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"grimacing" poems
Toting the mysterious bundle and sporting a sore back I drag my feet up the last few steps, expended of vigour I almost couldn't resist prematurely looking through the sack Remembering the words from the wise old seer Grimacing I walk a slow gait to get to the table Set the bundle down and relieve my weight onto a chair Parched throat but wait longer I am unable Curiosity takes charge and into the gift I will tear Blood is pumping along with an increasing heart rate Fingers scrambling clumsily over the strings that bind Nails digging frantically into this package bearing my fate Gnawing thoughts of uncertainty flooding my mind At last my fingers win the battle that lasted The final string has fallen... Obstinate knots all undone I pick the cloth by the edges to have it unfolded The contents inside reach out like rays of the sun Corners of the cloth open up like a fully bloomed blossom Exposing the treasure that lay solemn and quiet inside Common objects we'd normally perceive as random Petty things now important as they attempt to guide I pick up the first and notice an engraving on it's stem Between my fingers - an unassuming feathered quill Barely legible, such little space the words do cram "Here is your sword... Draw blood and let spill" More riddles, I sought to examine the next A flat bottomed vial filled with jet black ink On it is a label with scrawling of time worn text "Here is your blood; let flow what you think" Lastly, lay bound up sheets of yellow stained parchment They reek of age-old herbs; intoxicating slightly At the top of the first, a note scribbled not so recent "Within these pages, you must bleed to find Sanctuary" Staring down at the objects laid in front of me In hopes of discovering something I should miss Then finally it struck me, so plain to see I'm using the instruments now, writing to find release...
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Sep 13, 2014
Sep 13, 2014 at 10:58 PM UTC
The Parting Gift (III)
Toting the mysterious bundle and sporting a sore back I drag my feet up the last few steps, expended of vigour I almost couldn't resist prematurely looking through the sack Remembering the words from the wise old seer Grimacing I walk a slow gait to get to the table Set the bundle down and relieve my weight onto a chair Parched throat but wait longer I am unable Curiosity takes charge and into the gift I will tear Blood is pumping along with an increasing heart rate Fingers scrambling clumsily over the strings that bind Nails digging frantically into this package bearing my fate Gnawing thoughts of uncertainty flooding my mind At last my fingers win the battle that lasted The final string has fallen... Obstinate knots all undone I pick the cloth by the edges to have it unfolded The contents inside reach out like rays of the sun Corners of the cloth open up like a fully bloomed blossom Exposing the treasure that lay solemn and quiet inside Common objects we'd normally perceive as random Petty things now important as they attempt to guide I pick up the first and notice an engraving on it's stem Between my fingers - an unassuming feathered quill Barely legible, such little space the words do cram "Here is your sword... Draw blood and let spill" More riddles, I sought to examine the next A flat bottomed vial filled with jet black ink On it is a label with scrawling of time worn text "Here is your blood; let flow what you think" Lastly, lay bound up sheets of yellow stained parchment They reek of age-old herbs; intoxicating slightly At the top of the first, a note scribbled not so recent "Within these pages, you must bleed to find Sanctuary" Staring down at the objects laid in front of me In hopes of discovering something I should miss Then finally it struck me, so plain to see I'm using the instruments now, writing to find release...
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36
There is some genie in our house, curdling poisonously. I stay in the house with a freckled old lady; we're roommates, unlucky enough to meet each other as life abated. He does not live in the attic, like a ***** ghoul; or in some rubbing bottle like an amnesiac. But we call the spirit lady, because the genie is vicious. She comes to the house and says we need to move things around. Her eyes are circled by some creamy mascara into these black, skin-tight, **** rings, like absurdist ****** targets. Things are moved, the genie stays, gets more vicious. The mongerer is blamed for bad things: broken pots, fights over rent, **** on the toilet seat, lost keys. We call the spirit lady, this time her fingers jingle with golden rings, her wrists sing with wrought-iron rainbows, and says rain will send that sucker running. So, we build little smoke pits in our house, and take the most important things: bills, and alumni letters from my school, and birthday cards for her, and burn them until it rains. The genie calls us falsifiers. The spirit lady comes back, a necklace of grimacing clams around her neck, and knocks around dancing, dancing, a frenzy, a wildness, a knee-knocking, throat-throtlling, dismantingly, limb-ecstasy, until she poops out and, breathing heavy, saying finally: "there is nothing I can do for you, I don't think I ever could, some things are just bad luck." She turns, walks away, and one of her clams drops from her necklace, it says made in America on the inner lip. The genie left a few weeks later.
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Aug 27, 2012
Aug 27, 2012 at 1:48 AM UTC
The Genie.
