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judy smith Jun 2015
When word spread in the Hearst Tower that Carolina Herrera would be pulling up a chair to chat with Elle’s Robbie Myers for a Masterclass Q&A;, the speed of the RSVPs rivaled those of Barbra Streisand.

In less than an hour, Herrera regaled the crowd with her telling insights and signature élan, detailing some of the highlights of her career and deconstructing the current state of fashion with her wit.

First things first, Herrera: whose own personal style is practically synonymous with elegance, said of that trait, “Elegance is not only what you’re wearing but it is the way you are wearing it. It’s the way you choose what to wear for your style, your personality, the way you live. It doesn’t have anything to do with beauty or money….It’s what you project — your taste in books, houses, paintings, the way you move, the way you talk.”

When Herrera decided to do what she now does, she turned to her “great friend” Halston, whose initial reaction was, “‘What have you been drinking? Are you mad?'” she said. But his trepidation was only due to how demanding the industry is, Herrera added. “You have to be passionate,” she said.

Diana Vreeland, a friend of Herrera’s husband Reinaldo‘s family, was her mentor — “a very, very interesting woman, intelligent, very for-the-moment,” she said. But her initial plan to design fabrics was not well-received by Vreeland. “She said to me, ‘Well that is the most boring thing that you are telling me. Why don’t you do a fashion collection for women.’ She gave me the idea,” Herrera said.

In business for more than three decades, Herrera said her company’s DNA remains rooted in sophistication, elegance and timelessness. “I want women to look like real women, I do not want them to look like clowns because of what’s in fashion. I like fashion to be for now and for the future. You cannot only be for the past…like everybody in life — painters, musicians — you have to evolve. You have to live in the times that we live in.”

With two of her four daughters involved with the business, Herrera said, “Of course, we have little problems — tiny, tiny — but they always end up doing what they have to do and they always end up doing what I say they have to do.”

Herrera is very much all about today’s social media with 500,000 Instagram followers and 1 million Facebook fans. “You have to listen to the likes, dislikes and whatever they say — that’s the excitement of social media. But if you start reading all the messages, you will not have a life. It’s impossible to read all of them.”

Here, a few of Herrera’s other observations:

• “I didn’t live at Studio 54 and I don’t wear the white shirt every day.”

• “It’s very important to possess in your house a full-length mirror.”

• “Bob Mackie did the naked look years ago for Cher. There was one — now there are many.”

• “There should be a little mystery with women. They have confused sexiness with femininity. They think to be **** you have to wear a dress that is four sizes smaller than you, and also show everything you possess.”

• “You go to the opera and you see a sea of sneakers. It’s not like before when things were in a certain way, and everyone pretty much did the same. There are not anymore rules in fashion. Everything is accepted. You have to be strong. You have to be you.”

• “Mrs. Obama has her own style and she knows exactly what she wants to wear.”

• “Perfume is the invisible accessory that a woman is wearing. It is very strong for your memories.”

• “Stylists are getting more famous than the people they dress.”Read more here:www.marieaustralia.com/evening-dresses | www.marieaustralia.com/bridesmaid-dresses
AAron Roz May 2018
Music is loud or quiet.
Music is soft or heavy.
Music can have meaning or not.
Music can be nothing or everything.
Music is:
◾Art Punk
◾Alternative Rock
◾College Rock
◾Crossover Thrash (thx Kevin G)
◾Crust Punk (thx Haug)
◾Experimental Rock
◾Folk Punk
◾Goth / Gothic Rock
◾Grunge
◾******* Punk
◾Hard Rock
◾Indie Rock
◾Lo-fi (hat tip to Ben Vee Bedlamite)
◾New Wave
◾Progressive Rock
◾Punk
◾Shoegaze (with thx to Jackie Herrera)
◾Steampunk (with thx to Christopher Schaeffer)

•Anime
•Blues ◾Acoustic Blues
◾Chicago Blues
◾Classic Blues
◾Contemporary Blues
◾Country Blues
◾Delta Blues
◾Electric Blues
◾Ragtime Blues (cheers GFS)

