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"hans" poems
Jo puraani yaadon mein zindagi dhundha kartey hai unhe sirf do pal ki muskurahat naseeb hoti hai aur phir umar bhar ki tanhai ek aisi tanhai jaha hum bhari mehfil mein bhi akele ** jaate hai aur adhura pan bhi hamein pura lagne lagta hai ek aisi manhoosiyat dil pe cha jaati hai Jo chahe bhi mit nhi paati aur vo yaadein bhulaaye bhi bhula nhi paate reh reh k **** mein gade kaante ki tarah dard diye jaata hai aur hum hans hans kar ise taal diya karte hai kyun ki shaayad mukaddar ko yahi manzur tha kya shikva hum kisi aur se kare jab manzil hi humse Ruth gayi Jo naayab tohfa khuda se mili haatho se yun choot gayi vo toot k bikhri aur kinare par jaa Giri aur kashti humari doob gayi
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Jun 18, 2015
Jun 18, 2015 at 5:21 PM UTC
Nostalgia (Hindi)
Kagaz ki kashtiyon mein kai bar safar kar liya, ab ek lambi udan bhar lene do. Aj in bandhe hue pankhon ko khuli hava mein sans le lene do, kyunki ab girne ka khauff nahin raha. Daudne mein ab koi maza nahin hai, kyunki yahan to hava jaise tham si gayi ** Ab rukne ka bilkul man nahin raha, aj to toofanon mein sair karne lene do. Dayron mein rehte hue adhi zindagi guzar gayi, aj to un hadon ko par kar lene do. Dar dar ke kab tak khamosh rahoge dost, zameen par jeet jane mein kuch nahin rakha , aj to uchaiyon par jashn mana lene do. Unke chale hue raston ko kai bar nap liya, aj mujhe bhi apni pehchan bana lene do. Kismat ka rona to sabhi rote hain, aj mujhe bhi apne naseeb ka kora kagaz rang lene do. Kabhi kabhi to man karta hai ki un azad parindon ki tarah hava mein bas tairta hi reh jaoon. Asan to kuch nahin par sochta *** ki aj namumkin ko hi apna dost bana loon. Kitabon ke panne kafi palat liye, aj mujhe bhi do shabd likh lene do. Hans lene do jinhe hansna hai mere in mazboot iradon par. Kya samjhenege who is khuli udan ki masti ko, jinhe kabhi bharosa nahin hua khud par, aur hamesha rakha tha apne armanon ko pinjre mein kaid kar. Khule asman mein aj ek bar ud lene do, kya pata kal wahan bhi zaroorat se jyada bheed ** Kai dinon ke bad aj ek bar fir azad hone ka man kiya hai Tod do in bediyon ko, kyunki aj ek lambi udaan bharne ka iraada hai
0
Mar 23, 2011
Mar 23, 2011 at 9:20 AM UTC
Udaan
Judai ~~♥~~ Suno jaana Mujhse kai logo ne pucha hai. judai kaisi hoti hai. judai kaisi hoti hai. Me kehta hu Zara thehro batata hu. judai kaisi hoti hai. judai aisi hoti hai. bhari mehfil me bhi kahi tanhai me kho jana. Kirchi kirchi kanch ke tukdo sa bikhar jana. Or un tukdo me ek hi bas ek hi chehere ka nazar ana. Judai aisi hoti hai. Simatna chah kar bhi khud se na simat pana. Har kisi ke samne muskan chehre par le ana. Dard saare chupane ki ek nakaam si be-matlab koshish kiye jaana. khud apne aap se us lamhat me nafrat si ** jana. Judai aisi hoti hai. Mulakato ke naam pe milna u to kai logo se har chehre me usi bas Usi chehre ko dhundte jaana. Naam uska apne lab pe saja lena. Us ki kahi koi baat yaad ane par rote hue thahake mar ke hans dena. Or hans kar ke ek dam se khamosh ** jaana. Naam uska le kar gir padna. kai raato tak aansuo se takiyo ko bigo dena. Duao me usi ke liye haatho ko failana. khwabo or khayalo me usi se wasta rakhna. na mil pane ka ghum is dil ko satana. Or fir tut kar bikhar jaana. Judai aisi hoti hai.   Jhukaye gardan fir kabro me apni lout aa jaana. Jise ham ghar bhi kehte hai. Use Suna sa dekh kar kadmo ka theher jaana. fir na utha pana. Ye sab kya hai judai ki nishani hai. Na mil pana, satana, or har kadam har moud par tut'te bas tut'te jana. Judai aisi hoti hai. Jaise andheri si gufao me  talash roshni ki ** jaana. jaise kisi apne ke haatho se haatho ka bichad jana. Fir na mil pana. kisi apne ko jata dekh kar Dur se aawaze laga kar rokna. Apne haatho ko jhatak na or diwaro pe patak dena. Or bas kuch na kar pana. bhari aankho se use dur hote dekhte jana. Palkey tak na jhapkana. Fir aansuo ka jaise sailab aa jana. judai ki aag me jalna,jhulasna or zinda reh jana. judai aisi hoti hai. Judai aisi hoti hai. Nk Sairam :)
0
Jan 13, 2019
Jan 13, 2019 at 5:20 AM UTC
Judai