There is some genie in our house, curdling poisonously. I stay in the house with a freckled old lady; we're roommates, unlucky enough to meet each other as life abated. He does not live in the attic, like a ***** ghoul; or in some rubbing bottle like an amnesiac. But we call the spirit lady, because the genie is vicious. She comes to the house and says we need to move things around. Her eyes are circled by some creamy mascara into these black, skin-tight, **** rings, like absurdist ****** targets. Things are moved, the genie stays, gets more vicious. The mongerer is blamed for bad things: broken pots, fights over rent, **** on the toilet seat, lost keys. We call the spirit lady, this time her fingers jingle with golden rings, her wrists sing with wrought-iron rainbows, and says rain will send that sucker running. So, we build little smoke pits in our house, and take the most important things: bills, and alumni letters from my school, and birthday cards for her, and burn them until it rains. The genie calls us falsifiers. The spirit lady comes back, a necklace of grimacing clams around her neck, and knocks around dancing, dancing, a frenzy, a wildness, a knee-knocking, throat-throtlling, dismantingly, limb-ecstasy, until she poops out and, breathing heavy, saying finally: "there is nothing I can do for you, I don't think I ever could, some things are just bad luck." She turns, walks away, and one of her clams drops from her necklace, it says made in America on the inner lip. The genie left a few weeks later.
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50
“The executioner’s face is always well hidden” a Bob Dylan lyric <> mine own “ex,” in chest encased, silent, with grimacing smile, happy to be of sir-vice, sent home unhappy, cause his cut, not quite deep enough this time, though nearly succeeded, but his biz is an-all-or-none inclusive Swifty tour, disillusioned, he don’t get paid unless he brings my punched ticket to a glorious sadness conclusion someone asked (axed in local accent) if I’m nearer my god having survived despite my best efforts at self destruction, to which I’m smiling when uttering a “heartfelt prayer” of Hell No! cause the channel always been open and either side can initiate when so desired, the gates of love always open, so wasn’t surprised when playing with my matches, he went silent, but knew fully well, Mr. G a risk taker, put his roulette chips on a “basket bet,” (1) needing a double 00, to collect, because, shoot, the timing was good… Me? ain’t naive enough to hope that a prayerful request would not be met with a “now you want some intercession?” and a heavenly sneer, cause we always been perfectly clear, with each other, ask and you won’t receive, and none of that what have you done for me lately razzamatazz, nah, the record impurities gray and no pencil erasures allowed… knowing that the executioner will be back’ round someday, my wounded heart too tempting to pass up twice, and that’s ok, this old man learned to live with a not entirely pleasant uncertainty, *”This old man, he played one,
 He played knick-knack on my thumb;
 With a knick-knack paddywhack,
 Give the dog a bone,
 This old man came rolling home.”* but he didn’t play two, having no kazoo!
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Sep 5, 2023
Sep 5, 2023 at 12:24 PM UTC
“The executioner’s face is always well hidden”
“The executioner’s face is always well hidden” a Bob Dylan lyric <> mine own “ex,” in chest encased, silent, with grimacing smile, happy to be of sir-vice, sent home unhappy, cause his cut, not quite deep enough this time, though nearly succeeded, but his biz is an-all-or-none inclusive Swifty tour, disillusioned, he don’t get paid unless he brings my punched ticket to a glorious sadness conclusion someone asked (axed in local accent) if I’m nearer my god having survived despite my best efforts at self destruction, to which I’m smiling when uttering a “heartfelt prayer” of Hell No! cause the channel always been open and either side can initiate when so desired, the gates of love always open, so wasn’t surprised when playing with my matches, he went silent, but knew fully well, Mr. G a risk taker, put his roulette chips on a “basket bet,” (1) needing a double 00, to collect, because, shoot, the timing was good… Me? ain’t naive enough to hope that a prayerful request would not be met with a “now you want some intercession?” and a heavenly sneer, cause we always been perfectly clear, with each other, ask and you won’t receive, and none of that what have you done for me lately razzamatazz, nah, the record impurities gray and no pencil erasures allowed… knowing that the executioner will be back’ round someday, my wounded heart too tempting to pass up twice, and that’s ok, this old man learned to live with a not entirely pleasant uncertainty, *”This old man, he played one,
 He played knick-knack on my thumb;
 With a knick-knack paddywhack,
 Give the dog a bone,
 This old man came rolling home.”* but he didn’t play two, having no kazoo!
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39
Direct, Physically dominant. Unargueably aggressive, Yet, So unnoticed. Recognisable colours, Hidden behind, Covering deceit. Deceptive courage, Fake smile, Grimacing strength. Cowering, Submission is granted. Obvious circumstances, So misunderstood, Retreat, Access denied. Apologies don't exist, Escape artist, Mascuerading as the helpless, Only the strong, Survive in, Shadows. Sudden movement, Hard, cold floor. Casualty, More questions, More lies, No truth, Is ever uttered.