•Children’s Music ◾Lullabies
◾Sing-Along
◾Stories

•Classical ◾Avant-Garde
◾Baroque
◾Chamber Music
◾Chant
◾Choral
◾Classical Crossover
◾Contemporary Classical (thx Julien Palliere)
◾Early Music
◾Expressionist (thx Mr. Palliere)
◾High Classical
◾Impressionist
◾Medieval
◾Minimalism
◾Modern Composition
◾Opera
◾Orchestral
◾Renaissance
◾Romantic (early period)
◾Romantic (later period)
◾Wedding Music

•Comedy ◾Novelty
◾Standup Comedy
◾Vaudeville (cheers Ben Vee Bedlamite)

•Commercial (thank you Sheldon Reynolds) ◾Jingles
◾TV Themes

•Country ◾Alternative Country
◾Americana
◾Bluegrass
◾Contemporary Bluegrass
◾Contemporary Country
◾Country Gospel
◾Country Pop (thanks Sarah Johnson)
◾***** Tonk
◾Outlaw Country
◾Traditional Bluegrass
◾Traditional Country
◾Urban Cowboy

•Dance (EDM – Electronic Dance Music – see Electronic below – with thx to Eric Shaffer-Whiting & Drew :-)) ◾Club / Club Dance (thx Luke Allfree)
◾Breakcore
◾Breakbeat / Breakstep
◾Brostep (cheers Tom Berckley)
◾Chillstep (thx Matt)
◾Deep House (cheers Venus Pang)
◾Dubstep
◾Electro House (thx Luke Allfree)
◾Electroswing
◾Exercise
◾Future Garage (thx Ran’dom Haug)
◾Garage
◾Glitch Hop (cheers Tom Berckley)
◾Glitch Pop (thx Ran’dom Haug)
◾Grime (thx Ran’dom Haug / Matthew H)
◾*******
◾Hard Dance
◾Hi-NRG / Eurodance
◾Horrorcore (thx Matt)
◾House
◾Jackin House (with thx to Jermaine Benjamin Dale Bruce)
◾Jungle / Drum’n’bass
◾Liquid Dub(thx Ran’dom Haug)
◾Regstep (thanks to ‘Melia G)
◾Speedcore (cheers Matt)
◾Techno
◾Trance
◾Trap (thx Luke Allfree)

•Disney
•Easy Listening ◾Bop
◾Lounge
◾Swing

•Electronic ◾2-Step (thx Ran’dom Haug)
◾8bit – aka 8-bit, Bitpop and Chiptune – (thx Marcel Borchert)
◾Ambient
◾Bassline (thx Leon Oliver)
◾Chillwave(thx Ran’dom Haug)
◾Chiptune (kudos to Dominik Landahl)
◾Crunk (with thx to Jillian Edwards)
◾Downtempo
◾Drum & Bass (thx Luke Allfree)
◾Electro
◾Electro-swing (thank you Daniel Forthofer)
◾Electronica
◾Electronic Rock
◾Hardstyle (kudos to Dominik Landahl)
◾IDM/Experimental
◾Industrial
◾Trip Hop (thank you Michael Tait Tafoya)

•Enka
•French Pop
•German Folk
•German Pop
•Fitness & Workout
•Hip-Hop/Rap ◾Alternative Rap
◾Bounce
◾***** South
◾East Coast Rap
◾Gangsta Rap
◾******* Rap
◾Hip-Hop
◾Latin Rap
◾Old School Rap
◾Rap
◾Turntablism (thank you Luke Allfree)
◾Underground Rap
◾West Coast Rap

•Holiday ◾Chanukah
◾Christmas
◾Christmas: Children’s
◾Christmas: Classic
◾Christmas: Classical
◾Christmas: Comedy
◾Christmas: Jazz
◾Christmas: Modern
◾Christmas: Pop
◾Christmas: R&B
◾Christmas: Religious
◾Christmas: Rock
◾Easter
◾Halloween
◾Holiday: Other
◾Thanksgiving

