"haystacks" poems
You can see it already: chalks and ochers;
Country crossed with a thousand furrow-lines;
Ground-level rooftops hidden by the shrubbery;
Sporadic haystacks standing on the grass;
Smoky old rooftops tarnishing the landscape;
A river (not Cayster or Ganges, though:
A feeble Norman salt-infested watercourse);
On the right, to the north, bizarre terrain
All angular--you'd think a shovel did it.
So that's the foreground. An old chapel adds
Its antique spire, and gathers alongside it
A few gnarled elms with grumpy silhouettes;
Seemingly tired of all the frisky breezes,
They carp at every gust that stirs them up.
At one side of my house a big wheelbarrow
Is rusting; and before me lies the vast
Horizon, all its notches filled with ocean blue;
***** and hens spread their gildings, and converse
Beneath my window; and the rooftop attics,
Now and then, toss me songs in dialect.
In my lane dwells a patriarchal rope-maker;
The old man makes his wheel run loud, and goes
Retrograde, hemp wreathed tightly round the midriff.
I like these waters where the wild gale scuds;
All day the country tempts me to go strolling;
The little village urchins, book in hand,
Envy me, at the schoolmaster's (my lodging),
As a big schoolboy sneaking a day off.
The air is pure, the sky smiles; there's a constant
Soft noise of children spelling things aloud.
The waters flow; a linnet flies; and I say: "Thank you!
Thank you, Almighty God!"--So, then, I live:
Peacefully, hour by hour, with little fuss, I shed
My days, and think of you, my lady fair!
I hear the children chattering; and I see, at times,
Sailing across the high seas in its pride,
Over the gables of the tranquil village,
Some winged ship which is traveling far away,
Flying across the ocean, hounded by all the winds.
Lately it slept in port beside the quay.
Nothing has kept it from the jealous sea-surge:
No tears of relatives, nor fears of wives,
Nor reefs dimly reflected in the waters,
Nor importunity of sinister birds.
4.4k
She's my pretty city country girl
She's something I can't lose
Is she livin' in the country
or the city, she must choose
You know I really love her
She's the one I really want
But if she moves off to the city
It's my heart she'll stay and haunt.
When I first saw her smiling face
It was a good old summers day
She had moved down from the city
And I hoped that she would stay
We played games out in the haystacks
We ran races through the corn
Turn left and hit the river
Turn right, you're lost till morn
She's my pretty city country girl
She's something I can't lose
Is she livin' in the country
or the city, she must choose
You know I really love her
She's the one I really want
But if she moves off to the city
It's my heart she'll stay and haunt.
She occupied my dreams then
And still does to this day
Back then I hardly new her
I just hoped that she would stay
Short shorts and Gingham dresses
made her look the country part
But high heels and silk organza
Tugged the city in her heart
She's my pretty city country girl
She's something I can't lose
Is she livin' in the country
or the city, she must choose
You know I really love her
She's the one I really want
But if she moves off to the city
It's my heart she'll stay and haunt.
We'd go to high school hoedowns
And dance like no one else was there
But when she heard Big Band Music
She was dreaming of Times Square
She loved to go out touring
In my pickup through the crops
But in my heart I knew she missed
The sounds of taxi cabs and cops
She's my pretty city country girl
She's something I can't lose
Is she livin' in the country
or the city, she must choose
You know I really love her
She's the one I really want
But if she moves off to the city
It's my heart she'll stay and haunt.
She stayed here all through high school
But I knew deep down it had to end
I knew if I tried to say "I Love You"
she'd say "I love you like a friend"
She knew I'd never leave here
And I knew she had it made
If she went back to the city
And stopped her country masquerade
She's my pretty city country girl
She's something I can't lose
Is she livin' in the country
or the city, she must choose
You know I really love her
She's the one I really want
But if she moves off to the city
It's my heart she'll stay and haunt.
