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"guido" poems
291 How the old Mountains drip with Sunset How the Hemlocks burn— How the Dun Brake is draped in Cinder By the Wizard Sun— How the old Steeples hand the Scarlet Till the Ball is full— Have I the lip of the Flamingo That I dare to tell? Then, how the Fire ebbs like Billows— Touching all the Grass With a departing—Sapphire—feature— As a Duchess passed— How a small Dusk crawls on the Village Till the Houses blot And the odd Flambeau, no men carry Glimmer on the Street— How it is Night—in Nest and Kennel— And where was the Wood— Just a Dome of Abyss is Bowing Into Solitude— These are the Visions flitted ***** Titian—never told— Domenichino dropped his pencil— Paralyzed, with Gold—
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How the old Mountains drip with Sunset
Within the gentle heart abideth Love, As doth a bird within green forest glade, Neither before the gentle heart was Love, Nor Love ere gentle heart by Nature made. Created was the sun, And lo, his radiance everywhere held sway, Nor was before the sun; Love doth unto all gentleness aspire, And in the self-same way Doth clarity unto clear flame of fire. Love’s fire is kindled in the gentle heart, As virtue is within the precious stone; From out the star no glory doth depart Until made gentle by the sun alone. When the sun hath drawn forth By his own strength all that which is not meet, The star doth prove its worth. Thus to the heart, by Nature fashioned so Gentle and pure and sweet, The love of woman like a star doth go. The reason Love in gentle heart doth stay Is why the fire unto the torch-head flies, Burning as he doth fancy, bright and gay, And were too proud to do so otherwise. But Nature’s cruel scheme Contrasteth Love as water, flame; as heat, Quelled by the cooling stream. In gentle heart doth Love his bower divine, Since like with like must meet, Thus diamonds in the iron of the mine. Upon the mire the sun sheds his bright rays, That is still vile, nor doth the sun turn cold: “Gentle am I by birth,” the proud man says. 33 He, mire, and the sun, gentleness, I hold. Let no man think that he May be possessed of gentleness, although He boast a king’s degree, Unless a gentle heart be found in him: The water is aglow With stars, and yet the heavens have not grown dim. God the Creator in heaven’s mind of grace Shines brighter than before our eyes the sun; There it is given to see Him face to face, Whence in their beauty the skies, serving one Just God, to Him do turn And the blest end of primal love fulfil. Thus the truth which doth burn In my sweet Lady’s eyes she should make clear, Of her own gentle will, To him who in her service tarries near. My Lady, God will say: “Didst thou not fear,” (When my soul standeth yonder in His sight:) “To pass the heavens and seek Me even here, Vain love pursuing with My image dight? To Me doth praise belong And to the Queen of Heaven, who from her sphere Of glory endeth wrong.” Then I could plead: “Thy angels up above, O Lord, like her appear; I did not sin in giving her my love.”
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Feb 19, 2016
Feb 19, 2016 at 11:13 PM UTC
Within the Gentle Heart Abideth Love, ***** Guinizelli, 1240-1476
Within the gentle heart abideth Love, As doth a bird within green forest glade, Neither before the gentle heart was Love, Nor Love ere gentle heart by Nature made. Created was the sun, And lo, his radiance everywhere held sway, Nor was before the sun; Love doth unto all gentleness aspire, And in the self-same way Doth clarity unto clear flame of fire. Love’s fire is kindled in the gentle heart, As virtue is within the precious stone; From out the star no glory doth depart Until made gentle by the sun alone. When the sun hath drawn forth By his own strength all that which is not meet, The star doth prove its worth. Thus to the heart, by Nature fashioned so Gentle and pure and sweet, The love of woman like a star doth go. The reason Love in gentle heart doth stay Is why the fire unto the torch-head flies, Burning as he doth fancy, bright and gay, And were too proud to do so otherwise. But Nature’s cruel scheme Contrasteth Love as water, flame; as heat, Quelled by the cooling stream. In gentle heart doth Love his bower divine, Since like with like must meet, Thus diamonds in the iron of the mine. Upon the mire the sun sheds his bright rays, That is still vile, nor doth the sun turn cold: “Gentle am I by birth,” the proud man says. 33 He, mire, and the sun, gentleness, I hold. Let no man think that he May be possessed of gentleness, although He boast a king’s degree, Unless a gentle heart be found in him: The water is aglow With stars, and yet the heavens have not grown dim. God the Creator in heaven’s mind of grace Shines brighter than before our eyes the sun; There it is given to see Him face to face, Whence in their beauty the skies, serving one Just God, to Him do turn And the blest end of primal love fulfil. Thus the truth which doth burn In my sweet Lady’s eyes she should make clear, Of her own gentle will, To him who in her service tarries near. My Lady, God will say: “Didst thou not fear,” (When my soul standeth yonder in His sight:) “To pass the heavens and seek Me even here, Vain love pursuing with My image dight? To Me doth praise belong And to the Queen of Heaven, who from her sphere Of glory endeth wrong.” Then I could plead: “Thy angels up above, O Lord, like her appear; I did not sin in giving her my love.”
