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"grammatical" poems
Golden Valleys, Growing Naturally <> This is a Logo in Ireland, Dairygold™ is the company. I would safely say, that there is hardly an acre in rural Ireland devoid of some form of artificial fertilisers, pesticides, herbicides or fungicides. (Ireland is riddled with consumer cancer) If the Logo was written as follows, a comma between Growing & Naturally plus an exclamation mark ! which should really be a question mark ? (in the absence of the comma between Valleys & Growing) i.e. Golden Valleys, Growing, Naturally! or ? Then it might pass. Let's see if we can force them to change it and by doing so, it will highlight the fraudulent practice of duping consumers with blatant grammatical omissions and the wordplay illusion by clever marketers. (Well, perhaps not as clever as they thought) ps. I spent all morning, wondering should they be a comma in the last paragraph, in the afternoon, I removed it. Oscar Wilde.
0
Jan 8, 2019
Jan 8, 2019 at 3:27 AM UTC
Consumer Cancer
but have you noticed, have you noticed how  all mental health problems stem form a seemingly aether virus that attacks the pronoun category; i mean with proper justifiable schizoids you will not hear of the nouns being ransacked for an equation that equates itself to misnomers; it's all categorised negation of ease within the framework of pronouns. it's strange that philosophers stress the pronouns so much these days and those countless prior, but why do mental health diseases attack the pronouns and not the nouns? they attack the verbs thoroughly, but prior to the verbs exposing an illness the pronouns are attacked, so that many considering the singularity of expressing thought are ill because of being forced into a plural expression of thought: "voices." i find it hard to understand, but it's the reality, the aether virus attacks the pronoun on the backdrop of a king's casual expression / use of pronouns, when a king casually says of himself as omni or multi with one and we respectively; so why are pronouns so weak and nouns so strong that a tree cannot be a misnomer attaché of timber and rock not a pillar, or mountain as the verb: mountaineering? the pronoun category is weak from day one, because it suggests photographic duck animation on the lip pursed into a quack quack, but if we constructed thought without knowledge prior, eating the fruit of knowledge rather than the fruit of thought, using the starting point of the genesis metaphor, it's sometimes a no brainer to have weak thinking and strength in knowing, for if there was strength in thinking and weakness in knowing, i'd be the one chiseling these words in the ice age on a cavern wall. so, given, that diseases such as the famed premature dementia attack the pronouns but not the nouns the schizoid one will convene life with: pizza is pizza and sunshine ray down the drain clock the millionth dead parting of grasshoppers in decimals - while man unto man lusts one man's parting in decimals, but should dire said, part man with integers, and insects with decimals! but still, in the terminology of a cartesian understanding of illness, in that segregational aspect of things "sorted," why are mental illnesses tattooed in a weak pronoun usage compared to a strength in other grammatical categories? why are not mental illnesses ******* the life out of the nouns? the nouns are intact, the pronouns attacked, and the verbs chess piece the pawn from the casually speaking clown king into a beast imprisoned, for while the pronouns are attacked and the nouns left intact, the attack on pronouns expresses itself fully in verbs of the never existent tact: with such magic as to claim knock knock on plank is the same as knock knock on veneer.
0
Sep 18, 2015
Sep 18, 2015 at 7:58 PM UTC
plank v. veneer via grasshoppers
but have you noticed, have you noticed how  all mental health problems stem form a seemingly aether virus that attacks the pronoun category; i mean with proper justifiable schizoids you will not hear of the nouns being ransacked for an equation that equates itself to misnomers; it's all categorised negation of ease within the framework of pronouns. it's strange that philosophers stress the pronouns so much these days and those countless prior, but why do mental health diseases attack the pronouns and not the nouns? they attack the verbs thoroughly, but prior to the verbs exposing an illness the pronouns are attacked, so that many considering the singularity of expressing thought are ill because of being forced into a plural expression of thought: "voices." i find it hard to understand, but it's the reality, the aether virus attacks the pronoun on the backdrop of a king's casual expression / use of pronouns, when a king casually says of himself as omni or multi with one and we respectively; so why are pronouns so weak and nouns so strong that a tree cannot be a misnomer attaché of timber and rock not a pillar, or mountain as the verb: mountaineering? the pronoun category is weak from day one, because it suggests photographic duck animation on the lip pursed into a quack quack, but if we constructed thought without knowledge prior, eating the fruit of knowledge rather than the fruit of thought, using the starting point of the genesis metaphor, it's sometimes a no brainer to have weak thinking and strength in knowing, for if there was strength in thinking and weakness in knowing, i'd be the one chiseling these words in the ice age on a cavern wall. so, given, that diseases such as the famed premature dementia attack the pronouns but not the nouns the schizoid one will convene life with: pizza is pizza and sunshine ray down the drain clock the millionth dead parting of grasshoppers in decimals - while man unto man lusts one man's parting in decimals, but should dire said, part man with integers, and insects with decimals! but still, in the terminology of a cartesian understanding of illness, in that segregational aspect of things "sorted," why are mental illnesses tattooed in a weak pronoun usage compared to a strength in other grammatical categories? why are not mental illnesses ******* the life out of the nouns? the nouns are intact, the pronouns attacked, and the verbs chess piece the pawn from the casually speaking clown king into a beast imprisoned, for while the pronouns are attacked and the nouns left intact, the attack on pronouns expresses itself fully in verbs of the never existent tact: with such magic as to claim knock knock on plank is the same as knock knock on veneer.