It was two weeks past commencement
When I told her what I thought
Then I dropped down to me knee right there
And I showed her what I'd bought
I looked into her smiling eyes
And prayed that she'd say yes
Would she choose to stay in Daisy Dukes
Or go back to her chiffon dress
I'll let you guess the answer
By the way I end this poem
But I'm still here in the country
And she's waiting now at home.
She's my pretty city country girl
She's something I can't lose
Is she livin' in the country
or the city, she must choose
You know I really love her
She's the one I really want
But if she moves off to the city
It's my heart she'll stay and haunt.
May 26, 2012
May 26, 2012 at 7:08 PM UTC
SAD VALENTINES FOR BREAKFAST
Oh my how red **** struts(thinks he's a sultan)
striding in and out among his harem-scarum hens
talking to themselves
like some lost senile sentimental souls.
Foolish fowl!
They lay eggs for gentlemen
and kids on long hot summer holidays
they hide their eggs like broken hearts
like old love letter secrets
safe in unseen places.
But see Auntie Nellie willy-nilly as a fox
stalk the chickens and expose them
cruel as the NEWS OF THE WORLD.
See her raid the haystacks
(backseat of the old car)
rain rusting machinery
her apron pregnant and precious with
the warm and brown gift of eggs.
Red **** crows loud against the morning marigolds
while children's voices babble sleepily into wide awakefulness
love letter secrets staining their lips
sad valentines for breakfast.
May 21, 2019
May 21, 2019 at 3:37 PM UTC
farmland, not death, is the great equalizer. death separates the famous from the infamous, the young from the old, the lucky from the alone. farmland, stretching to the horizon, makes pennsylvania into connecticut into ireland into kansas. you can't tell monet's haystacks from mine.
Dec 21, 2014
Dec 21, 2014 at 2:56 PM UTC
You can’t leave without getting what you came here for
I know it’s hard
Finding meaning in life is about as cliché as a needle in a haystack
Just achin’ to fill in the empty spots
With anything you can get your hands on
Got some gaps festering
Afraid to unplug and let the hurt bleed out
Cuz at least you know your holes are full
But life
It punches us toothless
Won’t let us sleep at night
With the ache of mystery
You want a purpose
Hold tight and live
Just live
Like plants and housecats
Someone once told me that there’s a forest of redwoods out there
So big with roots so tightly woven you can’t tell where one tree begins and another ends
You got roots planted in my heart
Each step you take is a purpose
I can feel you even when you aren’t close
So don’t leave me
Not yet
We got too much fire fueling engines in our feet
Just walk with me
I’ll find you a purpose
There are haystacks everywhere
And a heartful of needles buried beneath
Just don’t leave
before you get
Whatever it is that you need
Mar 23, 2011
Mar 23, 2011 at 3:56 PM UTC
The paper drips with red blood from my soul
There’s no ink left in my pen
The clock has used up all its hours
The music of the spheres has ended.
I set out to build a village in a place
Not hard to find without a map
Proudly I used local lumber
Made sure the walls were square and true.
Sadly no one wants to live there
No one stops to hear my song
(Just one clear voice and not an opera )
People look and listen briefly then move on
≈
Wandering through the others’ harvests
I see words stacked in random order
Piled like fancy autumn haystacks
Held in place with azure ribbons
Mumbled voices raised in solos
Whose words I cannot parse or learn
Where verses run from one to twenty
And the applause is deafening
What seems real is evanescent
Fleeting as the winking of an owl
Impossible to braid with just two strands
And painted over with graffiti.
≈
How am I to fly when it appears
That I can barely walk and yet
I thought that I knew how to dance.
I guess I never found the beat.
I can’t but keep on building sturdy
Little one theme dwellings
It’s the only thing I know
And I’ll live there all by myself
And hope a visitor or two
Will stop by now and then
To say hello and how are you
And share a cup of my brand’s tea.
ljm
Feb 3, 2017
Feb 3, 2017 at 12:14 PM UTC
Hello Pop,
You said you liked a good story.
I'm no good at tellen stories, coz you were always the one that told'em and I was always the one that listened but,
I got one now.
Not a nice one.
None'a that feel good **** you see on TV.