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60
*Walter, I just want to sit on my *** and **** and think about Dante.* —Samuel Beckett All this fractures the Wolf. The ancient leaves amid the ancient woods, wind riffling wind in eddies she can see but she can’t hear, the braying of a fatted calf which she could eat, if she could hear thy call, O Wolf. The tympani pretend to be a thunder roll, the crashing cymbals mean to simulate the distant lightning, all the strings—cello, base, violin and viola—play the pizzicato of rain commencing… The Wolf sits to watch—what?—the floodlights fill the stadium? the baton poised? the crowd about to have their daily dose of not quite silence served up yet again? She hates that they have come to watch a prophecy. It’s raining full blast now, the Wolf’s exchange for music, how things balance out, how rain fornicates in the forest, with its pools and puddles, how it tenders lakes and rivers and shadows… It can’t be! Ahead she sees him. She sees Dante, the poet of the prophecy, the one she has to drown. It’s why she’s deaf. She will not hear him wail. **** him so he will rot in hell before the other poet comes. **** him and spare the world another poem about another world. The rain and music grow so dense around her soul. She is so quick, too quick for him to flee. She drags him still alive, drags him to the lake of his heart. Sink and die. In Paradise only bubbles rise. The tympani pretend to be a thunder roll, the crashing cymbals mean to simulate the distant lightning, all the strings—cello, base, violin, viola—play it soft, so soft, as if the rain is about to start… The Wolf and I walk the slopes of hell. When Farinata and Cavalcante rise up to ask her, ‘Who were thy ancestors?’ and ‘Where Is ***** she howls. O Wolf. O Tuscan. She howls.
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Aug 25, 2010
Aug 25, 2010 at 5:51 PM UTC
O Wolf, O Tuscan
*Walter, I just want to sit on my *** and **** and think about Dante.* —Samuel Beckett All this fractures the Wolf. The ancient leaves amid the ancient woods, wind riffling wind in eddies she can see but she can’t hear, the braying of a fatted calf which she could eat, if she could hear thy call, O Wolf. The tympani pretend to be a thunder roll, the crashing cymbals mean to simulate the distant lightning, all the strings—cello, base, violin and viola—play the pizzicato of rain commencing… The Wolf sits to watch—what?—the floodlights fill the stadium? the baton poised? the crowd about to have their daily dose of not quite silence served up yet again? She hates that they have come to watch a prophecy. It’s raining full blast now, the Wolf’s exchange for music, how things balance out, how rain fornicates in the forest, with its pools and puddles, how it tenders lakes and rivers and shadows… It can’t be! Ahead she sees him. She sees Dante, the poet of the prophecy, the one she has to drown. It’s why she’s deaf. She will not hear him wail. **** him so he will rot in hell before the other poet comes. **** him and spare the world another poem about another world. The rain and music grow so dense around her soul. She is so quick, too quick for him to flee. She drags him still alive, drags him to the lake of his heart. Sink and die. In Paradise only bubbles rise. The tympani pretend to be a thunder roll, the crashing cymbals mean to simulate the distant lightning, all the strings—cello, base, violin, viola—play it soft, so soft, as if the rain is about to start… The Wolf and I walk the slopes of hell. When Farinata and Cavalcante rise up to ask her, ‘Who were thy ancestors?’ and ‘Where Is ***** she howls. O Wolf. O Tuscan. She howls.