Judai ~~♥~~ Suno jaana Mujhse kai logo ne pucha hai. judai kaisi hoti hai. judai kaisi hoti hai. Me kehta hu Zara thehro batata hu. judai kaisi hoti hai. judai aisi hoti hai. bhari mehfil me bhi kahi tanhai me kho jana. Kirchi kirchi kanch ke tukdo sa bikhar jana. Or un tukdo me ek hi bas ek hi chehere ka nazar ana. Judai aisi hoti hai. Simatna chah kar bhi khud se na simat pana. Har kisi ke samne muskan chehre par le ana. Dard saare chupane ki ek nakaam si be-matlab koshish kiye jaana. khud apne aap se us lamhat me nafrat si ** jana. Judai aisi hoti hai. Mulakato ke naam pe milna u to kai logo se har chehre me usi bas Usi chehre ko dhundte jaana. Naam uska apne lab pe saja lena. Us ki kahi koi baat yaad ane par rote hue thahake mar ke hans dena. Or hans kar ke ek dam se khamosh ** jaana. Naam uska le kar gir padna. kai raato tak aansuo se takiyo ko bigo dena. Duao me usi ke liye haatho ko failana. khwabo or khayalo me usi se wasta rakhna. na mil pane ka ghum is dil ko satana. Or fir tut kar bikhar jaana. Judai aisi hoti hai.   Jhukaye gardan fir kabro me apni lout aa jaana. Jise ham ghar bhi kehte hai. Use Suna sa dekh kar kadmo ka theher jaana. fir na utha pana. Ye sab kya hai judai ki nishani hai. Na mil pana, satana, or har kadam har moud par tut'te bas tut'te jana. Judai aisi hoti hai. Jaise andheri si gufao me  talash roshni ki ** jaana. jaise kisi apne ke haatho se haatho ka bichad jana. Fir na mil pana. kisi apne ko jata dekh kar Dur se aawaze laga kar rokna. Apne haatho ko jhatak na or diwaro pe patak dena. Or bas kuch na kar pana. bhari aankho se use dur hote dekhte jana. Palkey tak na jhapkana. Fir aansuo ka jaise sailab aa jana. judai ki aag me jalna,jhulasna or zinda reh jana. judai aisi hoti hai. Judai aisi hoti hai. Nk Sairam :)
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72
Ki haar gaya tan tan man puakar kar tumhe Kitne ekaki hai pyar kar tumhe Ki jis pal haldi lepi hogi tan par maa Jis pal sakhio ne saupi hongi saugaate Dholak ki thappo me , ghunghroo ki runjhoon me Ghulkar faili hongi ghar me pyari baate Uss pal meethi si dhun , sune kamre me sun Roye man chausar par haar kar tumhe Kitne ekaki hai pyar kar tumhe ..... Haar gya tan man ..........re haar gya re.. Kal tak jo humko , tumko milwa deti thi Un sakhio ke pprashno ne toka to hoga Saajan ki anjuri par anjuri kaapi hogi Meri sudhio ne rasta roka to hoga Uss pal socha man me aage ab jeevan main Jee lenge hans kar bisaar kar tumhe Kitne ekaki hai pyar kar tumhe ... Haar gaya tan man ....re haar gya re Kal tak jin geeto ko tum apana kahti thi Akhbaaro me padhkar kaisa lagta hoga Saawan ki raato me saajan ki bahoon main Tan to sota hoga par man jagta hoga Uss pal ke jeene me aanshu *** lene me Marte hai man hi man maar kar tumhe Kitne ekaki hai pyar kar tumhe Haar gaya tan-man ...re haar gaya re..
0
May 18, 2015
May 18, 2015 at 10:58 AM UTC
KITNE EKAKI HAI PYAR KAR TUMHE
Ek metro, saanp si guzar rahi hai kuch duur Ek nabh faila hai uske upar - Neela sa kaala Ek chaand chamak raha hai uss nabh mein Kuch baadal sarak rahe hain paas mein uske Usi metro ki tarah par dheere zara Thandi hawayei hain. Usme goonjta mera aaj khada Kuch thandak hai inn hawaon mein Aur bohot sara sukoon bhara Aisi hi hoti hai wo chaand ki thandak? Jinhen sunte, apna bachpan beet gaya Kya sheetalta swarg ki aisi hai kahin? Jisey suna kayion ka jeevan guzar gaya Kya raambaan sukh yahi toh nahi Kya kamdhenu vriksha aisa tha kabhi Kya Ramcharitmanas mein hanumat Ka Rambhakti amrit lagta tha yun hi? Aisa hi amritmay bachpan mein, yaad hai mujhko lagta tha Zameen se shuru uss lambi khidki Se yahi chaand chamakta dikhta tha Mama sa ban chup shant bhav se Kuch baatein meri sunta tha Kyunki khud bhumi par bistar pe so Holi mujhe khilayi thi Khud bhookhe reh uss ke paiso Se mere bhai ko idli chakhayi thi Bohot pasand thi usko uski idli Aur rangbhari mujhe holi meri Kya kabhi unhen main unka wapas Ye rinn chukta kar paungi Kya kabhi unnsi balwaan main ban kar Unke liye itna kar paungi? Kya usi chaand ki thandak si khushiyan Unki jholi mein bhar paungi? Kya bhool maaf karne ki hadd Ko paar kar kar ke thake nahi wo? Kya raat bhar bhi jagkar subah Hans dawa banna bhoole nahi wo Kya insaani roop mein hain Bhagwan, "maa baap" kehlate jo?