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Jan 16, 2012
Jan 16, 2012 at 4:05 AM UTC
Dominance
Saddle up Gurl! It's time to hit the trail, as quietly & gently I spank the pony- tail, & know, it's how I love you, baby.. You'll see me riding like the wind, spurred on by our time & trials ~ that no-one got to win. We were always mining Fools Gold & giggle indulging every sin! Our Poke(h)er hands stayed empty & the music's... long since died. Your sweet songs done, gone & left me (sobs) tumbleweed rolls by Once we prospected forever in this inky ol' ghost town marking spots with X's before a WANTED sign was found and One Moonshine still ain't big en'f 'f both of us to get our quills thirst drowned (hic- cup) "Look West, and to the horizon, see the stage at the edge of town?" My last performance, PRIVATE, snigger to all the wide-eyed boys around Ace-high, on a barebacked filly, play gallerying all my skills I'll slap my thigh & Yee-haw ! riding for them there hills ~Saddled up in the softest leather Chin up!Deep Breath!Chest out! Corseted & brimming, encased in perfume scented lace ~Bat my eyelids for the masses~ I'll find another place. And then you can cut a swell down Main Street, (remember the brothels to your right) keep your low slung loaded though, for it's no place to start a fight cos just outside that swing (ing) door, the coffin maker winks at such a cheerful sight, stood grimacing in his top hat, grasping 13 nails tight. & I'm sure you'll measure up darling blowing rubied kisses as I bid mine own true-love's heart goodnight. ***HiHO Silver,                                                   away..........!***
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Oct 12, 2012
Oct 12, 2012 at 5:33 PM UTC
That One Trick Pony Express is Coming to Town (Spoken word)
Saddle up Gurl! It's time to hit the trail, as quietly & gently I spank the pony- tail, & know, it's how I love you, baby.. You'll see me riding like the wind, spurred on by our time & trials ~ that no-one got to win. We were always mining Fools Gold & giggle indulging every sin! Our Poke(h)er hands stayed empty & the music's... long since died. Your sweet songs done, gone & left me (sobs) tumbleweed rolls by Once we prospected forever in this inky ol' ghost town marking spots with X's before a WANTED sign was found and One Moonshine still ain't big en'f 'f both of us to get our quills thirst drowned (hic- cup) "Look West, and to the horizon, see the stage at the edge of town?" My last performance, PRIVATE, snigger to all the wide-eyed boys around Ace-high, on a barebacked filly, play gallerying all my skills I'll slap my thigh & Yee-haw ! riding for them there hills ~Saddled up in the softest leather Chin up!Deep Breath!Chest out! Corseted & brimming, encased in perfume scented lace ~Bat my eyelids for the masses~ I'll find another place. And then you can cut a swell down Main Street, (remember the brothels to your right) keep your low slung loaded though, for it's no place to start a fight cos just outside that swing (ing) door, the coffin maker winks at such a cheerful sight, stood grimacing in his top hat, grasping 13 nails tight. & I'm sure you'll measure up darling blowing rubied kisses as I bid mine own true-love's heart goodnight. ***HiHO Silver,                                                   away..........!***
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76
Invisibility; it need not mean to not physically be seen, for eyes look on, taking in the loneliness I don; crowds and rooms bursting loud with tunes, faces happily grimacing, I am grimacing back, revelry I am feigning, as on spins the DJ track; professional smile-maker, the most experienced faker, regarded by passerbyers, they know nothing of my insides                     on fire; room crowded and still alone, optimism shrouded by apathetic groan; You see "me," but you don't see me; Invisibility.
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Apr 29, 2014
Apr 29, 2014 at 1:48 PM UTC
undIscovered
When everything was fine And the notion of sin had vanished And the earth was ready In universal peace To consume and rejoice Without creeds and utopias, I, for unknown reasons, Surrounded by the books Of prophets and theologians, Of philosophers, poets, Searched for an answer, Scowling, grimacing, Waking up at night, muttering at dawn. What oppressed me so much Was a bit shameful. Talking of it aloud Would show neither tact nor prudence. It might even seem an outrage Against the health of mankind. Alas, my memory Does not want to leave me And in it, live beings Each with its own pain, Each with its own dying, Its own trepidation. Why then innocence On paradisal beaches, An impeccable sky Over the church of hygiene? Is it because that Was long ago? To a saintly man --So goes an Arab tale-- God said somewhat maliciously: "Had I revealed to people How great a sinner you are, They could not praise you." "And I," answered the pious one, "Had I unveiled to them How merciful you are, They would not care for you." To whom should I turn With that affair so dark Of pain and also guilt In the structure of the world, If either here below Or over there on high No power can abolish The cause and the effect? Don't think, don't remember The death on the cross, Though everyday He dies, The only one, all-loving, Who without any need Consented and allowed To exist all that is, Including nails of torture. Totally enigmatic. Impossibly intricate. Better to stop speech here. This language is not for people. Blessed be jubilation. Vintages and harvests. Even if not everyone Is granted serenity.
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2.6k
A Poem For the End of the Century
When everything was fine And the notion of sin had vanished And the earth was ready In universal peace To consume and rejoice Without creeds and utopias, I, for unknown reasons, Surrounded by the books Of prophets and theologians, Of philosophers, poets, Searched for an answer, Scowling, grimacing, Waking up at night, muttering at dawn. What oppressed me so much Was a bit shameful. Talking of it aloud Would show neither tact nor prudence. It might even seem an outrage Against the health of mankind. Alas, my memory Does not want to leave me And in it, live beings Each with its own pain, Each with its own dying, Its own trepidation. Why then innocence On paradisal beaches, An impeccable sky Over the church of hygiene? Is it because that Was long ago? To a saintly man --So goes an Arab tale-- God said somewhat maliciously: "Had I revealed to people How great a sinner you are, They could not praise you." "And I," answered the pious one, "Had I unveiled to them How merciful you are, They would not care for you." To whom should I turn With that affair so dark Of pain and also guilt In the structure of the world, If either here below Or over there on high No power can abolish The cause and the effect? Don't think, don't remember The death on the cross, Though everyday He dies, The only one, all-loving, Who without any need Consented and allowed To exist all that is, Including nails of torture. Totally enigmatic. Impossibly intricate. Better to stop speech here. This language is not for people. Blessed be jubilation. Vintages and harvests. Even if not everyone Is granted serenity.