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42
Tonight Guy Fawkes might get it right, it's bonfire night. Westminster, the stage is set, place your bets before the bang or hang old ***** high. At Mansion House before fine fare, sit politicians gorging there and getting fat from this,my land and I stand here with hand held out, a teapot of a man with drooping spout and wilting will, still, Fawkes the hawk may walk the walk and then we'll see the ******** talk, when Parliament goes up in smoke, Oh Guido,Guido take a match don't let the watchmen catch you creeping,with lit taper,or you'll be 'sleeping with the fish' It's bonfire night tonight I do wish Guy Fawkes gets it right and one more time, 't would be no crime to light the fuse and run.
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Nov 5, 2013
Nov 5, 2013 at 1:12 AM UTC
Sparklers
***** io vorrei che tu, mio padre ed io ci potessimo rivedere e dimenticassimo per mezz'ora la città che ci ignora, la città che ci separa. ***** tu non sai come io vorrei che per un momento si potesse stare insieme ad ascoltare il vento che scuote le foglie del frutteto di mio padre sotto il cielo che stanotte è una lastra di vetro. Seduti intorno a un fuoco o sotto un pergolato di rami a guardarci negli occhi come se con gli occhi noi potessimo parlare, mentre lontani si odono i rintocchi di una campana e si perde nella notte l'abbaiare dei cani. ***** la nostra vita è disumana. ***** tu non sai che cosa non darei perché per un momento si potesse stare insieme ad osservare le stelle del firmamento che brillano stanotte come se brillassero per la prima volta. Io vorrei, ***** che la nostra vita fosse ad una svolta, che si mettessero da parte i dubbi, i sospetti, e che insieme ci mettessimo a rileggere, perché no, i sonetti del Petrarca e a declamarli ad alta voce lungo un viale di pioppi, sotto la luna che ci rischiara, come se nel mondo noi non fossimo sconfitti, come se non ci dessero per morti, come se i nostri versi nella notte risuonassero più forti perché li abbiam riscritti. Come se tu, mio padre ed io, ***** noi non fossimo dei derelitti.
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Dec 31, 2009
Dec 31, 2009 at 9:32 PM UTC
***** io vorrei che tu, mio padre ed io...
Have you ever had a hair day Where things just won't go right? You looked okay last evening And not bad late last night You wake up and it's frizzy Kind of going everywhere It's like someone took a cattle **** And then they ran it through your hair You comb it down and it gets puffy Even worse than from the start You look again, you've got an afro And you can't even find the part You gel it up and instant ***** You look like mafioso **** You now choose to go ******** And you use gel as thick as gum You look like an unwashed Donnie Brasco Hair all limp and full of grease But at least it's not all puffy You've lost the part but have a crease You wet it down and nothing happens the water beads on all the goo You choose to go and have a shower In fact you choose to go have two The only reason that I wrote this I tell the truth, this ain't a fib It's just that when I woke this morning I looked the same as Barry Gibb
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Nov 7, 2012
Nov 7, 2012 at 7:57 PM UTC
Hair Issues?
It was very standoffish back in the forties still I wish I'd been there. Not so different today just a new way of being in and seeing things in a different way. ***** a torpedo from Saucelito killed time in the winery a fine fellow he, but down there in the canyons loose cannons abandon all hope.
