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"graveyard" poems
dedicated to all the better poets here... don't know much about a quatrain don't know how to write a refrain, surely could not compose a courtyard elegy maybe after and still untilled, I been buried, 'n checked out the neighborhood competition... as for limerick, that is Dr. Seuss and Ogden Nash's shtick with whom, eye, a believed descendant, cannot compete... Oh dear me,   no ode node-ed within, as for a pastoral, kinda hard to feat, where I live, a pastoral is grass cracks surviving under, breaking through to the other side of concrete and blacktop rulers Maybe one of you will haiku, send us a senryu, send off, see ya! the doc once diagnosed a severe case of inflamed iambic pentametery, with antibiotics and a diet of Hamletery, was cured most satisfactorily this silly pen-man-sinking-ship ain't capable of dat, boy how 'bout an epitaph for a graveyard stone, should be plenty of room... as it will be plenty short... all eye see and all eye know is vignettes that birth in me walking down the street, that's my bread and butter, my soul's delicacies... and moments that recorded here, for a posteriored posterity, as noted in my all my living testaments, drinking and spilling the vin, from the uninvented igniting vignettes that consecrate and connect our knowing each other though odds are we will never meet...we can yet drink together ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ "Don't know much about the French I took. But I do know that I love you, And I know that if you love me, too, What a wonderful world this would be."
0
May 3, 2015
May 3, 2015 at 7:50 AM UTC
why eye drink the vin in vignette (for all the better poets here)
dedicated to all the better poets here... don't know much about a quatrain don't know how to write a refrain, surely could not compose a courtyard elegy maybe after and still untilled, I been buried, 'n checked out the neighborhood competition... as for limerick, that is Dr. Seuss and Ogden Nash's shtick with whom, eye, a believed descendant, cannot compete... Oh dear me,   no ode node-ed within, as for a pastoral, kinda hard to feat, where I live, a pastoral is grass cracks surviving under, breaking through to the other side of concrete and blacktop rulers Maybe one of you will haiku, send us a senryu, send off, see ya! the doc once diagnosed a severe case of inflamed iambic pentametery, with antibiotics and a diet of Hamletery, was cured most satisfactorily this silly pen-man-sinking-ship ain't capable of dat, boy how 'bout an epitaph for a graveyard stone, should be plenty of room... as it will be plenty short... all eye see and all eye know is vignettes that birth in me walking down the street, that's my bread and butter, my soul's delicacies... and moments that recorded here, for a posteriored posterity, as noted in my all my living testaments, drinking and spilling the vin, from the uninvented igniting vignettes that consecrate and connect our knowing each other though odds are we will never meet...we can yet drink together ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ "Don't know much about the French I took. But I do know that I love you, And I know that if you love me, too, What a wonderful world this would be."
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60
The sky is so tragically beautiful; A graveyard of stars.
0
Sep 8, 2014
Sep 8, 2014 at 8:14 PM UTC
Ode to the Night Sky
The sky is A graveyard of stars And I remark Something so tragically beautiful Just like fireworks of art From here to the nearest star And I wish I could lay awake In the night With you And our lingering hearts And tell you all about a tragedy Called life
0
Sep 27, 2019
Sep 27, 2019 at 7:09 AM UTC
In love
have you ever believed in something so blindly so genuinely that the moment you realize it isn't true, something inside you changes forever? i wanna tell you a story, see seldom do i ever go swimming in drinks deep enough to drown in but when i do i speak in tongues about things that none of my memories are allowed to talk about like that christmas at the isthmus where my girlfriend plucked a conch shell whiter than gods teeth out of the sand held it to her ear and stopped time that day she was a shade of blue the could've made the ocean sick see, she loved to play jokes when she held the sea shell to her ear she gasped, called my name and said "i want you to hear this" i said "yeah, right, everybody knows it's just the same old sea" she replied "no. not this one. this one is special. listen. theres music in this one" she handed me the shell like a promise she couldn't keep and i held it to my ear with all the potential of seeing shore after being stranded at sea for years only to hear a tired dirge of silence spill from its emptiness i guess she didn't know how desperately i wanted to hear it too because ever since something inside me snapped now sand pours out of every post card i open i hear seagulls in telephone static sometimes i have dreams where i bury my hands in every beach i've ever been on and exhume this graveyard of noise every time i try to sleep i spit up fishhooks and i guess i'm obsessed but maybe if i hold my ear to enough vacant things then i could have back the time stolen from me since it happened maybe they would get it if they knew what i wanted when i blow out birthday candles maybe they'll find me face down in a wishing well i watch eternal sunshine of the spotless mind every day pretending i can forget too because this sea sickness has followed me for years because yesterday i walked into a music shop and all the pianos broke but the only thing i can think to say is *do you know how bad a memory has to be that you fantasize about forgetting it?*
0
Dec 16, 2014
Dec 16, 2014 at 1:03 PM UTC
measure