0
Nov 29, 2019
Nov 29, 2019 at 10:16 AM UTC
Maa Baap
Aa ab laut chalein apne ghar Aa ab laut chalein apne ghar Bht lamba hogaya yeh safar Jaha teri shetaniyon ka manzar tha Jaha pyar ka samndar tha Jaha thak kar sona ata tha Jaha har kona muskurata tha Jaha beeta har din yadgaar tha Jaha ka har pal suhana khwab tha Aa laut chalein apne ghar ab bht taay kar liya yeh safar jaha khul kar tu bhi hansti thi jaha muskura mein bhi leta tha jaha teri badmashiyo mein bacha me bhi bann leta tha jaha naachti tu thi aur jhumta me tha jaha bachon si ladhai aur dil ka mehal tha jaha na kabhi dur hone ka dar na adhuri koi aas thi jaha sath beshumar tha aur poori har saans thi jaha rote rote hans dete the hum na koi fikar ki bat thi jaha ghanton batein karte the hum ghadi ki sui na humare sath thi Aa laut chalein apne ghar Bht lamba hogaya yeh safar Jaha tera kam se ana tha Phr mujhko gale lagana tha Jaha teri bematlab ki baton me Mera kahn gum hojana tha jaha har sapna jee rahe the hum jaha nahi thi kisi ki koi sharam jaha dikhawa koso tak na tha har jagah tha bass pagal pan Aa laut chalein apne ghar Bht lamba hogaya yeh safar jaha jhagde bhi suljhe se the jaha ansun bhi uljhe se the jaha hothon pe muskan bhi thi jaha ankhein kuch naadan bhi thi jaha nanhe kadmon ki awaz bhi thi jaha lori ki chankar bhi thi jaha ghungru si tumari payal bhi thi jaha kangan ki awaz bhi thi jaha hansta hua tera chehra bhi tha jaha ghurti meri ankhein bhi thi jaha band woh darwaze bhi the jaha do **** ek jaan bhi the Aa laut chalein na apne ghar waqai bht lamba ** gaya yeh safar.... waqai bht lamba hogaya yeh safar..!!! ..
0
Oct 29, 2020
Oct 29, 2020 at 10:05 AM UTC
Aa ab Laut chalein apne ghar...!!
Aa ab laut chalein apne ghar Aa ab laut chalein apne ghar Bht lamba hogaya yeh safar Jaha teri shetaniyon ka manzar tha Jaha pyar ka samndar tha Jaha thak kar sona ata tha Jaha har kona muskurata tha Jaha beeta har din yadgaar tha Jaha ka har pal suhana khwab tha Aa laut chalein apne ghar ab bht taay kar liya yeh safar jaha khul kar tu bhi hansti thi jaha muskura mein bhi leta tha jaha teri badmashiyo mein bacha me bhi bann leta tha jaha naachti tu thi aur jhumta me tha jaha bachon si ladhai aur dil ka mehal tha jaha na kabhi dur hone ka dar na adhuri koi aas thi jaha sath beshumar tha aur poori har saans thi jaha rote rote hans dete the hum na koi fikar ki bat thi jaha ghanton batein karte the hum ghadi ki sui na humare sath thi Aa laut chalein apne ghar Bht lamba hogaya yeh safar Jaha tera kam se ana tha Phr mujhko gale lagana tha Jaha teri bematlab ki baton me Mera kahn gum hojana tha jaha har sapna jee rahe the hum jaha nahi thi kisi ki koi sharam jaha dikhawa koso tak na tha har jagah tha bass pagal pan Aa laut chalein apne ghar Bht lamba hogaya yeh safar jaha jhagde bhi suljhe se the jaha ansun bhi uljhe se the jaha hothon pe muskan bhi thi jaha ankhein kuch naadan bhi thi jaha nanhe kadmon ki awaz bhi thi jaha lori ki chankar bhi thi jaha ghungru si tumari payal bhi thi jaha kangan ki awaz bhi thi jaha hansta hua tera chehra bhi tha jaha ghurti meri ankhein bhi thi jaha band woh darwaze bhi the jaha do **** ek jaan bhi the Aa laut chalein na apne ghar waqai bht lamba ** gaya yeh safar.... waqai bht lamba hogaya yeh safar..!!! ..
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52
*Tazaad-e-Jazbaat Mein Ye Naazuk Maqaam Aaya To Kya Karo Gay* **In contradiction of these emotions if that Delicate moment unfolded - then what would you do?** *Main Ro Raha *** Tum Hans Rahe ** Main Muskaraya To Kya Karo Gay* **I am weeping and yet you are jolly But if I smiled - then what would you do?** *Mujhe To Is Darja Vaqt-e-Rukhsat Sukun Ki Talqeen Kar Rahe ** **To me at this time of farewell Instructions of tranquillity you are offering** *Magar Kuch Apne Liye Bhi Socha Main Yaad Aaya To Kya Karo Gay* **But have you any thoughts for yourself? If you recalled me - then what would you do?** *Abhi To Tanqid ** Rahi Hai Mere Mazaq-e-Junun Pe Lekin* **For now there is criticism On my state of madness but** *Tumhari Zulfon Ki Barhami Ka Sawaal Aaya To Kya Karo Gay* **If scattering of your tresses is Questioned - then what would you do?** *Tumhare Jalvon Ki Roshni Mein Nazar Ki Hairania Musallam* **Within the splendour of your light Is complete amazement of sight** *Magar Kisi Ne Nazar Ke Badle Jo Dil Aazmaya To Kya Karo Gay* **Nevertheless if someone in return Tested your heart - then what would you do?** *Utar To Sakte ** Paar Lekin Ma Aal Par Bhi Nigah Dalo* **You can disembark across but Take a glance at the result too** *Khuda Na Karda Sukun-e-Sahil Na Raas Aaya To Kya Karo Gay* **God has not made a peaceful shore If nothing suitable appears - then what would you do?** *Kuch Apne Dil Par Bhi Zakham Khao Mere Lahoo Ki Bahar Kab Tak* **Take some wounds on your heart also Season of my blood until when?** *Mujhe Sahara Banane Vaalo Main Larkharaya To Kya Karo Gay* **Those in need of my support If I show hostility - then what would you do?** *Abhi To Daman Chura Rahe ** Bigar Ke Qabil Se Ja Rahe ** **For now you are leaving my hand And you are parting away from Qabil** *Magar Kabhi Jo Dharkano Mein Sharik Paya To Kya Karo Gay* **Yet sooner or later within your heartbeats If I became a associated - then what would you do?** — Translated by Jamil Hussain, Poet Qabil Ajmeri, Sung by Sabri Brothers
0
Oct 26, 2016
Oct 26, 2016 at 5:48 AM UTC
Emotions
*Tazaad-e-Jazbaat Mein Ye Naazuk Maqaam Aaya To Kya Karo Gay* **In contradiction of these emotions if that Delicate moment unfolded - then what would you do?** *Main Ro Raha *** Tum Hans Rahe ** Main Muskaraya To Kya Karo Gay* **I am weeping and yet you are jolly But if I smiled - then what would you do?** *Mujhe To Is Darja Vaqt-e-Rukhsat Sukun Ki Talqeen Kar Rahe ** **To me at this time of farewell Instructions of tranquillity you are offering** *Magar Kuch Apne Liye Bhi Socha Main Yaad Aaya To Kya Karo Gay* **But have you any thoughts for yourself? If you recalled me - then what would you do?** *Abhi To Tanqid ** Rahi Hai Mere Mazaq-e-Junun Pe Lekin* **For now there is criticism On my state of madness but** *Tumhari Zulfon Ki Barhami Ka Sawaal Aaya To Kya Karo Gay* **If scattering of your tresses is Questioned - then what would you do?** *Tumhare Jalvon Ki Roshni Mein Nazar Ki Hairania Musallam* **Within the splendour of your light Is complete amazement of sight** *Magar Kisi Ne Nazar Ke Badle Jo Dil Aazmaya To Kya Karo Gay* **Nevertheless if someone in return Tested your heart - then what would you do?** *Utar To Sakte ** Paar Lekin Ma Aal Par Bhi Nigah Dalo* **You can disembark across but Take a glance at the result too** *Khuda Na Karda Sukun-e-Sahil Na Raas Aaya To Kya Karo Gay* **God has not made a peaceful shore If nothing suitable appears - then what would you do?** *Kuch Apne Dil Par Bhi Zakham Khao Mere Lahoo Ki Bahar Kab Tak* **Take some wounds on your heart also Season of my blood until when?** *Mujhe Sahara Banane Vaalo Main Larkharaya To Kya Karo Gay* **Those in need of my support If I show hostility - then what would you do?** *Abhi To Daman Chura Rahe ** Bigar Ke Qabil Se Ja Rahe ** **For now you are leaving my hand And you are parting away from Qabil** *Magar Kabhi Jo Dharkano Mein Sharik Paya To Kya Karo Gay* **Yet sooner or later within your heartbeats If I became a associated - then what would you do?** — Translated by Jamil Hussain, Poet Qabil Ajmeri, Sung by Sabri Brothers