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Jan 24, 2017
Jan 24, 2017 at 3:12 PM UTC
Rifts
Number of births places of birth. Einstein's wife was half and half negative path started Sibele's muses end. Luxury to speak to the people. Death is too much confidence, I bow south of Jupiter, and, behold, a bold towards the opinion of the hairs beneath her dress, the beauty of the longest of the objects of the covenant of the igbafọ, the eating; the eating of the evils of ***** 'experience of this evil. The two things the foolish world talked about are insane, and Brian Lamb dares you talk about the album, and dreams of the world. Monitor ọmọkunrinkunrinkunrinkunrin ọmọkunrinkunrin,   young Boyfriends' boyfriends Soozy Free land on a premium, Bobbed Strippers; Synchronized Kids Each Sports Cicero, Sand optional Bettie's Imọja sale, Each laurel Park Parrot chili tonight tonight tonight; track Riding tonight wood wood wood wood wood wood smoke on the matter's face | to smoke Latin writings marked with temple prostitutes magi gardens IwọSayToo Magic Image, Instead they are born. Einstein's wife was half and half Wall started Sibele, the high-end. luxury talk people. Death is very much Bowsath strongly to Jupiter I trust trusting the end of curls of beauty thy power, in the habit of as long as his lieutenant, meeting in faith and also to enhance the in which He suffered, and died, a presentation of an evil use. Two fool the world and through his Brian Lamb, I believe that you talk about the list, and among the Romans of the world's secondary boy of boyfriends of Soozy's sons' Free land on a premium, Bobbed Strippers Synchronized, Kids start each game with a reading from Cicero, Sandy Center woods Bettie's Imoji sales of Parrot chili Tonight Tonight Tonight; This way to the tree trees trees trees trees in the mountains From the country's language Temple marked with the media ****** OSayToo in the field of Magic II. For them. Einstein's wife was half and half Wall started Sibele's end. The word luxury, death itself; English relief Bowsath I have confidence in the most attractive of the charms of an end to the locks are reliable the power of her beauty, was the state while fears of meeting and I will show in the faith, in which he suffered and died supervision hurt. The two fools in the world, and through him I believe that Brian Lamb talks white and between Rome life. The child monitor; the child of Soozy Freeland on Game Bobbed Strippers Synchronized The race between the kids and the reading of Cicero, Hail! Hail! Imija sales company in Bettie's name; This page in the night, Tonight, This tree wood for the trees in the mountains When already marked Magic is issued to the space alaworẹ, OSayUToo!
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Oct 16, 2018
Oct 16, 2018 at 2:33 AM UTC
The Magic Image [the power of her beauty]
Number of births places of birth. Einstein's wife was half and half negative path started Sibele's muses end. Luxury to speak to the people. Death is too much confidence, I bow south of Jupiter, and, behold, a bold towards the opinion of the hairs beneath her dress, the beauty of the longest of the objects of the covenant of the igbafọ, the eating; the eating of the evils of ***** 'experience of this evil. The two things the foolish world talked about are insane, and Brian Lamb dares you talk about the album, and dreams of the world. Monitor ọmọkunrinkunrinkunrinkunrin ọmọkunrinkunrin,   young Boyfriends' boyfriends Soozy Free land on a premium, Bobbed Strippers; Synchronized Kids Each Sports Cicero, Sand optional Bettie's Imọja sale, Each laurel Park Parrot chili tonight tonight tonight; track Riding tonight wood wood wood wood wood wood smoke on the matter's face | to smoke Latin writings marked with temple prostitutes magi gardens IwọSayToo Magic Image, Instead they are born. Einstein's wife was half and half Wall started Sibele, the high-end. luxury talk people. Death is very much Bowsath strongly to Jupiter I trust trusting the end of curls of beauty thy power, in the habit of as long as his lieutenant, meeting in faith and also to enhance the in which He suffered, and died, a presentation of an evil use. Two fool the world and through his Brian Lamb, I believe that you talk about the list, and among the Romans of the world's secondary boy of boyfriends of Soozy's sons' Free land on a premium, Bobbed Strippers Synchronized, Kids start each game with a reading from Cicero, Sandy Center woods Bettie's Imoji sales of Parrot chili Tonight Tonight Tonight; This way to the tree trees trees trees trees in the mountains From the country's language Temple marked with the media ****** OSayToo in the field of Magic II. For them. Einstein's wife was half and half Wall started Sibele's end. The word luxury, death itself; English relief Bowsath I have confidence in the most attractive of the charms of an end to the locks are reliable the power of her beauty, was the state while fears of meeting and I will show in the faith, in which he suffered and died supervision hurt. The two fools in the world, and through him I believe that Brian Lamb talks white and between Rome life. The child monitor; the child of Soozy Freeland on Game Bobbed Strippers Synchronized The race between the kids and the reading of Cicero, Hail! Hail! Imija sales company in Bettie's name; This page in the night, Tonight, This tree wood for the trees in the mountains When already marked Magic is issued to the space alaworẹ, OSayUToo!