•Indie Pop
•Industrial
•Inspirational – Christian & Gospel ◾CCM
◾Christian Metal
◾Christian Pop
◾Christian Rap
◾Christian Rock
◾Classic Christian
◾Contemporary Gospel
◾Gospel
◾Christian & Gospel
◾Praise & Worship
◾Qawwali (with thx to Jillian Edwards)
◾Southern Gospel
◾Traditional Gospel

•Instrumental ◾March (Marching Band)

•J-Pop ◾J-Rock
◾J-Synth
◾J-Ska
◾J-Punk

•Jazz ◾Acid Jazz (with thx to Hunter Nelson)
◾Avant-Garde Jazz
◾Bebop (thx Mwinogo1)
◾Big Band
◾Blue Note (with thx to Jillian Edwards)
◾Contemporary Jazz
◾Cool
◾Crossover Jazz
◾Dixieland
◾Ethio-jazz (with thx to Jillian Edwards)
◾Fusion
◾Gypsy Jazz (kudos to Mike Tait Tafoya)
◾Hard Bop
◾Latin Jazz
◾Mainstream Jazz
◾Ragtime
◾Smooth Jazz
◾Trad Jazz

•K-Pop
•Karaoke
•Kayokyoku
•Latin ◾Alternativo & Rock Latino
◾Argentine tango (gracias P. Moth & Sandra Sanders)
◾Baladas y Boleros
◾Bossa Nova (with thx to Marcos José Sant’Anna Magalhães & Alex Ede for the reclassification)
◾Brazilian
◾Contemporary Latin
◾Cumbia (gracias Richard Kemp)
◾Flamenco / Spanish Flamenco (thank you Michael Tait Tafoya & Sandra Sanders)
◾Latin Jazz
◾Nuevo Flamenco (and again Michael Tafoya)
◾Pop Latino
◾Portuguese fado (and again Sandra Sanders)
◾Raíces
◾Reggaeton y Hip-Hop
◾Regional Mexicano
◾Salsa y Tropical

•New Age ◾Environmental
◾Healing
◾Meditation
◾Nature
◾Relaxation
◾Travel

­•Opera
•Pop ◾Adult Contemporary
◾Britpop
◾Bubblegum Pop (thx Haug & John Maher)
◾Chamber Pop (thx Haug)
◾Dance Pop
◾Dream Pop (thx Haug)
◾Electro Pop (thx Haug)
◾Orchestral Pop (thx Haug)
◾Pop/Rock
◾Pop Punk (thx Makenzie)
◾Power Pop (thx Haug)
◾Soft Rock
◾Synthpop (thx Haug)
◾Teen Pop

•R&B/Soul ◾Contemporary R&B
◾Disco (not a top level genre Sheldon Reynolds!)
◾Doo ***
◾Funk
◾Modern Soul (Cheers Nik)
◾Motown
◾Neo-Soul
◾Northern Soul (Cheers Nik & John Maher)
◾Psychedelic Soul (thank you John Maher)
◾Quiet Storm
◾Soul
◾Soul Blues (Cheers Nik)
◾Southern Soul (Cheers Nik)