have you ever believed in something so blindly so genuinely that the moment you realize it isn't true, something inside you changes forever? i wanna tell you a story, see seldom do i ever go swimming in drinks deep enough to drown in but when i do i speak in tongues about things that none of my memories are allowed to talk about like that christmas at the isthmus where my girlfriend plucked a conch shell whiter than gods teeth out of the sand held it to her ear and stopped time that day she was a shade of blue the could've made the ocean sick see, she loved to play jokes when she held the sea shell to her ear she gasped, called my name and said "i want you to hear this" i said "yeah, right, everybody knows it's just the same old sea" she replied "no. not this one. this one is special. listen. theres music in this one" she handed me the shell like a promise she couldn't keep and i held it to my ear with all the potential of seeing shore after being stranded at sea for years only to hear a tired dirge of silence spill from its emptiness i guess she didn't know how desperately i wanted to hear it too because ever since something inside me snapped now sand pours out of every post card i open i hear seagulls in telephone static sometimes i have dreams where i bury my hands in every beach i've ever been on and exhume this graveyard of noise every time i try to sleep i spit up fishhooks and i guess i'm obsessed but maybe if i hold my ear to enough vacant things then i could have back the time stolen from me since it happened maybe they would get it if they knew what i wanted when i blow out birthday candles maybe they'll find me face down in a wishing well i watch eternal sunshine of the spotless mind every day pretending i can forget too because this sea sickness has followed me for years because yesterday i walked into a music shop and all the pianos broke but the only thing i can think to say is *do you know how bad a memory has to be that you fantasize about forgetting it?*
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84
The distant park Was a graveyard of dead stars. Each streetlight a system of worlds, So many lives between each mote of light, Indistinguishable in their unique love, Bespoke hate, and the drama of the modern age. Drunk laughter behind transparent Double doors. Another hotel balcony, Another cloud behind the canopy Of marijuana eyes To unsettle me from the crowd. She points out, when you look closely You can see the disorder Amongst all constellations Of life and love and litter; Of discarded Coke cans And temporary highs. She says this is not a scene To imbue the ****** of a present mind, More to baulk at the incompletion Of one thousand to-do lists; A million reasons why You should just stay inside. She says you can see the human swell Of ignorance, our city lights Blotting out the stars In a black ocean of broken politic And irretrievable fault lines- Divisions between us all. Lives twisted with professional smiles And eyes lit with stunning indifference. Still, I have felt charity and warmth On the doorstep of lunatics and fascists. I have read the love of life In faces of those who gave up. I have recounted countless artists Who saw beauty In moments that precisely lacked it. I have spent too many nights In anaesthesia, Fleeing each instance of feeling And terror; all the tremors That tell me I am still alive. Continued to stare at the lights Long after her voice And the laughter inside had gone. Heard waves in the traffic. A world so large, so expansive, It can never truly sleep. Every broken heart, Every war-torn land, Every promotion, Every one-night stand. I wonder what would happen If we all stood still. If we all took one moment To observe the motion That unfolds beneath Our static windowsill. If we all took one moment To recover our loss. The wars that we won, The feelings, forgot. The hell we retain; Our paradise, lost.
0
Feb 6, 2017
Feb 6, 2017 at 11:07 AM UTC
Windowsill
The distant park Was a graveyard of dead stars. Each streetlight a system of worlds, So many lives between each mote of light, Indistinguishable in their unique love, Bespoke hate, and the drama of the modern age. Drunk laughter behind transparent Double doors. Another hotel balcony, Another cloud behind the canopy Of marijuana eyes To unsettle me from the crowd. She points out, when you look closely You can see the disorder Amongst all constellations Of life and love and litter; Of discarded Coke cans And temporary highs. She says this is not a scene To imbue the ****** of a present mind, More to baulk at the incompletion Of one thousand to-do lists; A million reasons why You should just stay inside. She says you can see the human swell Of ignorance, our city lights Blotting out the stars In a black ocean of broken politic And irretrievable fault lines- Divisions between us all. Lives twisted with professional smiles And eyes lit with stunning indifference. Still, I have felt charity and warmth On the doorstep of lunatics and fascists. I have read the love of life In faces of those who gave up. I have recounted countless artists Who saw beauty In moments that precisely lacked it. I have spent too many nights In anaesthesia, Fleeing each instance of feeling And terror; all the tremors That tell me I am still alive. Continued to stare at the lights Long after her voice And the laughter inside had gone. Heard waves in the traffic. A world so large, so expansive, It can never truly sleep. Every broken heart, Every war-torn land, Every promotion, Every one-night stand. I wonder what would happen If we all stood still. If we all took one moment To observe the motion That unfolds beneath Our static windowsill. If we all took one moment To recover our loss. The wars that we won, The feelings, forgot. The hell we retain; Our paradise, lost.