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***** got Fawked somebody talked to the Feds and what did we get? reds under the beds missile attacks packs of madmen running free zone one could be so nice, but Westminster was saved because some daft sod raved about *****
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Jun 17, 2016
Jun 17, 2016 at 12:26 PM UTC
Wish it was November
The mystic Mys-Match of Mew Manor mounts the moon at midnight. He flies freely, forgetting the faltering fallacies that fold this failing facade of figments of the imagination and inglorious nations into a crooked caricature of creeps, clowns, and carcinogens to our culture. From crack and **** to casual deaths, the population prays for post-pissing match days. What's the reason of rhyme if you don't have a reason to see a new season of sweethearts and treason? The mystic Mys-Match of the planet Piblatch has snatched nary a glance of this reprehensible romance. He hums happily, hovering over the homes of the hurt and the helpless, unaware of the ugly and untrue souls of the suffering below. Due in part, perhaps, to the planet Piblatch, whose population prowls playfully amongst the pipperplitz plants and the tinktertip trees. A civilization unaware of Gods and demons, Guido's and dip ***** At sunset, the Piblatchians partake of rackaday root and crushed up clibber clatch cuttings. They see the psychedelic sky ways that sing of sweet things and spacey swings. As mankind manipulates, murders, and maims itself, the world which waivers with weakened wings is consumed by the carnivores that **** off the common crowd and leave only the corrupt and cantankerous crooks that fall to the depths of despair when the bomb goes off, blotting out humanity's light forever. But the mystic Mys-Match and his planet Piblatch live on, past the end of time itself. The peaceful people continue to enjoy their lives and never know of the negative notions that drove the dimwitted denizens of Earth into a violent and gruesome grave. Mankind could have learned something from the Piblatchians, if only they had opened their eyes and seen the light.
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Apr 10, 2014
Apr 10, 2014 at 7:30 PM UTC
The Planet Piblatch
The mystic Mys-Match of Mew Manor mounts the moon at midnight. He flies freely, forgetting the faltering fallacies that fold this failing facade of figments of the imagination and inglorious nations into a crooked caricature of creeps, clowns, and carcinogens to our culture. From crack and **** to casual deaths, the population prays for post-pissing match days. What's the reason of rhyme if you don't have a reason to see a new season of sweethearts and treason? The mystic Mys-Match of the planet Piblatch has snatched nary a glance of this reprehensible romance. He hums happily, hovering over the homes of the hurt and the helpless, unaware of the ugly and untrue souls of the suffering below. Due in part, perhaps, to the planet Piblatch, whose population prowls playfully amongst the pipperplitz plants and the tinktertip trees. A civilization unaware of Gods and demons, Guido's and dip ***** At sunset, the Piblatchians partake of rackaday root and crushed up clibber clatch cuttings. They see the psychedelic sky ways that sing of sweet things and spacey swings. As mankind manipulates, murders, and maims itself, the world which waivers with weakened wings is consumed by the carnivores that **** off the common crowd and leave only the corrupt and cantankerous crooks that fall to the depths of despair when the bomb goes off, blotting out humanity's light forever. But the mystic Mys-Match and his planet Piblatch live on, past the end of time itself. The peaceful people continue to enjoy their lives and never know of the negative notions that drove the dimwitted denizens of Earth into a violent and gruesome grave. Mankind could have learned something from the Piblatchians, if only they had opened their eyes and seen the light.