•Reggae ◾2-Tone (thx GFS)
◾Dancehall
◾Dub
◾Roots Reggae
◾Ska

•Rock ◾Acid Rock (with thanks to Alex Antonio)
◾Adult-Oriented Rock (thanks to John Maher)
◾Afro Punk
◾Adult Alternative
◾Alternative Rock (thx Caleb Browning)
◾American Trad Rock
◾Anatolian Rock
◾Arena Rock
◾Art Rock
◾Blues-Rock
◾British Invasion
◾**** Rock
◾Death Metal / Black Metal
◾Doom Metal (thx Kevin G)
◾Glam Rock
◾Gothic Metal (fits here Sam DeRenzis – thx)
◾Grind Core
◾Hair Metal
◾Hard Rock
◾Math Metal (cheers Kevin)
◾Math Rock (thx Ran’dom Haug)
◾Metal
◾Metal Core (thx Ran’dom Haug)
◾Noise Rock (genre – Japanoise – thx Dominik Landahl)
◾Jam Bands
◾Post Punk (thx Ben Vee Bedlamite)
◾Prog-Rock/Art Rock
◾Progressive Metal (thx Ran’dom Haug)
◾Psychedelic
◾Rock & Roll
◾Rockabilly (it’s here Mark Murdock!)
◾Roots Rock
◾Singer/Songwriter
◾Southern Rock
◾Spazzcore (thx Haug)
◾Stoner Metal (duuuude)
◾Surf
◾Technical Death Metal (cheers Pierre)
◾Tex-Mex
◾Time Lord Rock (Trock) ~ (thanks to ‘Melia G)
◾Trash Metal (thanks to Pierre A)

•Singer/Songwriter ◾Alternative Folk
◾Contemporary Folk
◾Contemporary Singer/Songwriter
◾Indie Folk (with thanks to Andrew Barrett)
◾Folk-Rock
◾Love Song (Chanson – merci Marcel Borchert)
◾New Acoustic
◾Traditional Folk

•Soundtrack ◾Foreign Cinema
◾Movie Soundtrack (thanks Julien)
◾Musicals
◾Original Score
◾Soundtrack
◾TV Soundtrack

•Spoken Word
•Tex-Mex / Tejano (with thx to Israel Lopez) ◾Chicano
◾Classic
◾Conjunto
◾Conjunto Progressive
◾New Mex
◾Tex-Mex

•Vocal ◾A cappella (with kudos to Sheldon Reynolds)
◾Barbershop (with thx to Kelly Chism)
◾Doo-*** (with thx to Bradley Thompson)
◾Gregorian Chant (hat tip to Deborah Knight-Nikifortchuk)
◾Standards
◾Traditional Pop
◾Vocal Jazz
◾Vocal Pop

•World ◾Africa
◾Afro-Beat
◾Afro-Pop
◾Asia
◾Australia
◾Cajun
◾Calypso (thx Gerald John)
◾Caribbean
◾Carnatic (Karnataka Sanghetha – thx Abhijith)
◾Celtic
◾Celtic Folk
◾Contemporary Celtic
◾Coupé-décalé (thx Samy) – Congo
◾Dangdut (thank you Achmad Ivanny)
◾Drinking Songs
◾Drone (with thx to Robert Conrod)
◾Europe
◾France
◾Hawaii
◾Hindustani (thank you Abhijith)
◾Indian Ghazal (thank you Gitika Thakur)
◾Indian Pop
◾Japan
◾Japanese Pop
◾Klezmer
◾Mbalax (thank you Samy) – Senegal
◾Middle East
◾North America
◾Ode (thank you Sheldon Reynolds)
◾Piphat (cheers Samy B) – Thailand
◾Polka
◾Soca (thx Gerald John)
◾South Africa
◾South America
◾Traditional Celtic
◾Worldbeat
◾Zydeco
etc...
Ruby Harrison Jan 2010
Since fifty-eight
the jaycees come
rounding up rattlers
in Sweetwater, folk from all over
for a weekend in March
when snakes leave the hibernaculum
and slide back up
into west Texas and the wind.

Mr. Herrera knew his Luis and I
rode the seven-thirty bus,
had cokes and potato chip sandwiches
with Mitchell and Thomas
after Sunday school,
shot jackrabbits that ate alfalfa
in the dairy pastures.

Dad said he reckoned,
so I took Mr. Herrera’s apron
and offer and brought my knife
that Luis sharpened to a razor
and shaved his forearm hairs with.  
Frank tried that once,
sliced himself like a tomato
when he slipped.