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65
Ellie. My name is Ellie. I want to be a writer. I want to be a star. I want to be free. I imagine myself riding on wide open roads, on the back of a motorcycle with a boy who is as much of a ghost as he is a person. I imagine myself dazed in rooms filled with a purple glow. I imagine pills, lust, liquor, leather. I want to live forever and I want to die young. My name is Ellie. I don’t know what home means; I don’t want to. I need people to love me. I will break all of their hearts. I imagine late nights in underground clubs… Marlboro, rock & roll, Howl by Allen Ginsberg–the bible. Tanqueray; falling down in a graveyard muttering in Romanian, hoping for salvation, but while I’m called an angel night after night I’ve got the devil in me. Rosewater runs through my veins, the blood has already been spilt. I won’t ever belong to anyone, not even myself. When you have the knowledge that nothing’s real it’s hard to do what’s expected of you. I relate to flowers a lot. They’re beautiful, but they don’t last. Sometimes no matter how hard you try to take care of them, they just run out of life. I think I ran out of life the day I was born. Everything is nothing. The gods don’t want you to know that, but that is the one truth.
0
Oct 26, 2015
Oct 26, 2015 at 1:43 PM UTC
paramnesia
I take a walk into the parkour graveyard, looking for Polish dealers and cellphone halos. I heard Thoth resides in sobriety, but words fail me whenever you are near. I let my tongue run in endless stutters, disguising 'I love you' as some off-hand request. I could take you to dinner, I could show you a longing without the need for *** This late-night food has lost its flavour. This ***** call never picked up. All that is left is to dial these numbers, and wait by the window for any car but yours. Let's take a walk to the railway bridge. We'll smoke a joint by the open forest. You'll push your breath into mine, make me high, and forget why I ever felt so low.
0
Jun 22, 2014
Jun 22, 2014 at 9:21 PM UTC
High.
the moon lights a bed of frost. the wind a storyteller. are the stars and the sea still there when the sky weeps white? the moon lights a bed of frost. the wind is a storyteller and the griffons know the failure of flesh, flesh and bones and feeling the bones in my crooked nose, I understand sunrise is not a guarantee. the sky weeps white. but the nightingale sometimes sings to me of you in my dreams. ...(if the nightingale sings of me then know I hear her too.)
0
Sep 11, 2025
Sep 11, 2025 at 10:20 PM UTC
a walk through a graveyard
Too much, too fast. Breathless at a stoplight. change fast must go I HAVE NO TIME everything/everything/today/tomorrow Always with the rushing, barely feeling, barely knowing where I am. Now there's nothing. It's a break, slow and stale. What do I do? There are four or five things maybe but none feel right and I can't bring myself to move. I try one thing, then another. No drive, meaning, purpose, feeling. Not even my eyes can focus on anything. Skipping, blinking, nothing. Slow. Give me back the whirlwind, or give me gravelike nothing. Nothing is right. I need power to feel and peace to fight or I am already dead. Please. I'm trusting You. Please.
0
Aug 17, 2018
Aug 17, 2018 at 10:21 PM UTC
Whirlwind and Graveyard Calm
The ocean, oh it looked so blue, shades of colour swimming around like clouds around the moon, The water, oh it looked so clean, but it was just the sun's reflection making it clear, Underneath the waves lay a graveyard, a promise of death, a promise of extinction, Tombs made of plastic, slathered in oil, steaming with toxic waste, and all the people know, The damage is unfolding faster than we are evolving, The turtles are ingesting plastic as if it were their only meal, begging for their fins to just be free, so they can dive through the sea, The seals are tangled in nets, lines and lures, plastic bags and packing bands, till they're tied to their grave as if life were just a brief phase, The seabirds skim the ocean waves for fish and squid, yet plastic is their only catch of the day, leaving them broken inside and out, and dead on the beaches we claim are our own, The whales are submerged beneath the sea, eating most things that they see, plastic, plastic everywhere beneath, not giving them much time before they can no longer breathe, The dolphins are gliding through the sea, taking what they can to eat, plastic as their only meal, tearing them apart from within, leaving them starving for weeks, till the grave is the only thing they see, Us humans are so weak, we can’t see how deep the pain seeps, but when nothing is left for us to eat, and the rich have nothing left to steal, we’ll end in the same graves as all the lives we could have healed.
0
Jan 23, 2019
Jan 23, 2019 at 12:16 PM UTC
The oceans and the seas
This one goes to the real poets. To those who decide to carry the world on their own. To those who carry hell in their head and a graveyard of lost love stories in their heart To the brave ones who fight darkness with darkness. Tho those who the only answer they seek from a god is if there's eternal life for their loved ones, because they know there's no space for them in that paradise. To those who know that suffering is the most humane feeling there is. To those who loved and hated the wrong person. This goes to Lorca isolated, hiding in a closet in New York. To Unamuno craving to believe in something impossible. To Quiroga drinking the poison of his sorrow at a hospital. To Becquer and Espino for dying so young. To Neruda for cheating on himself so many times. To Machados' lost spirit. To Marquez and his melancholic ****** To Poe's tormented soul and his raven. To Shakespeare and his Juliet. To Dante and his story of woe. This goes for the only beings who can live with a hell inside of them, and still manage to write heavenly things for those in need to read. This one's for us.