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Al fin, una pulmonía mató a don ***** y están las campanas todo el día doblando por él: ¡din-dan!Murió don ***** un señor de mozo muy jaranero, muy galán y algo torero; de viejo, gran rezador.Dicen que tuvo un serrallo este señor de Sevilla; que era diestro en manejar el caballo y un maestro en refrescar manzanilla.Cuando mermó su riqueza, era su monomanía pensar que pensar debía en asentar la cabeza.Y asentóla de una manera española, que fue casarse con una doncella de gran fortuna; y repintar sus blasones, hablar de las tradiciones de su casa, escándalos y amoríos poner tasa, sordina a sus desvaríos.Gran pagano, se hizo hermano de una santa cofradía; el Jueves Santo salía, llevando un cirio en la mano -¡aquel trueno!-, vestido de nazareno. Hoy nos dice la campana que han de llevarse mañana al buen don ***** muy serio, camino del cementerio.Buen don ***** ya eres ido y para siempre jamás... Alguien dirá: ¿Qué dejaste? Yo pregunto: ¿Qué llevaste al mundo donde hoy estás?¿Tu amor a los alamares y a las sedas y a los oros, y a la sangre de los toros y al humo de los altares?Buen don ***** y equipaje, ¡buen viaje!... El acá y el allá, caballero, se ve en tu rostro marchito, lo infinito: cero, cero.¡Oh las enjutas mejillas, amarillas, y los párpados de cera, y la fina calavera en la almohada del lecho! ¡Oh fin de una aristocracia! La barba canosa y lacia sobre el pecho;  metido en tosco sayal, las yertas manos en cruz, ¡tan formal! el caballero andaluz.
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Llanto de las virtudes y coplas por la muerte de don *****
Al fin, una pulmonía mató a don ***** y están las campanas todo el día doblando por él: ¡din-dan!Murió don ***** un señor de mozo muy jaranero, muy galán y algo torero; de viejo, gran rezador.Dicen que tuvo un serrallo este señor de Sevilla; que era diestro en manejar el caballo y un maestro en refrescar manzanilla.Cuando mermó su riqueza, era su monomanía pensar que pensar debía en asentar la cabeza.Y asentóla de una manera española, que fue casarse con una doncella de gran fortuna; y repintar sus blasones, hablar de las tradiciones de su casa, escándalos y amoríos poner tasa, sordina a sus desvaríos.Gran pagano, se hizo hermano de una santa cofradía; el Jueves Santo salía, llevando un cirio en la mano -¡aquel trueno!-, vestido de nazareno. Hoy nos dice la campana que han de llevarse mañana al buen don ***** muy serio, camino del cementerio.Buen don ***** ya eres ido y para siempre jamás... Alguien dirá: ¿Qué dejaste? Yo pregunto: ¿Qué llevaste al mundo donde hoy estás?¿Tu amor a los alamares y a las sedas y a los oros, y a la sangre de los toros y al humo de los altares?Buen don ***** y equipaje, ¡buen viaje!... El acá y el allá, caballero, se ve en tu rostro marchito, lo infinito: cero, cero.¡Oh las enjutas mejillas, amarillas, y los párpados de cera, y la fina calavera en la almohada del lecho! ¡Oh fin de una aristocracia! La barba canosa y lacia sobre el pecho;  metido en tosco sayal, las yertas manos en cruz, ¡tan formal! el caballero andaluz.