Snake shop’s a butchery,
down the main street
past the dairy mart
and primary school,
in the yellow open scrub.  
If buzzards had noses like dogs
they’d flock, smell that
snake blood from Mexico.

Rattlesnake skinning
is all stringy guts, soft skin,
pulled teeth and poison
squeezed out of gum sockets
like milk from an old cow’s ****.  
Fancy skins with eyeholes
and lips cost ten,
specialty of Mr. Herrera.
Headless strip plus rattle
just two dollars the foot.
Cut the belly lengthwise
and rip,
easy near the backbone
where it catches.  

Out-of-towners buy anything.
Wallets, boots, belts with snakeskin
sewed or tacked on,
lucky rattles, picture frames
for proof of their longest catch.  
God-fearing jaycees doing good
for our communities will eat
deep-fried snake meat,
like tough old chicken,
but good with black-eyed peas
and sweet tea on the side.  

The women even come
once the round-up is done,
the church women, the Jesus women
with belief
and pistachio pudding
with marshmallows,
like Mrs. Howard
who shrieked “Boyd!”
and lectured about hygiene
when she saw me in my apron
and ****** to my elbows,
menacing the street.  

The biggest round-up days
we worked late, past midnight.
Past the dairy mart hours,
so once the skins
were all peeled and stretched
and the sticky linoleum
hosed down some,
Luis and I walked back through town,
deserted, dark





except lights from Roscoe and Roby
and even big Abilene
miles away, shining
across the flat nothing,
coyotes yip yip yipping
somewhere near the lake farther north.

Luis showed me how to eat peanuts
shells and all
and let me try on his brother’s
high school letter jacket.  
Late night in Sweetwater is a nothing.  
The wind never stops blowing,
and there’s nobody else
on the ******* planet.
judy smith Jun 2015
A Scots fashion student has been snapped up by design house Calvin Klein after impressing them with his stylish menswear collection.

The Glasgow School of Art already counts leading fashion designers Louise Gray, Pam Hogg and Jonathan Saunders amongst its celebrated former-students.

Now final year fashion design student Jonathan Douglas, 24, from Ballater, has been added to this illustrious list after being plucked by the US clothing company following an interview with them in January.

Jonathan who showcased his designs alongside ten other students from his course said: “I was told by email that after I graduate I will relocate to Amsterdam to work for Tommy Hilfiger Calvin Klein as part of their first ever European graduate creative programme. I was really excited but I’ve just tried to remain calm and continue to work on things for the show today.”

Jonathan can’t wait to live in Amsterdam to spend ten months with each label, then look at the business side of things.

He said: “My aim was to work for a global brand that had a truly global reach because as a designer it will push me to learn about fashion as a global industry. Tommy Hilfiger and Calvin Klein have always been labels with a true heritage that I’ve admired and they always try to innovate as well.”

He added: “The beauty about fashion is that you can travel, there are no boundaries and there are different people with different cultures - and fashion translates across that.”

Jonathan, who has a business degree, and has interned for Victoria Beckham, Carolina Herrera and Lacoste, was also awarded a schools and colleges British Fashion Council and Top Man award earlier this year.

He said of his fashion: “It’s quite creative but still staying within menswear silhouettes.

“It’s a contemporary menswear collection, forward thinking with clean line silhouettes contrasting with crazy textures. I’ve used foiling, hand painting with silicon paint and collaborated with print design too. It’s quite monochromatic. I think we are encouraged here to push the boundaries of our designs and think outside the box a bit because we don’t want to create something that has been produced before.”

Amongst his more adventurous pieces, Jonathan has designed a see through lightweight top with silicon painted shorts.

But despite his new job with a major label Jonathan isn’t planning to get his designs places on the latest celebrities.

He explained: “I’m not a big celeb fan. It’s a great way to promote fashion but it’s not my main focus.”Read more here:www.marieaustralia.com/red-formal-dresses | www.marieaustralia.com/white-formal-dresses
It started with the wide-leg Giorgio Armani pants
And it all went downhill from there.
They were so chic, and might improve her stance,
She could wear them to the market, hell, almost anywhere!