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Nov 14, 2015
Nov 14, 2015 at 7:33 PM UTC
This One Is For Us
I was such a beautiful child, With my shoulder lengths of Sun bleached barley. Smiled little pearl soldiers in Line. Old glassesless ladies Took me for Girlchild. But I grew twisted like an Appletree around a Graveyard path Lightpost. Teeth came out crooked. Hair fell out at thirteen. I was big for my age; Grew other hair in places I never knew I would. My voice broke as if in Sorrow over the child Inside that had Died. After that I spoke as if Into a bucket. Sometimes I catch my father Gazing at me through a slight veil Of grievance for that same Child. I would never dream To blame him.
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May 24, 2014
May 24, 2014 at 11:35 AM UTC
Child Inside That Had Died
i can feel you distancing yourself from me i can feel continental drift i wonder, do the shoes you wear to run from me have holes in them? or do you go barefoot careful not to make a sound in your retreat. "cover your tracks & don't look back" i imagine your demons whisper daily as you are growing fond of me i wonder if your heart puts up a fight when you want to see me or if it's a massacre & the demons dance on dreams you have of us holding hands do you wander to your car only to find yourself back in bed? do you put your makeup on just to take if off again?   is your imagination of me a graveyard, or a pair of open arms that are inches away but just out of reach? you see, what i've been so afraid to tell you for so long, why i feign sometimes before speaking careful not to tell you all my unspoken promises, it has to do with the night you had your head on my chest and confessed you never thought my heart could beat like hummingbird wings: i apologize for my silence what i've been trying to say is that my heart hasn't slowed down since the day we drank coffee together continents apart
0
Apr 11, 2014
Apr 11, 2014 at 11:00 PM UTC
heart murmur kept in a coffee can
this door exists, stately and staunchly it stands, disheartening and terrifying it remains. the door is unlocked, yet cannot be opened, for in it, a path in time... one decision that can affect everything [such as my choice to wear the necklace you adore, which lead to you noticing me for the very first time, or my idea to play you the song that you fell in love with, which i can no longer listen to] ...for in this door, one path is intimidatingly located. every bone in my body, every last muscle, tendon, ligament each artery, each vein, each capillary every single nerve, even each microscopic cell, implores me not to open this tempting door... [it is almost as if my hand refuses to grasp the handle, to unleash the unknown upon me, the colossal chain of events that would ensue] the immensity of the unfamiliar, the unexplored, tends to perturb me. change is unnerving and is almost as chilling as an abandoned graveyard at midnight. but i bring my mind back to the door, yes! this preposterous door that i have contrived for myself. why is the **** so easily turned? why does it not put up somewhat of a fight, at least jolt me suddenly, as to frighten my curious heart? it is a constant battle between my body my mind and my heart as to which doors to open and which ones to leave ever so steadfastly closed. but never once has there been such a struggle for them to reach an understanding. somehow my heart, [even though a fraction of me, a fist, dripping in blood] is prevailing for the moment. my heart reaches for the handle, attempts to unclose the door... yet, with the best of its ability, withstanding my strong-willed and obstinate heart, my powerful body and commanding mind overcome this hostile takeover, and the door remains shut. it is my body, my skillful mouth, my soft, rose lips, my elegant tongue, and my vocal chords... all of these pieces must contrive the words, conceive the change, which will unveil the path that will forever alter us... slowly, opening the door. being as in love with you as i am, i will not let you slip away from my arms right now. but when we are not together [*i wish you’d have been there, i needed you there*] i stare at this humbling door. if i wait too long, i’ll forever lose you; for it is you who will make this choice for me, opening your own door, fearless and dauntless.
0
Nov 11, 2012
Nov 11, 2012 at 2:40 AM UTC
The Door
this door exists, stately and staunchly it stands, disheartening and terrifying it remains. the door is unlocked, yet cannot be opened, for in it, a path in time... one decision that can affect everything [such as my choice to wear the necklace you adore, which lead to you noticing me for the very first time, or my idea to play you the song that you fell in love with, which i can no longer listen to] ...for in this door, one path is intimidatingly located. every bone in my body, every last muscle, tendon, ligament each artery, each vein, each capillary every single nerve, even each microscopic cell, implores me not to open this tempting door... [it is almost as if my hand refuses to grasp the handle, to unleash the unknown upon me, the colossal chain of events that would ensue] the immensity of the unfamiliar, the unexplored, tends to perturb me. change is unnerving and is almost as chilling as an abandoned graveyard at midnight. but i bring my mind back to the door, yes! this preposterous door that i have contrived for myself. why is the **** so easily turned? why does it not put up somewhat of a fight, at least jolt me suddenly, as to frighten my curious heart? it is a constant battle between my body my mind and my heart as to which doors to open and which ones to leave ever so steadfastly closed. but never once has there been such a struggle for them to reach an understanding. somehow my heart, [even though a fraction of me, a fist, dripping in blood] is prevailing for the moment. my heart reaches for the handle, attempts to unclose the door... yet, with the best of its ability, withstanding my strong-willed and obstinate heart, my powerful body and commanding mind overcome this hostile takeover, and the door remains shut. it is my body, my skillful mouth, my soft, rose lips, my elegant tongue, and my vocal chords... all of these pieces must contrive the words, conceive the change, which will unveil the path that will forever alter us... slowly, opening the door. being as in love with you as i am, i will not let you slip away from my arms right now. but when we are not together [*i wish you’d have been there, i needed you there*] i stare at this humbling door. if i wait too long, i’ll forever lose you; for it is you who will make this choice for me, opening your own door, fearless and dauntless.