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59
I am dodging bullets lately; I am hiding out from ***** and the Chinaman. They want to hold me hostage until I say I am sorry for my sorry life. I am trying to stand tall and lay low; It isn't easy being me these days. I know I am trouble; I can count the ways. My life has been a grand folly but it isn't over and I am not changing a thing about myself except perhaps the arch of my eyebrows. ***** and the Chinaman
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Aug 17, 2012
Aug 17, 2012 at 8:55 PM UTC
Untitled
There was a handsome man named ***** Who made his home in East Toledo Ladies' eye candy Binoculars handy As he jogged on by in his speedos
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Mar 4, 2017
Mar 4, 2017 at 2:21 AM UTC
Limerick #4
Musa, la máscara apresta, ensaya un aire jovial y goza y ríe en la fiesta     del Carnaval.Ríe en la danza que gira, muestra la pierna rosada, y suene, como una lira,     tu carcajada.Para volar más ligera ponte dos hojas de rosa, como hace tu compañera     la mariposa.Y que en tu boca risueña, que se une al alegre coro, deje la abeja porteña     su miel de oro.Únete a la mascarada, y mientras muequea un clown con la faz pintarrajeada     como Frank Brown;mientras Arlequín revela que al prisma sus tintes roba y aparece Pulchinela     con su joroba,di a Colombina la bella lo que de ella pienso yo, y descorcha una botella     para Pierrot.Que él te cuente cómo rima sus amores con la Luna y te haga un poema en una     pantomima.Da al aire la serenata, toca el auro bandolín, lleva un látigo de plata     para el spleen.Sé lírica y sé bizarra; con la cítara sé griega; o gaucha, con la guitarra     de Santos Vega.Mueve tu espléndido torso por las calles pintorescas, y juega y adorna el Corso     con rosas frescas.De perlas riega un tesoro de Andrade en el regio nido, y en la hopalanda de *****     polvo de oro.Penas y duelos olvida, canta deleites y amores; busca la flor de las flores     por Florida:Con la armonía te encantas de las rimas de cristal, y deshojas a sus plantas,     un madrigal.Piruetea, baila, inspira versos locos y joviales; celebre la alegre lira     los carnavales.Sus gritos y sus canciones, sus comparsas y sus trajes, sus perlas, tintes y encajes     y pompones.Y lleve la rauda brisa, sonora, argentina, fresca, ¡la victoria de tu risa     funambulesca!
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Canción de carnaval
Musa, la máscara apresta, ensaya un aire jovial y goza y ríe en la fiesta     del Carnaval.Ríe en la danza que gira, muestra la pierna rosada, y suene, como una lira,     tu carcajada.Para volar más ligera ponte dos hojas de rosa, como hace tu compañera     la mariposa.Y que en tu boca risueña, que se une al alegre coro, deje la abeja porteña     su miel de oro.Únete a la mascarada, y mientras muequea un clown con la faz pintarrajeada     como Frank Brown;mientras Arlequín revela que al prisma sus tintes roba y aparece Pulchinela     con su joroba,di a Colombina la bella lo que de ella pienso yo, y descorcha una botella     para Pierrot.Que él te cuente cómo rima sus amores con la Luna y te haga un poema en una     pantomima.Da al aire la serenata, toca el auro bandolín, lleva un látigo de plata     para el spleen.Sé lírica y sé bizarra; con la cítara sé griega; o gaucha, con la guitarra     de Santos Vega.Mueve tu espléndido torso por las calles pintorescas, y juega y adorna el Corso     con rosas frescas.De perlas riega un tesoro de Andrade en el regio nido, y en la hopalanda de *****     polvo de oro.Penas y duelos olvida, canta deleites y amores; busca la flor de las flores     por Florida:Con la armonía te encantas de las rimas de cristal, y deshojas a sus plantas,     un madrigal.Piruetea, baila, inspira versos locos y joviales; celebre la alegre lira     los carnavales.Sus gritos y sus canciones, sus comparsas y sus trajes, sus perlas, tintes y encajes     y pompones.Y lleve la rauda brisa, sonora, argentina, fresca, ¡la victoria de tu risa     funambulesca!