When she put them in her shopping cart
And continued to enter her credit card number,
A shot went right through her fashion-hungry heart
A jolt she still remembers!

It was the feeling of a new era
A new time in the lifespan of her wardrobe.
She would become a Prada-shopper, a vintage Chanel-wearer
No longer would she need to shuffle around her apartment in that awful bathrobe.
She'd strut down the street, sporting her Carolina Herrera.

A month later, a tingle slipped through her spine
As she donned a lapis Michael Kors
It was that sudden thought, "This dress is all mine!"
"It's mine now, so it isn't yours!"

From then on, it was her bank account that took the hardest hits
Money trickled through her Valentino-studded hands,
Down her Vera **** hips,
Came running down in thin, green strands.

Of course it all came falling apart when she saw the flawless Birkin bag,
Sitting there in the Hermes shop window
She knew it was the one thing she'd yet to snag!
However, there was just one thing she didn't know.

As she had the cashier ring it up,
Dropping another ten-grand
The cashier had her card snatched right up!
For this, Madame Fashion couldn't stand.

"Give it back!", she said, snapping her gold-dusted finger
"But dear you're overdrawn," said the snappy lady.
How she wanted to scream like soprano opera singer!
It was then that things got real shady.

In a lurch of madness, Madame jumped the counter!
The other shoppers were struck into awe and fear.
The cashier woman tried to stop her,
But Madame had just barely escaped, finally in the clear!

As she ran down fifth avenue, clutching her precious steal
A horrible revelation took over this felon,
She'd forgotten that she had wanted the purse in gorgeous teal!
Instead she had gotten melon.
I don't know about all of you, but this poem is my idea of FUN!
Waverly Nov 2011
Maria's mom
had an ***.

A nice
peach.

The kind that made
Maria
uncomfortable,
because her mother wore
green bikinis
to the grocery store
and bought
every green thing,
even the hard bananas
that wouldn't be soft
for months.

in the lime bikini,
the creases
of her upper thighs
were places
where men wanted to put
their tongues.


Maria's mother
was a
thirty-seven year old
milk-skinned
body.

And other than
the green bikini
she wore
the black skirt.

When her mother
wore the black skirt
it made men
want to slide fingers
up the black hemisphere
and feel for the rabbit
in between her thighs,

to feel the magic

of soft
stomach flesh
and a still-tight
almost hermetic
***.

Maria's mother,
called Ms. Herrera
by Maria's boyfriend,
resumed the old name
Judy
in the mirror.

She spent long, distended moments
in front of that
mirror
in the black dress,
watching the folds of fabric
slide.

Although her stomach
was starting to sag
and she could hold
the flesh
in between
an index
and
a thumb,
She could still take solace
in the still-tight
gift;

the one part of her body
that she could turn her back to
while it gave her
gracious returns;

It was a capsule of the past:
intact,
still vital
and still
hers.

Maria's mother
wore those tight black dresses,
g-strings
and bikinis to the grocery store,
because they were
relics.

Maria was a relic,
but not the kind
that made her mother
still
feel pretty
or young
or at least
valuable.
Calli Kirra Jun 2018
Drinking gin in the park
You look at me
And you’re every single stop, long pause, start
You’re everything that sets a jump in my heart
Everything I want to breathe in
You are mid August
On the backs of my legs
The smell on my hair,
It gives away that I’ve been
Curled into your chest,
My face in your neck,
Pleading for you to stay
Praying to a righteous God
That for us,
It’s just another Thursday
Another fragmented love letter.
judy smith Mar 2017
Veteran fashion show casting director James Scully has taken to Instagram to call out the fashion industry, specifically the Parisian contingent, for its treatment of models.

Taking on the role of whistle-blower, Scully named and shamed slew of brands contributing to the mistreatment of models during the casting process.