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45
Practicality is the reality of ignominious totality the devices of all sizes and the grammatical mentality of systematic duality. Punctuation is the ********** the *********** of every generation the permutation and saturation of wordsmith temptation for re-calibration the aberration and consternation that leads to misinformation and condemnation and annihilation of the constellation colloquial conversation the abomination of language urbanization the fermentation and ionization of linguistic complications the desolation of commas and semi-colons the affirmation of their vs they're the augmentation of amalgamation is just the lyrical ************ of a hooded basketball top nation the culmination of devastation the gestation and interpolation that leads to appreciation isolation and justification acceleration the modification and assimilation of poorly-worded implementation and the contamination of myriad exploration alienation in illumination punctuation is the salvation of documentation against the tides of violation and the extermination of regurgitation the classification of discrimination and last but not least the liberation of misrepresentation.
0
Jul 3, 2014
Jul 3, 2014 at 10:49 AM UTC
Linguistic Augmentation
Oh let’s sing Church bells ring Dingaling ling. Sing out loud Boldly and proud Enormous crowd. Hear those chants You debutants Some breathless pants. Poetry starts here, Perhaps with a beer Ask Shakespeare. Oral tradition An ongoing mission So start the audition. A memorable rhyme Lasts for all time Let’s make it chime. Free verse is still fine Bring in the wine And vary the line. Who cares if it scans You grammatical fans We don’t need your plans. So free up your souls Whatever your goals And loose those controls. Yes let your heart sing A bird on the wing Tingaling ling. If singing’s your thing Think what you’ll bring Tingaling ding. Paul Butters © PB 7\9\2018.
0
Sep 7, 2018
Sep 7, 2018 at 4:44 AM UTC
Sing
i just lamented a more complex version of this; i just cannot believe we denote the same thing in order to share an understanding of the same by denoting as such, but when acting we feel so differently about it; imagine the noun iran in the mouth of an american, then picture the verbs subsequent... then imagine the noun america in the mouth of an iranian, then picture the verbs subsequent: words hold as much emotion as actions discard, even though the actions are worded, and the words are almost imaginary when concerned with what iraq was when given belshazzar. i wonder if as many people would **** or die for the noun apple, as they do for allah - say the noun apple... apple apple apple long enough... will you get apple juice? well no, so if you keep on saying the noun allah allah... will that thing materialise? the imaginary atheistic sense of the word allah, is that humanity turned the noun allah into a verb of its own chosing due to man's free will, i.e., say allah casually over coffee, now say allah in jihad clothing... the same noun among diverse verbs... might as well invent a new grammatical category of nouns and verbs mingling... nouverbs... what noun invokes what action, consolidated in what are excesses of adjectives, given the quality of a life lived - the man who casually said the noun allah in a coffee shop in denmark managed to integrate into danish society and start up a newspaper... the man in syria who "casually" said the noun allah in a coffee shop in syria didn't manage the former... because his orientation of the noun changed the path of the sequence of nouns / beheaded nuns, since the cutting of the word verb, managed to craft non-verbum-ergo-actio. in defence of avoiding one’s own mortality, one speaks against one’s own death, thus one speaks with the enemy of the people one shares a life with, for a fake chance of the feeling of prolonging.
0
Dec 16, 2015
Dec 16, 2015 at 8:53 PM UTC
2nd imagism
i just lamented a more complex version of this; i just cannot believe we denote the same thing in order to share an understanding of the same by denoting as such, but when acting we feel so differently about it; imagine the noun iran in the mouth of an american, then picture the verbs subsequent... then imagine the noun america in the mouth of an iranian, then picture the verbs subsequent: words hold as much emotion as actions discard, even though the actions are worded, and the words are almost imaginary when concerned with what iraq was when given belshazzar. i wonder if as many people would **** or die for the noun apple, as they do for allah - say the noun apple... apple apple apple long enough... will you get apple juice? well no, so if you keep on saying the noun allah allah... will that thing materialise? the imaginary atheistic sense of the word allah, is that humanity turned the noun allah into a verb of its own chosing due to man's free will, i.e., say allah casually over coffee, now say allah in jihad clothing... the same noun among diverse verbs... might as well invent a new grammatical category of nouns and verbs mingling... nouverbs... what noun invokes what action, consolidated in what are excesses of adjectives, given the quality of a life lived - the man who casually said the noun allah in a coffee shop in denmark managed to integrate into danish society and start up a newspaper... the man in syria who "casually" said the noun allah in a coffee shop in syria didn't manage the former... because his orientation of the noun changed the path of the sequence of nouns / beheaded nuns, since the cutting of the word verb, managed to craft non-verbum-ergo-actio. in defence of avoiding one’s own mortality, one speaks against one’s own death, thus one speaks with the enemy of the people one shares a life with, for a fake chance of the feeling of prolonging.
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31
I. This is just another bad poem Just vomited-thoughts-left-on-paper poem This is a collection of grammatical errors This would surely make my English teacher cringe But no worries, I didn’t write this for her II. This bad poem is for you May my subject and verb disagreement remind you of all those misunderstandings that lead to raised voices and nights where I cried myself to sleep Sentence construction was never my strength, it still isn’t, maybe that’s why you never truly understood me— called me difficult and bipolar You said that I was too much Did it ever occur to you that you might just misread me, like homonyms, same words but with different meanings misread my jealousy with accusations, my concern for excessive affection You said that I loved you too much but darling, did you even love me at all? Did I put too much meaning on your words, turned them into similes and metaphors? Turned your literal statements into figures of speech You told me that you liked me, so I blissfully interpreted it as a hyperbolic expression— called it love when obviously it wasn’t III. I was never good at using punctuations I put too much commas, unnecessary, misused, I kept trying to hold on Afraid of the inevitable end, Switched to semi-colons in an attempt to make it a few words longer Because despite all our grammatical errors no matter how shameful our piece of literature was to the English language It was beautiful to the untrained eye, To those who read poetry as it is To those who don’t dig deep in search of true meaning behind the metaphors It was beautiful to me But I eventually learned that infinitives and infinities are different, in spite of sharing infinite as the root word Like our love, started with something so promising but unlike most novels, there’s no happy ending So I accepted defeat, accepted the inevitable and bitter end No more committing the same mistakes over and over again, the same words over and over again, Accepted the fact that synonyms existed, words with the same meaning but also entirely different new and unfamiliar, foreign and peculiar IV. I accepted defeat No more commas or semi-colons We have reached the couplet of our free formed sonnet— I was never good with endings, I don’t think I’ll ever be, So darling I hand you the pen, set us both free.