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71
It was a graveyard and overcast sky and I sat with book and accordian in hand, hearing the world with its screams swallow up around me. The people whom I had loved and lost, Papa with his silver eyes Mama her sharp tongue and tough love Rudy whose hair the colour of lemons and questioned why, the living and dead, worlds apart, yet both did not have a choice. I stood and screamed so that everything shook the burning rubble and ash and dust willing my words to bring it all back but it did not come, and my breath rose in gasps. Death had looked me in the eye and said, “It’s not time yet.” I would shut my eyes to the world only decades later. I will understand that there was hate and pain there was sadness but even more so, there was love and joy. I will know that the people I loved had reason to kiss goodbye whether it was their own hurt or saw it as a necessity, but they were never truly gone from me always somewhere nearby, in the thick and thin frail and worn of times. I would learn to forgive Death that day. I will understand that and I will be hurt, but I will be okay. ~ *Not all deaths are sad. Some, meant to ease their own pain, Are called freedom. While some, Meant to ease the pain of others, Are called love.* © BT
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Aug 12, 2017
Aug 12, 2017 at 7:48 PM UTC
Death | A Story By Liesel Meminger
Blind Willie Johnson strums six strings a day He drinks with the woman who taught him to play He spells out his secrets in the songs that he sings And breathes his life onto six rusty strings Blind Willie Johnson brings home the blues Blind Willie Johnson will wail the blues to you The brothel he grew up in is tearing down the walls He's got so many memories of those smokey halls His mama could be there or she could be dead He's got no pictures, just anecdotes instead Blind Willie Johnson said he don't know a thing Except for the truth in the blues that he sings Blind Willie Johnson ain't really blind at all He's just got those gray eyes from years of alcohol He stares into the smoke of a Friday night crowd Who stare back at him as his stories ring out Blind Willie Johnson doesn't cover up a thing Listen to his pain in the blues that he sings "Blind Willie Johnson" reads the graveyard stone Under the blanket of the sky, Willie rests alone Though his voice is lost underneath the ground The world will never forget Blind Willie's sound Blind Willie Johnson sang the way he felt He never complained about the hand he was dealt
0
Dec 6, 2015
Dec 6, 2015 at 12:59 AM UTC
Blind Willie Johnson
some churches have bones, and a graveyard for all the prayers god didn't answer
0
Nov 6, 2016
Nov 6, 2016 at 11:00 PM UTC
bones
I live in the birth of Nintendo vs Sony vs Sega Trying to beat that high score in the Street Fighter and Mortal Kombat Combat with a K That innovative **** I survived the destruction of Sega Dreamcast As they became third party And Microsoft took their place with Xbox and Ninja Gaiden Alive from that old arcade I live in the awing of the interactive Wii And internet friendly Playstation 3 I also live in the original Mario Bros and Pac Man and... Terminator vs. Robo-Cop Yea I bet you don't remember that one Or Galaga or Excitebike Or even that good old Asteroid, space dodging, alien blasting Spacce Invaders! Yea, I'm from Nintendoland No... Segaworld Nah... Sony City Nu uhn... Microsoft... Can't even think of a place for that I am from that video gamer nation That fight, hack, slash, race, create, explore, role-play Even play those insane sports See I'm from that... See, I am from that... I am from that Video gamer heaven descended That has that powerful curiosity and love for that Space Invaders! No That love for all video games And that memory of the ****** game graveyard Where E.T. now resides... See, I'm part of the new gen Trying to play Street Fighter 4, Final Fantasy XIII, Star Ocean Saying "I go harder than you young bloods cause I played Space Invaders!" So, what era am I from? I'm from the era of all gamers Playing Space Invaders Space Invaders! I'm from the "Game of the Year goes to..." Mario, Tekken, Metal Slug Namco, Sega, Bandai, Konami All those companies that started as something else But realized their calling was for our nation Cause you see I'm from that Old school Nintendo New School Wii Old school Playstation New school PS3 Old school Sega New school Microsoft 360 I'm from a legacy that always succeeds in giving us dreams That always seem to revert back to that Old school Asteroid, space dodging, alien blasting Space Invaders!!!!!