“So true to my promise at #bofvoices that I would be a voice for any models, agents or all who see things wrong with this business I'm disappointed to come to Paris and hear that the usual suspects are up to the same tricks,” Scully wrote on the social media app, before going into a story of the poor treatment of models waiting to be cast in the upcoming Balenciaga show in Paris.

“I was very disturbed to hear from a number of girls this morning that yesterday at the Balenciaga casting Madia & Ramy (serial abusers) held a casting in which they made over 150 girls wait in a stairwell told them they would have to stay over three hours to be seen and not to leave. In their usual fashion they shut the door went to lunch and turned off the lights, to the stairs leaving every girl with only the lights of their phones to see,” Scully revealed.

The casting director, who has worked with the likes of Stella McCartney, Derek Lam, Nina Ricci, Jason Wu, Carolina Herrera and for Gucci during the Tom Ford era, is a well-established and respected member of the fashion community and a long-time advocate for diversity in the modelling community.

“Not only was this sadistic and cruel it was dangerous and left more than a few of the girls I spoke with traumatised. Most of the girls have asked to have their options for Balenciaga cancelled as well as Hermes and Elie Saab who they also cast for because they refuse to be treated like animals,” Scully continued, adding that, “Balenciaga [is] part of Kering it is a public company and these houses need to know what the people they hire are doing on their behalf before a well-deserved lawsuit comes their way.”

Scully then went to touch upon the diversity and age issues the industry is also facing, noting that houses were turning away women of colour and attempting to use underage models.

“On top of that I have heard from several agents, some of whom are black, that they have received mandate from Lanvin that they do not want to be presented with women of colour. And another big house is trying to sneak 15 year-olds into Paris! It's inconceivable to me that people have no regard for human decency or the lives and feelings of these girls, especially when too, too many of these models are under the age of 18 and clearly not equipped to be here but god forbid well sacrifice anything or anyone for an exclusive right?”

Scully’s post has racked up over seven thousand likes and comments from models who found themselves entangled in the Balenciaga stairwell.

“I was one of this 150 girls waiting in this stairwell, Hopefully, I'm 27 now, and it's not my real job, but if I would have been younger and more into this, I would have been so destroyed by this kind of people or treatment. Personally, I decided to leave the casting, just before it was my turn. Just after I saw the casting director screaming at us to go out — outside, in the dark — and told us that we are like groupies in a concert, and how incredible and unbearable it was,” commented Instagram user Judith Schiltz, who purported to be in the stairwell.

Models Joan Smalls, Doutzen Kroes and Candice Swanepoel have also commented on the post.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/formal-dresses
Ken Pepiton Aug 2023
A teaspoon of tincture, to the actual worth
of a Kuerig waste eventually, in return
for a breath.

How slow do we sink below our bouancy specs?

Sein- in my future plastic accountibility,
a form of artifact that shall signal affluence killed us all;
any way, same thought, nine ounces of our local kush…
ah, it has a weak genealogy, nothing fancy, no Joe Herrera,
but a hermaphroditical what the hell,
seems some years ago, down in Lemon Grove,
one branch, in our first legal garden, in three generations,
one branch,
we seemingly never noticed until John harvested,
and had like 200 seeds,
- at that house
not far from where the 9/11 crew stayed during flight school,
but about ten years later,
-------- bubble memory on all along
we had a crop of ****,
plain old garden variety seeds from a bag.
And as we eliminated all the males, we spied,
using our YouTube assist- what does this look like? Abnormal
or normal
are no longer first page words worthy choices,
norms are not known
to be essenstial,
esse, essense essence yes sense, in no wise
as evidence from this POV, mine, on loan, you can use it,
you can hold it,
as a thought,
what if,
we knew at once, words are not Lotech. Let us express,
that
once hindered
by those that let, let us let free.
Read, discover the realm of minds past normal,
long before Art Intuited a system
to inter connect tight
thinking, sieving contraptions
for sacred secrets, light
reveal, see the bunny in the cage,
prior to the hat, right.