0
Dec 5, 2016
Dec 5, 2016 at 7:31 AM UTC
Untitled
I. This is just another bad poem Just vomited-thoughts-left-on-paper poem This is a collection of grammatical errors This would surely make my English teacher cringe But no worries, I didn’t write this for her II. This bad poem is for you May my subject and verb disagreement remind you of all those misunderstandings that lead to raised voices and nights where I cried myself to sleep Sentence construction was never my strength, it still isn’t, maybe that’s why you never truly understood me— called me difficult and bipolar You said that I was too much Did it ever occur to you that you might just misread me, like homonyms, same words but with different meanings misread my jealousy with accusations, my concern for excessive affection You said that I loved you too much but darling, did you even love me at all? Did I put too much meaning on your words, turned them into similes and metaphors? Turned your literal statements into figures of speech You told me that you liked me, so I blissfully interpreted it as a hyperbolic expression— called it love when obviously it wasn’t III. I was never good at using punctuations I put too much commas, unnecessary, misused, I kept trying to hold on Afraid of the inevitable end, Switched to semi-colons in an attempt to make it a few words longer Because despite all our grammatical errors no matter how shameful our piece of literature was to the English language It was beautiful to the untrained eye, To those who read poetry as it is To those who don’t dig deep in search of true meaning behind the metaphors It was beautiful to me But I eventually learned that infinitives and infinities are different, in spite of sharing infinite as the root word Like our love, started with something so promising but unlike most novels, there’s no happy ending So I accepted defeat, accepted the inevitable and bitter end No more committing the same mistakes over and over again, the same words over and over again, Accepted the fact that synonyms existed, words with the same meaning but also entirely different new and unfamiliar, foreign and peculiar IV. I accepted defeat No more commas or semi-colons We have reached the couplet of our free formed sonnet— I was never good with endings, I don’t think I’ll ever be, So darling I hand you the pen, set us both free.
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56
an anomaly few roots are many roots of the same tree from outside I am within the bark that encloses me here ye here ye! polygonal me mocking you an apology all a'Riddle first due to the very nature my skin my leaf contradictory, the roots they twist on me the vines of me the veins of me my pain you cannot see my pain you cannot see double vision two no three four or infinity to a varying degree my body tis' of thee, tangled up insanity of thee I sing ***** from my fathers side egg from my mothers side brain and heart formaldehyde let my moods swing polygonal me an anomaly normally unnatural and artificially indeed through means of fabrication and good malicious deed confiscatory generous and metaphorically my breed sarcastically scholastic institutionalized branches from the end to my seed divinely soulless constrictedly free interestingly boring grammatical greed desperately selfish slowly with speed movingly static hungry to feed constantly moving polygonal anomaly how many sides to a coin always flipping to a coin always spinning polygonal me transparency just like a tree there are many sides to a story through shadows cannot see the interlocking counterparts elbows, knees, branches on trees. who says they can't get along? I say they have to disagree. why can't they just let it be? why don't you be you?... and me be me me me me. Just like a tree whistling and singing chirping with glee waking me up at 6:30 though shadows cannot see an anomaly sometimes they play tricks on me polygonal me
0
Jun 15, 2012
Jun 15, 2012 at 3:10 AM UTC
polygonal me
an anomaly few roots are many roots of the same tree from outside I am within the bark that encloses me here ye here ye! polygonal me mocking you an apology all a'Riddle first due to the very nature my skin my leaf contradictory, the roots they twist on me the vines of me the veins of me my pain you cannot see my pain you cannot see double vision two no three four or infinity to a varying degree my body tis' of thee, tangled up insanity of thee I sing ***** from my fathers side egg from my mothers side brain and heart formaldehyde let my moods swing polygonal me an anomaly normally unnatural and artificially indeed through means of fabrication and good malicious deed confiscatory generous and metaphorically my breed sarcastically scholastic institutionalized branches from the end to my seed divinely soulless constrictedly free interestingly boring grammatical greed desperately selfish slowly with speed movingly static hungry to feed constantly moving polygonal anomaly how many sides to a coin always flipping to a coin always spinning polygonal me transparency just like a tree there are many sides to a story through shadows cannot see the interlocking counterparts elbows, knees, branches on trees. who says they can't get along? I say they have to disagree. why can't they just let it be? why don't you be you?... and me be me me me me. Just like a tree whistling and singing chirping with glee waking me up at 6:30 though shadows cannot see an anomaly sometimes they play tricks on me polygonal me
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66