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52
I remember when July was the queen of the summer. June prize peaches on the trees. Pretty girl's wore bobby socks and gingham frocks. August threw down heavy fruits. Fruits of labour for the gardener who had to collect his tasty harvest. Says to the missus, you know love. This crop's one of the best. Woman make me some pie said he, forget his manners, he did. Arrogant sometimes you see. First met he when she were a kid she did. The garden sprawled with blackberries. Knew there was a reason for those irksome brambles. Came from nowhere and strangled our land. September bought with it falling leaves. Still stood round in cotton sleeves. Sat on a log surveying the sky. Watching the bats dance in the embers of nearly yesterday. Came to October we created a mound, a pile in the garden that was slightly round. All the old ******* piled sky high. Celebrations of the demise of old ***** Fawkes, clever ****** shame he got caught. Spuds wrapped in blankets made out of foil, slung on the fire. Had to be hooked with a ****** big fork. You popped the cork on your bottle of bubbles, Nearly took a bat out, you silly sad Hint of excitement buzzes the air. Presents and Santa,no need to be scared. Hell, if I woke and caught him I swear I'd hit the roof. Strangers in my bedroom, Seriously uncool. Party popping banners fly. Another year our love survived. That was a shock. January counting snowballs flying past. The local children having a blast. I hid indoors drinking coffee. Nibbling like a toothy mouse on my Christmas left over toffee. February and March. Two months that are so mundane. One just like the last one. March gave me baby birds and flowers showing, they're not shy you know. A garden full of rainbow. Long past ** ** ** April merely time of fools. Warming up. Time of bees and buttercups. Mayday parades and hay days. Looks like summer's simmering. Morning sunshine shimmering. (c) Livvi.
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Jul 10, 2015
Jul 10, 2015 at 9:31 PM UTC
DAYS PAST
I remember when July was the queen of the summer. June prize peaches on the trees. Pretty girl's wore bobby socks and gingham frocks. August threw down heavy fruits. Fruits of labour for the gardener who had to collect his tasty harvest. Says to the missus, you know love. This crop's one of the best. Woman make me some pie said he, forget his manners, he did. Arrogant sometimes you see. First met he when she were a kid she did. The garden sprawled with blackberries. Knew there was a reason for those irksome brambles. Came from nowhere and strangled our land. September bought with it falling leaves. Still stood round in cotton sleeves. Sat on a log surveying the sky. Watching the bats dance in the embers of nearly yesterday. Came to October we created a mound, a pile in the garden that was slightly round. All the old ******* piled sky high. Celebrations of the demise of old ***** Fawkes, clever ****** shame he got caught. Spuds wrapped in blankets made out of foil, slung on the fire. Had to be hooked with a ****** big fork. You popped the cork on your bottle of bubbles, Nearly took a bat out, you silly sad Hint of excitement buzzes the air. Presents and Santa,no need to be scared. Hell, if I woke and caught him I swear I'd hit the roof. Strangers in my bedroom, Seriously uncool. Party popping banners fly. Another year our love survived. That was a shock. January counting snowballs flying past. The local children having a blast. I hid indoors drinking coffee. Nibbling like a toothy mouse on my Christmas left over toffee. February and March. Two months that are so mundane. One just like the last one. March gave me baby birds and flowers showing, they're not shy you know. A garden full of rainbow. Long past ** ** ** April merely time of fools. Warming up. Time of bees and buttercups. Mayday parades and hay days. Looks like summer's simmering. Morning sunshine shimmering. (c) Livvi.
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49
Se avess'io levità di una fanciulla invece di codesto, torturato, pesantissimo cuore e conoscessi la purezza delle acque come fossi entro raccolta in miti-sacrifici, spoglierei questa insipida memoria per immergermi in te, fatto mio uomo. Io ti debbo i racconti più fruttuosi della mia terra che non dà mai spiga. e ti debbo parole come l'ape deve miele al suo fiore. Perché t'amo caro, da sempre, prima dell'inferno prima del paradiso, prima ancora che io fossi buttata nell'argilla del mio pavido corpo. Amore mio quanto pesante è adducerti il mio carro che io ***** nel giorno dell'arsura alle tue mille bocche di ristoro!
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Se avess'io
Light blue touchpaper. Penny for the guy,Guv' penny for the guy how it makes me want to cry penny for the guy. ***** we know failed and so it carries on, lights up the sky penny,any for the guy. Poor men burn well, live in sparks and shafts of kindness in the parks. But it's still a penny for the guy, don't wander by Guv' show a little love and give a penny for the guy.
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Nov 5, 2014
Nov 5, 2014 at 3:09 AM UTC
Light blue touchpaper