Plain Truth, Garner Ted 'n'em, made some money selling
a home grown version of once pure good news, from a spring,

oh, nobody lives forever,
ain't that a relief?
Think a spell.
I meant to give you the recipe, but got to vegetating how
chthonic circumstances determine much of the luck, but

Nine or ten ounces of cured and cooked to peak, commercial
quality cannabis, from any garden in Free States, nowadays,
steeped in Arizona legal Everclear, 95% pure moonshine,
for around a year or so… seems to become stronger,
could be a brandy evaporation kinda thickening,  plot that.

In the course of a novel day, I did deliver the recipe. That is it,
the deed, indeed, does call for more knowing, however, I do.

So I read it, and figured I'd said it. Right enough to work.
I felt I owed the plant some assistance credit since the cloud is holding me up.
Ai expect to live forever. Plants understand us better. ;}
marrio solis May 2014
I enter your heart
You gave me the chance to know you
I fell in love with who you are
You’re not like any one else in my life
we never gave up even when you thought you did we fought through the criticism
Nothing kept us from giving up on us
Not parents not school work time age distance
Giving up was never a choice for me but setting you free and letting you be happy is not giving up
It is my choice
But I will return for you like
you said because I’m not giving up. 3 yrs left
Mario Solis-Herrera
marrio solis May 2014
Where to go after this
What to do after this I feel lost
I lost you for your good
But by losing you I have lost myself you said you were not calm
So I lost you to for you to be happy
I do not ever think about myself
Just we but I have to find myself for there to a we
I will find myself to be happy again and to be me
Mario Solis-Herrera
Erik Herrera May 2016
"DONT LET THE WORLD BREAK ME"



In a world so cold

Makes you wonder



If there is any love out there

Haters always trying to knock me down



Jealousy always trying to stop me

No ones perfect in this world



But only God can judge me

Only he knows whats in my heart



Only he knows why I do things

So why do some people in this world wanna judge me?



When they dont even truly know me

So much hatred towards me



So much Jealousy thrown my way

Some would rather see me die then to see me fly



Lord, I beg you

Dont Let the world break me



As they try to everyday

Some backstabbing me everyway



Why is there so much hatred towards me

Maybe because it's their jealousy



There are some things that I dont understand in this world

Like, why are there people starving?



Why is the world's enviroment in such a mess

And people dont do anything to fix it?



Why are people always tripping on me

When they dont even know me



Dont Let the world break me

Even when they try, they wont be able to



Because I am much stronger then they'll ever know

And with you by my side Lord, I am Invincible



So much hatred around the world

So much backstabbing



I'm not trying to act as if I am perfect

I am not the kind of person to judge



But why are so many people always judging me?

He who is without sin, let him cast the first stone



They that truly know me,

Let they be the ones to say anything about me



Although I doubt that they ever will

Its hard to find true friends out there



Because there are so many haters out there

Dont Let the world break me



Stop judging me..

Stop waisting your time on me



There are more things in demand out there

that need attention



Why do you pay your attention on

the starving people out there



Why dont you pay attention

On the World's enviroment



Why dont you pay attention on

Your own family, I bet their in need of it



For those out there who are constantly judging me

take my advice



And look at yourself in the mirror

I bet you'll find yourself to be non-perfect



So who are you to judge me

Who are you to backstab



As they constantly try

Lord, Don't Let the world break me



By



Erik Herrera
marrio solis May 2014
In my dream
I saw your face for the first time in years like you were really here
I ran after you but you would not stop
I screamed you name but you would not look at me
The closer I got the further you went I was not going to give up I ran and ran after you
Crying your name
Dad dad please do not go nothing helped it hurt I don’t know if it was a dream or
A nightmare I have not forgotten the pain you caused us the pain I still carry
The hate I held for so long because you were not there for us
You left us and you could have been there but you chose your path
Why did you I dream of you when I do not know what I feel for you
Mario Solis-Herrera

— The End —