But, it's a story
and I owe you one.
It's about you,
the bits you missed,
and me:
the not so good for a so called 'good kid'.
Not that many called me that
But,
then you went and did.
Made me think I couldn't be so bad.
Yet here I am.
Throwin stone's when I've got no one to hit.
Too bored to eat or sleep, just fucken spit.
Wishen that great god gave me someone to hit.
I'm a sick girl, ya know.
That's what they tell me.
Sick compared to those straight kids -
the pride of Glory Spring.
"Glory to God!" they all fucken sing
and even me who can’t speak good
can still recite that invisible,
unbearable
ditsy
dimpled
****
He was your favourite story and everyone elses, after all.
Vicar Roy made sure of that.
Vicar Roy.
With his crinkly eyes
his toothy grin
the way he wouldn't blink when you challenged him.
God while god was hiding from the mess he made,
but God was doin’ nothen for me.
Ma saw that before you could.
She wanted me out,
She wanted me taken to a real city so they could study my head,
the way it worked.
The way my words never came
just a crooked grin.
But, even when the crayons became weapons
and the kittens went missen
The Vicar went and blessed me the same way.
Glory Spring, with its neat little rows of cottages and cabbage gardens,
so evenly cut.
Soft colours,
bright greens.
So good,
good,
good.
Then I came along.
Rabid,
urban wild
itchen for a stomach slit
goin' "Guts for you"
after "Treat or trick?"
setten haystacks on fire
tryen to find the pin
only to drop it on purpose.
Are you scared of me, Pa?
I think even God is scared of what he created.
That's why we never see him,
but I'm here now Pa.
You can't hide from me
and I gotta story of why you don't gotta no more.
Sep 12, 2018
Sep 12, 2018 at 2:59 AM UTC
High
and nothing between me and the deep blue of the sky
and I have to wonder,
not at the wonder but the wonder of why
I could cry.
These incessant questions never leave me alone
even up here
where it all should be clear
I am never as near to the answers I seek
as when I'm down there in the crowd.
I ask myself out loud
what is it that keeps me from sleep and defeats me
and why do I seek when I don't know what for?
It's all needles and haystacks
I can never relax
I feel like my back's up against a solid stone wall.
If I fell
how far would I fall?
If I fall
would I be fallen or would I have fell?
These pointless questions give me hell
I'm on a roundabout
a merry go round
above the ground
way up high
where the moon steals kisses from the deep blue of the sky
I wonder why.
I wonder how and what and when
and again
I wonder
I pen
exhume those words in pain
shout out
roundabout
spinning
beginning to find a trace on the line.
Before I run out of time
I will know
I will go away sated
The journey is long
and I've hated the waiting
the unknowing
of what the picture is showing
and who held the key
was it me?
was that the mystery?
I wonder
May 9, 2013
May 9, 2013 at 2:52 PM UTC
when I see newly
vacum packed, black
plastic haystacks
two things
come to mind
that they look
like fair smoked
round Gubbeen
cheese's and would Monet
have ever painted them?
Mar 18, 2011
Mar 18, 2011 at 3:51 PM UTC
I have had enough sadness
for a row of lifetimes.
When fallen angels make us weep,
the piano man cries,
how long must we bleed for their crimes.
I can't help if I take on your labor too
give me those needles and haystacks
pile them higher, higher, higher
Getting high on needles and
buried in haystacks
reclined on the feathers
of your torn out
****** wings
on and on the piano man sings,
the piano man sings
Blackest of feathers
soft and deceiving
you draw me in
while thinking of leaving
you deserve every drop
of that blood you drip
If only you felt
half as much as you bleed.
I'm covered in tears,
blood and water,
I can't drown it out
can't wash it away
I'm cut and I'm stained
I'm healed,
but I'm drained.