Where do thugs go? Who do they run to?  Where do they call home?  Not a house that they go to, but a place where they feel belonged  How do they cope with the scarcity of love?  Thugs, not the kind that most women think they are attracted to; therefore, not the imposers Not the kind who landed at the bottom of the hill, sliding from the top only to scrape off their rot  Not the ones who were born with all the right people in their corners, but boxed them off while trying to fight to be someone that they are not  Thugs, the ones who momma loves? Because he appreciates her worthiness, her works  She's the only real love he ever had since birth  Thugs; who can't really go places because trouble doubles  It multiplies whenever he is with his guys  Because they all know how it feel not to live under a roof  Neither one of them have anything to lose  His dudes are equal to himself cubed  They rely on one another like proofs  And they are radical from the roots  Living in a negative atmosphere trying to multiply it by itself  So that they can make it to where the grass is greener and the sun does shine  The other side of the number line  Where the gunfire and homicides are divided And the dope is reduced  All their lives they have been thinking that they are enduring the truth  That they "cannot amount to nothing and cannot be put to use" They are neck deep in the streets  And the authorities is at their throats like a crew  But nothing around them is cotton  So when their fingers symbolizes a "V" they are only representing the place where they have to be  And they are not weak, but sometimes they wishes that they can take off a week  Black cats can't chase yarn Mexicans don't have a specific day for casual dressing  Asians don't get any waivers  Cubans can't take less hours for a semester of schooling  Haitians don't get vacations  The **** life is given  Difficult to make it As it is to escape it  It's hard to deal  When all they know is reeling in deals  To people who are saltier than Dill's  While at the same time trying to act real... Kosher Without a companion to share meals... How do they find closure? Too busy being tyrannical  Never learned how to be grammatical  So **** just got "worser" Interviewee for a job  Or being suave to a child's mom Besides their eyes, Their oration is just exposure  Not knowing their duration to exist on this surface  Thugs need love  It's hard to tell through his mean-mug  But he's hurting
0
Sep 10, 2013
Sep 10, 2013 at 11:18 PM UTC
Thuggincholia
Where do thugs go? Who do they run to?  Where do they call home?  Not a house that they go to, but a place where they feel belonged  How do they cope with the scarcity of love?  Thugs, not the kind that most women think they are attracted to; therefore, not the imposers Not the kind who landed at the bottom of the hill, sliding from the top only to scrape off their rot  Not the ones who were born with all the right people in their corners, but boxed them off while trying to fight to be someone that they are not  Thugs, the ones who momma loves? Because he appreciates her worthiness, her works  She's the only real love he ever had since birth  Thugs; who can't really go places because trouble doubles  It multiplies whenever he is with his guys  Because they all know how it feel not to live under a roof  Neither one of them have anything to lose  His dudes are equal to himself cubed  They rely on one another like proofs  And they are radical from the roots  Living in a negative atmosphere trying to multiply it by itself  So that they can make it to where the grass is greener and the sun does shine  The other side of the number line  Where the gunfire and homicides are divided And the dope is reduced  All their lives they have been thinking that they are enduring the truth  That they "cannot amount to nothing and cannot be put to use" They are neck deep in the streets  And the authorities is at their throats like a crew  But nothing around them is cotton  So when their fingers symbolizes a "V" they are only representing the place where they have to be  And they are not weak, but sometimes they wishes that they can take off a week  Black cats can't chase yarn Mexicans don't have a specific day for casual dressing  Asians don't get any waivers  Cubans can't take less hours for a semester of schooling  Haitians don't get vacations  The **** life is given  Difficult to make it As it is to escape it  It's hard to deal  When all they know is reeling in deals  To people who are saltier than Dill's  While at the same time trying to act real... Kosher Without a companion to share meals... How do they find closure? Too busy being tyrannical  Never learned how to be grammatical  So **** just got "worser" Interviewee for a job  Or being suave to a child's mom Besides their eyes, Their oration is just exposure  Not knowing their duration to exist on this surface  Thugs need love  It's hard to tell through his mean-mug  But he's hurting
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53
Our World is so ****** the gulf is crying out in oil suds mixed Fossil Fuels -all-       -gone- -dry- In this heat wave they speak, as I                                     kick           leaves in  duck-taped strides, I wish I could fall-lie         As Hermes dives to the side of every Poet's cry...        There is a voice to be heard. A                distant train silhouette  in the mismatched    sentence, yes tell us why? Curious as Cat-In-Hat, mischievous                                                                 as This-Or-That, where would the power dream? Of       Us             Worthy, of what we feel inside, a -survival kit, -a heart's wish or a -simple stitch..    of eloquent words and sighs.                     To Bee,          what,                    It ought To Be.
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Nov 28, 2012
Nov 28, 2012 at 4:23 PM UTC
Grammatical Error
The simple answer is they were just stories masquerading as promises: I love you, misunderstood application Alcohol, induced honesty Hands, need no prompting Making love, choreography Compliments, grammatical recitation Place in your heart, the corner lining.