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57
TEACHING TIMOTHY TO READ ( for Maureen ) She is teaching Timothy to read even though she can't read herself. Tongue firmly in cheek she traces the words with a tiny fingertip that knows the story off by heart she could read it in the dark. She is "pretending reading." She has my every nuance and pause by rote making great efforts to teach Timothy the puppy but Timothy the puppy is more interested in the un-thrown stick. Timothy the puppy thinks this reading lark is strictly for the humans. "Once..." she begins in a Fairy Tale-ish voice. Timothy the puppy barks in acknowledgement. "Throwthestickthrowthestick!" Timothy the Puppy's mind thinks. "...upon a time a long long time ...ago!" Timothy the puppy looks adoringly at his little mistress with such an immensity of love and licks her finger as it travels over the words the story's journey. "Oh you..!" she scolds "...are not even paying attention!" "It's no good...I give up!" she frowns at the unhappy creature throwing the book away in a prissy hissy fit. Timothy the puppy full of the joys of a dog's life ( it's the only life he knows ) chases the fluttering pages that fly like an exotic bird brings Hans Christian Anderson back his mouth full of words.
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Oct 16, 2018
Oct 16, 2018 at 5:42 PM UTC
TEACHING TIMOTHY TO READ ( for Maureen )
I think perhaps as a writer, we seek the adventure, the unknown, the destructive, not only to know we are alive but to know what it is to live. We live fast, we love without restraint, with impulsive desire. Are we the tortured, the wounded, the broken, abused. We have lived a thousand lives, loved a million times. We dream, we idealise, we fall in love unintentionally, we make mistakes, we endure deep suffering and we fall to the hands of lust within a heartbeat. We choose to show our ******* our ***** our hearts or our souls. We refuse to sell our mind, to which we must always remain held to. Our body is a vessel, one of productivity made victim to abuse. It's such neglect, despair, that leaves us enveloped in patterns of trauma and deeply embedded psyache. Once touched, our bodies remember as an elephants mind always will. We are tainted, scarred, stained by another's love, lust, cheating, lying, crying, kissing, losing, dreaming. We are the risk takers, the ones who dare step into the unknown and often don't adhere to rules and regulations of societal ideals. We crave love. We crave endless excitement. We crave the adrenalin rush of a new lover. We don't settle. Wanderlust writes us. Each journey shapes us, choosing a new direction, experimenting with style, fiction, autobiographical tones. Landscapes colour our pages, pollute the rooms with a myriad of paints, smoking out those who don't endure, slaves to the written word, a pledge to keep reading pages of paper, dusty from step ladder high book shelves. Finding joy in limited first editions, autographed and locked behind glass doors.  Fairy tales whispered by Hans Christian Andersen - The Snow Queen in a pop up book laced with glitter and scintillation. Falling into stories, Alice's rabbit hole, lost to liquor saying drink me. The young ingénue, naïve and shy, her first role acting, embodying the spoken word through the masters written script. © Sia Jane
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Jan 15, 2014
Jan 15, 2014 at 6:56 PM UTC
Writers Oath
I think perhaps as a writer, we seek the adventure, the unknown, the destructive, not only to know we are alive but to know what it is to live. We live fast, we love without restraint, with impulsive desire. Are we the tortured, the wounded, the broken, abused. We have lived a thousand lives, loved a million times. We dream, we idealise, we fall in love unintentionally, we make mistakes, we endure deep suffering and we fall to the hands of lust within a heartbeat. We choose to show our ******* our ***** our hearts or our souls. We refuse to sell our mind, to which we must always remain held to. Our body is a vessel, one of productivity made victim to abuse. It's such neglect, despair, that leaves us enveloped in patterns of trauma and deeply embedded psyache. Once touched, our bodies remember as an elephants mind always will. We are tainted, scarred, stained by another's love, lust, cheating, lying, crying, kissing, losing, dreaming. We are the risk takers, the ones who dare step into the unknown and often don't adhere to rules and regulations of societal ideals. We crave love. We crave endless excitement. We crave the adrenalin rush of a new lover. We don't settle. Wanderlust writes us. Each journey shapes us, choosing a new direction, experimenting with style, fiction, autobiographical tones. Landscapes colour our pages, pollute the rooms with a myriad of paints, smoking out those who don't endure, slaves to the written word, a pledge to keep reading pages of paper, dusty from step ladder high book shelves. Finding joy in limited first editions, autographed and locked behind glass doors.  Fairy tales whispered by Hans Christian Andersen - The Snow Queen in a pop up book laced with glitter and scintillation. Falling into stories, Alice's rabbit hole, lost to liquor saying drink me. The young ingénue, naïve and shy, her first role acting, embodying the spoken word through the masters written script. © Sia Jane
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2
If any duck in any brook, Fluttering the water For your crumb, Seemed the helpless daughter Of a mother Regretful that she bore her; Or of another, Barren, and longing for her; What of the dove, Or thrush, or any singing mysteries? What of the trees And intonations of the trees? What of the night That lights and dims the stars? Do you know, Hans Christian, Now that you see the night?