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65
i loved you, right a love unreturned, unrequited but alas, still stoked by little miners with hearts of brass their iron faces grimacing at the task, little beads of lots of sweat dripping down their taut frowns. so what i meant to say is that i love you, right, and it’s a love that still burns, bright, enough to bring the boys home but let’s be honest it wouldn’t best the sun, but **** it’s a terrible light, it throws everything into a soft relief where pretty, soft voiced sheep say pretty, soft voiced things like ‘it’s okay to feel this way’ ‘i want you to be happy’ ‘she sounds amazing’ and other things that normal people tell me mean that either i don’t love you or i’m moving on. they don’t understand though, i mean, i love you, right, though all that sheep **** makes it sound as if i’m waving you off, smashing the celebratory champagne on your bow, waving you off into the distance with a lacy hanky, joyful tears cascading down my powdered cheekbones, i’m greedy maybe even, needy, a disgusting word and even if i make pacts with myself to the order of ‘he can do so much better’ ‘i am damaged goods’ and other associated half truths i’d be a liar if i said that i would kick you out of bed or even rebuke the slightest of advances, no i’d take my chances and i cannot bear it, really i’d touch you and whatever wholeness whatever someone else would parse as clean or pure or holy wouldn’t disintegrate, no wouldn’t tarnish, no would most probably just implode under the combined pressure of emotionally-mentally-fucked-in-the-head-doe (where the **** do you think the miners got all that coal) so, yes… wait. no? i love you, right but just ignore it enjoy the lights please remember them tell your friends and cherish them until they are taken by death, drink, dementia but i’m sure your mum, teacher, or television long ago informed you that bright lights are detrimental to vision so think of your future and forget now if you’re tempted by how i look at you remember how sunburn seems innocuous until you see your skin and sunscreen pretty useless ‘til you learn the sun will win and the best way to avoid dainty melanoma is to go inside and lock your door and act like you don’t know her.
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Oct 9, 2012
Oct 9, 2012 at 11:51 PM UTC
Left
i loved you, right a love unreturned, unrequited but alas, still stoked by little miners with hearts of brass their iron faces grimacing at the task, little beads of lots of sweat dripping down their taut frowns. so what i meant to say is that i love you, right, and it’s a love that still burns, bright, enough to bring the boys home but let’s be honest it wouldn’t best the sun, but **** it’s a terrible light, it throws everything into a soft relief where pretty, soft voiced sheep say pretty, soft voiced things like ‘it’s okay to feel this way’ ‘i want you to be happy’ ‘she sounds amazing’ and other things that normal people tell me mean that either i don’t love you or i’m moving on. they don’t understand though, i mean, i love you, right, though all that sheep **** makes it sound as if i’m waving you off, smashing the celebratory champagne on your bow, waving you off into the distance with a lacy hanky, joyful tears cascading down my powdered cheekbones, i’m greedy maybe even, needy, a disgusting word and even if i make pacts with myself to the order of ‘he can do so much better’ ‘i am damaged goods’ and other associated half truths i’d be a liar if i said that i would kick you out of bed or even rebuke the slightest of advances, no i’d take my chances and i cannot bear it, really i’d touch you and whatever wholeness whatever someone else would parse as clean or pure or holy wouldn’t disintegrate, no wouldn’t tarnish, no would most probably just implode under the combined pressure of emotionally-mentally-fucked-in-the-head-doe (where the **** do you think the miners got all that coal) so, yes… wait. no? i love you, right but just ignore it enjoy the lights please remember them tell your friends and cherish them until they are taken by death, drink, dementia but i’m sure your mum, teacher, or television long ago informed you that bright lights are detrimental to vision so think of your future and forget now if you’re tempted by how i look at you remember how sunburn seems innocuous until you see your skin and sunscreen pretty useless ‘til you learn the sun will win and the best way to avoid dainty melanoma is to go inside and lock your door and act like you don’t know her.