0
Feb 26, 2013
Feb 26, 2013 at 7:17 PM UTC
If It's [Not] Love
I will love you with no regards as to who you've loved before me. No matter who has tasted your oh so precious lips before they met mine. I will love you no matter who hates you or who loves you, or who loves hating you. I will love you no matter who you love or who you hate, or who you hate loving. I will love you no matter what a certain group of people say about us, even if this certain group of people are your friends, my friends, or our parents. I will love you as a novel loves being read and as the reader loves reading a certain quote that he found on the internet that convinced him to buy the novel and how that certain quote loves being revised online as to fool someone's followers on Twitter that it was his own. I will love you no matter how many typos you have when drunk texting me, or drunk texting someone else who, I hope to God, isn't your ex. I will love you no matter what songs you sing in the shower, no matter how wrong the lyrics are or if you're out of tune, or even if you don't take showers at all. I will love you as a graphic artist loves drawing his favorite stroke, even if his professor says it's not the right way it should be done. I will love you as a certain DJ loves playing his favorite remix, even if the crowd hates The 1975 remixes because they're too biased to appreciate it. I will love you no matter what bands break up next year and no matter what bands get back together and pull out another Fall Out Boy. I will love you even if the clowns stop laughing at their own jokes, even if the priests start questioning their own homily sermons, or even when the masses stop laughing at the priest's jokes at homily. I will love you even if you stop correcting my works even when you grow tired of my mistakes, not only my grammatical ones but the ones I make literally. I will love you no matter what color your hair is or if you wear contacts to sleep or not. I will love you even if you stop tracing my lips as I fall asleep beside you, even if you steal the blankets at the coldest of nights. I will love you even if you regret meeting me and that you allowed me to woo you with my saccharine tongue. That is how I will love you, so please just don't regret loving me.
0
Sep 7, 2015
Sep 7, 2015 at 2:52 AM UTC
To My Kind Editor
I will love you with no regards as to who you've loved before me. No matter who has tasted your oh so precious lips before they met mine. I will love you no matter who hates you or who loves you, or who loves hating you. I will love you no matter who you love or who you hate, or who you hate loving. I will love you no matter what a certain group of people say about us, even if this certain group of people are your friends, my friends, or our parents. I will love you as a novel loves being read and as the reader loves reading a certain quote that he found on the internet that convinced him to buy the novel and how that certain quote loves being revised online as to fool someone's followers on Twitter that it was his own. I will love you no matter how many typos you have when drunk texting me, or drunk texting someone else who, I hope to God, isn't your ex. I will love you no matter what songs you sing in the shower, no matter how wrong the lyrics are or if you're out of tune, or even if you don't take showers at all. I will love you as a graphic artist loves drawing his favorite stroke, even if his professor says it's not the right way it should be done. I will love you as a certain DJ loves playing his favorite remix, even if the crowd hates The 1975 remixes because they're too biased to appreciate it. I will love you no matter what bands break up next year and no matter what bands get back together and pull out another Fall Out Boy. I will love you even if the clowns stop laughing at their own jokes, even if the priests start questioning their own homily sermons, or even when the masses stop laughing at the priest's jokes at homily. I will love you even if you stop correcting my works even when you grow tired of my mistakes, not only my grammatical ones but the ones I make literally. I will love you no matter what color your hair is or if you wear contacts to sleep or not. I will love you even if you stop tracing my lips as I fall asleep beside you, even if you steal the blankets at the coldest of nights. I will love you even if you regret meeting me and that you allowed me to woo you with my saccharine tongue. That is how I will love you, so please just don't regret loving me.
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14
When I was small, I had the idea that I wanted a fairy tale love story with a brave prince to save me, take me in his arms and ask me to be his, but I don’t want that anymore. I want the imperfections, the awkwardness. I don’t want you to be my prince charming. I want you as you are. I want my awkward white boy from the Midwest who likes video games, sports, and sings like an angel. So sing to me, because if eyes are the windows to the soul then your voice is a door flung wide open. And when I thought all my doors where closed you invited me in for Chick Fil A and lemonade. It just wasn’t going through my thick head. You were dropping hints harder than boulders and it took me awhile, but I finally cracked on a Pokémon poem, which you didn’t write, but the words were just as sweet as ones of your own. I was oblivious to your advances, but they say love is blind. So I want to be lost like Helen Keller in an Ikea. And while I am there, I will pick out a bookshelf for him to build and we will share stories by the glow of the fire. The essence of your presence is like smoke and as fleeting as a dream on the precipice of sleep. You are like the ‘Q’ words in Scrabble. You don’t come around often, but when you do, it’s pretty rewarding. I wanted to learn every combination of your letters, but I was careful of my spelling because I knew your grammatical ways. Show me chivalry is not dead. Prove the world wrong, stare it in the face, turn the other way and take me in your arms. Instead of a superman in tights, you will be my savior in gym shorts because that is much more real than a dragon slaying demigod.
0
Aug 18, 2013
Aug 18, 2013 at 12:10 AM UTC
Remember Love in the Little Things
When I was small, I had the idea that I wanted a fairy tale love story with a brave prince to save me, take me in his arms and ask me to be his, but I don’t want that anymore. I want the imperfections, the awkwardness. I don’t want you to be my prince charming. I want you as you are. I want my awkward white boy from the Midwest who likes video games, sports, and sings like an angel. So sing to me, because if eyes are the windows to the soul then your voice is a door flung wide open. And when I thought all my doors where closed you invited me in for Chick Fil A and lemonade. It just wasn’t going through my thick head. You were dropping hints harder than boulders and it took me awhile, but I finally cracked on a Pokémon poem, which you didn’t write, but the words were just as sweet as ones of your own. I was oblivious to your advances, but they say love is blind. So I want to be lost like Helen Keller in an Ikea. And while I am there, I will pick out a bookshelf for him to build and we will share stories by the glow of the fire. The essence of your presence is like smoke and as fleeting as a dream on the precipice of sleep. You are like the ‘Q’ words in Scrabble. You don’t come around often, but when you do, it’s pretty rewarding. I wanted to learn every combination of your letters, but I was careful of my spelling because I knew your grammatical ways. Show me chivalry is not dead. Prove the world wrong, stare it in the face, turn the other way and take me in your arms. Instead of a superman in tights, you will be my savior in gym shorts because that is much more real than a dragon slaying demigod.