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4.3k
Sonatina To Hans Christian
Fingerprints and fibers, Accumulated talk, Whispers in the corners, Bodies demarcated in chalk On the marble courtroom stairs. His misery became a pall. With mourning signs in splattered pairs, Red flowers on the wall. All that he had left behind was grief And powerless rage, A Tansu chest in high relief, A coiled brass clock fatigued with age. Retreating to a white house in Simrishamn, He’d walk his dog along the shore, Find sterile clues amongst the sands, And travel a ferry between two lands. And now: An experiment! Blame Google Translate for this weird (?) Swedish translation: Please tell me if this is a bad translation! Fingeravtryck och fibrer, Ackumulerat samtal, Viskar i hörnen, Kroppar avgränsad i krita På marmor rättssal trappor. Hans elände blev en pall. Med sorgsignaler i splatterade par, Röda blommor på väggen. Allt som han hade lämnat var sorg Och maktlös raseri, En Tansu bröst i hög lättnad, En spolad mässingsklocka utmanad med åldern. Att återvända till ett vitt hus i Simrishamn, Han skulle gå sin hund längs stranden, Hitta sterila ledtrådar bland sandarna,
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Aug 27, 2018
Aug 27, 2018 at 12:24 PM UTC
Wallander
First we build bridges With Lego bricks In primary colours And we move on To build bridges From words With tought In many languages Because we have to And we build bridges In steel and concrete Between islands and peninsulas Between us and them We prioritise bridges With our money On our money To showcase magnificence And to replace expired glories And we cross bridges In real life and cyberspace To seek community In alternate relations Outside the confines Of Hans Christian Andersen’s quiet pond.
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Mar 10, 2013
Mar 10, 2013 at 5:34 PM UTC
Danish Bridges
I love you more than I love my Momma And quite a lot more than Republicans love Obama I love you more than Miley loves twerking And probably as much as teenage boys love jerking. I love you more than hipsters love instagram and about the same as the turn of the century loved the telegram. I love you more than Hans loved Anna and just as much as monkeys love bananas I love you more than the asdaf kid likes trains and most likely more than Anastasia liked pain. I love you more than pandas love extinction and probably less than pansexuality needs distinction. I love you more than John loved his best man and I ship us more than any fandom can. I love you more than beliebers love Justin and definitely more than **** maids love dustin' I love thee more than Shakespeare loved tragedy and the same amount as Ann is raggedy. I love you more than Peeta loves Katniss and almost more than cats love catnip. I love you more than teachers love cheaters but probably not as much as Jesus loved Easter. I love you to the moon and back and there is nothing that you do lack. <3
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Apr 15, 2014
Apr 15, 2014 at 9:20 PM UTC
Measuring Love
some days, his eyes are full with angst his arms down his sides, with his fists as closed as his ears and all I want to say is *I know how it is to be so angry you don't know where to go because the whole world lights you up like a dry stick of explosives, how it is to have your feelings being so big they start to feel like extensions of your limbs, waving uncontrollably and all you can do to avoid their friction from setting you on fire is either to cut them off or keep your arms down your sides* but I step aside, because he can no longer take in my words his six year old eyes are filled with the nothingness of an anger so big and unlabeled but someday, I will tell him and he will understand I will tell him that even though my blood is not in his veins, I will cleanse it from soot and silt, I will be his human shield from this world I will tear kingdoms apart and slay every last creeper just to help him level up and I will uncontrollably, explosively and unconditionally love him // vissa dagar är hans ögon fyllda med ångest hans armar längs sidorna, med nävar lika hårt stängda som hans öron och allt jag vill säga är att *jag vet hur det är att vara så arg att du inte vet vars du ska ta vägen, för hela världen får en att tända som en torr bunt sprängämnen, hur det är att ha känslor så stora att de börjar kännas som förlängningar av dina egna armar och ben, okontrollerbart viftande och allt du kan göra för att förhindra att deras friktion tänder eld på dig är att antingen hugga av dem eller hålla armarna längs sidorna* men jag går undan, för han kan inte ta in mina ord längre hans sexåriga ögon fyllda med ingentinget av en ilska så stor och oettikerad ilska men någon dag ska jag berätta för honom och han ska förstå jag ska berätta för honom att även fast mitt blod inte flyter genom hans artärer, ska jag rensa det från smuts och sot, jag ska vara hans mänskliga sköld från den här världen jag ska slita kungariken itu och döda varenda creeper bara för att hjälpa honom att levla upp och jag ska okontrollerbart, explosivt och villkorslöst älska honom
0
May 30, 2013
May 30, 2013 at 4:46 AM UTC
someday
some days, his eyes are full with angst his arms down his sides, with his fists as closed as his ears and all I want to say is *I know how it is to be so angry you don't know where to go because the whole world lights you up like a dry stick of explosives, how it is to have your feelings being so big they start to feel like extensions of your limbs, waving uncontrollably and all you can do to avoid their friction from setting you on fire is either to cut them off or keep your arms down your sides* but I step aside, because he can no longer take in my words his six year old eyes are filled with the nothingness of an anger so big and unlabeled but someday, I will tell him and he will understand I will tell him that even though my blood is not in his veins, I will cleanse it from soot and silt, I will be his human shield from this world I will tear kingdoms apart and slay every last creeper just to help him level up and I will uncontrollably, explosively and unconditionally love him // vissa