Feb 9, 2014
Feb 9, 2014 at 11:09 PM UTC
I am a woman, in a man’s body
with a ***** that doesn’t work
I have ****** the vineyards and the haystacks
grown a beard as long as a pine tree
the beard is downstairs
and it is joined to my hair
which is also long, flowing from my shiny head
I speak 500 languages
I cant read
I once slept outside my own house
in the blizzard of 93’ I fingered somebody’s sister
I even slapped a judge for being too **** ugly
but seriously, I’m currently jacking off to everybody’s mom
no no no, I’ll be honest for old time’s sake
my greatest lie is that I am/have-done none of these things.
Aug 30, 2013
Aug 30, 2013 at 5:58 AM UTC
The snow flakes fall heavily;
Icing over the barnhouse roof,
Turning the fields to cream
And the haystacks to floating cakes.
The early ice cut the land deep.
The crops and cattle will die.
Leaving nothing but icy confections.
And the farmer will only have
One withering cherry tree
A gorgeous tree
With icicle leaves
And branches like fingers
Begging for warmth.
It has the beauty of standing
When all else has fallen.
But the staunch defender
Has seen life's torments.
It's seen summers pass
With the drying of land,
And autumns come and go
With the changing of clothes.
She had been as
Fair and pure
As the cherry tree.
An innocent youth,
Radiating inner joy.
A prize not worthy
For the noblest king.
Yet she loved him so,
Making there parting
Much more dark.
She withered away
One winter's eve
And with one last breath
She whispered "my love".
The farmer bore the task
And with his own hands
Laid her to her bed
And planted the cherry tree,
A grave mark, above her head.
Three weeks pass
And the snow still falls
The fire no longer burns
Old age keeps the farmer
A prisoner in his house
And being a deperate man,
He takes up his axe
And goes into the yard
In the following spring,
A young couple in love
Journeyed by the house
Where there eyes fell upon
The grace of a cherry tree.
And beneath that the tree
Was a farmer buried in a
Soft pink funeral shroud.
Too dignified to harm
The last remaining mark
Of his lover gone.
Sep 20, 2010
Sep 20, 2010 at 11:16 AM UTC
My nerves are dry reeds.
They cough his name in the lightest breeze,
they rub together.
Sparks or stars in the hot night,
we crackle like lightning along the riverbed.
The sun casts her jealous eyes down,
she turns the river to cracked clay,
and the wheat dries and dies in the fields.
She will starve us out. No haystacks
lining the paths home, the animals
have all moved on.
Our love is an empty barn,
with dust rising in shafts towards the light.
May 29, 2012
May 29, 2012 at 12:57 PM UTC
where did my phone go
the bonobo doesn't know the only goal is soul.
Tread lightly on the unknown, the queen bee is dumb as hate
I ate what i ate then the figure eight has been skated a great intimate
lethal pajamas are all plaid laid pink and black alternating
whose laying down and feuding hysterical manic destitute
a lewd groomed spitoonn running out of gas like a dragster of the unconscious mind
The double dark chocolate appears vanilla at the witching hour eleven minutes before
the score shows the trolls no longer know where home or a bridge to go
sticking needles in haystacks, a lit cigarette laid back smoking next to a burnt out filament
A lightbulb incandescence is a recipe heaven sent from ****** addiction
just like ritalin is diagnosed for children prescribe amephatimes for the future
to cling nooseless to sleeping pills for tomorrow comes this morning
Feb 25, 2015
Feb 25, 2015 at 7:19 AM UTC
and you'd come up again
in our conversation,
a bit flustered
wandering through haystacks in June
what else did you want from me?
it's either this or that...
words shared yet lost
meaningless and obsolete
a hazy afternoon for two
i knew a child who built houses
out of pebbles and twigs
he glued them together with honeycombs
and called it love.
those inhibitions
he tore up and sealed
for another day
then one day the wind thought
to come around to tumble
the bees harpooning above him
hypnotizing stings,
the cries within him
undulated to the frequencies,
of bright peonies in the spring.
and I saw this,
twist I did,
to bend the story wayward
like the rivers without moons
peering inquisitively at me.