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44
I want to be fluent in your body language I'm craving to speak the words of your fingers but I'm running out of time I need to know all the adverbs and adjectives that describe your ****** features Tell me, please, the nouns you like to be called When your chest is against mine I'm scared of the verbs you'll do to me But I'm infatuated with your invisible lust So it excuses all your grammatical crimes
0
Aug 25, 2014
Aug 25, 2014 at 11:14 AM UTC
Euphoric Exotica
Too yu tis may seam wrong Two a child with dyslexia it's not Quick to point out to too or two! Where were or wear or there their Your grammatical prowese is a wonderful thing, the way you look down on those beneath Sad to say for you It's to late as the **** party no lomger exists! They can't all be as perfect as you And for that I'm as happy as a fool!
0
May 22, 2014
May 22, 2014 at 6:17 AM UTC
Grammar ****
Remember how you begged to play?                       You practiced and worked so hard,                       Remember how disappointed you were                       When they laughed you out of the yard?                       You thought there was something wrong with you,                       You bravely asked what it was?,                       As if you were a child,                       Those cowards said.... It’s “because,”       Because?  Just…“because”,       “That’s all!”                       Did they think that would make you fall?                       So cruel,                       So quick,                       It took no time,                       Because,                       No one ever asked them, “why”?                       “Because”                        They don’t even know the function!                        “Because”, A subordinating grammatical conjunction!                         Without a sentence,                         Without a reason,                         You were supposed to stop and believe them,                         Believe what fools can hardly say,                         But you knew all along,                         There was nothing the matter with you                              "Because",                         They were completely wrong                          © B L Costello 2018
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Jul 25, 2018
Jul 25, 2018 at 9:42 PM UTC
COMPLETELY WRONG
Remember how you begged to play?                       You practiced and worked so hard,                       Remember how disappointed you were                       When they laughed you out of the yard?                       You thought there was something wrong with you,                       You bravely asked what it was?,                       As if you were a child,                       Those cowards said.... It’s “because,”       Because?  Just…“because”,       “That’s all!”                       Did they think that would make you fall?                       So cruel,                       So quick,                       It took no time,                       Because,                       No one ever asked them, “why”?                       “Because”                        They don’t even know the function!                        “Because”, A subordinating grammatical conjunction!                         Without a sentence,                         Without a reason,                         You were supposed to stop and believe them,                         Believe what fools can hardly say,                         But you knew all along,                         There was nothing the matter with you                              "Because",                         They were completely wrong                          © B L Costello 2018
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MENTAL PATIENT WRITING SOMETHING Ayad Gharbawi February 19, 2010 – Damascus, Syria I love you all you Or, all of you I guess I should write Properly Happy ones Yes you! Living you all Drinking air Vacuous nonentities Am I describing myself or yourselves? Supreme in my brutal Powerlessness Inertia is my magnificent pulse Loss is my definition That defines My dumbest elemental stench I live to see so-called teeth grinding My teeth Actually I talk about Am I being grammatical correct for you all? Worms satanic Within Eyeballs melting from Sorrrow And they then Continually Keep Bleeding and looking fractured and pale Didn’t Sane People Tell me Eyes are Souls into Our lost Selves? Or, something similar? Weeping Nerves That are To dry To move Without a breakdown I am scared, in a bed, a room I involuntarily break my idiotically stretched lips So, I become shy From you all onlookers Doctors and Visitors Or Relatives? Who’s who here? And, If I fake That pointless Smile For any ashamed passerby A sad banner Shall be there - Announcing my Smashed structure And functionless music Will tell you my homeless address Of my abandoned Mind and Flesh. -----
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Feb 19, 2010
Feb 19, 2010 at 9:04 AM UTC
MENTAL PATIENT WRITING SOMETHING - Ayad Gharbawi
i found two things bewildering, alzheimer's attacks the pronoun category, and other forms of it too, but modern psychiatry having abolished asylums for a humane revision of its practice has become a branch of medicine that over-prescribes nouns, and by such over-prescription invents noun jargon, it cut open an ancient greek word, used the prefix (overly) and added a suffix (sufficiently) to make no sense whatsoever, it prescribes neonouns like it prescribes pills that don't work... or if working then in a negative way... anti-psychotics can make you **** yourself in your bed when sleeping, i've been drinking for some time, and my bladder is arnold schwarzenegger, when i used to be on anti-psychotics for no adequate reason (living in a post-colonial society does that to you, you can come from lithuania or poland and be treated like a would-be coloniser to extract the fastest sprinters for a new country, without the "doctors" treating you adequately), so as i said: alzheimer's attacks the pronouns, the iron core of the earth that's an individual thus dislodging all the adequate orientations of categorisations of words... like psychiatry abuses the noun category: schizoid, schizo-affective, plain dumb schizophrenic... bi-polar, uni-polar, plain dumb depressed... psychiatry has long established a monopoly on nouns... i just use their terminology to excavate a new grammatical categorisation of words, from poetry, among nouns adjectives pronouns and conjunctions... you'll find psychiatry nicely suited and booted as a word categorisation: metaphor: all psychiatric diagnostics should be categorised as metaphorical... 'cos they name it... but have no idea as to how to behave behind it: it's not like they say cancer and you're expected to die... you're expected to live in their terminology of treating you for a ******* pay-cheque: you won't even commit a crime, but they'll treat you like a criminal... so long suckers... i mean western europeans, i rather live in (as the americans say) i-raq... and shoot a bunch of you protected by what i see as the final solution you thought was once church v. state... how about segregating democracy (the church) from bureaucracy (the state)... but of course the two are mutually dependent.