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93
Rush around in circles like a headless chicken running Diminishing to spirals in a blue encircled churn Giddying to balance in unsteady equilibrium, Whilst canting to the left on a gyroscopic turn. Vaulting to the heavens in gymnastical maneuvering, Launching into ether in fanatical escape, ****** features grimacing through muscular contortion With abdominal contractions in a pantomime of **** Yowling to the darkness in a feline form of vocalness Hissing through the teeth in a serpentine display, Bellowing the bellicose of bovine innuendo And bleeding feet in gumboots on a ****** raining day. Rush around in circles like a headless chicken running With ****** features grimaced on a ****** raining day, Yowling to the darkness with abdominal contraction In a bovine innuendo of a serpentine display. Bellowing the bellicose of bleeding feet in gumboots, Vaulting to the heavens in fanatical escape, Giddying to spirals in contracting equilibrium Just a ****** innuendo of a gyroscopic shake. Marshalg Victoria Park Tunnel On a ****** raining day. 7 August 2010
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Aug 6, 2010
Aug 6, 2010 at 6:17 PM UTC
On Gyroscopic Turn
There's a raccoon inside me, I've never liked raccoons. He nuzzles my heartstrings when I feel worthless, and cackles maniacally when I believe that I'm worth it. Whenever I'm bold enough to speak he claws my vocal chords closed, leaving me dumbfounded with an obvious lump in my throat. I feel his grimacing face and beady bandit eyes in constant stare. He hisses angrily when he catches me unaware, of just how afraid I am. His grubby paws pander to my love of cancelled plans. I guess you could say we're selfish, because I relish the nights spent alone with him. And I'm positive that he does too, because he knows I'm often too weak to leave my room, and disdain is a dish that makes a feast for two. I really like raccoons.
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Aug 3, 2015
Aug 3, 2015 at 8:00 PM UTC
Vermin
writing love poetry in/on time of hatred <~> not for the absence of love, for there is sufficient out and about, in the eyes of children who cannot hide their glee at your surprises, tousled morning hair patted down almost into not-a-horror-show, a shapely body in a black one piece suit, that speaks of hints and mischievous frolic, a summer night~right of taking, reciprocation, god’s coffee delivered bedside every morn, with kisses of tenderness but **these are the days when hatred speaks loudest, volume of volumes, and the hypocrisy runs blood red in the streets and we we wonder has the world learned nothing from the horrific history of the prior century, the absence of easy solutions for those who reject in the provident supply of the low humane treatment of a world where the word society is a mirthless grimacing joke** maybe that’s why I I turn on the love songs and music, a soupçon of cherishing, a wail for its absence and loss, the thrill unique it provided, and may yet again, and to just remember, remember, remember! why we obsess about crazy love in the artistry of our lives so, I will force myself…to write of tenderness, let sneaky, much needed, sentimental in… oops, looks like I already did…
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Nov 10, 2023
Nov 10, 2023 at 8:40 AM UTC
writing love poetry in/on time of hatred
You're risking naught, an annihilation of worth Wasting and encouraging moments to rot. Decay. Values friendship Twisted morals dipped in deceit. Not satisfied with boundaries Chasing infected affection swirling in the smooth crevasses of backwash around emptied wine bottles Impressionable, emitting the most tenacious of the F word Fake Fake and Selfish It isn't narcissism when you drown yourself in the pits No permission, no inhibition As lazy as the Greeks who never made a move to climb the mountaintop and defy their Gods face to face Dependent and ******* support from Clans because you're terrified of this world At least I"m honest with my decanter of harming thoughts. obsessed and overbearing, flesh crawling use my being as subject matter and mold it into paperdoll play toys like gold eye-liner its a party trick seek solice when grimacing down a bottle of brew bumpers in the bowling alley a Life Alert sort of living You claim to haven no fear but I see your throat clench start living admit the defeat a proud coward lilly livered, yellow belly shift shift between a fable and nerve
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Aug 19, 2013
Aug 19, 2013 at 1:38 AM UTC
Safety Dance
I want to say something about cursive writing (this might seem random). I’ve seen articles saying that cursive writing is a “dead art,” that computers have destined it for oblivion and questioning whether cursive writing should be taught in schools now-a-days. But if you plan to go to college - relearn it and practice it, because you’ll need it. Random hot fact. The first time you have to handwrite a multiple-question essay test - where each answer requires five hundred to a thousand words (a written page) - handwriting, in block letters, is unsustainable. Your hand will literally cramp up - dog, you’ll suffer, your essays will suffer and so will your grade. Writing in cursive is faster than block lettering and with a little practice, it’s effortless. My sister told me this once, and this morning, as I watched other students, one third of the way into our essay test, grimacing and flexing their aching hands - I just smiled to myself. Yeah, you can thank me later.
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Dec 21, 2022
Dec 21, 2022 at 11:36 AM UTC
cursive
it was one of those crazy hot days in the dead of summer. i remember because of the sweat that poured down my skin and the way my eyes squinted as the bright sun shone. i massaged my neck nervously, my mouth twisted into a grimace. ya see, i’ve always been weak, especially when it comes to you. so what i was readying myself to do, i knew, would be too much. but i had to let you go as the rays of sunlight baked my skin and my head began to ache from how hard i was squinting, grimacing. i said goodbye, as my heart raced, either from the heat or the pain.
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May 8, 2017
May 8, 2017 at 6:16 PM UTC
letting you go
The way to the city on both sides of the street was discretely displayed then replayed as recollections of the mundane inequitable and respectable a ubiquitous ritual with screams of laughter cries from shouting houses and grimacing faces.