But they were only fictions
carved by ancestors and
ancestors past,
whichever way to get their point across
to hold my head in their arms.
it was
folklore I'd forgotten to let go
the impossible book held deep in my chest
the anomaly I'd refused to relent
the searching for paradise.
Oct 12, 2014
Oct 12, 2014 at 3:27 AM UTC
When she was little,
she tried to count the stars,
lost track at 236,
and started over.
This has been a recurring trend
throughout her entire life.
She would search for four leaf clovers
not because she believed in luck
just for the challenge of it,
like hunting for needles in haystacks
just because – why not?
She loved to challenge of impossible tasks.
She was never angry with herself
when she failed -
because she wasn't stupid
she knew what impossible meant.
But every time she did find a lucky clover
or counted even just one star more than last time
she’d smile to herself,
having beaten the impossible.
All she wanted was
proof that she isn't doomed to fate -
proof that she is more
than a infinitely tiny speck of carbon
living on a mite larger speck of carbon
floating in a vast sea
full of impossibly massive specks of carbon
that too, are infinately tiny
when compared to the sea,
in which we all swim.
So when she made it her mission
to steal this boy’s heart
it wasn’t about love.
Not that she was intentionally cruel.
Just that she didn't see the world that way.
It was the fact that he was so distant,
so out of her reach,
like the incountable stars
hanging above her head
every night
taunting her.
She couldn’t help herself –
she had to try.
She took her victory
and his virginity
in the back of a Dodge Neon
parked in the shadow of an abandoned factory
on a dead end street.
Afterwards, they sat on the roof of her car.
With eyes soaked in that teenage sappy first-time kind of love,
he gazed upon her glory,
like she was some sort of angel
sent to save him.
She was too busy counting the stars to notice.
Apr 7, 2014
Apr 7, 2014 at 12:46 AM UTC
speeding southeasterly
away from the metropolis
suburban shopping malls give way
to fields of corn
chased by sunflowers between pine forests
the train pushing
with 100 miles per hour
against the heat
of a summer noon
towards the mountains
hidden in a haze
then the ascent
on the old artful track
wheels screeching
at the narrow turns
between occasional small houses
built of stone
a hundredandfifty years ago
the silhouette of a big bird
among the spruce
of cragged peaks
outlined against the sun
steep mountain meadows
mowed in morning coolness
the grass already turning into hay.
my birthplace coming up,
a renovated station,
a short stop,
moving on -
I see
an uphill forest road
on whose high point
a wily stone
thrown long ago with young ferocity
had killed a squirrel
instantly
none of my tears
would make it jump again
and climb up on its tree
with gathering speed downhill,
on through the river valley
flanked by wooded hills,
spiked with farms
and cluttered haystacks,
rushing by
old steeples in old towns
with some new factories,
until a confluence of rivers
another stop.
then turning southward
downhill still
more narrow in the valley
past steep rocks
old castle ruins above sprawling freeways
until the hills recede
and cumulating houses
in a widening basin
suggest the temporary end
of traveling
surprised
I step out
wondering how
to resume
Mar 24, 2015
Mar 24, 2015 at 6:00 AM UTC
Sick of each blade of grass blurring into the next, trees becoming a series of bushes, streaks of green across the skyline. Was that a cow?
“Look — some sheep!
Oh, wait no, they were just wrapped haystacks — sheep without heads.”
Speeding past flurries of road signs: ‘turn off at the next junction’
“What? The one back there?” Driving on for a few more miles before being able to turn back again.
Stopping
at the services
to relieve natural needs.
Except for rest — you can sleep on the road.
Except your sickness will persist through the night and
you could miss some significant sights
which will be gone by the time you open your eyes.
Sick of driving in the fast lane; life on play ready to entertain.
“Pass the sweets” trying to **** the sugar from the bitterness of passing time.
Sick of help lines dotted sporadically across the sideline but never quite
in reach.
Sick of this constantly churning stomach which only stops when
asleep.
Sick of momentary flickers of other passengers
before they too go on their way.
A lack of individuality; a wave of sameness
Comforting. Sickening.