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Jan 30, 2016
Jan 30, 2016 at 7:19 PM UTC
democracy (the church) / bureaucracy (the state)
i found two things bewildering, alzheimer's attacks the pronoun category, and other forms of it too, but modern psychiatry having abolished asylums for a humane revision of its practice has become a branch of medicine that over-prescribes nouns, and by such over-prescription invents noun jargon, it cut open an ancient greek word, used the prefix (overly) and added a suffix (sufficiently) to make no sense whatsoever, it prescribes neonouns like it prescribes pills that don't work... or if working then in a negative way... anti-psychotics can make you **** yourself in your bed when sleeping, i've been drinking for some time, and my bladder is arnold schwarzenegger, when i used to be on anti-psychotics for no adequate reason (living in a post-colonial society does that to you, you can come from lithuania or poland and be treated like a would-be coloniser to extract the fastest sprinters for a new country, without the "doctors" treating you adequately), so as i said: alzheimer's attacks the pronouns, the iron core of the earth that's an individual thus dislodging all the adequate orientations of categorisations of words... like psychiatry abuses the noun category: schizoid, schizo-affective, plain dumb schizophrenic... bi-polar, uni-polar, plain dumb depressed... psychiatry has long established a monopoly on nouns... i just use their terminology to excavate a new grammatical categorisation of words, from poetry, among nouns adjectives pronouns and conjunctions... you'll find psychiatry nicely suited and booted as a word categorisation: metaphor: all psychiatric diagnostics should be categorised as metaphorical... 'cos they name it... but have no idea as to how to behave behind it: it's not like they say cancer and you're expected to die... you're expected to live in their terminology of treating you for a ******* pay-cheque: you won't even commit a crime, but they'll treat you like a criminal... so long suckers... i mean western europeans, i rather live in (as the americans say) i-raq... and shoot a bunch of you protected by what i see as the final solution you thought was once church v. state... how about segregating democracy (the church) from bureaucracy (the state)... but of course the two are mutually dependent.
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i know what the problem with poetry is... it’s like nick harper tuning the piano or tenacious d playing the one note song... it’s almost like had i the grace (#d) to fathom the craze (#d) of each acknowledging stare (#a) we shared: i guess i’d fare (#a) much closer to the stardom (#b) of what i can fathom (#b)... lead -ed red well fed... ya ya yawn. apart from the humanities subjecting an art via mutilating the one original craft of spontaneity with such excess of scalpel and anaesthetic as “discovered” theory... no expression of language has as many “grammatical” words to define its learning / interpretation as poetry... whatever verb has against pronouns to make us anonymous by excluding a personal stance of nouns... so has poet against verbs to make us anonymous by excluding a metaphor personalised given the nouns. well one note does sound “serene” giving the rhyme couplet when in music just the same old repeat of the so called rhythm: of a church at 11pm, i.e. poetry is ruined by rhyme... rhyme kills rhythm of spontaneity... and i'd hate to make poetry the ***** of predictability of £110 an hour £10 extra for oral *** performed on her... enter the realm of rhyme and you enter a cul de sac: i was headbanging, unsure whether it was the music that got me started or the echo of my head autographing a brick wall as a way to find teeth in a woodpecker's beak.
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Dec 1, 2015
Dec 1, 2015 at 9:13 PM UTC
dzieńcioł / dzięcioł
Have you decided it? The name of your mascot? The hair colour? The eyes? The hair style? The skin tone? The character race? Nationallity? Have you? "Just do it as you wish" — that's how you respond to my question But no, I won't do that Because for me — Original Character or Mascot is something that resembles you the most Why do I bother myself to make one for you? Because no, I'm not too good in writing, also in english — far below your ability, I often do some grammatical errors But I'm quite good in expressing my feelings, memories, emotions on drawings — a picture that represent a thousand words And for me who have been living a lie — hiding behind this fake smile, my world is an empty place But you've seen the other side of me, and instead of leaving you nurture it You give me strength with these memories, my feelings with you That was the the realest side of me, where I finally can be honest to myself So please, answer my question And let me draw your mascot Let me believe that it's true, our memories, our feelings, our emotion Then carve these beautiful memories of us eternally, where I can find it really lively when I started to get drowned again in my living lie Because without you that memory is nothing more than just an imagination
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Feb 17, 2016
Feb 17, 2016 at 11:56 AM UTC
Mascot
I'M GLAD YOU think there's more to me than this I'm glad that when the sun shines it shines right onto your back I'm glad it darkens your skin and brightens your mood I'm glad we are complete opposites you smile at me and I smile back you'll never be as neat as me I'M GLAD YOU say you love me I'm glad that you love me I'm glad you think you do I'm glad that I'm not sure if I love you it's easier this way we stay, ok, we don't, cool nothing really matters to me I'd rather be halfway than completely hindered I'd rather be halfway than completely hindered I'd rather be halfway than completely hindered
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Oct 13, 2015
Oct 13, 2015 at 4:19 PM UTC
hinderance: me, you, and grammatical incorrect poems that mean nothing other than I Should Leave You
e3Author: Kristen Stevens Tuesday, May 05, 2009 happy thoughts Current mood: blissed out Going to try something new for this one. I'm going to be happy or an approximate facsimile of it. Now you may ask, how does one go about getting into a happy frame of mind? -Well, I find browsing the bumper sticker app is a good way if you are using your computer as a sole ***** of happiness. -Watching the HMV hell video on my main page makes me giggle like the school girl (let's face it I was never a giggly school girl but the metaphor works) -Thinking about how few people will actually survive the coming zombie apocalypse due to their utter stupidity finally catching up with them. (oh, I believe I’m getting giddy now) -2012 because whatever is/is not going to happen people are going to lose their minds and well, I call it culling of the genetic herd. -Milk, it does a body good. (I know, I know for any grammatical stickler out there it should be “does…well” but that’s not the line) -Dr. Who, although I’m still waiting for my TARDIS boarding pass one day my doctor will come Ok I’m going to quit now. If I get any happier, I might do some permanent damage to my cynical synapses. contented sigh