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Apr 27, 2013
Apr 27, 2013 at 3:39 PM UTC
Space Invaders
I live in the birth of Nintendo vs Sony vs Sega Trying to beat that high score in the Street Fighter and Mortal Kombat Combat with a K That innovative **** I survived the destruction of Sega Dreamcast As they became third party And Microsoft took their place with Xbox and Ninja Gaiden Alive from that old arcade I live in the awing of the interactive Wii And internet friendly Playstation 3 I also live in the original Mario Bros and Pac Man and... Terminator vs. Robo-Cop Yea I bet you don't remember that one Or Galaga or Excitebike Or even that good old Asteroid, space dodging, alien blasting Spacce Invaders! Yea, I'm from Nintendoland No... Segaworld Nah... Sony City Nu uhn... Microsoft... Can't even think of a place for that I am from that video gamer nation That fight, hack, slash, race, create, explore, role-play Even play those insane sports See I'm from that... See, I am from that... I am from that Video gamer heaven descended That has that powerful curiosity and love for that Space Invaders! No That love for all video games And that memory of the ****** game graveyard Where E.T. now resides... See, I'm part of the new gen Trying to play Street Fighter 4, Final Fantasy XIII, Star Ocean Saying "I go harder than you young bloods cause I played Space Invaders!" So, what era am I from? I'm from the era of all gamers Playing Space Invaders Space Invaders! I'm from the "Game of the Year goes to..." Mario, Tekken, Metal Slug Namco, Sega, Bandai, Konami All those companies that started as something else But realized their calling was for our nation Cause you see I'm from that Old school Nintendo New School Wii Old school Playstation New school PS3 Old school Sega New school Microsoft 360 I'm from a legacy that always succeeds in giving us dreams That always seem to revert back to that Old school Asteroid, space dodging, alien blasting Space Invaders!!!!!
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63
In 2005 The Piano Man was found wandering the streets of Sheerness in a soaking wet suit and tie he didn't say a word. When presented with pad and pen he simply drew a grand piano. His nurses sat him in front of a beat up old upright he played for four hours straight; for four months his hands were the only things to break his silence. Alexandre Dumas said "man will never be perfect until he learns to create and destroy." Do you ever think about how Beethoven hacked the legs off his piano so he could feel the sounds he couldn't hear in his head, through his chest? And Van Gogh heard the sounds his paintings made but kept going until his sanity was just a memory floating on a distant river under a tired Milky Way. And you see, like a Gaelic folk song blindness runs red through my family, so I know it's not much but I'm here, still trying to mould my hands to say the right form of 'I love you'. And did you know that the human heart beats over 30 million times a year, but we still have a hard time keeping our feet on the ground? And did you know that the act of breaking in a horse is actually the act of breaking it's back? Like we can't sit without sitting on broken things. And did you know that every time a mobile phone sends out a GPS signal a bee loses it's way home, and every bee that doesn't reach it's hive dies? So on nights when your pulse matches the beat of my favourite song you don't have to wonder if it's me matching the syncopation of your silence -- and I wonder if you ever found what you were looking for. And I wonder if you realise that on days you're not here I roll up my sleeves, count the beats without you, sit on the backseat and miss you. And somewhere The Piano Man rolls up his sleeves creates the Big Bang under his fingertips. And in 2005 on an April morning in Sheerness, a suited piano man walks straight into the ocean, begs the current to take him. I send you a message a bee loses it's way home. I send you another another bee dies. My chest cavity is a bumble bee crypt, my tongue a honeyed graveyard. Another message. The Big Bang. The hive. A suit. That ocean. Another back is broken. Another message is sent. I fear I am more honeycomb than heart. To create is to destroy. To destroy is to succeed. And would you just look at what these piano hands have finally done.
0
Apr 17, 2014
Apr 17, 2014 at 1:28 PM UTC
The Piano Man
In 2005 The Piano Man was found wandering the streets of Sheerness in a soaking wet suit and tie he didn't say a word. When presented with pad and pen he simply drew a grand piano. His nurses sat him in front of a beat up old upright he played for four hours straight; for four months his hands were the only things to break his silence. Alexandre Dumas said "man will never be perfect until he learns to create and destroy." Do you ever think about how Beethoven hacked the legs off his piano so he could feel the sounds he couldn't hear in his head, through his chest? And Van Gogh heard the sounds his paintings made but kept going until his sanity was just a memory floating on a distant river under a tired Milky Way. And you see, like a Gaelic folk song blindness runs red through my family, so I know it's not much but I'm here, still trying to mould my hands to say the right form of 'I love you'. And did you know that the human heart beats over 30 million times a year, but we still have a hard time keeping our feet on the ground? And did you know that the act of breaking in a horse is actually the act of breaking it's back? Like we can't sit without sitting on broken things. And did you know that every time a mobile phone sends out a GPS signal a bee loses it's way home, and every bee that doesn't reach it's hive dies? So on nights when your pulse matches the beat of my favourite song you don't have to wonder if it's me matching the syncopation of your silence -- and I wonder if you ever found what you were looking for. And I wonder if you realise that on days you're not here I roll up my sleeves, count the beats without you, sit on the backseat and miss you. And somewhere The Piano Man rolls up his sleeves creates the Big Bang under his fingertips. And in 2005 on an April morning in Sheerness, a suited piano man walks straight into the ocean, begs the current to take him. I send you a message a bee loses it's way home. I send you another another bee dies. My chest cavity is a bumble bee crypt, my tongue a honeyed graveyard. Another message. The Big Bang. The hive. A suit. That ocean. Another back is broken. Another message is sent. I fear I am more honeycomb than heart. To create is to destroy. To destroy is to succeed. And would you just look at what these piano hands have finally done.