dagar är hans ögon fyllda med ångest hans armar längs sidorna, med nävar lika hårt stängda som hans öron och allt jag vill säga är att *jag vet hur det är att vara så arg att du inte vet vars du ska ta vägen, för hela världen får en att tända som en torr bunt sprängämnen, hur det är att ha känslor så stora att de börjar kännas som förlängningar av dina egna armar och ben, okontrollerbart viftande och allt du kan göra för att förhindra att deras friktion tänder eld på dig är att antingen hugga av dem eller hålla armarna längs sidorna* men jag går undan, för han kan inte ta in mina ord längre hans sexåriga ögon fyllda med ingentinget av en ilska så stor och oettikerad ilska men någon dag ska jag berätta för honom och han ska förstå jag ska berätta för honom att även fast mitt blod inte flyter genom hans artärer, ska jag rensa det från smuts och sot, jag ska vara hans mänskliga sköld från den här världen jag ska slita kungariken itu och döda varenda creeper bara för att hjälpa honom att levla upp och jag ska okontrollerbart, explosivt och villkorslöst älska honom
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43
Sandman, Sandman Disallow the haunting Of dreams so terrifying. Sandman, Sandman Insomnia lives within Of Hans Christian Anderson tales release. Sandman, Sandman Gently falling asleep Of Ole Lukøje folk tales. Sandman, Sandman Mythic creature allow Of fearlessly opened eyes. Sandman, Sandman Sprinkle thy sand Beneath the colored umbrella. Sandman, Sandman Children dream deeply Of magical stories Goodnight. © Sia Jane
0
Apr 16, 2014
Apr 16, 2014 at 1:37 PM UTC
Sandman
Hans was outside himself. Perched on the edge of a daydream, he looked below, distantly aware of his bustling dinner table. How casually they live, Hans thought; with what feigned clarity they can connect and understand. There were his brothers and sisters; his aunts, uncles, cousins and ah—there was his father. Look at him personifying repugnance, locks of hair falling clumsily on his tattered shirt. Look at him! (Hans could yell only in silence.) Look there and see him cloyingly preparing his knife to hunt, to tear, to slice yet another hunk of meat for his own gluttony. With what excitement—what vivid, forbidden ecstasy Hans would take his father’s knife and turn the hunter into the hunted. Somewhere in the cluttered abyss there was a sound followed by a warming light. Hans was entranced. And again, a gentle thunder followed by a thread of heat connecting for a moment earth and sky, father, family, and son. It was goodness and caring, it was a mother’s voice. It was this graceful fluttering in the medium of time that awoke a primitive yearning in Hans, grabbed his throat and stared him lustily in the eyes. What could it be? Hans wondered aloud, what could it be that she desires, for he already knew that he had to be the one to deliver any object she longed for, to slay any beast that tormented her—it had to be him, to be Hans, to be her son. Please, she said; can someone please pour me a glass of water. Oh how Hans was enraged to find that this whim had not been made solely of a son. It was his right to quench his mother’s thirst; it was his place within the natural order to satisfy her needs. What cruelty and ice! Hans said, but also felt; and in an instant returned to himself below, tumbling violently from the high canopy of his trance to the sight of his father’s filthy hand reaching for the water jug. In base impulse, Hans jabbed at the jug, forcibly pushing aside the carnal hand. Upon contact, Hans felt an overwhelming calm, an absolute peace. He wrapped his fingers tightly around the handle, closed his eyes, and breathed deeply. At once he was joyous, he was spent; he was adrenalized and gloriously dominant. He would be the one to tend to the maternal flower, supplying water for a thirst that he prayed would always be there.
0
Mar 22, 2011
Mar 22, 2011 at 1:39 PM UTC
Dinner with Oedipus
Hans was outside himself. Perched on the edge of a daydream, he looked below, distantly aware of his bustling dinner table. How casually they live, Hans thought; with what feigned clarity they can connect and understand. There were his brothers and sisters; his aunts, uncles, cousins and ah—there was his father. Look at him personifying repugnance, locks of hair falling clumsily on his tattered shirt. Look at him! (Hans could yell only in silence.) Look there and see him cloyingly preparing his knife to hunt, to tear, to slice yet another hunk of meat for his own gluttony. With what excitement—what vivid, forbidden ecstasy Hans would take his father’s knife and turn the hunter into the hunted. Somewhere in the cluttered abyss there was a sound followed by a warming light. Hans was entranced. And again, a gentle thunder followed by a thread of heat connecting for a moment earth and sky, father, family, and son. It was goodness and caring, it was a mother’s voice. It was this graceful fluttering in the medium of time that awoke a primitive yearning in Hans, grabbed his throat and stared him lustily in the eyes. What could it be? Hans wondered aloud, what could it be that she desires, for he already knew that he had to be the one to deliver any object she longed for, to slay any beast that tormented her—it had to be him, to be Hans, to be her son. Please, she said; can someone please pour me a glass of water. Oh how Hans was enraged to find that this whim had not been made solely of a son. It was his right to quench his mother’s thirst; it was his place within the natural order to satisfy her needs. What cruelty and ice! Hans said, but also felt; and in an instant returned to himself below, tumbling violently from the high canopy of his trance to the sight of his father’s filthy hand reaching for the water jug. In base impulse, Hans jabbed at the jug, forcibly pushing aside the carnal hand. Upon contact, Hans felt an overwhelming calm, an absolute peace. He wrapped his fingers tightly around the handle, closed his eyes, and breathed deeply. At once he was joyous, he was spent; he was adrenalized and gloriously dominant. He would be the one to tend to the maternal flower, supplying water for a thirst that he prayed would always be there.
