breaths
as a Jeep Cherokee kicks up
specters of dust
and i sit in the backseat
forgotten
while second-hand smoke
leaks out half-cracked windows
fleeing your presence

i envy the particles
liberated from the confines
of your cancerous lungs
slipping free and disappearing
into the mourning light
rising with a ruddy sun
behind anguished hillocks

— The End —