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Oct 4, 2014
Oct 4, 2014 at 2:55 AM UTC
Commuting
A dark rim hugs an acre of A zinc ocean - no fish, no birds, Save a pure body, no soul, No words, fluttering on a bro- ken sea, and grimacing From time to time, from Wave to wave, in lieu Of lifting an imploring hand. ©LazharBouazzi (2017)
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Nov 13, 2017
Nov 13, 2017 at 3:00 PM UTC
The Sea
I walk to my work, says Senlin, along a street Superbly hung in space. I lift these mortal stones, and with my trowel I tap them into place. But is god, perhaps, a giant who ties his tie Grimacing before a colossal glass of sky? These stones are heavy, these stones decay, These stones are wet with rain, I build them into a wall today, Tomorrow they fall again. Does god arise from a chaos of starless sleep, Rise from the dark and stretch his arms and yawn; And drowsily look from the window at his garden; And rejoice at the dewdrop sparkeling on his lawn? Does he remember, suddenly, with amazement, The yesterday he left in sleep,--his name,-- Or the glittering street superbly hung in wind Along which, in the dusk, he slowly came? I devise new patterns for laying stones And build a stronger wall. One drop of rain astonishes me And I let my trowel fall. The flashing of leaves delights my eyes, Blue air delights my face; I will dedicate this stone to god And tap it into its place.
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1.7k
Senlin, A Biography: Part 02: His Futile Preoccupations - 03
I ran from these demons For all my ******* life Now I stand in their presence With inner strength and might You thought you could control me I scream with a grimacing face No longer can you hold me down As I shot them and sealed my fate So as they were ripped forever From my scarred memories I came at last to that final man Who has been as steady as the sea So you finally found a way around This everlasting game? He asked I smiled from behind my gun And fired my freeing shot at last
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Sep 4, 2012
Sep 4, 2012 at 4:16 PM UTC
Self-Hate's Appreciation At the End of It All
We all derive from the same paper that which is forcefully folded, patiently pressed and carefully creased. We all speak through the same pen that wishes for stencils, grimacing at unpracticed, crooked lines. We all take action with the same scissors, cutting away from the whole to create paper people holding hands. We all are constructed in the same accordion, snipping away the background that falls like snowflakes to create identity. We all fear severing the same sections that conjoin one being to another, waiting with knives in our hands, anticipating to cut. We all fall from the separation, slicing the connections that bind us, sacrificing our grip that suspends us in safety. We all meet at the bottom of the same paper shredder, lost in the screams of its blades, obsessing ourselves to be broken pieces of an individual, but forgetting that we paper people once all derived from the same paper.
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Apr 7, 2016
Apr 7, 2016 at 12:38 AM UTC
"Paper People"
In the half light of the Dying sun Blood falls from her lips Puts dark beads in The sand Around her fingers. She traces the shape Of her teeth With A tender tongue. Taste of rust and redness. A grimacing bloodstained Smile Stretches her aching cheeks As tears slide from A swelling eye and The air Echoes with the sound Of her Breaking laughter. The waves moan in reply, Licking up The droplets of blood And caressing Her kneeling legs. She breathes deeply through A bruised nose. It won't be long now. Closes her eyes. Morning finds her sleeping, Face down And out to sea Her body haloed by a A ring of dark color Obscured By the blackest blue. The fishes are her pallbearers, The horizon is her headstone.
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Dec 29, 2012
Dec 29, 2012 at 6:29 PM UTC
to sea
"Y'got city hands, Mr. Hooper." I felt his coarse hands grip mine, too; I lived through Mr. Hooper vicariously as I looked down at open palms spread to the heavens, illuminated in the flashy brilliance of the glare. I saw wrinkled, calloused eyes peer into mine; I stood on that rickety old dock in my fitted and worn wool cap, faded denim shirt matching pants and dingy white tennis shoes. "Y'got city hands, Mr. Hooper." My ego crestfallen as well, pride in my intelligence proven in the Academia withering, as the gritty gap-toothed leery-eyed barnacle of a sailor peered inquisitively into my soul. He saw the smooth hands-- ah, but the callouses engraved deep between joints on my fingers; a musician! His eyes grilled, "In bourgeois leisure, smiling meekly dwelling within milquetoast afternoon hours, or, from downtown haunts sweating jazz in the midnight hour, dancing screaming cursing moaning lovingly?" My eyes cast down again. But I know not of the city as my abode! I know the ****** and the farmer more than any contributor to painted landscapes, nay; they are my acquaintances, neighbors, cousins, brothers, and sisters! For I have lived on the water; I have eyed the vessels commandeered by the gritty, grubby, greased captains of my soul, as I float buoyed in their wake, eager to catch a semblance of the waters that trail before them. I live treading their wake, eyes open and pencil in hand. And lo; I found sanctuary in the vast fields of the rustic farmer! For I ate breakfast of the freshly-slaughtered calf; I drank its mother's milk, eggs fresh from the poultry den-- I squawked along with the mother hens. I took in the bucolic smell of the country atop the rugged tractor, eyeing squinting grimacing like a smile in the sun burning burning down upon stiff backs and leather necks-- I, the leaves of grass scattered in the wake of the farmer, I, the bails of hay furled tightly sitting patiently in the once golden meadow, I watched the tractors and their commandeers disappear in the bombinate horizon; the sound of insects ushering in the night sky like unrolling the starry-eyed carpet before the hazy late afternoon moon. I watched, I lived, waiting coiled in their wakes eyes wide open and paper clenched in hand. I lifted my eyes to once again hear his curt admonition: "Y'got city hands, Mr. Rhine."