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5
TEACHING TIMOTHY TO READ ( for Maureen ) She is teaching Timothy to read even though she can't read herself. Tongue firmly in cheek she traces the words with a tiny fingertip that knows the story off by heart she could read it in the dark. She is "pretending reading." She has my every nuance and pause by rote making great efforts to teach Timothy the puppy but Timothy the puppy is more interested in the un-thrown stick. Timothy the puppy thinks this reading lark is strictly for the humans. "Once..." she begins in a Fairy Tale-ish voice. Timothy the puppy barks in acknowledgement. "Throwthestickthrowthestick!" Timothy the Puppy's mind thinks. "...upon a time a long long time ...ago!" Timothy the puppy looks adoringly at his little mistress with such an immensity of love and licks her finger as it travels over the words the story's journey. "Oh you..!" she scolds "...are not even paying attention!" "It's no good...I give up!" she frowns at the unhappy creature throwing the book away in a prissy hissy fit. Timothy the puppy full of the joys of a dog's life ( it's the only life he knows ) chases the fluttering pages that fly like an exotic bird brings Hans Christian Anderson back his mouth full of words.
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Oct 9, 2017
Oct 9, 2017 at 7:36 AM UTC
TEACHING TIMOTHY TO READ( for Maureen )
Some 'others' and so-and-sos don't want to be found. They don't want to be solid. They don't want to: dematerialize or to rematerialize or to manifest. They don't want to come into being or exist. Some so-and-sos are vagrant and delinquent. Truant vagaries of brush strokes mushrooming in the tresses of dresses. Indeed, some 'others' wish to remain anonymous. They reckon it’s reasonable to protect a human standard. Their privacy a prison of unwatchfulness- the walls closing in like they did for Hans Solo, Chewbacca, and the princess... like Indiana Jones or some platform pitfall romance. The 'others' wish to remain alone. How else would they be 'others'? Anonymity is the preferred state of 'others' and so-and-sos. It is their church confessional. Safe harbor to their ******
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Oct 4, 2012
Oct 4, 2012 at 12:28 AM UTC
Vagrants
i inherited an entire library full of books that offer explanations as to why you are incapable of loving me. the romance section was laughable, giving me bullet point commentaries as to why i am doomed to never be loved or feel loved again, reasons why i settle for beautiful boys who enjoy my company because i'm quirky, cute, time killer material, not anchored, solid, strong, soulmate material. but that's just it, i guess, no one can deny it- (everyone knows when they are in the presence of precariousness.) the mystery section offered me nothing but a full buffet  of questions i already had, questions that always seemed to give clues to future answers, delicious questions that tasted sweet at first then turned suddenly sour, questions that made me understand the meaning of a deceptive cadence. (these books made me wish i didn't leave fingerprints on everything i touch.) the fiction section made me feel like a child again, these were the books that reminded me why hope is and has always been my favourite bedtime snack. (these were the books that reminded me that just because i couldn't make you love me did not mean that i couldn't make believe you love me.) since i've stepped out of my fins every step has made me wish for the courage to throw myself into the sea, to dissolve in an instant, to be a daughter of the air forevermore. (perhaps Hans Christian Anderson was the only person in the world who knew just how much it hurts to be a human being.) the self help section gave the illusion of answers, the way a fortune teller with a foreign accent doused in flattery and jewelry might seem. i have spent hours of my existence with these books, laying on my stomach, furrowed brow, fingers turning white from clutching the ballpoint pen for dear life thinking maybe if i just keep underliningunderliningunderlining things will start to make sense again. (because, don't you know? the more you underline the parts of your life that are relevant on paper, the closer you are to having figured out your life so perfectly you eventually will walk by these books wondering which unfortunate person you should donate them to.) i inherited an entire library full of books that offer explanations as to why you are incapable of loving me. i think maybe there are some things that we are never meant to know.
0
Oct 29, 2013
Oct 29, 2013 at 9:49 PM UTC
the library that ceased to explain why you are incapable of loving me
i inherited an entire library full of books that offer explanations as to why you are incapable of loving me. the romance section was laughable, giving me bullet point commentaries as to why i am doomed to never be loved or feel loved again, reasons why i settle for beautiful boys who enjoy my company because i'm quirky, cute, time killer material, not anchored, solid, strong, soulmate material. but that's just it, i guess, no one can deny it- (everyone knows when they are in the presence of precariousness.) the mystery section offered me nothing but a full buffet  of questions i already had, questions that always seemed to give clues to future answers, delicious questions that tasted sweet at first then turned suddenly sour, questions that made me understand the meaning of a deceptive cadence. (these books made me wish i didn't leave fingerprints on everything i touch.) the fiction section made me feel like a child again, these were the books that reminded me why hope is and has always been my favourite bedtime snack. (these were the books that reminded me that just because i couldn't make you love me did not mean that i couldn't make believe you love me.) since i've stepped out of my fins every step has made me wish for the courage to throw myself into the sea, to dissolve in an instant, to be a daughter of the air forevermore. (perhaps Hans Christian Anderson was the only person in the world who knew just how much it hurts to be a human being.) the self help section gave the illusion of answers, the way a fortune teller with a foreign accent doused in flattery and jewelry might seem. i have spent hours of my existence with these books, laying on my stomach, furrowed brow, fingers turning white from clutching the ballpoint pen for dear life thinking maybe if i just keep underliningunderliningunderlining things will start to make sense again. (because, don't you know? the more you underline the parts of your life that are relevant on paper, the closer you are to having figured out your life so perfectly you eventually will walk by these books wondering which unfortunate person you should donate them to.) i inherited an entire library full of books that offer explanations as to why you are incapable of loving me. i think maybe there are some things that we are never meant to know.