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42
The moon has never been so blue upon my feet, the flowers bloom. I'm standing with stone all around. I'm surrounded by space that shouldn't be. Your arms used to fall over me and now I've never been so cold before. The night you walked into the forest I started crying with the wild wolves. I've been running around the woods looking and howling for you but I knew the trees would never lead me to you. Lay me down to rest because I can no longer hear your heartbeat that used to be louder than a soldier's gun. I've walked miles and I have not slept. Until the day I heard the moon started crying, and that was the day the trees created a path just for me. I walked with numb bones to a graveyard of lost loves. I have forgotten how to breathe. I have forgotten how to speak. I never knew your lungs were tired and your eyes were so heavy. You prayed to the forest to take you and now you're at peace. Life was hard, and the sun never shined for you. But now I can stop crying to the woods and I can stop bleeding with the moon because you're somewhere up there in the blue.
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Feb 23, 2014
Feb 23, 2014 at 4:27 PM UTC
Woods
navigator’s balcony cocktail hour rocket orbit ocean liner rising clenched no teeth no guernica no bam bam bam correspondent notary republic address book dial figure 8 charred with a thousand jigsaw pieces false as a beach chiaroscuro black on black graveyard womb naked milk glass lit footprint tourism by candlelight and flare vaccination fatigue puke fingernail fish moving a bandaged echo **** him **** her familiar bell music **** them both **** them all stretched shirtsleeves spanish toffee slashed tires (failure as a painter he shaved his wife’s fur coat) bust your ***** Barcelona red alert knock-kneed broken squeezebox no hands standing room only ladies first (please) unbuttoned interrogation coffee rolls (stop) marine’s vegetation (stop) early morning tea (stop) armless menus (stop) pink cathedral fingers (stop) and (begin again) move we move moving inside an eye this eye that advances step by step
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primary colors
i stand in a graveyard. i see, though i am blinded by the past. i see millions of tombstones surrounding me, each one has words i dare not read. i am scared, and i am alone. though i am not alone, there are ghosts who hold faces that are familiar around me. they tell me that the light shall come soon. they promise me this. i do not believe them, i have been fooled too many times. and as i walk throughout this graveyard i come to a realization; no matter how many ghosts stand by my side, i am the only one who is of real flesh and bone. who stands above the ground and not beneath it. i cannot come to terms if this is good or not.
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Feb 25, 2018
Feb 25, 2018 at 2:18 PM UTC
to be alive, but to feel dead
In the sky there is nobody asleep. Nobody, nobody. Nobody is asleep. The creatures of the moon sniff and prowl about their cabins. The living iguanas will come and bite the men who do not dream, and the man who rushes out with his spirit broken will meet on the street corner the unbelievable alligator quiet beneath the tender protest of the stars. Nobody is asleep on earth. Nobody, nobody. Nobody is asleep. In the graveyard far off there is a corpse who has moaned for three years because of a dry countryside on his knee; and that boy they buried this morning cried so much it was necessary to call out the dogs to keep him quiet. Life is not a dream. Careful! Careful! Careful! We fall down the stairs in order to eat the moist earth or we climb to the knife edge of the snow with the voices of the dead dahlias. But forgetfulness does not exist, dreams to not exist; flesh exists. Kisses tie our mouths in a thicket of new veins, and whoever his pain pains will feel that pain forever and whoever is afraid of death will carry it on his shoulers. On day the horses will live in the saloons and the enraged ants will throw themselves on the yellow skies that take refuge in the eyes of cows. Another day we will watch the preserved butterflies rise from the dead and still walking through a country of gray sponges and silent boats we will watch our ring flash and roses spring from our tongue. Careful! Be careful! Be careful! The men who still have marks of the claw and the thunderstorm, and that boy who cries because he has never heard of the invention of the bridge, or that dead man who possess now only his head and a shoe, we must carry them to the wall where the iguanas and the snakes are waiting, where the bear's teeth are waiting, where the mummified hand of the boy is waiting, and the hair of the camel stands on end with a violent blue shudder. Nobody is sleeping in the sky. Nobody, nobody. Nobody is sleeping. If someone does close his eyes, a whip, boys, a whip! Let there be a landscape of open eyes and bitter wounds on fire. No one is sleeping in this world. No one, no one. I have said it before. No one is sleeping. But if someone grows too much moss on his temples during the night, open the stage trapdoors so he can see in the moonlight the lying goblets, and the poison, and the skull of the theatres.