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Jan 26, 2016
Jan 26, 2016 at 3:37 PM UTC
City Hands
"Y'got city hands, Mr. Hooper." I felt his coarse hands grip mine, too; I lived through Mr. Hooper vicariously as I looked down at open palms spread to the heavens, illuminated in the flashy brilliance of the glare. I saw wrinkled, calloused eyes peer into mine; I stood on that rickety old dock in my fitted and worn wool cap, faded denim shirt matching pants and dingy white tennis shoes. "Y'got city hands, Mr. Hooper." My ego crestfallen as well, pride in my intelligence proven in the Academia withering, as the gritty gap-toothed leery-eyed barnacle of a sailor peered inquisitively into my soul. He saw the smooth hands-- ah, but the callouses engraved deep between joints on my fingers; a musician! His eyes grilled, "In bourgeois leisure, smiling meekly dwelling within milquetoast afternoon hours, or, from downtown haunts sweating jazz in the midnight hour, dancing screaming cursing moaning lovingly?" My eyes cast down again. But I know not of the city as my abode! I know the ****** and the farmer more than any contributor to painted landscapes, nay; they are my acquaintances, neighbors, cousins, brothers, and sisters! For I have lived on the water; I have eyed the vessels commandeered by the gritty, grubby, greased captains of my soul, as I float buoyed in their wake, eager to catch a semblance of the waters that trail before them. I live treading their wake, eyes open and pencil in hand. And lo; I found sanctuary in the vast fields of the rustic farmer! For I ate breakfast of the freshly-slaughtered calf; I drank its mother's milk, eggs fresh from the poultry den-- I squawked along with the mother hens. I took in the bucolic smell of the country atop the rugged tractor, eyeing squinting grimacing like a smile in the sun burning burning down upon stiff backs and leather necks-- I, the leaves of grass scattered in the wake of the farmer, I, the bails of hay furled tightly sitting patiently in the once golden meadow, I watched the tractors and their commandeers disappear in the bombinate horizon; the sound of insects ushering in the night sky like unrolling the starry-eyed carpet before the hazy late afternoon moon. I watched, I lived, waiting coiled in their wakes eyes wide open and paper clenched in hand. I lifted my eyes to once again hear his curt admonition: "Y'got city hands, Mr. Rhine."
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66
I sat watching the two actors in the cold room i was patient and calm while they were about to **** themselves waiting to carry on My instructor then said, “I want you to ask your partner something dark, something you would never ask them in a million years” the walls went quiet and all nerves struck like a chord patient and calm disappeared after he said each of those words One of them was shaking while the other was grimacing And that's when the shaking one asked, “Have you ever thought to yourself, maybe you'd be better off not living?” The grimacing man, was now blank and white like a sheet of paper or a snowy night And the shaking man, was still shaking.
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Jun 3, 2014
Jun 3, 2014 at 5:20 PM UTC
the shaking man
This one is for the doctor who called me “delicate” I think I missed that word in the thick textbooks about disease I’ve seen This is for the lab technician who lost not one but two vials of my blood Because I really wanted to help that new nurse figure out veins again. This is for the stupid slogans on the walls A fichus with the word peace under it, I'm cured. This is for the geriatric room with the low table they always put me in An arthritis patient means elderly woman, right? This is for the negative tests and endless questionnaires about my health Checking how often, how severe, and how much I care. This is for the four empty orange prescription bottles sitting neatly on my desk Red pills, and yellow pills, and white ones, oh my! This is for the loud groan of pain in the morning I make before I even wake Because why shouldn’t my roommate wake up when I do? This is for the symphony of my cracking joints and creaking bones Because violently trembling when you walk up stairs is so very **** This is for the manic googling at 4 AM, Does this symptom mean anything? Is it just a quirk or side affect? This is for WebMd, bless their hearts, Who think that sniffles mean polyps and headaches mean cancer. This is for the flights upon flights of stairs I climb each day, Cats are considered **** is panting like a dog? This is for the cramping and shaking hands everyday Because as a writer and artist I never even use them right? This is for my mother Who’s waited patiently with me through every doctor’s visit This is for my best friend Lauren Who missed three classes to take me to a clinic This is for my nephew Who is too big for me to pick up without grimacing now This is for the wine I drank And the bedroom basement I climb out of And the backpack I heave around And the school lunches I leave in toilets It’s for the nights I have to stay in and the ones where I make myself leave Because the only thing tough enough to stop me Is me. And I’ll tip my hat to myself for putting up such a good challenge. It’ll just make it even more satisfying when I knock it the **** down.