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53
Med øjne lyse, store og skinnende Prøver jeg at se ham dybt ind i sjælen. Jeg smiler, ler og strejfer hans arme. Nætter, som hurtigt bliver lange, mørke - Men på lysende, klar, helt fantastisk vis. Bruger jeg på at sende ham signaler. Rører blidt ved hans hjerte. Selvom, Mit greb er fast og stramt. Langsomt - Vikler mine fingre ham ind i mit spind. Han bliver grebet, betaget og glæden Stråler ud af ham. Ud af mig. Tror han. For når jeg kommer hjem, om aftenen Er det stadigvæk ikke ham. Men DIG Jeg tænker på. Dit navn i mine tanker - Som små forviklede snefnug, kredser om. Du ligger der. Aller bagerst. Om aftenen Selvom, Du egentlig er væk og forsvundet. For evigt. For altid. Og ikke kommer retur!?
0
Dec 29, 2015
Dec 29, 2015 at 7:44 AM UTC
Nogle gange savner jeg dig stadigvæk
*** har rodet hår *** har spenderet natten i hans seng igen selvom *** sidste gang sagde at det var sidste gang men det sagde *** også gangen før (og gangen før det) og *** sagde det også til ham i morges da han gik i bad for at vaske hende af sig og *** tog tøjet på fra nattens strabadser men *** ved godt at *** siger det igen næste weekend
0
Sep 4, 2014
Sep 4, 2014 at 6:22 PM UTC
Hun#1
The most tragic story isn't the one written by Shakespeare or Hans Christian Andersen It is not about Romeo, Juliet and their forbidden love, dying together Nor a man, a mermaid and their impossibility to live for each other It is about a writer and a reader: Where the writer has written down, in every language, every realistic & imaginable word & emotion for the world But the reader doesn't even have a chance to read them The most tragic story is about the reader who can not read, and in the end, the writer who will not write The most tragic happily ever after is where the reader and writer end each other
0
Mar 17, 2017
Mar 17, 2017 at 6:47 AM UTC
To be or not to be, to write and not to read
hvordan får jeg dig til at forstå at noget kærlighed virkelig varer evigt når din far forlod familien dengang du var 9 og din mor nu skal skilles fra sin tredje mand og ham din kollega fra brugsen fandt en anden kollega fra brugsen selvom det var dig der altid tog hans vagter og din venindes venindes veninde fortæller historier om undtagelser og regler og engangsknald hvad med engangsforelskelser der bliver til evighedsforhold og hvis nu jeg tror nok på os nok for os begge to så lov mig at du lytter når jeg fortæller om dine øjne og hvorfor jeg ikke vil ses på af andre
0
Sep 21, 2014
Sep 21, 2014 at 12:12 PM UTC
kærl(ev)ighed ved første blik
so I passed by this gentleman today at the park & through his broken English came to find out he is from Germany, East Berlin to be exact...his name is Hans. I asked him how he came to Michigan & he began telling me his story, you could see him travel back in time right before your very eyes. He and his wife, Hannah, kept watch over the guards near a section of the wall that was near some summer cottages. At night the 'women' from town would 'entertain' the officers in the foliage, so they put whatever they could fit in their baby stroller, draped as much clothing on themselves as they could manage, & by the grace of God one night the baby did not cry & they were able to run to freedom to West Berlin. He went on to describe how he came first to Canada & then upon hearing of the higher wages in Detroit, came to live in Sterling Heights. It's funny when I asked him & a lady from Poland the day before where they were from, they both said "well from here" despite their obvious accents...home is indeed Michigan for them both now...& for Hans, he's never returned to East Berlin. *when you see an older person, take the time...I assure you, you will never leave disappointed.
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Feb 16, 2016
Feb 16, 2016 at 1:53 PM UTC
take the time..
After leaving port in March disguised as the Norwegian freighter Rena Norge, the Leopard set sail its mission to disrupt Allied commerce. On the 17 March it was stopped in the North Sea by the cruiser HMS Achilles and ordered to proceed to the boarding vessel HMS Dundee for inspection Heavily outgunned Captain the raider's commander Hans von Laffert had no option other to proceed to meet the boarding vessel. Captain Selwyn Day of the Dundee dispatched a launch containing a boarding party with an officer and five men to investigate the mysterious ship. Hans von Laffert realizing he was about to be discovered detained the party and after about an hour opened fire on the Dundee with a salvo of two torpedoes. The steamer manoeuvred out of the way barely in time and the torpedoes missed Captain Day's ship by twenty feet. Day ordered his guncrews to open fire and a hail of shells struck the Leopard damaging a gun and setting fires. The Achilles hearing the sound of gunfire returned to the scene and opened fire on the raider as the Dundee withdrew. Shortly after the Achilles's arrival the Leopard sank with all 319 hands going down with the ship. Damage to the British vessels was light and the only casualties consisted of the six boarding party members who were trapped in the Leopard when it sank.
0
Oct 3, 2013
Oct 3, 2013 at 8:26 PM UTC
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