Oct 15, 2024
Oct 15, 2024 at 3:41 AM UTC
We no longer look for needles in haystacks because we're all occupied looking for true love in hookup culture.
Knowing this I realised I'd probably die without ever experiencing true love, but that is not what I fear.
I know that I will die unloved.
I just fear that I'll be perfectly okay with it.
Jan 6, 2018
Jan 6, 2018 at 2:45 PM UTC
There’s a decisive moment
Between light and dark,
An intermission of clear sight
When movement becomes illusion.
For light does not hold still
But converges to a hundred shapes,
Fields, haystacks, cathedral portals,
A dizzy dervish, constant change,
Finally softened by slithering shadows
Of dusk.
A tempered darkliness folding
Into moon-glow pillow clouds,
Creating their own impressions.
Sep 11, 2018
Sep 11, 2018 at 5:17 AM UTC
Why do I love you? a simple question really, but yet, the answers that comes to my mind are all fuzzy and intangible. Like a tangled ball of yarn or a busy city block. Words are lost needles between the biggest pile of haystacks, or a matching sock after laundry day. It's indescribable! comparable to the miracle of a sunrise or the mystery of life itself. I don't mean to sound overly dramatic but, I just want to stress the overwhelming emotions that takes over me, whenever I think about how blessed I am, to have the opportunity to live a life with your effervescent existence. To put it more in shallow words; I guess it's the way you look at me with your pretty, pretty face, that I could never get tired of looking at, or how your eyes glimmer in the sunlight. that beautiful smile that strikes a chord in my heartstrings every time. Your scent that lingers in my senses even after you left the room, your touch, the taste of your kiss. Your sense of humour, your laughter, how you find my dry jokes funny, your love of art, and your scholar like intelligence and the tenderness of your heart, not just towards me but, to other people as well. You're always caring, always attentive and always generous. You are the most humble person I've ever known, I love your gentle soul and your belief in God. You are the absolute definition of empathy. And the way I feel around you, is more than enough for me to love life to the fullest, and to look forward to more days spent with you. As much as I want to describe you in words, somehow I still feel that they seem to flow out cold and flat. Words can't justify the way I feel about you. I suppose you can call it fate, or destiny, typical words that any romantic fool would say. I don't care much about clichés, and I know it sounds hypocritical but, I guess to answer that question in the most simplest manner, is like this: "I just do..."
Sep 3, 2016
Sep 3, 2016 at 10:05 AM UTC
A rushing blade there to public transport
still only fog compartment
rains upon their chests though letters as you are now glory
with gesture or unspoken allure
ye more intriguing with grass in their haystacks
and we're bridge burning with lure that fish underground
with swelter of climate to beat the heat through hale
Aug 24, 2016
Aug 24, 2016 at 4:41 AM UTC
No nettles within the gardens,
No ¹needles within the haystacks.
Who made for them new navels
And showered with salted-wine what would not leave us.
Who thrushed through every grain of every chaff,
Picking out & crushing that which was rotten.
We who made the meadows free!
Who liberated they who were encased in ²amber;
Rain, Lightning, Thunder.
Who slayed the ³Fearsome Hydra.
Slew the ⁴Slithering Gorgon.
They who silenced the speaking weeds
And the whispering flagons.
Companions of the ⁵Dragon.
Who caused the Titans to bleed.
Who stitched the wound,
Who cauterized it,
Who bandaged it.
The first of us to understand,
What was the seed.
Jul 9, 2025
Jul 9, 2025 at 1:30 PM UTC
Engulfing dew from misty cold
Snoring on frosty haystacks
A dense carpet swirling around
Of crafty creatures and hags from hell
Fresh rainy aroma in delight
Inescapable , unhindered through nostrils
Neither railways' wheels of time
Nor bickering souls tarnishing demeanour
Mounds of besmeared rocks
Severe yet silent
But since joyous moments last momentarily
An ant from the core bites me harshly
I step into droughts of aforesaid enlightenment
As I close doors into confinement..
Oct 18, 2018
Oct 18, 2018 at 11:35 AM UTC