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Sep 21, 2010
Sep 21, 2010 at 8:35 AM UTC
happy thoughts
Is that an exclamation mark ! or an explanation mark ! when Life,  is in a comma, and all alphabets seems to have broken their legs, The word is  the only hope of life; also one word answers ; like Life, love, lust, birth, death; No grammatical errors; Still the sentence is wrong; hope is  in  comma, Love is in a   semi column; Struggling for life. pages have been removed; Cancer cells are dotted lines…. ending with an explanation mark! exclamation mark !! * ** By Williamsji Maveli Email [email protected] **
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Jan 25, 2013
Jan 25, 2013 at 10:12 AM UTC
Life is in a comma,
Take the words out from my mouth please chew them well, don't spit them out Swallow them deep into your throat let them circulate, let them float into your mind, into your heart with my words          inside you, we'll never part         and if the time comes that you should speak in sharp punctuation across my cheek know that I might, for a second, hold my tongue before it unfurls    and becomes undone it might lash out in a burning sting from the shock of              the lexicon that fervor brings but then rage will melt upon our lips in satin threads                  of fire that burn their tips and no temporary storm will declare our pain in language sacred, and then                profane I'd rather bind my lips to yours let the waves rise up            on speech's shores let the tides of forgiveness spill out in phrases as the moon whispers bliss in hidden phases and we'll forget our periods and commas and grammatical structures as polished vernacular       turns to animal lustre as we slide to the floor verbal cannons unfired,                              unheard finally at      a loss for              words
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Aug 15, 2016
Aug 15, 2016 at 5:08 PM UTC
Eat My Words
So, this is the poem that I will end up writing when no other poem is willing to do the work. This is the poem I write when I'm past not being able to sleep and I'm beyond even trying. This is born of body burnout. This unfolds as I unpack myself from bags beneath by eyes.This is an ugly poem unfolding from ugliness. In this poem, I'll make an ambiguous allusion to someone who is missing. The kitchen feels suddenly too small. This may be one of a few kinds of resentful: parental, psychosocial, rebel-without-a-cause sentimental but the poem blames something for what it is. This poem is to say I am not a talented poet. I'm a poet with a stammer, a non-poet, speech impaired, a poet with neither the rage nor the riot. So this poem may even plagiarise, for not even poets have measured how much the heart can hold. -Zelda Fitzgerald. This poem throws itself down the stairs. It burns down the asylum with stolen words inside. How do I urge this poem to do better? I can't, I can only keep writing it. Writing out my resentment, my restlessness. Wretchedness, Wanting. I can even break linguistic, grammatical and syntactical regulations By capitalising some arbitra- ry Words and messing with enjambewhatnow. This poem has found a neologism. In this poem I CAN RAISE MY VOICE for my wanting, and then in the same poem shut my voice into a music box to leave on your nightstand. This poem has managed a neat trick. Illusion? Some rhetoric magic. Some see a rabbit appear from nowhere. Others see a girl being sawed in half. . The best (- though, at what?) could see both but know it's not really about that. They know it's about appearing as something that are you not and that's a craft in itself. As I or this poem already told you, I am not a talented poet. I am just a girl masquerading as someone she's not, because she doesn't know what she is yet or wants to be or could be, yet. She and this poem may seem to have more to them, to be even interesting, but both are waiting for you to grow bored. "
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Jan 4, 2015
Jan 4, 2015 at 1:22 PM UTC
This Poem
So, this is the poem that I will end up writing when no other poem is willing to do the work. This is the poem I write when I'm past not being able to sleep and I'm beyond even trying. This is born of body burnout. This unfolds as I unpack myself from bags beneath by eyes.This is an ugly poem unfolding from ugliness. In this poem, I'll make an ambiguous allusion to someone who is missing. The kitchen feels suddenly too small. This may be one of a few kinds of resentful: parental, psychosocial, rebel-without-a-cause sentimental but the poem blames something for what it is. This poem is to say I am not a talented poet. I'm a poet with a stammer, a non-poet, speech impaired, a poet with neither the rage nor the riot. So this poem may even plagiarise, for not even poets have measured how much the heart can hold. -Zelda Fitzgerald. This poem throws itself down the stairs. It burns down the asylum with stolen words inside. How do I urge this poem to do better? I can't, I can only keep writing it. Writing out my resentment, my restlessness. Wretchedness, Wanting. I can even break linguistic, grammatical and syntactical regulations By capitalising some arbitra- ry Words and messing with enjambewhatnow. This poem has found a neologism. In this poem I CAN RAISE MY VOICE for my wanting, and then in the same poem shut my voice into a music box to leave on your nightstand. This poem has managed a neat trick. Illusion? Some rhetoric magic. Some see a rabbit appear from nowhere. Others see a girl being sawed in half. . The best (- though, at what?) could see both but know it's not really about that. They know it's about appearing as something that are you not and that's a craft in itself. As I or this poem already told you, I am not a talented poet. I am just a girl masquerading as someone she's not, because she doesn't know what she is yet or wants to be or could be, yet. She and this poem may seem to have more to them, to be even interesting, but both are waiting for you to grow bored. "
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