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9.3k
City That Does Not Sleep
In the sky there is nobody asleep. Nobody, nobody. Nobody is asleep. The creatures of the moon sniff and prowl about their cabins. The living iguanas will come and bite the men who do not dream, and the man who rushes out with his spirit broken will meet on the street corner the unbelievable alligator quiet beneath the tender protest of the stars. Nobody is asleep on earth. Nobody, nobody. Nobody is asleep. In the graveyard far off there is a corpse who has moaned for three years because of a dry countryside on his knee; and that boy they buried this morning cried so much it was necessary to call out the dogs to keep him quiet. Life is not a dream. Careful! Careful! Careful! We fall down the stairs in order to eat the moist earth or we climb to the knife edge of the snow with the voices of the dead dahlias. But forgetfulness does not exist, dreams to not exist; flesh exists. Kisses tie our mouths in a thicket of new veins, and whoever his pain pains will feel that pain forever and whoever is afraid of death will carry it on his shoulers. On day the horses will live in the saloons and the enraged ants will throw themselves on the yellow skies that take refuge in the eyes of cows. Another day we will watch the preserved butterflies rise from the dead and still walking through a country of gray sponges and silent boats we will watch our ring flash and roses spring from our tongue. Careful! Be careful! Be careful! The men who still have marks of the claw and the thunderstorm, and that boy who cries because he has never heard of the invention of the bridge, or that dead man who possess now only his head and a shoe, we must carry them to the wall where the iguanas and the snakes are waiting, where the bear's teeth are waiting, where the mummified hand of the boy is waiting, and the hair of the camel stands on end with a violent blue shudder. Nobody is sleeping in the sky. Nobody, nobody. Nobody is sleeping. If someone does close his eyes, a whip, boys, a whip! Let there be a landscape of open eyes and bitter wounds on fire. No one is sleeping in this world. No one, no one. I have said it before. No one is sleeping. But if someone grows too much moss on his temples during the night, open the stage trapdoors so he can see in the moonlight the lying goblets, and the poison, and the skull of the theatres.
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49
Millennials at Work and War Scorn not the snowflake who stands watch for us Now thrown into the existential struggle Surrendering their youth and taking up life They muster in the fields and factories And in their elders’ undeclared, shadowy wars Uniformed in an unappreciated sense Of duty and dignity while scorned by those Who take their ease upon the couches of sloth And fling cheap mockery at millennials Who take up tools and work and love of life Sometimes to die in deserts still unmapped While generals dismiss their casualties as light Despised as snowflakes by keyboard commandos Who never got closer to any war Than a John Wayne ketchup-bloody movie. Some work long double shifts through university In a sawmill, shop, or fast foodery Only to be dismissed as slacker layabouts, But expected to trust those who condemn them For not being the greatest generation As defined by those who never served at all And while being criticized they will grab A quick cup of coffee for the night shift Staffing the hospitals and police patrols That keep their sneering critics alive and safe They drive the trucks, they man the ships, they work They drill for oil, these useless millennials While idlers lounge long in the coffee shops And YooToob computered jokes about them Millennials have no time for coloring books Or comfort animals or revolution For they are weary with study and work The best of them make no demands, but, sure A little respect, hard-earned, would be nice If only the scripted singer-songwriters Would pack up the tired old stereotypes And see millennials as they truly are But darkness falls – they must go back to work On the eleven-seven, the graveyard shift They do not burn draft cards or Medicare cards Instead through work they illuminate this world And build it up with continued sacrifice Scorn not the snowflake who stands watch for us
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Dec 13, 2016
Dec 13, 2016 at 4:39 PM UTC
Millennials at Work and War
Millennials at Work and War Scorn not the snowflake who stands watch for us Now thrown into the existential struggle Surrendering their youth and taking up life They muster in the fields and factories And in their elders’ undeclared, shadowy wars Uniformed in an unappreciated sense Of duty and dignity while scorned by those Who take their ease upon the couches of sloth And fling cheap mockery at millennials Who take up tools and work and love of life Sometimes to die in deserts still unmapped While generals dismiss their casualties as light Despised as snowflakes by keyboard commandos Who never got closer to any war Than a John Wayne ketchup-bloody movie. Some work long double shifts through university In a sawmill, shop, or fast foodery Only to be dismissed as slacker layabouts, But expected to trust those who condemn them For not being the greatest generation As defined by those who never served at all And while being criticized they will grab A quick cup of coffee for the night shift Staffing the hospitals and police patrols That keep their sneering critics alive and safe They drive the trucks, they man the ships, they work They drill for oil, these useless millennials While idlers lounge long in the coffee shops And YooToob computered jokes about them Millennials have no time for coloring books Or comfort animals or revolution For they are weary with study and work The best of them make no demands, but, sure A little respect, hard-earned, would be nice If only the scripted singer-songwriters Would pack up the tired old stereotypes And see millennials as they truly are But darkness falls – they must go back to work On the eleven-seven, the graveyard shift They do not burn draft cards or Medicare cards Instead through work they illuminate this world And build it up with continued sacrifice Scorn not the snowflake who stands watch for us
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I am Katniss Everdeen. I volunteered for my sister in The Hunger Games. I survived, so did Peeta. I know the Capitol hates me. I am a rebel. I love Peeta. I wonder if he is alive. I am the mockingjay, symbol of all rebels. I killed President Coin because she killed Prim. I live in District 12 now. I have 2 kids. I watch them play in the meadow, the unknown graveyard. I am Katniss Everdeen. written by maegan cattermull
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Sep 19, 2012
Sep 19, 2012 at 7:51 PM UTC
I am Katniss