0
Feb 7, 2013
Feb 7, 2013 at 4:48 PM UTC
Auto Immune
This one is for the doctor who called me “delicate” I think I missed that word in the thick textbooks about disease I’ve seen This is for the lab technician who lost not one but two vials of my blood Because I really wanted to help that new nurse figure out veins again. This is for the stupid slogans on the walls A fichus with the word peace under it, I'm cured. This is for the geriatric room with the low table they always put me in An arthritis patient means elderly woman, right? This is for the negative tests and endless questionnaires about my health Checking how often, how severe, and how much I care. This is for the four empty orange prescription bottles sitting neatly on my desk Red pills, and yellow pills, and white ones, oh my! This is for the loud groan of pain in the morning I make before I even wake Because why shouldn’t my roommate wake up when I do? This is for the symphony of my cracking joints and creaking bones Because violently trembling when you walk up stairs is so very **** This is for the manic googling at 4 AM, Does this symptom mean anything? Is it just a quirk or side affect? This is for WebMd, bless their hearts, Who think that sniffles mean polyps and headaches mean cancer. This is for the flights upon flights of stairs I climb each day, Cats are considered **** is panting like a dog? This is for the cramping and shaking hands everyday Because as a writer and artist I never even use them right? This is for my mother Who’s waited patiently with me through every doctor’s visit This is for my best friend Lauren Who missed three classes to take me to a clinic This is for my nephew Who is too big for me to pick up without grimacing now This is for the wine I drank And the bedroom basement I climb out of And the backpack I heave around And the school lunches I leave in toilets It’s for the nights I have to stay in and the ones where I make myself leave Because the only thing tough enough to stop me Is me. And I’ll tip my hat to myself for putting up such a good challenge. It’ll just make it even more satisfying when I knock it the **** down.
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39
*His eyes were not the reminder of a once well known friend they were the reminder that I only got three hours of sleep last night and there's a test on something I couldn't wrap my brain around because I was too busy searching how to tie a noose on a screen to bright for my tired eyes. I never knew he'd show up unexpectedly at dinner and I could almost see my mothers nose crinkle in disgust either from the stench of my lack of motivation or simply the smell of death. He had this way of holding himself. Hands shaking like a ticking time bomb or way to ready to jump to the next thing to ease the situation. To ease the situation. Ease the situation. The smile carved as big as the jokers planted on a pale face and sunken eyes. he had bags under his eyes. bags under his eyes Under his eyes. Grimacing under growing bruises and bones that creaked with every movement because he is like an old house. Fun to look at and imagine what it was like in its glory days but spiderwebs and dust seem to be a better turn off than the word no. No one told them that depression is a battle ground that theyd have to pick up their long lost child from.*
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Feb 22, 2016
Feb 22, 2016 at 11:40 AM UTC
If depression were a person
You come from a line of pleading heavy enough to slam the door, dampen the folds of flannel sheets or a furrowed brow. 'More' I hear your glossy eyes breathe. They've been softened by endless searching Scan after scan. We've made a game of it. We readily laugh at our preposterousness believing love could grasp and stay, the last shriveled grape on a branch smaller than the others. Sweeter, too. What we have precedes us, I say Grimacing since I don't know exactly what I mean by that. Once, in a dream, I walked down a corridor adorned with empty picture frames. It ended at a desert clearing, laced beneath a silver sky. My ears alerted me first: before me lay a jumping cactus before me, embracing a teary coyote softly whimpering a prayer as thousands of needles sunk more securely into its fur. I laughed and still couldn't tell you why. I held my hand more closely to the shadowy breath, every release a firm match to my own. Either to help it or endure its hateful bicuspid sink into my rigid flesh I waved my hand faithfully before the dog. Diverted, the stab of the plant wounded me instead. I awoke, floating down a gushing claret river The blood shimmering beneath me was my own. My jaw split slightly enough to taste the salty tang of my demise. Looking down, the once-pale tunic I wore was stained, candied. I open my eyes to see your patient breath escape, confirming the truthful slumber I pray for you. I expect you are told to say the most, so I tell myself through your waiting ear: Love is irrevocably illusory.
0
May 11, 2016
May 11, 2016 at 2:54 PM UTC
River Dream
You come from a line of pleading heavy enough to slam the door, dampen the folds of flannel sheets or a furrowed brow. 'More' I hear your glossy eyes breathe. They've been softened by endless searching Scan after scan. We've made a game of it. We readily laugh at our preposterousness believing love could grasp and stay, the last shriveled grape on a branch smaller than the others. Sweeter, too. What we have precedes us, I say Grimacing since I don't know exactly what I mean by that. Once, in a dream, I walked down a corridor adorned with empty picture frames. It ended at a desert clearing, laced beneath a silver sky. My ears alerted me first: before me lay a jumping cactus before me, embracing a teary coyote softly whimpering a prayer as thousands of needles sunk more securely into its fur. I laughed and still couldn't tell you why. I held my hand more closely to the shadowy breath, every release a firm match to my own. Either to help it or endure its hateful bicuspid sink into my rigid flesh I waved my hand faithfully before the dog. Diverted, the stab of the plant wounded me instead. I awoke, floating down a gushing claret river The blood shimmering beneath me was my own. My jaw split slightly enough to taste the salty tang of my demise. Looking down, the once-pale tunic I wore was stained, candied. I open my eyes to see your patient breath escape, confirming the truthful slumber I pray for you. I expect you are told to say the most, so I tell myself through your waiting ear: Love is irrevocably illusory.
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